TECHNICAL DATA /
COLOR REVERSAL FILM
K OD AK EKTA CHR OME 64T Color
Rever sal Film 7280
May 2005 • H-1-7280t
KOD AK EKTACHR OME 64T Color Reversal Film 7280 is
a 64-speed color reversal motion picture camera film
designed for exposure with tungsten illumination (3200 K).
This film offers excellent color reproduction, f ine grain, and
high sharpness. 7280 has outstanding reciprocity
characteristics, which give consistent color balance and
speed over a wide range of exposures. EKTACHR OME 64T
Film should be processed in an E-6 Process.
Manufacturing Code Size
7280 Super 8 Silent x 50 ft
BASE
KODAK EKTACHROME 64T Color Reversal Film 7280
has an acetate safety base.
DARKROOM RECOMMENDATIONS
Do not use a safelight. Handle unprocessed film in total
darkness.
STORAGE
Store unexposed film at 13°C (55°F) or lower. For extended
storage, store at -18°C (0°F) or lower. Process exposed film
promptly. Store processed film according to the
recommendations in ANSI/PIMA IT9.11-1998: for
medium-term storage (minimum of ten years), store at 10°C
(50°F) or lower at a relative humidity of 20 to 30 percent; for
extended-term storage (for preservation of material having
permanent value), store at 2°C (35°F) or lower at a relative
humidity of 20 to 30 percent. For active use, store at 25°C
(77°F) or lower, at a relative humidity of 50 +/- 5 percent.
This relates to optimized film handling rather than
preservation; static, dust-attraction and curl-related
problems are generally minimized at the higher relative
humidity. After usage, the film should be returned to the
appropriate medium- or long-term storage conditions as
soon as possible.
For more information about medium- and long-term
storage, see ANSI/PIMA IT9.11-1998, SMPTE
RP131-2002, and KODAK Publications No. H-1, KODAK
Motion Picture Film available online at http://
www.kodak.com/US/en/motion/support/h1, and No. H-23,
The Book of Film Care.
EXPOSURE INDEXES
Tungsten (3200 K) - 64 / Daylight (5500 K) - 401
Use these indexes with incident- or reflected-light
exposure meters and cameras marked for ISO or ASA speeds
or exposure indexes. These indexes apply for meter readings
of average subjects made from the camera position or for
readings made from a gray card of 18-percent reflectance
held close to and in front of the subject. For unusually lightor dark-colored subjects, decrease or increase the exposure
indicated by the meter accordingly.
COLOR BALANCE
These films are balanced for exposure with tungsten
illumination (3200 K). For other light sources, use the
correction filters in the table below.
Light Source KODAK Fil ters on
Daylight (5500 K) WRATTEN Gelatin No.
Tungsten (3000 K) WRATTEN Gelatin No.
T ungsten Photoflood
(3400 K)
Tungsten (3200 K) None 64
White-Flame Arcs WRATTEN Gelatin No.
Yellow-Flame Arcs Color Compensating
OPTIMA 32 None 64
VITALITE WRATTEN Gelatin No.
Fluorescent, Cool
White
Fluorescent, Deluxe
Cool White
Metal Halide (H.M.I.) WRATTEN Gelatin No.
1
These are approximate corrections only. Some light sources are
extremely variable. For critical applications, light source color
temperature should be v erified and test e xposures s hould be perf ormed.
Camera
Filter 20Y
WRATTEN Gelatin No.
85+ 10M
WRATTEN Gelatin No.
85C + 10R
1
85
82B
None 64
85B
85
85
Note: Consult the manufacturer of high-intensity ultraviolet
lamps for safety information on ultraviolet radiation and
ozone generation.
1.With a KODAK WRATTEN Gelatin Filter No.85.
Exposure
Index
40
40
25
40
40
25
40
40
©Eastman Kodak Company, 2005
RECIPROCITY CHARACTERISTICS
You do not need to make any filter corrections or exposure
adjustments for exposure ti mes from 1/10,000 to 1 second.
PROCESSING
Process this film in KODAK Chemicals, Process E-6, cine
machine only.
IDENTIFICATION
After processing, the product code number and other
manufacturing identifications are visible along the length of
the film.
CURVES
4.0
3.0
2.0
DENSITY
Sensitometric Curves
Camera Stops
-6 -4 -2 0 2
-8
Exposure:
Process:
B
G
R
Densitometry:
E-6
46
3200 K Tungsten 1/10 sec
Status A
FILM-TO-VIDEO TRANSFERS
When you transfer the film directly to video, you can set up
the telecine using the KODAK EKTACHROME Telecine
Analysis Film (T AF) supplied by Eastman Kodak Company .
The TAF consists of a neutral density scale and an eight-bar
color test pattern with a LAD gray surround.
The TAF gray scale provides the telecine operator
(colorist) with an effective way to adjust subcarrier balance
and to center the telecine controls before timing and
transferring a film. The TAF color bars provide the utility of
electronic color bars, even though they do not precisely
match the electronically generated color bars. Using the
TAF will help obtain optimum quality and consistency in the
film-to-video transfer. For more information regarding
TAF, see KODAK Publication No. H-822, KODAK Telecine
Analysis Film User's Guide.
IMAGE STRUCTURE
The modulation-transfer curves, and the diffuse rms
granularity data were generated from samples of 7280 Film
exposed with tungsten light filtered to 3200 K and processed
as recommended in Process E-6 chemicals.
MTF:
The "perceived" sharpness of any film depends on various
components of the motion picture production system. The
camera and projector lenses and film printers, among other
factors, all play a role. But the specific sharpness of a film
can be measured and charted in the Modulation Transfer
Curve.
1.0
0.0
4.0 2.0 1.0 0.0 2.0
TI2639AF 5-05
3.0
LOG EXPOSURE (lux-seconds)
1.0
The curves describe this film's response to red, green, and
blue light. Sensitometric curves determine the change in
density on the film for a given change in log exposure.
Modulation-Transfer Function Curves
200
100
70
50
30
20
10
7
5
RESPONSE (%)
3
2
1
TI2639B 5-05
SPATIAL FREQUENCY (cycles/mm)
B
G
R
1001 2 3 4 5 10 20 50 200 600
2
rms Granularity:
Refer to curve. Read with a microdensitometer, (red, green,
blue) using a 48-micrometre aperture.
The "perception" of the graininess of any film is highly
dependent on scene content, complexity, color, and density.
Other factors, such as film age, processing, exposure
conditions, and telecine transfer may also have significant
This graph shows a measure of the visual sharpness of this
film. The x-axis, "Spatial Frequency," refers to the number
of sine waves per millimeter that can be resolved. The y-axis,
"Response," corresponds to film sharpness. The longer and
flatter the line, the more sine waves per millimeter that can
be resolved with a high degree of sharpness—and, the
sharper the film.
effects.
2 KODAK EKTACHROME 64T Color Reversal Film 7280 • H-1-7280t