JVC KB-700 Owner's Manual

Thank To read these

use

manual

you

for

pu

rchasing

the

KB-7DO correctly and extend its life, be sure

instruc1:ions

for

future

reference.

JVC's KB-700 Stereo Keyboard.

carefully. After reading, retain this

IMPORTANT

A voltage illustration

plug, check

voltage (120 V,

For areas

to

the

IMPORTANT Mains Supply

Do coded E coloured

If identifications Blue wire Black. Brown

coloured Red.

If

selector

on

page

that

i1:

220

where

the

120 V position.

not

make

any

or

Green.

in

accordance

these

colours

of

to

terminal

in

doubt -consult

is

provided

3. Before connecting

is

set

Vor

voltage

(In

the United Kingdom)

(AC

240 V"v, 50 Hz

connection to

The wires

do

not

your

wire

to

on

to

correspond to your local power

240

V).

is

between 110 V and 127

with following code:

Blue Brown

correspond with

plug,

connect

coded N (Neutral)

terminal coded L (Live) or

a competent electrician.

WARNING

There are high bottom

cover, be

voltages

sure

inside this unit. Before removing the

to

unplug

the

CAUTION

To

prevent

cabinet.

No

user-5erviceable parts inside. Refer servicing

serv ice perso nnel.

electric

shock, do

not

the

rear as shown

the

in

the

mains supply

V,

set

only)

the

Larger Terminal

in

the

mains lead are

to N (Neutral)

to L (Live;

as

mains power supply cord.

remove screws, covers

the

foliows:

or

Black

or

Red

terminal

colQured

to

qualified

to

or

FEATURES

•

Sound

quality Keyboards; this ence

in

and

4 Solo Synthesizer Preset Voices.

• Key Split; this allows the keyboard parts. The melody keys played by

enhanced with the

string and bass accompaniment.

• Faseinating Chord

way a professional sound can patterns, 3 arpeggio patterns, 2 rhythmic accompaniments

or

(piano

• Auto

• Key Transpose lets you transpose any key so

• Compueorder stores

• Ultra Chord adds harmony

•

• Magie Foot switch controls Sustain, Intro

• Stereo Pan Pot Mixer lets you create any acoustic image

•

• Stereo

Rhythm -14

patterns.

in

play ments or vocalists.

to

64

bars

replayed from memory.

right hand.

In

addition effect Tremolo, Orchestral Sustain and Bass Sustain.

Pitch Bending.

with 7 sound giving all

MIC

input terminal allows audio source a microphorie, instrument, a

output

other

equipment and for recording.

is

the

most striking feature

is

a development based

audio. The KB-700 has 12 Orchestral Preset Voioes

to the

the

preset voioes while

automatic

guitar) and string chords.

different rhythms plus 2 Intro & Fill

C - this

controls are provided for Ensemble, Presence,

the

is

convenient for playing

the

in

each of 3 tracks so

to

the

JVC-<leveloped two-speaker stereo effect,

level

controlsand

functions of a recording studio.

tape

deck

terminals are provided for the oonnection

accompaniment

be

achieved with 4 bass line

chord and bass progressions for up

that

to

a melody

5 panoramic potentiometers

the

connection

another

or

a stereo system.

of

JVC Stereo

on

our

long experi-

be divided into

right hand can be

the

left hand provides

is

the

that

with

other

up

to

192 bars can be

fine

played by

& Fill

of

an external

electric musical

two

easiest

you can

instru-

the

In

and

In

to

Note Disconnect

in use.

WARNING: OR

EXPOSE

the

mains

SHOCK

THIS

plug from the supply socket when not

TO PREVENT FIRE

HAZARD, DO

APPLIANCE TO

RAIN OR MOISTURE.

Eftersom denna knappsystem, konsumeras

W)

även

1 stänga av

strömen

om

apparat

POWE

helt

använda det sekundär strömen

liten mängd ström (ungefär

R knappen star pa ON.

och

hallet, drag

För

ut

strömkontakten

NOT

att

CONTENTS

Features Names Preparations Stereo Pan Pot

Key Spllt

Accompaniment Strings and Bass. . . . . . . . . . . . . . .

Orchestral Presets and Solo Synthesizer Presets

Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Auto Fascinating Chord

Ultra Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Key Transpose

Compucorder . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Magic

Connection Terminals and Pitch Controls

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . .

Safety Precautions

Specifications

...............................

of

Sections

................................

Rhythm

Foot

Switch and Expression Pedal

..........................

..............................

Mixer.

......................

.............................

. . . . . . . . . . . . . . . . . . . . . .

.............................

.......................

..........................

.......

, .

, . . . .

............

.........

" 1

..

.. .. .. ..

"

.. ..

2 3 4 5 5 6 7 8

9 11 12 13 15 16 17 17 18

-1-

NAMES

r

0

OF

SECTIONS

~~

U

4~ 4~ 0 4~

4>

4~

~~

Control panel

U

~~

(

o 4

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KB-700

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..., .., ..., ..

Side panel

o Bass Variation selectors (see pages 9 - 10)

To

seleet

the

automatie

..

Compucorder (pages To store

@)

Key Split mode selector (page This seleets ment dotted

o Key Transpose

This

• Accompaniment To

ment

accompaniment

the

and right

lines

the

is

used

to

transpose

seleet piano

rhythmie

keys alloeated for

hand

key

switch

ehords.

G Arpeggio Variation selector (pages 9 - 10)

To seleet

• Fascinating Chord mode selectors (pages 9 10) To

seleet

the

automatie

the

automatie

G Chord Memory switch (pages 9 - 10)

To

eontinue

fingers are removed from

CI)

Beat Conductor (page

LEDs whieh

•

Auto

Rhythm This section ineludes Start & Stop

& Fill

lower seleetor for selecting one

• Stereo Pan Pot Mixer (page This section eonsists

of

level

48

Stereo Pan Pots (page

Five

potentiometers

position

• Magic

Foot

To select

the

show

controls

switeh,

In

switeh,

eaeh

of

the

of

the

acoustic image.

selector (page 15)

the

function

aeeompaniment bass patterns,

13

- 14) ehords and bass lines

5) the

left hand accompani-

melody. LEDs indieate the mode and

split position.

(page 12)

from any key

tone

selector (pages 9 - 10)

or

guitar

tone

aeeompaniment arpeggio pattern.

aecompaniment mode.

automatie aeeompaniment after

the

keyboard.

8)

the

tempo and beat

(page

8)

the

Rhythm Tempo slide eontrol,

the

Synehro Start switeh,

the

7 rhythm seleetors and

4)

of

7 slide controls

keyboard's seven sounds.

4) under

the

of

the

foot

to

the

key of C.

for automatie accompani-

of

the

rhythm.

of

fourteen rhythms.

to

adjust

plastic cover adjust

switeh,

11

.

:6"

,.

~l

~~,~,~,~,~,~,~

~ ~

....

,'.

1~~~

:;;:;::..

. ~..

~..

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':~t:Q::

1

~~:'"

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,,.,

s ..... >

"_tA

"iililli

~s.

.~.

....:,

~--:

~

~~""'-l

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I::·.~

...

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:c

.:~~.

~:L

"

,

~~

0

"

~~ij

E~1§:::~:.:·"'·

I

~ ~

inil

~~,;..~':.

~

i~loi

..

ft"

,.""',"'"

~

...

Rear panel

CD

Presence Control (page 7) To regulate the stereo and ensemble effeets .

.,

in

memory.

the

Intro

upper/

sound

the

Sustain control - Bass (page 7) To adjust

.,

Sustain control - Orchestral (page To

• Ultra Chord mode selector (page 11) Two types

melody.

I)

Stereo/Ensemble selector (page 7) The Ensemble effeet gives a softer, richer

6\)

Tremolo switch (page The Tremolo effeet can and Jazz Organ voices.

Ci)

Solo SynthesizErr Preset voices (page One

selectors and Solo Keying and Solo Caneel switehes are also provided this seetion.

• Orchestral Preset voices (page

One and the upper/lower seleetor.

• Total Volume control (page 3) To adjust

• Power switch (page The

• Microphone

.,

Microphone Volume control (page 16)

..

Solo Pitch control (page 16)

.,

Main Pitch control (page 16)

GI

Foot

..

Power supply section (page 3)

the

time

the

bass

is

sustained.

7)

adjust

the

time

the

Orchestral Presets are sustained.

of

harmony ean aecompany

7)

be

used

to

6)

of

tour

voices ean be seleeted using

the

upperflower selector.

of

twelve voices can be selected using six voiee seleetors

the

overall volume.

LED

lights when

switch terminal (page 15)

3) the

Inputjack

6)

power

(page 16)

is

on.

e Headphone jack (page 16)

• Stereo Auxiliary

• Expression pedal terminal (page

Output

terminals (page 16)

15)

CJ·

'~

:::

~

;;.~;;~

H"Mii6"9"e

~

':;;:,::

:O:i

..

the

tone.

enhanee

the

!I

-

~

&

-

right-hand

the

Organ

two

voiee

rr

in

2-

PREPARATIONS

1 Power can

be

supplied

to

the

KB-700

Mains supply

Be

sure

that

the

•

voltage selector

is

set correctly.

Insert a screwdriver into the slot and move

that

the "IMPORTANT"

(See

• The connected

voltage

AC

in

your area

on

page

is

displayed

1)

STAND·BY lamp lights when the power cord

to

an

AC

mains socket.

in

any

of

Power cord

in

the

three

(provided)

the

switch so

selector.

ways; from

is

AC

mains, from a 12 V car battery

or

from eight R20 batteries.

p

Car

Adaptor

CN·332

(optional)

Batteries

the

• To insert batteries, turn battery compartment and insert eight R20 batteries.

•

If

the power indicator flickers when no sound produced, it indicates hausted;

in

this condition,

achieve its full potential.

•

When

the KB-700

it

is

used with mains power supply. remove the batteries

prevent damage due

is

to

KB·700 upside down, open

that

the batteries are almost ex-

the

KB-700 will

not

to

be used 10r a long time or when

corrosion.

be

is

being

unable

the

to

Car

battery

.

• To avoid trouble CN-332 adaptor.

up

the

2 Setting

Flip up

the

this serves as

music stand

transparent board covering the control panel;

the

music stand.

due

to

incorrect polarity, use the specified

00

not press it

too

far back.

on

the

3 Switch

Press the front of the

power

POWER

switch and adjust the overall volume with the TOTAL VOLUME contro!. Slide up crease the volume and down

Press the front of

the

LED

will light.

the

• Adjust the overall volume

the

KB-700 and equiprnent connected terminals. When the KB-700 tem, the TOTAL VOLUME

to

its mid

be set

point

to

decrease.

POWE R button

to

switch on

to

avoid distorted sound fram

is

connected

contraI of

the KB-700 should

the

to

the

to

a stereo sys-

and the volume controlled from the

stereo system.

.dlilill.

TOTAL

VOLUh1l€

f'OW€A

to

power;

output

..

c::::I

in-

-3-

STEREO PAN POT MIXER

This consists

The

Mixer

use

the

volume.

AUTO

RHVfHM BASS

These sound

paniment orchestral Their

Slide

to

Mixers

of

seven

control

systems:

arrangement

up

decrease.

controls

TOT

AL

mixer slide controls and five panoramic potentiometers under

the

volumes

auto

chord,

arpeggio, accompaniment strings,

presets and solo presets. orchestral presets (excluding String Ensemble) and

can be seen at a glance.

each control

should be used

VOLUME control

STEREO

ACCOMP

PAN POT

ARPEGGiO

of

each

of

the

KB-700's Pan Pots These adjust

rhythm, bass, rhythmic accom-

to

increase

ACCOMP $TRINGS

to

MIXER

the

adjust

CRCrlES-

TRAl

level

the

SYNTHE

sm.o

and down

balance;

overall

Turn clockwise counterclockwise

the

plastic cover.

the

balance rhythmic accompaniment chords and arpeggios, accompaniment strings and orchestral preset strings,

solo synthesizer presets and microphone - between the

left and right channels.

to

move

to

move

STEREO

. .

o " 0

c

.

BASS

o 0

o

I H (

O

"

. . . . . .

·

0

.

0

STR!NGS

the

PA~

sound

POT

..

f.l

of

various voices bass,

to

the

right and

to

the

left.

50;'0

SYNTHE

'"

M1C

.

O·..0"

I H \ ;:l

Ot<:CI1ESTRAl

4-

KEY SPLIT .

The 61-key With

the

right hand

keyboard

spinet-type electron

f-----.

~

cce>

of

the

KB-700 can be divided

playing

ic

organ.

the

1.--+i---48111

J

melody and

Press

the

NORMAL button_

• This makes sure paniment mode pages 9 Press

p""ed

I

rULLI

m

10

the

KEY

th,

mOd"h",

The Key Split 61

keys can be used for melody.

The

keysfrom

above

wi

to

dotted

(up

The keys from above will be

to

dotted

(up

in

two

ways

left

the

that

the

is

engaged,

for details.

SPLIT

is

bottom C to

11

be

the

line

bottom C to the

line

into

lett and right sections, each

accompaniment, this allows

automatie

button

..

in

th,

disengaged and

accompaniment mode

the

left

of

the

to

select

the

"qu'noe

the

F#

one octave

split keyboard will produce a different

desired key split mode. Each

F

UL

L,

full

accompaniment keys

[TI).

Accompaniment

8 onll octave

accompaniment keys

~).

the

" 2;

thi,

of

wh

ich can have different tones.

KB-700

\.~-~

to

be used as a two-keyboard

is

released.

i,

indi''''d

::::::~~~~~'j-"

keys

If

an automatie accom-

time

the

by

th,

",hting

Melody

keys

tone.

button

0'

LE D"

See

is

Tones available melody keys

from

: Orchestral preset voices, Solo syn-

thesizer preset voices. (For details, see page

6.1

ACCOMPANIMENT STRINGS AND BASS

Two voices can be used response.

Strings

With the Fascinating Chord switched off, this produces 8 notes; up

to

4 notes.

with

qo.jl'!H~

the

1l;;fO

with

the

accompaniment keys. Adjust

Fascinating Chord switehed

STEREO

PAN POT

MIXER

.o.CCOIAP

SASS

AceO,",p

ARPEGG)O

ST"lINGS

ORC>-tES

"AAL

on,

$01.0

Sl'''ITHE.

up

to

it produees

Accompaniment

Tones available

from

accompaniment keys

the

respective STEREO

Bass

This

is

monophonie; only

key pressed will be produced.

AUTO "';::COM1"

RH'(T>l\A

keys

: Strings, bass (For details, see below.)

PAN

POT MIXER controls for

the

note eorresponding

"'·"·"'0'4"13,,'"

SASS

AeCOM?

"'APEGGlO

S"tAINGS

DReHES

Ha_L

SOLO

S'l'''-THf.

the

to

required

the

lowest

-5

ORCHESTRAL

The

melody

same

time.

keys

can

PRESETS AND SOLO SYNTHESIZER'PRESETS '

be

used

to

produce either

one

Orchestral Preset voice and one Solo synthesizer preset voice

ORCHESTRAL PRESETS These voices are more

than

eight keys are pressed simultaneously,

polyphonie

and can produce up

duced.) Twelve preset voices can be selected

the

right.

on

the

The voices are as listed with

selector

with

the

six selectors and

in

its

in

( ~ ) and

to

eight notes

the

eight highest notes will

the

out ( ...

or

both

at

one

time. (When

upper/lower

) positions.

at

the

be

pro-

selector

DRC;.;fS'RAl

;'i&i'''UE'

PRESETS

SOLO

SVNTI'lE

ISTRING : ENSEMBLE

ITR~MBONE

PIANO

ELECTRIC

PIANO

i

Use

the

ORCHESTRAL slide control of

relative

sound

level

I

ORGAN!

I

JAZZ

ORGAN!

i

of

the

Orchestral Preset voice.

HARPSI-

CHORD

!

HAWAIIAN

GUITAR

the

TRUMPET

CLARINET

STEREO

PAN

SOLO SYNTHESIZER PRESETS These voices are

one

is

heard.

Four preset voices can

TRUMPET

FLUTE

PAN

on

selector

monophonie

the

right.

SYNTHESIZER

and,

be selected with

GUITAR

TONE

when more

the

two voice selectors and

Upper

•

Lower

than

one

---

SOLO CANCEL

SOLO KEYING

When this cancelled and the Since est

playing with

is

produced. Solo Keying prevents this; when it

highest note pressed by keys pressed by

is

pressed,

is

the

not

produced. Pressing this

voice.

the

Solo Synthesizer Presets are

note pressed

both

is

produced.

hands,

the

left hand are

selected Solo Synthesizer Preset voice

If

the

highest note played by

left hand

not

is

changed.

VIBRA-

PHONE

JA

FLUTEd

POT MIXER

key

is

pressed, only

button

monophonie,

right hand

not

produced

Upper I

.!

! i

ZZ

i Lower '

to

adjust

the

upper/lower

again reactivates

only

the

high-

is

removed when

the

left hand

is

pressed,

as long as

the

top

is

the the

Use

the

SOLO SYNTHE slide control

relative sound

level

of

the

Solo Synthesizer Preset voice.

6-

the

STEREO

PAN

POT MIXER

to

adjust

the

EFFEC1S

PI'II;SENCE

CON"I'AOl

....

STEREO

.-..

ENSEMSLE

~----'-,

-5IJSt,olIN-

SASS

fRE.MOLe

Ol'lCHES1RAl

ORCHESTRAL

susrAIN

STEREO When

the

STEREO/ENSEMBLE

button

is

in

its

KB-100 produces

The

expansion and

the

stereo

effect can be

trolled by

the

PRESENCE

CONTROL slider.

ENSEMBLE

the

Press button sound

STEREO/EMSEMBLE

to

produce

of

many instruments playing together. this

effect

can also be

by

the

PRESENCE

slider.

out

position,

stereo

depth

the

The

CONTROL

the

sound.

of

con-

rich

depth

of

controlled

PRF:SfNCE

CONr~

SlEi"EO

ENSE~alf

SASS

ORCHESTRAL

TREMOLO ORCHES7RAl..

SUST"'IN

TREMOLO

button

JAZZ

gives

ORGAN

Pressing this

ORGAN

and

ORCHESTRALPRESETSa

tremoloeffect,

which can

be achieved electronically.

the

now

___

S,f!A€O

lREUOlO

OI'lCHfS"'QAl

..-.

ENSEUSl€

~ESENCE

CONHWl

~

...

STEREO

___

ENse"'SlE

SUSTAIN

-sus"'"~~

GASS

OFICHI

SfRAL

r

-.

, ,

'~':~i

. ,

:.

I" , I

I

~.;

.

,

..

"

, ,,

, ,

,

n

~

lo

... ~...

o

ORCHESTRAL

TRE~

SvSTAIN

ORCHESTRAL SUSTAIN

With susta in, be given Each Orchestral Preset voice has a sustain ORCHESTRAL SUSTAIN these

trol

up

sound

to

the

Orchestral Presets.

predetermined

to

lengthen

continues even

button

and

sustain times. (Press

the

sustain

time

and

after

the

key

is

released

that

makes as close as possible

and

SUSTAIN-ORCHESTRAL slide

the

button

to

activate

down

to

shorten

it.)

fades gradually. This

to

the

natural

the

control

function

can be used

and move

effect

sound;

the

can only

the

to

vary

slide con-

:

I

,

Original sustain time

of

Orches-

tral Preset Voice Press

To

vary

the

sustain

before starting

switch over

to

the

time

tune

and

new

sustain time.

in

the

press

middle

of a tune,

the

ORCHESTRAL SUSTAIN

preset

the

new sustain time

button

in

the

with

the

middle

slide

of

the

control tune

to

BASS SUSTAIN Slide

to

adjust

the

bass sustain time.

-1-

AUTORHYTHM

With

the

KB·700,

the

rhythmic effeets use

BEAT

[

• C C

CONOUCTORJ

' 2 3 4

RHYTHM

TEMPO

Cl

$YNCHRO

S,ART

both

the

left and right ehannels

AUTO ACCOMP ORCHES- SOLO

RHVTHM

BASS

STEREO

ACCOMP

to

obtain

the

PAN

POT

MIXER

ARPEGGIO STRINGS

required results.

TRAl

SYNTH€

• Seleet one of

14

rhythms using

upper/lower seleetor

..

Use

the

AUTO RHYTHM slide eontrol

quired relative volume

•

Start

the

rhythm

® START &

Press

to

@ INTRO &

Press this rhythm

When this aeeompaniment

WALTZ

POLKA/MARCH I RHUMBA

by pressing one

STOP

start

anormal

FILL

IN

for

Intro & Fill

starts from

START

is

pressed, normal rhythm starts when

key

SAMBA

the

seven seleetors and the

on

the

right .

to

obtain

of

the

rhythm instruments.

of

buttons A, B

or

rhythmie aeeompaniment.

In

for

the

first bar; normal

the

seeond bar. (See item

is

pressed.

BOSSANOVA DISCO ROCK I

TANGO

Cf))

ROCK'N'ROLL

the

C.

the

re·

first

ROCK

o

Use

the

RHYTHM TEMPO slide eontrol

tempo.

Slide up

to

speed

up The tempo and beat are indieated by TOR LEDs.

Cf)

Use

the varies effeetive

..

To

INTRO & FILL

the

rhythm

in

the

stop

the

image

introduetion or between ehoruses.

rhythm, press

of

IN

the

1

REGGAE SWING

SLOW ROCK

II

SHUFFLE

i

and down

button

to

slow down.

the

BEAT CONDUC·

to

vary

bar being played and

START & STOP

Upper

.....

Lower

..JIIIL.

to

adjust

the

rhythm; it

button.

is

the

most

8-

FASCINATING CHORD , - _

This

is

a JVC original

III

NQRMAL

automatie

ONE

FINGER

accompaniment

~

MUlJI

CHORO

FINGER MEMORY

technique

Press

either

mode.

NORMAL ONE FINGER Chords are MULTI FING

Fascinating Chord with

the

using

the

NORMAL, ONE FINGER

The

ER

Select this position

is

KEY SPLIT

the

latest

automatic

used

together

button

computer

aceompaniment

produeed

(See page 5).

by playing

to

play ehords with

with

the

teehnology.

or

MULTI-FINGER

is

disengaged.

with

just

the

Split Key funetion; select Split Key 1 or 2

one

finger

left hand.

button

of

to

seleet

the

left hand.

the

FASCINATONG

o

10

t::::J

1 2 3 AUTO

r--...

8A

c:::J

•.

.....5 5..

VAlIlAT.'

g00

Aeeo","

...

",ANO

.-.GUlTAR

ARPEGGIO

\JARl

eHORD

•..O•..

N

0

the

The Fascinating Chord produees

sound

level of each

control.

slide

• Bass Four

VARI

...

'...

:

• Rhythmic

• Arpeggio

•

The

Rhythm Up to

octave (if

bass line BASS VARIATION 1 Basic 2 - Variation 3 - Walking bass AUTO VARI Use

the

BASS slide

These can have (ACCOMP PIANO/GUITAR) control.

Three arpeggio the Accompaniment This provided a ACCOMP. STRINGS slide contro!.

rhythmie

accompaniment

required

is

started.

four

notes can be used for

different

is

adjusted with

patterns

pattern

of

patterns

pattern

accompaniment

Cs

are provided

buttons.

basic

pattern

three

bars

control

two

tones,

are provided.

and

the

strings

continuous

are pressed,

of

to

chords

piano or guitar; select with

ARPEGGIO slide control

following

the

for

pattern

adjust

string accompaniment; adjust

chords and arpeggios are

1,

the

and

adjust

Use

accompaniement

the

same C pitch will produced).

four

types of accompaniment;

corresponding STEREO PAN POT MIXER

eaeh

rhythm.

then

one bar

sound

level.

the

ARPEGG 10 VAR I. switch

Select

of

volume

to

not

strings and

one

of

these with

pattern

with

adjust

2.

the

upper/lower selector

the

ACCOMP. slide

the

volume.

the

volume with

output

the

bass

until

is

the

to

select

the

Auto

within one

NOFU"AL

FASCINATING

FINGER

ONE MUl1: CHORO

F!NGEFI

MEMORY

CHORO

CHORD MEMORY

When this paniment

button

is

keys have been released.

-9-

pressed,

the

automatie

accompaniment

continues after

the

accom-

Procedures

For

people

who

cannot play left-hand chords.

For people

who

can

play left-hand chords.

Play one

Press ONE

of

the

FINGER

left

accompaniment keys.

MAJOR

the C major

as

MINOR Press with left

SEVENTHS:

Press with to

Press

50

harmony)

shown

of

the

CHOROS:

one

of

in

CHOROS:

the C key

any black

it.

the C key

any

other

left

of

button.

Seleet Key

Select a

Example: C [llajor

the

C keys and

chord

(Oo-Mi-

is

produced,

the

figure.

Example: C Minor

together

key

to

Example:

together

white

it.

the

key

(See

C7

Split

rhythm

Note.)

mode 1

and start

,---J\..

~

.

Press

MULTI

or

2.

(See

page

5.)

it.

(See

page

B.)

With

the

left-hand finger(s) pressing the key(s), adjust the sound levels using

the

corresponding slide controls

. STEREO PAN POT

Seleet the required

the

rhythmic

CHORD

your

left-hand finger(s): The

until

I

'-----~-

I

tern and

Press

. release

continues paniment key.

I

FINGER

of

button.

the accomoanying tones

MIXER.

bass

pattern, arpeggio pat-

accompaniment tone.

MEMORY

button.

you

Now

same

of

you

chord

the

can

MINOR Press with

aoy

(all

SEVENTHS:

the

C key together

any

black

white

key

three

keys together)

key

to

and

the

Example:

left

Notes The figure below shows the one-finger chords (majors) produced

0;;

M.

~ ~ ~

..

,,'

by

each accompaniment key.

KEY

5PLlT~

KEY

SPLIT

[]

M, ;;; S;;

s.'

L.

""

S,

.,

Si

..

,:~

0;;

Mi

'

..

":

0;;

,,"

~

M,

So"

~

____

"

u

~

&;'

s;

.,

-J>I

Si'

.,'

F,'

Cm7

Playa

with

To

press

Inthe

Fascinating Chord

melody

the

left

with

hand.

right hand. changing chords

stop theautornatic accompaniment and

the

Auto

Rhythm

START

& STOP

MULTI-FINGER

mode,theKB-700's

rhythm,

button.

microcomputer can distinguish and play nine chords in every

are

key. Chords ether than these nine basic chords into

one

of

them,

(See

page

14.)

of

Example (in the key

C)

Cm

...

~~

..

.

converted

10

UcrRACHORD

.

When Key Split

to

according

• Ultra Chord Use

the

CLOSED Tight

the

ULTRA

giving a

mode 1 or 2 is chord

chosen with

only

functions

CHO

RD switch (CLOSED!OFF!OPEN)

harmony

piano

or

activated, ULTRA CHORD can be used

the

accompaniment keys .

in

the

Key Split modes. 1

within

organ effect .

one

• •

octave

is

produced

or

2.

to

activate and select

OPEN A wide harmony covering more

to

add harmony

the

mode.

produced giving a big band sound.

to

a melody played with

the

than

right hand,

an octave

is

r---

CLOSED

OFF

OPEN

---

--_.-

•

Melody

keys

o

11

-

KEY TRANSPOSE '

This that

Press

function

in

the

which

KEY

makes

the

it possible

piece

is

TRANSPOSE

to

transpose

written; by transposing

button,

and while keeping this depressed, press

the

key

of

any piece; this

to

the key of C,

is

convenient when

you

can also avoid playing

the

note which

the

vocalist sings

so,

many black notes.

is

to

be moved

in

a different key from

to

C.

Example in

the

you

want

have

two

J

u

1:

key

to

sharps)

ABC

If

you

of D O.e.

playa

wit:hout

Original

want

to

sing a song written

one

tone

higher'th.an

tune

written

DEFGABC

key

in

D major or B minor (which

playing so many black keys".

{C

majorlA minorl

•

in

the

musicl, or when

key of C

Example

in

the

you

want

have

two

j

l)

2:

key

of

to

flats)

ABC

If

you

Bb

playa

without

want

(i .e. one

tune

written playing

0 E F

Original

to sing a song written

tone

lower

than

the

in

Bb

major or G minor (wh ich

so

many black keys*.

GAB

key

(C

major/A

minor)

•

in

the

key

of

music), or when

C

Press

KEY

TRANSPOSE

'"

1'R,r.NsPOSE

•

The

red

LEO

above

the

indicating

(* I n

the

3 To shift back

• When G, keyboard will produce no sound note

that

the

latter cases you may have

to

G#,

A, A #

of

the

original keyboard.

KEY

operation

the

original key, press

er B is

and 0 simultaneously.

TRANSPOSE

has

been

to

transposed

button

performed.

rewrite

the

KEY

to

in

FULL Key Split mode because

will

light

m usic)

TRANSPOSE

C,

the

keys produce notes lower

on

its own;

the

Press

KEY

TRANSPOSE

and

•

The

red LEO above

indicating

the

that

LED

will

than

KB·700 cannot produce notes lower

the

KEY

the

operation

go

out.

the original; some

TRANSPOSE

has

been

of

the

Sb

simultaneously.

button

performed,

keys

on

than

the

C2,

will

the

left

light

of

lowest

the

-12-

COMPUCORDER

..

. .

-"

When used tunes Once a melody. The can

For recording,

iO

together

to

be

stored

tune's

chords and bass

be

va

ried

To

Select ONE the

Fascinating Chord. (See page 9)

Press

the recorded. track

with

(RECORDed)

rhythmic

to

produce

it

is

record

the

CHORD

(The LEDs above

SELECTOR

(The

lights.l

accompaniment

patterns

any required effect.

either

chords

FI

NGER

1/2/3

LED corresponding

the

Fascinating Chord and

and

reproduced (REPLAYed).

is

stored

are stored

possible

and

or

RECORD

LEDs will

button

in

memory so

to

store chords and basses simultaneously or separately:

bass simultaneously

MULTI FINGER mode of

and

BASS RECORD

them

and

to

select

the

to

one

track

the

Auto

in

memory,

that

of

to

selected

Rhythm,

the

be

to

play back

rhythm,

the

Compucorder allows

the

complete

rhythm

(

~--------------------

tempo,

Recording chords

o

Stop

arpeggio, melody voices, effects and volumes

To

record the chords, then the bass )

the

rhythm.

8 Select a Fascinating Chord mode. (See 8

the

Press

o Select

0se

..

[

o

....

CHORD RECORD

the

track

lect

the

to

the

left)

the

accompaniments for up

tune,

all

that

to

be recorded.

accompaniment

V

is

necessary is.to play

to

button.

(See"

tone

and

to

the left)

rhythm.

the

to

left)

three

(See

the

Select

the

accompaniment GUIT AR) their sound level using

MIXER slide

Press

V ARI)

,

Start

'

Playing"

8 recor.

the

r

Cl)

To

(The LEDs will

'---

..

_----------------------'

• With

two

chords

bars, When

the

RECORD LEDs although To record more

play

them

page.

and

one

of

buttons

the

rhythm

belowl.

ded

and,

BASS VARIATION select buttons.

stop

recording, press

chords per bar',

plus bass,

the

recordi

the

accompaniment

back

tone

(ACCOMP. PIANO/

rhythm

controls.

the

to

if required, vary

turn

ng

than

one

(AUTO RHYTHMI and adjust

the

STEREO PAN POT

BASS VARIATION

select

the

bass

pattern.

to start recording. (See "Hints On

Play

the

chord progression

the

bass

the

START & STOP

off.)

it

is

on

each track.

capacity

turn

64

bars,

after

the

possible

of

off and no more

can still

use

other

to

a track has been reached,

be

heard.

more

than

as described on

(1/2/3/AUTO

to

be

pattern

record up

one

using

button.

is

recorded

track

the

to

and

Start

the

rhythm

Ci)

Playing" below)

the

Play

chord progression

8 After recording all

STOP

button.

Recording bass

the

to

the

BASS

to

left)

the

be used

o

Press

pattern

•

Starting

o has been recorded, at

bass.

Listening

• BASS VARIATION (1/2!3/AUTO VARI) buttons every time a change

(D

When

LED

to

all the recorded chords have been replayed,

above the BASS RECORD

to

start recording. (See "Hints On

to

be recorded.

the

chords, press

RECORD

rhythm starts replaying the. chords

the

replayed chords, press one

button

in

the beginning

the

same time recording

in

bass pattern

and select

of

is

required.

button

the

START &

the

the tune. (See

of

goes

off.

bass

that

the

V···

-13

4&

-

To

stop

recording, press

(The LEDs will

turn

off.)

the

START & STOP

button.

To

repla y

the

C

~--------------------

rhythm.

Press

the

REPLAY

one

of

the

SE

the

Press replayed.

Select GUITAR), voices (ORCHESTRAL PRESETS, SOLO SYNTHE

PRESETS) "Since

bass, replaying.

r---------------

Start the

.,

Play board SPLIT

SE LECTO R

(The

the

what

other

the

selected

the

melody can mode).

rhythm.

accompaniment

to

recorded chords and bass )

button.

LECTO R's

corresponding

rhythm

(AUTO RHYTHM) and preset

be used.

is

actually recorded are

elements can

1/2/3

button

(The

LED

LEDs will light.)

to

select

the

LED

lights.)

tone

(ACCOMP. PIANO/

the

be

freely selected when

V

The accompaniment recorded

track

will be replayed repeatedly.

to

the

accompailiment.

now

be used for melody (FULL

above it and

track

to

chords and

All

the

key-

KEY

be

in

c::::I

I 2 3

c::::I

~c:::J

000

CHORD BASS SELECTOR

-AECORO-

Cl]I':1PUC~

To

insert

the

Compucorder's replay into

formance (to start Compucorder's replay

I

of

a tune)

1 Follow items 2 Press

above goes off.

3

Start

corder.

4 At

the

replayed by Compucorder, press

The

LED

5 When you want

by Compucorder, press

The

LED

but

the

If you want

START & STOP

0 , • and •

the

REPLAY

the

rhythm and start playing without Compu-

point you want

above lights qtld

to

finish

above goes

rhythm

continues.

to

finish

button:

to

button

again so

to

start

the

accompaniment starts.

theaccompaniment

the

REPLAY

off,

the

performance

The rhythm also

0

REF'LAY

,

apart

of

aper-

in

the

middle

the

left.

that

the

LED

the

accompaniment

the

REP LAY

accompaniment stops

button

then,

button:

replayed

again:

press

the

I

To

stop

replaying, press

To

disengage Compucorder, press

ton

so

that

the

LED

• While

• When

[:-

, ,

the

recording

melody

mode be microcomputer recorded chords chords (majors, minors, sevenths, minor sevenths, augmented, suspended fourths, minor diminished fifths, minor sevenths diminished fifths, major seventhsl them

2.

3. If

can

be

pJayed on

the

recording has been made

of

the

Fascinating Chord, some replayed chords may

different

HINT

. It

then

If button cording can be started when one of

ment

of leased.

from

those played originally; this

into one

is

the

of

these nine basic chords. (See page 10)

ON

PLAYING

easier

if

the

playing it back

rhythm

keys

CHORD MEMORY

same chord continues even after

is

instead of

is

pressed.

started using

the

START & STOP

above it goes off.

is

made

in

a Key Split mode

the

full keyboard (FULL) .

-------------,

recording

the

is

done

at

the

faster, required, tempo.

START & STOP

button

the

REPLAY but-

in

the

MULTI-F,INTER

is

other

than

the

by.

at

a slower

the

SYNCHRO START

button,

the

accompani-

is

pressed, recording

the

button.

(1

because

nine basic

converting

tempo,

key

is

or

re-

21.

the

To replay a recorded

If

the track, replayed from 3 1 from one track

tune

on

more

SE

LECTO R

the

replay

..

.). Using this function, it

with more

than

button

of

the

beginning (in

to

the

+

64

than

64

bars which has been

one track.

is

pressed while replaying a

track stops and

192 bars) continuously .

the

order track 1 -

is

possible

thus

to

next track

play its full

to

is

2.-

skip

14 -

MAGie

FOOT

SWITCH AND EXPRESSION PEDAL

MAGie

By

eonneeting

eontrolled

be FILL

\

FOOT

IN)

selector.

MIC

LN

~

the

by

foot

foot.

VOl

©

switeh provided

The

function

M'C

SOLO

PITCH

eontrolled

® ©

2 SEND

This allows the piteh by

half a

tone; venient effeet This Synthesizer Preset voiee

ton,

when

of

is

usually used

pressing

it works

produeed

a Hawaiian guitar.

the

by

to

the

FOOT

SW

terminal

by

the

foot

MA,N

PITCH

FOOT

sw

~I

to

be lowered

it

is

partieularly eon-

used

to

give a gliding

with

the

Solo

but,

SOLO CANCEL but-

with

all

the

tones

the

KB-700.

on

the

switeh depends

SUSTAIN SEND FILL IN

by

side panel,

on

the

setting

Cl

CJ

Sustain,

of

the

Piteh Bending

MAGIC FOOT (SUSTAIN/BEND/

or

Intro &

Filiin

1 SUSTAIN

The

foot

switeh has

tion

as

the

TAIN funetion with the

ORCHESTRAL SUSTAIN

should be switehed off.

INTRO & FILL

3

The

tion ton. the

middle with

button.

foot

switeh has

as

the

INTRO &

Press

the

Intro & Fill

of a tune

the

Intro & Fill In

the

same fune-

ORCHESTRAL SUS-

When using

foot

switeh,

IN

the

same fune-

FILL

foot

switeh

to

In

rhythm

or

to

start a

rhythm.

can

this

the

button

IN but-

insert

in

the

tune

EXPRESSION

Sy

eonneeting

by

foot.

The

volume inereases

• Use

the

KX-1

PEDAL

the

optional

or

KX-2 Expression Pedal.

HEAD AUX OUT

PHONE

Expression Pedal

or

deereases aeeording

R L

to

the

EXP PEDAL terminal

the

amount

by whieh

on

the

Expression Pedal

rear panel,

is

depressed.

the

overall volume

ean

be eontrolled

-15

-

CONNECTION

TERMINAL AND PITCH CONTROLS

HEADPHONE By

Q

AUX OUT

Connect the the

PHONE terminal.

Stereo system

to

the

input terminals

better

tone

provided

KB·700's speakers, insert a headphone plug (or Shorting plug, etc.) into

by

the

connecting stereo headphones you can enjoy private

listening

of

a stereo system, etc. for recording

stereo system's speakers. To cut off

wh

ich

Connection

(stereo (Extension

will not disturb

cord CN-160

phono

plugs stereo

cord:

CN·163)

other

or the

phono

people.

to

listen with

sound from

the

HEAD-

plugs)

•t I

~1I1JC]J:::.t>

•

If

the

output

volume

TOTAL VOLUME control

i

of

Connection

c~~'~o

C~:~~on,'-g-U-ita-r-a-'mp,

CN·132 + AP·l00

the

KB-700

to

about

"d~

""~t"'OO.

etc.

(Plug

Adaptor)

is

too

high, sound from

the

mid-point and control

FOOT

SW

the

connected equipment may

the

volume with

'--

(stereo

Plug (mono

VICTRON G series: VICTRON M series:

(The volume of

with

the

SOLO PITCH

Use

this

to

Presets. MAIN

PITCH

Use

this

to

Synthesizer Presets.

_________

With

both

Turn clockwise

to

lower the pitch.

cord

phono

Adaptor

mini

Victron's Expression Pedal)

volume control

adjust the overall pitch

adjust

controls, the standard pitch

CN-132

plugs

mono

miniplugl

Ap·l00

plug -mono

the

be

the

to

raise the pitch and counterclockwise

phone plug)

to

AUX

IN

to

EXP

IN

jack

KB·700 can

distorted. To prevent this, set

pitch of voices other than Solo

~

be

of

the

connected equipment.

of

.....

___

~

_______

jack

controlled

Solo Synthesizer

is

A = 442

the

....J

Hz.

MIC IN

Connect VOL contro!.

_ _

..

-111111

the

••

monaural input from a microphone,

With a microphone: The KB-700's various effects (Ensemble, Presence Control,

etc.) can

With an electric guitar, synthesizer, etc.: The KB·700 can be used

tional stereo effects.

With

the

['!!3

I,

I

tape deck, stereo system, etc.: Playback

speakers. This lets you play musicians. multi-track recordings.

other

electric instrument, etc. Adjust

be

used

to

enhance vocals.

By

recording this performance you can make

-16

-

the

level

with the

to

give addi-

is

through

or

sing atong with professional

the

KB-700's

MIC

TROUBLES

HOOTING

What seems

.

SOLO

ße

The

.

cannot The

stops

r---~----

The

Bass

._F_I_N_G_E_R_m_o::e_~ar~e~n~o~~ne

Chords

times recording.

I

Chords

The

Sound

to

be a

matfunction

is

not

audible.

arpeggio

are

SYNTHE input Fascinating

be

Fascinating

automatically,

KEY

SOLO

and

replayed

different

a-re-n-o~t-re-corded

Ultra

Tremolo

is

audible.

to

the

stopped.

SPLIT

SYNTHE

arpeggio

from

Chord

does

distorted.

nor

rhythmie

PRESETS

MIC

IN

Chord

automatie

Chord

automatie

-~~-"'-----------I--------------------------"~------I

button

PRESETS

of

the

by

the

Compucorder

those

harmony

not

rurlcuon.

is

accompaniment

are

not

terminal

does

not

are

Fascinating

with

played

by

tOO

Compucorder,

is

not

audible.

not

always serious;

audible,

is

not

audible.

accompaniment

aceompaniment

function.

out

of

tune.

Chord

MULTI

the

ch_o_r_d_s.

____

are some- Possibly

orignally

when

in

case

of

Is

the

its

battom

Those sounds are produeed (Fascinating

REPLAY Is

the

15

the

The

CHORD

The

SYNCHRO MEMORY continue

Is

the

A

Key mode The

Key

Compueorder. The

adjustment

MAIN Possibly

+-_c_h_o_rd_s_o_f_t_h_e_m_ic_ro_c_o_m_

microcomputer.

In

recording, the

and

Auto

for

The

Ultra

accompaniment keys, except when replaying

TheTOTAL When sound TOTAL around the

connected

trouble, check

corresponding slide

position?

Chord

mode) and when

SOLO

MIC

VOL

button

only

KB-700

Split

mode

(ONE

Split

PITCH

the

chord

the

chords may be

Rhythm

Chord

VOLUME

the

mid

(see

ONE

CANCE L button

control

MEMORY

START

not:

when

an

using

the

(1

or

FINGER

VOLUME trom

or

is

always

(p. 14)

of

SOLO

control.

played

(pp, 14,

Compucorder

functions.

(p.13)

effect

automatically.

effect

is

executed

PRESETS.

connected equipment

control

position

equipment.

the

following before calling for service.

control

of

the

page

4)

only

during

FINGER,

the

adjusted button

button

In

aceompaniment

Fascinating

2) MULTI

in

PITCH

by

p

'--u_t_e_r_• .;..(p,,-p_,

10)

functions

control

and increase

MULTI-FINGER

Auto

Rhythm

depre5sed?

may be

may be depressed and

this

case,

the

is

the

16)

(P.

Chord

always engaged

FINGER).

FULL

control

the

left

_1_4.:.-,_'0_1

other

than

employs

It

is

thus necessary

only

(p.

only

(p.

7)

may be

of

the

KB-700.

161

STEREO

automatie

rlelnr.,.••,rl

rhythm

key

mode when replaying

may

hand

tlTe

both

when a chord

11

)

with

too

Is

the

lIolume

PAN

aceompaniment

or

is

started.

and aecompaniment

is

depressed. (p.9)

or

Compueorder7

during

a Fascinating

(P. 9)

not

match

is

other

than

-----------------1

nine basic chords

the

Fascinating

to

start

is played

Compucorder

the

Organ end Jazz Organ

high; set a distorted, Keep

.

the

with

little

also cheek

TOTAL

the

Compueorder

the

CHORD

with

that

of

the

nine basic

of

the

Chord

the

rhythm

by

the

with

which

lower,

the

VOLUME

controls

(P. 3)

of

SAFETY PRECAUTIONS

• Power should be supplied to household use only

AC

outlet.

the

power cord provided.

• Carefully handle all power and connection cords:

• To disconnect, be sure

• Never handle cords

• Avoid unnecessary or excessive bending

•

00

not

damage

the

• Never splice cords.

• Oisconnect

the

power cord immediately

an electrical storm.

• Even

•

with

the power switched

amount

of

a long per iod

00

not

open the KB-700,

repairs

of

its internat components; a serious accident or

current.

of

time,

If

malfunction could result.

For maintenance

and

repairs, leave

the

KB-700 from an ordinary

To avoid malfunctions or accidents,

to

grasp

the

plug,

not

with

wet

hands.

of

the

cords.

in

off,

the

KB·700 uses a small

you do

disconnect

or

not

use the instrument for

the

power cord for safety.

attempt

any adjustments

the

matter to a qualified

the

cord.

cords.

the event

of

or

JVC dealer.

• To prevent accidents or malfunctions, avoid using KB-700 under

• Prolonged exposure

•

In

environments where the temperature exceeds 40° C or

the

following conditions:

to

direct sunlight.

falls below _5°C.

• Under high-humidity conditions.

• Near a heater, stove, fireplace or other heat source.

•

In

extremely dusty environments,

or

places subject

vibrations.

• Near a TV set. in

a car

on

• Never leave the instrument

a hot day

functions or external damage may result.

• To clean with Never use benzine or thinner, as or otherwise damage

water

the

KB-700, use a dry cloth, or one moistened

or

a neutral detergent.

they

may crack, discolor ,

the

surface finish.

17 -

as

the

to

mal-

SPECIFICATIONS

Number

Solo Presets

Orchestral

Accompaniment : Bass,

tones

Effects

Stereo Mixer

Auto

of

keys

Synthesizer

Presets:

Pan

Pot

Rhythm

61

4,

with

Controls: 12,

with

String Piano Organ Harpsichord Trumpet Vibraphone

String

MAGIC BEND/FILL selector controls

PRESENCE SEMBLE ORCHESTRAL

5 Pan

10,

STRINGS,

G SYNTHE 7 Mixer ACCOMP, STRINGS, SYNTHE) 14,

with

Upper Waltz Samba Bossa-Nova

upper/lower

SOLO

upper/lower

Upper

Ensemble:

selector

CANCEL,

selector

Electric

Piano

Jazz Organ Provided Hawaiian Clarinet Jazz

Flute

ensemble

FOOT selector

IN),

(SUSTAIN/

ULTRA

(CLOSED/OFF/OPENI.

(ORCHESTRAL,

CONTROL,

selector,

STEREO/EN-

TREMOLO

SUSTAIN

pots

(BASS, ACCOMP &

ORCHESTRAL,

& MIC)

controls

(AUTO RHYTHM, BASS,

ARPEGGIO,

ACCOMP Design & specifications are

ORCHESTRAL,

upper/lower

selector

Lower POlk-a-/M:--ar-c-h---1 Rhumba

Tango

Rock'n' Rock

11

Roll

:

SOLO

Guitar

CHORD

BASS),

switch,

switch

ARPEG-

SOLO

KEYING

SUSTAIN

SOLO

Other

switches & :

controls

Terminals

& jacks : AC

Power volume

pitch

input,

put,

Mic

control,

switch, Speakers Amplifieroutput Weight :

:

14

cm

: 4 W x 2 (AC

9.3

kg

Dimensions : 950(W) x

Rated

supply

Rated

power

:

AC OC

:

45

W

120/220/240 12

consumption Battery

life : 2 hours

maximum AC

cord,

:

dust

accessories

Options

cover

: KC-20

KS-10 KX-l0 KX-20 Expression Pedal HP-717 HP-M7 HP-Vl

MD-260

out

notice.

switch,

Total

contral,

Solo

Main

DC

input,

Expression pedal,

Headphones

x 2

operation)

(without

batteries)

330(0) x 99(H)

V (car

battery

of

continuous output

foot

switch,

Soft

Carrying Case

Stand

Expression Pedal

Stereo Stereo

Stereo Headset Microphone

volume

synthesizer

pitch

contral

Stereo

contral,

auxiliary

Mic

presets

out-

Foot

mm

V switchable,

or R20

operation

owner's

50/60

Hz

batteries x 8)

at

manual,

Headphones Headphones Headphones/Microphone

subject

to

change

with-

Fascinating

Chord

Compucorder

Controls:

START START,

& STOP,

INTRO&

RHYTHM TEMPO,

DUCTOR

3

modes

(NORMAL, MULTI-FINGER), ACCOMP selector ARPEGGIO

VARIATION

ONE FINGE R,

CHORO MEMORY,

(PIANO/GUITAR),

BASS V AR IATION selectors AUTO) KEY

SPLIT

TRANSPOSE

RECORD

(CHORD, BASS),

selector

(FULL/l!2j,

switch

REPLAY

SYNCHRO

FILL

IN,

BEAT

selector

(1/2/3),

(1,2,3,

KEY

SELECTOR,

CON-

18 -