Korg TRITONRACK User Manual

About this manual
This manual explains the new features and functions that have been added in the new TRITON-Rack operating sys­tem version 1.5, and how this new system has been improved relative to the previous system.
Multi mode, Disk mode, and Sampling mode are each cov­ered in separate chapters, and the functions that apply to more than one mode are covered in the chapter entitled “Other new functions.”
In this manual, the explanations of the additions and changes are organized to correspond with the appropriate sections of the “Basic Guide” and “Parameter Guide” that are included with the TRITON-Rack.
Conventions in this manual
: Indicates an addition or change to the “Parameter
Guide,” and shows the corresponding page.
: Indicates an addition or change to the “Basic Guide,”
BG
and shows the corresponding page.
PG: The “Parameter Guide” is abbreviated as PG. BG: The “Basic Guide” is abbreviated as BG.
Other conventions are the same as used in the “Parameter Guide” or “Basic Guide.”

Major new functions of version 1.5

TRITON-Rack operating system version 1.5 adds a variety of new functions.
Multi mode
“Copy from Combination” utility menu command
An “Auto adjust Arp for Multi REC” option has been added to the “Copy from Combination” utility menu command. When you are using an external sequencer to record a per­formance that uses the TRITON-Rack’s arpeggiator, this option will automatically optimize the settings by adjusting the MIDI channel of certain tracks and by adding tracks as necessary. This will ensure that the playback performance will be identical to the one recorded. In addition, only the timbres that are actually used by the combination will be copied into the multi when this command is executed.
Disk mode
Loading .PCG/.SNG files from the KARMA Music Work­station or TRITON Le
Sound data (.PCG files) and song data (.SNG files) from the KARMA Music Workstation (version 1.0 and version 2.0) and from Triton Le can now be loaded into the TRITON­Rack.
“Load PCG(RAM) and Samples” utility menu command
A “Load PCG (RAM) and Samples” utility menu command has been added. This command loads only the programs and drum kits from a given .PCG that use RAM samples, and the combinations and multis that use these programs. This command is useful when you want to edit programs or combinations that use RAM samples. This also provides an efficient way to load data from TRITON format sample CDs available from third party vendors.
Sampling mode
Individual output for the metronome
The “Count Down REC Metronome” can be routed to one of the individual outputs, so that the metronome will continue to sound while you are sampling. This is useful when you are sampling a phrase or other sound that must be matched to the tempo of your song.
Other new functions
Tap tempo control
You can use the front panel [ENTER] key as a tap tempo control. Lightly press the key at the desired tempo to make realtime adjustments to the arpeggiator tempo, to any BPM or tempo based effects, or to the pattern playback tempo of a multi.
* Company names, product names, and names of formats
etc. are the trademarks or registered trademarks of their respective owners.

Updating the system

You can update your TRITON-Rack to version 1.5 via the internal floppy drive, by loading TRITON-Rack version 1.5 operating system files from DOS-formatted floppy disks.
If your TRITON-Rack is currently using an operating system earlier than version 1.5.0, use the following procedure to update your unit.
* The current operating system is displayed in the lower
right of the TRITON-Rack LCD screen when you turn the power on.
To obtain the “TRITON-Rack Operating System Version
1.5,” please contact the KORG distributor in your country or download the latest version from: “http://www.korg.com/” To find your local Distributor go to: “http://www.korg.co.jp/English/Distributors/index.html”
Updating the TRITON-Rack operating system
You will need to have the “TRITON-Rack Operating System Version 1.5” system files saved on three 2HD MS-DOS floppy disks.
1 While holding down the TRITON-Rack’s [ENTER] key
and [WRITE] key, turn on the power.
2 The LCD screen will indicate “Please insert System 1
disk.” Insert the “O.S. Version 1.5 - Disk #1” disk into the floppy disk drive.
3 The system will automatically begin loading, and the fol-
lowing messages will appear in the LCD screen. “Now loading ...”
“Now erasing ROM” “Checking the system’s check sum”
4 The LCD screen will indicate “Please change to System 2
disk.” Remove the first disk, and insert the “O.S. Version
1.5 - Disk #2”
5 The same messages as in step 3 will appear , and then the
screen will indicate “Please change to System 3 disk.” Remove the second disk, and insert the “O.S. Version 1.5
- Disk #3”
6 After the Operating System has been updated, the fol-
lowing messages will appear in the LCD screen: “Checking system’s check sum”
“System load was completed” After the update has been successfully completed, the
TRITON-Rack will re-start using the new operating sys­tem.
If a disk error is displayed during this process, remove the disk and turn off the power of the TRI­TON-Rack. Then perform the system update proce­dure once again from step
Do not touch the switches or other controls of the TRI­TON-Rack while the system is being loaded, and never turn off the power of the TRITON-Rack during this process.
1.

Multi mode

Copy from Combination

The explanation for the “Copy From Combi” utility menu command has changed as follows. In system version 1.5, “Copy From Combi” now has an “Auto adjust Arp for Multi REC” option. When you execute the command, only the timbres that are actually used by the combination will be copied into the multi. Tracks corre­sponding to timbres not being used in the combi will be turned off.
The explanation in “Parameter Guide” Copy From Combi (1.1-1d
PG p.51) will change as follows.
Copy From Combi (Copy from Combination)
This command copies the parameter data from a specific combination to the settings of the currently selected multi. When you execute “Copy From Combi,” only the timbres that are used by the combination will be copied.
1 Choose “Copy From Combi” to access the dialog box.
2 In “Combi,” select the copy-source combination. 3 If you check “with Effects,” the insert effect, master
effect, and master EQ settings will also be copied.
4 In “To,” select the copy-destination tracks (1–8 or 9–16). 5 If you selected “Track 1 to 8” in the “To” field in step 4,
you can choose the “Auto adjust Arp for Multi REC” option. This option automatically adjusts the MIDI chan­nel of certain tracks and adds tracks as necessary to ensure that when a performance using the TRITON­Rack’s arpeggiator is recorded onto an external sequencer, the performance r eproduced during playback will sound the same as when it was recorded.
These settings are applied according to the ARPEG­GIATOR [ON/OFF] state of the combination. If you copy from a combination that was written to memory with the arpeggiator turned off, this command will assume that the arpeggiator will be turned off for the multi as well. If you want the arpeggiator to be turned on in the multi, you must write the combination to memory with the arpeggiator turned on before using the “Copy from Combi” command.
If this option is checked, the MIDI channels etc. of the tracks will be adjusted automatically as necessary.
For details on the settings that will be adjusted, refer to “About the settings that are adjusted by ‘Auto adjust Arp for Multi REC’.” Depending on the set­tings of the combination, you may also need to make further adjustments to the track settings.
6 Press the [F8] (“OK”) key to execute the copy. If you
decide not to copy the data, press the [F7] (“Cancel”) key. When you execute this command, the settings of the cur­rent multi will be erased, and replaced by the settings of the combination.
About the settings that are adjusted by “Auto adjust Arp for Multi REC”
If you execute the “Copy From Combi” utility menu com­mand without checking the “Auto adjust Arp for Multi REC” option, turn on the TRITON Rack’s arpeggiator, and perform multi-track recording on a connected external sequencer, it may not be possible to play back the perfor­mance the same way it was recorded.
Multiple tracks that are set to the same MIDI channel will be combined into a single stream of performance data during recording. If you are recording on a track assigned to the same MIDI channel as another track that is being played by the arpeggiator, the data being played by the arpeggiator will be combined with the data you are playing manually, and will be played by every track that is assigned to that channel (if “Status” is INT). To avoid this situation, you can change the MIDI channel of the track that is being played by the arpeggiator, and then create a track that will trigger the arpeggiator.
If your performance is not reproduced accurately during playback, please check the following points.
If you have checked the “Auto adjust Arp setting for Multi REC” option in the “Copy From Combi” utility menu command, (and the combi being copied was saved to memory with the arpeggiator turned on) these changes will be executed automatically. Nor­mally you should check this option when using this command. In this case, the adjustments described below will not be necessary, but you can verify the content of the automatic changes here.
•MULTI 6.1: Arp., Set..8 page “Assign” and “Arpeggiator Run” A and B settings
•MULTI 3.1: Param1, MID..8 page “MIDI Channel” settings
If “Arpeggiator Run” A and B are checked and the arpeggiator is assigned to a track, check whether “MIDI Channel” is set to other than 01.
This shows the case when the global MIDI channel (GLOBAL 2.1: MIDI, MIDI page “MIDI Channel”) is
01.
Arpeggiator Run MIDI Channel *1 Adjustment If either “A” or “B”
is checked
If both “A” and “B” are checked
*1 If every one of the multiple tracks operating the
arpeggiator is set to “MIDI Channel” 01, refer to the “01 only” row. If “MIDI Channel” is set to 01 and some other channel (e.g., 01 and 02, or 01 and 03), then refer to the “01 02, 01 03, etc. row. If “MIDI Channel” is set to 01 and multiple other MIDI channels, then refer to the “01 02 03 etc.” row.
01 only adjustment needed 01 02, 01 03, etc. adjustment not needed 01 only adjustment needed 01 02, 01 03, etc. adjustment needed for only one 01 02 03, etc. adjustment not needed / needed*2
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