Kawai CA97 concert artist, Concert Artist CA67, CS11, CS8 Owner's Manual
Introduction
Playing the Piano
Music Menu
Recorder
Settings
Appendix
CA97 / CA67
Owner’s Manual
Thank you for purchasing this Kawai Concert Artist CA97/CA67 digital piano.
This owner’s manual contains important information regarding the instrument’s usage and operation.
Please read all sections carefully, keeping this manual handy for future reference.
AboutthisOwner’sManual
Before attempting to play this instrument, please read the Introduction section from page 10 of this owner’s manual. This section
explains the name and function of each part, how to connect the power cable, and how to turn on the power.
The Playing the Piano section (page 16) provides an overview of the ins trument’s commonly used functions, allowing the CA97/CA67
digital piano to be enjoyed almost immediately after being connected, while the Music Menu section (page 36) includes information
regarding the built-in demonstration songs, Piano Music pieces, Lesson and Finger Exercise features, and Concert Magic function.
The Recorder section (page 48) provides instructions on how to record and play back pieces stored both in the instrument’s internal
memory, and also MP3/WAV audio les saved to a USB memory device. The Settings section (page 63) details the various options
and settings that can be used to adjust the sound and operation of the instrument.
Finally, the Appendix section (page 132) includes lists for all internal sounds, songs, and drum rhythms, assembly instructions for the
CA67 model, MIDI reference information, and full specication details.
About Illustrations
All illustrations used within this owner’s manual depict the CA97 model unless stated otherwise.
Important Safety Instructions
denotes that care should be taken.
The example instructs the user to take care not to allow ngers to be trapped.
denotes a prohibited operation.
The example instructs that disassembly of the product is prohibited.
denotes an operation that should be carried out.
The example instructs the user to remove the power cord plug from the AC outlet.
Examples of Picture Symbols
Read all the instructions before using the product.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
TO REDUCETHE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (ORBACK).
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lighting ash with arrowhead symbol, within
an equilateral triangle, is intended to alert theuser
to the presence of uninsulated "dangerous
voltage" within the product's enclosure that may
be of sucient magnitude to constitute a risk of
electric shock topersons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and maintenance
(servicing) instructions in the leterature
accompanying the product.
WARNING
TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DONOT
EXPOSE THIS PRODUCT TO
RAIN OR MOISTURE.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS
SAVE THESE INSTRUCTIONS
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Indique que des précautions doivent être prises.
L’exemple indique à l’utilisateur qu’il doit faire attention à ne pas se faire coincer les doigts.
Indique une manipulation interdite.
L’exemple indique que le démontage de l’appareil est interdit.
Indique qu’une manipulation doit être effectuée.
L’exemple indique à l’utilisateur qu’il doit débrancher le câble d’alimentation de la prise secteur.
Exemples de symboles graphiques
Le symbole de l’éclair avec une pointe de flèche à
l’intérieur d’un triangle équilatéral met en garde
l’utilisateur contre la présence de tension
dangereuse, non isolée, à l’intérieur de l’appareil,
dont l’amplitude peut être suffisante pour induire un
risque d’électrocution d’une personne.
Le point d’exclamation à l’intérieur d’un triangle
équilatéral alerte l’utilisateur de la présence de règles
d’utilisation et d’entretien importantes dans la notice
qui accompagne l’appareil.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS : RISQUE DE CHOC ELECTRIQUE
- NE PAS OUVRIR.
POUR REDUIRE LES RISQUES D’INCENDIEOU D’ELECTROCUTION, NE DEMONTEZ PASLE COUVERCLE
(OU L’ARRIERE). A L’INTERIEUR, AUCUNE PARTIEN’EST REPARABLE PAR L’UTILISATEUR.
POUR LA MAINTENANCE,ADRESSEZ-VOUS A DU PERSONNEL QUALIFIE.
AVERTISSEMENT
POUR REDUIRE LES RISQUES
D’INCENDIE OU D’ELECTROCUTION,
PROTEGEZ CET APPAREIL DE LA
PLUIE OUDE L’HUMIDITE.
CONSERVEZ CES INSTRUCTIONS
Règles de sécurité
(Supplémentairespour le Canada)
AVERTISSEMENT
Indique un risque potentiel qui peut entraîner
la mort, ou de graves lésions, si l’appareil
n’est pas manipulé correctement.
L’introduction d’eau, d’aiguilles ou d’épingles à
cheveux, peut provoquer une panne ou un
court-circuit. Ce produit doit être mis à l’abri des
écoulements ou projections d’eau. Ne jamais
placer sur le produit des objets contenant des
liquides, tels que des vases ou autres récipients.
Faite attention de ne pas introduire un
produit étranger à l’intérieur
de l’appareil.
Il est recommandé de placer l’instrument à proximité de la prise de courant et de positionner le câble d’alimentation
secteur de sorte qu’il puisse être débranché rapidement en cas d’urgence, le courant électrique étant toujours
présent tant que la prise est branchée même si le bouton de mise en marche est en position Arrêt.
INSTRUCTIONS DE MISE À LA TERRE
Si vous ne le faisiez pas la foudre pourrait
provoquer un incendie.
Si vous ne le faisiez pas, la surchauffe de
l’appareil pourrait provoquer un incendie.
Ce produit n’est pas totalement déconnecté du circuit électrique
lorsqu’il est mis hors tension par le bouton d’arrêt. Si l’appareil
ne doit pas être utilisé pendant une longue période, débranchez
le câble d’alimentation de la prise secteur.
Ce produit doit être mis à la terre. En cas de défaillance matérielle ou de panne, la mise à la terre fournit un chemin de moindre
résistance au courant électrique afin de réduire le risque d’électrocution. Ce produit est équipé d’un câble avec un conducteur de
protection et une fiche de mise à la terre. La fiche doit être branchée dans une prise appropriée correctement installée et mise à la
terre conformément à tous les codes et règlements locaux.
DANGER - La connexion incorrecte du conducteur de protection peut présenter un risque d’électrocution.
Consultez un électricien ou un réparateur qualifié si vous avez des doutes en ce qui concerne la mise à la terre du produit. Ne
modifiez pas la fiche fournie avec le produit – si elle n’est pas adaptée à la prise, faites installer une prise correcte par un électricien
qualifié.
[Seuls les produits avec 3P fiche]
PRECAUTION
Indique un risque potentiel qui peut entraîner la détérioration,
ou des dommages, pour l’appareil ou ses propriétés, si celui-ci
n’est pas manipulé correctement.
Votre piano doit être placé à un endroit tel que sa position n’altère pas sa propre ventilation. Gardez une
distance minimum de 5 cm autour de l’instrument pour une aération suffisante.
Description de la l'emplacement de la reference (Le cas échéant):
Anglais phrase: The nameplate label is located on the underside of the instruments, as indicated below.
Français phrase: La reference commerciale est inscrite sur une etiquette en dessous de votre instrument, conformement
a l’indication ci-dessous.
WARNING
Indicates a potential hazard that could result in death or
serious injury if the product is handled incorrectly.
This product shall be near the AC outlet and the power cord plug in a position so that it can readily be
disconnected in an emergency because electricity is always charging while the plug is in the AC outlet
even in a power switch o condition.
This product may be equipped with a polarized line plug (one blade wider
than the other). This is a safety feature.
If you are unable to insert the plug into the outlet, contact an electrician to
replace your obsolete outlet.
Do not defeat the safety purpose of the plug.
Failure to do so may cause re in case of
lightning.
Failure to do so may over-heat the product,
resulting in re.
The product is not completely disconnected from the
power supply even when the power switch is turned
o. If the product will not be used for a long time,
unplug the AC power cord from the AC outlet.
When disconnecting the AC power cord's
plug, always hold the plug
and pull it to remove it.
Pulling the AC power cord itself may damage
the cord, causing a re, electric shock or
short-circuit.
Do not disassemble, repair or modify
the product.
Doing so may result in product breakdown, electric
shock or short-circuit.
When using the headphones, do not
listen for long periods of
time at high volume levels.
Doing so may result in hearing problems.
The chair must be used properly (it must be
used only when playing the product).
Do not play with it or stand on it.
Only one person is allowed to sit on it.
Do not sit on it when opening the lid.
Re-tighten the bolts occasionally.
Doing so may cause the chair to fall over or your
ngers to be trapped, resulting in injury.
Do not insert or disconnect the power
cord plug with wet hands.
Doing so may cause electric shock.
The product should be connected to
an AC outlet of the specied voltage.
If you are going to use an AC power cord,
make sure that its has the correct plug shape
and conforms to the specied power voltage.
Failure to do so may result in re.
120V 240V230V
Doing so may cause the product to fall over,
resulting in injury.
Do not lean against the keyboard.
Entry of water, needles or hair pins may result
in breakdown or short-circuit.
The product shall not be exposed to dripping or
splashing. No objects lled with liquids, such as
vases, shall be placed on the product.
Take care not to allow any foreign
matter to enter the product.
WARNING - When using electric products, basic precautions should always be followed, including the following.
Doing so may result in discoloration or deformation
of the product.
When cleaning the product, put a soft cloth in
lukewarm water, squeeze it well, then wipe the
product.
Do not wipe the product with benzene
or thinner.
Failure to do so may damage them, resulting in
re, electric shock or short-circuit.
When connecting the AC power cord
and other cords, take care
not to get them tangled.
CAUTION
Indicates a potential hazard that could result in injury or
damage to the product or other property if the product
is handled incorrectly.
The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a
minimum distance of 5cm around the product for sucient ventilation.
Failure to do so may cause breakdown of this
product and other devices.
Before connecting cords, make sure
that the power to this product
and other devices is turned
OFF.
OFF
Doing so may cause the product to generate
noise.
If the product generates noise, move the
product suciently away from the electrical
appliance or connect it to another AC outlet.
Do not place the product near electrical
appliances such as TVs and radios.
Failure to do so may over-heat the product,
resulting in re.
Ensure that the ventilation is not
impeded by covering the ventilation
openings with items, such as newspaper,
table-cloths, curtains, etc.
Doing so may cause the product to become
deformed or fall over, resulting in breakdown
or injury.
Do not stand on the product or exert
excessive force.
Please lift up the product when moving it.
Please note that the product is heavy and must
be carried by more than two persons.
Dropping the product may result in breakdown.
Do not drag the product on the oor.
Take care not to drop the product.
Closing it roughly may trap your ngers,
resulting in injury.
When you close the keyboard cover,
close it gently.
Using the product in such areas may result in
product breakdown.
Use the product only in moderate climates (not
in tropical climates).
Do not use the product in the following areas.
Areas, such as those near windows, where the product is
exposed to direct sunlight
Extremely hot areas, such as near a heater
Extremely cold areas, such as outside
Extremely humid areas
Areas where a large amount of sand or dust is present
Areas where the product is exposed to excessive
vibrations
Doing so may cause the illumination to fall over,
resulting in re.
Do not place naked ame, such as lighted
candles on the product.
+.+
%,*
/
./.-+*.
.+
$'
Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and then
contact the shop from which the product was purchased.
)!%$
To prevent electric shock, match wide blade of plug to wide slot, fully insert.
$!%$
Pour éviter les chocs électriques, introduire la lame la plus large de la che dans la borne correspondante de la prise et
pousser jusqu'au fond.
*.*
If your product is marked with this recycling symbol it means that, at the end of its life, you must dispose of it
separately by taking it to an appropriate collection point.
You should not mix it with general household waste. Disposing of this product correctly will prevent potential negative
eects on the environment and human health which could otherwise arise due to inappropriate waste handling.
For further details, please contact your local authority.
(European Union only)
!*)"
!#&%'$
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCEWITH THE FOLLOWING CODE.
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Do not plug either terminal of the power cord to the the ground od AC outlet on the wall.
'!*'+
This instrument complies with the limits for a class B digital apparatus, pursuant to the Radio Interference Regulations,
C.R.C., c. 1374.
!*.)(
)!%$ Changes or modications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.
$% This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of
the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct
the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
The nameplate label is located on
the
underside of the instrument, as
indicated below.
Declaration of Conformity
Products : Electronic Piano
Model Number : CA97/CA67
Responsible Party Name : Kawai America Corporation
Address : 2055 East University Drive Rancho
Dominguez, CA 90220
Telephone 310-631-1771
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received,
including interference that may cause undesired operation.
This applies only to products distributed by Kawai America Corporation.
Nameplate
8
Important Safety Instructions ....................... 3
Table of Contents .................................... 8
Introduction
Welcome to the Concert Artist. . . . . . . . . . . . . . . . . . . . . . 10
1. Feature Highlights ....................................10
2. Owner’s Manual Conventions ........................11
Part Names and Functions .......................... 12
Setting Up the Piano ................................ 14
Adjusting the Volume / Using Headphones ........ 15
Playing the Piano
Using the Pedals ....................................16
Selecting Sounds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Dual Mode ........................................... 18
Split Mode ...........................................20
Four Hands Mode ...................................22
Reverb ...............................................24
Eects ...............................................26
Virtual Technician ...................................28
1. Smart Mode ......................................28
2. Advanced Mode ..................................29
Metronome / Drum Rhythms .......................30
Registration Memories ..............................32
1. Selecting a Registration memory .....................32
2. Storing a Registration memory .......................33
3. Registration Edit menu ...............................34
Panel Lock ...........................................35
Music Menu
Demo Songs .........................................36
Piano Music .........................................37
Lesson Function .....................................38
1. Selecting a lesson book/song ........................38
2. Listening to the selected song ........................39
3. Lesson Function settings .............................40
4. Repeating sections of a lesson song ..................41
5. Recording a lesson song practise .....................42
6. Finger Exercises .......................................43
Concert Magic .......................................44
1. Performing a Concert Magic song ....................44
2. Concert Magic demo mode ...........................45
3. Concert Magic settings ...............................46
4. Concert Magic song arrangement types .............47
Recorder
Song Recorder (Internal memory) ....................48
1. Recording a song .....................................48
2. Playing a song ........................................50
3. Internal Recorder Edit menu ..........................51
4. Erasing a part/song ...................................52
5. Converting a song to an audio le ....................53
Audio Record/Playback (USB memory) ..............54
1. Recording an MP3/WAV audio le ....................54
2. Playing an MP3/WAV audio le .......................56
3. Playing a MIDI song le ..............................58
4. USB Recorder Edit menu ..............................60
5. Converting a MIDI song to an audio le ..............61
6. Overdubbing a MP3/WAV audio le ..................62
Settings
Function menus .....................................63
Basic Settings .......................................64
1. Key Transpose .........................................65
2. Song Transpose .......................................66
3. Tone Control ..........................................67
User Tone Control .....................................68
4. Speaker Volume ......................................69
5. Line In Level ...........................................70
6. Wall EQ (CA97 only) ....................................71
7. Tuning .................................................72
8. Damper Hold .........................................73
9. Split Hold .............................................74
10. Four Hands ............................................75
11. LCD Contrast ..........................................76
12. Startup Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
13. Factory Reset .........................................78
14. Auto Power O .......................................79
TableofContents
9
Settings (cont.)
Virtual Technician Settings .........................80
1. Touch Curve ...........................................82
User Touch Curve .....................................83
2. Voicing ................................................84
User Voicing ..........................................85
3. Damper Resonance ...................................86
4. Damper Noise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87
5. String Resonance .....................................88
6. Undamped String Resonance .........................89
7. Cabinet Resonance ...................................90
8. Key-o Eect .........................................91
9. Fall-back Noise ........................................92
10. Hammer Delay ........................................93
11. Topboard Simulation .................................94
12. Decay Time ...........................................95
13. Minimum Touch ......................................96
14. Stretch Tuning ........................................97
User Tuning ...........................................98
15. Temperament .........................................99
User Temperament ................................. 100
16. Temperament Key ...................................101
17. Key Volume ..........................................102
User Key Volume .................................... 103
18. Half-Pedal Adjust ................................... 10 4
19. Soft Pedal Depth .................................... 105
Phones Settings ....................................106
1. SHS Mode ............................................107
2. Phones Type ........................................ 108
3. Phones Volume .....................................109
MIDI Settings ....................................... 110
MIDI Overview .........................................11 0
1. MIDI Channel ........................................112
2. Send Program Change Number .....................113
3. Local Control .........................................114
4. Transmit Program Change Numbers ................115
5. Multi-timbral Mode ..................................11 6
6. Channel Mute ........................................117
Settings (cont.)
USB MIDI (USB to Host port) ......................... 118
USB Menu .......................................... 119
1. Load Song ...........................................12 0
2. Load Registration All .................................121
3. Load Registration Single ............................ 12 2
4. Load Startup Setting ................................ 12 3
5. Save Internal Song ...................................124
6. Save SMF Song ...................................... 12 5
7. Save Registration All .................................126
8 Save Registration Single ..............................127
9. Save Startup Setting .................................12 8
10. Rename File ..........................................12 9
11. Delete File ............................................130
12. For mat USB ..........................................131
Appendix
Assembly Instructions (CA67 only) ..................132
Connecting to Other Devices ...................... 136
Jack Panel ..............................................13 7
Headphone Panel ......................................137
Troubleshooting ...................................138
Demo Song List ....................................140
Sound List ..........................................141
Program Change Number List .....................142
Drum Rhythm List ..................................144
Specications ......................................145
MIDI Exclusive Data Format .......................146
MIDI Implementation Chart .......................147
User Notes ..........................................148
10
Introduction
1
Feature Highlights
Grand Feel II wooden-key action with Ebony & Ivory Touch key surfaces and ‘Let-O’ mechanism.
The CA97 and CA67 digital pianos utilise Kawai’s latest Grand Feel II wooden-key keyboard action, which draws upon over
85 years of acoustic piano craftsmanship to provide an exceptionally realistic playing experience.
As with a grand piano, all eighty-eight black and white keys are crafted entirely from long pieces of wood, pivoting on a
central balance pin in a smooth, seesaw-like motion. The Grand Feel II keys are longer than any other digital piano keyboard
action, with the pivot point distance matching that of a Kawai grand piano. When the front of a key is pressed down, the
rear rises, throwing a hammer which plays the note. These metal hammers have been micro-engineered to optmise their
centre of gravity, and are graded in size and weight to replicate the heavier bass and lighter treble notes of an acoustic grand
piano. The forward and backward movements of each hammer are precisely measured using triple-sensor technology,
providing faster key repetition, improved responsiveness, and enhanced playing realism.
In addition to grade-weighted hammers, the Grand Feel II action also features counterweights placed within each key. As
with an acoustic piano, these nely balanced weights help to lighten the touch of the keyboard during pianissimo passages,
while adding a feel of greater substance when playing with force. The Grand Feel II keyboard action even reproduces the
subtle let-o sensation felt when playing the keys of a grand piano very softly, satisfying the expectations of even the most
discerning pianists.
Finally, the Grand Feel II keyboard action features Kawai’s Ebony & Ivory Touch key surfaces. These nely textured materials
gently absorb moisture to assist playing control, and possess a natural, matte nish that is smooth, but not slippery.
ShigeruKawaiSK-EX,SK-5,andKawaiEXinstrumentsreproducedwithHarmonicImagingXL88-keysampling
The CA97 & CA67 digital pianos capture the magnicent tone of Kawai ’s agship Shigeru Kawai SK-EX full concert, and Shigeru
Kawai SK-5 medium-sized grand pianos. Widely regarded as the ‘premier pianos of Japan’, Shigeru Kawai instruments grace
the stages of concert halls and musical institutions throughout the world, and are prized for their exceptional tonal clarity.
In addition, the CA97 & CA67 also feature the distinctive sound of Kawai’s highly acclaimed EX concert grand piano, which
has frequently been selected by professional pianists in such prestigious events as the Chopin, Tchaikovsky, and Rubinstein
international piano competitions, among others.
All three instruments have been carefully recorded, meticulously analysed, and faithfully reproduced with full 88-key
sampling using the latest Harmonic Imaging™ XL sound technology. This unique process accurately recreates the broad
dynamic range of the original grand pianos, aording pianists an extraordinary level of expressiveness ranging from the
softest pianissimo to the strongest, boldest fortissimo.
Strong selection of additional instrument sounds
Supplementing the realistic acoustic piano voices, the CA97 & CA67 digital pianos also feature an excellent selection of
additional instrument sounds, ranging from electric pianos and drawbar and church organs, to strings, human choirs, and
even atmospheric synth-style pads, inviting musicians to add greater variety to their performances.
Furthermore, the Dual playing mode also allows two dierent sounds, such as grand piano and strings, to be layered
together, while the Split and Four Hands modes divide the keyboard into two independent sections. The volume balances
for each playing mode can also be adjusted quickly and easily using the real-time panel controls.
Virtual Technician adjustments to personalise the instrument’s character
The CA97 & CA67 digital pianos’ Virtual Technician feature allows various characteristics of the selected acoustic piano,
electric piano, or harpsichord sound to be shaped at the touch of a button, with settings to adjust voicing and regulation,
string, damper, and cabinet resonances, and subtle hammer, damper, and key release noises. It is even possible to adjust the
precise tuning and volume of individual notes, before storing one’s personalised instrument conguration to memory.
USB to Device functionality, with MP3/WAV le recording and playback
The CA97 & CA67 digital pianos are equipped with USB connectors that not only allow these instruments to be connected
to a computer for MIDI use, but also to load and save data to USB memory devices directly. This ‘USB to Device’ feature
allows instrument settings or recorded songs stored in internal memory to be saved to USB for posterity, or standard MIDI
les (SMF) downloaded from the internet to be conveniently played back without additional hardware.
USB memory devices can also be used to play back MP3 or WAV audio les, allowing musicians to learn the chords or
melody for a new piece, or to simply play along with their favourite songs. It is even possible to save performances as MP3
or WAV les for emailing to friends and family, listening to on the move, or for further editing using an audio workstation.
Welcome to the Concert Artist
11
Introduction
2
Owner’s Manual Conventions
This owner’s manual utilises a number of illustrative conventions in order to explain the CA97/CA67 digital piano’s
various functions. The examples below provide an overview of the button LED indicator states and press types,
and the appearance of dierence kinds of text.
Button LED indicator states
LED indicator o:
Sound/Function is not selected.
LED indicator on:
Sound/Function is selected.
LED indicator ashing:
Sound/Function is selected in a
temporary state.
Button press types
Normal press:
Select a sound or function.
Press twice:
Select a sound or function.
Press multiple times:
Cycle through sounds or settings.
×2
×4
Press and hold:
Select a function’s settings, or
store registration memories etc.
Press and hold, then pressX:
Combine two sounds.
hold
hold
Text appearance
Normal instruction and explanation text
is written in regular type at 9 pt. size.
* Notes about functions are marked with an
asterisk and written in 8 pt. size.
Reminders about previous operations are
written in italic type at 9 pt. size.
Captions explaining the LCD display
or button functions, are written in
bold type at 8.5 pt. size.
Example op erations are written in italic t ype
at 8 pt. size, and enclosed with in a grey box.
Wide range of connectivity options
The CA97 & CA67 digital pianos features a variety of connectivity options, with Line-level output jacks that allow the
instrument to be enjoyed in larger settings such as churches and schools. Standard MIDI and ‘USB to Host’ connectors
ensure exibility when using computers and other electronic instruments, while the stereo Line-in connector provides a
convenient method of mixing in audio from a laptop, tablet, or other digital device.
12
Introduction
Part Names and Functions
lm
n o qp
a
c
d
e
f
h
j
g
i
k
b
13
Introduction
a POWER button
This switch is used to turn the instrument on/o. Be sure to turn
o the instrument after playing.
* The CA97/CA67 digital piano features a power saving mode that
can turn o the instrument automatically after a specied period of
inactivity. For more information, please refer to the ‘Auto Power O’
setting on page 79.
b MASTERVOLUMEslider
This slider controls the master volume level of the instrument’s
built-in speakers or headphones, if connected. This slider also
adjusts the LINE OUT level.
c LCD display
The LCD display provides useful information such as the
currently selected sound name, settings values, and the status
of other functions when active. An example of the main play
screen is shown below.
USB device
status
Tra nsp ose
status
Headphones status
Selected
sound
Music menu
Function/Settings menuVirtual Technician
* A protective plastic lm is attached to the display during production.
Please remove this lm before attempting to play the instrument.
d FUNCTION button
These buttons are used to select one of three functions/options
shown at the bottom of the LCD display.
e ARROW buttons
These buttons are used to navigate around the various menus
and screens, adjust values, and answer on-screen prompts.
f EFFECTS button
This button is used to turn eects for the selected sound on/o,
to select the dierent eect types, and to adjust their settings.
g REVERB button
This button is used to turn reverb for the selected sound on/o,
to select the dierent reverb types, and to adjust their settings.
h METRONOME button
This button is used to turn the metronome function on/o, and
also to adjust the tempo, time signature (or beat), and volume
settings.
i PLAY/STOP button
This button is used to start/stop the playback of demonstration
songs, Piano Music pieces, and Lesson and Finger Exercises, and
to start/stop the recording and playback of recorder songs, and
MP3/WAV audio les.
i REC button
This button is used to record performances to internal memory
or a USB memory device as MP3/WAV audio les.
j SOUND buttons
These buttons are used to select the sound(s) that will be heard
when playing the keyboard of the CA97/CA67 digital piano.
Multiple sounds are assigned to each category button, and can
be selected by pressing the same button repeatedly.
These buttons are also used to select Registration memories.
k REGISTRATION button
This button is used to s tore and recall one of the sixteen dierent
registration memories. Each registration can store sound, reverb
and eects settings, as well as various other panel options.
l USBtoDEVICEport
This port is used to connect a FAT or FAT32 formatted USB
memory device to the instrument in order to load/save recorded
song data, registration memories, and MP3/WAV/SMF les etc.
m PHONES jacks
These jacks are used to connect stereo headphones to the
CA97/CA67 digital piano. 1/4” and 1/8” connectors are provided
for convenience, and both can be used simultaneously, allowing
two pairs of headphones to be connected at the same time.
n LINE IN STEREO jack
This jack is used to connect the 1/8” stereo output from smart
phones, tablets, computers, or other electronic audio eqipment
to the CA97/CA67 digital piano’s amplier and speakers.
The input level can be adjusted by using the LEVEL knob.
o LINE OUT jacks
These jacks are used to connect the stereo output (Left/Right
1/4” phone plug) of the CA97/CA67 digital piano to external
ampliers, mixers, recording devices, and similar equipment.
The output level can be adjusted by using the LEVEL knob.
p USBtoHOSTport
This port is use to connect the CA97/CA67 digital piano to a
computer using a USB ‘B to A’ type cable in order to send and
receive MIDI data.
q MIDI IN / OUT jacks
These jacks are used to connect the CA97/CA67 digital piano
to external MIDI devices such as other musical instruments or a
computer in order to send and receive MIDI data.
* For more information about the instrument’s connectors and jacks,
please refer to ‘Connecting to Other Devices’ on page 136.
14
Introduction
Setting Up the Piano
1. Connecting the power cable to the instrument
CA97
Connect the included power cable to the ‘AC IN’ inlet located on
the back side of instrument in the bottom left corner.
CA67
Connect the included power cable to the ‘AC IN’ inlet located on
the right hand side, towards the back of the instrument.
2. Connecting the power cable to an outlet
Connect the instrument’s power cable to an AC outlet.
Adjusting the pedal support bolt
A pedal support bolt is attached at the base of the pedal board
to aid stability when the pedals are pushed. Turn the bolt anticlockwise until it makes contact with the oor and supports the
pedals rmly.
3. Turning on the power
Press the POWER SWITCH located on the right hand side of the
front panel.
Power lamp
The instrument will turn on , and the words ‘SK ConcertGrand’ will
be shown in the LCD display, indicating that the SK Concert Grand
sound is selected, and the instrument is ready to be played.
* The CA97/CA67 digital piano features a power saving mode that
can turn o the instrument automatically after a specied period of
inactivity. For more information, please refer to the ‘Auto Power O’
setting on page 79.
15
Introduction
Adjusting the Volume / Using Headphones
Adjusting the volume
The MASTER VOLUME slider controls the volume level of the
instrument’s speakers, or headphones if connected.
Move the slider up to increase the volume, and d own to decrease
the volume.
Use this slider to set the volume to a comfortable listening level
– the middle is often a good starting point.
* The MASTER VOLUME slider will not aect the volume level of the LINE
OUT connectors.
* The LINE OUT level can be adjusted by using the LEVEL knob. Please
refer to page 137 for more information.
* The maximum volume level of the speakers can be reduced by
using the ‘Speaker Volume’ setting. Please refer to page 69 for more
information.
Using headphones
Use the jacks located beneath the keyboard on the left hand
side, to connect stereo headphones to the CA97/CA67 digital
piano. 1/4” and 1/8” connectors are provided for convenience.
Two pairs of headphones can be connected and used
simultaneously.
When a pair of headphones is connected, sound will not be
produced by the speakers. In addition, the PHONES indicator in
the LCD display will be highlighted.
Headphones connected
Attaching the headphone hook (optional)
A headphone hook is included with the CA97/CA67 digital piano
and can be used to hang headphones when not in use.
If desired, attach the headphone hook to the underside of the
keyboard as shown in the illustration opposite..
* For more information, please refer to the ‘Assembly Instructions’ on
page 132.
Increase
volume
Decrease
volume
* The maximum volume level of the headphones output and other
headphone characteristics can be adjusted by using the settings
in the ‘Phones Settings’ menu. Please refer to page 106 for more
information.
section
16
Playing the Piano
Using the Pedals
As with a grand piano, the CA97/CA67 digital piano features three pedals: sustain, sostenuto, and soft.
Sustain pedal (right pedal)
Depressing this pedal sustains the sound after one’s hands have
been lifted from the keyboard – greatly enriching the piano
sound, while also assisting smooth ‘legato’ passages.
The sustain pedal is capable of responding to half pedaling.
Soft pedal
Sostenuto pedal
Sustain pedal
Soft pedal (left pedal)
Depressing this pedal softens the sound, reducing its volume.
When the rotary speaker eect is selected, the soft pedal is also
used to alternate the speed of the rotary simulation between
‘Slow’ and ‘Fast’ eect modes.
Sostenuto pedal (centre pedal)
Depressing this pedal after playing the keyboard and before
releasing the keys, sustains the sound of only those notes that
have been played. Any keys that are subsequently played after
the sostenuto pedal is depressed will not be sustained.
Pedal support bolt
A pedal support bolt is attached at the base of the pedal board
to aid stability when the pedals are pushed.
Turn the bolt anti-clockwise until it makes contact with the oor
and supports the pedals rmly. If the pedal support bolt does
not make contact with the oor, the pedal board may become
damaged.
When moving the instrument, alwaysadjust or remove the pedal
supportbolt,thenreadjustwhentheinstrumentisinitsnewposition.
Caring for the pedals
If the surface of the pedals becomes dirty, clean the pedals using a dry dish-washing sponge.
Do not attempt to clean the pedals using rust-removing solvents, abrasives or les.
Grand Feel Pedal System
The CA97/C65 digital piano features the Grand Feel Pedal System, which replicates the sustain, soft, and sostenuto pedal weighting
of Kawai’s EX Concert Grand piano. It is also possible to adjust the sensitivity of the sustain/damper pedal, and the eectiveness of
the soft pedal using the ‘Half-Pedal Adjust’ and ‘Soft Pedal Depth’ settings.
* For more information, please refer to page 104.
Pedal support bolt
section
17
Playing the Piano
The CA97/CA67 digital piano features a wide selection of realistic instrument sounds suitable for various musical
styles. Sounds are arranged into eight categories, with several sounds assigned to each category button. For a
complete listing of available instrument sounds, please refer to page 141 of this owner’s manual.
By default, the ‘SK Concert Grand’ sound will be selected automatically when the instrument is turned on.
Selecting a sound
Press the desired SOUND button.
The LED indicator for the button will turn on to indicate that this
category has been selected, and the name of the sound will be
shown in the LCD display.
Changing the sound
Several sounds are assigned to each category button.
Press the selected category button repeatedly to cycle through
the dierent sound variations.
The e or f buttons can also be used to select sounds and cycle
through the dierent sound variations.
Selecting Sounds
Example: To select the E.PIANO category, press
the E.PIANO button.
LED indicator on:
Sound category is selected.
Example: To select the ‘SK-5 Grand Piano’ sound,
press the PIANO 1 button thre e times.
×3
18
Playing the Piano
The Dual Mode function allows two sounds to be layered together, creating a more complex sound.
For example, a piano sound layered with strings, or a church organ combined with a choir, etc.
1. Entering Dual mode
Press and hold a SOUND button to select the main sound, then
press another SOUND button to select the layered sound.
The LED indicators for both SOUND buttons will turn on to
indicate that Dual Mode is in use, and the respective sound
names will be shown in the LCD display.
Layered
sound
Main
sound
2a. Changing the main/layered sounds: Method 1
To select a dierent variation for the layered sound:
Press and hold the main SOUND button, then press the layered
SOUND button repeatedly to cycle through the dierent sound
variations.
To select a dierent variation for the main sound:
Press and hold the layered SOUND button, then press the main
SOUND button repeatedly to cycle through the dierent sound
variations.
2b. Changing the main/layered sounds: Method 2
It is also possible to change the main/layered sound without
pressing and holding buttons.
Press the d or c buttons to move the selection cursor over the
main sound or layered sound.
Press the e or f buttons to cycle through the dierent sound
variations.
Dual Mode
Example: To change the main ‘SK Concert Grand’ sound
to the ‘Jazz Clean’ sound, press and hold the STRINGS
button, then press th e PIANO 1 button three times.
hold
hold
×2
Example: To change the layered ‘Slow Strings’ so und to
the ‘Warm Strings’ sound, press and hold the PIANO 1
button, then press the STRINGS butto n twice.
hold
×3
dc buttons:
Move selection cursor.
ef buttons:
Change sound variation.
19
Playing the Piano
Dual Mode settings
The Dual Mode settings menu allows characteristics of the combined sound to be adjusted.
Dual Mode settings
Dual Mode setting Description Default setting
Balance Adjust the volume balance between the main and layered sounds. 9 - 9
Layer Octave Shift Raise/lower the pitch of the layered sound in octave steps. 0
Dynamics Adjust the dynamic sensitivity of the layered sound relative to the main sound. 10
Entering the Dual Mode settings menu
While the Dual Mode screen is shown in the LCD display:
Press the
FUNCTION button (EDIT).
The Dual Mode settings menu will be shown in the LCD display.
Adjusting Dual Mode settings
After entering the Dual Mode settings menu:
Press the d or c buttons to move the selection cursor over the
desired setting.
Press the e or f buttons to adjust the selected setting.
* To reset the current setting to the default value, press the e and f
buttons simultaneously.
Cycling between Dual, Split, and Four Hands modes
When Dual Mode is selected, press the FUNCTION button to cycle between Split, Four Hands, and Dual modes.
ExitingDual,Split,andFourHandsmodes
Press the FUNCTION button (EXIT) to exit Dual, Split, and Four Hands modes.
dc buttons:
Move selection cursor.
ef buttons:
Adjust selected setting.
* Preferred Dual Mode settings can be stored to a Registration memor y
for convenient recall. Please refer to page 77 for more information.
20
Playing the Piano
Split Mode
The Split Mode function divides the keyboard into two sections, allowing each section to be played with a dierent
sound. For example, a bass sound in the lower section, and a piano sound in the upper section.
1. Entering Split mode
After entering Dual Mode (page 18):
Press the
FUNCTION button (SPLIT).
The Split Mode screen will be shown in the LCD display.
* The default split point is set between keys B3 and C4.
The upper section and lower section sound names will be
shown in the LCD display. The LED indicator for the upper
section sound button will turn on, and the LED indicator for the
lower section sound button will start to ash.
Lower
section
sound
Upper
section
sound
* By default, the lower section will be set to the ‘Wood Bass’ sound.
2a. Changing the upper/lower section sounds: Method 1
To select a dierent sound for the upper section:
Press the desired SOUND button.
* Preferred Sp lit Mode upper/lower sect ion sound combinations can b e
stored to a Registration memory for convenient recall. Please refer to
page 77 for more information.
2b. Changing the upper/lower section sounds: Method 2
It is also possible to change the upper/lower section sound without
pressing and holding buttons.
Press the d or c buttons to move the selection cursor over the
upper section or lower section sound.
Press the e or f buttons to cycle through the dierent sound
variations.
LED indicator on:
Upper section sound.
LED indicator ashing:
Lower section sound.
Example: To select the ‘Blues Organ' sound for
the upper secti on, press the ORGAN button twice.
×2
To select a dierent sound for the lower section:
Press and hold the
FUNCTION button (4HAND), then press the
desired SOUND button.
Example: To select the 'W. Bass & Ride' sound for the
lower section, press and hold the 1 FUNCTION button,
then press the BASS & GUITAR button three times.
dc buttons:
Move selection cursor.
ef buttons:
Change sound variation.
hold
×3
21
Playing the Piano
3. Changing the split point
Press and hold the FUNCTION button (4HAND), then press the
desired split key on the keyboard.
The name of the pressed key will briey be shown in the LCD
display, and will become the new split point.
hold
Upper sectionLower section
New split point
Split Mode settings
The Split Mode settings menu allows characteristics of the Split Mode sound and operation to be adjusted.
SplitModesettings
Split Mode setting Description Default setting
Balance Adjust the volume balance between the upper and lower sections. 9 - 9
Lower Octave Shift Raise/lower the pitch of the lower section sound in octave steps. 0
Lower Pedal Enable/disable the sustain pedal for the lower section sound. O
Entering the Split Mode settings menu
While the Split Mode screen is shown in the LCD display:
Press the
FUNCTION button (EDIT).
The Split Mode settings menu will be shown in the LCD display.
Adjusting Split Mode settings
After entering the Split Mode settings menu:
Press the d or c buttons to move the selection cursor over the
desired setting.
Press the e or f buttons to adjust the selected setting.
* To reset the current setting to the default value, press the e and f
buttons simultaneously.
dc buttons:
Move selection cursor.
ef buttons:
Adjust selected setting.
* Preferred Split Mode settings can be stored to a Registration memory
for convenient recall. Please refer to page 77 for more information.
22
Playing the Piano
Four Hands Mode
The Four Hands Mode function divides the keyboard into two sections in a similar way to that of the Split Mode
function. However, with Four Hands Mode enabled, the octave/pitch of each section is automatically adjusted to
create two separate 44-key instruments with the same playing range. Furthermore, the sustain (right) pedal and
soft (left) pedal act as separate sustain pedals for the respective upper and lower sections, allowing two people to
perform piano duets using a single instrument.
1. Entering Four Hands mode
After entering Dual Mode (page 18):
Press the
FUNCTION button (SPLIT) once to enter Split Mode,
then press the
FUNCTION button (4HAND) again to select
Four Hands Mode.
* The default four hands mode split point is set between keys E4 and F4.
The Four Hands Mode screen and right/left section sound
names will be shown in the LCD display.
Left
section
sound
Right
section
sound
2a. Changing the right/left section sounds: Method 1
To select a dierent sound for the right section:
Press the desired SOUND button.
* Preferred Four Hands Mode right/left section sound combinations
can be stored to a Registration memory for convenient recall. Please
refer to page 77 for more information.
2b. Changing the right/left section sounds: Method 2
It is also possible to change the right/left section sound without
pressing and holding buttons.
Press the d or c buttons to move the selection cursor over the
right section or left section sound.
Press the e or f buttons to cycle through the dierent sound
variations.
Example: To select the 'Classic E.P.' sound for the
right section, press the E.PIANO button.
To select a dierent sound for the left section:
Press and hold the
FUNCTION button (DUAL), then press the
desired SOUND button.
hold
Example: To select the 'Pop Grand' sound for the
left section, press and hold the 1 FUNCTION button,
then press the PIANO2 button.
dc buttons:
Move selection cursor.
ef buttons:
Change sound variation.
* By default, the right and left sections will both be set to the ‘SK
Concert Grand’ sound.
23
Playing the Piano
3. Changing the Four Hands mode split point
Press and hold the FUNCTION button (DUAL), then press the
desired split key on the keyboard.
The name of the pressed key will briey be shown in the LCD
display, and will become the new split point.
hold
Right sectionLeft section
New split point
Four Hands Mode settings
The Four Hands Mode settings menu allows characteristics of the Four Hands Mode sound to be adjusted.
FourHandsModesettings
Four Hands Mode setting Description Default setting
Balance Adjust the volume balance between the right and left sections. 9 - 9
Right Octave Shift Raise/lower the pitch of the right section sound in octave steps. – 2
Left Octave Shift Raise/lower the pitch of the left section sound in octave steps. + 2
Entering the Four Hands Mode settings menu
While the Four Hands Mode screen is shown in the LCD display:
Press the
FUNCTION button (EDIT).
The Four Hands Mode settings menu will be shown in the LCD
display.
Adjusting Four Hands Mode settings
After entering the Four Hands Mode settings menu:
Press the d or c buttons to move the selection cursor over the
desired setting.
Press the e or f buttons to adjust the selected setting.
* To reset the current setting to the default value, press the e and f
buttons simultaneously.
dc buttons:
Move selection cursor.
ef buttons:
Adjust selected setting.
* Changes made to the Four Hands Mode settings will not aect the
Split Mode settings, and vice versa.
* Preferred Four Hands Mode settings can be stored to a Registration
memory for convenient recall. Please refer to page 77 for more
information.
24
Playing the Piano
Reverb
Reverb adds reverberation to the sound, simulating the acoustic environment of a recital room, stage, or concert
hall. Some sound types, such as acoustic piano, enable reverb automatically in order to improve acoustic realism.
The CA97/CA67 digital piano features six dierent reverb types.
Reverb types
Reverb type Description
Room Simulates the ambiance of a small rehearsal room.
Lounge Simulates the ambience of piano lounge.
Small Hall Simulates the ambiance of a small hall.
Concert Hall Simulates the ambiance of a concert hall or theater.
Live Hall Simulates the ambiance of a live hall or stage.
Cathedral Simulates the ambiance of a large cathedral.
1. Turning Reverb on/o
Press the REVERB button to turn reverb on/o.
The LED indicator for the REVERB button will turn on to indicate
when reverb is in use, and the current status will briey be
shown in the LCD display.
Reverb
status
Reverb
type
Reverb settings
The Reverb settings menu allows the type and characteristics of the reverb to be adjusted.
Reverb settings
Reverb setting Description Range
Type Changes the type of environment. –
Depth Adjusts the depth of the environment (i.e. amount of reverberation to apply). 1~10
Time Adjusts the decay length/speed of the reverberation. 1~10
25
Playing the Piano
Entering the Reverb settings menu
Press and hold the REVERB button.
The Reverb settings menu will be shown in the LCD display.
Adjusting Reverb settings
After entering the Reverb settings menu:
Press the d or c buttons to move the selection cursor over the
desired setting.
Press the e or f buttons to adjust the selected setting.
* To reset the current setting to the default value, press the e and f
buttons simultaneously.
Exiting the Reverb settings menu
Press the FUNCTION button (EXIT) to exit the Reverb settings
menu.
* Reverb settings are independent for each sound variation.
* Any changes made to the reverb type, settings, or on/o status will
remain until the power is turned o.
* Preferred reverb settings can be stored to a Registration memory for
convenient recall. Please refer to page 77 for more information.
dc buttons:
Move selection cursor.
ef buttons:
Adjust selected setting.
hold
26
Playing the Piano
In addition to reverb, various other eects can be applied to the selected sound, altering the tonal character
and feeling of the instrument. As with reverb, some sound types enable certain eects automatically in order to
enhance tonal quality. The CA97/CA67 digital piano features 19 dierent eect types, with 2 combination eects,
and 3 additional amplied eects.
Eect types
Eect type Description
Mono Delay Applies an echo eect to the sound, playing through both speakers simultaneously.
Ping Delay Applies a ‘ping pong’ echo eect to the sound, giving the impression that it is ‘bouncing’ from left to right.
Triple Delay Similar in principle to Ping Delay, but with an additional centre echo.
Chorus Layers a slightly detuned version of the sound over the original, thus enriching its tonal character.
Classic Chorus Similar in principle to Chorus, but intended for vintage electric piano sounds.
Ensemble Applies a three-phase chorus to the sound, providing additional richness.
Tremolo Continuously varies the volume at a constant speed, adding a vibrato type eect to the sound.
Classic Tremolo Similar in principle to Tremolo, but intended for vintage electric piano sounds.
Vibrato Tremolo Similar in principle to Tremolo, but with an additional Vibrato eect applied.
Auto Pan Alternates the sound output from left to right across the stereo eld using a sine wave.
Classic Auto Pan Similar in principle to Auto Pan, but intended for vintage electric piano sounds.
Phaser Applies a cyclic phase change to the sound, giving the impression that the sound is moving.
Classic Phaser Similar in principle to Phaser, but intended for vintage electric piano sounds.
Rotary
(1~6)
Simulates the sound of a rotary speaker commonly used with vintage electronic organs.
There are three dierent levels of overdrive, with and without a Chorus eect.
* The soft pedal can be used to alternate the speed of the rotary simulation between ‘Slow’ and ‘Fast’ eect modes.
Combination Eects
Dierent combinations of the above eects, applied simultaneously.
* Combination eect types: Phaser+Chorus, Phaser+AutoPan
Amplied Eects
A selection of the above eects, with a vintage electric piano speaker eect applied.
* Amplied eect types: Tremolo+Amp, Auto Pan+Amp, Phaser+Amp
1.TurningEectson/o
Press the EFFECTS button to turn eects on/o.
The LED indicator for the EFFECTS button will turn on to indicate
when eects are in use, and the current status will briey be
shown in the LCD display.
Eect
status
Eect
type
Eects settings
Eect type Eect setting Description
Mono Delay / Ping Delay / Triple Delay Dry / Wet Adjust the intensity of the delay.
Time Adjust the interval of time between each delay.
Chorus / Ensemble Dry / Wet Adjust the intensity of the chorus.
Speed Adjust the speed of the chorus.
Eects
27
Playing the Piano
Eects settings (cont.)
Eect type Eect setting Description
Classic Chorus Mono / Stereo Toggle between a Mono or Stereo effect.
Speed Adjust the speed of the chorus.
Tremolo / Classic Tremolo / Vibrato Tremolo Dry / Wet Adjust the intensity of the tremolo.
Speed Adjust the speed of the tremolo.
Auto Pan / Classic Auto Pan Dry / Wet Adjust the intensity of the pan.
Speed Adjust the speed of the pan.
Phaser / Classic Phaser Dry / Wet Adjust the intensity of the phaser.
Speed Adjust the speed of the phaser.
Rotary Accel. Speed Adjust the acceleration speed between slow and fast modes.
Rotary Speed Adjust the speed of the rotary speaker.
Combination Eects / Amplied Eects Dry / Wet Adjust the intensity of the eects.
Speed Adjust the speed of the eects.
Entering the Eects settings menu
Press and hold the EFFECTS button.
The Eects settings menu will be shown in the LCD display.
Adjusting Eects settings
After entering the Eects settings menu:
Press the d or c buttons to move the selection cursor over the
desired setting.
Press the e or f buttons to adjust the selected setting.
* To reset the current setting to the default value, press the e and f
buttons simultaneously.
Exiting the Eects settings menu
Press the FUNCTION button (EXIT) to exit the Eects settings
menu.
* Eects settings are independent for each sound variation.
* Any changes made to the eects type, settings, or on/o status will
remain until the power is turned o.
* Preferred eects settings can be stored to a Registration memory for
convenient recall. Please refer to page 77 for more information.
dc buttons:
Move selection cursor.
ef buttons:
Adjust selected setting.
hold
28
Playing the Piano
Virtual Technician
In addition to the reverb and eects functions, the overall character of the CA97/CA67 acoustic piano sounds can
also be dramatically adjusted using the instrument’s Virtual Technician feature. There are two methods of using
the Virtual Technician: Smart Mode and Advanced Mode.
1
Smart Mode
In Smart Mode, the Virtual Technician intelligently performs a collection of adjustments for the player, based on
ten preset attributes such as ‘Soft’ or ‘Strong’, ‘Brilliant’ or ‘Gloomy’. This mode is recommended for musicians that
wish to enjoy dierent piano characteristics, without delving into the individual parameters of Advanced Mode.
1. Entering Virtual Technician Smart Mode
While the normal playing mode screen is shown in the LCD display:
Press the
FUNCTION button (VT).
The Virtual Technician menu will be shown in the LCD display,
and Smart Mode will be selected automatically.
Press the FUNCTION button (EDIT).
The list of Smart Mode presets will be shown in the LCD display.
2. Selecting the Virtual Technician preset
While the Smart Mode presets screen is shown in the LCD display:
Press the e or f buttons to selec t the desired Virtual Technician
Smart Mode preset.
The Virtual Technician adjustments will be applied to the
selected sound immediately.
ef buttons:
Select Virtual Technician preset
* Smart Mode presets are independent for each sound variation.
* The selected Smart Mode preset will be used for the current sound
variation until the power is turned o. However, it is possible to store
a Smart Mode preset to a sound. For more information, please refer
to the instructions on the following page.
* Smart Mode will be disabled by default (‘O’ preset). When disabled,
the Advanced Mode Virtual Technician parameter settings will used.
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Playing the Piano
Showing the Virtual Technician Help screen
Press the FUNCTION button (HELP).
A brief explanation about the currently selected Virtual
Technician preset will be shown in the LCD display.
Press the d or c buttons to scroll through the explanation if
necessary.
Press the FUNCTION button (BACK) to return to the Virtual
Technician preset selection screen.
Storing the Virtual Technician preset to the selected sound
After selecting the Smart Mode preset:
Press the
FUNCTION button (STORE).
The selected Smart Mode preset will be saved to the current
sound variation, and a conrmation message will briey be
shown in the LCD display.
2
Advanced Mode
In Advanced Mode, the player is given full control over every aspect of the piano’s conguration, allowing precise
adjustments over hammer hardness, action regulation, cabinet size, and a variety of other acoustic characteristics.
This mode is recommended for musicians that enjoy ne-tuning individual details of the piano sound in order to
suit their personal preferences.
* For more information about the individual Virtual Technician parameters, please refer to page 80.
Entering Virtual Technician Advanced Mode
While the normal playing mode screen is shown in the LCD display:
Press and hold the
FUNCTION button (VT).
The Virtual Technician Settings menu will be shown in the LCD
display, allowing parameters to be adjusted in Advanced Mode.
* The stored Smart Mode preset will be retained after the power is
turned o, and will be used automatically whenever the sound
variation is selected.
hold
* It is also possible to access Advanced Mode via the Virtual Technician
menu, or by selecting Virtual Tech. in the Function menus.
* It is also possible to make adjustments to a Smart Mode preset by
selecting it, and then entering Advanced Mode. However, any
adjustments cannot be re-stored back to the Smart Mode preset list.
30
Playing the Piano
Metronome / Drum Rhythms
The Metronome function provides a steady beat to aid practicing the piano at a consistent tempo. In addition to
regular metronome beats, the CA97/CA67 digital piano also features a variety of drum rhythms to accompany most
playing styles and musical genres.
For a complete listing of available drum rhythms, please refer to page 144 of this owner’s manual.
Turning the Metronome on/o
Press the METRONOME button.
The LED indicator for the METRONOME button will turn on to
indicate that the metronome function is in use, and a 1/4 beat
will start to count.
The current metronome tempo in beats per minute (BPM) and
beat of the bar will also be shown in the LCD display.
BeatTem po
Press the METRONOME button again to stop the metronome.
The LED indicator for the METRONOME button will turn o.
Metronome settings
The Metronome settings menu allows the tempo, beat, and volume of the metronome to be adjusted.
Metronome settings
Metronome setting Description Range
Tempo Adjust the tempo of the metronome beat / drum rhythm in beats per minute (BPM). 10~400 bpm
Beat
Change the metronome beat (time signature) / drum rhythm.
* There are ten dierent time signature available: 1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, and 12/8.
–
Volume Adjusts the volume of the metronome beat / drum rhythm. 1~10
Entering the Metronome settings menu
Press and hold the METRONOME button.
The Metronome settings menu will be shown in the LCD
display.
hold
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