Kawai CA79, CA99 User Manual

Download

Page 1

Important Information

Preparation

CA99 / CA79

Owner’s Manual

Basic Operation

Adjustments & Settings

Appendix

Page 2

Important Safety Instructions

SAVE THESE INSTRUCTIONS

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

WARNING

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

AVIS : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.

TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

The lighting ash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sucient magnitude to constitute a risk of electric shock to persons.

Examples of Picture Symbols

Denotes that care should be taken. The example instructs the user to take care not to allow ngers to be trapped.

Denotes a prohibited operation. The example instructs that disassembly of the product is prohibited.

Denotes an operation that should be carried out. The example instructs the user to remove the power cord plug from the AC outlet.

Read all the instructions before using the product.

1) Read these instructions.

2) Keep these instructions.

3) Heed all warnings.

4) Follow all instructions.

5) Do not use this apparatus near water.

6) Clean only with dry cloth.

7) Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.

8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampliers) that produce heat.

9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the leterature accompanying the product.

10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11) Only use attachments/accessories specied by the manufacturer.

12) Use only with the cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13) Unplug this apparatus during lightning storms or when unused for long periods of time.

14) Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

Page 3

Règles de sécurité

CONSERVEZ CES INSTRUCTIONS

CAUTION

RISK OF ELECTRIC SHOCK

DO NOTOPEN

(Supplémentairespour le Canada)

AVERTISSEMENT

POUR REDUIRELES RISQUES

D’INCENDIE OU D’ELECTROCUTION, PROTEGEZ CET APPAREILDELA PLUIEOUDEL’HUMIDITE.

AVIS :RISQUEDECHOCELECTRIQUE

POURREDUIRE LESRISQUES D’INCENDIE OU D’ELECTROCUTION, NE DEMONTEZPAS LE COUVERCLE (OUL’ARRIERE). A L’ INTERIEUR, AUCUNE PARTIE N’EST REPARABLEPAR L’UTILISATEUR. POURLAMAINTENANCE, ADRESSEZ-VOUS A DU PERSONNELQUA LIFIE.

Le symbole de l’éclair avec une pointe de flèche à l’intérieur d’un triangle équilatéral met en garde l’utilisateur contre la présence de tension dangereuse, non isolée, à l’intérieur de l’appareil, dont l’amplitude peut être suffisante pour induire un risque d’électrocution d’une personne.

Exemples de symboles graphiques

Indique que des précautions doivent être prises. L’ exemple indique à l’utilisateur qu’il doit faire attention à ne pas se faire coincer les doigts.

Indique une manipulation interdite. L’ exemple indique que le démontage de l’appareil est interdit.

Indique qu’une manipulation doit être effectuée. L’ exemple indique à l’utilisateur qu’il doit débrancher le câble d’alimentation de la prise secteur.

AVERTISSEMENT

Faite attention de ne pas introduire un produit étranger à l’intérieur de l’appareil.

Ce produit n’est pas totalement déconnecté du circuit électrique lorsqu’il est mis hors tension par le bouton d’arrêt. Si l’appareil ne doit pas être utilisé pendant une longue période, débranchez le câble d’alimentation de la prise secteur.

-NEPAS OUVRIR.

Le point d’exclamation à l’intérieur d’un triangle équilatéral alerte l’utilisateur de la présence de règles d’utilisation et d’entretien importantes dans la notice qui accompagne l’appareil.

Indique un risque potentiel qui peut entraîner la mort, ou de graves lésions, si l’appareil n’est pas manipulé correctement.

L’introduction d’eau, d’aiguilles ou d’épingles à cheveux, peut provoquer une panne ou un court-circuit. Ce produit doit être mis à l’abri des écoulements ou projections d’eau. Ne jamais placer sur le produit des objets contenant des liquides, tels que des vases ou autres récipients.

Si vous ne le faisiez pas la foudre pourrait provoquer un incendie.

Si vous ne le faisiez pas, la surchauffe de l’appareil pourrait provoquer un incendie.

Important Information

Il est recommandé de placer l’instrument à proximité de la prise de courant et de positionner le câble d’alimentation secteurdesorte qu’ilpuisseêtre débranché rapidement en casd’urgence,lecourant électrique étanttoujours présenttant quela prise est branchée même si le bouton de mise en marche esten position Arrêt.

[Seuls les produits avec 3P fiche]

INSTRUCTIONS DE MISE À LA TERRE

Ce produit doit être mis à la terre. En cas de défaillance matérielle ou de panne, la mise à la terre fournit un chemin de moindre résistance au courant électrique afin de réduire le risque d’électrocution. Ce produit est équipé d’un câble avec un conducteur de protection et une fiche de mise à la terre. La fiche doit être branchée dans une prise appropriée correctement installée et mise à la terre conformément à tous les codes et règlements locaux.

DANGER - La connexion incorrecte du conducteur de protection peut présenter un risque d’électrocution. Consultez un électricien ou un réparateur qualifié si vous avez des doutes en ce qui concerne la mise à la terre du produit. Ne modifiez pas la fiche fournie avec le produit – si elle n’est pas adaptée à la prise, faites installer une prise correcte par un électricien qualifié.

Indique un risque potentiel qui peut entraîner la détérioration,

PRECAUTION

Description de la l'emplacement de la reference (Le cas échéant): Anglais phrase: The nameplate label is located on the underside of the instruments, as indicated below. Français phrase: La reference commerciale est inscrite sur une etiquette en dessous de votre instrument, conformement a l’indication ci-dessous.

Votre piano doit être placé à un endroit tel que sa position n’altère pas sa propre ventilation. Gardez une distance minimum de 5 cm autour de l’instrument pour une aération suffisante.

ou des dommages, pour l’appareil ou ses propriétés, si celui-ci n’est pas manipulé correctement.

Page 4

WARNING - When using electric products, basic precautions should always be followed, including the following.

WARNING

The product should be connected to an AC outlet of the specied voltage.

Do not insert or disconnect the power cord plug with wet hands.

Take care not to allow any foreign matter to enter the product.

The chair must be used properly (it must be used only when playing the product).

• Do not play with it or stand on it.

• Only one person is allowed to sit on it.

• Do not sit on it when opening the lid.

• Re-tighten the bolts occasionally.

Important Information

When using the headphones, do not listen for long periods of time at high volume levels.

Indicates a potential hazard that could result in death or serious injury if the product is handled incorrectly.

•

120V 240V230V

If you are going to use an AC power cord, make sure that its has the correct plug shape and conforms to the specied power voltage.

• Failure to do so may result in re.

Doing so may cause electric shock.

Entry of water, needles or hair pins may result in breakdown or short-circuit. The product shall not be exposed to dripping or splashing. No objects lled with liquids, such as vases, shall be placed on the product.

Doing so may cause the chair to fall over or your ngers to be trapped, resulting in injury.

Doing so may result in hearing problems.

Do not lean against the keyboard.

Do not disassemble, repair or modify the product.

When disconnecting the AC power cord's plug, always hold the plug

Doing so may cause the product to fall over, resulting in injury.

Doing so may result in product breakdown, electric shock or short-circuit.

Pulling the AC power cord itself may damage the cord, causing a re, electric shock or short-circuit.

and pull it to remove it.

The product is not completely disconnected from the power supply even when the power switch is turned o. If the product will not be used for a long time,

• Failure to do so may cause re in case of lightning.

• Failure to do so may over-heat the product,

resulting in re.

unplug the AC power cord from the AC outlet.

This product may be equipped with a polarized line plug (one blade wider than the other). This is a safety feature. If you are unable to insert the plug into the outlet, contact an electrician to replace your obsolete outlet. Do not defeat the safety purpose of the plug.

This product shall be near the AC outlet and the power cord plug in a position so that it can readily be disconnected in an emergency because electricity is always charging while the plug is in the AC outlet even in a power switch o condition.

Page 5

CAUTION

Indicates a potential hazard that could result in injury or damage to the product or other property if the product is handled incorrectly.

Do not use the product in the following areas.

• Areas, such as those near windows, where the product is

exposed to direct sunlight

• Extremely hot areas, such as near a heater

• Extremely cold areas, such as outside

• Extremely humid areas

• Areas where a large amount of sand or dust is present

• Areas where the product is exposed to excessive

vibrations

When you close the keyboard cover, close it gently.

Before connecting cords, make sure that the power to this product and other devices is turned OFF.

Do not drag the product on the oor. Take care not to drop the product.

Do not place the product near electrical appliances such as TVs and radios.

OFF

Using the product in such areas may result in product breakdown. Use the product only in moderate climates (not in tropical climates).

Closing it roughly may trap your ngers, resulting in injury.

Failure to do so may cause breakdown of this product and other devices.

Please lift up the product when moving it. Please note that the product is heavy and must be carried by more than two persons. Dropping the product may result in breakdown.

• Doing so may cause the product to generate noise.

• If the product generates noise, move the

product suciently away from the electrical appliance or connect it to another AC outlet.

Important Information

When connecting the AC power cord and other cords, take care not to get them tangled.

Do not wipe the product with benzene or thinner.

Do not stand on the product or exert excessive force.

Do not place naked ame, such as lighted candles on the product.

Ensure that the ventilation is not impeded by covering the ventilation openings with items, such as newspaper, table-cloths, curtains, etc.

Failure to do so may damage them, resulting in re, electric shock or short-circuit.

• Doing so may result in discoloration or deformation

of the product.

• When cleaning the product, put a soft cloth in

lukewarm water, squeeze it well, then wipe the product.

Doing so may cause the product to become deformed or fall over, resulting in breakdown or injury.

Doing so may cause the illumination to fall over, resulting in re.

Failure to do so may over-heat the product, resulting in re.

The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a minimum distance of 5cm around the product for sucient ventilation.

Page 6

The product should be serviced by qualied service personnel when:

• The power supply cord or the plug has been damaged.

• Objects have fallen, or liquid has been spilled into the product.

• The product has been exposed to rain.

• The product does not appear to operate normally or exhibits a marked change in performance.

• The product has been dropped, or the enclosure damaged.

Notes on Repair

Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and then contact the shop from which the product was purchased.

CAUTION:

To prevent electric shock, match wide blade of plug to wide slot, fully insert.

ATTENTION:

Pour éviter les chocs électriques, introduire la lame la plus large de la che dans la borne correspondante de la prise et pousser jusqu'au fond.

An information on Disposal for users

If your product is marked with this recycling symbol it means that, at the end of its life, you must dispose of it separately by taking it to an appropriate collection point. You should not mix it with general household waste. Disposing of this product correctly will prevent potential negative eects on the environment and human health which could otherwise arise due to inappropriate waste handling. For further details, please contact your local authority. (European Union only)

Instruction for AC power cord (U.K.)

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE : NEUTRAL BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Do not plug either terminal of the power cord to the the ground od AC outlet on the wall.

FCC Information (U.S.A)

CAUTION : Changes or modications not expressly approved by the party responsible for compliance could void the user’s authority to operate the

Important Information

equipment. NOTE : This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are

designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

Declaration of Conformity

Products : Electronic Piano Model Number : CA99/CA79 Responsible Party Name : Kawai America Corporation Address : 2055 East University Drive Rancho Dominguez, CA 90220 Telephone 310-631-1771

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) this device may not cause harmful interference, and (2) this device must accept any interference received,

including interference that may cause undesired operation.

This applies only to products distributed by Kawai America Corporation.

The nameplate label is located on the

underside of the instrument, as

indicated below.

Nameplate

Page 7

Introduction

Thank you for purchasing this Kawai Concert Artist CA99/CA79 digital piano.

This owner’s manual contains important information regarding the instrument’s usage and operation. Please read all sections carefully, keeping this manual handy for future reference.



About this owner’s manual

This owner’s manual provides information for customers to enjoy using this instrument immediately after purchase, and explanations



about the various functions of this instrument.

Display illustrations shown in this manual may dier from the actual displays of the product depending on its version.





Nameplate

The model name and serial number of the product are indicated on the nameplate label located on the underside of the instrument.



Cleaning

Make sure to unplug the power cord before cleaning.



Clean the product body with a dry, soft cloth.



If the surface of the pedals becomes dirty, clean the pedals using a dry dish-washing sponge. Note that cleaning the gold pedals



using a cloth may cause the pedals to become dull.

Do not attempt to clean the pedals using rust-removing solvents, abrasives or les.



Do not clean the product using benzine or thinner which may cause discoloring or deformation.





Intellectual property rights

Important Information

“Windows” is a registered trademark of Microsoft Corporation.



“Mac” is a registered trademark of Apple Computer, Inc.



Some samples © PREMIER Engineering Inc.



The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc. and any use of such marks by



Kawai Musical Instruments Mfg. Co., Ltd. is under license.

Qualcomm aptX is a product of Qualcomm Technologies, Inc. and/or its subsidiaries.



Qualcomm is a trademark of Qualcomm Incorporated, registered in the United States and other countries. aptX is a trademark of Qualcomm Technologies International, Ltd., registered in the United States and other countries.

Other company names and product names mentioned or referenced herein are registered trademarks or trademarks of respective



owners.

Kawai Musical Instruments Mfg. Co., Ltd. shall have no liability for any acts in violation of the Copyright Act made by any users of this



product.

Page 8

Table of Contents

Important Information

Important Safety Instructions ....................... 2

Introduction .......................................... 7

Table of Contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Part Names and Functions ..........................10

Preparation

Opening/Closing the Key Cover ....................12

Using the Music Rest ................................12

Turning on the Power ...............................13

Adjusting the Volume ...............................14

Using Headphones ..................................14

Using Pedals .........................................15

Part Names and Functions ..........................16

1. Home screen structure ............................16

2. Touchscreen Operations ........................... 17

(5) Eect .......................................32

(6) Tuning ......................................34

(7) Transpose ...................................34

(8) Other sound settings ........................34

(9) Favorite .....................................34

(10) Menu ......................................35

Music Tab ............................................36

1. Music tab home screen overview ..................36

2. Player screen overview ............................38

3. Player screen functions ............................40

(1) Player .......................................40

(2) Lesson ......................................40

(3) Concert Magic ...............................42

Using the Metronome ...............................44

Recorder .............................................46

(1) Recording ...................................48

(2) Recorder menu ..............................52

Basic Operation

Piano Tab ............................................18

1. Piano tab home screen overview ...................18

2. Piano Editor window ..............................20

(1) Piano Variation ..............................20

(2) Virtual Technician ............................22

(3) Ambience ...................................23

(4) Reverb ......................................24

(5) Tuning ......................................25

(6) Transpose ...................................25

(7) Favorite .....................................25

(8) Menu .......................................25

Sound Tab ...........................................26

1. Sound tab home screen overview ..................26

2. Sound Editor .....................................28

(1) Main Sound .................................28

(2) Sub Sound ..................................29

(3) Virtual Technician (Piano sounds only) ......... 31

(4) Reverb ......................................31

Adjustments & Settings

Virtual Technician ...................................54

(1) Touch Curve .................................55

(2) Voicing .....................................56

(3) Resonance Depth ............................56

(4) Damper Resonance ..........................57

(5) Damper Noise ...............................57

(6) String Resonance ............................57

(7) Undamped String Resonance .................58

(8) Cabinet Resonance ..........................59

(9) Key-o Eect ................................59

(10) Fall-Back Noise .............................59

(11) Hammer Noise .............................60

(12) Hammer Delay .............................60

(13) Topboard ..................................60

(14) Decay Time ................................61

(15) Release Time ...............................61

(16) Minimum Touch ............................61

(17) Stretch Tuning .............................61

(18) Temperament ..............................62

Page 9

(19) Temperament Key ..........................63

(7) Language ...................................74

(20) Key Volume ................................63

(21) Half-Pedal Adjust ...........................63

(22) Soft Pedal Depth ...........................64

(23) Damper Hold ..............................64

Settings Menu .......................................65

1. Speaker/Headphone ..............................65

(1) Tone Control ................................65

(2) Wall EQ (CA99 only) ..........................66

(3) Low Volume Balance .........................66

(4) Speaker Volume .............................66

(5) Spatial Headphone Sound. . . . . . . . . . . . . . . . . . . . 67

(6) Headphone Type ............................67

(7) Headphone Volume .........................67

(8) Line In Volume ..............................68

2. 4 Hands Mode ....................................69

3. Bluetooth ........................................70

(8) Information .................................74

Appendix

Troubleshooting ....................................76

Sound List ...........................................79

Drum Rhythm List ...................................80

Sound Demo Song List ..............................81

Connecting to Other Devices .......................82

Jack Panel ..........................................83

Headphone Panel ...................................83

USB MIDI (USB to Host Connector) .................84

Information about Bluetooth® ......................85

Assembly Instructions (CA79 only) .................86

EU DECLARATION OF CONFORMITY ................90

Specications .......................................91

Important Information

(1) Bluetooth MIDI ..............................70

(2) Bluetooth MIDI Device Name .................70

(3) Bluetooth Audio .............................71

(4) Bluetooth Audio Volume .....................71

4. USB Memory .....................................72

5. MIDI .............................................72

6. User Data ........................................72

(1) Sounds | Favorite ............................72

(2) Sounds | Recently Played .....................72

(3) Sounds | User ................................72

(4) Music | Favorite ..............................72

(5) Music | Recently Played ......................72

(6) Music | Recorder .............................72

(7) Factory Reset ................................72

7. System ...........................................73

(1) LCD Brightness ..............................73

(2) Display Scale ................................73

(3) Auto Display O .............................73

(4) Auto Power O ..............................73

(5) Startup Screen ..............................74

(6) Startup Settings .............................74

Page 10

Part Names and Functions

[ CA99 ]

Important Information

LINE OUTLINE IN

Max Min

STEREOLEVEL

g i j

L / MONO R

USB to HOST

MIDI

IN OUT

[ CA79 ]

c f

gai

h j

Page 11

a POWER button

CHECK

This button is used to turn the instrument on/o.

f Headphone hook

This hook can be used to hang headphones when not in use.

b MASTER VOLUME slider

This slider controls the master volume level of the instrument’s built-in speakers or headphones, if connected.

The MASTER VOLUME slider will also aect the volume level of the LINE OUT connectors.

c TOUCHSCREEN display

The touchscreen display provides useful information such as the currently selected mode, sound name, settings values, and the status of various functions. The touchscreen is also used to interact with the instrument by gently tapping on buttons and icons that appear, or by swiping left and right, or up and down.

A protective plastic lm is attached to the display during



production. Please remove this lm before attempting to play the instrument.

The display can be set to turn o automatically after a



period of inactivity.

Ref.

“Auto Display O” P. 73.

d USB to DEVICE port

This port is used to connect a USB memory device to the instrument.

g LINE IN STEREO jack

This jack is used to connect the 1/8” stereo output from smart phones, tablets, computers, or other electronic audio equipment to the CA99/CA79 digital piano’s amplier and speakers. The input level can be adjusted by using the LEVEL knob.

h LINE OUT STEREO jack

These jacks are used to connect the stereo output (Left/Right 1/4” phone plug) of the CA99/CA79 digital piano to external ampliers, mixers, recording devices, and similar equipment.

i USB to HOST port

This port is used to connect the CA99/CA79 digital piano to a computer using a USB “B to A” type cable in order to send and receive MIDI data.

j MIDI IN / OUT jacks

These jacks are used to connect the CA99/CA79 digital piano to external MIDI devices such as other musical instruments or a computer in order to send and receive MIDI data.

Ref.

“Connecting to Other Devices” P. 82.

k USB for UPDATE port

This port is used to connect a USB memory device to the touchscreen display in order to update the touchscreen software.

l AC IN socket

This socket is used to connect the power cable.

Important Information

e PHONES jacks

These jacks are used to connect stereo headphones to the CA99/CA79 digital piano. 1/4” and 1/8” connectors are provided for convenience, and both can be used simultaneously, allowing two pairs of headphones to be connected at the same time.

Page 12

Opening/Closing the Key Cover

Preparation

[ CA99 ] Opening the key cover

Gently lift the key cover with both hands.

Closing the key cover

To close the key cover, slowly push or pull it forwards. The Soft Fall system will gently lower the key cover naturally.

When opening the key cover, ensure that there are no items placed on to top of the key cover. If any items



placed on top of the key cover fall inside the instrument, it may cause an electric shock, short circuit, re or failure of the instrument.

Be careful to ensure that hands or ngers do not get caught between the key cover and the instrument.



[ CA99 ]

Ensure that the music rest is folded-up before closing the key cover. If the key cover is closed while the music



rest is folded down, the music rest and/or keyboard may be damaged.

The CA99 key cover is designed to close slowly using the Soft Fall mechanism. However, the Soft Fall



mechanism may not work eectively if the key cover is only partially opened. Therefore, when opening the key cover, be careful not to release your hands from the key cover until fully open.

[ CA79 ] Opening the key cover

Gently lift the key cover with both hands, then slowly push it back, into the instrument’s body.

Closing the key cover

To close the key cover, slowly pull the handle with both hands, then gently lower it downward.

Using the Music Rest

[ CA99 ]

Gently fold down the music rest into position.

[ CA79 ] Setting up the music rest

Lift the music rest, then lower the metal prop (rear side) into the recessed holder to set the desired music rest angle. (The music rest can be set to one of six dierent angle positions.)

Prop and holder

Folding down the music rest

To lower the music rest, gently lift the prop from the recessed holder, then lower the music rest.

Page 13

Turning on the Power

1. Connecting the power cable to the instrument

[ CA99 ]

Connect the included power cable to the “AC IN” socket located on the back side of the instrument, in the bottom left corner.

2. Connecting the power cable to an outlet

[ CA79 ]

Connect the included power cable to the “AC IN” socket located on the right hand side, towards the back of the instrument.

Connect the instrument’s power cable to an AC outlet.

3. Turning on the power

Press the POWER button located on the right hand side of the instrument.

The instrument will turn on and the KAWAI logo will appear in the touchscreen display. After a short period, the Piano screen will appear, indicating that the instrument is ready to be played.

Do not turn the power o until the startup process is completed.

To turn o the power, press and hold the POWER button again for 1~2 seconds.

Preparation

Page 14

Adjusting the Volume

CHECK

The MASTER VOLUME slider controls the volume level of the instrument’s speakers, or headphones if connected.

Move the slider up to increase the volume, and down to decrease the volume.

Use this slider to set the volume to a comfortable listening level – the middle is often a good starting point.

The MASTER VOLUME slider will also aect the volume level



of the LINE OUT connectors.

The maximum volume level of the speakers can be reduced



by using the “Speaker Volume” setting.

Ref.

“Speaker Volume” P. 66.

Using Headphones

Using headphones

Use the jacks located beneath the keyboard on the left hand side to connect stereo headphones to the CA99/CA79 digital piano.

Preparation

1/4” and 1/8” connectors are provided for convenience.

Two pairs of headphones can be connected and used simultaneously.

Increase Volume

Decrease Volume

Checking the connection of the headphones

The headphones icon will appear in the status bar of the touchscreen display.

Headphones icon

Attaching the headphone hook (optional)

A headphone hook is included with the CA99/CA79 digital piano and can be used to hang headphones when not in use. If desired, attach the headphone hook to the underside of the keyboard as shown in the illustration.

Do not attempt to place heavy items onto the headphone hook. Doing so may damage the headphone hook.

Page 15

Using Pedals

As with a grand piano, the CA99/CA79 digital piano features three pedals: damper, sostenuto, and soft.



Damper pedal (right pedal)

Depressing this pedal sustains the sound after one’s hands have been lifted from the keyboard – greatly enriching the piano sound, while also assisting smooth “legato” passages.

Soft pedal

The damper pedal is capable of responding to half pedaling.

Sostenuto pedal

Damper pedal



Soft pedal (left pedal)



Sostenuto pedal (centre pedal)

Depressing this pedal softens the sound, reducing its volume.

When the rotary speaker eect is selected, the soft pedal is also used to alternate the speed of the rotary simulation between “Slow” and “Fast” eect modes.



Pedal support bolt

A pedal support bolt is attached to the base of the pedal board to aid stability when the pedals are pushed.

Turn the bolt anti-clockwise until it makes contact with the oor and supports the pedals rmly. If the pedal support bolt does not make proper contact with the oor, the pedal board may become damaged.

When moving the instrument, always adjust or remove the pedal support bolt, then readjust when the instrument is in its new position.



Caring for the pedals

Depressing this pedal after playing the keyboard and before releasing the keys, sustains the sound of only those notes that have been played. Any keys that are subsequently played after the sostenuto pedal is depressed will not be sustained.

Preparation

Pedal support bolt

If the surface of the pedals becomes dirty, clean the pedals using a dry dish-washing sponge. Do not attempt to clean the pedals using rust-removing solvents, abrasives or les.



Grand Feel Pedal System

The CA99/CA79 digital piano features the Grand Feel Pedal System, which replicates the position and individual weighting of the damper, soft, and sostenuto pedals of a Shigeru Kawai SK Concert Grand piano. It is also possible to adjust the sensitivity of the damper pedal, and the eectiveness of the soft pedal using the “Half-Pedal Adjust” and “Soft Pedal Depth” settings.

Ref.

“Half-Pedal Adjust” P. 63

“Soft Pedal Depth” P. 64.

Page 16

Part Names and Functions

Home screen structure

The CA99/CA79 digital piano’s user interface is arranged into three dierent “home” screens, which are selected by

tapping the corresponding Piano, Sound, and Music tabs shown at the bottom of the touchscreen display.

Functions that are common to each home screen are explained below.

Status bar

This area indicates the status of connected devices (headphones, USB, Bluetooth), and important functions (transpose, eects, reverb).

Icon Description

This icon is displayed when headphones are connected.

(Headphones icon)

This icon is displayed when a USB memory device is connected to the [USB

(USB icon)

to DEVICE] port.

Preparation

This icon is displayed when the Bluetooth MIDI or Bluetooth Audio functions are

(Bluetooth icon)

turned on.

Selection bar

This area displays the name of the currently selected sound/ variation or piece of music. Tap this area to display information about the current sound/ piece of music, make adjustments, or show additional options.

Piano tab

This tab is used to access all of the available acoustic piano sounds. This tab is recommend for acoustic piano performance.

Ref.

P. 18

Sound tab

This tab is used to access all of the available sounds, including acoustic pianos, electric pianos, organs, strings, etc. This tab also allows two sounds to be played simultaneously, and for additional eects to be applied.

Ref.

P. 26

Music tab

This tab is used to access a wide range of music built into the instrument. This tab is also used to play music stored on a USB memory device, or recorded to the internal memory.

Ref.

P. 36

Page 17

Menu button

MEMO

This button is used to display the menu, which provides access to various settings that control the digital piano.

Ref.

P. 65

Selection area

Touchscreen Operations

The explanations below outline the dierent methods

of interacting with the touchscreen, and how these

operations are referenced in this owner’s manual.

Tap

Touch an area of the screen (e.g. an icon or button) and release it immediately.

This area is used to select the desired sound (Piano tab, Sound tab) or piece of music (Music tab).

The selection area will change depending on the current “home” screen. By default, the CA99/CA79 digital piano will always start-up with the Piano screen, however this behaviour can be changed via the System settings menu.

Ref.

“Startup Screen” P. 74

Piano screen Sound screen Music screen

In this owner’s manual, this operation is indicated by:

Tap

Swipe

Touch and hold an area of the screen, slide your nger left or right, then release.

In this owner’s manual, this operation is indicated by:

Swipe

Preparation

Scroll

Touch and hold an area of the screen, slide your nger up or down, then release.

In this owner’s manual, this operation is indicated by:

Scroll

Ref.

P. 46

P. 44

Metronome button

This button is used to start/stop the Metronome, and open the metronome settings window.

: The Metronome is counting.

: The Metronome is stopped.

Recorder button

This button is used to change the state of the Recorder.

(Inactive): The Recorder is not in use.

(Standby): The Recorder is in standby, and will start with

the next key press.

(Recording): The Recorder is recording.

Drag

Touch and hold an icon or button, slide your nger to another position, then release.

In this owner’s manual, this operation is indicated by:

Drag

Double tap

Touch an area of the screen twice quickly.

In this owner’s manual, this operation is indicated by:

Double

tap

Page 18

Piano Tab

Piano tab home screen overview

Piano Selection area

The name and picture of the currently selected piano is shown in this area. The piano can be changed by swiping left and right.

Piano name Characteristics

SK-EX Concert Grand A concert grand piano with a clear tonal color and rich powerful bass.

EX Concert Grand

SK-5 Grand Piano A medium-sized grand piano with a polished brilliant tone.

Upright Piano A full-bodied traditional upright piano.

A concert grand piano with an elegant detailed tone and exceptionally broad dynamic range.

Basic Operation

Selection bar

This area displays the name of the currently selected piano sound. Tap this bar to open the Piano Editor window, which allows various aspects of the sound to be adjusted.



Piano Editor window

The Piano Editor window allows various aspects of the sound to be adjusted.

Function Description

Piano Variation Change the sound variation of the current piano. P. 20

Virtual Technician

Ambience

(SK-EX Rendering only)

Reverb

(All except

SK-EX Rendering)

Tuning

Transpose

Menu area

Change the overall tonal character of the current piano sound, or adjust the various parameters individually.

Adjust the type and amount of ambience applied to the current sound, in order to simulate various dierent virtual environments.

Adjust the type and amount of reverb applied to the current sound, in order to simulate various dierent virtual environments.

Adjust the overall pitch of the current sound in 0.5 Hz steps. This setting may be useful when playing with other instruments/ sound sources.

Adjust the overall pitch of the current sound in semi-tone steps. This setting may be useful when playing with other instruments tuned for dierent keys.

Store the current sound to memory, or display the Metronome and Recorder functions.

Ref.

P. 22

P. 23

P. 24

P. 25

Page 19

Menu button

This button is used to display the menu, which provides access to various settings that control the digital piano.

Ref.

P. 65

Ref.

P. 46

P. 44

Metronome button

This button is used to start/stop the Metronome, and open the metronome settings window.

: The Metronome is counting.

: The Metronome is stopped.

Recorder button

This button is used to change the state of the Recorder.

(Inactive): The Recorder is not in use.

(Standby): The Recorder is in standby, and will start with

the next key press.

(Recording): The Recorder is recording.

Basic Operation

Page 20

Piano TabPiano Tab

CHECK

MEMO

Piano Editor window

This window allows various aspects of the current piano sound to be adjusted.

Tap the Selection bar on the Piano tab screen to open the Piano Editor window.

To close the Piano Editor window, tap the

button at the bottom of the window.

(1) Piano Variation

In the Piano Variation area, tap the buttons to change the piano sound variation.

Rendering Type will only be displayed when the “SK-EX Rendering” piano sound variation is selected.

Tap

TapTap

Basic Operation



SK-EX Concert Grand

Piano Variation Rendering Type Description

Classic A standard grand piano sound with a broad dynamic range.

Classic2 A Lustrous and brilliant grand piano sound.

Romantic A mellow grand piano sound with soft hammers.

Full A big grand piano sound with a strong bass and bright character.

SK-EX Rendering

Concert — A standard grand piano sound with a broad dynamic range.

Jazz Clean — A grand piano sound with a thick and clear character.

Warm — A soft and warm grand piano sound.

About SK-EX Rendering

The SK-EX Rendering piano sound variation combines high resolution multi-channel sampling with advanced modelling algorithms, reproducing 10 dierent acoustic piano characters that are suitable for a variety of musical genres.

Jazz A clean grand piano sound that is suitable for jazz.

Brilliant A bright grand piano sound with emphasised treble.

Rich A rich grand piano sound with emphasised resonances.

Ballad A clear, light grand piano sound that is suitable for ballads.

Vintage A soft grand piano sound with a vintage character.

Boogie A small grand piano with a detuned character.

Page 21



EX Concert Grand

Piano Variation Description

Concert A luxurious and uent grand piano sound.

Warm A soft and warm sound grand piano sound.

Standard A distinctive and bright grand piano sound.

Pop Grand A bright and powerful grand piano sound.

Pop Piano A bright and exciting grand piano sound with a characteristic attack.

New Age A clear and transparent grand piano sound.

Modern A transparent grand piano sound that is suitable for performing modern music.



SK-5 Grand Piano

Piano Variation Description

Classical A lustrous grand piano sound that is crisp and distinctive.

Jazz Old School A thick and vintage grand piano sound.

Pop A strong and distinctive grand piano sound that is suitable for pop music.



Upright Piano

Piano Variation Description

Classical A deep upright piano sound that produces a feeling of nostalgia.

Boogie A thick and vintage upright piano sound.

Honky Tonk A bright upright piano sound with a detuned character.

Basic Operation

Page 22

Piano TabPiano Tab

CHECK

(2) Virtual Technician

In the Virtual Technician area, tap the buttons to change the Virtual Technician preset.



Virtual Technician preset

Basic Operation

Virtual Technician presets will not be displayed when the “SK-EX Rendering” piano sound variation is selected.

Preset Description

Default The default piano sound without additional adjustments.

Noiseless A piano adjusted to minimise additional damper and string resonances, and mechanism noises.

Deep Resonance A piano adjusted to emphasise damper and string resonances.

Ligth Resonance A piano adjusted to reduce damper and string resonances.

Soft

Brilliant A piano adjusted by hardening the hammers in order to produce a brighter tone for modern pieces.

Clean A piano adjusted by hardening the hammers and reducing the damper and string resonances.

Full

Dark

Rich

Historical A piano adjusted for romantic, classical music, with a bright, open tone.

User This preset will be selected automatically after adjusting a Virtual Technician preset using the edit screen.

A piano adjusted by softening the hammers and increasing the touch weight of the keyboard in order to produce a softer tone that is suitable for slow, quiet pieces.

A piano adjusted to emphasise dynamics with a lightened keyboard touch and powerful damper and string resonances.

A piano adjusted by hardening the hammers and increasing the touch weight of the keyboard, in order to produce a dark, gloomy tone.

A piano adjusted by lightening the touch weight of the keyboard and increasing damper and string resonances.

TapTap

Tap the [Edit] button to show the Virtual Technician edit screen, allowing various parameters to be adjusted individually.

Ref.

“Virtual Technician” P. 54

Tap

Page 23

(3) Ambience

CHECK

1. In the Ambience area, tap the [On/O] buttons to turn Ambience simulation on/o.

2. In the Ambience area, tap the buttons to change the Ambience type.

Tap

TapTap

3. In the Ambience area, tap the button to show additional options for controlling the Depth.

Drag the Depth slider right/left to increase/decrease the depth of the



Ambience simulation.

Ambience will only be displayed when the “SK-EX Rendering” piano sound variation is selected.



Ambience types

Type Description

Natural Simulates the ambience of a natural environment.

Small Room Simulates the ambience/reverberation of a small room.

Midium Room Simulates the ambience/reverberation of a medium-sized room.

Large Room Simulates the ambience/reverberation of a large room.

Mellow Lounge Simulates the ambience/reverberation of a recording studio.

Bright Lounge Simulates the ambience/reverberation of a wooden recording studio.

Studio Simulates the soft ambience/reverberation of a lounge.

Wood Studio Simulates the bright ambience/reverberation of a lounge.

Live Stage Simulates the ambience/reverberation of a live stage.

Echo Simulates the ambience/reverberation of an echo chamber.

Tap

Drag

Basic Operation

Page 24

Piano TabPiano Tab

CHECK

(4) Reverb

1. In the Reverb area, tap the [On/O] buttons to turn Reverb simulation on/o.

Tap

Basic Operation

2. In the Reverb area, tap the

3. In the Reverb area, tap the

controlling Time and Depth.

Drag the Time slider right/left to increase/decrease the decay length

of the Reverb simulation.

Drag the Depth slider right/left to increase/decrease the depth of the

Reverb simulation.

Reverb will not be displayed when the “SK-EX Rendering” piano sound variation is selected.

buttons to change the Reverb type.

button to show additional options for

TapTap

Tap

Drag



Reverb types

Room Simulates the ambience of a small rehearsal room.

Lounge Simulates the ambience of piano lounge.

Small Hall Simulates the ambience of a small hall.

Concert Hall Simulates the ambience of a concert hall or theatre.

Live Hall Simulates the ambience of a live hall or stage.

Cathedral Simulates the ambience of a large cathedral.

Type Description

Page 25

(5) Tuning

In the Tuning area, tap the [–] and [+] buttons to change the Tuning value.

The Tuning value can be adjusted in 0.5 Hz increments within the range of 427.0~453.0 Hz.

(6) Transpose

In the Transpose area, tap the [–] and [+] buttons to change the Transpose value.

The Transpose value can be adjusted in semi-tone increments within the range of -12~+12.

(7) Favorite

Tap the button to add the current sound to the Favorites category of the Sound tab.

Tap

Tap the

button again to remove the sound from the Favorites category.

(8) Menu

Tap the button to open the menu.

The following options will be displayed:

Save this sound



This option will save the current sound settings as a User Sound to the “User” category of the Sound tab. Follow the steps according to the dialog that appears in the display.

Open Recorder



This option will display the Recorder screen. Use this option to display the Recorder screen while the Recorder is stopped.

Ref.

“Recorder screen” P. 47

Open Metronome



This option will display the Metronome screen. Use this option to display the Metronome screen while the Metronome is stopped.

Ref.

“Using the Metronome” P. 44

Tap

Basic Operation

Tap

Tap the

button again, or an area outside of the options to close the menu and return to the Editor window.

Page 26

Sound Tab

CHECK

Sound Tab

Sound tab home screen overview

Category Selection area

The name and picture of the currently selected sound category is shown in this area. The sound category can be changed by swiping left and right.

Category list Description

All Sounds All of the sounds available, organised by instrument type.

User Sounds that have been adjusted and stored using the Piano Editor/Sound Editor.

Favorite Sounds that have been specied as a Favorite using the Piano Editor/Sound Editor.

Recently Played Sounds that have been selected previously.

Recommended Sounds that are recommended by Kawai.

Classic Sounds that are suitable for playing Classical music.

Jazz Sounds that are suitable for playing Jazz music.

Pop Sounds that are suitable for playing Pop music.

Basic Operation

The “User” and “Favorite” categories will only be displayed if a User sound has been stored or a sound has been specied as a Favorite.



The “Recently Played” category will only be displayed after selecting a sound.



Selection bar

This area displays the name of the currently selected sound. Tap this bar to open the Sound Editor window, which allows various aspects of the sound to be adjusted.



Sound Editor

The Sound Editor window allows various aspects of the sound to be adjusted.

Function Description

Main Sound Change the instrument type and sound of the Main sound. P. 28

Change the status, and then the instrument type and sound of the Sub sound.

Sub Sound

Virtual

Technician

Reverb

Eect

Tuning

Transpose

Other sound

settings

Split: Split the keyboard into two sections and use the Sub sound for the left

section.

Dual: Combine the Main sound and Sub sound together.

Change the overall tonal character of the current piano sound, or adjust the various parameters individually.

Adjust the type and amount of reverb applied to the current sound, in order to simulate various dierent virtual environments.

Adjust the type and amount of eects applied to the current sound, in order to simulate various dierent digital and analogue eects.

Adjust the overall pitch of the current sound in 0.5 Hz steps. This setting may be useful when playing with other instruments/sound sources.

Adjust the overall pitch of the current sound in semi-tone steps. This setting may be useful when playing with other instruments tuned for dierent keys.

Adjust other settings related to the current sound. P. 34

Store the current sound to memory, or display the Metronome and Recorder functions.

Ref.

P. 29

P. 31

P. 32

P. 34

P. 35

Page 27

Menu button

This button is used to display the menu, which provides access to various settings that control the digital piano.

Ref.

P. 65

Sound list

This area lists the available sounds in each category. Swipe up/down to scroll through the list, then tap the desired sound to select it.

Metronome button

This button is used to start/stop the Metronome, and open the metronome settings window.

: The Metronome is counting.

: The Metronome is stopped.

Ref.

P. 79

Ref.

P. 44

Basic Operation

Recorder button

This button is used to change the state of the Recorder.

(Inactive): The Recorder is not in use.

(Standby): The Recorder is in standby, and will start with

the next key press.

(Recording): The Recorder is recording.

Ref.

P. 46

Instrument type (“All Sounds” category only)

When the “All Sounds” category is selected, this area lists the available instrument types (piano, organ, strings, etc.). Swipe up/down to scroll through the list, then tap the desired instrument type to select it.

Page 28

Sound TabSound Tab

CHECK

Sound Editor

This window allows various aspects of the current sound to be adjusted.

Tap the Selection bar on the Sound tab screen to open the Sound Editor window.

To close the Sound Editor window, tap the

button at the bottom of the window.

(1) Main Sound

1. In the Main Sound area, swipe the icons left/right to scroll through the available instrument

types, then tap the desired icon to select it.

Swipe

Tap

Basic Operation

2. Tap the buttons to change the selected sound.

Ref.

“Sound List” P. 79

If “Split” is select in the Sub Sound area, the Main Sound will be used for the right section of the keyboard.

Tap Tap

Page 29

(2) Sub Sound

The Sub Sound area is used to enable/disable the “Split” and “Dual” playing modes, and change the instrument type and sound of the Sub Sound.



Dual mode

The Dual playing mode allows two sounds to be layered together, creating a more complex sound. For example, a piano sound layered with strings, or a church organ combined with a choir, etc.

1. In the Sub Sound area, tap the [Dual] button to enable Dual playing mode.

Tap

2. In the Sub Sound area, swipe the icons left/right to scroll through the available instrument types, then tap the desired icon to select it.

3. Tap the

When Dual playing mode is selected, the following settings will be displayed.

Balance



This setting is used to adjust the volume balance between the Main and Sub sounds. Drag the Balance slider right/left to increase the volume of the Main/Sub sounds.

Octave Shift



This setting is used to lower/raise the pitch of the Sub sound in octave steps. Tap the [–] and [+] buttons to change the Octave Shift value. The Octave Shift value can be adjusted within the range of -2~+2.

buttons to change the selected sound.

Swipe

Tap Tap

Tap

Basic Operation

Dynamics



This setting is used to adjust the dynamic sensitivity of the Sub sound relative to the Main

sound.

Drag the Dynamics slider right/left to increase/increase the dynamic sensitivity of the Sub

sound.

Page 30

Sound TabSound Tab

CHECK



Split mode

The Split playing mode divides the keyboard into two sections, allowing each section to be played with a dierent sound. For example, a bass sound in the left section, and a piano sound in the right section.

1. In the Sub Sound area, tap the [Split] button to enable Split playing mode.

Tap

2. In the Sub Sound area, swipe the icons left/right to scroll through the available instrument types, then tap the desired icon to select it.

Basic Operation

3. Tap the

When Split playing mode is selected, the following settings will be displayed.

Balance



This setting is used to adjust the volume balance between the Main (right section) and Sub

(left section) sounds. Drag the Balance slider right/left to increase the volume of the Main/Sub sounds.



Split Point



This setting is used set the point on the keyboard that divides the Main (right section) and

Sub (left section) sounds.

Tap the [–] and [+] buttons to change the Split Point.

buttons to change the selected sound.

Swipe

Tap

TapTap

Octave Shift



Lower Pedal



This setting is used to enable/disable pedal functions for the Sub (left section) sound. When turned o, the pedals will only aect the Main (right section) sound, and not the Sub

(left section) sound.

The pedal functions will always aect the Main (right section) sound.

Page 31

(3) Virtual Technician (Piano sounds only)

CHECK

In the Virtual Technician area, tap the buttons to change the Virtual Technician preset. Tap the [Edit] button to show the Virtual Technician edit screen, allowing various parameters to be adjusted individually.

Ref.

“Virtual Technician” P. 54

“Virtual Technician preset” P. 22

(4) Reverb

1. In the Reverb area, tap the [On/O] buttons to turn Reverb simulation on/o.

Tap

2. In the Reverb area, tap the

3. In the Reverb area, tap the

controlling Time and Depth.

Drag the Time slider right/left to increase/decrease the decay length

of the Reverb simulation.

Drag the Depth slider right/left to increase/decrease the depth of the

Reverb simulation.

Reverb will not be displayed when the “SK-EX Rendering” piano sound variation is selected.

buttons to change the Reverb type.

button to show additional options for

Tap

TapTap

Basic Operation

Drag



Reverb types

Room Simulates the ambience of a small rehearsal room.

Lounge Simulates the ambience of piano lounge.

Small Hall Simulates the ambience of a small hall.

Concert Hall Simulates the ambience of a concert hall or theatre.

Live Hall Simulates the ambience of a live hall or stage.

Cathedral Simulates the ambience of a large cathedral.

Type Description

Page 32

Sound TabSound Tab

(5) Eect

1. In the Eect area, tap the [On/O] buttons to turn Eect simulation on/o.

2. In the Reverb area, tap the buttons to change the Reverb type.

Tap

Basic Operation

3. In the Eect area, tap the button to show additional settings for

controlling the selected eect.

Drag the sliders right/left to increase/decrease the value of the

setting.

Ref.

“Eect parameters” P. 33

TapTap

Tap

Drag

Page 33



Eect types

Eect type Description

Mono Delay Applies an echo eect to the sound, playing through both speakers simultaneously.

PingPong Delay Applies a “ping pong” echo eect to the sound, giving the impression that it is “bouncing” from left to right.

Triple Delay Similar in principle to PingPong Delay, but with an additional centre echo.

Chorus Layers a slightly detuned version of the sound over the original, thus enriching its tonal character.

Classic Chorus Similar in principle to Chorus, but intended for vintage electric piano sounds.

Ensemble Applies a three-phase chorus to the sound, providing additional richness.

Tremolo Continuously varies the volume at a constant speed, adding a vibrato type eect to the sound.

Classic Tremolo Similar in principle to Tremolo, but intended for vintage electric piano sounds.

Vibrato Tremolo Similar in principle to Tremolo, but with an additional Vibrato eect applied.

Auto Pan Alternates the sound output from left to right across the stereo eld using a sine wave.

Classic Auto Pan Similar in principle to Auto Pan, but intended for vintage electric piano sounds.

Phaser Applies a cyclic phase change to the sound, giving the impression that the sound is moving.

Classic Phaser Similar in principle to Phaser, but intended for vintage electric piano sounds.

Simulates the sound of a rotary speaker commonly used with vintage electronic organs.

Rotary (1~6)

Combination Eects

Amplied Eects

There are three dierent levels of overdrive, with and without a Chorus eect.

The soft pedal can be used to alternate the speed of the rotary simulation between “Slow” and “Fast” eect modes.



Dierent combinations of the above eects, applied simultaneously.

Combination eect types: Phaser+Chorus, Phaser+AutoPan



A selection of the above eects, with a vintage electric piano speaker eect applied.

Amplied eect types: Tremolo+Amp, Auto Pan+Amp, Phaser+Amp





Eect parameters

Eect parameter Eect setting Description

Mono Delay / PingPong Delay / Triple Delay

Chorus / Ensemble

Classic Chorus

Tremolo / Classic Tremolo / Vibrato Tremolo

Auto Pan / Classic Auto Pan

Phaser / Classic Phaser

Rotary

Combination Eects / Amplied Eects

Dry / Wet Adjust the intensity of the delay.

Time Adjust the interval of time between each delay.

Dry / Wet Adjust the intensity of the chorus.

Speed Adjust the speed of the chorus.

Mono / Stereo Toggle between a Mono or Stereo eect.

Speed Adjust the speed of the chorus.

Dry / Wet Adjust the intensity of the tremolo.

Speed Adjust the speed of the tremolo.

Dry / Wet Adjust the intensity of the pan.

Speed Adjust the speed of the pan.

Dry / Wet Adjust the intensity of the phaser.

Speed Adjust the speed of the phaser.

Accel. Speed Adjust the acceleration speed between slow and fast modes.

Rotary Speed Adjust the speed of the rotary speaker.

Dry / Wet Adjust the intensity of the eects.

Speed Adjust the speed of the eects.

Basic Operation

Page 34

Sound TabSound Tab

(6) Tuning

In the Tuning area, tap the [–] and [+] buttons to change the Tuning value.

The Tuning value can be adjusted in 0.5 Hz increments within the range of 427.0~453.0 Hz.

(7) Transpose

In the Transpose area, tap the [–] and [+] buttons to change the Transpose value.

The Transpose value can be adjusted in semi-tone increments within the range of -12~+12.

Tap

Basic Operation

(8) Other sound settings

When a non-piano sound is selected, the “Virtual Technician” area will be replaced by an “Other sound settings” area, which contains similar adjustable settings.

The number of adjustable items will change depending on the selected Main sound.

Ref.

“Virtual Technician” P. 54

(9) Favorite

Tap the button to add the current sound to the Favorites category of the Sound tab.

Tap the

button again to remove the sound from the Favorites category.

Tap

Page 35

(10) Menu

Tap the button to open the menu.

The following options will be displayed:

Save this sound



This option will save the current sound settings as a User Sound to the “User” category of the Sound tab. Follow the steps according to the dialog that appears in the display.

Open Recorder



This option will display the Recorder screen. Use this option to display the Recorder screen while the Recorder is stopped.

Ref.

“Recorder screen” P. 47

Open Metronome



This option will display the Metronome screen. Use this option to display the Metronome screen while the Metronome is stopped.

Ref.

“Using the Metronome” P. 44

Tap

Tap the

button again, or an area outside of the options to close the menu and return to the Editor window.

Basic Operation

Page 36

Music Tab

CHECK

Music Tab

Music tab home screen overview

Menu button

This button is used to display the menu, which provides access to various settings that control the digital piano.

Ref.

P. 65

Basic Operation

Category selection

Category Description

USB Music Player Replay songs/pieces and audio les stored on a USB memory device.

Favorite Songs/pieces that have been specied as a Favorite.

Recently Played Songs/pieces that have been played previously (up to 30 pieces).

Composer Songs/pieces sorted by composer.

Lesson Books Songs/pieces sorted by lesson book.

Genre Songs/pieces sorted by musical genre.

Sound Demo Songs/pieces to demonstrate dierent instrument sounds.

Recorded songs

The “Favorite” category will only be displayed if a song/piece has been specied as a Favorite.



The “Recently Played” category will remember up to 30 songs/pieces. When the history exceeds 30



items, the bottom-most song/piece will disappear.

Songs/pieces recorded to the instrument's internal memory, or saved to a USB memory device.

Page 37

Mini player

This area controls the playback of built-in songs/ pieces, and songs recorded to this instrument’s internal memory or a USB memory device.

Basic Operation

Page 38

Music TabMusic Tab

Player screen overview

Player

This button switches to the Player function.

Concert Magic

This button switches to the Concert Magic function. Concert Magic allows complete beginners to enjoy playing the piano simply by selecting one of the internal songs/pieces, then tapping the keyboard with a steady rhythm and tempo.

Basic Operation

Player menu

Icon Name Description

Replay Play the selected song/piece.

Pause Pause song/piece playback.

Backward Jump to the previous song/piece.

Forward Jump to the next song/piece.

Repeat song Repeat the song/piece continuously.

Shue

Expand/shrink Player

This button toggles between the Player and Mini Player view. Tap the the Mini player view. Tap the the normal player view.

Automatically select and play songs/pieces from the current playlist at random.

button to shrink the player controls and switch to

button to expand the player controls and switch to

Song/piece information

This area indicates the title and composer of the current song/piece.

Mini player

Tap

Page 39

Lesson

This button switches to the Lesson function. The Lesson function allows built-in songs/pieces to be used as piano lessons.

Function Description

Tempo Adjust the playback tempo of the current song/piece.

Metronome Volume Adjust the volume of the Metronome.

Adjust the volume balance between the Left/Right hand

Left/Right Balance

Transpose

AB Repeat Repeat a passage of the song/piece continuously.

parts of the current song/piece. This setting is used to adjust the volume balance between the Main (right section) and Sub (left section) sounds.

Adjust the playback pitch of the currently song/piece in semi- tone steps.

Animation

This area displays an animation that matches the rhythm of the current song/piece.

Playing position

This slider indicates the playing position of the current song/piece. Drag the slider right/left to change the current playing position.

Favorite

This button is is used to specify a Favorite song/piece. Tap the category of the Music tab. Tap the Favorites category.

button to add the current song/piece to the Favorites

button again to remove the song/piece from the

Volume

This slider indicates the playback volume of the current song/piece. Drag the slider right/left to decrease/increase the playback volume.

Basic Operation

Page 40

Music TabMusic Tab

CHECK

Player screen functions

The Player screen is used to control the playback of internal songs/pieces, but also allows interaction with the music

using the Concert Magic and Lesson functions. The Player screen is also used to control the playback of songs and

audio les stored on a USB memory device.

(1) Player

The Player function is used to playback song/pieces and audio les.



Playable media

Internal songs/pieces



Songs/pieces recorded to the instrument’s internal memory.



SMF (format 0, format 1) song les saved to a USB memory device.



MP3 (44.1 kHz / 16 bit) audio les saved to a USB memory device.



WAV (44.1 kHz / 16 bit) audio les saved to a USB memory device.



(2) Lesson

Basic Operation

The Lesson function is used to practise internal songs/pieces.

1. From the Music tab, select a song/piece to be used for practise, then tap the switch to the expanded Player view.

2. Tap the



Lesson Function features

Practice the left and right-hand parts of a song/piece separately.



Adjust the tempo of a song/piece in order to master dicult passages.



Repeat a passage of the song/piece continuously.



button in the top right corner of the Player to switch to the Lesson function.

button to

Tap

The tempo of some songs/pieces will automatically be set to a slower tempo in order to simplify the practice.



When practicing certain Burgmüller pieces, reducing the tempo may not change the length of the fermata.



The volume of fortissimo strokes may be lowered in some songs/pieces in order to reduce excessive load to children’s ngers during practice.



Expression markings such as dynamics used in the Back Invention lesson book adhere to the reference scores published by Kawai.



The pieces of the Chopin Waltzes lesson book are purposely played slightly out of the metronome beat, in order to express the swinging



rhythm of waltz and the cadence of some phrases. Please use the metronome as a loose guide when practising these pieces.

Page 41



CHECK

Adjusting Lesson song balance

It is also possible to adjust the volume balance between the right-hand and left-hand parts of the current lesson song/piece, allowing each hand to be practiced separately.

Drag the Balance slider right/left to increase the volume of the right-hand/left-hand parts, while reducing the volume of the other part.

To practise the right-hand part while hearing the left-hand part, drag the Balance slider to the rightmost position.

To practise the left-hand part while hearing the right-hand part, drag the Balance slider to the leftmost position.

For some Beyer lesson pieces, the leftmost position will play the teachers part, while selecting the rightmost position will play the pupil’s part.



Practising a passage repeatedly

The Lesson function also allows passages of a song/piece to be repeated continuously, by specifying the start and end points.

Drag

1. Select the desired song/piece to practise and start playback.

2. Tap the [A] button to specify the start point of the passage to be repeated.

3. Tap the [B] button to specify the end point of the passage to be repeated.

The passage will repeat from the A point until the B point continuously.

Tap

Basic Operation

Tap

A two measure count-in period will be played before the specied A point, in order to allow for preparation.

Tap the [A] and [B] buttons to turn o the repeat function and restore the normal playback method.

Page 42

Music TabMusic Tab

(3) Concert Magic

Concert Magic allows complete beginners to enjoy playing the piano simply by selecting one of the built-in songs/pieces, then tapping the keyboard with a steady rhythm and tempo.

The tempo and dynamics of the song/piece will change according to the speed and pressure of the key tapping.

1. From the Music tab, select a song/piece to be used for Concert Magic, then tap the button to switch to the expanded Player view.

2. Tap the button in the top right corner of the Player to switch to the Lesson function.

Tap

Basic Operation

3. Press a key on the keyboard.

The selected song/piece will advance with every key that is pressed. Pressing the

keys gently will produce a soft sound, while pressing heavily will produce a loud sound.

Pressing quickly will increase the playing tempo, while pressing slowly will decrease

the tempo.

An animation will be displayed as the song/piece is performed.

Page 43

M E M O

Basic Operation

Page 44

Using the Metronome

The Metronome function provides a steady beat to aid practicing the piano at a consistent tempo. In addition to

regular metronome beats, the digital piano also features a variety of drum rhythms to accompany most playing

styles and musical genres. The Metronome function is available on both the Pianist mode screen and the Sound

mode screen.

Turning the Metronome on/o

Basic Operation

1. Tap the button.

The button will change colour, and a

metronome beat will start to count.

The Metronome settings screen will

be displayed, indicating the current tempo and time signature (beat).

Metronome mode settings screen

Beat indicator

This area indicates the current beat of the bar by ashing sections of the background in sequence.

Tempo

This area indicates the Metronome tempo in BPM. Tap the [–] [+] buttons or swipe left/right to adjust the tempo in single beat intervals. Swipe up/down to adjust the value in 10 beat intervals. The metronome tempo can be adjusted within the range of 10~400 BPM.

Tap

2. Tap the button again.

The button will change colour and the

Metronome will stop counting.

Tempo term

This area indicates the Metronome tempo term. Tap the preset tempo term.

Volume

This slider indicates the Metronome volume. Drag the slider right/left to decrease/ increase the Metronome volume.

Tap

buttons to change the

Time signature

This area indicates the current Metronome time signature. Swipe up/down to scroll through the list, then tap the desired time signature to select it.

Mode selection button

This area indicates the current Metronome mode. Tap to switch between Metronome and Rhythm mode.

Start/Stop button

This button indicates the Metronome state. Tap the button to start/stop the Metronome counting.

Close button

Tap this button to close the Metronome settings screen and return to the Piano/Sound tab home screen. The Metronome will continue to count, allowing the sound to be changed, or for the Recorder to be used etc.

Page 45

Rhythm mode settings screen

Beat indicator

This area indicates the current beat of the bar by ashing sections of the background in sequence.

Tempo

This area indicates the Rhythm tempo in BPM. Tap the [–] [+] buttons or swipe left/right to adjust the tempo in single beat intervals. Swipe up/down to adjust the value in 10 beat intervals. The metronome tempo can be adjusted within the range of 10~400 BPM.

Rhythm

This area indicates the current drum rhythm. Swipe up/down to scroll through the list, then tap the desired drum rhythm to select it.

Ref.

P. 80

Mode selection button

This area indicates the current Metronome mode. Tap to switch between Metronome and Rhythm mode.

Volume

This slider indicates the Metronome volume. Drag the slider right/left to decrease/ increase the Rhythm volume.

Basic Operation

Start/Stop button

This button indicates the Rhythm state. Tap the button to start/stop the Rhythm counting.

Close button

Page 46

Recorder

The Recorder function allows performances to be recorded and stored in the digital piano’s internal memory, or

saved to a connected USB memory device.

Performances can be recorded using the Mini Recorder or the main Recorder screen.

Mini Recorder

The Mini Recorder appears as the button on the right side of the Selection bar, on the Piano/Sound tab home screens.

This button provides a quick way to start and stop recording without opening the main Recorder screen. This recording method also allows the sound to be changed or the Metronome enabled during recording.

Basic Operation

Recording status

This area indicates the Recorder status (Standby, Recording...). When the recorder is in use (Standby, Recording), tap this area to open the Recorder screen. When the recorder is not in use, the selected sound name will be shown.

Recorder button

This button is used to change the state of the Recorder.

(Inactive): The Recorder is not in use.

(Standby): The Recorder is in standby, and will start with

(Recording): The Recorder is recording.

Ref.

P. 48

the next key press.

Page 47

CHECK

Recorder screen

The Recorder screen provides more detailed information about the recording process and additional functions such as the recording format and overdubbing.

The Recorder screen can be opened by tapping the Recording status bar while the Recorder is in standby or recording.

Recording time

This area indicates the recording time.

Recording status

This area indicates the Recorder status (Standby, Recording...).

Overdubbing song title

This area indicates the title of the song selected for overdubbing.

Close Recorder

Tap this area to close the Recorder screen and return to the Piano/ Sound tab home screens. The recording status will continue to be shown in the Mini Recorder.

Song selection button

This button is used to display the song selection screen for overdubbing. This button will be hidden during recording.

Play button

This button is used to play the song that has been selected for overdubbing. This button will be hidden during recording.

Basic Operation

Record button

This button is used to change the state of the Recorder.

(Inactive): The Recorder is not in use.

Recorder menu button

This button is used to display the Recorder menu. This button will be hidden during recording.

This button will only be shown when a USB memory device is connected.

(Standby): The Recorder is in standby,

and will start with the next key press.

(Recording): The Recorder is recording.

Page 48

RecorderRecorder

CHECK

(1) Recording

1. Tap the button on the Piano/Sound tab home screen.

The button will change to

standby mode.

Tap and hold the button to cancel the Recorder while in

standby mode.

2. Press a key on the keyboard or tap the start recording.

It is also possible to start recording by tapping the Selection bar to

enter the Recorder screen, then tapping the

to indicate that the Recorder is in

button tap again to

button.

Tap

Basic Operation

Tap

The Recorder screen changing from Standby to Recording.



3. Press the or buttons again to stop recording.

The Recording completed screen will appear.

4. Tap the [Playback] button to playback the recorded performance.

Tap the [Save] button to save the recorded performance, or the [Delete] button to delete it.

Depending on the selected recording format, the recorded performance will be saved to either the instrument’s internal memory or a USB memory device.

Ref.

“Recording format” P. 52

Page 49

Overdubbing (dubbing performances while listening to a song)

CHECK



Overdubbing a recorded song

1. Record a performance in the normal way, then tap the [Overdub] button on the Recording completed screen.

The Recording start screen will appear.

Tap

2. Tap the

Tap and hold the

mode.

3. Press a key on the keyboard or tap the recording.

4. Press the buttons again to stop recording.

button to enter Standby mode.

button to cancel the Recorder while in standby

button tap again to start

Tap

Basic Operation

Tap

The Recording completed screen will appear.

5. Tap the [Playback] button to playback the recorded performance.

Tap the [Save] button to save the recorded performance, or the [Delete] button to delete it.

When overdubbing a performance recorded to the instrument’s internal memory, overdubbing can only be used once. In order to use multiple overdubs, please select the WAV (or MP3) audio recorder format to enable recording to USB memory.

Page 50

RecorderRecorder



Overdubbing an internal song

1. From the Piano/Sound Editor window, tap the button, then select “Open Recorder.”

The Recording start screen will appear.

Tap

Basic Operation

2. Tap the

The internal song selection screen will appear.

3. Tap the song to be overdubbed to.

button.

Tap

4. Tap the

Tap and hold the

mode.

button to enter Standby mode.

button to cancel the Recorder while in standby

Tap

Page 51

5. Press a key on the keyboard or tap the button tap again to start recording.

6. Press the button again to stop recording.

The Recording completed screen will appear.

7. Tap the [Playback] button to playback the recorded performance.

Tap the [Save] button to save the recorded performance, or the

[Delete] button to delete it.

Tap

Basic Operation

Page 52

RecorderRecorder

CHECK

Drag

(2) Recorder menu



Recording format

Performances can be recorded in three formats: Internal, WAV, and MP3.

Recording device

Internal memory

(internal recording mode)

USB memory device

(USB memory device recording mode)



Recording level

Internal format (max. 10 songs)

MP3 format… Bit rate: 256 kbp/s (xed),

sampling frequency: 44.1 kHz, stereo

WAV format… Sampling frequency: 44.1 kHz,

16bit, stereo

TapTap

Basic Operation

When recording WAV or MP3 audio format songs to a USB memory device, the Recording level setting allows the recording level (gain) to be adjusted.

Drag the slider right/left to adjust the recording level.

The Recording level setting will be hidden when the Recording format is set to Internal.



The Recorder menu will be hidden if a USB memory device is not connected.



Page 53

Recording to the instrument’s internal memory

The total capacity of the instrument’s internal recorder memory is approximately 90,000 notes.

For reference, a 5000 note recorder capacity would be sucient to record the Beethoven piece ‘Für Elise’ approximately 3~4 times, which is the



equivalent of 10~15 minutes or recording.

However, the total recording time will change depending on the number of notes played and the tempo of the piece. In addition, pedal presses will

also inuence the maximum recording length, with each pedal press the equivalent of one note.

If the maximum recording capacity is reached during recording, the recorder will stop automatically. The performance will be recorded until the recorder is stopped.

Performances recorded to the instrument’s internal memory will remain after the power is turned o.

The Recorder will capture sound changes during recording.

The recorder will capture switching to Dual or Split playing mode.

The Recorder will not capture changes to eect settings made during the recording. If an Eect is selected, it will be continuously applied to the sound during recording.

The Recorder will not capture changes to the Metronome tempo settings made during the recording. Performances will be recorded at the tempo specied immediately before recording.

About recording to a USB memory device

When recording a WAV or MP3 audio le to a USB memory device, the metronome/drum rhythm sound will not be recorded.

Basic Operation

Page 54

Virtual Technician

CHECK

(14) De

When playing an acoustic grand piano, the length of the instrument inuences the speed

at which held notes decay, with longer grand pianos (i.e. longer strings) characterised by

longer decay times.

The digital piano simulates this characteristic, with the Decay Time setting allowing the

length of decay while keys are pressed to be adjusted.

Drag

Virtual Technician

An experienced piano technician is essential to fully realise the potential of a ne acoustic piano. In addition to

meticulously tuning each note, the technician also performs numerous regulation and voicing adjustments that

allow the instrument to truly sing.

The Virtual Technician settings of the digital piano simulate these renements digitally, allowing performers to

shape various aspects of the instrument’s character to suit their personal preferences.

When a non-piano sound is selected, the “Virtual Technician” area will be replaced by an “Other sound settings” area, which contains similar adjustable settings.

Entering the Virtual Technician

From the Piano window, tap the Selection bar to open the Piano Editor window, then tap [EDIT] button in the Virtual Technician area.

Tap

About Virtual Technician edit screen

From the Virtual Technician edit screen, tap the parameter to be adjusted, then change the value/type as desired.

The number of adjustable Virtual Technician parameters will vary depending on the selected sound.

The following pages explain the purpose of each parameter, the setting values, and adjustment method as follows:

Parameter name

cay Time

Drag

Adjustment method

Tap

Swipe

Adjustments & Settings

Parameter explanation

Value Description

1 Held notes will decay quickly.

10 Held notes will decay slowly.

Scroll

Tap

Double

tap

Adjustment resultAdjustable value

Page 55

(1) Touch Curve

As with an acoustic piano, the digital piano produces a louder sound when the keys are struck with force, and a softer sound when the keys are played gently. The volume and tonal character change in relation to the strength and velocity of playing – on a digital piano this system is referred to as “touch sensitivity”.

The Touch Curve setting allows the touch sensitivity of the keyboard to be conveniently adjusted. There are ten dierent preset touch curve settings available.

The default “Normal” setting is designed to accurately recreate the touch of a Kawai concert grand piano. However, if the keyboard feels too light, or fortissimo playing is achieved too easily, it may be desirable to select a heavier touch curve. Alternatively, if the keyboard feels too heavy, or fortissimo playing is too dicult to achieve, it may be desirable to select a lighter touch curve.

Type Description

Light (4/3/2/1)

Normal Reproduces the standard touch sensitivity of an acoustic piano.

Heavy (1/2/3/4)

O (constant)

Light touch curves require less striking force to achieve a forte note, and are therefore recommended for players with a delicate touch. The key touch will become progressively lighter as the number increases.

Heavy touch curves require more striking force in order to achieve a forte, and are therefore recommended for players with stronger ngers. The key touch will become progressively heavier as the number increases.

A constant volume is produced regardless of how hard the keys are struck.

This touch curve intended for playing sounds of instruments that have a xed dynamic range (e.g. organ and



harpsichord).

Tap

M E M O

Adjustments & Settings

Page 56

Virtual TechnicianVirtual Technician

Drag

CHECK

(2) Voicing

On an acoustic piano, the shape, density, and texture of the hammers all inuence on the tonal character of the instrument’s sound. Technicians utilise a variety of tools such as needles, les, and brushes to manipulate these hammer felts, with the ultimate goal of achieving a balanced tonal character across the keyboard.

The Voicing setting recreates various hammer properties, allowing the overall tonal character of the digital piano to be adjusted. There are six dierent preset voicing settings available (applied uniformly to all keys).

While the default “Normal” voicing setting should be appropriate for a broad range of musical genres, it may be desirable to select a softer, more mellow tonal character for romantic pieces, or a brighter, more aggressive tone for modern styles.

Type Description

Normal The normal tonal character of an acoustic piano throughout the entire dynamic range.

Mellow 1 A softer, more mellow tonal character throughout the entire dynamic range.

Mellow 2 An even softer tonal character than Mellow 1.

Dynamic

Bright 1 A bright tonal character throughout the entire dynamic range.

Bright 2 An even brighter tonal character than Bright 1.

A tonal character that changes dramatically from mellow to bright, depending on the strength of key strike.

Tap

(3) Resonance Depth

The Resonance Depth setting allows the overall resonance depth of the SK-EX Rendering sound engine to be adjusted.

Value Description

1 A small amount of Resonance will be applied to the selected SK-EX Rendering sound type.

10 A large amount of Resonance will be applied to the selected SK-EX Rendering sound type.

This setting will only be displayed when the “SK-EX Rendering” piano sound variation is selected.

Adjustments & Settings

Page 57

(4) Damper Resonance

CHECK

Drag

CHECK

Pressing the damper pedal of an acoustic piano raises all dampers, allowing the strings to vibrate freely. When a note or chord is played on the piano with the sustain pedal pressed, not only will the strings of the notes played vibrate, but also the strings of other notes, vibrating in sympathetic resonance.

The digital piano recreates this phenomenon, with the Damper Resonance setting allowing the volume of this resonance sound to be adjusted.

Value Description

O Damper Resonance will not be applied to the selected sound.

1 A small amount of Damper Resonance will be applied to the selected sound.

10 A large amount of Damper Resonance will be applied to the selected sound.

This setting will not be displayed when the “SK-EX Rendering” piano sound variation is selected.

Drag

(5) Damper Noise

When the damper pedal of an acoustic piano is pressed and released, it is often possible to hear the sound of the damper head touching and releasing the strings.

The digital piano reproduces this sound, with the Damper Noise setting allowing the volume of this sound to be adjusted. The speed at which the damper pedal is pressed and released will also inuence the prominence of the damper noise, with fast pedalling creating a more pronounced sound.

Value Description

O Damper Noise will not be applied to the selected sound.

1 A small amount of Damper Noise will be applied to the selected sound.

10 A large amount of Damper Noise will be applied to the selected sound.

(6) String Resonance

String Resonance refers to a phenomenon that exists in acoustic pianos whereby the strings of held notes resonate “sympathetically” with other notes of the same harmonic overtone series.

The digital piano recreates this phenomenon, with the String Resonance setting allowing the volume of this resonance to be adjusted.

Value Description

O String Resonance will not be applied to the selected sound.

1 A small amount of String Resonance will be applied to the selected sound.

10 A large amount of String Resonance will be applied to the selected sound.

Drag

Adjustments & Settings

This setting will not be displayed when the “SK-EX Rendering” piano sound variation is selected.

Page 58

Virtual TechnicianVirtual Technician

CHECK



Demonstrating String Resonance

To experience the string resonance phenomenon, gently hold down the “C” key as shown in the illustration below, then play (strike and release quickly) any of the keys marked with a  symbol. In addition to the sound of each note played, it should also be possible to hear the strings of the rst “C” key resonating “sympathetically”, thus demonstrating String Resonance.



F GC B F G C G C E G C D E G C

hold

The location and volume of the resonance may vary depending on the piano sound and settings used.

(7) Undamped String Resonance

The dampers of an acoustic piano span almost the full width of the keyboard. However, the topmost 18 keys (approximately 1.5 octaves) do not incorporate dampers, as the shorter strings for these treble notes decay quickly and therefore do not need to be dampened.



Drag

Undamped StringsDamped Strings

Adjustments & Settings

A0 C8G6

As a result, the strings of these “undamped” treble notes are free to vibrate in sympathetic resonance with those of lower keys – independently of the damper pedal position – helping to enrich the sound with additional harmonics and tonal colour.

The digital piano recreates this phenomenon, with the Undamped String Resonance setting allowing the volume of this resonance sound to be adjusted.

Value Description

O Undamped String Resonance will not be applied to the selected sound.

1 A small amount of Undamped String Resonance will be applied to the selected sound.

10 A large amount of Undamped String Resonance will be applied to the selected sound.

This setting will not be displayed when the “SK-EX Rendering” piano sound variation is selected.

Page 59

(8) Cabinet Resonance

CHECK

While the fundamental sound of an acoustic piano is produced by vibrating strings, transmitting energy through a spruce soundboard, the cabinet of the instrument itself also contributes a variety of subtle tonal characteristics that enrich the playing and listening experience. The keybed, inner and outer rim, iron plate, and beams all play a role in disseminating sound energy, which in turn gives the piano a living, breathing quality.

The digital piano recreates these natural acoustic characteristics, with the Cabinet Resonance setting allowing the volume of this resonance sound to be adjusted.

Value Description

O Cabinet Resonance will not be applied to the selected sound.

1 A small amount of Cabinet Resonance will be applied to the selected sound.

10 A large amount of Cabinet Resonance will be applied to the selected sound.

This setting will not be displayed when the “SK-EX Rendering” piano sound variation is selected.

Drag

(9) Key-o Eect

When playing an acoustic piano – particularly in the bass region of the keyboard – if a key is played with force and released quickly, it is often possible to hear the faint sound of the damper touching the strings immediately before the vibrations are stopped.

The digital piano recreates this phenomenon, with the Key-o Eect setting allowing the volume of this sound to be adjusted.

Value Description

O Key-o Eect will not be applied to the selected sound.

1 A small amount of Key-o Eect will be applied to the selected sound.

10 A large amount of Key-o Eect will be applied to the selected sound.

(10) Fall-Back Noise

When playing an acoustic piano, it is often possible to hear the faint sound of the keyboard action returning (i.e. “falling back”) to the neutral position after a key is released.

The digital piano reproduces this sound, with the Fall-back Noise setting allowing the volume of this sound to be adjusted.

While the default value is intended to simulate the natural volume level of the keys as they return to their neutral position, it may occasionally be desirable to adjust the volume of this sound. For example, reducing the volume when playing very soft pieces, where the fall-back noise may become too prominent.

Drag

Adjustments & Settings

Value Description

O Fall-Back Noise will not be applied to the selected sound.

1 A small amount of Fall-Back Noise will be applied to the selected sound.

10 A large amount of Fall-Back Noise will be applied to the selected sound.

Page 60

Virtual TechnicianVirtual Technician

(11) Hammer Noise

When playing an acoustic piano, it is also possible to hear the physical sound of the hammers striking the strings, along with the sound of the keys making contacting with the piano keybed.

The digital piano reproduces this sound, with the Hammer Noise setting allowing the volume of this sound to be adjusted.

While the default value is intended to simulate the natural volume level an acoustic piano, it may desirable to increase or decrease the volume of this sound to produce a more or less prominent attack.

Value Description

O Hammer Noise will not be applied to the selected sound.

1 A small amount of Hammer Noise will be applied to the selected sound.

10 A large amount of Hammer Noise will be applied to the selected sound.

(12) Hammer Delay

When playing pianissimo passages using an acoustic piano, there may be a perceived delay between a key being pressed and the hammer striking the strings.

If desired, the digital piano can recreate this delay, with the Hammer Delay setting allowing the delay length to be adjusted.

Drag

Adjustments & Settings

While the default value of “O” is intended to replicate a well-regulated concert grand piano, with an immediate connection between the keyboard and hammers, some players may nd it desirable to introduce a minor delay, in order to mimic dierent types of piano or instruments with a slightly worn keyboard action.

Value Description

O Hammer Delay will not be applied to the selected sound.

1 A small amount of Hammer Delay will be applied to the selected sound.

10 A large amount of Hammer Delay will be applied to the selected sound.

(13) Topboard

When playing an acoustic grand piano, the position of the instrument’s topboard (lid) aects both the volume and “openness” of the tone produced. A fully open topboard allows sound waves to reect o the polished lid surface and project into the room, while a closed lid has the opposite eect, resulting in a darker, more opaque tone.

The digital piano simulates these characteristics, with ve dierent topboard positions.

Type Description

Open3 Simulates the character of a fully open topboard, with maximum sound projection.

Open2 Simulates the character of a half open topboard, with reduced sound projection.

Open1 Simulates the character of a partially open topboard, with limited sound projection.

Closed2

Closed1

Simulates the character of a closed rear topboard, but open front topboard, with limited sound projection.

Simulates the character of a closed rear topboard and closed front topboard, with minimum sound projection.

Tap

Page 61

(14) Decay Time

When playing an acoustic grand piano, the length of the instrument inuences the speed at which held notes decay, with longer grand pianos (i.e. longer strings) characterised by longer decay times.

The digital piano simulates this characteristic, with the Decay Time setting allowing the length of decay while keys are pressed to be adjusted.

Value Description

1 Held notes will decay quickly.

10 Held notes will decay slowly.

Drag

(15) Release Time

When playing an acoustic grand piano, the length of the instrument also inuences the speed at which played (and released) notes decay, with longer grand pianos (i.e. longer strings) characterised by longer release times.

The digital piano simulates this characteristic, with the Release Time setting allowing the length of decay after keys are released to be adjusted.

Value Description

1 Released notes will decay quickly.

10 Released notes will decay slowly.

(16) Minimum Touch

The Minimum Touch setting allows the minimum key velocity required to produce a sound to be adjusted. By default, this setting recreates the extremely ne touch sensitivity of a concert grand piano, allowing a very soft sound to be produced with the slightest of key touches. However, it may be desirable to reduce this sensitivity, when wishing to recreate the sensitivity of a small grand piano or an upright piano.

Value Description

1 A very gentle key press will produce a very soft sound.

20 A stronger key press will be required in order to produce a sound.

Drag

(17) Stretch Tuning

Stretch tuning is a piano-specic tuning method used by acoustic piano technicians in which the lower octaves are tuned slightly atter and the upper octaves are tuned slightly sharper to match the natural harmonics of an acoustic piano.

The Stretch Tuning setting allows the degree of stretch tuning to be adjusted when “Normal” is selected, or for stretch tuning to be completely disabled.

Type Description

O Stretch tuning is disabled.

Normal Normal stretch tuning is applied.

Wide Wide stretch tuning is applied.

Tap

Adjustments & Settings

Page 62

Virtual TechnicianVirtual Technician

CHECK

(18) Temperament

The Temperament setting allows the tuning system used by the digital piano to be changed from the modern “Equal Temperament” standard to one of the various temperaments popularised during the Renaissance and Baroque periods.

Temperament type Description

This temperament is the most popular tuning method, and divides the scale into twelve equal

Equal Temperament

(Equal)

Pure Temperament

(Pure Major/Pure Minor)

Pythagorean Temperament

(Pythagorean)

Meantone Temperament

(Meantone)

Werckmeister Temperament

(Werckmeister)

Kirnberger Temperament

(Kirnberger)

semi-tones. This produces the same chordal intervals in all twelve keys, and has the advantage of limitless modulation of the key. However, the tonality of each key becomes less characteristic and no chord is in pure consonance.

This temperament, which eliminates dissonances for thirds and fths, is still popular in choral music because of its perfect harmony. Any key modulation will result in dissonances.

This temperament, which uses mathematical ratios to eliminate dissonance for fths, is very limited for use with chords, but produces very characteristic melodic lines.

This temperament, which uses a mean between a major and minor whole tone to eliminate dissonance for thirds, was devised to eliminate the lack of consonances experienced with certain fths for the Mersenne pure temperament. It produces chords that are more beautiful than those played with equal temperament.

These two temperaments are placed in between Meantone and Pythagorean. For music with few accidentals, this temperament produces the beautiful chords of the mean tone, but as accidentals increase, the temperament produces the characteristic melodies of the Pythagorean temperament. It is used primarily for classical music written in the Baroque era to revive the original characteristics.

Tap

Adjustments & Settings

The key of the temperament and major/minor setting must be correctly matched.

M E M O

Page 63

(19) Temperament Key

CHECK

The Temperament Key setting allows the key of the selected temperament to be specied. When using a temperament other than Equal temperament, use this setting to specify the key signature of the piece.

If Equal Temperament is selected, setting the Temperament Key will have no eect.

Tap

(20) Key Volume

The Key Volume setting allows the volume of dierent regions of the keyboard to be subtly reduced. There are four dierent damping presets available.

While the default “Normal” key volume setting should be appropriate for a broad range of musical genres, it may be desirable to experiment with dierent damping presets to attenuate or amplify the areas of the keyboard.

Type Description

Normal An evenly balanced volume throughout the keyboard.

High Damping Gradually reduces the volume of the keyboard towards the treble region.

Low Damping Gradually reduces the volume of the keyboard towards the bass region.

High & Low Damping Gradually reduces the volume of the keyboard in both the treble and bass regions.

Center Damping Gradually reduces the volume of the keyboard in the central region.

(21) Half-Pedal Adjust

The Half-Pedal Adjust setting allows the point at which the damper pedal becomes eective (i.e. when the dampers of the piano begin to lift from the strings) to be adjusted. This setting may be useful for pianists that habitually rest their right foot on the damper/sustain pedal, but do not necessarily wish to sustain the sound.

Tap

Drag

Value Description

1 This setting allows the half-pedal to start at the earliest point.

7 This setting allows the half-pedal to start at the latest point.

This setting is intended for using the pedal as a MIDI controller. The maximum value can be reached easily, without pressing the damper pedal fully.

This setting is intended for using the pedal as a MIDI controller. The maximum value will be reached when the damper pedal is pressed fully.

Adjustments & Settings

Page 64

Virtual Technician

(22) Soft Pedal Depth

The Soft Pedal Depth setting adjusts the extent to which the soft (left) pedal of the digital piano softens the sound of played notes.

While the default value is intended to replicate the eectiveness of a concert grand Una Corda pedal, it may be desirable for players to increase or decrease the value of this setting to suit their playing style.

On an acoustic grand piano, pressing this Una Corda pedal shifts the keyboard action slightly to the right, causing the hammers to strike two strings instead of the usual three, thus reducing the volume of each note.

Value Description

1 The soft pedal will have a relatively small softening eect on the selected sound.

10 The soft pedal will have a relatively large softening eect on the selected sound.

Drag

(23) Damper Hold

The Damper Hold setting is used to determine whether sounds such as organ or strings should be sustained continuously when the damper pedal is pressed, or whether these sounds should decay, naturally.

Type Description

On Organ, strings, etc. sounds will be sustained continuously while the damper pedal is pressed.

O Organ, strings, etc. sounds will gradually decay, even while the damper pedal is pressed.

Adjustments & Settings

Page 65

Settings Menu

The settings menu contains a variety of options to adjust the digital piano’s operation and sound. These settings are

grouped by category, providing convenient access to relevant controls.

Press the button in the top right corner of the screen to open the Menu.

Tap

Speaker/Headphone

This menu category contains settings to adjust the sound heard through speakers and headphones.

(1) Tone Control

The Tone Control setting allows the overall sound character of the digital piano to be adjusted to provide the best sound quality within the area that the instrument is located. There are eight dierent preset EQ settings available, with an additional “User” setting allowing ner control over the dierent frequency bands.

Type Description

Flat Tone control adjustment is not applied.

Brilliance Adjusts the overall brightness of the sound, independently of the Virtual Technician “Voicing” parameter.

Bass Boost Emphasises low-range frequencies, creating a deeper sound.

Bass Cut Reduces low-range frequencies, creating a clearer sound.

Mid Boost Emphasises mid-range frequencies, creating a harder sound.

Loudness Emphasises frequencies to retain the instrument’s sound character when playing at low volume levels.

Bright Emphasises high-range frequencies, creating a brighter sound.

Mellow Reduces high-range frequencies, creating a softer sound.

User Allows the low, mid, and high-range frequency bands to be adjusted separately.



Adjusting the Brilliance level

Tap

1. Tap the buttons to select the “Brilliance” Tone Control type.

A slider will appear.

2. Drag the slider right/left to increase/decrease the Brilliance level.



User

The User Tone Control option allows ner control over the instrument’s sound character, allowing the volume of four frequency bands to be adjusted individually. It is also possible to adjust the frequency range of the mid-low and mid-high frequency bands.

1. Tap the

2. Tap the [Edit] button to open the User Tone Control setting window.

3. Tap the

4. Drag the slider right/left to increase/decrease the level.

buttons to select the “User” Tone Control type.

buttons to select the desired frequency range.

Adjustments & Settings

Page 66

Settings MenuSettings Menu

CHECK

(2) Wall EQ (CA99 only)

The Wall EQ setting adjusts the character of the digital piano’s speaker system in order to achieve optimum sound when the rear of the instrument is placed in front of a wall.

Type Description

O Optimise the speaker system for placing the digital piano in an area away from a wall.

Wall 1 Optimise the speaker for placing the digital piano in front of a heavy wall such as brick/concrete.

Wall 2 Optimise the speaker for placing the digital piano in front of a light wall such as plasterboard.

(3) Low Volume Balance

The Low Volume Balance setting reduces the dierence in volume between pianissimo and fortissimo touches, allowing the piano to continue to be played at low volume without the sound of pianissimo notes being lost.

Type Description

O Low Volume Balance adjustment is not applied.

Type1 A small amount of Low Volume Balance adjustment will be applied.

Type5 A large amount of Low Volume Balance adjustment will be applied.

Tap

Adjustments & Settings

(4) Speaker Volume

The Speaker Volume setting allows the maximum volume level of the digital piano’s speaker output to be reduced, providing ner adjustment control over the master volume. This setting can also function as a volume limiter, preventing the instrument from being played too loudly in the home or classroom etc.

Type Description

Normal The instrument’s speakers will output sound at the normal volume level.

Low The instrument’s speakers will output sound at a reduced volume level.

This setting does not aect the headphones or Line Out volume.

Tap

Page 67

(5) Spatial Headphone Sound

CHECK

Spatial Headphone Sound is a special feature of the digital piano that enhances the depth and realism of the acoustic piano sound when listening through headphones or earphones.

The Spatial Headphone Sound setting allows the player to select from one of three dierent acoustic presets that adjust the spatial positioning of the sound, while also helping to reduce auditory fatigue when using earphones or headphones for extended periods of time.

Type Description

O Disable the Spatial Headphone Sound feature.

Forward Front focused, somewhat narrow spatial positioning.

Normal Naturally balanced spatial positioning that is neither forward nor wide.

Wide Wide, very open spatial positioning.

This setting does not aect the speaker or Line Out sound.

Tap

(6) Headphone Type

The Headphone Type setting optimises the sound of the digital piano when listening through dierent types of headphones or earphones.

Type Description

Normal Disables headphone optimisation.

Open Optimises the sound for open type headphones.

Semi-open Optimises the sound for semi-open type headphones.

Closed Optimises the sound for closed type headphones.

Inner-Ear Optimises the sound for inner-ear type headphones.

Canal Optimises the sound for canal-type headphones.

This setting does not aect the speaker or Line Out sound.

(7) Headphone Volume

The Headphone Volume setting allows the maximum volume level of the headphones output to be increased.

Tap

The default setting for Headphone Volume is “Normal” in order to protect an individual’s ears from excessive volume levels. The “High” setting may be selected when using headphones with a high impedance, or in situations where it is desirable to increase the maximum volume level of the headphones output.

Adjustments & Settings

Type Description

Normal The instrument’s headphone connectors will output sound at the normal volume level.

High The instrument’s headphone connectors will output sound at an increased volume level.

This setting does not aect the speaker or Line Out sound.

Page 68

Settings MenuSettings Menu

Drag

CHECK

(8) Line In Volume

The Line In Volume setting allows the volume level of the instrument’s Line In input jacks to be adjusted digitally. This setting may be useful when using the USB Recorder function and attempting to balance an external audio source with the instrument’s sound.

Drag the Line In Volume slider right/left to increase/decrease the level of the Line In Volume setting.

The Line In Volume can also be adjusted by using the LEVEL knob, located on the jack panel.



Line In Volume setting vs Line In LEVEL knob

The digital piano provides two methods of adjusting the level of the Line In audio: the Line In LEVEL knob (located beside the Line In connector on the jack panel), and the Line In Volume setting. The LEVEL knob is used to adjust the analogue volume of the sound entering the instrument, while the Line In Volume setting adjusts the digital volume of the sound once it is “inside” the instrument.

To ensure the Line In audio is of a high quality, it is recommended to set the volume of the external audio device (for example a tablet) to a high level, then adjust the instrument’s Line In LEVEL knob to a comfortable level, without distortion. If it is necessary to further increase or decrease the volume of the external audio, the Line In Volume setting can then be used as desired.

Adjustments & Settings

Page 69

4 Hands Mode

This menu category is used to enable and adjust the 4Hands Mode function.

The 4Hands playing mode function divides the keyboard into two sections in a similar way to that of the Split

keyboard mode. However, with 4Hands keyboard mode enabled, the octave/pitch of each section is automatically

adjusted to create two separate 44-key instruments with the same playing range. Furthermore, the damper (right)

pedal and soft (left) pedal act as separate damper pedals for the respective right and left sections, allowing two

people to perform piano duets using a single instrument.

1. From the Menu, tap “4 Hands Mode”.

The 4 Hands window will appear, and the keyboard will be divided into right and left sections.

Tap

2. For each of the right and left sections, tap the desired instrument type icon, then tap the

buttons to change the selected sound.

3. Tap the

When 4 Hands playing mode is selected, the following settings will be displayed.

Balance



This setting is used to adjust the volume balance between the Right and Left section sounds. Drag the Balance slider right/left to increase the volume of the Right/Left sounds.

Octave Shift



This setting is used to lower/raise the pitch of the Right and Left section sounds in octave steps. Tap the [–] and [+] buttons to change the Octave Shift value for each section. The Octave Shift value can be adjusted in with the range of 0~+3.

button to close the 4Hands window and return to the Normal playing mode.

Adjustments & Settings

Split Point



This setting is used set the point on the keyboard that divides the Right and Left sections. Tap the [–] and [+] buttons to change the Split Point.

Page 70

Settings MenuSettings Menu

CHECK

Bluetooth

This menu category contains settings to adjust the instrument’s Bluetooth MIDI and Audio functions.

(1) Bluetooth MIDI

The Bluetooth MIDI setting is used to enable/disable the digital piano’s Bluetooth MIDI function. When enabled, the digital piano can be connected to smart phones, tablets, and other smart devices to facilitate wireless MIDI communication, allowing a wide range of music-related apps to be enjoyed using the instrument.

Value Description

O The instrument’s Bluetooth MIDI function will be turned o.

On The instrument’s Bluetooth MIDI function will be turned on.

Availability of Bluetooth MIDI function dependent on market location.



Connecting the digital piano to a smart device using Bluetooth MIDI

After enabling the Bluetooth MIDI function of the digital piano, enable Bluetooth communications on the smart device, then open the desired MIDI app. After a few seconds “CA99/CA79” should appear in the app’s device list. Tap the CA99/CA79 entry to connect the instrument to the smart device. It should now be possible for MIDI apps to communicate wirelessly with the digital piano.

When the digital piano is connected to a smart device via Bluetooth MIDI, the USB MIDI and MIDI IN/OUT connectors will be disabled.



Please check for Bluetooth MIDI compatibility with the smart device manufacturer and app developer.



For a list of potential issues and recommended solutions when using Bluetooth communications, please refer to page 77 of this owner’s



manual.

For more detailed instructions regarding Bluetooth connectivity, please refer to the supplementary Bluetooth® Connectivity Guide, available



from the Kawai Global website: https://www.kawai-global.com/support/bluetooth

Tap

Adjustments & Settings

(2) Bluetooth MIDI Device Name

The Bluetooth MIDI Device Name setting is used to change the name of the digital piano’s Bluetooth MIDI device. This setting may be useful when using multiple CA99/CA79 instruments in close proximity (e.g. a classroom environment), where each piano requires a unique identication name.

Page 71

(3) Bluetooth Audio

CHECK

The Bluetooth Audio setting is used to enable/disable the digital piano’s Bluetooth Audio function. When enabled, the digital piano can be connected to smart phones, tablets, and other smart devices to facilitate wireless audio communication, allowing music stored on a device to played through the instrument’s speaker system/headphones.

When using the USB audio recorder function, the Bluetooth Audio stream will also be mixed with the instrument’s internal sound and recorded to the MP3/WAV le.

Tap

Value Description

O The instrument’s Bluetooth Audio function will be turned o.

On The instrument’s Bluetooth Audio function will be turned on.

Availability of Bluetooth Audio function dependent on market location.



Connecting the digital piano to a smart device using Bluetooth Audio

After enabling the Bluetooth Audio function of the digital piano, enable Bluetooth communications on the smart device. After a few seconds “CA99/CA79 Audio” should appear in the smart device’s Bluetooth settings device list. Tap the CA99/CA79 Audio entry to connect the instrument to the smart device. It should now be possible for audio produced by the smart device to be heard through the instrument’s speaker system/headphones.

If loss of audio/connectivity or noise occurs, please check for Bluetooth Audio compatibility with the smart device manufacturer.



For a list of potential issues and recommended solutions when using Bluetooth communications, please refer to page 77 of this owner’s



manual.

For more detailed instructions regarding Bluetooth connectivity, please refer to the supplementary Bluetooth® Connectivity Guide, available



from the Kawai Global website: https://www.kawai-global.com/support/bluetooth

The Auto Power O setting will still be observed when playing audio via Bluetooth Audio.



(4) Bluetooth Audio Volume

The Bluetooth Audio Volume setting is used to increase or decrease the volume level of Bluetooth Audio playback. While it’s generally preferable to adjust the audio volume level on the smart device itself, this setting may still be useful in certain situations.

Drag the slider right/left to increase/decrease the Bluetooth Audio Volume setting.

Increasing the Bluetooth Audio Volume setting above normal levels may result in distortion or reduced audio quality.

Drag

Adjustments & Settings

Page 72

Settings MenuSettings Menu

CHECK

USB Memory

The USB Menu contains a function that allows USB memory devices connected to the digital piano’s USB to Device

port to be formatted.

If a message prompting to format the USB memory device is displayed when connected to the [USB to DEVICE] port, please ensure that the data stored on the device will not be required before formatting. Formatting the USB memory device will erase all data stored on the device.

The USB memory device may contain data that is not displayed when connected to the digital piano, therefore please exercise caution when using the Format function in order to prevent accidental data loss.

MIDI

The MIDI menu contains various functions and settings related to MIDI.

For information regarding MIDI functions and settings, please download the supplementary PDF manual from the Kawai Global website:

https://www.kawai-global.com/support/manual

User Data

(1) Sounds | Favorite

Reset (remove) all of the sounds specied from the Favorite category.

(2) Sounds | Recently Played

Reset (remove) all of the sounds specied from the Recently Played category.

(3) Sounds | User

Reset (remove) all of the sounds specied from the User category.

(4) Music | Favorite

Reset (remove) all of the songs/pieces specied in from the Favorite category.

Adjustments & Settings

(5) Music | Recently Played

Reset (remove) all of the songs/pieces specied in from the Recently Played category.

(6) Music | Recorder

Reset (remove) all of the songs/pieces recorded to the instrument’s internal memory.

(7) Factory Reset

Reset all stored sounds and settings, erase songs/pieces recorded to the instrument’s internal memory, and restore the digital piano back to its factory default conguration.

Page 73

Drag

CHECK

System

The System Menu contains functions and settings to adjust the LCD touchscreen appearance, and the instrument’s

start-up behavior.

(1) LCD Brightness

The LCD Brightness setting is used to adjust the brightness of the digital piano’s touchscreen display. Drag the slider right/left to increase/decrease the LCD brightness.

(2) Display Scale

The Display Scale setting is used to adjust the size of the font and interface used by the digital piano’s touchscreen display.

(3) Auto Display O

The Auto Display O setting determines whether or not the digital piano’s touchscreen display will turn o automatically after a period of inactivity. This setting may be desirable if the display becomes a distraction when playing in low-light environments.

Value Description

Never The instrument’s LCD display with remain turned on at all times.

30 Seconds

The instrument’s LCD display with turn o automatically after the specied period of time.

5 Minutes

(4) Auto Power O

The Auto Power O setting can be used to automatically turn o the digital piano after a specied period of inactivity. This function may be enabled by default, depending on the market location.

Value Description

Never The Auto Power O function is disabled.

15 Minutes The instrument will turn o automatically after 15 minutes of inactivity.

60 Minutes The instrument will turn o automatically after 60 minutes of inactivity.

120 Minutes The instrument will turn o automatically after 120 minutes of inactivity.

Tap

The Auto Power O setting will still be observed when playing audio via Bluetooth Audio.

Adjustments & Settings

Page 74

Settings MenuSettings Menu

(5) Startup Screen

The Startup Screen setting determines which screen will be shown when the digital piano initially starts-up.

Type Description

PIANO The digital piano will start-up with the PIANO screen.

SOUNDS The digital piano will start-up with the SOUNDS screen.

MUSIC The digital piano will start-up with the MUSIC screen.

(6) Startup Settings

The Startup Settings setting determines which settings will be used when the digital piano starts-up.

Type Description

Reset The digital piano will always start-up with the default settings.

Current The digital piano will always start-up with the current (at the time of selection) instrument settings.

Power O

The digital piano will always start-up with the settings that were used when the instrument was turnedo.

Tap

(7) Language

The Language setting determines which language will be used for the digital piano’s LCD display user interface.

Type Description

日本語

English The LCD display user interface will be shown in English.

The LCD display user interface will be shown in Japanese.

(8) Information

The Information function displays details about the digital piano’s software version, and license information.

Tap

Adjustments & Settings

Page 75

M E M O

Adjustments & Settings

Page 76

TroubleshootingTroubleshooting

Troubleshooting

The tables below summarise issues that may be experienced with the CA99/CA79 digital piano, explaining the

typical cause(s), and recommended solution(s).



Power

Issue Possible Cause and Solution

The instrument does not turn on. Check that the power cable is rmly attached to the instrument, and

connected to an AC outlet.

The instrument turns itself o after a period of inactivity.



Sound

Check that the “Auto Power O” function is not enabled. P. 73

Issue Possible Cause and Solution

The instrument is turned on, however no sound is produced when the keys are pressed.

The sound distorts when playing at very loud volume levels.

Strange sounds or noises are heard when playing with piano sounds.

Check that the MASTER VOLUME slider is not set to the lowest position. P. 14

Check that a pair of headphones (or headphone adaptor plug) are not connected to the PHONES jacks.

Check that the “Local Control” setting in the MIDI menu is set to On. –

Check that the MASTER VOLUME slider is set to an appropriate level, reducing the volume if excessive distortion is heard.

The CA99/CA79 digital piano attempts to reproduce the rich variety of tones created by an acoustic grand piano as accurately as possible. This includes various resonances, noises, and other subtle characteristics that contribute to the overall piano playing experience.

While these additional tones are intended to enhance the realism of the instrument, it is possible to reduce their prominence, or disable the eects altogether using the settings in the Virtual Technician menu.

Ref.

P. 13

Ref.

P. 14

Appendix

The top 18 notes of the keyboard sustain for longer than neighbouring notes, even when the damper pedal is not pressed.

The volume of the device connected to the Line In jacks is too low/too high (distorted).

The noise occurs when the damper pedal is depressed and released.

Damper Noise



The noise occurs after a key is released.

Fall-back Noise, Key-o Eect



The sound has a metallic characteristic.

Key-o Eect, Undamped Resonance, String Resonance



The sound is mued or too bright.

Topboard, Voicing



A particular key’s pitch is heard as incorrect.

Temperament



This is the correct behaviour, and intended to reproduce the undamped notes (typically the top two octaves) of an acoustic grand piano.

Check the position of the Line In LEVEL knob (located on the jack panel), and adjust as necessary.

P. 57

P. 59

P. 57 P. 58 P. 59

P. 56 P. 60

P. 62

–

P. 83

Page 77



Pedals

Issue Possible Cause and Solution

The pedals are unreliable or do not function at all.

When depressing a pedal, the pedal board exes and is not rm.



Headphones

Check that the pedal cable is rmly connected to the instrument (CA79 only).

Check that the pedal support bolt is fully extended. P. 15

Issue Possible Cause and Solution

The headphone volume is too low. If the “Nominal Impedance” specication of the headphones is less than 100

 (ohms), set the “Headphone Volume” setting in the Speaker/Headphone menu to High.

The headphone output sounds strange. Check that the “Spatial Headphone Sound” and “Headphone Type” settings

are set to “Normal”.



USB (memory device)

Issue Possible Cause and Solution

A USB memory device is not detected, cannot be saved to, or does not appear to function when connected to the “USB to Device” port.

Check that the USB memory device is formatted to use the FAT/FAT32 lesystem, and not set to “Write Protect” mode.

Disconnect the USB memory device, turn the instrument o then on, then reconnect the USB device. If the USB device still does not function, it may be damaged or incompatible. Please try using a dierent USB device.

Ref.

P. 89

Ref.

P. 67

Ref.

P. 83

–

The instrument pauses briey when connecting a USB memory device.



USB MIDI, MIDI, Bluetooth® MIDI

Issue Possible Cause and Solution

The instrument is connected to the computer using a USB cable, however the software does not respond to key presses.

The instrument cannot connect to the smart device/app via Bluetooth.

This is recognised behaviour when using large capacity (e.g. 8GB+) USB memory devices.

Check that a USB MIDI driver is installed on the computer. P. 84

Check that “USB Audio Device” or “KAWAI USB MIDI” is selected in the software’s input/output device settings.

Check that the instrument is not connected to a smart device using Bluetooth MIDI.

Check that the instrument’s Bluetooth MIDI/Audio function is turned On. P. 70

Ensure that the mobile device’s Bluetooth function is turned On. –

Ensure that the instrument isn’t already connected to another Bluetooth device.

Try deleting the instrument’s Bluetooth connection using the mobile device’s “Forget Device” function.

Try turning the instrument O and then On, and/or restarting the mobile device.

–

Ref.

P. 84

P. 70

–

Appendix

Page 78

Troubleshooting



MP3/WAV/SMF les

Issue Possible Cause and Solution

No sound can be heard when playing an MP3 or WAV audio le stored on a USB memory device.

An MP3/WAV audio le stored on a USB memory device sounds strange, or does not play back correctly.

When recording MP3/WAV audio les, the volume is too low/too high (distorted).

An SMF MIDI le stored on a USB memory device sounds strange when played back.

Ref.

Check that the audio player volume is not set to 0. P. 39

Check that the format of the audio le is supported and listed in the “USB Memory Player supported formats” table.

The le transfer speed of the USB memory device may be too slow to play the audio le. Please try using a dierent USB memory device, ensuring that it conforms to USB2.0 Hi-Speed standards.

Check the gain setting before recording the audio, and if necessary adjust to increase/decrease the recording level.

The CA99/CA79 digital piano does not contain the full General MIDI sound bank selection. Consequently, some SMF song les may not be reproduced entirely accurately when played through the instrument.

P. 52

P. 83

P. 52

–

Appendix

Page 79

Sound List

CHECK

Piano

Electric Piano

Classic Electric Piano 60's Electric Piano Modern Electric Piano Electric Grand * Classic Electric Piano 2 Classic Electric Piano 3 Classic Electric Piano 4 * Crystal Electric Piano Modern Electric Piano 2 * Modern Electric Piano 3 *

Organ

Jazz Organ Blues Organ Ballad Organ Gospel Organ Drawbar Organ Drawbar Organ 2 Drawbar Organ 3 * Drawbar Organ 4 *

Church Organ

Church Organ Diapason Full Ensemble Diapason Octave Chiy Tibia Principal Octave Principal Choir * Baroque * Soft Diapason * Soft Strings Mellow Flutes Medium Ensemble Loud Ensembe Bright Ensemble Full Organ Reed Ensembe *

Harpsichord

Harpsichord Harpsichord Octave Harpsichord 2 *

Mallets

Vibraphone Clavi Marimba Celesta Bell Split *

Strings

Slow Strings String Pad Warm Strings String Ensemble Soft Orchestra Chamber Strings * Harp Pizzicato Strings *

Vocal

Choir Pop Ooh Pop Aah Choir 2 Jazz Ensemble Pop Ensemble Slow Choir * Breathy Choir *

Pad

New Age Pad Square Pad Itopia Brightness New Age Pad 2 * Brass Pad Bowed Pad Bright Warm Pad *

Bass

Wood Bass Electric Bass Electric Bass 2 Wood Bass & Ride Electric Bass & Ride *

Guitar

Ballad Guitar Pick Nylon Guitar Finger Nylon Guitar *

* : CA99 only.



Long words may be indicated as an abbreviation on the



display.

Appendix

Page 80

Drum Rhythm List

Appendix

No. Rhythm Name

8 Beat

1 8 Beat 1 2 8 Beat 2 3 8 Beat 3 4 Pop 1 5 Pop 2 6 Pop 3 7 Pop 4 8 Pop 5

9 Pop 6 10 Ride Beat 1 11 Ride Beat 2 12 Dance Pop 1 13 Country Pop 14 Smooth Beat 15 Rim Beat

8 Beat Rock

16 Modern Rock 1 17 Modern Rock 2 18 Modern Rock 3 19 Modern Rock 4 20 Pop Rock 21 Ride Rock 22 Jazz Rock 23 Surf Rock

16 Beat

24 16 Beat 25 Indie Pop 1 26 Acid Jazz 1 27 Ride Beat 3 28 Dance Pop 2 29 Dance Pop 3 30 Dance Pop 4 31 Dance Pop 5 32 Dance Pop 6 33 Dance Pop 7 34 Dance Pop 8 35 Indie Pop 2 36 Cajun Rock

8 Beat Ballad

37 Pop Ballad 1 38 Pop Ballad 2 39 Pop Ballad 3 40 Rock Ballad 1 41 Rock Ballad 2 42 Slow Jam 43 6/8 R&B Ballad 44 Triplet Ballad 1 45 Triplet Ballad 2

16 Beat Ballad

46 16 Ballad 1 47 Dance Ballad 1 48 Dance Ballad 2 49 Dance Ballad 3 50 Electro Pop 51 16 Ballad 2 52 Mod Pop Ballad

No. Rhythm Name

16 Beat Dance

53 Dance 1 54 Dance 2 55 Dance 3 56 Disco 57 Techno 1 58 Techno 2

16 Beat Swing

59 16 Shue 1 60 16 Shue 2 61 16 Shue 3 62 Acid Jazz 2 63 Acid Jazz 3 64 New Jack Swing 65 Modern Dance 66 Indie Pop 3

8 Beat Swing

67 Swing Beat 68 Motown 69 Country 2 Beat 70 Boogie

Triplet

71 8 Shue 1 72 8 Shue 2 73 8 Shue 3 74 Dance Shue 75 Triplet 1 76 Triplet 2 77 Triplet Rock 78 Reggae

Jazz

79 H.H. Swing 80 Ride Swing 81 Fast 4 Beat 82 Afro Cuban 83 Jazz Bossa 84 Jazz Waltz 85 5/4 Swing

Latin / Traditional

86 H.H. Bossa Nova 87 Ride Bossa Nova 88 Beguine 89 Rhumba 90 Cha Cha 91 Mambo 92 Samba 93 Sala 94 Merenge 95 Tango 96 Habanera 97 Waltz 98 Ragtime 99 March

100 6/8 March

Page 81

Sound Demo Song List

CHECK

Sound Name Song Title Composer

Piano

Electric Piano

Classic Electric Piano Original Kawai Modern Electric Piano Original Kawai Modern Electric Piano 2* Original Kawai

Organ

Jazz Organ Original Kawai Blues Organ Original Kawai Drawbar Organ Original Kawai

Church Organ

Church Organ Chorale Prelude “Wachet auf, ruft uns die Stimme.” Bach Diapason Wohl mir, daβ ich Jesum have Bach Full Ensemble Original Kawai

Harpsichord

Harpsichord French Suite No.6 Bach Harpsichord Octave Prelude in Ab Bach

Mallets

Vibraphone Original Kawai Clavi Original Kawai

Strings

Slow Strings Original Kawai String Pad Original Kawai String Ensemble Le quattro stagioni La primavera Vivaldi

Vocal

Choir Londonderry Air Irish folk song Choir 2 Original Kawai Jazz Ensemble Original Kawai

Pad

New Age Pad Original Kawai Square Pad Original Kawai

Bass

Wood Bass Original Kawai Electric Bass Original Kawai Electric Bass 2 Original Kawai Wood Bass & Ride Original Kawai

Guitar

Ballad Guitar Original Kawai Pick Nylon Gt. Original Kawai

Appendix

The songs marked with “*” are demonstration songs only for CA99.

Page 82

Connecting to Other Devices

The CA99/CA79 digital piano features a variety of jacks that allow the instrument to be connected to MIDI devices,

computers, speakers, and mixers. It is also possible to connect external audio sources, such as an MP3 player, tablet,

or a secondary keyboard, to the instrument’s amplier and speaker system. The illustration below provides a visual

overview of the connectors and their typical applications.

USB t ype “B”

Connect the audio from

other devices to the

instrument’s speakers.

Make sure to turn o the power of the instrument before connecting with other equipment.



Do not connect the LINE IN and LINE OUT jacks of the CA99/CA79 digital piano together with the same cable. An



audio loop (oscillation sound) will occur, resulting in damage to the unit.

Connect the instrument to external speakers, ampliers, mixers, etc.

USB t ype “A”

Connect the instrument to a computer or tablet to send or receive MIDI data.

Connect the instrument to MIDI modules, other instruments/devices, etc.

Appendix

Page 83

Jack Panel



LINE IN STEREO jack (1/8” phone jack)



LINE OUT jacks (1/4” phone jack)

This jack is used to connect the 1/8” stereo outputs from smart phones, tablets, computers, or other electronic audio equipment to the CA99/CA79 digital piano’s amplier and speakers. The input level can be adjusted using the LEVEL knob, or by adjusting the volume of the connected device.

When using the USB audio recorder function, this LINE in audio will also be mixed with the instrument’s internal sound and recorded to the MP3/WAV le.

* The “Line In Volume” setting can also be used to adjust the level of the

LINE IN signal.

Ref.

“Line In Volume” P. 68



USB to Host port (“B” type)

This USB port is used to connect the CA99/CA79 digital piano to a computer using an inexpensive USB cable. When connected, the instrument can be used as a standard MIDI device, allowing it to send a receive MIDI data. Connect a “B” type USB connector to the instrument, and an “A” type USB connector to the computer.

Ref.

“USB MIDI information” P. 84

With additional conversion adaptors, this port may also be used to connect the CA99/CA79 digital piano to tablets and other mobile devices.

These jacks are used to connect the stereo output of the CA99/ CA79 digital piano’s sound to external speakers, ampliers, mixers, recording devices, and similar equipment.

To output a mono signal, connect a single cable to the L/MONO jack.

The LINE OUT level can be adjusted using the MASTER VOLUME slider.



MIDI IN/OUT jacks

These jacks are used to connect the CA99/CA79 digital piano to external MIDI devices, or to a computer (using a USB-MIDI interface) as an alternative to the “USB to Host” port.

Ref.

“MIDI” P. 72

Headphone Panel



PHONES jacks (1/4” & 1/8” phone jacks)

These jacks are used to connect stereo headphones to the CA99/ CA79 digital piano. Two pairs of headphones can be connected and used simultaneously. When a pair of headphones is connected, sound will not be produced by the speakers.



USB device information

The “USB to Device” functionality of the CA99/CA79 digital



piano conforms to USB2.0 Hi-Speed standards. Older USB devices can still be used, however data transfer speed will be limited to the maximum transfer speed of the device.

The “USB to Device” port is intended for connecting USB



memory devices, however USB oppy drive devices can also be used to save recorder songs stored in internal memory, or play SMF song les.



USB to Device port (“A” type)

This USB port is used to connect a USB memory device to the CA99/CA79 digital piano. This allows MP3/WAV audio les, and SMF song les to be played directly. It is also possible to record performances to MP3/WAV audio les, and save recorder songs stored in internal memory for posterity.

It may be necessary to format the USB memory device before



it can be used with the CA99/CA79 digital piano.

Formatting the device will erase all data.

Avoid removing the USB memory device while data is being



loaded or saved, les are being renamed or deleted, or the device is being formatted.

Other USB devices, such as computer mice, keyboards, or



battery chargers etc. cannot be used with this instrument.

Appendix

Page 84

USB MIDI (USB to Host Connector)

The CA99/CA79 digital piano features a “USB to Host” type connector, allowing the instrument to be connected to

a computer using an inexpensive USB cable and utilised as a MIDI device. Depending on the type of computer and

operating system installed, additional driver software may be required for USB MIDI communication to function

correctly.

For more information regarding the USB MIDI driver, please visit the following website:

https://www.kawai-global.com/support/downloads/



USB MIDI information

If the instrument’s MIDI IN/OUT jacks and USB MIDI port are



both connected simultaneously, the USB MIDI port will be given priority.

Ensure that the instrument is turned OFF before attempting to



connect the USB MIDI cable.

When connecting the instrument to a computer using the USB



MIDI port, there may be a short delay before communications begin.

If the instrument is connected to a computer via a USB hub



and USB MIDI communication becomes unreliable/unstable, please connect the USB MIDI cable directly to the one of the computer’s USB ports.

Disconnecting the USB MIDI cable suddenly, or turning the



instrument on/o while using USB MIDI may cause computer instability in the following situations:

– while installing the USB MIDI driver – while starting up the computer – while MIDI applications are performing tasks – while the computer is in energy saver mode

If there are any further problems experienced with USB MIDI



communication while the instrument is connected, please double-check all connections and relevant MIDI settings in the computer’s operating system.

Appendix

Page 85

Information about Bluetooth®

▮

For USA, Canada

It is strictly forbidden to use antenna except designated. This equipment must not be co-located or operated in conjunction with any other antenna or transmitter.

Please refer to the following information about Bluetooth.

▮

About Bluetooth

Musical Instruments Mfg. Co., Ltd. is under license.

▮

For Canada

RSSs. Operation is subject to the following two conditions: (1) This device may not cause interference; and (2) This device must accept any interference, including interference that may cause undesired operation of the device.

applicables aux appareils radio exempts de licence. L’exploitation est autorisée aux deux conditions suivantes : (1) l’appareil ne doit pas produire de brouillage; (2) l’utilisateur de l’appareil doit accepter tout brouillage radioélectrique subi,même si le brouillage est susceptible d’en compromettre le fonctionnement.

▮

For Taiwan

第十二條經型式認證合格之低功率射頻電機，非經許可，公司、商號或使用者均不得擅自變更頻率、加大功率或變更原設計之特性及功能。第十四條低功率射頻電機之使用不得影響飛航安全及干擾合法通信；經發現有干擾現象時，應立即停用，並改善至無干擾時方得繼續使用。前項合法

通信，指依電信法規定作業之無線電通信。低功率射頻電機

須忍受合法通

信或工業、科學及醫療用電波輻射性電機設備之干擾。

▮

For Argentina

Marca : KAWAI, Bluegiga Modelo : MBH7BLZ07, WT32i

▮

For Mexico

PIANO DIGITAL MARCA : KAWAI MODELO : MBH7BLZ07, RCPKAMB16-1764 : WT32i, RCPKAWT17-1556

La operación de este equipo está sujeta a las siguientes dos condiciones: (1) es posible que este equipo o dispositivo no cause interferencia perjudicialy (2) este equipo o dispositivo debe aceptar cualquier interferencia,

▮

For Brazil

Este equipamento opera em caráter secundário, isto é, não tem direito a proteção contra interferência prejudicial, mesmo de estações do mesmo tipo e não pode causar interferência a sistemas operando em caráter primário. Para consultas, visite: www.anatel.gov.br

▮

For Korea

해당 무선설비는 전파혼신 가능성이 있으므로 인명안전과 관련된 서비스는 할 수 없습니다

제조년 월 제품에 붙어있는 라벨을 확인하시기 바랍니다

▮

For South Africa

C-17079

C-21199

TA-2016/2398

APPROVED

TA-2018/509

APPROVED

04349-16-10021

02414-18-01395

▮

For USA, Canada

It is strictly forbidden to use antenna except designated. This equipment must not be co-located or operated in conjunction with any other antenna or transmitter.

Please refer to the following information about Bluetooth.

▮

About Bluetooth

Musical Instruments Mfg. Co., Ltd. is under license.

▮

For Mexico

PIANO DIGITAL MARCA : KAWAI MODELO : MBH7BLZ07, RCPKAMB16-1764

▮

For USA, Canada

It is strictly forbidden to use antenna except designated. This equipment must not be co-located or operated in conjunction with any other antenna or transmitter.

Please refer to the following information about Bluetooth.

▮

About Bluetooth

Musical Instruments Mfg. Co., Ltd. is under license.

▮

For Canada

▮

For Mexico

PIANO DIGITAL MARCA : KAWAI MODELO : MBH7BLZ07, RCPKAMB16-1764 : WT32i, RCPKAWT17-1556

▮

For Brazil

▮

For USA, Canada

It is strictly forbidden to use antenna except designated. This equipment must not be co-located or operated in conjunction with any other antenna or transmitter.

Please refer to the following information about Bluetooth.

▮

About Bluetooth

Musical Instruments Mfg. Co., Ltd. is under license.

▮

For Canada

▮

For Taiwan

▮

For Mexico

PIANO DIGITAL MARCA : KAWAI MODELO : MBH7BLZ07, RCPKAMB16-1764 : WT32i, RCPKAWT17-1556

▮

For Brazil

▮

For South Africa

04349-16-10021

02414-18-01395

▮

For USA, Canada

It is strictly forbidden to use antenna except designated. This equipment must not be co-located or operated in conjunction with any other antenna or transmitter.

Please refer to the following information about Bluetooth.

▮

About Bluetooth

Musical Instruments Mfg. Co., Ltd. is under license.

▮

For Canada

▮

For Taiwan

通信，指依電信法規定作業之無線電通信。低功率射頻電機

須忍受合法通

▮

For Argentina

Marca : KAWAI, Bluegiga Modelo : MBH7BLZ07, WT32i

▮

For Mexico

PIANO DIGITAL MARCA : KAWAI MODELO : MBH7BLZ07, RCPKAMB16-1764 : WT32i, RCPKAWT17-1556

▮

For Brazil

▮

For South Africa

C-17079

C-21199

TA-2016/2398

APPROVED

TA-2018/509

APPROVED

04349-16-10021

02414-18-01395

▮

For Mexico

PIANO DIGITAL MARCA : KAWAI MODELO : MBH7BLZ07, RCPKAMB16-1764 : WT32i, RCPKAWT17-1556

La operación de este equipo está sujeta a las siguientes dos condiciones: (1) es posible que este equipo o dispositivo no cause interfere perjudicialy (2) este equipo o dispositivo debe aceptar cualquier interferencia,

▮

For Mexico

PIANO DIGITAL MARCA : KAWAI MODELO : MBH7BLZ07, RCPKAMB16-1764 : WT32i, RCPKAWT17-1556

▮

For Brazil

▮

For Taiwan

通信，指依電信法規定作業之無線電通信。低功率射頻電機

信或工業、科學及醫療用電波輻射性電機設備之干擾。

▮

For Mexico

PIANO DIGITAL MARCA : KAWAI MODELO : MBH7BLZ07, RCPKAMB16-1764 : WT32i, RCPKAWT17-1556

▮

For Brazil

04349-16-10021

02414-18-01395

Please refer to the following information about Bluetooth.



About Bluetooth

The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc. and any use of such marks by



Kawai Musical Instruments Mfg. Co., Ltd. is under license.

Frequency Band of Radio: 2400~2483.5 MHz Maximum Transmit Power: 2.5 mW (Bluetooth Low Energy), 4.5mW (A2DP)



Availability of Bluetooth function dependent on market location.





For USA, Canada



For Mexico



For Canada



For South Africa

TA-2016/2398

APPROVED



For Argentina



For Korea

B 급 기기 ( 가정용 방송통신기자재 ) 이 기기는 가정용 (B 급 ) 전자파적합기기로서 주로 가정에서 사용하는 것을 목적으로 하며 , 모든 지역에서 사용할 수 있습니다 .

모델명 MBH7BLZ07 WT32i-A

인증을받은 상표 이름제조자 Kawai Musical Instruments Manufacturing Co., Ltd. Bluegiga Technologies Oy

원산지 일본 핀란드

기자재 명칭 정소출력 무선기기 ( 무선데이터통신시스템용 무선기기 )

TA-2018/509

APPROVED



For Brazil



For Taiwan

ncia

04349-16-10021

02414-18-01395

須忍受合法通

Appendix

Page 86

Assembly Instructions (CA79 only)Assembly Instructions (CA79 only)

Assembly Instructions (CA79 only)

Please read these assembly instructions thoroughly before attempting to assemble the CA79 digital piano.

Please ensure that two or more people work on assembling the CA79 digital piano, especially when lifting the

main body of the instrument onto the stand.



Included parts

Before attempting to assemble the CA79 digital piano, ensure that all parts below are included. A Phillips-head screwdriver (not included) will also be required in order to assemble the instrument.

Main body

Pedal board

(including adjustor bolt)

Screw set

Screw (with washer) x 2

Side panel (left)

Back board

Side panel (right)

Power cable

Headphone hook set

Headphone hook Mounting screws (14 mm) x 2

Appendix

Flat headed screw (20mm) x 2

Tapping screw (black, 30 mm) x 4 *

Tapping screw (black, 20

Tapping screw (silver, 16 mm) x 4

* For Satin White nished instruments, black screws will be

replaced with silver screws.

Silver screws are provided in a separate bag.

mm) x 4 *

Page 87

1. Attaching the side panels to the pedal board

2. Attaching the back board

Unfasten and extend the pedal connection cable attached

to the bottom of the pedal board (D).

Attach the pedal board (D) to the left (B) and right (C) side

panels using the temporary mounting screws located on either end of the pedal board.

Ensure that the pedal board and side panels make close

contact, and that there are no large gaps between the assembled parts.

Insert the four short silver tapping screws into the holes as

shown, and securely fasten the pedal board to the left and right side panels.

B B

D D

gap

B B

D D

Allow the assembled pedal board and side panels to stand

upright (vertically) on the oor.

* Ensure that the adjustor bolt is attached to the pedal board.

Loosely attach the back board (E) to the left and right side

panels using the four long black tapping screws

Loosely attach the back board to the pedal board using the

four mid-length black tapping screws

Adjust the positioning of the pedal board, side panels, and

backboard to ensure that all parts are in alignment, then tighten the screws in steps

and .

adjustor bolt

pedal cable

temporary mounting screw

Hole of pedal board/side panel

not aligned

Hole of

back board

* Ensure that the hole of the back

board is aligned with the hole of the pedal board/side panel before tightening the screws.

Appendix

Page 88

Assembly Instructions (CA79 only)Assembly Instructions (CA79 only)

3. Mounting the main body onto the stand

Ensure that two or more people undertake the following step of the assembly process.

Lift the main body and carefully place it onto the stand.

Position the main body slightly towards the back of the stand, to ensure that the guide screw in the front of the stand is still visible.

Gently slide the main body forward until it comes to a halt.

When positioned correctly, the attachment screw holes should be visible from the underside of the main unit.

* If the screw holes are not visible, re-adjust (loosen) the screws

attached in step 4- .

When lifting the main body onto the stand, be careful not to catch/trap hands and ngers.

4. Fastening the main body to the stand

View the front of the instrument to ensure that the main

body and side panels are in alignment.

* If the parts are not in alignment, re-adjust (loosen) the screws

attached in step 4- .

Loosely fasten the front of the main body to the stand from

below, using the two screws (with washer)

Loosely fasten the rear of the main body to the stand from

below, using the two at headed screws

When all four screws are attached and the main body is

correctly positioned on top of the stand, securely tighten all screws.

Tighten all screws securely to ensure that the main body is rmly attached to the stand.

on either side.

Front view

B C

Appendix

Page 89

5. Connecting the pedal and power cables

6. Attaching the headphone hook (optional)

Pass the pedal cable (extending from the rear of the pedal

board) through the aperture to the front of the main body, and connect to the PEDAL terminal.

Connect the power cable to the AC IN terminal on the

underside of the main body, then pass the cable through the back board aperture, and out to the rear of the instrument.

With the power and pedal cables connected, use the binders

to x the cables in place and tidy their appearance.

A headphone hook is included with the CA99/CA79 digital piano and can be used to hang headphones when not in use.

If desired, attach the headphone hook to the underside of

the main body using the two tapping screws provided.

7. Adjusting the pedal support bolt

Turn the pedal support bolt anti-clockwise, extending the

bolt until it makes contact with the oor and supports the pedals rmly.

When moving the instrument, always adjust or remove the pedal support bolt, then readjust when the instrument is in its new position.

Appendix

Ensure that the pedal cable plug is facing the direction shown and correctly aligned. Applying excessive force when connecting the plug may damage pinsinside the plug.

Page 90

EU DECLARATION OF CONFORMITY

FÖRENKLAD EU-FÖRSÄKRAN OM ÖVERENSSTÄMMELSE

YKSINKERTAISTETTU EU-VAATIMUSTENMUKAISUUSVAKUUTUS

POENOSTAVLJENA IZJAVA EU O SKLADNOSTI

DECLARAȚIA UE DE CONFORMITATE SIMPLIFICATĂ

UPROSZCZONA DEKLARACJA ZGODNOŚCI UE

DECLARAÇÃO UE DE CONFORMIDADE SIMPLIFICADA

VEREENVOUDIGDE EU-CONFORMITEITSVERKLARING

De volledige tekst van de EU-conformiteitsverklaring kan worden geraadpleegd op het volgende internetadres:

EGYSZERŰSÍTETT EU-MEGFELELŐSÉGI NYILATKOZAT

DIKJARAZZJONI SSIMPLIFIKATA TA' KONFORMITÀ TAL-UE

SUPAPRASTINTA ES ATITIKTIES DEKLARACIJA

Aš, Kawai Europa GmbH, patvirtinu, kad radijo įrenginių tipas [ CA99/CA79 ] atitinka Direktyvą 2014/53/ES.

DICHIARAZIONE DI CONFORMITÀ UE SEMPLIFICATA

VIENKĀRŠOTA ES ATBILSTĪBAS DEKLARĀCIJA

DECLARATION UE DE CONFORMITE SIMPLIFIEE

ΑΠΛΟΥΣΤΕΥΜΕΝΗ ΔΗΛΩΣΗ ΣΥΜΜΟΡΦΩΣΗΣ ΕΕ

LIHTSUSTATUD ELI VASTAVUSDEKLARATSIOON

FORENKLET EU-OVERENSSTEMMELSESERKLÆRING

DECLARACIÓN UE DE CONFORMIDAD SIMPLIFICADA

ZJEDNODUŠENÉ EU PROHLÁŠENÍ O SHODĚ

EU Declaration of Conformity

ОПРОСТЕНА ЕС ДЕКЛАРАЦИЯ ЗА СЪОТВЕТСТВИЕ

Appendix

Bulgarian

Spanish

Czech

Danish

German

Estonian

Greek

Englis h

French

Croatian

Italian

Latvian

Lithuanian

Hungarian

Maltese

Dutch

Polish

Portuguese

Romanian

Slovak

Slovenian

Finnis h

Swedish

С настоящото Kawai Europa GmbH декларира, че този тип радиосъоръжение [ CA99/CA79 ] е в съответствие с Директива 2014/53/ЕС. Цялостният текст на ЕС декларацията за съответствие може да се намери на следния интернет адрес:

Por la presente, Kawai Europa GmbH declara que el tipo de equipo radioeléctrico [ CA99/CA79 ] es conforme con la Directiva 2014/53/UE. El texto completo de la declaración UE de conformidad está disponible en la dirección Internet siguiente:

Tímto Kawai Europa GmbH prohlašuje, že typ rádiového zařízení [ CA99/CA79 ] je v souladu se směrnicí 2014/53/EU. Úplné znění EU prohlášení o shodě je k dispozici na této internetové adrese:

Hermed erklærer Kawai Europa GmbH, at radioudstyrstypen [ CA99/CA79 ] er i overensstemmelse med direktiv 2014/53/EU.

EU-overensstemmelseserklæringens fulde tekst kan f indes på følgende internetadresse:

VEREINFACHTE EU-KONFORMITÄTSERKLÄRUNG

Hiermit erklärt Kawai Europa GmbH, dass der Funkanlagentyp [ CA99/CA79 ] der Richtlinie 2014/53/EU entspricht. Der vollständige Text der EU-Konformitätserklärung ist unter der folgenden Internetadresse verfügbar:

Käesolevaga deklareerib Kawai Europa GmbH, et käesolev raadioseadme tüüp [ CA99/CA79 ] vastab direktiivi 2014/53/EL nõuetele.

ELi vastavusdeklaratsiooni täielik tekst on kättesaadav järgmisel internetiaadressil:

Με την παρούσα ο/η Kawai Europa GmbH, δηλώνει ότι ο ραδιοεξοπλισμός [ CA99/CA79 ] πληροί την οδηγία 2014/53/ΕΕ. Το πλήρες κείμενο της δήλωσης συμμόρφωσης ΕΕ διατίθεται στην ακόλουθη ιστοσελίδα στο διαδίκτυο:

SIMPLIFIED EU DECLARATION OF CONFORMITY

Hereby, Kawai Europa GmbH declares that the radio equipment type [ CA99/CA79 ] is in compliance with Directive 2014/53/EU. The full text of the EU declaration of conformity is available at the following internet address:

Le soussigné, Kawai Europa GmbH, déclare que l'équipement radioélectrique du type [ CA99/CA79 ] est conforme à la directive 2014/53/UE. Le texte complet de la déclaration UE de conformité est disponible à l'adresse internet suivante:

POJEDNOSTAVLJENA EU IZJAVA O SUKLADNOSTI

Kawai Europa GmbH ovime izjavljuje da je radijska oprema tipa [ CA99/CA79 ] u skladu s Direktivom 2014/53/EU.

Cjeloviti tekst EU izjave o sukladnosti dostupan je na sljede?oj internetskoj adresi:

Il fabbricante, Kawai Europa GmbH, dichiara che il tipo di apparecchiatura radio [ CA99/CA79 ] è conforme alla direttiva 2014/53/UE. Il testo completo della dichiarazione di conformità UE è disponibile al seguente indirizzo Internet:

Ar šo Kawai Europa GmbH deklarē, ka radioiekārta [ CA99/CA79 ] atbilst Direktīvai 2014/53/ES. Pilns ES atbilstības deklarācijas teksts ir pieejams šādā interneta vietnē:

Visas ES atitikties deklaracijos tekstas prieinamas šiuo interneto adresu:

Kawai Europa GmbH igazolja, hogy a [ CA99/CA79 ] típusú rádióberendezés megfelel a 2014/53/EU irányelvnek. Az EU-megfelelőségi nyilatkozat teljes szövege elérhető a következő internetes címen:

B'dan, Kawai Europa GmbH, niddikjara li dan it-tip ta' tagħmir tar-radju [ CA99/CA79 ] huwa konformi mad-Direttiva 2014/53/UE. It-test kollu tad-dikjarazzjoni ta' konformità tal-UE huwa disponibbli f'dan l-indirizz tal-Internet li ġej:

Hierbij verklaar ik, Kawai Europa GmbH, dat het type radioapparatuur [ CA99/CA79 ] conform is met Richtlijn 2014/53/EU.

Kawai Europa GmbH niniejszym oświadcza, że typ urządzenia radiowego [ CA99/CA79 ] jest zgodny z dyrektywą 2014/53/UE. Pełny tekst deklaracji zgodności UE jest dostępny pod następującym adresem internetowym:

O(a) abaixo assinado(a) Kawai Europa GmbH declara que o presente tipo de equipamento de rádio [ CA99/CA79 ] está em conformidade com a Diretiva 2014/53/UE. O texto integral da declaração de conformidade está disponível no seguinte endereço de Internet:

Prin prezenta, Kawai Europa GmbH declară că tipul de echipamente radio [ CA99/CA79 ] este în conformitate cu Directiva 2014/53/UE. Textul integral al declarației UE de conformitate este disponibil la următoarea adresă internet:

ZJEDNODUŠENÉ EÚ VYHLÁSENIE O ZHODE

Kawai Europa GmbH týmto vyhlasuje, že rádiové zariadenie typu [ CA99/CA79 ] je v súlade so smernicou 2014/53/EÚ. Úplné EÚ vyhlásenie o zhode je k dispozícii na tejto internetovej adrese:

Kawai Europa GmbH potrjuje, da je tip radijske opreme [ CA99/CA79 ] skladen z Direktivo 2014/53/EU.

Celotno besedilo izjave EU o skladnosti je na voljo na naslednjem spletnem naslovu:

Kawai Europa GmbH vakuuttaa, että radiolaitetyyppi [ CA99/CA79 ] on direktiivin 2014/53/EU mukainen.

EU-vaatimustenmukaisuusvakuutuksen täysimittainen teksti on saatavilla seuraavassa internetosoitteessa:

Härmed försäkrar Kawai Europa GmbH att denna typ av radioutrustning [ CA99/CA79 ] överensstämmer med direktiv 2014/53/EU.

Den fullständiga texten till EU-försäkran om överensstämmelse finns på följande webbadress:

https://www.kawai-global.com/

Page 91

Specications

CA99 CA79

Keyboard Grand Feel III (GFIII) action with Let-O, Triple Sensor, and Counterweights

88 wooden keys with Ivory and Ebony Touch key surfaces

Sound Source SK-EX Rendering 88-key multi-channel piano sampling, 88-key resonance modelling

Harmonic Imaging XL 88-key piano sampling

Internal Sounds SK-EX Rendering SK-EX Concert Grand (10 rendering characters)

Harmonic Imaging XL 90 sounds 66 sounds

Keyboard Modes Dual, Split, 4Hands (Volume/Balance adjustable)

Polyphony max. 256 notes (depending on selected sound)

Eects SK-EX Rendering Ambience (10 types)

Harmonic Imaging XL Reverb (6 types), Eects (24 types)

(Chorus x 3, Delay x 3, Tremolo x 3, Auto pan x 2, Phaser x 2, Rotary x 6, Combination x 5)

Virtual Technician

(Depending on sound)

Internal Recorder 10 song, 2 track recorder (approximately 90,000 note memory capacity)

USB Recorder Playback MP3, WAV, SMF, KSO (internal song le)

Record MP3, WAV, Overdub audio, Save as SMF/KSO, Line In & Bluetooth Audio Recording

Metronome 1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, 12/8 + 100 drum rhythms

Internal Songs Demo Songs 39 songs 37 songs

Music 205 or 218 songs  Lesson Songs 578 Songs from Alfred, Burgmüller, Czerny, Beyer, Bach, and Chopin lesson books 

Transpose Key Transpose: -12~+12 semi-tones, Song Transpose: -12~+12 semi-tones

Other Settings

& Functions

Display 5” LCD touchscreen (480 x 800 pixels)

Bluetooth Bluetooth (Ver. 4.1; GATT compatible)

Pedals Grand Feel Pedal System

Speaker System Speakers Soundboard Speaker System

Power Consumption 55 W

Cabinet Key Cover Upright piano type (with Soft Fall system) Sliding type

Dimensions

(Not including music rest)

Weight Standard ﬁnish 83.0 kg / 183 lbs. 76.0 kg / 167 ⁄ lbs.

Speaker / Headphone Tone Control, Wall EQ

Bluetooth Bluetooth MIDI, Bluetooth MIDI Device Name, Bluetooth Audio, Bluetooth Audio Volume USB Memory Format MIDI MIDI Channel, Local On/O, Transmit Program Change, Multi-timbral Mode, Channel Mute User Data Reset Sounds (Favorite/Recent/User), Reset Music (Favorite/Recent/Recorder), Factory Reset System LCD Brightness, Display Scale, Auto Display O, Auto Power O, Startup Screen,

Jacks Audio LINE IN (⁄” STEREO), LINE IN Level, LINE OUT (⁄” L/MONO, R), Headphones x 2 (⁄”, ⁄”),

MIDI / USB MIDI (IN/OUT), USB to Host, USB to Device, USB for UPDATE

Output Power 135 W (45 W x 3) 100 W (50 W x 2)

Music Rest Upright piano type (xed position) Collapsible type (6 angle adjustability)

Ebony Polish ﬁnish 89.0 kg / 196 lbs. 79.0 kg / 174 lbs.

Touch Curve, Voicing, Resonance Depth , Damper Resonance , Damper Noise,

String Resonance , Undamped String Resonance , Cabinet Resonance , Key-o Eect,

Fall-Back Noise, Hammer Noise, Hammer Delay, Topboard, Decay Time, Release Time,

Minimum Touch, Stretch Tuning, Temperament, Temperament Key, Key Volume,

Half-Pedal Adjust, Soft Pedal Depth, Tuning, Damper Hold

10~400 bpm (20~800 bpm for eighth note rhythms)

140 Finger Exercises

(CA99 only), Low Volume Balance, Speaker Volume,

Spatial Headphone Sound, Headphone Type, Headphone Volume, Line In Volume

Startup Settings, Language, Information

Bluetooth Low Energy MIDI Specication compliant, Bluetooth Audio

Damper (with half-pedal support), Soft (with half-pedal support), Sostenuto

13 cm x 2 (woofers)

8 cm x 4 (top speakers, with diuser)

2 cm x 2 (dome tweeters)

1445 (W) x 470 (D) x 1010 (H) mm

57” (W) x 18 ⁄” (D) x 39 ⁄” (H)

(8 x 12) cm x 2 (top speakers, with diuser)

5 cm x 2 (tweeters)

1450 (W) x 470 (D) x 940 (H) mm

57” (W) x 18” (D) x 37” (H)

Appendix

¹ SK-EX Rendering only  Depending on market location Specications are subject to change without notice.  Not SK-EX Rendering  Lesson books sold separately * Availability of Bluetooth function dependent on market location.

Page 92

Page 93

Page 94

Kawai CA79, CA99 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Important Safety Instructions

Introduction

Table of Contents

Part Names and Functions

Opening/Closing the Key Cover

Preparation

Using the Music Rest

Turning on the Power

Adjusting the Volume

Using Headphones

Using Pedals

Part Names and Functions

Home screen structure

Touchscreen Operations

Piano Tab

Piano tab home screen overview

Basic Operation

Piano Editor window

(1) Piano Variation

(2) Virtual Technician

(3) Ambience

(4) Reverb

(5) Tuning

(6) Transpose

(7) Favorite

(8) Menu

Sound Tab

Sound tab home screen overview

Sound Editor

(1) Main Sound

(2) Sub Sound

(3) Virtual Technician (Piano sounds only)

(4) Reverb

(6) Tuning

(7) Transpose

(8) Other sound settings

(9) Favorite

(10) Menu

Music Tab

Music tab home screen overview

Player screen overview

Player screen functions

(1) Player

(2) Lesson

(3) Concert Magic

Using the Metronome

Recorder

(1) Recording

(2) Recorder menu

Virtual Technician

Adjustments & Settings

(1) Touch Curve

(2) Voicing

(3) Resonance Depth

(4) Damper Resonance

(5) Damper Noise

(6) String Resonance

(7) Undamped String Resonance

(8) Cabinet Resonance

(10) Fall-Back Noise

(11) Hammer Noise

(12) Hammer Delay

(13) Topboard

(14) Decay Time

(15) Release Time

(16) Minimum Touch

(17) Stretch Tuning

(18) Temperament

(19) Temperament Key

(20) Key Volume

(21) Half-Pedal Adjust

(22) Soft Pedal Depth

(23) Damper Hold

Settings Menu

Speaker/Headphone

(1) Tone Control