TECHNICAL DATA / COLOR PAPER
K OD AK PR OFESSIONAL
ULTRA III P aper
January 2003 • E-142
—NOTICE—
KODAK PROFESSIONAL ULTRA ENDURA Paper replaces
KOD AK PROFESSIONAL ULTRA III P a per. ULTRA ENDURA
Pape r also pro vi des an alt ernat iv e to K ODAK PROF ESSI ONAL
Digital III Color Paper
KODAK PROFESSIONAL ULTRA III Paper is a fast,
resin-coated multilayer paper for optical printing of color
negatives or internegatives. It provides the higher contrast
needed for such commercial applications as
point-of-purchase and trade-show materials and large
display prints. It offers consistent, high-quality output for
greater productivity and less waste. It is optimized for
commercial applications and is designed for printing with
automatic printers or enlargers.
Use KODAK EKTACOLOR RA Chemicals for Process
RA-4 to process this paper.
This paper replaces KODAK EKTACOLOR ULTRA II
Paper. It is available in sheets and rolls in F (glossy ),
E (fine lustre), and N (smooth lustre) surfaces.
ULTRA III Paper incorporates a number of technical
improvements. It provides higher color saturatio n and more
accurate colors than EKTACOLOR ULTRA II Paper. Labs
will benefit from its improved latent-image keeping, reduced
heat sensitivity, and excellent print consistency due to
improved reciprocity.
Compared to EKTACOLOR ULTRA II Paper, this paper
offers these features:
FEATURES BENEFITS
•Improved color
reproduction
• Improved highlight
reproduction
• Improved shadow
rendition
• Excellent reciprocity
characteristics
• Faster red printing speed • Higher productivity for
• More accurate reds, greens,
and magentas
• Brighter blues and cyans
• More satur ated yellows
• Truer reproduction of high-key
scenes
• Cleaner highlights
• More retention of detail in
shadows
• Easier matching of color
balance and saturation in prints
regardless of the degree of
enlargement
• Improved first-print yield from
under- and overexposed
negatives
• Easier dodging and burning
enlargements
FEATURES BENEFITS
• Excellent latent-image
keeping from 1 minute to
24 hours
• Optimized spectral
sensitivity
• Elimination of print-ou t
and thermal yellowing
• Improved processing
consistency in the lab
• Better alignment between
paper, film dyes, video
analyzer, and printer spectral
response
• Improved printing compatibility
and image quality with KODAK
PROFESSIONAL Films
• Longer print life under dark
storage conditions
STORAGE AND HANDLING
Store unexposed paper at 13°C (55°F) or lower in the
original sealed package. High temperatures or high humidity
may produce unwanted quality changes.
To avoid moisture condensation on paper that has been
refrigerated, allow it to warm up to room temperature before
opening the package. For best results, remov e the paper from
cold storage the day before you use it, or allow the paper to
warm up for the appropriate time from the following table.
Warm-Up Times (Hours) to Reach
Room Temperature of 21°C (70°F)
From a Storage
Size
8 x 10-inch
(100-sheet box)
16 x 20-inch
(50-sheet box)
20 x 24-inch
(50-sheet box)
8-inch x 575-foot roll 10 7 4
30-inch x 100-foot roll 8 6 4
40-inch x 100-foot roll 9 7 5
Handle paper carefully by the edges. The paper is
packaged with the emulsion side of all sheets facing in the
same direction. For complete light and moisture protection,
use the inner bag and the two-part cardboard box t o store the
paper.
Temperature of
–18°C
(0°F)
432
322
322
2°C
(35°F)
13°C
(55°F)
©Eastman Kodak Company, 2001
DARKROOM RECOMMENDATIONS
Handle this paper in total darkness. Be sure that your
darkroom is lighttight. Eliminate stray light from enlarger
heads, timers, LEDs, etc.
Note: Usin g a safelight will affect your results . If absolutely
necessary, you can use a safelight equipped with a KODAK
13 Safelight Filter (amber) with a 7
1
⁄2 -watt bulb. Keep the
safelight at least 4 feet (1.2 metres) from the paper. Run tests
to determine that safelight use gives acceptable results for
your application.
EXPOSURE
Printing Equipment
Expose this paper in automatic printers or enlargers
equipped with tungst en or tungs ten-h alogen light so urces o r
photo enlarger lamps (e.g., No. 212 or 302). Set up and
balance the printer or enlarger according to the
manufacturer’s instructi ons .
Do not use fluorescent lamps to expose this paper. Use a
heat-absorbing glass to remove infrared radiation. Because
voltage changes affect light outpu t and color quality, use a
voltage regulator.
Keep negatives and the equipment optical system clean.
Mask negatives to eliminate stray ligh t. You can use the
white-light or the tricolor exposure method.
White-Light Exposure Method
Control color balance with dichroic filters built into the
printer or enlarger, or with KODAK Color Printing (CP)
Filters (Acetate) placed between the lamp and the negative.
You can use any number of filters between the light source
and the negative. If you use cyan filtration, use filters with
the suffix “-2” (e.g., “CP10C-2”).
1. Start with a filter pack of 50M + 70Y to make a test
print.
2. Evaluate the test print under light of the same color and
brightness that you will use to display th e final print.
(See “Viewing”.)
3. Judge print density first. If necessary, make another
print by adjusting the exposu r e as recommended in the
table below:
4. Then judge the color b alance. You can use the KODAK
Color Print Viewing Filter Kit, KODAK Publication
No. R-25, to evaluate your test print. The kit con tain s
18 color-print viewing filters and instruction s to help
you determine filter adjustments for the white-light
exposure method.
If your
print is
CYAN
MAGENTA
YELLOW
RED Cyan Magenta + Yellow
GREEN Magenta Cyan + Yellow
BLUE Yellow Cyan + Magenta
S u b t r a c t t h e s e
filters
Magenta + Yellow
(Red)
Cyan + Yellow
(Green)
Magenta + Cyan
(Blue)
OR
Add these
filters
Cyan
Magenta
Yellow
5. Remove neutral density from your filter pack. For
example, if you determine that a filter pack of
40R + 10Y + 10C will give you a pleasing print:
a. Convert any primary filters (R, G, B) to their
subtractive equivalents (C, M, Y):
40R = 40M + 40Y.
b. Add filters of the same color: 10Y + 40Y = 50Y.
c. If the new filter pack has all three subtractive
colors, cancel the neutral density by subt racting the
smallest density value from all thr ee densities:
10C 40M 50Y
–10 –10 –10
30M 40Y =
filtration without
neutral density
If your
print is
TOO LIGHT
TOO DARK
Do this OR Do this
Open the lens
aperture to
increase the light
level
Close the lens
aperture to
decrease the light
level
Increase the
exposure time
Decrease the
exposure time
2 KODAK PROFESSIONAL ULTRA III Paper • E-142
6. Adjust the exposure for the new filter pack. An exposure
time that produced a print of satisfactory density may
not produce an acceptable density when you chang e the
filter pack. The following table gives filter factors f or
calculating exposure adjustments when you use
KODAK CP or CC Filters.
Filter Factors for CP Filters
Filter Factor Filter Factor
05Y 1.1 05R 1.2
10Y 1.1 10R 1.3
20Y 1.1 20R 1.5
30Y 1.1 30R 1.7
40Y 1.1 40R 1.9
50Y 1.1 50R 2.2
05M 1.2 05G 1.1
10M 1.3 10G 1.2
20M 1.5 20G 1.3
30M 1.7 30G 1.4
40M 1.9 40G 1.5
50M 2.1 50G 1.7
05C 1.1 05B 1.1
10C 1.2 10B 1.3
20C 1.3 20B 1.6
30C 1.4 30B 2.0
40C 1.5 40B 2.4
50C 1.6 50B 2.9
To use the factors, divide the old exposure time by the
factor for any filter you remove. If you add a filter, multiply
the time by the factor. If you add or remove two or more
filters, multiply the individual factors and use the result as
your factor. You may need to modify these factors for your
equipment.
Note: The filter factors listed in the table take into account
the effects of filter surfaces.
When you adjust the filtration in equipment that has
built-in dichroic filters, any noticeable differences in density
are due to differences in the color density of the print.
Suppose you have a print with acceptable density, but a
magenta balance. When you add magenta filtration to correct
the color balance, the print will become too light, so you
must use a longer exposure time.
A rule of thumb for magenta dichroic filtr ation is to
change the exposure time by one percent for every unit of
change in filtration. For example, if you increase the
magenta filtration by 20M, increase the exposure tim e by
20 percent. Changes in yello w dichroic filtration do not
usually affe ct the apparent print density. If you use cyan
dichroic filtration, use the filter factors in the tabl e above as
starting points for adjusting exposure.
Tricolor Exposure Method
Use KODAK WRATTEN Gelatin Filters No. 25 (red),
No. 99 (green), and No. 47B (blue) to give the paper three
separate exposures. Do not move the paper or the enlarger
until you have made all three exposures. Typical exposure
times for making an enlargement from a normally exposed
negative are given in the table below.
Times for an Aperture Setting of f/8
Filter
Red 3 seconds
Green 21.8 seconds
Blue 17.5 seconds
* For an enlarger equipped with a Photo Enlar ger Lamp No. 212 or
No. 302; the setting may vary with oth er types of lamps.
for PROFESSIONAL ULTRA III Paper
(6X Enlargement of a KODAK VERICOLOR III
Professional Film Negative)
Evaluate the test print under li ght of the same color and
brightness that you will use to display the final pri nt. (See
“Viewing”.)
Judge the print density first. If necessary, make another
print by adjusting the exposure as recommended in the table
below.
If y o u r p ri n t i s D o t hi s O R Do this
TOO LIGHT
TOO DARK
Open the lens
aperture to
increase the light
level
Close the l ens
aperture to
decrease the
light level
Increase all
exposure times
proportio nately
Decrease all
exposure times
proportio nately
Then judge color balance.
Subtract time
If your
print is
CYAN Red Blue + Green
MAGENTA Green Red + Blue
YELLOW Blue Red + Green
RED Blue + Green Red
GREEN Red + Blue Green
BLUE Red + Green Blue
from the
exposure
through
these filters
OR
Add time to the
exposure
through
these fil t ers
*
KODAK PROFESSIONAL ULTRA III Paper • E-142 3
LATENT-IMAGE KEEPING
This paper features improvements in the stability of the
latent image. Under normal conditions, you should not
notice shifts in the latent image with keeping times f rom
1 minute to 24 hours. Therefore, you do not need to change
your printing procedures to compensate for latent-image
shifts under normal temperature and hand ling conditions. (If
shifts do occur, you can minimize them by keeping the time
between exposure and processing the same for all paper.)
PROCESSING
Use KODAK EKTACOLOR RA Chemicals for Process
RA-4 to process this paper.
For information on processi ng this paper i n continuo us or
roller-transport processors, see KODAK Publication No.
Z-130, Using KODAK EKTACOLOR RA Chemicals. For
information on processing this paper in trays or rotary-tube
and drum processors, see KODAK Publication No. J-39,
Tray, Drum, and Rotary-Tube Processing with KODAK
EKTACOLOR RA Chemicals. Both publications are
available through our website at
www.kodak.com/go/photochemicals.
Use a drying temperature below 205°F (96°C). Do not
ferrotype this paper; the F surface dries to a natural gloss
without ferrotyping.
VIEWING
Evaluate prints und er l ight of t he same col or and bri g ht ness
that you will use to view the final prints. A good average
viewing condition is a light source with a color temperature
of 5000 ± 1000 K, a Color Rendering Index (CRI) of 85 to
100, and an illuminance of at least 50 footcandles (538 l ux).
Fluorescent lamps such as the cool white deluxe (made by
several manufacturers) meet these conditions. You can also
use warmer lamps such as the Phillips 5000 K Ultralume, or
a mixture of incandescent and fluorescent lamps. For each
pair of 40-watt cool white deluxe fluorescent lamps, use a
75-watt frosted tungsten bulb.
RETOUCHING
If possible, do any required retouching on color negatives
before you make prints —especially if you plan to make more
than one print from each negative. For information on
retouching negatives, see KODAK Publication No. E-71,
Retouching Color Negatives.
If the negative image is small, you can make corrections
much more easily by applying dry or liquid dyes to small or
large areas of the enlarged print. Although you’ll probably
do most retouching with dyes, you may sometimes want to
use black lead, colored pencils, or opaque. Because color
prints have separate dye layers, you can’t use an etching
knife to reduce density as you can with black-and-white
materials. For information on retouching prints, see
KODAK Publication No. E-70, Retouching Prints on
KODAK EKTACOLOR and EKTACH ROME Papers.
For information on lacquering and other post-process
treatments, see KODAK Publication No. E-176,
Post-Processing Treatment o f Color Prints—Effects on
Image Stability, available thr ough our website at
www.kodak.com/go/professional.
MOUNTING
You can moun t prints with KODAK Dry Mounting Tissue,
Type 2. The temperature across the heating platen of the
mounting press should be between 180 and 200°F (82 and
93°C). Temperatures above 210°F (99°C) or high pressure
may cause physical and color changes in prints. Preheat the
cover sheet that you use over the face of the print to remove
moisture. Apply press ure for 30 seconds or lon ger for a thick
mount.
You can also use a contact-type adhesive or cement for
cold-mounting.
DISPLAYING
Photographic dyes, like all dyes, can change with time and
exposure to sunlight, ultraviolet radiation, excessive heat,
and high humidi ty. To h elp p re v ent changes in phot ograph ic
dyes, follow these guidelines:
• Illuminate prints with tungsten light whenever possible.
• Display prints in the lowest light level cons istent with
your viewing needs.
• If a print is exposed to direct or indirect sunlight or
fluorescent light, use an ultraviolet-absorbing filter
(such as glass) between the light source and the print.
• Keep the temperature and humidity as low as possible.
4 KODAK PROFESSIONAL ULTRA III Paper • E-142
SIZES AVAILABLE
KOD AK PROFESSION AL ULTRA III Paper is available in
a variety of roll and sheet sizes.
Sizes and catalog numbers may differ from country to
country. See your dealer who supplies KODAK
PROFESSIONAL Products.
Size
in. x in.
8 x 10 20.3 x 25.4 F 100 848 5260
8 x 10 20.3 x 25.4 N 100 181 1306
1
⁄2 x 11 21.6 x 27.9 F 50 175 2724
8
1
8
⁄2 x 11 21.6 x 27.9 N 50 801 0944
10 x 10 25.4 x 25.4 N 50 873 3099
11 x 14 27.9 x 35.6 F 50 876 2155
11 x 14 27.9 x 35.6 N 50 899 6191
16 x 20 40.6 x 50.8 F 50 843 6644
16 x 20 40.6 x 50.8 N 50 875 1448
20 x 24 50.8 x 61 F 50 807 3983
20 x 24 50.8 x 61 N 50 834 1919
30 x 40 76.2 x 101.6 F 25 179 2720
30 x 40 76.2 x 101.6 N 50 194 2953
Size
cm x cm
Surface
Sheets Per
Package
CAT No.
Rolls
in. x ft
5 x 577 12.7 x 176 F 224 171 5507
8 x 577 20.3 x 176 F 224 193 9537
8 x 577 20.3 x 176 N 224 811 1478
10 x 288 25.4 x 88 F 224 815 6493
10 x 288 25.4 x 88 N 224 820 0230
11 x 288 27.9 x 88 F 224 828 3111
11 x 288 27.9 x 88 N 224 840 0657
20 x 288 50.8 x 88 N 223 829 4811
20 x 288 50.8 x 88 E 224 875 9409
20 x 288 50.8 x 88 F 224 183 9166
20 x 288 50.8 x 88 N 224 858 0052
30 x 164 76.2 x 50 F 223 884 5075
30 x 164 76.2 x 50 N 223 893 8300
40 x 164 101.6 x 50 N 223 175 6626
50 x 164 12 7 x 50 F 223 883 9003
50 x 164 12 7 x 50 N 223 889 5054
72 x 100 182.9 x 30 N 223 854 9545
Rolls
cm x m
Surface Spec No. CAT No.
KODAK PROFESSIONAL ULTRA III Paper • E-142 5
CURVES
DENSITY
4.0
Exposure:
Process:
Densitometry:
3.0
2.0
Characteristic Curves
0.5 sec
RA-4, 95°F(35°C) 45 sec
Status A
Spectral-Dye-Density Curves
2.5
Process: RA-4
B
G
R
2.0
1.5
1.0
Yellow
Cyan
Magenta
1.0
0.0
3.0
2.0
LOG EXPOSURE (lux-seconds)
1.0
2.0
1.0
*
0.0
LOG SENSITIVITY
1.0
2.0
F002_0340AC
DIFFUSE SPECTRAL DENSITY
0.5
0.0
0.0
1.0
F002_0967AC
F002_0341AC
Spectral-Sensitivity Curves
Effective Exposure:
RA-4Process:
Yellow-
Forming
*Sensitivity = reciprocal of exposure (ergs/cm ) required
0.5 sec
Layer
WAVELENGTH (nm)
to produce specified density
400
Magenta-
Forming
Layer
2
Cyan-
Forming
Layer
700 750650600550500450400350300250
500
WAVELENGTH (nm)
600
700
NOTICE: The sensitometric curves and d a ta in this publication represent product tested
under the conditions of exposure and processing specified. They are representative of
production coatings, and therefore do not apply directly to a particular box or roll of
photographic material. They do not represent standards or specifications that must be met
by Eastman Kodak Company. The company reserves the right to change and improve
product characteristics at any time.
6 KODAK PROFESSIONAL ULTRA III Paper • E-142
MORE INFORMATION
Kodak has many publications to assist you with information
on Kodak products, equipment, and materials.
Additional information is available on the Kodak website
and through the U.S.A./Canada faxback system.
The following publications are available from dealers who
sell Kodak products, or you can contact Kodak in your
country for more information.
E-30 Storag e and Care of KODAK Photographic
Materials—Before and After Proces sing
E-70 Ret ou ch in g Prints on KODAK EKTACOLOR and
EKTACHROME Papers
E-71 Retouching Color Negatives
J-39 Tray, D r u m , an d Rot ary-Tube Processing with
KODAK EKTACOLOR RA Chemicals
K-4 How Safe Is Your Safelight?
Z-130 Using KO DAK EKTACOLOR RA Chemicals
For the latest version of technical supp ort pu blicat ion s for
KODAK PROFESSIONAL Products, visit Kodak on-line at:
http://www.kodak.com/go/professional
If you have questions about KODAK PROFESSIONAL
Products, call Kodak.
In the U.S.A.:
1-800-242-2424, Ext 19 Monday –Fr iday
9 a.m.–7 p.m. (Eastern time)
In Canada:
1-800-465-6325, Monday–Friday
8 a.m.–5 p.m. (Eastern time)
Note: The Kodak materials described in this publication for
use with KODAK PROFESSIONAL ULTRA III Paper are
available from dealers who supply KODAK
PROFESSIONAL Products. You can use other materials,
but you may not obtain similar results.
KODAK PROFESSIONAL ULTRA III Paper • E-142 7
KODAK PROFESSIONAL ULTRA III Paper
KODAK PROFESSIONAL ULTRA III Paper
KODAK Publication No. E-142
CAT 170 6118
Kodak, Kodak Professional, Ektachrome, Ekt aco l or,
Gold, Supra, Ultra, Vericolor, and Wratten a re trademarks.
Minor Revision 1-03
Printed in U.S.A.
Loading...