Kodak 7229, 5229 User Manual

500T
5229 / 7229
Soft Natural Colors and Less Grain.
The VISION2 Film family is the first line of products created specifically for both film and digital postpro­duction. What’s more, all VISION2 Films provide excellent tone scale and flesh-to-neutral reproduction. With superior shadow and highlight detail and very fine grain. VISION2 Films also maintain neutrality through the full range of exposure. So you can convey exactly the look you intended all the way from capture to post.
KODAK VISION2 Expression 500T Film. Tell it exactly the way you dreamed it.
KODAK VISION2 Expression 500T
Color Negative Film
5229 / 7229
www.kodak.com/go/motion
Original Negative E
XPOSURE DATA
Lens: 100 mm ZEISS Ultra Prime Filter: None Aperture: T2.8 Incident Light Levels
Key = 20fc
color temperature = 3000K Fill = 2fc Backlight = 5fc
color temperature = 4000K
Stop notations listed on the photo are reflected light readings.
2
6
5
7
1
4
8
3
1
-5 Stops -4 Stops -3 Stops -2.5 Stops -2 Stops +1 Stops +1.2 Stops +1.5 Stops
Base
Acetate safety base with rem-jet backing.
Darkroom Recommendations
Do not use a safelight. Handle unprocessed film in total darkness.
2
3
4
5
Color Balance
This film is balanced for exposure with tungsten illumination (3200 K). You can also expose it with tungsten lamps that have slightly higher or lower color temperatures (± 150 K) without
6
7
8
Post-production information
When you transfer this film directly to video, set up the telecine using negative Telecine Analysis Film (TAF).
correction filters, since final color
Processing
ECN-2
Storage
balancing can be done in printing. For other light sources, use the correction
filters in the table below. Store unexposed film at 13°C (55°F) or lower. For storage of unexposed film longer than 6 months, store at –18°C (0°F). Process film promptly.
Exposure Index
Tungsten (3200 K)—500; Daylight—320 (with KODAK WRATTEN Gelatin Filter No. 85)
Laboratory Aim Density
Time negative originals relative to Laboratory Aim Density (LAD) Control Film supplied by Eastman Kodak Company.
LIGHT SOURCE KODAK FILTERS ON CAMERA* EXPOSURE INDEX
Tungsten (3000 K) WRATTEN Gelatin No. 82B 320
Tungsten (3200 K) None 500
Tungsten Photoflood (3400 K) None 500
Daylight (5500 K) WRATTEN Gelatin No. 85 320
White-Flame Arcs WRATTEN Gelatin No. 85B 200
Yellow-Flame Arcs Color Compensating 20Y 320
OPTIMA 32 None 500
VITALITE WRATTEN Gelatin No. 85 320
Fluorescent, Cool White† WRATTEN Gelatin No. 85 +10M 200
Fluorescent, Deluxe Cool White† WRATTEN Gelatin No. 85C +10R 320
Metal Halide H.M.I. WRATTEN Gelatin No. 85 320
*These are approximate corrections only. Make final corrections during printing. †These are starting-point recommendations for trial exposures. When you don’t know the type of fluorescent lamp,
use a KODAK Color Compensating Filter CC40R with an exposure index (EI) of 250.
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