Kawai CA97 User Manual

CA97 / CA67

Owner’s Manual

Introduction

Playing the Piano

Music Menu

Recorder

Settings

Appendix

Thank you for purchasing this Kawai Concert Artist CA97/CA67 digital piano.

This owner’s manual contains important information regarding the instrument’s usage and operation.

Please read all sections carefully, keeping this manual handy for future reference.

AboutthisOwner’sManual



Before attempting to play this instrument, please read the Introduction section from page 10 of this owner’s manual. This section
explains the name and function of each part, how to connect the power cable, and how to turn on the power.

The Playing the Piano section (page 16) provides an overview of the instrument’s commonly used functions, allowing the CA97/CA67
digital piano to be enjoyed almost immediately after being connected, while the Music Menu section (page 36) includes information
regarding the built-in demonstration songs, Piano Music pieces, Lesson and Finger Exercise features, and Concert Magic function.

The Recorder section (page 48) provides instructions on how to record and play back pieces stored both in the instrument’s internal
memory, and also MP3/WAV audio les saved to a USB memory device. The Settings section (page 63) details the various options
and settings that can be used to adjust the sound and operation of the instrument.

Finally, the Appendix section (page 132) includes lists for all internal sounds, songs, and drum rhythms, assembly instructions for the
CA67 model, MIDI reference information, and full specication details.

About Illustrations



All illustrations used within this owner’s manual depict the CA97 model unless stated otherwise.

Important Safety Instructions

SAVE THESE INSTRUCTIONS

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

WARNING

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

AVIS : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.

TO REDUCETHE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (ORBACK).
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS PRODUCT TO
RAIN OR MOISTURE.

The lighting ash with arrowhead symbol, within
an equilateral triangle, is intended to alert the user
to the presence of uninsulated "dangerous
voltage" within the product's enclosure that may
be of sucient magnitude to constitute a risk of
electric shock topersons.

Examples of Picture Symbols

denotes that care should be taken.
The example instructs the user to take care not to allow ngers to be trapped.

denotes a prohibited operation.
The example instructs that disassembly of the product is prohibited.

denotes an operation that should be carried out.
The example instructs the user to remove the power cord plug from the AC outlet.

Read all the instructions before using the product.

  $ #3'$2$(-2314"3(.-2

  $$/3'$2$(-2314"3(.-2

  $$# ++6 1-(-&2

  .++.6 ++(-2314"3(.-2

  .-.342$3'(2 // 1 342-$ 16 3$1

  +$ -.-+86(3'#18"+.3'

  .-.3!+."* -85$-3(+ 3(.-./$-(-&2-23 ++(-

"".1# -"$6(3'3'$, -4% "341$1;2(-2314"3(.-2

  .-.3(-23 ++-$ 1 -8'$ 32.41"$224"' 21 #( 3.12

'$ 31$&(23$1223.5$2.1.3'$1 // 1 342(-"+4#(-&
,/+(:$123' 3/1.#4"$'$ 3

  .-.3#$%$ 33'$2 %$38/41/.2$.%3'$/.+ 1(9$#.1

&1.4-#(-&38/$/+4&/.+ 1(9$#/+4&' 236.
!+ #$26(3'.-$6(#$13' -3'$.3'$1&1.4-#(-&
38/$/+4&' 236.!+ #$2 -# 3'(1#&1.4-#(-&
/1.-&'$6(#$!+ #$.13'$3'(1#/1.-&2 1$
/1.5(#$#%.18.412 %$38%3'$/1.5(#$#/+4&#.$2

-.3:3(-3.8.41.43+$3".-24+3 -$+$"31("( -%.1
1$/+ "$,$-3.%3'$.!2.+$3$.43+$3

The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and maintenance
(servicing) instructions in the leterature
accompanying the product.

 1.3$"33'$/.6$1".1#%1.,!$(-&6 +*$#.-.1

/(-"'$#/ 13("4+ 1+8 3/+4&2".-5$-($-"$
1$"$/3 "+$2 -#3'$/.(-36'$1$3'$8$7(3%1.,3'$
// 1 342

 -+842$ 33 "',$-32 ""$22.1($22/$"(:$#!83'$

, -4% "341$1

 2$.-+86(3'3'$" 1323 -#31(/.#!1 "*$3.13 !+$

2/$"(:$#!83'$, -4% "341$1.1

2.+#6(3'3'$ // 1 342'$- " 13(242$#
42$" 43(.-6'$-,.5(-&3'$" 13 // 1 342
".,!(- 3(.-3. 5.(#(-)418%1.,3(/.5$1

 -/+4&3'(2 // 1 342#41(-&+(&'3-(-&23.1,2.1

6'$-4-42$#%.1+.-&/$1(.#2.%3(,$

 $%$1 ++2$15("(-&3.04 +(:$#2$15("$/$12.--$+

$15("(-&(21$04(1$#6'$-3'$ // 1 342' 2!$$-
# , &$#(- -86 824"' 2/.6$124//+8".1#.1
/+4&(2# , &$#+(04(#' 2!$$-2/(++$#.1.!)$"3
' 5$% ++$-(-3.3'$ // 1 3423'$ // 1 342' 2
!$$-$7/.2$#3.1 (-.1,.(2341$#.$2-.3./$1 3$

-.1, ++8.1' 2!$$-#1.//$#

Règles de sécurité

CONSERVEZ CES INSTRUCTIONS

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

(Supplémentairespour le Canada)

AVERTISSEMENT

POUR REDUIRE LES RISQUES
D’INCENDIE OU D’ELECTROCUTION,
PROTEGEZ CET APPAREIL DE LA
PLUIE OUDE L’HUMIDITE.

AVIS :RISQUE DE CHOC ELECTRIQUE

POUR REDUIRE LES RISQUES D’INCENDIE OU D’ELECTROCUTION, NE DEMONTEZ PAS LE COUVERCLE
(OU L’ARRIERE). AL’INTERIEUR, AUCUNEPARTIE N’EST REPARABLE PARL’UTILISATEUR.
POUR LA MAINTENANCE,ADRESSEZ-VOUS A DU PERSONNEL QUALIFIE.

Le symbole de l’éclair avec une pointe de flèche à
l’intérieur d’un triangle équilatéral met en garde
l’utilisateur contre la présence de tension
dangereuse, non isolée, à l’intérieur de l’appareil,
dont l’amplitude peut être suffisante pour induire un
risque d’électrocution d’une personne.

Exemples de symboles graphiques

Indique que des précautions doivent être prises.
L’exemple indique à l’utilisateur qu’il doit faire attention à ne pas se faire coincer les doigts.

Indique une manipulation interdite.
L’exemple indique que le démontage de l’appareil est interdit.

Indique qu’une manipulation doit être effectuée.
L’exemple indique à l’utilisateur qu’il doit débrancher le câble d’alimentation de la prise secteur.

AVERTISSEMENT

Faite attention de ne pas introduire un
produit étranger à l’intérieur
de l’appareil.

Ce produit n’est pas totalement déconnecté du circuit électrique
lorsqu’il est mis hors tension par le bouton d’arrêt. Si l’appareil
ne doit pas être utilisé pendant une longue période, débranchez
le câble d’alimentation de la prise secteur.

- NE PAS OUVRIR.

Le point d’exclamation à l’intérieur d’un triangle
équilatéral alerte l’utilisateur de la présence de règles
d’utilisation et d’entretien importantes dans la notice
qui accompagne l’appareil.

Indique un risque potentiel qui peut entraîner
la mort, ou de graves lésions, si l’appareil
n’est pas manipulé correctement.

L’introduction d’eau, d’aiguilles ou d’épingles à
cheveux, peut provoquer une panne ou un
court-circuit. Ce produit doit être mis à l’abri des
écoulements ou projections d’eau. Ne jamais
placer sur le produit des objets contenant des
liquides, tels que des vases ou autres récipients.

Si vous ne le faisiez pas la foudre pourrait
provoquer un incendie.

Si vous ne le faisiez pas, la surchauffe de
l’appareil pourrait provoquer un incendie.

Il est recommandé de placer l’instrument à proximité de la prise de courant et de positionner le câble d’alimentation
secteur de sorte qu’il puisse être débranché rapidement en cas d’urgence, le courant électrique étant toujours
présent tant que la prise est branchée même si le bouton de mise en marche est en position Arrêt.

[Seuls les produits avec 3P fiche]

INSTRUCTIONS DE MISE À LA TERRE

Ce produit doit être mis à la terre. En cas de défaillance matérielle ou de panne, la mise à la terre fournit un chemin de moindre
résistance au courant électrique afin de réduire le risque d’électrocution. Ce produit est équipé d’un câble avec un conducteur de
protection et une fiche de mise à la terre. La fiche doit être branchée dans une prise appropriée correctement installée et mise à la
terre conformément à tous les codes et règlements locaux.

DANGER - La connexion incorrecte du conducteur de protection peut présenter un risque d’électrocution.
Consultez un électricien ou un réparateur qualifié si vous avez des doutes en ce qui concerne la mise à la terre du produit. Ne
modifiez pas la fiche fournie avec le produit – si elle n’est pas adaptée à la prise, faites installer une prise correcte par un électricien
qualifié.

Indique un risque potentiel qui peut entraîner la détérioration,

PRECAUTION

Description de la l'emplacement de la reference (Le cas échéant):
Anglais phrase: The nameplate label is located on the underside of the instruments, as indicated below.
Français phrase: La reference commerciale est inscrite sur une etiquette en dessous de votre instrument, conformement
a l’indication ci-dessous.

Votre piano doit être placé à un endroit tel que sa position n’altère pas sa propre ventilation. Gardez une
distance minimum de 5 cm autour de l’instrument pour une aération suffisante.

ou des dommages, pour l’appareil ou ses propriétés, si celui-ci
n’est pas manipulé correctement.

WARNING - When using electric products, basic precautions should always be followed, including the following.

WARNING

The product should be connected to
an AC outlet of the specied voltage.

Do not insert or disconnect the power
cord plug with wet hands.

Take care not to allow any foreign
matter to enter the product.

The chair must be used properly (it must be
used only when playing the product).

Do not play with it or stand on it.
Only one person is allowed to sit on it.
Do not sit on it when opening the lid.
Re-tighten the bolts occasionally.

When using the headphones, do not
listen for long periods of
time at high volume levels.

Indicates a potential hazard that could result in death or
serious injury if the product is handled incorrectly.

120V 240V230V

If you are going to use an AC power cord,

make sure that its has the correct plug shape
and conforms to the specied power voltage.

Failure to do so may result in re.

Doing so may cause electric shock.

Entry of water, needles or hair pins may result
in breakdown or short-circuit.
The product shall not be exposed to dripping or
splashing. No objects lled with liquids, such as
vases, shall be placed on the product.

Doing so may cause the chair to fall over or your
ngers to be trapped, resulting in injury.

Doing so may result in hearing problems.

Do not lean against the keyboard.

Do not disassemble, repair or modify
the product.

When disconnecting the AC power cord's
plug, always hold the plug
and pull it to remove it.

The product is not completely disconnected from the
power supply even when the power switch is turned
o. If the product will not be used for a long time,
unplug the AC power cord from the AC outlet.

Doing so may cause the product to fall over,
resulting in injury.

Doing so may result in product breakdown, electric
shock or short-circuit.

Pulling the AC power cord itself may damage

the cord, causing a re, electric shock or
short-circuit.

Failure to do so may cause re in case of

lightning.
Failure to do so may over-heat the product,
resulting in re.

This product may be equipped with a polarized line plug (one blade wider
than the other). This is a safety feature.
If you are unable to insert the plug into the outlet, contact an electrician to
replace your obsolete outlet.
Do not defeat the safety purpose of the plug.

This product shall be near the AC outlet and the power cord plug in a position so that it can readily be
disconnected in an emergency because electricity is always charging while the plug is in the AC outlet
even in a power switch o condition.

CAUTION

Indicates a potential hazard that could result in injury or
damage to the product or other property if the product
is handled incorrectly.

Do not use the product in the following areas.
Areas, such as those near windows, where the product is

exposed to direct sunlight

Extremely hot areas, such as near a heater
Extremely cold areas, such as outside
Extremely humid areas
Areas where a large amount of sand or dust is present
Areas where the product is exposed to excessive

vibrations

When you close the keyboard cover,
close it gently.

Before connecting cords, make sure
that the power to this product
and other devices is turned
OFF.

Do not drag the product on the oor.
Take care not to drop the product.

Do not place the product near electrical
appliances such as TVs and radios.

OFF

Using the product in such areas may result in
product breakdown.
Use the product only in moderate climates (not
in tropical climates).

Closing it roughly may trap your ngers,
resulting in injury.

Failure to do so may cause breakdown of this
product and other devices.

Please lift up the product when moving it.
Please note that the product is heavy and must
be carried by more than two persons.
Dropping the product may result in breakdown.

Doing so may cause the product to generate

noise.
If the product generates noise, move the

product suciently away from the electrical

appliance or connect it to another AC outlet.

When connecting the AC power cord
and other cords, take care
not to get them tangled.

Do not wipe the product with benzene
or thinner.

Do not stand on the product or exert
excessive force.

Do not place naked ame, such as lighted
candles on the product.

Ensure that the ventilation is not
impeded by covering the ventilation
openings with items, such as newspaper,
table-cloths, curtains, etc.

Failure to do so may damage them, resulting in
re, electric shock or short-circuit.

Doing so may result in discoloration or deformation

of the product.
When cleaning the product, put a soft cloth in

lukewarm water, squeeze it well, then wipe the

product.

Doing so may cause the product to become

deformed or fall over, resulting in breakdown

or injury.

Doing so may cause the illumination to fall over,
resulting in re.

Failure to do so may over-heat the product,
resulting in re.

The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a
minimum distance of 5cm around the product for sucient ventilation.



+.+
%,*
/
./.-+*.
.+

$'

Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and then
contact the shop from which the product was purchased.

)!%$

To prevent electric shock, match wide blade of plug to wide slot, fully insert.

$!%$

Pour éviter les chocs électriques, introduire la lame la plus large de la che dans la borne correspondante de la prise et
pousser jusqu'au fond.

*.*

If your product is marked with this recycling symbol it means that, at the end of its life, you must dispose of it
separately by taking it to an appropriate collection point.
You should not mix it with general household waste. Disposing of this product correctly will prevent potential negative
eects on the environment and human health which could otherwise arise due to inappropriate waste handling.
For further details, please contact your local authority.
(European Union only)

!*)"

!#&%'$

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE : NEUTRAL
BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Do not plug either terminal of the power cord to the the ground od AC outlet on the wall.

'!*'+

This instrument complies with the limits for a class B digital apparatus, pursuant to the Radio Interference Regulations,
C.R.C., c. 1374.

!*.)(

)!%$ Changes or modications not expressly approved by the party responsible for compliance could void the user’s

authority to operate the equipment.
$% This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of

the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct
the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

The nameplate label is located on
the

Declaration of Conformity

Products : Electronic Piano
Model Number : CA97/CA67
Responsible Party Name : Kawai America Corporation
Address : 2055 East University Drive Rancho

Dominguez, CA 90220

Telephone [phone]

underside of the instrument, as

indicated below.

This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:

(1) this device may not cause harmful interference, and
(2) this device must accept any interference received,

including interference that may cause undesired operation.

This applies only to products distributed by Kawai America Corporation.

Nameplate

TableofContents

Important Safety Instructions ....................... 3

Table of Contents .................................... 8

Introduction

Welcome to the Concert Artist. . . . . . . . . . . . . . . . . . . . . . 10

1. Feature Highlights ....................................10

2. Owner’s Manual Conventions ........................11

Part Names and Functions .......................... 12

Setting Up the Piano ................................ 14

Adjusting the Volume / Using Headphones ........ 15

Playing the Piano

Using the Pedals ....................................16

Selecting Sounds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Dual Mode ...........................................18

Split Mode ...........................................20

Concert Magic .......................................44

1. Performing a Concert Magic song ....................44

2. Concert Magic demo mode ...........................45

3. Concert Magic settings ...............................46

4. Concert Magic song arrangement types .............47

Recorder

Song Recorder (Internal memory) ....................48

1. Recording a song .....................................48

2. Playing a song ........................................50

3. Internal Recorder Edit menu ..........................51

4. Erasing a part/song ...................................52

5. Converting a song to an audio le ....................53

Audio Record/Playback (USB memory) ..............54

1. Recording an MP3/WAV audio le ....................54

2. Playing an MP3/WAV audio le .......................56

3. Playing a MIDI song le ..............................58

Four Hands Mode ...................................22

Reverb ...............................................24

Eects ...............................................26

Virtual Technician ...................................28

1. Smart Mode ......................................28

2. Advanced Mode ..................................29

Metronome / Drum Rhythms .......................30

Registration Memories ..............................32

1. Selecting a Registration memory .....................32

2. Storing a Registration memory .......................33

3. Registration Edit menu ...............................34

Panel Lock ...........................................35

Music Menu

Demo Songs .........................................36

Piano Music .........................................37

Lesson Function .....................................38

1. Selecting a lesson book/song ........................38

2. Listening to the selected song ........................39

3. Lesson Function settings .............................40

4. Repeating sections of a lesson song ..................41

5. Recording a lesson song practise .....................42

4. USB Recorder Edit menu ..............................60

5. Converting a MIDI song to an audio le ..............61

6. Overdubbing a MP3/WAV audio le ..................62

Settings

Function menus .....................................63

Basic Settings .......................................64

1. Key Transpose .........................................65

2. Song Transpose .......................................66

3. Tone Control ..........................................67

User Tone Control .....................................68

4. Speaker Volume ......................................69

5. Line In Level ...........................................70

6. Wall EQ (CA97 only) ....................................71

7. Tuning .................................................72

8. Damper Hold .........................................73

9. Split Hold .............................................74

10. Four Hands ............................................75

11. LCD Contrast ..........................................76

12. Startup Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77

13. Factory Reset .........................................78

14. Auto Power O .......................................79

6. Finger Exercises .......................................43

8

9

Settings (cont.)

Settings (cont.)

Virtual Technician Settings .........................80

1. Touch Curve ...........................................82

User Touch Curve .....................................83

2. Voicing ................................................84

User Voicing ..........................................85

3. Damper Resonance ...................................86

4. Damper Noise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87

5. String Resonance .....................................88

6. Undamped String Resonance .........................89

7. Cabinet Resonance ...................................90

8. Key-o Eect .........................................91

9. Fall-back Noise ........................................92

10. Hammer Delay ........................................93

11. Topboard Simulation .................................94

12. Decay Time ...........................................95

13. Minimum Touch ......................................96

14. Stretch Tuning ........................................97

User Tuning ...........................................98

15. Temperament .........................................99

User Temperament ................................. 100

16. Temperament Key ...................................101

17. Key Volume ..........................................102

User Key Volume .................................... 103

18. Half-Pedal Adjust ................................... 10 4

USB MIDI (USB to Host port) ......................... 118

USB Menu .......................................... 119

1. Load Song ...........................................12 0

2. Load Registration All .................................121

3. Load Registration Single ............................ 12 2

4. Load Startup Setting ................................ 12 3

5. Save Internal Song ...................................124

6. Save SMF Song ...................................... 12 5

7. Save Registration All .................................126

8 Save Registration Single ..............................12 7

9. Save Startup Setting .................................128

10. Rename File ..........................................12 9

11. Delete File ............................................130

12. For mat USB ..........................................131

Appendix

Assembly Instructions (CA67 only) ..................132

Connecting to Other Devices ......................136

Jack Panel ..............................................137

Headphone Panel ......................................137

Troubleshooting ...................................138

Demo Song List ....................................140

Sound List ..........................................141

19. Soft Pedal Depth .................................... 105

Phones Settings ....................................106

1. SHS Mode ............................................107

2. Phones Type ........................................ 108

3. Phones Volume .....................................109

MIDI Settings ....................................... 110

MIDI Overview .........................................11 0

1. MIDI Channel ........................................112

2. Send Program Change Number .....................113

3. Local Control .........................................11 4

4. Transmit Program Change Numbers ................11 5

5. Multi-timbral Mode ..................................116

6. Channel Mute ........................................117

Program Change Number List .....................142

Drum Rhythm List ..................................144

Specications ......................................145

MIDI Exclusive Data Format .......................146

MIDI Implementation Chart .......................147

User Notes ..........................................148

Welcome to the Concert Artist

1

Feature Highlights

Grand Feel II wooden-key action with Ebony & Ivory Touch key surfaces, counterweights, and ‘Let-O’ mechanism

The CA97 and CA67 digital pianos utilise Kawai’s latest Grand Feel II wooden-key keyboard action, which draws upon over
85 years of acoustic piano craftsmanship to provide an exceptionally realistic playing experience.

As with a grand piano, all eighty-eight black and white keys are crafted entirely from long pieces of wood, pivoting on a
central balance pin in a smooth, seesaw-like motion. The Grand Feel II keys are longer than any other digital piano keyboard
action, with the pivot point distance matching that of a Kawai grand piano. When the front of a key is pressed down, the
rear rises, throwing a hammer which plays the note. These metal hammers have been micro-engineered to optmise their
centre of gravity, and are graded in size and weight to replicate the heavier bass and lighter treble notes of an acoustic grand
piano. The forward and backward movements of each hammer are precisely measured using triple-sensor technology,
providing faster key repetition, improved responsiveness, and enhanced playing realism.

Introduction

In addition to grade-weighted hammers, the Grand Feel II action also features counterweights placed within each key. As
with an acoustic piano, these nely balanced weights help to lighten the touch of the keyboard during pianissimo passages,
while adding a feel of greater substance when playing with force. The Grand Feel II keyboard action even reproduces the
subtle let-o sensation felt when playing the keys of a grand piano very softly, satisfying the expectations of even the most
discerning pianists.

Finally, the Grand Feel II keyboard action features Kawai’s Ebony & Ivory Touch key surfaces. These nely textured materials
gently absorb moisture to assist playing control, and possess a natural, matte nish that is smooth, but not slippery.

ShigeruKawaiSK-EX,SK-5,andKawaiEXinstrumentsreproducedwithHarmonicImagingsoundtechnology

The CA97 & CA67 digital pianos capture the magnicent tone of Kawai ’s agship Shigeru Kawai SK-EX full concert, and Shigeru
Kawai SK-5 medium-sized grand pianos. Widely regarded as the ‘premier pianos of Japan’, Shigeru Kawai instruments grace
the stages of concert halls and musical institutions throughout the world, and are prized for their exceptional tonal clarity.
In addition, the CA97 & CA67 also feature the distinctive sound of Kawai’s highly acclaimed EX concert grand piano, which
has frequently been selected by professional pianists in such prestigious events as the Chopin, Tchaikovsky, and Rubinstein
international piano competitions, among others.

All three instruments have been carefully recorded, meticulously analysed, and faithfully reproduced with full 88-key
sampling using Harmonic Imaging™ sound technology. This unique process accurately recreates the broad dynamic range
of the original grand pianos, aording pianists an extraordinary level of expressiveness ranging from the softest pianissimo
to the strongest, boldest fortissimo.

Strong selection of additional instrument sounds

Supplementing the realistic acoustic piano voices, the CA97 & CA67 digital pianos also feature an excellent selection of
additional instrument sounds, ranging from electric pianos and drawbar and church organs, to strings, human choirs, and
even atmospheric synth-style pads, inviting musicians to add greater variety to their performances.

10

Furthermore, the Dual playing mode also allows two dierent sounds, such as grand piano and strings, to be layered
together, while the Split and Four Hands modes divide the keyboard into two independent sections. The volume balances
for each playing mode can also be adjusted quickly and easily using the real-time panel controls.

Virtual Technician adjustments to personalise the instrument’s character

The CA97 & CA67 digital pianos’ Virtual Technician feature allows various characteristics of the selected acoustic piano,
electric piano, or harpsichord sound to be shaped at the touch of a button, with settings to adjust voicing and regulation,
string, damper, and cabinet resonances, and subtle hammer, damper, and key release noises. It is even possible to adjust the
precise tuning and volume of individual notes, before storing one’s personalised instrument conguration to memory.

USB to Device functionality, with MP3/WAV le recording and playback

The CA97 & CA67 digital pianos are equipped with USB connectors that not only allow these instruments to be connected
to a computer for MIDI use, but also to load and save data to USB memory devices directly. This ‘USB to Device’ feature
allows instrument settings or recorded songs stored in internal memory to be saved to USB for posterity, or standard MIDI
les (SMF) downloaded from the internet to be conveniently played back without additional hardware.

USB memory devices can also be used to play back MP3 or WAV audio les, allowing musicians to learn the chords or
melody for a new piece, or to simply play along with their favourite songs. It is even possible to save performances as MP3
or WAV les for emailing to friends and family, listening to on the move, or for further editing using an audio workstation.

11

Introduction

Wide range of connectivity options

The CA97 & CA67 digital pianos features a variety of connectivity options, with Line-level output jacks that allow the
instrument to be enjoyed in larger settings such as churches and schools. Standard MIDI and ‘USB to Host’ connectors
ensure exibility when using computers and other electronic instruments, while the stereo Line-in connector provides a
convenient method of mixing in audio from a laptop, tablet, or other digital device.

2

Owner’s Manual Conventions

This owner’s manual utilises a number of illustrative conventions in order to explain the CA97/CA67 digital piano’s

various functions. The examples below provide an overview of the button LED indicator states and press types,

and the appearance of dierence kinds of text.

Button LED indicator states



LED indicator o:

Sound/Function is not selected.

Button press types



Normal press:

Select a sound or function.

hold

Press and hold:

Select a function’s settings, or
store registration memories etc.

LED indicator on:

Sound/Function is selected.

×2

Press twice:

Select a sound or function.

hold

Press and hold, then press X:

Combine two sounds.

LED indicator ashing:

Sound/Function is selected in a
temporary state.

×4

Press multiple times:

Cycle through sounds or settings.

Text appearance



Normal instruction and explanation text
is written in regular type at 9 pt. size.

Captions explaining the LCD display
or button functions, are written in
bold type at 8.5 pt. size.

* Notes about functions are marked with an

asterisk and written in 8 pt. size.

Example operations are written in italic type
at 8 pt. size, and enclosed within a grey box.

Reminders about previous operations are
written in italic type at 9 pt. size.

Part Names and Functions

c

d

e

a

Introduction

f

h

j

g

i

b

k

lm

12

n o qp

13

Introduction

a POWER button

This switch is used to turn the instrument on/o. Be sure to turn
o the instrument after playing.

* The CA97/CA67 digital piano features a power saving mode that

can turn o the instrument automatically after a specied period of
inactivity. For more information, please refer to the ‘Auto Power O’
setting on page 79.

b MASTERVOLUMEslider

This slider controls the master volume level of the instrument’s
built-in speakers or headphones, if connected.

* The MASTER VOLUME slider will not aect the volume level of the LINE

OUT connectors.

c LCD display

The LCD display provides useful information such as the
currently selected sound name, settings values, and the status
of other functions when active. An example of the main play
screen is shown below.

Headphones status

Tra nsp ose

status

Function/Settings menuVirtual Technician

USB device
status

Selected
sound

Music menu

i PLAY/STOP button

This button is used to start/stop the playback of demonstration
songs, Piano Music pieces, and Lesson and Finger Exercises, and
to start/stop the recording and playback of recorder songs, and
MP3/WAV audio les.

i REC button

This button is used to record performances to internal memory
or a USB memory device as MP3/WAV audio les.

j SOUND buttons

These buttons are used to select the sound(s) that will be heard
when playing the keyboard of the CA97/CA67 digital piano.
Multiple sounds are assigned to each category button, and can
be selected by pressing the same button repeatedly.

These buttons are also used to select Registration memories.

k REGISTRATION button

This button is used to s tore and recall one of the sixteen dierent
registration memories. Each registration can store sound, reverb
and eects settings, as well as various other panel options.

l USBtoDEVICEport

This port is used to connect a FAT or FAT32 formatted USB
memory device to the instrument in order to load/save recorded
song data, registration memories, and MP3/WAV/SMF les etc.

* A protective plastic lm is attached to the display during production.

Please remove this lm before attempting to play the instrument.

d FUNCTION button

These buttons are used to select one of three functions/options
shown at the bottom of the LCD display.

e ARROW buttons

These buttons are used to navigate around the various menus
and screens, adjust values, and answer on-screen prompts.

f EFFECTS button

This button is used to turn eects for the selected sound on/o,
to select the dierent eect types, and to adjust their settings.

g REVERB button

This button is used to turn reverb for the selected sound on/o,
to select the dierent reverb types, and to adjust their settings.

h METRONOME button

This button is used to turn the metronome function on/o, and
also to adjust the tempo, time signature (or beat), and volume
settings.

m PHONES jacks

These jacks are used to connect stereo headphones to the
CA97/CA67 digital piano. 1/4” and 1/8” connectors are provided
for convenience, and both can be used simultaneously, allowing
two pairs of headphones to be connected at the same time.

n LINE IN STEREO jack

This jack is used to connect the 1/8” stereo output from smart
phones, tablets, computers, or other electronic audio eqipment
to the CA97/CA67 digital piano’s amplier and speakers.

The input level can be adjusted by using the LEVEL knob.

o LINE OUT jacks

These jacks are used to connect the stereo output (Left/Right
1/4” phone plug) of the CA97/CA67 digital piano to external
ampliers, mixers, recording devices, and similar equipment.

The output level can be adjusted by using the LEVEL knob.

p USBtoHOSTport

This port is use to connect the CA97/CA67 digital piano to a
computer using a USB ‘B to A’ type cable in order to send and
receive MIDI data.

q MIDI IN / OUT jacks

These jacks are used to connect the CA97/CA67 digital piano
to external MIDI devices such as other musical instruments or a
computer in order to send and receive MIDI data.

* For more information about the instrument’s connectors and jacks,

please refer to ‘Connecting to Other Devices’ on page 136.

Setting Up the Piano

1. Connecting the power cable to the instrument

Introduction

CA97

Connect the included power cable to the ‘AC IN’ inlet located on
the back side of instrument in the bottom left corner.

2. Connecting the power cable to an outlet

CA67

Connect the included power cable to the ‘AC IN’ inlet located on
the right hand side, towards the back of the instrument.

3. Turning on the power

Connect the instrument’s power cable to an AC outlet.

Adjusting the pedal support bolt



A pedal support bolt is attached at the base of the pedal board
to aid stability when the pedals are pushed. Turn the bolt anti­clockwise until it makes contact with the oor and supports the
pedals rmly.

Press the POWER SWITCH located on the right hand side of the
front panel.

Power lamp

The instrument will turn on, and the words ‘SK ConcertGrand’ will
be shown in the LCD display, indicating that the SK Concert Grand
sound is selected, and the instrument is ready to be played.

14

* The CA97/CA67 digital piano features a power saving mode that

can turn o the instrument automatically after a specied period of
inactivity. For more information, please refer to the ‘Auto Power O’
setting on page 79.

15

Introduction

Adjusting the Volume / Using Headphones

Adjusting the volume



The MASTER VOLUME slider controls the volume level of the
instrument’s speakers, or headphones if connected.

Move the slider up to increase the volume, an d down to decrease
the volume.

Increase

Use this slider to set the volume to a comfortable listening level
– the middle is often a good starting point.

* The MASTER VOLUME slider will not aect the volume level of the LINE

OUT connectors.

* The LINE OUT level can be adjusted by using the LEVEL knob. Please

refer to page 137 for more information.

* The maximum volume level of the speakers can be reduced by

using the ‘Speaker Volume’ setting. Please refer to page 69 for more
information.

Using headphones



volume

Decrease

volume

Use the jacks located beneath the keyboard on the left hand
side, to connect stereo headphones to the CA97/CA67 digital
piano. 1/4” and 1/8” connectors are provided for convenience.

Two pairs of headphones can be connected and used
simultaneously.

When a pair of headphones is connected, sound will not be
produced by the speakers. In addition, the PHONES indicator in
the LCD display will be highlighted.

Headphones connected

Attaching the headphone hook (optional)



A headphone hook is included with the CA97/C A67 digital piano
and can be used to hang headphones when not in use.

If desired, attach the headphone hook to the underside of the
keyboard as shown in the illustration opposite..

* For more information, please refer to the ‘Assembly Instructions’ on

page 132.

* The maximum volume level of the headphones output and other

headphone characteristics can be adjusted by using the settings
in the ‘Phones Settings’ menu. Please refer to page 106 for more
information.

section

Using the Pedals

As with a grand piano, the CA97/CA67 digital piano features three pedals: sustain, sostenuto, and soft.

Sustain pedal (right pedal)



Depressing this pedal sustains the sound after one’s hands have
been lifted from the keyboard – greatly enriching the piano
sound, while also assisting smooth ‘legato’ passages.

Playing the Piano

The sustain pedal is capable of responding to half pedaling.

Soft pedal (left pedal)



Depressing this pedal softens the sound, reducing its volume.

When the rotary speaker eect is selected, the soft pedal is also
used to alternate the speed of the rotary simulation between
‘Slow’ and ‘Fast’ eect modes.

Pedal support bolt



A pedal support bolt is attached at the base of the pedal board
to aid stability when the pedals are pushed.

Turn the bolt anti-clockwise until it makes contact with the oor
and supports the pedals rmly. If the pedal support bolt does
not make contact with the oor, the pedal board may become
damaged.

Soft pedal

Sostenuto pedal

Sustain pedal

Sostenuto pedal (centre pedal)



Depressing this pedal after playing the keyboard and before
releasing the keys, sustains the sound of only those notes that
have been played. Any keys that are subsequently played after
the sostenuto pedal is depressed will not be sustained.

Pedal support bolt

When moving the instrument, always adjust or remove the pedal
supportbolt,thenreadjustwhentheinstrumentisinitsnewposition.

Caring for the pedals



If the surface of the pedals becomes dirty, clean the pedals using a dry dish-washing sponge.
Do not attempt to clean the pedals using rust-removing solvents, abrasives or les.

Grand Feel Pedal System



The CA97/C65 digital piano features the Grand Feel Pedal System, which replicates the sustain, soft, and sostenuto pedal weighting
of Kawai’s EX Concert Grand piano. It is also possible to adjust the sensitivity of the sustain/damper pedal, and the eectiveness of
the soft pedal using the ‘Half-Pedal Adjust’ and ‘Soft Pedal Depth’ settings.

* For more information, please refer to page 104.

16

section

17

Playing the Piano

Selecting Sounds

The CA97/CA67 digital piano features a wide selection of realistic instrument sounds suitable for various musical

styles. Sounds are arranged into eight categories, with several sounds assigned to each category button. For a

complete listing of available instrument sounds, please refer to page 141 of this owner’s manual.

By default, the ‘SK Concert Grand’ sound will be selected automatically when the instrument is turned on.

Selecting a sound



Press the desired SOUND button.

The LED indicator for the button will turn on to indicate that this
category has been selected, and the name of the sound will be
shown in the LCD display.

Changing the sound



Several sounds are assigned to each category button.

Press the selected category button repeatedly to cycle through
the dierent sound variations.

LED indicator on:

Sound category is selected.

Example: To select the E.PIANO category, press
the E.PIANO button.

×3

The e or f buttons can also be used to select sounds and cycle
through the dierent sound variations.

Example: To select the ‘SK-5 Grand Piano’ sound,
press the PIANO 1 button three times.

Dual Mode

The Dual Mode function allows two sounds to be layered together, creating a more complex sound.

For example, a piano sound layered with strings, or a church organ combined with a choir, etc.

1. Entering Dual mode

Press and hold a SOUND button to select the main sound, then
press another SOUND button to select the layered sound.

Playing the Piano

The LED indicators for both SOUND buttons will turn on to
indicate that Dual Mode is in use, and the respective sound
names will be shown in the LCD display.

Main
sound

Layered

sound

2a. Changing the main/layered sounds: Method 1

To select a dierent variation for the layered sound:

Press and hold the main SOUND button, then press the layered
SOUND button repeatedly to cycle through the dierent sound
variations.

hold

hold

Example: To change the layered ‘Slow Strings’ sound to
the ‘Warm Strings’ sound, press and hold the PIANO 1
button, then press the STRINGS button twice.

×2

To select a dierent variation for the main sound:

Press and hold the layered SOUND button, then press the main
SOUND button repeatedly to cycle through the dierent sound
variations.

2b. Changing the main/layered sounds: Method 2

It is also possible to change the main/layered sound without
pressing and holding buttons.

Press the d or c buttons to move the selection cursor over the
main sound or layered sound.

Press the e or f buttons to cycle through the dierent sound
variations.

18

hold

Example: To change the main ‘SK Concert Grand’ sound
to the ‘Jazz Clean’ sound, press and hold the STRINGS
button, then press the PIANO 1 button three times.

ef buttons:

Change sound variation.

dc buttons:

Move selection cursor.

×3

19

Playing the Piano

Dual Mode settings

The Dual Mode settings menu allows characteristics of the combined sound to be adjusted.

Dual Mode settings



Dual Mode setting Description Default setting

Balance Adjust the volume balance between the main and layered sounds. 9 - 9

Layer Octave Shift Raise/lower the pitch of the layered sound in octave steps. 0

Dynamics Adjust the dynamic sensitivity of the layered sound relative to the main sound. 10

Entering the Dual Mode settings menu



While the Dual Mode screen is shown in the LCD display:

Press the

The Dual Mode settings menu will be shown in the LCD display.

Adjusting Dual Mode settings



After entering the Dual Mode settings menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

Press the e or f buttons to adjust the selected setting.

* To reset the current setting to the default value, press the e and f

buttons simultaneously.

Cycling between Dual, Split, and Four Hands modes



FUNCTION button (EDIT).

* Preferred Dual Mode settings can be stored to a Registration memory

for convenient recall. Please refer to page 77 for more information.

ef buttons:

Adjust selected setting.

dc buttons:

Move selection cursor.

When Dual Mode is selected, press the FUNCTION button to cycle between Split, Four Hands, and Dual modes.

ExitingDual,Split,andFourHandsmodes



Press the FUNCTION button (EXIT) to exit Dual, Split, and Four Hands modes.

Split Mode

The Split Mode function divides the keyboard into two sections, allowing each section to be played with a dierent

sound. For example, a bass sound in the lower section, and a piano sound in the upper section.

1. Entering Split mode

After entering Dual Mode (page 18):

Playing the Piano

Press the

The Split Mode screen will be shown in the LCD display.

* The default split point is set between keys B3 and C4.

The upper section and lower section sound names will be
shown in the LCD display. The LED indicator for the upper
section sound button will turn on, and the LED indicator for the
lower section sound button will start to ash.

* By default, the lower section will be set to the ‘Wood Bass’ sound.

FUNCTION button (SPLIT).

Upper
section
sound

Lower

section

sound

2a. Changing the upper/lower section sounds: Method 1

To select a dierent sound for the upper section:

Press the desired SOUND button.

To select a dierent sound for the lower section:

Press and hold the
desired SOUND button.

LED indicator on:

Upper section sound.

LED indicator ashing:

Lower section sound.

FUNCTION button (4HAND), then press the

×2

Example: To select the ‘Blues Organ' sound for
the upper section, press the ORGAN button twice.

* Preferred Split Mode upper/lower section sound combinations c an be

stored to a Registration memory for convenient recall. Please refer to
page 77 for more information.

2b. Changing the upper/lower section sounds: Method 2

It is also possible to change the upper/lower section sound without
pressing and holding buttons.

Press the d or c buttons to move the selection cursor over the
upper section or lower section sound.

Press the e or f buttons to cycle through the dierent sound
variations.

20

hold

Example: To select the 'W. Bass & Ride' sound for the
lower section, press and hold the 1 FUNCTION button,
then press the BASS & GUITAR button three times.

ef buttons:

Change sound variation.

dc buttons:

Move selection cursor.

×3

21

Playing the Piano

3. Changing the split point

Press and hold the FUNCTION button (4HAND), then press the
desired split key on the keyboard.

The name of the pressed key will briey be shown in the LCD
display, and will become the new split point.

Upper sectionLower section

hold

New split point

Split Mode settings

The Split Mode settings menu allows characteristics of the Split Mode sound and operation to be adjusted.

SplitModesettings



Split Mode setting Description Default setting

Balance Adjust the volume balance between the upper and lower sections. 9 - 9

Lower Octave Shift Raise/lower the pitch of the lower section sound in octave steps. 0

Lower Pedal Enable/disable the sustain pedal for the lower section sound. O

Entering the Split Mode settings menu



While the Split Mode screen is shown in the LCD display:

Press the

FUNCTION button (EDIT).

The Split Mode settings menu will be shown in the LCD display.

Adjusting Split Mode settings



After entering the Split Mode settings menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

Press the e or f buttons to adjust the selected setting.

* To reset the current setting to the default value, press the e and f

buttons simultaneously.

* Preferred Split Mode settings can be stored to a Registration memory

for convenient recall. Please refer to page 77 for more information.

ef buttons:

Adjust selected setting.

dc buttons:

Move selection cursor.

Four Hands Mode

The Four Hands Mode function divides the keyboard into two sections in a similar way to that of the Split Mode

function. However, with Four Hands Mode enabled, the octave/pitch of each section is automatically adjusted to

create two separate 44-key instruments with the same playing range. Furthermore, the sustain (right) pedal and

soft (left) pedal act as separate sustain pedals for the respective upper and lower sections, allowing two people to

perform piano duets using a single instrument.

1. Entering Four Hands mode

After entering Dual Mode (page 18):

Playing the Piano

Press the
then press the
Four Hands Mode.

* The default four hands mode split point is set between keys E4 and F4.

The Four Hands Mode screen and right/left section sound
names will be shown in the LCD display.

FUNCTION button (SPLIT) once to enter Split Mode,

FUNCTION button (4HAND) again to select

Right
section
sound

section

sound

Left

* By default, the right and left sections will both be set to the ‘SK

Concert Grand’ sound.

2a. Changing the right/left section sounds: Method 1

To select a dierent sound for the right section:

Press the desired SOUND button.

To select a dierent sound for the left section:

Press and hold the
desired SOUND button.

FUNCTION button (DUAL), then press the

Example: To select the 'Classic E.P.' sound for the
right section, press the E.PIANO button.

* Preferred Four Hands Mode right/left section sound combinations

can be stored to a Registration memory for convenient recall. Please
refer to page 77 for more information.

2b. Changing the right/left section sounds: Method 2

It is also possible to change the right/left section sound without
pressing and holding buttons.

Press the d or c buttons to move the selection cursor over the
right section or left section sound.

Press the e or f buttons to cycle through the dierent sound
variations.

22

hold

Example: To select the 'Pop Grand' sound for the
left section, press and hold the 1 FUNCTION button,
then press the PIANO2 button.

ef buttons:

Change sound variation.

dc buttons:

Move selection cursor.

23

Playing the Piano

3. Changing the Four Hands mode split point

Press and hold the FUNCTION button (DUAL), then press the
desired split key on the keyboard.

The name of the pressed key will briey be shown in the LCD
display, and will become the new split point.

Right sectionLeft section

hold

New split point

Four Hands Mode settings

The Four Hands Mode settings menu allows characteristics of the Four Hands Mode sound to be adjusted.

FourHandsModesettings



Four Hands Mode setting Description Default setting

Balance Adjust the volume balance between the right and left sections. 9 - 9

Right Octave Shift Raise/lower the pitch of the right section sound in octave steps. – 2

Left Octave Shift Raise/lower the pitch of the left section sound in octave steps. + 2

Entering the Four Hands Mode settings menu



While the Four Hands Mode screen is shown in the LCD display:

Press the

FUNCTION button (EDIT).

The Four Hands Mode settings menu will be shown in the LCD
display.

Adjusting Four Hands Mode settings



After entering the Four Hands Mode settings menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

Press the e or f buttons to adjust the selected setting.

* To reset the current setting to the default value, press the e and f

buttons simultaneously.

* Changes made to the Four Hands Mode settings will not aect the

Split Mode settings, and vice versa.

* Preferred Four Hands Mode settings can be stored to a Registration

memory for convenient recall. Please refer to page 77 for more
information.

ef buttons:

Adjust selected setting.

dc buttons:

Move selection cursor.

Reverb

Reverb adds reverberation to the sound, simulating the acoustic environment of a recital room, stage, or concert

hall. Some sound types, such as acoustic piano, enable reverb automatically in order to improve acoustic realism.

The CA97/CA67 digital piano features six dierent reverb types.

Reverb types



Reverb type Description

Room Simulates the ambiance of a small rehearsal room.

Lounge Simulates the ambience of piano lounge.

Small Hall Simulates the ambiance of a small hall.

Concert Hall Simulates the ambiance of a concert hall or theater.

Live Hall Simulates the ambiance of a live hall or stage.

Cathedral Simulates the ambiance of a large cathedral.

1. Turning Reverb on/o

Playing the Piano

Press the REVERB button to turn reverb on/o.

The LED indicator for the REVERB button will turn on to indicate
when reverb is in use, and the current status will briey be
shown in the LCD display.

Reverb

Reverb
type

status

Reverb settings

The Reverb settings menu allows the type and characteristics of the reverb to be adjusted.

Reverb settings



Reverb setting Description Range

Type Changes the type of environment. –

Depth Adjusts the depth of the environment (i.e. amount of reverberation to apply). 1~10

Time Adjusts the decay length/speed of the reverberation. 1~10

24

25

Playing the Piano

Entering the Reverb settings menu



Press and hold the REVERB button.

The Reverb settings menu will be shown in the LCD display.

Adjusting Reverb settings



hold

After entering the Reverb settings menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

Press the e or f buttons to adjust the selected setting.

* To reset the current setting to the default value, press the e and f

buttons simultaneously.

Exiting the Reverb settings menu



Press the FUNCTION button (EXIT) to exit the Reverb settings
menu.

* Reverb settings are independent for each sound variation.

* Any changes made to the reverb type, settings, or on/o status will

remain until the power is turned o.

* Preferred reverb settings can be stored to a Registration memory for

convenient recall. Please refer to page 77 for more information.

ef buttons:

Adjust selected setting.

dc buttons:

Move selection cursor.

Eects

In addition to reverb, various other eects can be applied to the selected sound, altering the tonal character

and feeling of the instrument. As with reverb, some sound types enable certain eects automatically in order to

enhance tonal quality. The CA97/CA67 digital piano features 19 dierent eect types, with 2 combination eects,

and 3 additional amplied eects.

Eect types



Eect type Description

Mono Delay Applies an echo eect to the sound, playing through both speakers simultaneously.

Ping Delay Applies a ‘ping pong’ echo eect to the sound, giving the impression that it is ‘bouncing’ from left to right.

Triple Delay Similar in principle to Ping Delay, but with an additional centre echo.

Chorus Layers a slightly detuned version of the sound over the original, thus enriching its tonal character.

Classic Chorus Similar in principle to Chorus, but intended for vintage electric piano sounds.

Ensemble Applies a three-phase chorus to the sound, providing additional richness.

Tremolo Continuously varies the volume at a constant speed, adding a vibrato type eect to the sound.

Classic Tremolo Similar in principle to Tremolo, but intended for vintage electric piano sounds.

Vibrato Tremolo Similar in principle to Tremolo, but with an additional Vibrato eect applied.

Auto Pan Alternates the sound output from left to right across the stereo eld using a sine wave.

Classic Auto Pan Similar in principle to Auto Pan, but intended for vintage electric piano sounds.

Phaser Applies a cyclic phase change to the sound, giving the impression that the sound is moving.

Playing the Piano

Classic Phaser Similar in principle to Phaser, but intended for vintage electric piano sounds.

Rotary

Combination Eects

Amplied Eects

(1~6)

Simulates the sound of a rotary speaker commonly used with vintage electronic organs.
There are three dierent levels of overdrive, with and without a Chorus eect.

* The soft pedal can be used to alternate the speed of the rotary simulation between ‘Slow’ and ‘Fast’ eect modes.

Dierent combinations of the above eects, applied simultaneously.
* Combination eect types: Phaser+Chorus, Phaser+AutoPan

A selection of the above eects, with a vintage electric piano speaker eect applied.
* Amplied eect types: Tremolo+Amp, Auto Pan+Amp, Phaser+Amp

1.TurningEectson/o

Press the EFFECTS button to turn eects on/o.

The LED indicator for the EFFECTS button will turn on to indicate
when eects are in use, and the current status will briey be
shown in the LCD display.

Eect

Eect
type

Eects settings



Eect type Eect setting Description

Mono Delay / Ping Delay / Triple Delay Dry / Wet Adjust the intensity of the delay.

Chorus / Ensemble Dry / Wet Adjust the intensity of the chorus.

status

Time Adjust the interval of time between each delay.

Speed Adjust the speed of the chorus.

26

27

Playing the Piano

Eects settings (cont.)



Eect type Eect setting Description

Classic Chorus Mono / Stereo Toggle between a Mono or Stereo effect.

Speed Adjust the speed of the chorus.

Tremolo / Classic Tremolo / Vibrato Tremolo Dry / Wet Adjust the intensity of the tremolo.

Speed Adjust the speed of the tremolo.

Auto Pan / Classic Auto Pan Dry / Wet Adjust the intensity of the pan.

Speed Adjust the speed of the pan.

Phaser / Classic Phaser Dry / Wet Adjust the intensity of the phaser.

Speed Adjust the speed of the phaser.

Rotary Accel. Speed Adjust the acceleration speed between slow and fast modes.

Rotary Speed Adjust the speed of the rotary speaker.

Combination Eects / Amplied Eects Dry / Wet Adjust the intensity of the eects.

Speed Adjust the speed of the eects.

Entering the Eects settings menu



Press and hold the EFFECTS button.

The Eects settings menu will be shown in the LCD display.

Adjusting Eects settings



After entering the Eects settings menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

Press the e or f buttons to adjust the selected setting.

* To reset the current setting to the default value, press the e and f

buttons simultaneously.

Exiting the Eects settings menu



Press the FUNCTION button (EXIT) to exit the Eects settings
menu.

* Eects settings are independent for each sound variation.

* Any changes made to the eects type, settings, or on/o status will

remain until the power is turned o.

* Preferred eects settings can be stored to a Registration memory for

convenient recall. Please refer to page 77 for more information.

hold

ef buttons:

Adjust selected setting.

dc buttons:

Move selection cursor.

Virtual Technician

In addition to the reverb and eects functions, the overall character of the CA97/CA67 acoustic piano sounds can

also be dramatically adjusted using the instrument’s Virtual Technician feature. There are two methods of using

the Virtual Technician: Smart Mode and Advanced Mode.

1

Smart Mode

In Smart Mode, the Virtual Technician intelligently performs a collection of adjustments for the player, based on

ten preset attributes such as ‘Soft’ or ‘Strong’, ‘Brilliant’ or ‘Gloomy’. This mode is recommended for musicians that

wish to enjoy dierent piano characteristics, without delving into the individual parameters of Advanced Mode.

1. Entering Virtual Technician Smart Mode

While the normal playing mode screen is shown in the LCD display:

Playing the Piano

Press the

The Virtual Technician menu will be shown in the LCD display,
and Smart Mode will be selected automatically.

Press the FUNCTION button (EDIT).

The list of Smart Mode presets will be shown in the LCD display.

FUNCTION button (VT).

2. Selecting the Virtual Technician preset

While the Smart Mode presets screen is shown in the LCD display:

Press the e or f buttons to selec t the desired Virtual Technician
Smart Mode preset.

* Smart Mode will be disabled by default (‘O’ preset). When disabled,

the Advanced Mode Virtual Technician parameter settings will used.

ef buttons:

Select Virtual Technician preset

The Virtual Technician adjustments will be applied to the
selected sound immediately.

28

* Smart Mode presets are independent for each sound variation.

* The selected Smart Mode preset will be used for the current sound

variation until the power is turned o. However, it is possible to store
a Smart Mode preset to a sound. For more information, please refer
to the instructions on the following page.

29

Playing the Piano

Showing the Virtual Technician Help screen



Press the FUNCTION button (HELP).

A brief explanation about the currently selected Virtual
Technician preset will be shown in the LCD display.

Press the d or c buttons to scroll through the explanation if
necessary.

Press the FUNCTION button (BACK) to return to the Virtual
Technician preset selection screen.

Storing the Virtual Technician preset to the selected sound



After selecting the Smart Mode preset:

Press the

The selected Smart Mode preset will be saved to the current
sound variation, and a conrmation message will briey be
shown in the LCD display.

2

In Advanced Mode, the player is given full control over every aspect of the piano’s conguration, allowing precise

adjustments over hammer hardness, action regulation, cabinet size, and a variety of other acoustic characteristics.

This mode is recommended for musicians that enjoy ne-tuning individual details of the piano sound in order to

suit their personal preferences.

* For more information about the individual Virtual Technician parameters, please refer to page 80.

Entering Virtual Technician Advanced Mode



FUNCTION button (STORE).

* The stored Smart Mode preset will be retained after the power is

turned o, and will be used automatically whenever the sound
variation is selected.

Advanced Mode

While the normal playing mode screen is shown in the LCD display:

Press and hold the

The Virtual Technician Settings menu will be shown in the LCD
display, allowing parameters to be adjusted in Advanced Mode.

FUNCTION button (VT).

hold

* It is also possible to access Advanced Mode via the Virtual Technician

menu, or by selecting Virtual Tech. in the Function menus.

* It is also possible to make adjustments to a Smart Mode preset by

selecting it, and then entering Advanced Mode. However, any
adjustments cannot be re-stored back to the Smart Mode preset list.

Metronome / Drum Rhythms

The Metronome function provides a steady beat to aid practicing the piano at a consistent tempo. In addition to

regular metronome beats, the CA97/CA67 digital piano also features a variety of drum rhythms to accompany most

playing styles and musical genres.

For a complete listing of available drum rhythms, please refer to page 144 of this owner’s manual.

Turning the Metronome on/o



Press the METRONOME button.

The LED indicator for the METRONOME button will turn on to
indicate that the metronome function is in use, and a 1/4 beat
will start to count.

The current metronome tempo in beats per minute (BPM) and
beat of the bar will also be shown in the LCD display.

Playing the Piano

BeatTem po

Press the METRONOME button again to stop the metronome.
The LED indicator for the METRONOME button will turn o.

Metronome settings

The Metronome settings menu allows the tempo, beat, and volume of the metronome to be adjusted.

Metronome settings



Metronome setting Description Range

Tempo Adjust the tempo of the metronome beat / drum rhythm in beats per minute (BPM). 10~400 bpm

Beat

Volume Adjusts the volume of the metronome beat / drum rhythm. 1~10

Change the metronome beat (time signature) / drum rhythm.

* There are ten dierent time signature available: 1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, and 12/8.

–

Entering the Metronome settings menu



Press and hold the METRONOME button.

The Metronome settings menu will be shown in the LCD
display.

30

hold

31

Playing the Piano

Adjusting Metronome settings



After entering the Metronome settings menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

Press the e or f buttons to adjust the selected setting.

* To reset the current setting to the default value, press the e and f

buttons simultaneously.

Drum rhythms



As an alternative to the simple metronome count, it is also possible
to select a drum pattern from one of 100 dierent rhythm styles.

Enter the Metronome set tings menu and select the Beat setting.
Press the e or f buttons to cycle through the available beats
until reaching the ‘8 Beat 1’ drum rhythm.

Drum
rhythm

ef buttons:

Adjust selected setting.

dc buttons:

Move selection cursor.

ef buttons:

Select drum rhythm.

Continue to press the e or f buttons to select the desired
drum rhythm.

* For a complete listing of available drum rhythms, please refer to page

144 of this owner’s manual.

Exiting the Metronome settings menu



Press the FUNCTION button (EXIT) to exit the Metronome
settings menu.

* Any changes made to the metronome tempo, beat, or volume

settings will remain until the power is turned o.

* Preferred metronome settings can be stored to a Registration

memory for convenient recall. Please refer to page 77 for more
information.



Recording with the metronome

It is also possible to record songs with the metronome activated. This is useful when recording parts separately, or wishing to
maintain correct timing throughout complex passages. Note that the standard metronome ‘click’ will not be heard when the song
is played back.

* For more information about the instrument’s Recorder function, please refer to page 48.

Registration Memories

The Registration function allows the current instrument setup (sound selections, split point, reverb and eect

settings, and various other panel options) to be stored to a memory and conveniently recalled at the touch of

a button. There are two banks (‘A’ and ‘B’) for each registration button, allowing up to 16 dierent registration

memories to be stored.

Registrations can also be loaded/saved to a USB memory device. Please refer to pages 122/127 for more information.

Functions and Settings stored in Registration memories



Playing the Piano

Functions

Selected sound (including primary sound for each category)

Dual Mode / Split Mode / Four Hands Mode (including settings)

Reverb, Eects (Type, Settings)

Metronome (Beat, Tempo, Volume)

1

Selecting a Registration memory

Entering Registration mode



Press the REGISTRATION button.

The LED indicator for the REGISTRATION button will turn on to
indicate that the registration function is in use.

Selecting a Registration memory



When the registration function is in use:

Settings

Basic Settings (Tone Control, Tuning, Damper Hold)

Virtual Technician Settings

MIDI Settings

* Changes made to the Auto Power O setting will be stored to User

Memory automatically.

Press the
memory bank ‘A’ and ‘B’.

Press a SOUND button to select the desired registration memory.

The name of the selected registration memory will be shown in
the LCD display.

Registration

Exiting Registration mode



Press the REGISTRATION button.

The LED indicator for the REGISTRATION button will turn o,
and the button panel will return to normal operation.

FUNCTION button to toggle between registration

name

Select

Bank A/B

32

Example: To select registration memory B-3 (when
bank ‘A’ is selected), press the FUNCTION button,
then press the E.PIANO (memory 3) button.

33

Playing the Piano

2

Storing a Registration memory

1. Entering Registration Store mode

While the normal playing mode screen is shown in the LCD display:

Press and hold the REGISTRATION button.

The registration memory (SOUND) buttons will start to ash.

2. Selecting the Registration memory

Press the or FUNCTION buttons to select the registration
memory bank ‘A’ and ‘B’, then press a registration memory
(SOUND) button.

hold

The Registration name screen will be shown in the LCD display.

3. Naming the Registration memory

Enter a name for the registration memory by pressing the
d or c buttons to cycle through the alphanumeric characters,
and the e or f buttons to move the cursor.

4. Storing the Registration to memory

Press the FUNCTION button (STORE) to conrm the store
operation, or the

FUNCTION button (EXIT) to cancel.

Example: To store the current instrument setup
to memory A-2, press the FUNCTION button,
then press the PIANO 2 (memor y 2) button.

ef buttons:

Move selection cursor.

dc buttons:

Select character.

Upon storing, a beep will sound and a conrmation message
will briey be shown in the LCD display.

The current instrument setup will be stored to the selected
registration memory with the specied name.

STORE EXIT

* The stored registration will remain in memory after the instrument

is turned o, or if the instrument’s power cable is disconnected from
the wall outlet.

Registration Memories

3

Registration Edit menu

The Registration Edit menu allows the currently selected registration memory to be opened in normal playing

mode (for further adjustment, or simply to check which sounds are used etc.), or to be saved to USB memory.

Entering the Registration Edit menu



When the registration function is in use:

Playing the Piano

Press the

The Registration Edit menu will be shown in the LCD display.

Opening the Registration



Press the d or c buttons to select the Open Registration
function, then press the

The currently selected registration memory will be opened
in normal playing mode, allowing additional changes and
adjustments to be made.

FUNCTION button (EDIT).

FUNCTION button (OK).

dc buttons:

Move selection cursor.

Saving the current Registration memory to USB



Press the d or c buttons to select the Save Registration
function, then press the

The Save Regist Single function of the USB Menu will be shown
in the LCD display, with the current registration selected.

* Please refer to the Save Registration Single instructions on page

127.

Resetting all Registration memories



Press and hold the REGISTRATION and REC buttons, then turn the instrument’s power o/on.
All registrations will be reset to the factory default settings.

FUNCTION button (OK).

34

dc buttons:

Move selection cursor.

35

Playing the Piano

Panel Lock

The Panel Lock function allows the state of all panel buttons to be temporarily locked, preventing sounds and other

settings from being changed. This function may prove useful in teaching environments, ensuring that students are

not distracted by changing sounds etc.

1. Activating the Panel Lock

Press the d and c buttons simultaneously.

The Panel Lock screen will be shown in the LCD display, and the
instrument will stop responding to panel button presses.

* When activated, the Panel Lock will remain until the power is turned

o.

* While Panel Lock is activated, the LED indicators for all buttons will

turn o.

2. Deactivating the Panel Lock

While the Panel Lock is activated:

Press and hold the

A message will be shown in the LCD display to indicate that
the Panel Lock has been deactivated, and the instrument will
resume responding to panel button presses as normal.

FUNCTION button (UNLOCK).

Demo Songs

The Demo function provides an excellent introduction to the varied capabilities of CA97/CA67 digital piano. There

are over 30 dierent demonstration songs available, highlighting the instruments’ rich selection of high quality

sounds and its power speaker system.

For a complete listing of demonstration songs, please refer to page 140 of this owner’s manual.

Entering Demo mode



Press the FUNCTION button (MUSIC).

The Music Menu will be shown in the LCD display. Demo mode
will be selected automatically.

Press the FUNCTION (ENTER) or PLAY/STOP buttons.

or

The LED indicator for the PIANO 1 button will start to ash, and
the ‘SK Concert Grand’ demo song will start to play.

Selecting a demo song



While Demo mode is selected:

Music Menu

Press a SOUND button to select a sound category.
The rst demo song of the sound category will start to play.

Press the e or f buttons to cycle through the demo songs in
the selected sound category, and the d or c buttons to cycle
through the dierent sound categories.

* When the selected song has nished, the next demo song in the

category will begin to play automatically.

StoppingthedemosongandexitingDemomode



Press the FUNCTION (BACK) or PLAY/STOP buttons while the
song demo is playing.

ef buttons:

Select demo song

dc buttons:

Select sound category

The LED indicator for the selected SOUND button will stop
ashing, and the song demo will stop playing.

Press the FUNCTION (EXIT) button to exit the Music Menu.

36

37

Music Menu

Piano Music

In addition to the sound demonstration songs, the CA97/CA67 digital piano also features a selection of popular

classical piano works from the Baroque and Romantic periods. Notated scores are provided in the separate ‘Classical

Piano Collection’ book*, assisting the musical appreciation and study of each piece.

For a complete listing of Piano Music pieces, please refer to the separate ‘Internal Song Lists’ booklet.

Entering Piano Music mode



* Depending on market area.

Press the FUNCTION button (MUSIC), then press the d or
buttons to select Piano Music mode.

Press the FUNCTION (ENTER) or PLAY/STOP buttons.

The LED indicator for the PIANO 1 button will start to ash, and
the piece ‘Tambourin’ by Rameau will start to play.

Selecting a piano music piece



While Piano Music mode is selected:

Press the d or c buttons to cycle through the dierent piano
music pieces.

The title and composer of the selected piece will be shown in
the LCD display.

c

* The balance of the left hand and right hand parts can be adjusted by

Title

Composer

Replaying the selected piano music piece



When the selected piano music piece has nished:

Press the PLAY/STOP button to replay the piano music piece.

Stopping the piano music piece and exiting Piano Music mode



Press the FUNCTION (BACK) or PLAY/STOP buttons while the
piano music piece is playing.

The LED indicator for the PLAY/STOP button will turn o, and
the piano music piece will stop playing.

Press the

FUNCTION (EXIT) button to exit the Music Menu.

pressing the FUNCTION (EDIT) button, and adjusting the Balance
setting.

Lesson Function

The Lesson function allows budding pianists to practice the piano using a selection of built-in song books and

nger exercises. The left and right hand parts of each piece can be practiced separately, adjusting the tempo to

perfect dicult passages, before being recorded for self-evaluation.

Built-in lesson mode song books



Alfred Lesson Books

Alfred’s Premier Piano Course Lesson 1A

Alfred’s Premier Piano Course Lesson 1B

Alfred’s Basic Piano Library Lesson Book Level 1A

Alfred’s Basic Piano Library Lesson Book Level 1B

Alfred’s Basic Adult Piano Course Lesson Book Level 1

* Lesson books sold separately – please refer to the separate ‘Internal

Song Lists’ booklet for more information.

1

Selecting a lesson book/song

Classical Lesson Books

Burgmüller 25 (25 Etudes Faciles, Opus 100)

Czerny 30 (Etudes de Mécanisme, Opus 849)

Czerny 100 (Hundert Übungsstücke, Opus 139)

Beyer 106 (Vorschule im Klavierspiel, Opus 101)

J.S. Bach: Inventionen

Sonatinen Album 1

Chopin Walzer (Chopin waltzes series 1-19)

1. Entering lesson mode

Press the FUNCTION button (MUSIC), then press the d or
buttons to select Lesson Mode.

c

Music Menu

Press the FUNCTION button (ENTER) to enter lesson mode.

The name of the selected lesson book, song, and current bar
will be shown in the LCD display.

2. Selecting a lesson book/song

Press the d or c buttons to move the selection cursor over the
lesson book name or song title.

Press the e or f buttons to cycle through the dierent lesson
books and song titles.

Book name

Song title

It is also possible to select songs by pressing and holding the

FUNCTION button (EDIT), then pressing the relevant key on

the keyboard.

38

ef buttons:

Select lesson book/song.

dc buttons:

Move selection cursor.

* Please refer to the separate ‘Internal Song Lists’ booklet for a

complete listing of available lesson books/songs and corresponding
key numbers.

39

Music Menu

2

Listening to the selected lesson song

This page will explain how to play and stop the selected lesson song, and change the playback position.

1. Playing the lesson song

After selecting a lesson book and song:

Press the PLAY/STOP button.

The LED indicator for the PLAY/STOP button will turn on, and a
one bar count-in will be heard before the song starts to play.

* If the rst bar of the song begins on an ‘up’ beat (i.e. pickup notes),

the rst bar number will be shown as zero in the LCD display.

* The metronome will not continue after the count-in bar, but can be

turned on manually by pressing the METRONOME button.

2. Changing the playback position (Bar)

Press the d or c buttons to move the selection cursor over the
third line of the LCD display (Bar).

Press the e or f buttons to rewind or cue the playback position
(Bar) of the current song.

Current bar

It is also possible to rewind or cue the playback position without
selecting ‘Bar’, by pressing the REVERB or EFFECTS buttons.

To reset the playback position to the rst bar of the song, press
the REVERB and EFFECTS buttons simultaneously.

Stopping and resuming the lesson song



While the lesson song is playing:

Press the PLAY/STOP button to stop the lesson song playback.

ef buttons:

Change playback position.

dc buttons:

Move selection cursor.

Press the PLAY/STOP button once again to resume playback
from the stopped position.

3. Exiting lesson mode

Press the FUNCTION (EXIT) button to exit the Music Menu.

Lesson Function

3

Lesson Function settings

The Lesson Function settings menu allows the left and right-hand part volumes of the current lesson song to be

adjusted, allowing each part to be practiced separately. It is also possible to adjust the playback tempo of the

current lesson song, allowing dicult passages to be practised more conveniently.

Lesson Function settings



Lesson Function setting Description Default setting

Balance Adjust the volume balance between the left and right-hand parts. 9 - 9

Tempo Adjust the playback tempo of the current lesson song in beats per minute (BPM). Song specific

Entering the Lesson Function settings menu



After selecting a lesson book and song:

Press the

The Lesson Function settings menu will be shown in the LCD
display.

Adjusting the left/right-hand part volume



Press the d or c buttons to move the selection cursor over the

Music Menu

Balance setting, then press the e or f buttons to adjust the
volume of the left/right-hand part volume.

Increasing the volume of the left-hand part will reduce the
volume of the right-hand part, and vice versa.

* I f the Beyer lesson book is selected, increasing the left-hand value will

decrease the volume of the student’s part, while increasing the right­hand value will decrease the volume of the teacher’s part.

FUNCTION button (EDIT).

ef buttons:

Adjust left/right-hand volume.

Example: To practice the right-hand part while listening
to the left-hand part, set the volume balance to 9 - 1.

Adjusting the playback tempo of the lesson song



Press the d or c buttons to move the selection cursor over the
Tempo setting, then press the e or f buttons to adjust the
playback tempo of the lesson song.

* To reset the playback tempo of the selec ted lesson song to the default

value, press the e and f buttons simultaneously.

40

ef buttons:

Adjust playback tempo.

41

Music Menu

4

Repeating sections of a lesson song

The ‘A-B Loop’ feature of the Lesson Function allows sections of the selected lesson song to be ‘looped’ between

two points in order to practise dicult passages continuously.

1. Playing the lesson song

After selecting a lesson book and song:

Press the PLAY/STOP button.

The LED indicator for the PLAY/STOP button will turn on, and a
one bar count-in will be heard before the song starts to play.

2.Specifyingthestartpoint(A)oftheloop

Press the FUNCTION button (A-B) to specify the start point
of the loop.

The LED indicator for the FUNCTION button will start to ash,
indicating that the start point (A) of the loop has been set.

Point ‘A’ set

3.Specifyingtheendpoint(B)oftheloop

Press the FUNCTION button (A-B) again to specify the end
point of the loop.

The LED indicator for the FUNCTION button will turn on,
indicating that the end point of the (B) of the loop has been set.

Point ‘B’ set:

loop active

The dened ‘A-B’ section of the lesson song will repeat (loop),
allowing the passage to be practiced continuously.

4. Cancelling the ‘A-B’ loop

Press the FUNCTION button (A-B) once again to cancel the
loop.

* The Balance and Tempo lesson function settings can continue to be

adjusted while the A-B loop is in operation.

The LED indicator for the
the lesson song will resume normal playback.

FUNCTION button will turn o, and

Lesson Function

5

Recording a lesson song practice

The Lesson Function’s Record feature allows the left or right-hand parts of the selected lesson song to be recorded

to internal memory, and then played back for self-evaluation.

1. Starting the lesson song recording

After selecting a lesson book and song:

Press the REC button.

The LED indicators for the REC and PLAY/STOP buttons will turn
on to indicate that recording mode is in use.

* It may be desirable to adjust the Balance and Tempo lesson function

settings before starting the recording.

A one bar count-in will be heard before the lesson song starts
to play and record.

2. Stopping the lesson song recording

Press the PLAY/STOP button.

The LED indicators for the REC and PLAY/STOP buttons will turn

Music Menu

o, and the lesson song recording and playback will stop.

3. Playing back the recorded lesson song

Press the PLAY/STOP button again.

The LED indicator for the PLAY/STOP button will turn on, and a
one bar count-in will be heard before the recorded lesson song
starts to play.

Press the PLAY/STOP button.

The LED indicator for the PLAY/STOP button will turn o, and the
recorded lesson song will stop playing.

42

* The Balance and Tempo lesson function settings can continue to be

adjusted while the recorded lesson song practise is playing.

* The ‘A-B’ loop function cannot be used when recording a lesson song

practice.

* Press the REC and PLAY/STOP buttons simultaneously to erase the

recorded lesson song practice. The recorded practice will be erased
automatically when a dierent lesson song is selected.

43

Music Menu

6

Finger Exercises

The lesson function also includes a selection of nger exercises for practicing major and minor scales, arpeggios,

chords, cadences, and Hanon exercises, with notated scores provided in the separate ‘Finger Exercises’ book.

The CA97/CA67 digital piano can also evaluate one’s practice, analysing note accuracy, timing evenness, and note

volume consistency, before displaying results for each category. Using this function, players can objectively review

their performances, and concentrate on improving a particular area of their technique.

1. Selecting and recording a Hanon nger exercise

While Lesson mode is in use:

Select the Hanon lesson book, then select a song number.

* It may be desirable to adjust the Balance and Tempo lesson function

settings before starting the recording.

Press the REC button.

The LED indicators for the REC and PLAY/STOP buttons will turn on to indicate that recording mode is in use.
A one bar count-in will be heard before the nger exercise starts to play and record.

2. Evaluating the recorded nger exercise

Press the PLAY/STOP button

The LED indicators for the REC and PLAY/STOP buttons will turn
o, and the nger exercise recording and playback will stop.

The recorded practice will be evaluated for note accuracy,
timing evenness, and volume consistency, with the results
shown alternately in the LCD display.

* Press the REC and PLAY/STOP buttons simultaneously to erase the

recorded lesson song practice. The recorded practice will be erased
automatically when a dierent lesson song is selected.

3.Playingbacktherecordedngerexercise

Press the PLAY/STOP button again.

The LED indicator for the PLAY/STOP button will turn on, and
a one bar count-in will be heard before the recorded nger
exercise starts to play.

Press the PLAY/STOP button once again.

The LED indicator for the PLAY/STOP button will turn o, and the
recorded nger exercise song will stop playing.

* Press d or c buttons to cycle through the evaluation results. The

recorded nger exercise can be replayed even after cancelling the
evaluation result screen.

Concert Magic

The Concert Magic function allows complete beginners to enjoy playing the piano by simply selecting one of the

176 pre-programmed songs, then tapping the keyboard with a steady rhythm and tempo.

For a complete listing of available Concert Magic songs, please refer to the separate ‘Internal Song Lists’ booklet.

1

Performing a Concert Magic song

The 176 Concert Magic songs are divided into banks ‘A’ and ‘B’, with each bank containing 88 songs.

1. Entering Concert Magic mode

Press the FUNCTION button (MUSIC), then press the d or
buttons to select Concert Magic.

Press the FUNCTION button (ENTER) to enter Concert Magic.

The bank, number, and name of the selected Concert Magic
song will be shown in the LCD display.

c

2. Selecting a Concert Magic song

Music Menu

While Concert Magic mode is in use:

Press and hold the
key to which the Concert Magic song (bank ‘A’) is assigned.

A Concert Magic song from bank ‘A’ will be selected, with the
song number and name shown in the LCD display.

* To select a song from bank ‘B’, press the same key again. Repeatedly

pressing the same key will alternate between banks ‘A’ and ‘B’.

FUNCTION button (EDIT), then press the

hold

3. Performing the selected Concert Magic song

Press a key on the keyboard.

The song will advance with every key that is pressed. Pressing
the keys gently will produce a soft sound, while pressing heavily
will produce a loud sound.

As the song advances, the z symbols shown in the LCD will be
replaced by

y symbols. This is called the Note Navigator.

44

45

Music Menu

4. Changing the Concert Magic playback sound

Press a SOUND button to change the sound used for the Concert
Magic song (melody and accompaniment parts).

It is also possible to select independent sounds for the melody and
accompaniment parts:

Press the FUNCTION button (SPLIT), to enable Concert Magic
split mode.

Press a SOUND button to change the melody sound.

Press and hold the
SOUND button to change the accompaniment sound.

FUNCTION button (SPLIT), then press a

hold

5. Exiting Concert Magic mode

Press the FUNCTION button (BACK), to exit Concert Magic mode.

2

Concert Magic demo mode

This function allows all of the Concert Magic songs to be played back randomly or in designated categories.

Random playback



Enter Concert Magic mode and select the desired song.

Press the PLAY/STOP button.

All 176 Concert Magic songs will be played in a random order
until the PLAY/STOP button is pressed again.

Category playback



Enter Concert Magic mode and select the desired song.

Press and hold the
PLAY/STOP button.

Songs in the same category as the selected song, will be played
in sequential order until the PLAY/STOP button is pressed again.

FUNCTION button (EDIT), then press the

hold

Example: If the song ‘Row, Row, Row Your Boat’ is selected, all
other songs in the ‘Children’s Songs’ category will be played.

Concert Magic

3

Concert Magic settings

The Concert Magic settings menu allows the playback tempo, playing mode, and volume balance to be adjusted.

Concert Magic settings



Concert Magic setting Description Default setting

Tempo Adjust the playback tempo of the Concert Magic song in beats per minute (BPM). Song specific

Mode Change the Concert Magic playing mode (see below). Normal

Balance Adjust the volume balance between the melody and accompaniment parts. 9 - 9

Entering the Concert Magic settings menu



While Concert Magic mode is in use:

Press the

The Concert Magic settings menu will be shown in the LCD
display.

FUNCTION button (EDIT).

Music Menu

Adjusting Concert Magic settings



After entering the Concert Magic settings menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

Press the e or f buttons to adjust the selected setting.

* To reset the current setting to the default value, press the e and f

buttons simultaneously.

ef buttons:

Adjust selected setting.

dc buttons:

Move selection cursor.

Steady Beat mode

Steady Beat mode allows all Concert Magic songs to be played by simply tapping any key with a constant steady

beat, regardless of the song arrangement type.

46

47

Music Menu

4

Concert Magic song arrangement types

Concert Magic songs are divided into three dierent arrangement types, each requiring a dierent level of skill to

be performed correctly.

* The Concert Magic arrangement type is for each song is indicated in the ‘Internal Song Lists’ booklet as ‘EB’, ‘MP’, or ‘SK’.

Easy Beat



These are the easiest songs to play. To perform them, simply tap out a constant steady beat on any key on the keyboard.

The following example shows the notated score for ‘Für Elise’, indicating that a constant, steady rhythm should be maintained
throughout the song. This is the distinguishing characteristic of an Easy Beat song.

Key on: X X X X X X X X X XXXXXXXXXXX

Melody Play



These songs are also relatively easy to play, especially if they are familiar to the player. To perform them, tap out the rhythm of the
melody on any key of the keyboard. Singing along as the rhythm is tapped can be helpful.

The following example shows the notated score for ‘Twinkle, Twinkle, Little Star’.

* When performing fast Concert Magic songs, it may be easier to tap dierent keys with two alternating ngers in order to play at a greater speed.

EB

MP

Key on: X X X X X X X X X X X X X X

Skillful



These songs range in diculty from moderately dicult to dicult. To perform them, tap out the rhythm of both the melody and the
accompaniment notes on any key of the keyboard. The Note Navigator will be very helpful when playing the Skillful type songs.

The following example shows the notated score for ‘Waltz of the Flowers’.

Key on

XXX XXXXXX X XXX

SK

Song Recorder (Internal Memory)

The CA97/CA67 digital piano allows up to 10 dierent songs to be recorded, stored in internal memory, and played

back at the touch of a button. Each song consists of two separate tracks – referred to as ‘parts’ – that can be recorded

and played back independently. This allows the left-hand part of a song to be recorded rst on one track, and the

right-hand part to be recorded later on the other track.

1

Recording a song

1. Entering song recorder mode

Press the REC button.

The LED indicator for the REC button will start to ash, and the
Internal Recorder record screen will appear with the currently
selected song and part number shown in the LCD display.

* If a USB memory device is connected, press the FUNCTION button

(INT) to select the internal song recorder.

2. Selecting the song/part to be recorded

Press the d or c buttons to move the selection cursor over the
song memory or part.

Press the e or f buttons to change the selected song memory
or part to be recorded.

If a part has already been recorded, a * symbol will be shown.

ef buttons:

Select song memory/part.

dc buttons:

Move selection cursor.

Recorder

Part has been recorded

Whenrecordingpart1andpart2separately,selectthesongandpartnumber
carefullyinordertopreventaccidentallyoverwritingapreviouslyrecordedpart.

3. Starting the song recorder

Press a key on the keyboard, or the PLAY/STOP button.

The LED indicators for the REC and PLAY/STOP buttons will turn
on, and recording will start.

The current bar and beat will also be shown in the LCD display.

Recording

Metronome
tempo/beat

(if enabled)

48

or

* Pressing the PL AY/STOP button a llows a rest period or empty bar to be

inserted at the beginning of the song.

* Press the METRONOME button before or during the recording to

turn on the metronome. The metronome ‘click’ sound will not be
recorded.

49

Recorder

4. Stopping the song recorder

Press the PLAY/STOP button.

The LED indicators for the PLAY/STOP and REC buttons will turn
o, the recorder will stop, and the part/song will be stored in
internal memory.

After a few seconds, the Internal Recorder play screen will be
shown in the LCD display, indicating that the song is ready for
playback.

Stopped

Part
Recorded

To play back the recorded song, please refer to the ‘Playing a Song’
instructions on page 50.



Recording a second part

To record a second part, repeat the above instructions, selecting the part that has not been recorded to.

* The maximum recording capacity is approximately 90,000 notes, with

button and pedal presses also counted as one note.

* If the maximum recording capacity is reached during recording, the

recorder will stop automatically.

* Recorder songs will remain in memory after the power is turned o.



Recording with the metronome

It is also possible to record songs with the metronome activated. This is useful when recording parts separately, or wishing to
maintain correct timing throughout complex passages. Note that the standard metronome click will not be heard when the song
is played back.

* For more information about the instrument’s Metronome function, please refer to page 30.



Changing panel settings while recording

In some cases, it may be desirable to make changes to the selected sound or style while recording a song. The tables below list the
various functions which will and will not be remembered during recording.

Panel operations remembered during recording

Changes made to the sound type. (SOUND buttons etc.)

Switching between dual/split modes.

Panel operations NOT remembered during recording*

Changes made to the reverb settings.

Changes made to the eects settings.

Changes made to the tempo.

Changes made to the volume balance in dual/split mode.

Changes made to transpose, tuning, touch, etc.

* Desired eects, reverb, and tempo settings etc. should be prepared

before recording a new song.

5. Exiting song recorder mode

Press the FUNCTION button (EXIT), to exit the Internal
Recorder and return to normal operation.

Song Recorder (Internal Memory)

2

Playing a song

This function is used to playback recorder songs stored in internal memory. To playback a song/part immediately

after recording, start this process from step 2.

1. Entering song play mode

Press the PLAY/STOP button.

The LED indicator for the PLAY/STOP button will turn on, and the
Internal Recorder play screen will be shown in the LCD display.

Stopped

Part
Recorded

2.Selectingthesong/part(s)tobeplayedback

* If a USB memory device is connected, press the FUNCTION button

(INT) to select the internal song recorder.

Press the d or c buttons to move the selection cursor over the
song memory or part.

Press the e or f buttons to change the selected song memory
(1-10) or part (1, 2, or 1&2) to be played back.

If a part has already been recorded, a * symbol will be shown.

Part has been recorded

Recorder

3. Starting/stopping song playback

Press the PLAY/STOP button.

The LED indicator for the PLAY/STOP buttons will turn on, and
the selected song/parts will start to play.

* The selected part can be changed during song playback.

* To adjust the playback tempo of the recorded song, press and hold

the METRONOME button, then press the e or f buttons.

ef buttons:

Select song memory/part.

dc buttons:

Move selection cursor.

Press the PLAY/STOP button again.

The LED indicator for the PLAY/STOP button will turn o and the
song will stop playing.

5. Exiting song play mode

Press the FUNCTION button (EXIT), to exit the Internal
Recorder and return to normal operation.

50

51

Recorder

3

Internal Recorder Edit menu

The Internal Recorder Edit menu features settings that allow the pitch of the keyboard or song to be adjusted in

semi-tone steps. This menu also includes functions to delete the song, or convert the song to an audio le.

Internal Recorder menu



Internal Recorder function Description Default setting

Key Transpose Raise or lower the pitch of the keyboard in semi-tone steps. 0 (C)

Song Transpose Raise or lower the pitch of the recorder song in semi-tone steps. 0

Erase Erase a part of a recorder song from memory (see page 52). –

Audio Convert Convert a recorder song to an MP3/WAV audio le (see page 53). –

Entering the Internal Recorder menu



While the Internal Recorder play screen is shown in the LCD display:

Press the

The Internal Recorder menu will be shown in the LCD display.

Adjusting the Internal Recorder settings/functions



After entering the Internal Recorder edit menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

Press the e or f buttons to adjust the selected setting.

* To reset the current setting to the default value, press the e and f

buttons simultaneously.

Exiting the Internal Recorder menu



FUNCTION button (EDIT).

ef buttons:

Adjust selected setting.

dc buttons:

Move selection cursor.

Press the FUNCTION button (BACK), to exit the Internal
Recorder menu and return to normal operation.

Song Recorder (Internal Memory)

4

Erasing a part/song

This function is used to erase recorder parts that may have been recorded incorrectly or songs that are no longer

listened to. Once a part/song has been erased from memory it cannot be recovered.

1. Selecting the Erase function

After entering the Internal Recorder edit menu (see page 51):

Press the d or c buttons to move the selection cursor over the
Erase function.

dc buttons:

Move selection cursor.

Press the FUNCTION button (ENTER) to select the Erase
function.

2. Selecting the song/part to be erased

Press the d or c buttons to move the selection cursor over the
song memory or part.

Press the e or f buttons to change the selected song memory
(1-10) or part (1, 2, or 1&2) to be erased.

If a part has already been recorded, a * symbol will be shown.

ef buttons:

Select song memory/part.

dc buttons:

Move selection cursor.

3. Erasing the selected song/part

Press the FUNCTION button (OK) to Erase the selected song

Recorder

and part.

A conrmation message will be shown in the LCD display,
prompting to conrm or cancel the erase operation.

Press the FUNCTION button (YES) to conrm the erase
operation, or the

Erasing all recorder songs from memory



Press and hold the PLAY/STOP and REC buttons, then turn the
instrument’s power o/on.

All recorder songs stored in memory will be erased.

FUNCTION button (NO) to cancel.

52

hold

YES: Erase NO: Cancel

hold

53

Recorder

5

Converting a song to an audio le

This function allows recorder songs stored in internal memory to be played back and saved (converted) as an audio

le to a USB device in either MP3 or WAV format.

1. Selecting the Convert to Audio function

After entering the Internal Recorder edit menu (see page 51):

Press the d or c buttons to move the selection cursor over the
Convert to Audio function.

dc buttons:

Move selection cursor.

Press the FUNCTION button (ENTER) to select the Convert to
Audio function.

2. Selecting the song/part to be converted

Press the d or c buttons to move the selection cursor over the
song memory or part.

Press the e or f buttons to change the selected song memory
(1-10) or part (1, 2, or 1&2) to be converted.

If a part has already been recorded, a * symbol will be shown.

Press the

FUNCTION button (OK) to continue.

3. Selecting the audio le format

Press the e or f buttons to select the desired le format for the
converted song.

It is also possible to adjust the recording gain at this stage.

* For more information about the instrument’s audio recorder gain

setting, please refer to page 54.

4. Starting the conversion

Press the PLAY/STOP button, or a key on the keyboard.

ef buttons:

Select song memory/part.

dc buttons:

Move selection cursor.

ef buttons:

Select audio recorder format.

The LED indicator for the PLAY/STOP and REC buttons will turn
on, the selected song will play, and the convert to audio process
will start.

* Notes played on the keyboard will also be recorded to the audio le.

Naming and saving the converted audio le



Please follow the ‘Recording a MP3/WAV audio le’ instructions on page 55 from step 4.

Audio Record/Playback (USB Memory)

1

Recording a MP3/WAV audio le

The CA97/CA67 digital piano is also capable of recording performances as digital audio – saving the data to a USB

memory device in either MP3 or WAV format. This useful function allows professional quality recordings to be

produced directly on the instrument – without the need for additional sound equipment – then emailed to friends

and family, listened to away from the instrument, or edited and remixed further using an audio workstation.

In addition, the LINE IN audio will also be mixed and recorded to the MP3/WAV audio le.

Audio Recorder format specications



Audio format Specications Bitrate

MP3 44.1 kHz, 16 bit, Stereo 256 kbit/s (fixed)

WAV 44.1 kHz, 16 bit, Stereo 1,411 kbit/s (uncompressed)

MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.

MP3 codec is Copyright (c) 1995-2007, SPIRIT.

1. Entering USB recorder mode

Connect a USB memory device to the USB port.

Press the REC button.

The LED indicator for the REC button will start to ash, and the
USB Recorder format screen will be shown in the LCD display.

2. Selecting the USB recorder le format

Press the e or f buttons to select the desired USB recorder
audio le format (WAV or MP3).

ef buttons:

Select audio recorder format.

Recorder

* MP3 audio les require less storage space than WAV audio les.

* A 1 GB USB memory device can store over 12 hours of MP3 audio data.

Adjusting the recording volume (Gain)



Press the FUNCTION button (GAIN).
The gain adjustment screen and recording level meter will be
shown in the LCD display.

Press the e or f buttons to adjust the recorder gain setting.

* To reset the gain setting to the default level, press the e and f

buttons simultaneously.

54

* The gain setting can be adjusted within the range of 0 dB~+15 dB.

* Express caution when increasing the gain setting, as higher levels may

result in distorted recordings.

* The gain meter will also display the sound level of the LINE IN audio.

55

Recorder

3. Starting the USB recorder

Press a key on the keyboard, or the PLAY/STOP button.

The LED indicators for the REC and PLAY/STOP buttons will turn
on, and recording will start.

The current recording time will also be shown in the LCD display.

Recording

Time

4. Stopping the USB recorder, saving the le

Press the PLAY/STOP button.

The LED indicators for the PLAY/STOP and REC buttons will turn
o, and recording will stop

A conrmation message will be shown in the LCD display,
prompting to conrm or cancel the save operation.

or

* Pressing the PL AY/STOP button a llows a rest period or empty bar to be

inserted at the beginning of the song.

* Press the METRONOME button before or during the recording to

turn on the metronome. The metronome ‘click’ sound will not be
recorded, however drum patterns will be recorded.

Press the FUNCTION button (YES) to conrm the save
operation, or the

FUNCTION button (NO) to cancel.

5. Naming the recorded audio le, conrming save

After conrming the save operation:

Press the d or c buttons to cycle through the alphanumeric
characters, and the e or f buttons to move the cursor.

Press the FUNCTION button (OK) to conrm the save
operation, or the

The recorded audio le will be saved with the specied name.

After a few seconds, the USB Recorder play screen will be
shown in the LCD display, indicating that the audio is ready for
playback.

To play back the recorded audio le, please refer to the ‘Playing an
MP3/WAV audio File’ instructions on page 56.

FUNCTION button (BACK) to cancel.

* ‘MP3 Song 01’ or ‘WAV Song 01’ will be used as the default name for the

* The recorded audio le will be saved in the root folder of the USB

YES: Save NO: Cancel

ef buttons:

Move selection cursor.

dc buttons:

Select character.

OK: Save BACK: Cancel

recorded audio les, with the number increasing automatically.

memory device. It is not possible to save the le in a dierent folder.

Audio Record/Playback (USB Memory)

2

Playing an MP3/WAV audio le

The CA97/CA67 digital piano is also capable of playing MP3 and WAV audio les stored on a USB memory device

directly through the instrument’s speaker system. This function is particularly useful when attempting to learn the

chords or melody to a new piece, or to simply play along with one’s favorite song.

Audio Player supported format specications



Audio format Specications Bitrate

MP3 32 kHz/44.1 kHz/48 kHz, Mono/Stereo 8-320 kbit/s (fixed & variable)

WAV 32 kHz/44.1 kHz/48 kHz, Mono/Stereo, 16 bit -

MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.

MP3 codec is Copyright (c) 1995-2007, SPIRIT.

PreparingtheUSBmemorydevice



First, prepare a selection of MP3 or WAV audio les, copying the
data to a USB memory device.

* USB devices shou ld be formatted to use t he ‘FAT’ o r ‘FAT32’ les ystems.

Please refer to page 137 for more information.

1. Entering USB playback mode

Connect a USB memory device to the USB port.

Press the PLAY/STOP button.

The LED indicator for the the PLAY/STOP button will turn on,
and the Song Browser screen will be shown in the LCD display.

Song Browser screen

Recorder



The Song Browser screen provides a listing of relevant les and
folders stored on the connected USB device.

The icon is used to represent an audio/song le.
The

icon is used to represent a folder.

The

icon is used to represent the current/previous folder.

An example of a typical le/folder listing screen is shown below.
Please note that the visible screen height has been extended for
the purpose of this illustration.

Current/previous folder

Folders

Files

dc buttons:

Move selection cursor.

* Files and folders will be listed in alphabetical order, with folders shown

at the top of the screen.

* When the USB Recorder play function is selected, only MP3, WAV, and

MID les will be shown.

* The LCD display is capable of showing lenames with a maximum

length of 12 characters (+3 character sux). Filenames longer than 12
characters will be truncated automatically.

FUNCTION button:

Select le/enter folder.

56

57

Recorder

2. Selecting an audio le

Press the d or c buttons to move the selection cursor, then
press the

The USB Recorder play screen will be shown in the LCD display.

FUNCTION button (SELECT) to select the audio le.

3. Playing the selected audio le

Press the PLAY/STOP button.

The selected audio le will start to play, and information about
the le will be shown in the LCD display.

Audio le,

artist/song

Playback

volume

Controlling audio le playback



While the audio le is playing:

Press the PLAY/STOP button to pause and resume playback.

Press the e or f buttons to rewind or advance the playing
position of the audio le.

Press the d or c buttons to adjust the playback volume of the
audio le.

* The playback volume can be adjusted within the range of 1~128.

Press the FUNCTION button (A-B) twice to set the start and
end points of the A-B loop.

* Pressing the A-B button for a third time will turn o the loop.

Playing
position

* If the selected audio le contains embedded metadata (e.g. ID3 tags)

such as artist name and song title, this information will be also be
shown beside the lename.

ef buttons:

Rewind/advance playing position.

dc buttons:

Adjust playback volume.

* There may be a noticeable dierence in volume between audio le

playback and the CA97/CA67 keyboard sound. When playing back
audio data, please adjust the volume of the audio le as desired.

USB Recorder Edit menu



The USB Recorder Edit menu allows the playback mode (Single, 1-Repeat, All-Repeat, Random) to be changed, and the pitch of the keyboard
to be transposed in semi-tone steps. Please refer to page 60 for more information.

Overdub function



The Overdub function allows the sound of the CA97/CA67 to be recorded (overdubbed) to an existing MP3 or WAV audio le.
Please refer to page 62 for more information.

4. Exiting USB playback mode

Press the FUNCTION button (BACK) to exit USB playback
mode and return to normal operation.

Audio Record/Playback (USB Memory)

3

Playing a MIDI song le

The CA97/CA67 digital piano also supports the playback of Standard MIDI File (SMF) les and CA97/CA67 recorder

songs stored on a USB memory device, allowing a vast selection of widely accessible music to be heard through the

instrument’s exquisite Harmonic Imaging XL sound engine.

Song Player supported format specications



Song format Specications

MID Format 0, Format 1

KS0 Kawai Song le

PreparingtheUSBmemorydevice



First, prepare a selection of MID (SMF) song les, copying the
data to a USB memory device.

* USB devices shou ld be formatted to use t he ‘FAT’ o r ‘FAT32’ les ystems.

Please refer to page 137 for more information.

1. Entering USB playback mode

Connect a USB memory device to the USB port.

Press the PLAY/STOP button.

The LED indicator for the the PLAY/STOP button will turn on,
and the Song Browser screen will be shown in the LCD display.

Song Browser screen



Recorder

The Song Browser screen provides a listing of relevant les and
folders stored on the connected USB device.

The icon is used to represent an audio/song le.
The

icon is used to represent a folder.

The

icon is used to represent the current/previous folder.

An example of a typical le/folder listing screen is shown below.
Please note that the visible screen height has been extended for
the purpose of this illustration.

dc buttons:

Move selection cursor.

FUNCTION button:

Select le/enter folder.

Current/previous folder

58

Folders

Files

* Files and folders will be listed in alphabetical order, with folders shown

at the top of the screen.

* When the USB Recorder play function is selected, only MP3, WAV, and

MID les will be shown.

* The LCD display is capable of showing lenames with a maximum

length of 12 characters (+3 character sux). Filenames longer than 12
characters will be truncated automatically.

59

Recorder

2. Selecting a MIDI le

Press the d or c buttons to move the selection cursor, then
press the

The USB Recorder play screen will be shown in the LCD display.

FUNCTION button (SELECT) to select the MIDI le.

3. Playing the selected MIDI le

Press the PLAY/STOP button.

The selected MIDI le will start to play, and information about
the le will be shown in the LCD display.

MIDI le,

artist/song

Playback

volume

Controlling MIDI le playback



While the MIDI le is playing:

Press the PLAY/STOP button to pause and resume playback.

Press the e or f buttons to rewind or advance the playing
position of the MIDI le.

Press the d or c buttons to adjust the playback volume of the
MIDI le.

* The playback volume can be adjusted within the range of 1~128.

Press the FUNCTION button (A-B) twice to set the start and
end points of the A-B loop.

* Pressing the A-B button for a third time will turn o the loop.

Playing
position

* The CA97/CA67 digital piano does not contain the full General MIDI/

GM2 sound bank selection. Consequently, some SMF song les may
not be reproduced entirely accurately when played through the
instrument.

ef buttons:

Rewind/advance playing position.

dc buttons:

Adjust playback volume.

USB Recorder Edit menu



The USB Recorder Edit menu allows the playback mode (Single, 1-Repeat, All-Repeat, Random) to be changed, the tempo of the MIDI song
to be adjusted, and the pitch of the keyboard or song to be transposed in semi-tone steps. Please refer to page 60 for more information.

ConvertMIDItoAudiofunction



The Convert MIDI to Audio function allows MIDI les or CA97/CA67 recorder songs stored on a USB memory device to be converted to MP3/
WAV audio les. Please refer to page 61 for more information.

Exiting USB playback mode



Press the FUNCTION button (BACK) to exit USB playback
mode and return to normal operation.

Audio Record/Playback (USB Memory)

4

USB Recorder Edit menu

The USB Recorder Edit menu allows the playback mode of the audio/MIDI le to be changed to one of four types.

This menu also features settings to adjust the MIDI song playback tempo, and to transpose the pitch of the keyboard

or MIDI song in semi-tone steps.

USB Recorder menu



USB Recorder function Description Default setting

Play Mode Change the audio/MIDI le playback mode (see below). Single

Tempo Adjust the playback tempo of the MIDI song in beats per minute (BPM). –

Key Transpose Raise or lower the pitch of the keyboard in semi-tone steps. 0 (C)

Song Transpose Raise or lower the pitch of the recorder/MIDI song in semi-tone steps. 0

* Tempo and Song Transpose settings will not be shown when an audio le is selected.

Play Mode settings



Play Mode setting Description

Single The selected audio/MIDI le will be played once.

1-Repeat The selected audio/MIDI le will be repeated.

All-Repeat All audio/MIDI les in the current folder will be played repeatedly.

Random All audio/MIDI les in the current folder will be played in random order.

Entering the USB Recorder menu



While the USB Recorder screen is shown in the LCD display:

Press the

Recorder

The USB Recorder menu will be shown in the LCD display.

FUNCTION button (EDIT).

Adjusting the USB Recorder settings



After entering the USB Recorder menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

Press the e or f buttons to adjust the selected setting.

* To reset the current setting to the default value, press the e and f

buttons simultaneously.

60

ef buttons:

Adjust selected setting.

dc buttons:

Move selection cursor.

61

Recorder

5

Converting a MIDI song le to an MP3/WAV audio le

This function allows MIDI les or CA97/CA67 recorder songs stored on a USB memory device to be played back and

saved (converted) as an audio le (to the USB device) in either MP3 or WAV format.

1.SelectingtheMIDIsongtobeconverted

While the Song Browser Player screen is shown in the LCD display:

Press the d or c buttons to move the selection cursor over the
desired MIDI le, then press the REC button.

The LED indicator for the REC button will start to ash, and the
Convert MIDI to Audio screen will be shown in the LCD display.

2. Selecting the audio le format

With the Format setting selected, press the e or f buttons to
select the desired USB recorder audio le format (WAV or MP3).

* It is also possible to record a new song directly to the USB device (i.e.

not convert the p reviously selected song to an audio le) by changing
the Mode setting to ‘New Song’.

3. Starting the conversion

Press the PLAY/STOP button, or a key on the keyboard.

The LED indicator for the PLAY/STOP and REC buttons will turn
on, the selected song will play, and the convert to audio process
will start.

* Notes played on the keyboard will also be recorded to the audio le.

When the end of the song is reached, the save conrmation
screen will be shown in the LCD display.

ef buttons:

Select audio recorder format.

Naming and saving the converted audio le



Please follow the ‘Recording a MP3/WAV audio le’ instructions on page 55 from step 3.

Audio Record/Playback (USB Memory)

6

Overdubbing a MP3/WAV audio le

This function allows the sound of the CA97/CA67 to be recorded (overdubbed) to an existing MP3 or WAV audio le.

In addition, the CA97 digital piano also supports mixing the LINE IN audio with the overdubbed MP3/WAV le.

* This function records/overdubs to a copy of the selected le – the original audio le will not be modied.

1. Selecting the audio le to be overdubbed

While the Song Browser Player screen is shown in the LCD display:

Press the d or c buttons to move the selection cursor over the
desired MP3/WAV le, then press the REC button.

The LED indicator for the REC button will start to ash, and the
Overdubbing screen will be shown in the LCD display.

2. Selecting the audio le format

With the Format setting selected, press the e or f buttons to
select the desired USB recorder audio le format (WAV or MP3).

* It is also possible to record a new audio le directly to the USB device

(i.e. not overdub the previously selected audio le) by changing the
Mode setting to ‘New Song’.

ef buttons:

Select audio recorder format.

3. Starting the recording/overdubbing

Recorder

Press the PLAY/STOP button, or a key on the keyboard.

The LED indicator for the PLAY/STOP and REC buttons will
turn on, the selected audio le will play, and the recording/
overdubbing process will start.

Notes played on the keyboard will be recorded to the audio le.

* The playback volume of the selected audio le will automatically be

set to 100, in order to prevent a distorted recording.

When the end of the MP3/WAV is reached, the save conrmation
screen will be shown in the LCD display.

Naming and saving the overdubbed audio le



Please follow the ‘Recording a MP3/WAV audio le’ instructions on page 55 from step 3.

62

Function menus

The Function menus contain a variety of options to adjust the CA97/CA67 digital piano’s operation and sound.

Settings are grouped by category, providing convenient access to relevant controls. Once adjusted, settings can

be stored to o ne of the instrument ’s 16 registration memories, or selected as the default power-on settings with the

Startup Setting function (page 77).

Entering the Function menus



While the normal playing mode screen is shown in the LCD display:

Press the

The Function menus will be shown in the LCD display.

Press the d or c buttons to cycle through the dierent menus.
Press the
Function menu.

Exiting the Function menus



Press the FUNCTION button (EXIT) to exit the Function menus
and return to normal operation.

Overview of Function menus



FUNCTION button (EDIT).

FUNCTION button (ENTER) to enter the selected

dc buttons:

Move selection cursor.

FUNCTION button:

Select function.

1. Basic Settings

Key Transpose, Song Transpose, Tone Control, Speaker Volume,

Line In Level, Wall EQ*, Tuning, Damper Hold, Split, Four Hands,

LCD Contrast, Startup Setting, Factory Reset, Auto Power O

2. Virtual Technician Settings

Touch Curve, Voicing, Damper Resonance, Damper Noise,

String Resonance, Undamped String Resonance, Cabinet Resonance,

Key-o Eect, Fallback Noise, Hammer Delay, Topboard Simulation,

Decay Time, Minimum Touch, Stretch Tuning, Temperament,

Temperament Key, Key Volume, Half-Pedal Adjust, Soft Pedal Depth

* CA97 only.

3. Phones Settings

SHS Mode, Phones Type, Phones Volume

4. MIDI Settings

MIDI Channel, Send Program Change No., Local Control,

Transmit Program Change No., Multi-timbral Mode, Channel Mute

5. USB Functions

Load Song, Load Registration All, Load Registration Single,

Load Startup Setting, Save Internal Song, Save SMF Song,

Save Registration All, Save Registration Single, Save Startup Setting,

Rename File, Delete File, Format USB

Settings

63

Basic Settings

The Basic Settings menu contains settings to adjust the pitch, tuning, and general sound of the instrument.

This menu also allows favourite panel settings to be stored, or reset back to the original factory conguration.

Basic Settings



No. Setting Description Default setting

1 Key Transpose Raise or lower the pitch of the keyboard in semi-tone steps. 0 (C)

2 Song Transpose Raise or lower the pitch of the recorder/MIDI song in semi-tone steps. 0

3 Tone Control Change the EQ settings of the instrument’s sound. O

4 Speaker Volume Change the maximum volume level of the speaker output. Normal

5 Line In Level Adjust the input volume of the Line In connectors. 0 dB.

6 Wall EQ* Optimise the instrument’s speaker system based on instrument placement. O

7 Tuning Raise or lower the pitch of the instrument in 0.5 Hz steps. 440.0 Hz

8 Damper Hold Change the eect of pressing the sustain pedal on organ, string, etc. sounds. O

9 Split Enable the ‘Split Mode’ function. O

10 Four Hands Enable the ‘Four Hands Mode’ function. O

11 LCD Contrast Adjust the contrast of the instrument’s LCD display. 5

12 Startup Setting Store current panel settings as the default (power-on) conguration. -

13 Factory Reset Restore all panel settings to the original factory conguration. -

14 Auto Power O Enable/disable the instrument’s Auto Power O energy saving function. -

Settings

* The Wall EQ setting is available on the CA97 model only. Settings page numbers shown will dier on the CA67 model.

* Default settings will be shown in the rst LCD display illustration (i.e. Step 1) for each setting explanation below.



Entering the Basic Settings menu

While the normal playing mode screen is shown in the LCD display:

Press the

The Function menus will be shown in the LCD display.

Press the FUNCTION button (ENTER) again to enter the Basic
Settings menu.



Selecting and adjusting the desired setting

After entering the Basic Settings menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

FUNCTION button (ENTER).

ef buttons:

Adjust selected setting.

Press the e or f buttons to adjust the selected setting.

* To reset the current setting to the default value, press the e and f

buttons simultaneously.

64

dc buttons:

Move selection cursor.

65

Settings

1

Key Transpose

The Key Transpose setting allows the pitch of the CA97/CA67 digital piano keyboard to be raised or lowered in semi-

tone steps. This is particularly useful when accompanying instruments tuned for dierent keys, or when a song

learned in one key must be played in another key. When transposed, the song can be played in the original key, yet

heard in a dierent key.

1. Selecting the Key Transpose setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Key Transpose setting.

2. Adjusting the Key Transpose value

Press the e or f buttons to increase or decrease the value of
the Key Transpose setting.

* The keyboard pitch can be raised or lowered by up to 12 semi-tones.

* To reset the Key Transpose setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the Key Transpose setting will remain until the

power is turned o.

* Preferred Key Transpose settings can be stored to the Startup Setting

memory for convenient recall. Please refer to page 77 for more
information.



Current Transpose state

If the Key Transpose setting is set to a value other than 0 (C),
the TRANSPOSE indicator shown in the normal playing mode
screen will be highlighted.

3. Exiting the Key Transpose setting

Press the FUNCTION button (BACK) to exit the Key Transpose
setting and return to the Function Menus screen.

Transpose

enabled

Basic Settings

2

Song Transpose

The Song Transpose setting allows the pitch of MIDI les or CA97/CA67 recorder songs stored on a USB memory

device to be raised or lowered in semi-tone steps when played back.

1. Selecting the Song Transpose setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Song Transpose setting.

2. Adjusting the Song Transpose value

Press the e or f buttons to increase or decrease the value of
the Song Transpose setting.

* The song pitch can be raised or lowered by up to 12 semi-tones.

* To reset the Song Transpose setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the Song Transpose setting will remain until the

power is turned o.

* Preferred Song Transpose settings can be stored to the Startup

Setting memory for convenient recall. Please refer to page 77 for
more information.

Settings

3. Exiting the Song Transpose setting

Press the FUNCTION button (BACK) to exit the Song Transpose
setting and return to the Function Menus screen.

66

67

Settings

3

Tone Control

The Tone Control setting allows the overall sound character of the CA97/CA67 digital piano to be adjusted to provide

the best sound quality within the area that the instrument is located. There are ve dierent preset EQ settings

available, with an additional ‘User’ setting allowing ner control over the dierent frequency bands.

Tone Control setting



Tone Control type Description

O (default) Tone control adjustment is not applied.

Brilliance Adjusts the overall brightness of the sound, independently of the Virtual Technician ‘Voicing’ parameter.

Loudness Emphasises frequencies to retain the instrument’s sound character when playing at low volume levels.

Bass Boost Emphasises low-range frequencies, creating a deeper sound.

Treble Boost Emphasises high-range frequencies, creating a brighter sound.

Mid Cut Reduces mid-range frequencies, creating a clearer sound.

User Allows the low, mid, and high-range frequency bands to be adjusted separately.

1. Selecting the Tone Control setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Tone Control setting.

2. Changing the Tone Control type

Press the e or f buttons to cycle through the dierent Tone
Control types.

* To reset the Tone Control setting to the default type, press the

e and f buttons simultaneously.

* Any changes made to the Tone Control setting will remain until the

power is turned o.

* Preferred Tone Control settings can be stored to the Startup Setting

memory for convenient recall. Please refer to page 77 for more
information.

3. Exiting the Tone Control setting

Press the FUNCTION button (BACK) to exit the Tone Control
setting and return to the Function Menus screen.



Adjusting the Brilliance level

When the Brilliance tone control type is selected:

Press the
buttons to increase/decrease the value of the Brilliance setting.

* The Brilliance value can be adjusted within the range of –10~+10.

Press the FUNCTION button (BACK) to exit the Brilliance
setting and return to the Tone Control setting.

FUNCTION button (EDIT), then press the e or f

ef buttons:

Adjust Brilliance setting.

Basic Settings

User Tone Control

The User Tone Control option allows ner control over the instrument’s sound character, allowing the volume of

four frequency bands to be adjusted individually. It is also possible to adjust the frequency range of the mid-low

and mid-high frequency bands.

User Tone Control setting



No. User Tone Control Description

1 Low Adjusts the volume of the low range frequency band (20~100 Hz).

2 Mid-low Frequency Adjusts the frequency of the mid-low band (355~3150 Hz).

Mid-low dB Adjusts the volume of the mid-low range frequency band.

3 Mid-high Frequency Adjusts the frequency of the mid-high band (355~3150 Hz).

Mid-high db Adjusts the volume of the mid-high range frequency band.

4 High Adjusts the volume of the high range frequency band (5000~20000 Hz).

Settings

1. Selecting the User Tone Control setting

After selecting the Tone Control setting (page 67):

Press the e or f buttons to select the User Tone Control type,
then press the FUNCTION button (EDIT).

The User Tone Control screen will be shown in the LCD display.

2. Selecting and adjusting the User Tone Control settings

Press the d or c buttons to select the User Tone Control
setting.
Press the e or f buttons to increase or decrease the value of
the selected User Tone Control setting.

* Each User Tone Control band can be adjusted within the range of

–6 dB~+6 dB.

* To reset the User Tone Control setting to the default type, press the

e and f buttons simultaneously.

* Any changes made to the User Tone Control setting will remain until

the power is turned o.

* Preferred User Tone Control settings can be stored to the Startup

Setting memory for convenient recall. Please refer to page 77 for
more information.

3. Exiting the User Tone Control setting

Press the FUNCTION button (BACK) to exit the User Tone
Control setting and return to the Tone Control setting.

68

69

Settings

4

Speaker Volume

The Speaker Volume setting allows the maximum volume level of the CA97/CA67 digital piano’s speaker output to

be reduced, providing ner adjustment control over the master volume. This setting can also function as a volume

limiter, preventing the instrument from being played too loudly in the home or classroom etc.

* This setting does not aect the headphones or Line Out volume.

Speaker Volume setting



Speaker Volume Description

Normal (default) The instrument’s speakers will output sound at the normal volume level.

Low The instrument’s speakers will output sound at a reduced volume level.

1. Selecting the Speaker Volume setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Speaker Volume setting.

2. Changing the Speaker Volume type

Press the e or f buttons to alternate between ‘Normal’ and
‘Low’ Speaker Volume settings.

* To reset the Speaker Volume setting to the default setting, press the

e and f buttons simultaneously.

* Any changes made to the Sp eaker Volume setting will remain until the

power is turned o.

* Preferred Speaker Volume settings can be stored to the Startup

Setting memory for convenient recall. Please refer to page 77 for
more information.

3. Exiting the Speaker Volume setting

Press the FUNC TION button (BACK) to exit the Speaker Volume
setting and return to the Function Menus screen.

Basic Settings

5

Line In Level

The Line In Level setting allows the volume level of the instrument’s Line In input jacks to be adjusted digitally. This

setting may be useful when using the USB Recorder function and attempting to balance an external audio source

with the instrument’s sound.

* The Line In Level can also be adjusted by using the LEVEL knob, located on the jack panel. Please refer to page 137 for more information.

1. Selecting the Line In Level setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Line In Level setting.

2. Adjusting the Line In Level value

Press the e or f buttons to increase or decrease the value of
the Line In Level setting.

* The Line In Level can be adjusted within the range of –10 dB~+10 dB.

* To reset the Line In Level setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the Line In Level setting will remain until the

power is turned o.

* Preferred Line In Level settings can be stored to the Startup Setting

memory for convenient recall. Please refer to page 77 for more
information.

Settings

3. Exiting the Line In Level setting

Press the FUNCTION button (BACK) to exit the Line In Level
setting and return to the Function Menus screen.



Line In Level setting vs Line In LEVEL knob

The CA97/CA67 digital piano provides two methods of adjusting the level of the Line In audio: the Line In LEVEL knob (located beside
the Line In jacks on the jack panel), and the Line In Level setting. The LEVEL knob is used to adjust the analogue volume of the sound
entering the instrument, while the Line In Level setting adjusts the digital volume of the sound once it is ‘inside’ the instrument.

To ensure the Line In audio is of a high quality, it is recommended to set the volume of the external audio device (for example a
tablet) to a high level, then adjust the instrument’s Line In LEVEL knob to a comfortable level, without distortion. If it is necessary to
further increase or decrease the volume of the external audio, the Line In Level setting can then be used as desired.

70

71

Settings

6

Wall EQ (CA97 only)

The Wall EQ setting optimises the sound character of the soundboard speaker depending on whether the CA97

digital piano (back) is placed beside a wall, or in an area away from a wall.

* This setting does not aect the headphones or Line Out output.

Wall EQ setting



Wall EQ Description

O (default) Optimise the speaker system for placing the CA97 digital piano in an area away from a wall.

On Optimise the speaker for placing the CA97 digital piano beside a wall.

1. Selecting the Wall EQ setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Wall EQ setting.

2. Changing the Wall EQ setting

Press the e or f buttons to turn the Wall EQ setting on or o.

* To reset the Wall EQ setting to the default setting, press the e and f

buttons simultaneously.

* Any changes made to the Wall EQ setting will remain until the power

is turned o.

* Preferred Wal l EQ settings can be s tored to the Startu p Setting memo ry

for convenient recall. Please refer to page 77 for more information.

3. Exiting the Wall EQ setting

Press the FUNCTION button (BACK) to exit the Wall EQ setting
and return to the Function Menus screen.

Basic Settings

7

Tuning

The Tuning setting allows the overall pitch of the CA97/CA67 digital piano to be raised and lowered in 0.5 Hz steps,

and may therefore prove useful when playing with other instruments.

1. Selecting the Tuning setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Tuning setting.

2. Adjusting the Tuning value

Press the e or f buttons to increase or decrease the value of
the Tuning setting.

* The Tuning value can be adjusted within the range of 427.0~453.0 Hz.

* To reset the Tuning setting to the default value, press the e and f

buttons simultaneously.

* Any changes made to the Tuning setting will remain until the power

is turned o.

* Preferred Tuning settings can be stored to the Startup Setting

memory for convenient recall. Please refer to page 77 for more
information.

Settings

3. Exiting the Tuning setting

Press the FUNCTION button (BACK) to exit the Tuning setting
and return to the Function Menus screen.

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Settings

8

Damper Hold

The Damper Hold setting is used to determine whether sounds such as organ or strings should be sustained

continuously when the sustain (damper) pedal is pressed, or whether these sounds should decay, naturally.

Damper Hold setting



Damper Hold Description

O (default) Organ, strings, etc. sounds will gradually decay, even while the sustain pedal is pressed.

On Organ, strings, etc. sounds will be sustained continuously while the sustain pedal is pressed.

1. Selecting the Damper Hold setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Damper Hold setting.

2. Changing the Damper Hold setting

Press the e or f buttons to turn the Damper Hold setting on
or o.

* To reset the Damper Hold setting to the default setting, press the

e and f buttons simultaneously.

* Any changes made to the Damper Hold setting will remain until the

power is turned o.

* Preferred Damper Hold settings can be stored to the Startup Setting

memory for convenient recall. Please refer to page 77 for more
information.

3. Exiting the Damper Hold setting

Press the FUNCTION button (BACK) to exit the Damper Hold
setting and return to the Function Menus screen.

Basic Settings

9

Split

The Split setting provides an alternative method to enabling the Split Mode function, and may prove useful in

teaching environments or situations where the function should be enabled automatically every time the CA97/

CA67 digital piano is turned on.

When enabled, all Split Mode control operations are identical to those explained on page 20.

Split setting



Split Description

O (default) Split Mode will be turned o by default.

On Split Mode will be turned on by default.

1. Selecting the Split setting

Settings

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Split setting.

2. Changing the Split setting

Press the e or f buttons to turn the Split setting on or o.

* To reset the Split setting to the default setting, press the e and f

buttons simultaneously.

* Any changes made to the Split setting will remain until the power is

turned o.

* Preferred Split settings can be stored to the Startup Setting memory

for convenient recall. Please refer to page 77 for more information.

3. Exiting the Split setting

Press the FUNCTION button (BACK) to exit the Split setting
and return to the Function Menus screen.

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Settings

10

Four Hands

The Four Hands setting provides an alternative method to enabling the Four Hands Mode function, and may prove

useful in teaching environments or situations where the function should be enabled automatically every time the

CA97/CA67 digital piano is turned on.

When enabled, all Four Hands Mode control operations are identical to those explained on page 22.

Four Hands setting



Four Hands Description

O (default) Four Hands Mode will be turned o by default.

On Four Hands Mode will be turned on by default.

1. Selecting the Four Hands setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Four Hands setting.

2. Changing the Four Hands setting

Press the e or f buttons to turn the Four Hands setting on or
o.

* To reset the Four Hands setting to the default setting, press the

e and f buttons simultaneously.

* Any changes made to the Four Hands setting will remain until the

power is turned o.

* Preferred Four Hands settings can be stored to the Startup Setting

memory for convenient recall. Please refer to page 77 for more
information.

3. Exiting the Four Hands setting

Press the FUNCTION button (BACK) to exit the Four Hands
setting and return to the Function Menus screen.

Basic Settings

11

LCD Contrast

The LCD Contrast setting is used to adjust the contrast of the LCD display. The contrast of the display becomes

sharper as the value increases.

1. Selecting the LCD Contrast setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the LCD Contrast setting.

2. Adjusting the LCD Contrast value

Press the e or f buttons to increase or decrease the value of
the LCD Contrast setting.

* The LCD Contrast value can be adjusted within the range of 0~10.

* To reset the LCD Contrast setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the LCD Contrast setting will remain until the

power is turned o.

* Preferred LCD Contrast settings can be stored to the Startup Setting

memory for convenient recall. Please refer to page 77 for more
information.

Settings

3. Exiting the LCD Contrast setting

Press the FUNCTION button (BACK) to exit the LCD Contrast
setting and return to the Function Menus screen.

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Settings

12

Startup Setting

The Startup Setting function allows preferred panel functions/settings to be stored in the instrument’s memory,

and automatically recalled as the default settings every time the CA97/CA67 digital piano is turned on.

* Startup Settings can also be saved to and loaded from USB memory devices. Please refer to pages 128/123 for more information.

Functions/Settings stored in the Startup Setting memory



Functions

Selected sound (including primary sound for each category)

Dual Mode / Split Mode / Four Hands Mode (including settings)

Reverb, Eects (Type, Settings)

Metronome (Beat, Tempo, Volume)

* Changes made to the Auto Power O setting will be stored to the Startup Setting memory automatically.

Settings

Basic Settings

Virtual Technician Settings

MIDI Settings

Headphone Settings

1. Selecting the Startup Setting function

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Startup Setting function.

2. Storing current settings to the Startup Setting memory

Press the REC button.

A conrmation message will be shown in the LCD display, and
the current panel settings will be stored to the Startup Setting
memory.

* The Factory Reset function can be used to restore all settings to their

default values. Please refer to page 78 for more information.

3. Exiting the User Memory function

Press the FUNCTION button (BACK) to exit the Startup Setting
function and return to the Function Menus screen.

Basic Settings

13

Factory Reset

The Factory Reset function clears any settings stored using the User Memory function, restoring the CA97/CA67

digital piano to its factory default settings.

* This function will not clear registration memories or recorder songs stored in internal memory.

1. Selecting the Factory Reset function

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Factory Reset setting.

2. Restoring factory settings

Press the REC button.

A conrmation message will be shown in the LCD display, and
the all settings will be restored to their default values.

Settings

3. Exiting the Factory Reset function

Press the FUNCTION button (BACK) to exit the Factory Reset
function and return to the Function Menus screen.

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Settings

14

Auto Power O

The Auto Power O setting can be used to automatically turn o the instrument after a specied period of inactivity.

This function may be enabled by default, depending on the market location.

* This setting will be stored automatically, and recalled every time the instrument is turned on.

AutoPowerOsettings



Auto Power O Description

O The Auto Power O function is disabled.

30 min. The instrument will turn o automatically after 30 minutes of inactivity.

60 min. The instrument will turn o automatically after 60 minutes of inactivity.

120 min. The instrument will turn o automatically after 120 minutes of inactivity.

* The default Auto Power O setting varies depending on market area.

1. Selecting the Auto Power O setting

After entering the Basic Settings menu (page 64):

Press the d or c buttons to select the Auto Power O setting.

2. Changing the Auto Power O setting

Press the e or f buttons to change the Auto Power O setting.

* The Auto Power O setting will be stored automatically, and recalled

every time the instrument is turned on.

3.ExitingtheAutoPowerOsetting

Press the FUNCTION button (BACK) to e xit the Auto Power O
setting and return to the Function Menus screen.

Virtual Technician Settings

The Virtual Technician settings of the CA97/CA67 digital piano allow the player to adjust advanced parameters

such as hammer hardness, action regulation, cabinet size, and a variety of other acoustic characteristics, in order to

suit their personal preferences. Virtual Technician settings are adjusted and stored independently for each sound,

variation, allowing exible control over the characteristics of each piano voice.

* The table below indicates which Virtual Technician settings aect to all sounds, or acoustic piano and electric piano sounds only.

Virtual Technician Settings



No. Setting Description All AP EP Default

1 Touch Curve Adjust the touch sensitivity of the keyboard.

2 Voicing Adjust the tonal character of the instrument.

User Voicing Adjust the individual voicing of each of the 88 keys.

3 Damper Resonance Adjust the resonance that is heard when pressing the damper pedal.

4 Damper Noise Adjust the sound that is heard when pressing the damper pedal.

5 String Resonance Adjust the resonance that is heard when notes are held.

6 Undamped Str. Res. Adjust the resonance produced by the topmost undamped strings.

7 Cabinet Resonance Adjust the resonance produced by the piano cabinet itself.

8 Key-o Eect Adjust the sound that is heard when keys are released.

9 Fall-back Noise Adjust the sound that is heard when the key action falls back.

10 Hammer Delay Adjust the delay of the hammer striking strings when playing pianissimo.

11 Topboard Simulation Adjust the position of the grand piano topboard.

12 Decay Time Adjust the decay time of the piano sound while the keys are pressed.

13 Minimum Touch Adjust the minimum key velocity required to produce a sound.

14 Stretch Tuning Adjust the level of stretch tuning for equal temperaments.

User Tuning Adjust the individual tuning of each of the 88 keys.

15 Temperament Adjust the tuning system to suit Renaissance and Baroque periods etc.

User Temperament Adjust the tuning of each note in the scale to a custom temperament.

16 Temperament Key Adjust the key of the selected tuning system.

17 Key Volume Adjust the volume balance of the keyboard.

User Key Volume Adjust the individual volume of each of the 88 keys.

18 Half-Pedal Adjust Adjust the point at which the damper pedal begins to sustain the sounds.

19 Soft Pedal Depth Adjust the depth/eectiveness of the soft pedal.

z

z

z

z

z

z

z

z

z

z

z

z

z

z

z

z

z

z

zz

z

z

z

zz

Normal

Normal

–

5

5

5

5

1

5

5

O

Open 3

5

1

Normal

–

Equal Temp.

–

C

Normal

–

5

3

Settings

80

* Default settings will be shown in the rst LCD display illustration (i.e. Step 1) for each setting explanation below.



Entering the Virtual Technician menu

While the normal playing mode screen is shown in the LCD display:

Press the

FUNCTION button (EDIT).

The Function menus will be shown in the LCD display.

Press the d or c buttons to select the Virtual Technician menu.

dc buttons:

Move selection cursor.

Press the FUNCTION button (ENTER) again to enter the Virtual
Technician menu.

* It is also possible to enter the Virtual Technician menu by pressing and

holding the FUNCTION button (VT) on the normal playing screen.

81

Settings



Selecting and adjusting the desired setting

After entering the Virtual Technician menu:

Press the d or c buttons to move the selection cursor over the
desired setting.

Press the e or f buttons to adjust the selected setting.

Showing the Virtual Technician Help screen



Press the FUNCTION button (HELP).

A brief explanation about the currently selected Virtual
Technician parameter will be shown in the LCD display.

Press the d or c buttons to scroll through the explanation if
necessary.

ef buttons:

Adjust selected setting.

dc buttons:

Move selection cursor.

* To reset the current Virtual Technician setting to the default value,

press the e and f buttons simultaneously.

Press the FUNCTION button (BACK) to return to the Virtual
Technician menu.

Storing the Virtual Technician setting to the selected sound



After adjusting a Virtual Technician parameter:

Press the

The adjusted Virtual Technician parameter setting will be used
as the default setting for the currently selected sound, and a
conrmation message will briey be shown in the LCD display.

About Stored Virtual Technician settings



As mentioned above, the Virtual Technician settings are adjusted and stored independently for each sound. This allows dierent
Virtual Technician adjustments to be made for each piano voice. For example, it may be desirable to voice the SK Concert Grand
piano a little brighter than the EX Concert Grand piano, or increase the Damper, String, and Cabinet Resonances of the SK-5 Grand
while leaving the Pop Piano unchanged.

FUNCTION button (STORE).

* Virtual Technician settings are adjusted and stored independently for

each sound variation.

* Only values for the currently selected Virtual Technician setting will

be stored. In order to store all of the Virtual Technician settings
simultaneously, it is recommended to use a Registration memory
(page 32) or the Startup Setting memory (page 77).

Virtual Technician Settings

1

Touch Curve

As with an acoustic piano, the CA97/CA67 digital piano produces a louder sound when the keys are struck with

force, and a softer sound when the keys are played gently. The volume and tonal character change in relation to the

strength and velocity of playing – on a digital piano this system is referred to as ‘touch sensitivity’.

The Touch Curve setting allows the touch sensitivity of the keyboard to be conveniently adjusted. There are six

dierent preset touch curve settings available, with an additional ‘User’ setting allowing performers to customise

the instrument’s keyboard responsiveness to suit their individual playing style.

The default ‘Normal’ setting is designed to accurately recreate the touch of a Kawai concert grand piano. However,

if the keyboard feels too light, or fortissimo playing is achieved too easily, it may be desirable to select a heavier

touch curve. Alternatively, if the keyboard feels too heavy, or fortissimo playing is too dicult to achieve, it may be

desirable to select a lighter touch curve.

* This Virtual Technician setting will aect all sounds.

Settings

Touch C ur ve t yp es



Touch Curve Description

Light + Requires less striking force to achieve a forte note. For players with a very delicate touch.

Light

Normal (default) Reproduces the standard touch sensitivity of an acoustic piano.

Heavy Requires a heavier touch to produce a loud volume. Ideally suited to those with stronger ngers.

Heavy + Requires considerably more striking force to achieve a loud volume.

O (constant)

User A custom touch curve, created to suit an individual’s personal playing style.



Touch Curve graph

The illustration below provides a visual representation of the dierent Touch Curve settings.

LoudSoft

Sound Volume

A louder volume is produced even when playing with a soft touch. For those still developing nger strength.

* This touch curve is recommended for children and organ players.

A constant volume is produced regardless of how hard the keys are struck.

* This touch curve intended for playing sounds of instruments that have a xed dynamic range (e.g. organ and harpsichord).

No. Touch Curve

Light +

Light

(default)

Normal

Heavy

Heavy +

O (constant)

f

b d e

ca

a

b

c

d

e

f

82

Gentle Strong

Keyboard Pressure

83

Settings

1. Selecting the Touch Curve setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Touch Curve setting.

2. Changing the Touch Curve type

Press the e or f buttons to cycle through the dierent Touch
Curve types.

* To reset the Touch Curve sett ing to the default ty pe, press the e and f

buttons simultaneously.

* Any changes made to the Touch Curve type or User Touch setting will

remain until the power is turned o.

* Preferred Touch Curve settings can be stored to the sound’s memory,

or a Registration memory for convenient recall. Please refer to pages
81 and 32 for more information.

3. Exiting the Touch Curve setting

Press the FUNCTION button (BACK) to exit the Touch Curve
setting and return to the Function Menus screen.

User Touch Curve



CreatingaUserTouchCurve

After selecting the Touch Curve setting:

Press the e or f buttons to select the User touch curve, then
press the REC button.

* User touch curves are created and stored independently for each

sound variation.

A message will be shown, prompting for the keyboard to be
played.

Play the piano dynamically from very soft to very loud, allowing
the instrument to examine the personal playing technique.

* More than one attempt may be required in order to create an accurate

User Touch Curve.

* Reducing the master volume fader to the lowest position before

creating the User Touch Curve may help to reduce user distractions,
thus improving accuracy.

Press the PLAY/STOP button.

The new User Touch Curve will be stored to the User touch type,
and selected automatically.

* If desired, press the FUNCTION button (STORE) to ensure the User

touch type is retained after the instrument’s power is turned o.

Virtual Technician Settings

2

Voicing

On an acoustic piano, the shape, density, and texture of the hammers all inuence on the tonal character of the

instrument’s sound. Technicians utilise a variety of tools such as needles, les, and brushes to manipulate these

hammer felts, with the ultimate goal of achieving a balanced tonal character across the keyboard.

The Voicing setting recreates various hammer properties, allowing the overall tonal character of the CA97/CA67

digital piano to be adjusted. There are six dierent preset voicing settings available (applied uniformly to all keys),

with an additional ‘User’ setting allowing players to perform custom adjustments on each individual key.

While the default ‘Normal’ voicing setting should be appropriate for a broad range of musical genres, it may be

desirable to select a softer, more mellow tonal character for romantic pieces, or a brighter, more aggressive tone

for modern styles.

* This Virtual Technician setting will aect all sounds.

Voicing types



Settings

Voicing type Description

Normal (default) The normal tonal character of an acoustic piano throughout the entire dynamic range.

Mellow 1 A softer, more mellow tonal character throughout the entire dynamic range.

Mellow 2 An even soften tonal character than Mellow 1.

Dynamic A tonal character that changes dramatically from mellow to bright, depending on the strength of key strike.

Bright 1 A bright tonal character throughout the entire dynamic range.

Bright 2 An even brighter tonal character than Bright 1.

User A custom tonal character, allowing each key to be individually voiced.

1. Selecting the Voicing setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Voicing setting.

2. Changing the Voicing type

Press the e or f buttons to cycle through the dierent Voicing
types.

* To reset the Voicing setting to the default type, press the e and f

buttons simultaneously.

* Any changes made to the Voicing setting will remain until the power

is turned o.

* Preferred Voicing settings can be stored to the sound’s memory, or a

Registration memory for convenient recall. Please refer to pages 81
and 33 for more information.

3. Exiting the Voicing setting

Press the FUNCTION button (BACK) to exit the Voicing setting
and return to the Function Menus screen.

84

85

Settings

User Voicing

The User Voicing function allows each of the 88 keys to be voiced individually.

1. Selecting the User Voicing type

After selecting the Voicing setting:

Press the e or f buttons to select the User Voicing type.

* User Voicing is performed and stored independently for each sound

variation.

Press the FUNCTION button (EDIT).

The User Voicing screen will be shown in the LCD display.

2. Selecting the note, adjusting the User Voicing value

Press the d or c buttons to select the desired note to be
adjusted.

* To select a note directly, press and hold the FUNCTION button

(+ KEY) then press the desired key.

Press the e or f buttons to adjust the User Voicing value for the
selected note.

* The User Voicing value can be adjus ted within the range of –5 ~+5, with

lower values creating a mellower sound and higher values creating a
brighter sound.

* To reset the User Voicing setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the User Voicing setting will remain until the

power is turned o.

* Preferred User Voicing settings can be stored to the sound’s memory,

or a Registration memory for convenient recall. Please refer to pages
81 and 33 for more information.

3. Exiting the User Voicing function

Press the FUNCTION button (BACK) to exit the User Voicing
screen and return to the Voicing setting.

Virtual Technician Settings

3

Damper Resonance

Pressing the damper pedal of an acoustic piano raises all dampers, allowing the strings to vibrate freely. When a

note or chord is played on the piano with the sustain pedal pressed, not only will the strings of the notes played

vibrate, but also the strings of other notes, vibrating in sympathetic resonance.

The CA97/CA67 digital piano recreates this phenomenon, with the Damper Resonance setting allowing the volume

of this resonance sound to be adjusted.

* This Virtual Technician setting will aect acoustic piano sounds only.

1. Selecting the Damper Resonance setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Damper Resonance
setting.

Settings

2. Adjusting the Damper Resonance volume

Press the e or f buttons to increase or decrease the volume of
the Damper Resonance setting.

* The Damper Resonance volume can be adjusted within the range

of O, 1~10, with higher values resulting in a more pronounced
resonance.

* To reset the Damper Resonance setting to the default value, press the

e and f buttons simultaneously..

* Any changes made to the Damper Resonance setting will remain until

the power is turned o.

* Preferred Damper Resonance settings can be stored to the sound’s

memory, or a Registration memory for convenient recall. Please refer
to pages 81 and 33 for more information.

3. Exiting the Damper Resonance setting

Press the FUNCTION button (BACK) to exit the Damper
Resonance setting and return to the Function Menus screen.

86

87

Settings

4

Damper Noise

When the damper pedal of an acoustic piano is pressed and released, it is often possible to hear the sound of the

damper head touching and releasing the strings.

The CA97/CA67 digital piano reproduces this sound, with the Damper Noise setting allowing the volume of this

sound to be adjusted. The speed at which the damper pedal is pressed will also inuence the prominence of the

damper noise, with fast pedalling creating a very pronounced sound.

* This Virtual Technician setting will aect acoustic piano sounds only.

1. Selecting the Damper Noise setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Damper Noise setting.

2. Adjusting the Damper Noise volume

Press the e or f buttons to increase or decrease the volume of
the Damper Noise setting.

* The Damper Noise volume can be adjusted within the range of

O, 1~10, with higher values resulting in a more pronounced noise.

* To reset the Damper Noise setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the Damper Noise setting will remain until the

power is turned o.

* Preferred Da mper Noise sett ings can be stored to the s ound’s memory,

or a Registration memory for convenient recall. Please refer to pages
81 and 33 for more information.

3. Exiting the Damper Noise setting

Press the FUNCTION button (BACK) to exit the Damper Noise
setting and return to the Function Menus screen.

Virtual Technician Settings

5

String Resonance

String Resonance refers to a phenomenon that exists in acoustic pianos whereby the strings of held notes resonate

‘sympathetically’ with other notes of the same harmonic overtone series.

The CA97/CA67 digital piano recreates this phenomenon, with the String Resonance setting allowing the volume

of this resonance to be adjusted.

* This Virtual Technician setting will aect acoustic piano sounds only.

Demonstrating String Resonance



To experience the string resonance phenomenon, gently hold down the ‘C’ key as shown in the illustration below, then play (strike
and release quickly) any of the keys marked with a
to hear the strings of the rst ‘C’ key resonating ‘sympathetically’, thus demonstrating String Resonance.

z symbol. In addition to the sound of each note played, it should also be possible

Settings



C

FGCBFGCGCEGCDEGC

hold

E

1. Selecting the String Resonance setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the String Resonance
setting.

2. Adjusting the String Resonance volume

Press the e or f buttons to increase or decrease the volume of
the String Resonance setting.

* The String Resonance volume can be adjusted within the range

of O, 1~10, with higher values resulting in a more pronounced
resonance.

* To reset the String Resonance setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the String Resonance setting will remain until

the power is turned o.

* Preferred String Resonance settings can be stored to the sound’s

memory, or a Registration memory for convenient recall. Please refer
to pages 81 and 33 for more information.



A



A

3. Exiting the String Resonance setting

Press the FUNCTION button (BACK) to exit the String
Resonance setting and return to the Function Menus screen.

88

89

Settings

6

Undamped String Resonance

The dampers of an acoustic piano span almost the full width of the keyboard. However, the topmost 18 keys

(approximately 1.5 octaves) do not incorporate dampers, as the shorter strings for these treble notes decay quickly

and therefore do not need to be dampened.

Undamped StringsDamped Strings

A0 C8G6

As a result, the strings of these ‘undamped’ treble notes are free to vibrate in sympathetic resonance with those of

lower keys – independently of the damper pedal position – helping to enrich the sound with additional harmonics

and tonal colour.

The CA97/CA67 digital piano recreates this phenomenon, with the Undamped String Resonance setting allowing

the volume of this resonance sound to be adjusted.

* This Virtual Technician setting will aect acoustic piano sounds only.

1. Selecting the Undamped String Resonance setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Undamped String
Resonance setting.

2. Adjusting the Undamped String Resonance volume

Press the e or f buttons to increase or decrease the volume of
the Undamped String Resonance setting.

* The Undamped String Resonance volume can be adjusted within the

range of O, 1~10, with higher values resulting in a more pronounced
resonance.

* To reset the Undamped String Resonance setting to the default value,

press the e and f buttons simultaneously.

* Any changes made to the Undamped String Resonance setting will

remain until the power is turned o.

* Preferred Undamped String Resonance settings can be stored to the

sound’s memory, or a Registration memory for convenient recall.
Please refer to pages 81 and 33 for more information.

3. Exiting the Undamped String Resonance setting

Press the FUNCTION button (BACK) to exit the Undamped
String Resonance setting and return to the Function Menus
screen.

Virtual Technician Settings

7

Cabinet Resonance

While the fundamental sound of an acoustic piano is produced by vibrating strings, transmitting energy through

a spruce soundboard, the cabinet of the instrument itself also contributes a variety of subtle tonal characteristics

that enrich the playing and listening experience. The keybed, inner and outer rim, iron plate, and beams all play a

role in disseminating sound energy, which in turn gives the piano a living, breathing quality.

The CA97/CA67 digital piano recreates these natural acoustic characteristics, with the Cabinet Resonance setting

allowing the volume of this resonance sound to be adjusted.

* This Virtual Technician setting will aect acoustic piano sounds only.

1. Selecting the Cabinet Resonance setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Cabinet Resonance
setting.

Settings

2. Adjusting the Cabinet Resonance volume

Press the e or f buttons to increase or decrease the volume of
the Cabinet Resonance setting.

* The Cabinet Resonance volume can be adjusted within the range of

1~10, with higher values resulting in a more pronounced resonance.

* To reset the Cabinet Resonance setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the Cabinet Resonance setting will remain until

the power is turned o.

* Preferred Cabinet Resonance settings can be stored to the sound’s

memory, or a Registration memory for convenient recall. Please refer
to pages 81 and 33 for more information.

3. Exiting the Cabinet Resonance setting

Press the FUNCTION button (BACK) to exit the Cabinet
Resonance setting and return to the Function Menus screen.

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91

Settings

8

Key-o Eect

When playing an acoustic piano – particularly in the bass region of the keyboard – if a key is played with force and

released quickly, it is often possible to hear the faint sound of the damper touching the strings immediately before

the vibrations are stopped.

In addition, the speed at which keys are lifted will also aect the character of the sound. For example, when lifting

the keys quickly (e.g. staccato playing) the ‘release’ portion of the sound will be noticeably shorter than when

lifting the keys slowly (e.g. legato playing).

The CA97/CA67 digital piano reproduces both characteristics, with the Key-o Eect setting allowing the volume of

the key-o sound to be adjusted, and the key-o release speed detection to be turned on or o.

* This Virtual Technician setting will aect acoustic piano and electric piano sounds.

1. Selecting the Key-o Eect setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Key-o Eect setting.

2. Adjusting the Key-o Eect volume

Press the e or f buttons to increase or decrease the volume of
the Key-o Eect setting.

* The Key-o Eect volume can be adjusted within the range of

O, 1~10, with higher values resulting in a more pronounced eect.

* When the Key-O Eect setting is set to O, the key-o release speed

detection will also be disabled, and the speed at which keys are lifted
will not aect the character of the sound.

* To reset the Key-o Eect setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the Key-o Eect setting will remain until the

power is turned o.

* Preferred Key -o Eect settings can be stored to the sound’s memor y,

or a Registration memory for convenient recall. Please refer to pages
81 and 33 for more information.

3. Exiting the Key-o Eect setting

Press the FUNCTION button (BACK) to exit the Key-o Eect
setting and return to the Function Menus screen.

Virtual Technician Settings

9

Fall-back Noise

When playing an acoustic piano, it is often possible to hear the faint sound of the keyboard action returning (i.e.

‘falling back’) to the neutral position after a key is released.

The CA97/CA67 digital piano reproduces this sound, with the Fall-back Noise setting allowing the volume of this

sound to be adjusted.

While the default value is intended to simulate the natural volume level of the keys as they return to their neutral

position, it may occasionally be desirable to adjust the volume of this sound. For example, reducing the volume

when playing very soft pieces, where the fall-back noise may become too prominent.

* This Virtual Technician setting will aect acoustic piano and harpsichord sounds.

1. Selecting the Fall-back Noise setting

After entering the Virtual Technician menu (page 80):

Settings

Press the d or c buttons to select the Fall-back Noise setting.

2. Adjusting the Fall-back Noise volume

Press the e or f buttons to increase or decrease the volume of
the Fall-back Noise setting.

* The Fall-back Noise volume can be adjusted within the range of

O, 1~10, with higher values resulting in a more pronounced noise.

* To reset the Fall-back Noise setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the Fall-back Noise setting will remain until the

power is turned o.

* Preferred Fall-back Noise settings can be stored to the sound’s

memory, or a Registration memory for convenient recall. Please refer
to pages 81 and 33 for more information.

3. Exiting the Fall-back Noise setting

Press the FUNCTION button (BACK) to exit the Fall-back Noise
setting and return to the Function Menus screen.

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Settings

10

Hammer Delay

When playing pianissimo passages using an acoustic piano, there may be a perceived delay between a key being

pressed and the hammer striking the strings.

If desired, the CA97/CA67 digital piano can recreate this delay, with the Hammer Delay setting allowing the delay

length to be adjusted.

While the default value of ‘O’ is intended to replicate a well-regulated concert grand piano, with an immediate

connection between the keyboard and hammers, some players may nd it desirable to introduce a minor delay, in

order to mimic dierent types of piano or instruments with a slightly worn keyboard action.

* This Virtual Technician setting will aect acoustic piano sounds only.

1. Selecting the Hammer Delay setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Hammer Delay setting.

2. Adjusting the Hammer Delay value

Press the e or f buttons to increase or decrease the value of
the Hammer Delay setting.

* The Hammer Delay value can be adjusted within the range of

O, 1~10, with higher values resulting in an increased delay.

* To reset the Hammer Delay setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the Hammer Delay setting will remain until the

power is turned o.

* Preferred Hammer Delay settings can be stored to the sound’s

memory, or a Registration memory for convenient recall. Please refer
to pages 81 and 33 for more information.

3. Exiting the Hammer Delay setting

Press the FUNCTION button (BACK) to exit the Hammer Delay
setting and return to the Function Menus screen.

Virtual Technician Settings

11

Topboard Simulation

When playing an acoustic grand piano, the position of the instrument’s topboard (lid) aects both the volume and

‘openness’ of the tone produced. A fully open topboard allows sound waves to reect o the polished lid surface

and project into the room, while a closed lid has the opposite eect, resulting in a darker, more opaque tone.

The CA97/CA67 digital piano simulates these characteristics, with four dierent topboard positions.

* This Virtual Technician setting will aect acoustic piano sounds only.

Topboard positions



Topboard position Description

Open 3 (default) Simulates the character of a fully open topboard, with maximum sound projection.

Open 2 Simulates the character of a half open topboard, with reduced sound projection.

Open 1 Simulates the character of a partially open topboard, with limited sound projection.

Closed Simulates the character of a closed topboard, with minimum sound projection.

Settings

1. Selecting the Topboard setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Topboard setting.

2. Changing the Topboard position

Press the e or f buttons to cycle through the dierent
Topboard types.

* To reset the Topboard setting to the default position, press the

e and f buttons simultaneously.

* Any changes made to the Topboard setting will remain until the

power is turned o.

* Preferred Topboard settings can be stored to the sound’s memory, or

a Registration memory for convenient recall. Please refer to pages 81
and 33 for more information.

3. Exiting the Topboard setting

Press the FUNCTION button (BACK) to exit the Topboard
setting and return to the Function Menus screen.

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Settings

12

Decay Time

When playing an acoustic grand piano, the length of the instrument inuences the speed at which held notes decay,

with longer grand pianos (i.e. longer strings) characterised by longer decay times.

The CA97/CA67 digital piano simulates this characteristic, with the Decay Time setting allowing the length of decay

while keys are pressed to be adjusted.

* This Virtual Technician setting will aect all sounds.

1. Selecting the Decay Time setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Decay Time setting.

2.AdjustingtheDecayTimevolume

Press the e or f buttons to increase or decrease the value of
the Decay Time setting.

* The Decay Time value can be adjusted within the range of

1~10, with larger values resulting in increased decay times.

* To reset the Decay Ti me setting to the def ault value, press the e and f

buttons simultaneously.

* Any changes made to the Decay Time setting will remain until the

power is turned o.

* Preferred Decay Time settings can be stored to the sound’s memory,

or a Registration memory for convenient recall. Please refer to pages
81 and 33 for more information.

3. Exiting the Decay Time setting

Press the FUNCTION button (BACK) to exit the Decay Time
setting and return to the Function Menus screen.

Virtual Technician Settings

13

Minimum Touch

The Minimum Touch setting allows the minimum key velocity required to produce a sound to be adjusted. By

default, this setting recreates the extremely ne touch sensitivity of a concert grand piano, allowing a very soft

sound to be produced with the slightest of key touches. However, it may be desirable to reduce this sensitivity,

when wishing to recreate the sensitivity of a small grand piano or an upright piano.

* This Virtual Technician setting will aect acoustic piano and electric piano sounds.

1. Selecting the Minimum Touch setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Minimum Touch setting.

2. Adjusting the Minimum Touch value

Press the e or f buttons to increase or decrease the value of
the Minimum Touch setting.

* The Minimum Touch value can be adjusted within the range of 1~20,

with larger values requiring greater key force in order to produce a
sound. For example, a value of 10 will require the keyboard to be
played with a velocity of 10 or above in order to produce a sound.

* To reset the Minimum Touch setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the Minimum Touch setting will remain until

the power is turned o.

* Preferred Minimum Touch settings can be stored to the sound’s

memory, or a Registration memory for convenient recall. Please refer
to pages 81 and 33 for more information.

Settings

96

3. Exiting the Minimum Touch setting

Press the FUNCTION button (BACK) to exit the Minimum
Touch setting and return to the Function Menus screen.

97

Settings

14

Stretch Tuning

Stretch tuning is a piano-specic tuning method used by acoustic piano technicians in which the lower octaves

are tuned slightly atter and the upper octaves are tuned slightly sharper to match the natural harmonics of an

acoustic piano.

The Stretch Tuning setting allows the degree of stretch tuning to be adjusted when Equal temperament is selected,

or for stretch tuning to be completely disabled. It is also possible to create custom tuning methods by adjusting the

pitch of each individual key.

* This Virtual Technician setting will aect all sounds.

Stretch Tuning setting



Stretch Tuning Description

O Stretch tuning is disabled.

(default) Normal stretch tuning is applied.

Normal

Wide Wide stretch tuning is applied.

User A custom tuning method, allowing the pitch of each key to be individual tuned.

1. Selecting the Stretch Tuning setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Stretch Tuning setting.

2. Changing the Stretch Tuning type

Press the e or f buttons to alternate between ‘Normal’ and
‘Wide’ Stretch Tuning settings.

* To reset the Stretch Tuning setting to the default type, press the

e and f buttons simultaneously.

* Any changes made to the Stretch Tuning setting will remain until the

power is turned o.

* Preferred Stretch Tuning settings can be stored to the sound’s

memory, or a Registration memory for convenient recall. Please refer
to pages 81 and 33 for more information.

3. Exiting the Stretch Tuning setting

Press the FUNCTION button (BACK) to exit the Stretch Tuning
setting and return to the Function Menus screen.

Virtual Technician Settings

User Tuning

The User Tuning function allows each of the 88 keys to be tuned individually.

1. Selecting the User Tuning type

After selecting the Stretch Tuning setting (page 97):

Press the e or f buttons to select the User Tuning type.

* User Tuning is performed and stored independently for each sound

variation.

Press the FUNCTION button (EDIT).

The User Tuning screen will be shown in the LCD display.

2. Selecting the note, adjusting the User Tuning value

Settings

Press the d or c buttons to select the desired note to be
adjusted.

* To select a note directly, press and hold the FUNCTION button

(+ KEY) then press the desired key.

Press the e or f buttons to adjust the User Tuning value for the
selected note.

* The User Tuning value can be adjusted within the range of –50~+50.

A value of +20 indicates a pitch increase of 20 cents.

* To reset the User Tuning setti ng to the default value, p ress the e and f

buttons simultaneously.

* Any changes made to the User Tuning setting will remain until the

power is turned o.

* Preferred User Tuning settings can be stored to the sound’s memory,

or a Registration memory for convenient recall. Please refer to pages
81 and 33 for more information.

3. Exiting the User Tuning function

Press the FUNCTION button (BACK) to exit the User Tuning
tuning screen and return to the Stretch Tuning setting.

98

99

Settings

15

Temperament

The Temperament setting allows the tuning system used by the CA97/CA67 digital piano to be changed from the
modern ‘Equal Temperament’ standard to one of the various temperaments popularised during the Renaissance and
Baroque periods. It is also possible to create customised temperaments using the User Temperament function.

* This Virtual Technician setting will aect all sounds.

Temperament types



Temperament type Description

This temperament is the most popular tuning method, and divides the scale into twelve equal semi-

Equal Temperament (default)

(Equal)

Pure Temperament

(Pure Major/Pure Minor)

Pythagorean Temperament

(Pythagorean)

Meantone Temperament

(Meantone)

Werckmeister Temperament

(Werckmeister)

Kirnberger Temperament

(Kirnberger)

User Temperament

(User)

tones. This produces the same chordal intervals in all twelve keys, and has the advantage of limitless
modulation of the key. However, the tonality of each key becomes less characteristic and no chord is
in pure consonance.

This temperament, which eliminates dissonances for thirds and fths, is still popular in choral music
because of its perfect harmony. Any key modulation will result in dissonances.

* The key of the temperament, and major/minor setting must be correctly matched.

This temperament, which uses mathematical ratios to eliminate dissonance for fths, is very limited
for use with chords, but produces very characteristic melodic lines.

This temperament, which uses a mean between a major and minor whole tone to eliminate
dissonance for thirds, was devised to eliminate the lack of consonances experienced with certain fths
for the Mersenne pure temperament.
It produces chords that are more beautiful than those played with equal temperament.

These two temperaments are placed in between Meantone and Pythagorean. For music with few
accidentals, this temperament produces the beautiful chords of the mean tone, but as accidentals
increase, the temperament produces the characteristic melodies of the Pythagorean temperament.
It is used primarily for classical music written in the Baroque era to revive the original characteristics.

A custom temperament, created by raising or lowering the pitch of each note in the scale.

1. Selecting the Temperament setting

After entering the Virtual Technician menu (page 80):

Press the d or c buttons to select the Temperament setting.

2. Changing the Temperament type

Press the e or f buttons to cycle through the dierent
Temperament types.

* To reset the Temperament setting to the default type, press the

e and f buttons simultaneously.

* Any changes made to the Temperament setting will remain until the

power is turned o.

* Preferred Temper ament settings c an be stored to the soun d’s memory,

or a Registration memory for convenient recall. Please refer to pages
81 and 33 for more information.

3. Exiting the Temperament setting

Press the FUNCTION button (BACK) to exit the Temperament
setting and return to the Function Menus screen.

Virtual Technician Settings

User Temperament

The User Temperament function allows custom temperaments to be created.

1. Selecting the User Temperament

After selecting the Temperament setting (page 99):

Press the e or f buttons to select the User temperament, then
press the FUNCTION button (EDIT).

The User Temperament screen will be shown in the LCD display.

2. Selecting the note, adjusting the user temperament value

Press the d or c buttons to select the desired note to be
adjusted.

Press the e or f buttons to adjust the User Temperament value
for the selected note.

* The User Temperament value can be adjusted within the range of

–50~+50. A value of +20 indicates a pitch increase of 20 cents.

* To reset the User Temperament setting to the default value, press the

e and f buttons simultaneously.

* Any changes made to the User Temperament setting will remain until

the power is turned o.

* Preferred User Temperament settings can be stored to the sound’s

memory, or a Registration memory for convenient recall. Please refer
to pages 81 and 33 for more information.

3. Exiting the User Temperament function

Press the FUNCTION button (BACK) to exit the User
Temperament screen and return to the Temperament setting.

Settings

100