JVC KB-700 Owner's Manual

Page 1
Page 2
Thank To read these
use
manual
you
for
pu
rchasing
KB-7DO correctly and extend its life, be sure
instruc1:ions
for
future
reference.
JVC's KB-700 Stereo Keyboard.
carefully. After reading, retain this
IMPORTANT
A voltage illustration
plug, check
voltage (120 V,
For areas
to
IMPORTANT Mains Supply
Do coded E coloured
If identifications Blue wire Black. Brown
coloured Red.
If
selector
on
page
that
i1:
220
where
120 V position.
not
make
any
or
Green.
in
accordance
these
colours
of
to
terminal
in
doubt -consult
is
provided
3. Before connecting
is
set
Vor
voltage
(In
the United Kingdom)
(AC
240 V"v, 50 Hz
connection to
The wires
do
not
your
wire
to
on
to
correspond to your local power
240
V).
is
between 110 V and 127
with following code:
Blue Brown
correspond with
plug,
connect
coded N (Neutral)
terminal coded L (Live) or
a competent electrician.
WARNING
There are high bottom
cover, be
voltages
sure
inside this unit. Before removing the
to
unplug
CAUTION
To
prevent
cabinet.
No
user-5erviceable parts inside. Refer servicing
serv ice perso nnel.
electric
shock, do
not
rear as shown
in
mains supply
V,
set
only)
Larger Terminal
in
mains lead are
to N (Neutral)
to L (Live;
as
mains power supply cord.
remove screws, covers
foliows:
or
or
Black
or
Red
terminal
colQured
to
qualified
to
or
FEATURES
Sound
quality Keyboards; this ence
in
and
4 Solo Synthesizer Preset Voices.
• Key Split; this allows the keyboard parts. The melody keys played by
enhanced with the
string and bass accompaniment.
• Faseinating Chord
way a professional sound can patterns, 3 arpeggio patterns, 2 rhythmic accompaniments
or
(piano
• Auto
• Key Transpose lets you transpose any key so
• Compueorder stores
• Ultra Chord adds harmony
• Magie Foot switch controls Sustain, Intro
• Stereo Pan Pot Mixer lets you create any acoustic image
• Stereo
Rhythm -14
patterns.
in
play ments or vocalists.
to
64
bars
replayed from memory.
right hand.
In
addition effect Tremolo, Orchestral Sustain and Bass Sustain.
Pitch Bending.
with 7 sound giving all
MIC
input terminal allows audio source a microphorie, instrument, a
output
other
equipment and for recording.
is
most striking feature
is
a development based
audio. The KB-700 has 12 Orchestral Preset Voioes
to the
preset voioes while
automatic
guitar) and string chords.
different rhythms plus 2 Intro & Fill
C - this
controls are provided for Ensemble, Presence,
is
convenient for playing
in
each of 3 tracks so
to
JVC-<leveloped two-speaker stereo effect,
level
controlsand
functions of a recording studio.
tape
deck
terminals are provided for the oonnection
accompaniment
be
achieved with 4 bass line
chord and bass progressions for up
that
to
a melody
5 panoramic potentiometers
connection
another
or
a stereo system.
of
JVC Stereo
on
our
long experi-
be divided into
right hand can be
left hand provides
is
that
with
other
up
to
192 bars can be
fine
played by
& Fill
of
an external
electric musical
two
easiest
you can
instru-
In
and
In
to
Note Disconnect
in use.
WARNING: OR
EXPOSE
mains
SHOCK
THIS
plug from the supply socket when not
TO PREVENT FIRE
HAZARD, DO
APPLIANCE TO
RAIN OR MOISTURE.
Eftersom denna knappsystem, konsumeras
W)
även
1 stänga av
strömen
om
apparat
POWE
helt
använda det sekundär ström­en
liten mängd ström (ungefär
R knappen star pa ON.
och
hallet, drag
För
ut
strömkontakten
NOT
att
CONTENTS
Features Names Preparations Stereo Pan Pot
Key Spllt
Accompaniment Strings and Bass. . . . . . . . . . . . . . .
Orchestral Presets and Solo Synthesizer Presets
Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Auto Fascinating Chord
Ultra Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Key Transpose
Compucorder . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Magic
Connection Terminals and Pitch Controls
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . .
Safety Precautions
Specifications
...............................
of
Sections
................................
Rhythm
Foot
Switch and Expression Pedal
..........................
..............................
Mixer.
......................
.............................
. . . . . . . . . . . . . . . . . . . . . .
.............................
.......................
..........................
.......
, .
, . . . .
............
.........
" 1
..
..
..
.. .. .. ..
"
.. ..
2 3 4 5 5 6 7 8
9 11 12 13 15 16 17 17 18
-1-
Page 3
NAMES
r
0
OF
SECTIONS
~~
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Control panel
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o 4
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KB-700
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..., .., ..., ..
Side panel
o Bass Variation selectors (see pages 9 - 10)
To
seleet
the
automatie
..
Compucorder (pages To store
@)
Key Split mode selector (page This seleets ment dotted
o Key Transpose
This
• Accompaniment To
ment
accompaniment
the
and right
lines
the
is
used
to
transpose
seleet piano
rhythmie
keys alloeated for
hand
key
switch
ehords.
G Arpeggio Variation selector (pages 9 - 10)
To seleet
• Fascinating Chord mode selectors (pages 9 10) To
seleet
the
automatie
the
automatie
G Chord Memory switch (pages 9 - 10)
To
eontinue
fingers are removed from
CI)
Beat Conductor (page
LEDs whieh
Auto
Rhythm This section ineludes Start & Stop
& Fill
lower seleetor for selecting one
• Stereo Pan Pot Mixer (page This section eonsists
of
level
48
Stereo Pan Pots (page
Five
potentiometers
position
• Magic
Foot
To select
the
show
controls
switeh,
In
switeh,
eaeh
of
the
of
the
acoustic image.
selector (page 15)
the
function
aeeompaniment bass patterns,
13
- 14) ehords and bass lines
5) the
left hand accompani-
melody. LEDs indieate the mode and
split position.
(page 12)
from any key
tone
selector (pages 9 - 10)
or
guitar
tone
aeeompaniment arpeggio pattern.
aecompaniment mode.
automatie aeeompaniment after
the
keyboard.
8)
the
tempo and beat
(page
8)
the
Rhythm Tempo slide eontrol,
the
Synehro Start switeh,
the
7 rhythm seleetors and
4)
of
7 slide controls
keyboard's seven sounds.
4) under
the
of
the
foot
to
the
key of C.
for automatie accompani-
of
the
rhythm.
of
fourteen rhythms.
to
adjust
plastic cover adjust
switeh,
11
.
:6"
,.
~l
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Rear panel
CD
Presence Control (page 7) To regulate the stereo and ensemble effeets .
.,
in
memory.
the
the
the
the
the
Intro
upper/
sound
the
Sustain control - Bass (page 7) To adjust
.,
Sustain control - Orchestral (page To
• Ultra Chord mode selector (page 11) Two types
melody.
I)
Stereo/Ensemble selector (page 7) The Ensemble effeet gives a softer, richer
6\)
Tremolo switch (page The Tremolo effeet can and Jazz Organ voices.
Ci)
Solo SynthesizErr Preset voices (page One
selectors and Solo Keying and Solo Caneel switehes are also provided this seetion.
• Orchestral Preset voices (page
One and the upper/lower seleetor.
• Total Volume control (page 3) To adjust
• Power switch (page The
• Microphone
.,
Microphone Volume control (page 16)
..
Solo Pitch control (page 16)
.,
Main Pitch control (page 16)
GI
Foot
..
Power supply section (page 3)
the
time
the
bass
is
sustained.
7)
adjust
the
time
the
Orchestral Presets are sustained.
of
harmony ean aecompany
7)
be
used
to
6)
of
tour
voices ean be seleeted using
the
upperflower selector.
of
twelve voices can be selected using six voiee seleetors
the
overall volume.
LED
lights when
switch terminal (page 15)
3) the
Inputjack
6)
power
(page 16)
is
on.
e Headphone jack (page 16)
• Stereo Auxiliary
• Expression pedal terminal (page
Output
terminals (page 16)
15)
CJ·
'~
:::
~
~
~
~
~
;;.~;;~
H"Mii6"9"e
~
~
':;;:,::
:O:i
..
the
tone.
enhanee
the
!I
-
~
&
-
right-hand
the
Organ
two
voiee
rr
in
2-
Page 4
PREPARATIONS
1 Power can
be
supplied
to
the
KB-700
Mains supply
Be
sure
that
the
voltage selector
is
set correctly.
Insert a screwdriver into the slot and move
that
the "IMPORTANT"
(See
• The connected
voltage
AC
in
your area
on
page
is
displayed
1)
STAND·BY lamp lights when the power cord
to
an
AC
mains socket.
in
any
of
Power cord
in
the
three
(provided)
the
switch so
selector.
ways; from
is
AC
mains, from a 12 V car battery
or
from eight R20 batteries.
p
Car
Adaptor
CN·332
(optional)
Batteries
the
• To insert batteries, turn battery compartment and insert eight R20 batteries.
If
the power indicator flickers when no sound produced, it indicates hausted;
in
this condition,
achieve its full potential.
When
the KB-700
it
is
used with mains power supply. remove the batteries
prevent damage due
is
to
KB·700 upside down, open
that
the batteries are almost ex-
the
KB-700 will
not
to
be used 10r a long time or when
corrosion.
be
is
being
unable
the
to
to
Car
battery
.
• To avoid trouble CN-332 adaptor.
up
the
2 Setting
Flip up
the
this serves as
music stand
transparent board covering the control panel;
the
music stand.
due
to
incorrect polarity, use the specified
00
not press it
too
far back.
on
the
3 Switch
Press the front of the
power
POWER
switch and adjust the overall volume with the TOTAL VOLUME contro!. Slide up crease the volume and down
Press the front of
the
LED
will light.
the
• Adjust the overall volume
the
KB-700 and equiprnent connected terminals. When the KB-700 tem, the TOTAL VOLUME
to
its mid
be set
point
to
decrease.
POWE R button
to
switch on
to
avoid distorted sound fram
is
connected
contraI of
the KB-700 should
the
to
the
to
a stereo sys-
and the volume controlled from the
stereo system.
.dlilill.
TOTAL
VOLUh1l€
f'OW€A
to
power;
output
..
c::::I
in-
-3-
Page 5
STEREO PAN POT MIXER
This consists
The
Mixer
use
the
volume.
AUTO
RHVfHM BASS
These sound
paniment orchestral Their
Slide
to
Mixers
of
seven
control
systems:
arrangement
up
decrease.
controls
TOT
AL
mixer slide controls and five panoramic potentiometers under
the
volumes
auto
chord,
arpeggio, accompaniment strings,
presets and solo presets. orchestral presets (excluding String Ensemble) and
can be seen at a glance.
each control
should be used
VOLUME control
STEREO
ACCOMP
PAN POT
ARPEGGiO
of
each
of
the
KB-700's Pan Pots These adjust
rhythm, bass, rhythmic accom-
to
increase
ACCOMP $TRINGS
to
to
MIXER
the
adjust
adjust
CRCrlES-
TRAl
level
the
the
SYNTHE
sm.o
and down
balance;
overall
Turn clockwise counterclockwise
the
plastic cover.
the
balance rhythmic accompaniment chords and arpeggios, accompaniment strings and orchestral preset strings,
solo synthesizer presets and microphone - between the
left and right channels.
to
move
to
move
STEREO
. .
o " 0
c
.
BASS
o 0
o
I H (
O
"
. . . . . .
·
0
.
0
STR!NGS
the
the
PA~
sound
sound
POT
..
f.l
of
various voices bass,
to
the
right and
to
the
left.
50;'0
SYNTHE
'"
M1C
.
O·..0"
I H \ ;:l
Ot<:CI1ESTRAl
4-
Page 6
KEY SPLIT .
The 61-key With
right hand
keyboard
spinet-type electron
f-----.
~
cce>
of
KB-700 can be divided
playing
ic
organ.
1.--+i---48111
J
melody and
Press
NORMAL button_
• This makes sure paniment mode pages 9 Press
p""ed
I
rULLI
m
10
KEY
th,
mOd"h",
The Key Split 61
keys can be used for melody.
The
keysfrom
above
wi
to
dotted
(up
The keys from above will be
to
dotted
(up
in
two
ways
left
that
is
engaged,
for details.
SPLIT
is
bottom C to
11
be
line
bottom C to the
line
into
lett and right sections, each
accompaniment, this allows
automatie
button
..
in
th,
disengaged and
accompaniment mode
left
of
to
select
"qu'noe
F#
one octave
split keyboard will produce a different
desired key split mode. Each
F
UL
L,
full
accompaniment keys
[TI).
Accompaniment
8 onll octave
accompaniment keys
~).
" 2;
thi,
of
wh
ich can have different tones.
KB-700
\.~-~
to
be used as a two-keyboard
is
released.
i,
indi''''d
::::::~~~~~'j-"
keys
If
an automatie accom-
time
by
th,
",hting
Melody
keys
tone.
button
0'
LE D"
See
is
Tones available melody keys
from
: Orchestral preset voices, Solo syn-
thesizer preset voices. (For details, see page
6.1
ACCOMPANIMENT STRINGS AND BASS
Two voices can be used response.
Strings
With the Fascinating Chord switched off, this produces 8 notes; up
to
4 notes.
with
qo.jl'!H~
1l;;fO
with
accompaniment keys. Adjust
Fascinating Chord switehed
STEREO
PAN POT
MIXER
.o.CCOIAP
SASS
AceO,",p
ARPEGG)O
ST"lINGS
ORC>-tES
"AAL
on,
$01.0
Sl'''ITHE.
up
to
it produees
Accompaniment
Tones available
from
accompaniment keys
respective STEREO
Bass
This
is
monophonie; only
key pressed will be produced.
AUTO "';::COM1"
RH'(T>l\A
keys
: Strings, bass (For details, see below.)
PAN
POT MIXER controls for
note eorresponding
"'·"·"'0'4"13,,'"
SASS
AeCOM?
"'APEGGlO
S"tAINGS
DReHES
Ha_L
SOLO
S'l'''-THf.
to
required
lowest
-5
Page 7
ORCHESTRAL
The
melody
same
time.
keys
can
PRESETS AND SOLO SYNTHESIZER'PRESETS '
be
used
to
produce either
one
Orchestral Preset voice and one Solo synthesizer preset voice
ORCHESTRAL PRESETS These voices are more
than
eight keys are pressed simultaneously,
polyphonie
and can produce up
duced.) Twelve preset voices can be selected
the
right.
on
the
The voices are as listed with
selector
with
the
six selectors and
in
its
in
( ~ ) and
to
eight notes
the
eight highest notes will
the
out ( ...
or
both
at
one
time. (When
upper/lower
) positions.
at
the
be
pro-
selector
DRC;.;fS'RAl
;'i&i'''UE'
PRESETS
SOLO
SVNTI'lE
ISTRING : ENSEMBLE
ITR~MBONE
PIANO
ELECTRIC
PIANO
i
Use
the
ORCHESTRAL slide control of
relative
sound
level
I
ORGAN!
I
JAZZ
ORGAN!
i
of
the
Orchestral Preset voice.
HARPSI-
CHORD
!
HAWAIIAN
GUITAR
the
TRUMPET
CLARINET
STEREO
PAN
SOLO SYNTHESIZER PRESETS These voices are
one
is
heard.
Four preset voices can
TRUMPET
FLUTE
PAN
on
selector
monophonie
the
right.
SYNTHESIZER
and,
be selected with
GUITAR
TONE
when more
the
two voice selectors and
Upper
Lower
than
one
---
SOLO CANCEL
SOLO KEYING
When this cancelled and the Since est
playing with
is
produced. Solo Keying prevents this; when it
highest note pressed by keys pressed by
is
pressed,
is
the
not
produced. Pressing this
voice.
the
Solo Synthesizer Presets are
note pressed
both
is
produced.
hands,
the
the
left hand are
selected Solo Synthesizer Preset voice
If
the
the
highest note played by
left hand
not
is
changed.
VIBRA-
PHONE
JA
FLUTEd
POT MIXER
key
is
pressed, only
button
monophonie,
right hand
not
produced
Upper I
.!
! i
ZZ
i Lower '
to
adjust
the
the
upper/lower
again reactivates
only
the
high-
is
removed when
the
left hand
is
pressed,
as long as
the
top
is
the the
Use
the
SOLO SYNTHE slide control
relative sound
level
of
of
the
Solo Synthesizer Preset voice.
6-
the
STEREO
PAN
POT MIXER
to
adjust
the
Page 8
EFFEC1S
PI'II;SENCE
CON"I'AOl
....
STEREO
.-..
ENSEMSLE
~----'-,
-5IJSt,olIN-
SASS
fRE.MOLe
Ol'lCHES1RAl
ORCHESTRAL
susrAIN
STEREO When
the
STEREO/ENSEMBLE
button
is
in
its
KB-100 produces
The
expansion and
the
stereo
effect can be
trolled by
the
PRESENCE
CONTROL slider.
ENSEMBLE
the
Press button sound
STEREO/EMSEMBLE
to
produce
of
many instruments playing together. this
effect
can also be
by
the
PRESENCE
slider.
out
position,
stereo
depth
the
The
CONTROL
the
sound.
of
con-
rich
depth
of
controlled
PRF:SfNCE
CONr~
SlEi"EO
ENSE~alf
SASS
ORCHESTRAL
TREMOLO ORCHES7RAl..
SUST"'IN
TREMOLO
button
JAZZ
gives
ORGAN
Pressing this
ORGAN
and
ORCHESTRALPRESETSa
tremoloeffect,
which can
be achieved electronically.
the
now
___
S,f!A€O
lREUOlO
OI'lCHfS"'QAl
..-.
ENSEUSl€
~ESENCE
CONHWl
~
~
...
STEREO
___
ENse"'SlE
SUSTAIN
-sus"'"~~
GASS
OFICHI
SfRAL
r
-.
, ,
'~':~i
. ,
:.
I" , I
I
~.;
.
,
..
"
, ,,
, ,
,
n
~
lo
... ~...
o
ORCHESTRAL
TRE~
SvSTAIN
ORCHESTRAL SUSTAIN
With susta in, be given Each Orchestral Preset voice has a sustain ORCHESTRAL SUSTAIN these
trol
up
sound
to
the
Orchestral Presets.
predetermined
to
lengthen
continues even
button
and
sustain times. (Press
the
sustain
time
and
after
the
key
is
released
that
makes as close as possible
and
SUSTAIN-ORCHESTRAL slide
the
button
to
activate
down
to
shorten
it.)
fades gradually. This
to
the
natural
the
control
function
can be used
and move
effect
sound;
the
can only
the
to
vary
slide con-
:
I
,
Original sustain time
of
Orches-
tral Preset Voice Press
To
vary
the
sustain
before starting
switch over
to
the
the
time
tune
and
new
sustain time.
in
the
press
middle
of a tune,
the
ORCHESTRAL SUSTAIN
preset
the
new sustain time
button
in
the
with
the
middle
slide
of
the
control tune
to
BASS SUSTAIN Slide
to
adjust
the
bass sustain time.
-1-
Page 9
AUTORHYTHM
With
the
KB·700,
the
rhythmic effeets use
BEAT
[
• C C
CONOUCTORJ
' 2 3 4
RHYTHM
TEMPO
Cl
$YNCHRO
S,ART
both
the
left and right ehannels
AUTO ACCOMP ORCHES- SOLO
RHVTHM
BASS
STEREO
ACCOMP
to
obtain
the
PAN
POT
MIXER
ARPEGGIO STRINGS
required results.
TRAl
SYNTH€
• Seleet one of
14
rhythms using
upper/lower seleetor
..
Use
the
AUTO RHYTHM slide eontrol
quired relative volume
Start
the
rhythm
® START &
Press
to
@ INTRO &
Press this rhythm
© SYNCHRO
When this aeeompaniment
WALTZ
POLKA/MARCH I RHUMBA
by pressing one
STOP
start
anormal
FILL
IN
for
Intro & Fill
starts from
START
is
pressed, normal rhythm starts when
key
SAMBA
the
seven seleetors and the
on
the
right .
to
obtain
of
the
rhythm instruments.
of
buttons A, B
or
rhythmie aeeompaniment.
In
for
the
first bar; normal
the
seeond bar. (See item
is
pressed.
BOSSANOVA DISCO ROCK I
TANGO
Cf))
ROCK'N'ROLL
the
C.
the
re·
first
ROCK
o
Use
the
RHYTHM TEMPO slide eontrol
tempo.
Slide up
to
speed
up The tempo and beat are indieated by TOR LEDs.
Cf)
Use
the varies effeetive
..
To
INTRO & FILL
the
rhythm
in
the
stop
the
image
introduetion or between ehoruses.
rhythm, press
of
IN
the
the
1
REGGAE SWING
SLOW ROCK
II
SHUFFLE
i
and down
button
to
slow down.
the
BEAT CONDUC·
to
vary
bar being played and
START & STOP
Upper
.....
Lower
..JIIIL.
to
adjust
the
rhythm; it
button.
is
the
most
8-
Page 10
FASCINATING CHORD , - _
This
is
a JVC original
III
NQRMAL
automatie
ONE
FINGER
accompaniment
~
MUlJI
CHORO
FINGER MEMORY
technique
Press
either
mode.
NORMAL ONE FINGER Chords are MULTI FING
Fascinating Chord with
the
using
the
NORMAL, ONE FINGER
The
ER
Select this position
is
KEY SPLIT
the
latest
automatic
used
together
button
computer
aceompaniment
produeed
(See page 5).
by playing
to
play ehords with
with
the
teehnology.
or
MULTI-FINGER
is
disengaged.
with
just
the
Split Key funetion; select Split Key 1 or 2
one
finger
left hand.
button
of
to
seleet
the
left hand.
the
FASCINATONG
o
10
t::::J
1 2 3 AUTO
r--...
8A
c:::J
•.
.....5 5..
VAlIlAT.'
g00
Aeeo","
...
",ANO
.-.GUlTAR
ARPEGGIO
\JARl
eHORD
•..O•..
N
0
the
The Fascinating Chord produees
sound
level of each
control.
slide
• Bass Four
VARI
...
'...
:
• Rhythmic
• Arpeggio
The
Rhythm Up to
octave (if
bass line BASS VARIATION 1 Basic 2 - Variation 3 - Walking bass AUTO VARI ­Use
the
BASS slide
These can have (ACCOMP PIANO/GUITAR) control.
Three arpeggio the Accompaniment This provided a ACCOMP. STRINGS slide contro!.
rhythmie
accompaniment
required
is
started.
four
notes can be used for
different
is
adjusted with
patterns
pattern
of
patterns
pattern
accompaniment
Cs
are provided
buttons.
basic
pattern
three
bars
control
two
tones,
are provided.
and
the
strings
continuous
are pressed,
of
to
chords
piano or guitar; select with
ARPEGGIO slide control
following
the
for
pattern
adjust
string accompaniment; adjust
chords and arpeggios are
1,
the
and
adjust
Use
accompaniement
the
same C pitch will produced).
four
types of accompaniment;
corresponding STEREO PAN POT MIXER
eaeh
rhythm.
then
one bar
sound
level.
the
the
ARPEGG 10 VAR I. switch
Select
of
volume
to
not
strings and
one
of
these with
pattern
with
adjust
2.
the
upper/lower selector
the
ACCOMP. slide
the
volume.
the
volume with
output
the
bass
until
is
the
the
to
select
the
the
Auto
within one
NOFU"AL
FASCINATING
FINGER
ONE MUl1: CHORO
F!NGEFI
MEMORY
CHORO
CHORD MEMORY
When this paniment
button
is
keys have been released.
-9-
pressed,
the
automatie
accompaniment
continues after
the
accom-
Page 11
Procedures
For
people
who
cannot play left-hand chords.
For people
who
can
play left-hand chords.
Play one
Press ONE
of
the
FINGER
left
accompaniment keys.
MAJOR
the C major
as
MINOR Press with left
SEVENTHS:
Press with to
Press
50
harmony)
shown
of
the
CHOROS:
one
of
in
CHOROS:
the C key
any black
it.
the C key
any
other
left
of
button.
Seleet Key
Select a
Example: C [llajor
the
C keys and
chord
(Oo-Mi-
is
produced,
the
figure.
Example: C Minor
together
key
to
Example:
together
white
it.
the
key
(See
C7
Split
rhythm
Note.)
mode 1
and start
,---J\..
~
.
Press
MULTI
or
2.
(See
page
5.)
it.
(See
page
B.)
With
the
left-hand finger(s) pressing the key(s), adjust the sound levels using
the
corresponding slide controls
. STEREO PAN POT
Seleet the required
the
rhythmic
CHORD
your
left-hand finger(s): The
until
I
'-----~-
I
tern and
Press
. release
continues paniment key.
I
FINGER
of
button.
the accomoanying tones
MIXER.
bass
pattern, arpeggio pat-
accompaniment tone.
MEMORY
next
time
button.
you
Now
same
of
you
chord
the
can
MINOR Press with
aoy
(all
SEVENTHS:
the
C key together
any
black
white
key
three
keys together)
key
to
and
the
Example:
left
Notes The figure below shows the one-finger chords (majors) produced
0;;
M.
~ ~ ~
..
,,'
by
each accompaniment key.
KEY
5PLlT~
KEY
SPLIT
[]
M, ;;; S;;
s.'
L.
""
S,
.,
Si
..
,:~
0;;
Mi
'
..
":
0;;
,,"
~
M,
So"
~
____
"
u
~
&;'
s;
.,
-J>I
Si'
.,'
F,'
Cm7
Playa
with
To
press
Inthe
Fascinating Chord
melody
the
left
with
hand.
right hand. changing chords
stop theautornatic accompaniment and
the
Auto
Rhythm
START
& STOP
MULTI-FINGER
mode,theKB-700's
rhythm,
button.
microcomputer can distinguish and play nine chords in every
are
key. Chords ether than these nine basic chords into
one
of
them,
(See
page
14.)
of
Example (in the key
C)
Cm
...
~~
..
.
converted
10
Page 12
UcrRACHORD
.
When Key Split
to
according
• Ultra Chord Use
CLOSED Tight
ULTRA
giving a
mode 1 or 2 is chord
chosen with
only
functions
CHO
RD switch (CLOSED!OFF!OPEN)
harmony
piano
or
activated, ULTRA CHORD can be used
accompaniment keys .
in
Key Split modes. 1
within
organ effect .
one
octave
is
produced
or
2.
to
activate and select
OPEN A wide harmony covering more
to
add harmony
mode.
produced giving a big band sound.
to
a melody played with
than
right hand,
an octave
is
r---
CLOSED
OFF
OPEN
---
--_.-
Melody
keys
o
11
-
Page 13
KEY TRANSPOSE '
This that
Press
function
in
the
which
KEY
makes
the
it possible
piece
is
TRANSPOSE
to
transpose
written; by transposing
button,
and while keeping this depressed, press
the
key
of
any piece; this
to
the key of C,
is
convenient when
you
can also avoid playing
the
note which
the
vocalist sings
so,
many black notes.
is
to
be moved
in
a different key from
to
C.
Example in
the
you
want
have
two
J
u
1:
key
to
sharps)
ABC
If
you
of D O.e.
playa
wit:hout
Original
want
to
sing a song written
one
tone
higher'th.an
tune
written
DEFGABC
key
in
D major or B minor (which
playing so many black keys".
{C
majorlA minorl
in
the
the
musicl, or when
key of C
Example
in
the
you
want
have
two
j
l)
2:
key
of
to
flats)
ABC
If
you
Bb
playa
without
want
(i .e. one
tune
written playing
0 E F
Original
to sing a song written
tone
lower
than
the
in
Bb
major or G minor (wh ich
so
many black keys*.
GAB
key
(C
major/A
minor)
in
the
key
of
music), or when
C
Press
KEY
TRANSPOSE
'"
1'R,r.NsPOSE
The
red
LEO
above
the
indicating
(* I n
the
3 To shift back
• When G, keyboard will produce no sound note
that
the
latter cases you may have
to
G#,
A, A #
of
the
original keyboard.
KEY
operation
the
original key, press
er B is
and 0 simultaneously.
TRANSPOSE
has
been
to
transposed
button
performed.
rewrite
the
KEY
to
in
FULL Key Split mode because
will
light
m usic)
TRANSPOSE
C,
the
keys produce notes lower
on
its own;
the
Press
KEY
TRANSPOSE
and
The
red LEO above
indicating
the
that
LED
will
than
KB·700 cannot produce notes lower
the
KEY
the
operation
go
out.
the original; some
TRANSPOSE
has
been
of
the
Sb
simultaneously.
button
performed,
keys
on
than
the
C2,
will
the
left
light
of
lowest
the
-12-
Page 14
COMPUCORDER
..
. .
-"
When used tunes Once a melody. The can
For recording,
iO
together
to
be
stored
tune's
chords and bass
be
va
ried
To
Select ONE the
Fascinating Chord. (See page 9)
Press
Press
with
(RECORDed)
rhythmic
to
produce
it
is
record
CHORD
(The LEDs above
SELECTOR
(The
lights.l
accompaniment
patterns
any required effect.
either
chords
FI
NGER
1/2/3
LED corresponding
Fascinating Chord and
and
reproduced (REPLAYed).
is
stored
are stored
possible
and
or
RECORD
LEDs will
button
in
memory so
to
store chords and basses simultaneously or separately:
bass simultaneously
MULTI FINGER mode of
and
BASS RECORD
them
and
to
select
to
one
track
Auto
in
memory,
that
of
to
selected
Rhythm,
be
to
play back
rhythm,
Compucorder allows
complete
rhythm
(
~--------------------
tempo,
Recording chords
o
Stop
arpeggio, melody voices, effects and volumes
To
record the chords, then the bass )
rhythm.
8 Select a Fascinating Chord mode. (See 8
Press
o Select
0se
..
[
o
....
CHORD RECORD
track
lect
to
left)
accompaniments for up
tune,
all
that
to
be recorded.
accompaniment
V
is
necessary is.to play
to
button.
(See"
tone
and
to
the left)
rhythm.
to
left)
three
(See
the
Select
accompaniment GUIT AR) their sound level using
MIXER slide
Press
V ARI)
,
Start
'
Playing"
8 recor.
r
Cl)
To
(The LEDs will
'---
..
_----------------------'
• With
two
chords
bars, When
RECORD LEDs although To record more
play
them
page.
and
one
of
buttons
rhythm
belowl.
ded
and,
BASS VARIATION select buttons.
stop
recording, press
chords per bar',
plus bass,
recordi
accompaniment
back
tone
(ACCOMP. PIANO/
rhythm
controls.
to
if required, vary
turn
ng
than
one
(AUTO RHYTHMI and adjust
STEREO PAN POT
BASS VARIATION
select
bass
pattern.
to start recording. (See "Hints On
Play
chord progression
bass
START & STOP
off.)
it
is
on
each track.
capacity
turn
64
bars,
after
possible
of
off and no more
can still
use
other
to
a track has been reached,
be
heard.
more
than
as described on
(1/2/3/AUTO
to
be
pattern
record up
one
using
button.
is
recorded
track
to
next
64
and
Start
rhythm
Ci)
Playing" below)
Play
chord progression
8 After recording all
STOP
button.
Recording bass
to
BASS
to
left)
be used
o
Press
pattern
Starting
o has been recorded, at
bass.
Listening
• BASS VARIATION (1/2!3/AUTO VARI) buttons every time a change
(D
When
LED
to
all the recorded chords have been replayed,
above the BASS RECORD
to
start recording. (See "Hints On
to
be recorded.
chords, press
RECORD
rhythm starts replaying the. chords
replayed chords, press one
button
in
the beginning
same time recording
in
bass pattern
and select
of
is
required.
button
START &
the tune. (See
of
goes
off.
bass
that
V···
-13
4&
-
To
stop
recording, press
(The LEDs will
turn
off.)
START & STOP
button.
Page 15
To
repla y
the
C
~--------------------
rhythm.
Press
the
REPLAY
one
of
the
SE
the
Press replayed.
Select GUITAR), voices (ORCHESTRAL PRESETS, SOLO SYNTHE
PRESETS) "Since
bass, replaying.
r---------------
Start the
.,
Play board SPLIT
SE LECTO R
(The
the
what
other
the
selected
the
melody can mode).
rhythm.
accompaniment
to
recorded chords and bass )
button.
LECTO R's
corresponding
rhythm
(AUTO RHYTHM) and preset
be used.
is
actually recorded are
elements can
1/2/3
button
(The
LED
LEDs will light.)
to
select
the
LED
lights.)
tone
(ACCOMP. PIANO/
the
be
freely selected when
V
The accompaniment recorded
track
will be replayed repeatedly.
to
the
accompailiment.
now
be used for melody (FULL
above it and
track
to
chords and
All
the
key-
KEY
be
in
c::::I
I 2 3
c::::I
~c:::J
000
CHORD BASS SELECTOR
-AECORO-
Cl]I':1PUC~
To
insert
the
Compucorder's replay into
formance (to start Compucorder's replay
I
of
a tune)
1 Follow items 2 Press
above goes off.
3
Start
corder.
4 At
the
replayed by Compucorder, press
The
LED
5 When you want
by Compucorder, press
The
LED
but
the
If you want
START & STOP
0 , • and •
the
REPLAY
the
rhythm and start playing without Compu-
point you want
above lights qtld
to
finish
above goes
rhythm
continues.
to
finish
button:
to
button
again so
to
start
the
accompaniment starts.
theaccompaniment
the
REPLAY
off,
the
the
performance
The rhythm also
0
REF'LAY
,
apart
of
aper-
in
the
middle
the
left.
that
the
LED
the
accompaniment
the
REP LAY
accompaniment stops
button
then,
button:
replayed
again:
press
the
I
To
stop
replaying, press
To
disengage Compucorder, press
ton
so
that
the
LED
• While
• When
[:-
, ,
the
recording
melody
mode be microcomputer recorded chords chords (majors, minors, sevenths, minor sevenths, aug­mented, suspended fourths, minor diminished fifths, minor sevenths diminished fifths, major seventhsl them
2.
3. If
can
be
pJayed on
the
recording has been made
of
the
Fascinating Chord, some replayed chords may
different
HINT
. It
then
If button cording can be started when one of
ment
of leased.
from
those played originally; this
into one
is
the
the
the
of
these nine basic chords. (See page 10)
ON
PLAYING
easier
if
the
playing it back
rhythm
keys
CHORD MEMORY
same chord continues even after
is
instead of
is
pressed.
started using
the
START & STOP
above it goes off.
is
made
in
a Key Split mode
the
full keyboard (FULL) .
-------------,
recording
the
is
done
at
the
faster, required, tempo.
START & STOP
button
the
REPLAY but-
in
the
MULTI-F,INTER
is
other
than
the
by.
at
a slower
the
SYNCHRO START
button,
the
accompani-
is
pressed, recording
the
button.
(1
because
nine basic
converting
tempo,
key
is
or
re-
re-
21.
the
To replay a recorded
If
the track, replayed from 3 1 ­from one track
tune
on
more
SE
LECTO R
the
replay
..
.). Using this function, it
with more
than
button
of
the
the
beginning (in
to
the
+
64
than
64
bars which has been
one track.
is
pressed while replaying a
track stops and
next
and
192 bars) continuously .
the
the
order track 1 -
is
possible
thus
to
next track
play its full
to
is
2.-
skip
14 -
Page 16
MAGie
FOOT
SWITCH AND EXPRESSION PEDAL
MAGie
By
eonneeting
eontrolled
be FILL
\
FOOT
IN)
selector.
MIC
LN
~
the
by
foot
foot.
VOl
©
switeh provided
The
function
M'C
SOLO
PITCH
eontrolled
® ©
2 SEND
This allows the piteh by
half a
tone; venient effeet This Synthesizer Preset voiee
ton,
when
of
is
usually used
pressing
it works
produeed
a Hawaiian guitar.
the
by
to
the
FOOT
SW
terminal
by
the
foot
MA,N
PITCH
FOOT
sw
~I
to
be lowered
it
is
partieularly eon-
used
to
give a gliding
with
the
Solo
but,
SOLO CANCEL but-
with
all
the
tones
the
KB-700.
on
the
switeh depends
SUSTAIN SEND FILL IN
by
side panel,
on
the
setting
Cl
CJ
CJ
Sustain,
of
the
Piteh Bending
MAGIC FOOT (SUSTAIN/BEND/
or
Intro &
Filiin
1 SUSTAIN
The
foot
switeh has
tion
as
the
TAIN funetion with the
ORCHESTRAL SUSTAIN
should be switehed off.
INTRO & FILL
3
The
tion ton. the
middle with
button.
foot
switeh has
as
the
INTRO &
Press
the
Intro & Fill
of a tune
the
Intro & Fill In
the
same fune-
ORCHESTRAL SUS-
When using
foot
switeh,
IN
the
same fune-
FILL
foot
switeh
to
In
rhythm
or
to
start a
rhythm.
can
this
the
button
IN but-
insert
in
the
tune
EXPRESSION
Sy
eonneeting
by
foot.
The
volume inereases
• Use
the
KX-1
PEDAL
the
optional
or
KX-2 Expression Pedal.
HEAD AUX OUT
PHONE
Expression Pedal
or
deereases aeeording
R L
to
to
the
EXP PEDAL terminal
the
amount
by whieh
on
the
the
Expression Pedal
rear panel,
is
depressed.
the
overall volume
ean
be eontrolled
-15
-
Page 17
CONNECTION
TERMINAL AND PITCH CONTROLS
HEADPHONE By
Q
AUX OUT
Connect the the
PHONE terminal.
Stereo system
to
the
input terminals
better
tone
provided
KB·700's speakers, insert a headphone plug (or Shorting plug, etc.) into
by
the
connecting stereo headphones you can enjoy private
listening
of
a stereo system, etc. for recording
stereo system's speakers. To cut off
wh
ich
Connection
(stereo (Extension
will not disturb
cord CN-160
phono
plugs stereo
cord:
CN·163)
other
or the
phono
people.
to
listen with
sound from
the
HEAD-
plugs)
•t I
~1I1JC]J:::.t>
If
the
output
volume
TOTAL VOLUME control
i
of
Connection
c~~'~o
C~:~~on,'-g-U-ita-r-a-'mp,
CN·132 + AP·l00
the
KB-700
to
about
"d~
""~t"'OO.
etc.
(Plug
Adaptor)
is
too
high, sound from
the
mid-point and control
FOOT
SW
the
connected equipment may
the
volume with
'--
(stereo
Plug (mono
VICTRON G series: VICTRON M series:
(The volume of
with
the
the
SOLO PITCH
Use
this
to
Presets. MAIN
PITCH
Use
this
to
Synthesizer Presets.
_________
With
both
Turn clockwise
to
lower the pitch.
cord
phono
Adaptor
mini
Victron's Expression Pedal)
volume control
adjust the overall pitch
adjust
controls, the standard pitch
CN-132
plugs
mono
miniplugl
Ap·l00
plug -mono
the
be
the
to
raise the pitch and counterclockwise
phone plug)
to
AUX
IN
to
EXP
IN
jack
KB·700 can
distorted. To prevent this, set
pitch of voices other than Solo
~
be
of
the
connected equipment.
of
.....
___
~
_______
jack
controlled
Solo Synthesizer
is
A = 442
the
....J
Hz.
MIC IN
Connect VOL contro!.
_ _
..
-111111
the
••
monaural input from a microphone,
With a microphone: The KB-700's various effects (Ensemble, Presence Control,
etc.) can
With an electric guitar, synthesizer, etc.: The KB·700 can be used
tional stereo effects.
With
the
['!!3
I,
I
tape deck, stereo system, etc.: Playback
speakers. This lets you play musicians. multi-track recordings.
other
electric instrument, etc. Adjust
be
used
to
enhance vocals.
By
recording this performance you can make
-16
-
the
level
with the
to
give addi-
is
through
or
sing atong with professional
the
KB-700's
MIC
Page 18
TROUBLES
HOOTING
What seems
.
SOLO
ße
The
.
cannot The
stops
r---~----
The
Bass
._F_I_N_G_E_R_m_o::e_~ar~e~n~o~~ne
Chords
times recording.
I
Chords
The
The
Sound
to
be a
matfunction
is
not
audible.
arpeggio
are
SYNTHE input Fascinating
be
Fascinating
automatically,
KEY
SOLO
and
replayed
different
a-re-n-o~t-re-corded
Ultra
Tremolo
is
audible.
to
the
stopped.
SPLIT
SYNTHE
arpeggio
from
Chord
does
distorted.
nor
rhythmie
PRESETS
MIC
IN
Chord
automatie
Chord
automatie
-~~-"'-----------I--------------------------"~------I
button
PRESETS
of
the
by
the
Compucorder
those
harmony
not
rurlcuon.
is
accompaniment
are
not
terminal
does
not
are
Fascinating
with
played
by
tOO
Compucorder,
is
not
audible.
not
always serious;
audible,
is
not
audible.
accompaniment
aceompaniment
function.
out
of
tune.
Chord
MULTI
the
ch_o_r_d_s.
____
are some- Possibly
orignally
when
in
case
of
Is
the
its
battom
Those sounds are produeed (Fascinating
REPLAY Is
the
15
the
The
CHORD
The
SYNCHRO MEMORY continue
Is
the
A
Key mode The
Key
Compueorder. The
adjustment
MAIN Possibly
+-_c_h_o_rd_s_o_f_t_h_e_m_ic_ro_c_o_m_
microcomputer.
In
recording, the
and
Auto
for
The
Ultra
accompaniment keys, except when replaying
TheTOTAL When sound TOTAL around the
connected
trouble, check
corresponding slide
position?
Chord
mode) and when
SOLO
MIC
VOL
button
only
KB-700
Split
mode
(ONE
Split
PITCH
the
chord
the
chords may be
Rhythm
Chord
VOLUME
the
mid
(see
ONE
CANCE L button
control
MEMORY
START
not:
when
an
using
the
(1
or
FINGER
VOLUME trom
or
is
always
(p. 14)
of
SOLO
control.
played
(pp, 14,
Compucorder
functions.
(p.13)
effect
automatically.
effect
is
executed
PRESETS.
connected equipment
control
position
equipment.
the
following before calling for service.
control
of
the
page
4)
only
during
FINGER,
the
adjusted button
button
In
aceompaniment
Fascinating
2) MULTI
in
PITCH
by
p
'--u_t_e_r_• .;..(p,,-p_,
10)
functions
control
and increase
MULTI-FINGER
Auto
Rhythm
depre5sed?
may be
may be depressed and
this
case,
the
is
the
16)
(P.
Chord
always engaged
FINGER).
FULL
control
the
left
_1_4.:.-,_'0_1
other
than
employs
It
is
thus necessary
only
(p.
only
(p.
7)
may be
of
the
KB-700.
161
STEREO
automatie
rlelnr.,.••,rl
rhythm
key
mode when replaying
may
hand
tlTe
both
when a chord
11
)
with
too
Is
the
lIolume
PAN
aceompaniment
or
is
started.
and aecompaniment
is
depressed. (p.9)
or
Compueorder7
during
a Fascinating
(P. 9)
not
match
is
other
than
-----------------1
nine basic chords
the
Fascinating
to
start
is played
Compucorder
the
Organ end Jazz Organ
high; set a distorted, Keep
.
the
with
little
also cheek
TOTAL
the
Compueorder
the
CHORD
with
that
of
the
the
nine basic
of
the
Chord
the
rhythm
by
the
with
which
lower,
the
VOLUME
controls
(P. 3)
of
SAFETY PRECAUTIONS
• Power should be supplied to household use only
AC
outlet.
the
power cord provided.
• Carefully handle all power and connection cords:
• To disconnect, be sure
• Never handle cords
• Avoid unnecessary or excessive bending
00
not
damage
the
• Never splice cords.
• Oisconnect
the
power cord immediately
an electrical storm.
• Even
with
the power switched
amount
of
a long per iod
00
not
open the KB-700,
repairs
of
its internat components; a serious accident or
current.
of
time,
If
malfunction could result.
For maintenance
and
repairs, leave
the
KB-700 from an ordinary
To avoid malfunctions or accidents,
to
grasp
the
plug,
not
with
wet
hands.
of
the
cords.
in
off,
the
KB·700 uses a small
you do
disconnect
or
not
use the instrument for
the
power cord for safety.
attempt
any adjustments
the
matter to a qualified
the
cord.
cords.
the event
of
or
JVC dealer.
• To prevent accidents or malfunctions, avoid using KB-700 under
• Prolonged exposure
In
environments where the temperature exceeds 40° C or
the
following conditions:
to
direct sunlight.
falls below _5°C.
• Under high-humidity conditions.
• Near a heater, stove, fireplace or other heat source.
In
extremely dusty environments,
or
places subject
vibrations.
• Near a TV set. in
a car
on
• Never leave the instrument
a hot day
functions or external damage may result.
• To clean with Never use benzine or thinner, as or otherwise damage
water
the
KB-700, use a dry cloth, or one moistened
or
a neutral detergent.
they
may crack, discolor ,
the
surface finish.
17 -
as
the
to
mal-
Page 19
SPECIFICATIONS
Number
Solo Presets
Orchestral
Accompaniment : Bass,
tones
Effects
Stereo Mixer
Auto
of
keys
Synthesizer
Presets:
Pan
Pot
Rhythm
61
4,
with
Controls: 12,
with
String Piano Organ Harpsichord Trumpet Vibraphone
String
MAGIC BEND/FILL selector controls
PRESENCE SEMBLE ORCHESTRAL
5 Pan
10,
STRINGS,
G SYNTHE 7 Mixer ACCOMP, STRINGS, SYNTHE) 14,
with
Upper Waltz Samba Bossa-Nova
upper/lower
SOLO
upper/lower
Upper
Ensemble:
selector
CANCEL,
selector
Electric
Piano
Jazz Organ Provided Hawaiian Clarinet Jazz
Flute
ensemble
FOOT selector
IN),
(SUSTAIN/
ULTRA
(CLOSED/OFF/OPENI.
(ORCHESTRAL,
CONTROL,
selector,
STEREO/EN-
TREMOLO
SUSTAIN
pots
(BASS, ACCOMP &
ORCHESTRAL,
& MIC)
controls
(AUTO RHYTHM, BASS,
ARPEGGIO,
ACCOMP Design & specifications are
ORCHESTRAL,
upper/lower
selector
Lower POlk-a-/M:--ar-c-h---1 Rhumba
Tango
Rock'n' Rock
11
Roll
:
SOLO
Guitar
CHORD
BASS),
switch,
switch
ARPEG-
SOLO
KEYING
SUSTAIN
SOLO
Other
switches & :
controls
Terminals
& jacks : AC
Power volume
pitch
input,
put,
Mic
control,
switch, Speakers Amplifieroutput Weight :
:
14
cm
: 4 W x 2 (AC
9.3
kg
Dimensions : 950(W) x
Rated
supply
Rated
power
power
:
AC OC
:
45
W
120/220/240 12
consumption Battery
life : 2 hours
maximum AC
cord,
:
dust
accessories
Options
cover
: KC-20
KS-10 KX-l0 KX-20 Expression Pedal HP-717 HP-M7 HP-Vl
MD-260
out
notice.
switch,
Total
contral,
Solo
Main
DC
input,
input,
Expression pedal,
Headphones
x 2
operation)
(without
batteries)
330(0) x 99(H)
V (car
battery
of
continuous output
foot
switch,
Soft
Carrying Case
Stand
Expression Pedal
Stereo Stereo
Stereo Headset Microphone
volume
synthesizer
pitch
contral
Stereo
contral,
auxiliary
Mic
presets
out-
Foot
mm
V switchable,
or R20
operation
owner's
50/60
Hz
batteries x 8)
at
manual,
Headphones Headphones Headphones/Microphone
subject
to
change
with-
Fascinating
Chord
Compucorder
Controls:
START START,
& STOP,
INTRO&
RHYTHM TEMPO,
DUCTOR
3
modes
(NORMAL, MULTI-FINGER), ACCOMP selector ARPEGGIO
VARIATION
ONE FINGE R,
CHORO MEMORY,
(PIANO/GUITAR),
BASS V AR IATION selectors AUTO) KEY
SPLIT
TRANSPOSE
RECORD
(CHORD, BASS),
selector
(FULL/l!2j,
switch
REPLAY
SYNCHRO
FILL
IN,
BEAT
selector
(1/2/3),
(1,2,3,
KEY
SELECTOR,
CON-
18 -
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