JVC GY-DV5000U User Manual

To contact Paul
Distefano at Visual
Sound:
In NJ...call
609-371-0466
In PA...call
610-690-1491
www.visualsound.com
January 2003 Volume 2, Issue 1
HAPPY NEW YEAR!
The entire Visual Sound Company family wishes you and yours a Happy, Healthy and Prosperous NEW YEAR. Last year certainly had it’s ups ‘n downs, but we all hope you ended your 2002 with a terrific Holiday Season. As far as 2003 goes, we want to hit the ground running. As we mentioned in the last issue of THE VISUAL SOUNDER, we have completely updated our demo room with new cameras, lighting gear, tripods, and four new Non-linear edit systems to facilitate our new OPEN DEMO DAYS. To reserve a spot at one of our weekly demos, please call 800-523-7525.
Wednesdays, Non-Linear Systems:
10:00AM, Apple Final Cut Pro/Aurora IgniterRT. 11:30:AM, Canopus StormEdit/RES300. 2:00PM, Avid XPressDV/Laird Telemedia DVora. 3:30PM, Applied Magic Screenplay
Thursdays, Production Gear:
10:00AM - 12:00PM and 2:00PM
- 4:00PM. These sessions will feature Cameras, Camcorders, Tripods, Monitors, VCR’s, Lighting Gear, and accessories from Sony, Panasonic, JVC, Canon, Lowell, and many many others.
JVC GY-DV5000U Pro 3-CCD DV Camcorder
The GY-DV5000U is a high­performance Professional DV 3-CCD camcorder that boasts advanced features such a 12-bit ADC (used only in broadcast cameras), with advanced 24-bit DSP for superior
image processing and unprece­dented image control. More than just a successor to the GY-DV500U, the 5000 sets a new standard in versatility with its optional network connectivity, external light trigger, Standard/Mini-DV mechanism,
2.5-inch LCD Data/Video display, and more. Newly developed
Standard DV/Mini DV mechanism;
A new double tension tape trans­port utilizes a reel motor in addition to a capstan motor providing more running stability and precise handling. It can accommodate both standard and mini size cassettes without an adapter. De­signed to professional standards, this mechanism also facilitates high speed operation. Cueing is also faster and more accurate. There is a built-in active/mechanical low­noise head cleaner that automati­cally cleans the heads each time a tape is loaded. Up to 270 minutes (4 hrs. 36 min.) of high-quality 8-bit,
13.5 MHz 4:1:1(NTSC) DV compo­nent digital images can be recorded on a standard DV tape, while up to 60 minutes of recording is possible on MiniDV tapes. High-quality PCM locked audio; To complement the superior pictures, the GY-DV5000 offers outstanding digital PCM audio. 16-bit, 48-kHz audio signals are locked with video signals for smooth editing. You can choose from two 16-bit 48-kHz channels or
four 12-bit, 32-kHz channels with a dynamic range of more than 75 dB. Two XLR mic input connectors are provided. Three 1/2-inch CCDs for high resolution; To ensure the best possible image quality, the GY-DV5000U incorporates three 1/2" 410,000 (380,000 effective) pixel CCDs. Each CCD is equipped with highly advanced circuitry that virtually eliminates vertical smear when shooting bright lights against a dark background. Lag and image burn are also reduced to indis­cernible levels. Camera reso­lution is an impressive 800 TV lines. F13 at 2000 lux; The most sensitive camera ever! (F13 at 2000 lux) as­sures effortless shooting in extreme low light situations. This powerful feature increases creative flexibility
and simplifies lighting require­ments. Newly-developed 12-bit ADC and 24-bit DSP; JVC has de­veloped an advanced 12-bit proc­essing system--previously found only in very high end broadcast cameras. The 12-bit ADC (analog to digital con­verter) directly inputs data to the DSP (digital signal processor,) thus eliminating any signal degradation that might otherwise arise from analog cir­cuits. In addition, the advanced video processing brings out natural details--even in extremely bright scenes, greatly reduces noise, and provides color accuracy found only in the most expensive field pro­duction cameras. 1/2-inch in-
dustry standard bayonet lens mount; The GY-DV5000 uses a
standard professional 1/2-inch bayonet lens mount, making it compatible with the widest selec­tion of broadcast and professional lenses. No adapters, no hidden costs. Just a smart way to tap the rich infrastructure of interchange­able professional lenses. Color matrix; A sophisticated six-axis color matrix circuit effectively compensates optics-related color reproduction to ensure more natu­ral, true-to-life tones. Color match­ing adjustment with other manu­facturers' products is also possible with 5 user selectable choices including a "Sony look." Black
stretch/black compress;
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Why Render Your Life Away??
With Sequel or ScreenPlay's real-time editing features you can instantly: Capture and edit profes­sional quality video and audio. Add titles: outline, drop shadow, character extrusion & more. Add transitions: wipes, dissolves, page turns, reveals & more. Add special effects, in­cluding variable slow motions, fast forward/backward, letter box & more. Add color effects: B&W, posterize,
solarize, sepia tone & more.
Real-Time Transitions: Screen­Play and Sequel let you view tran­sitions instantly. Go instantly out to tape without rendering, without waiting! Real-time Color & Special Effects: All color and special effects
Aurora IgniterRT, Real-Time Power for FCP
Let's Get REAL: REAL Offline AND Online! All IgniterRT boards offer not only full, 4:2:2 Uncompressed cap­ture and playback, but also true offline compression with high quality MotionJPEG. (Not half size photo jpeg, and not simple "discard data" meth­ods.) REAL Time! IgniterRT offers true hardware real time filters with Final Cut Pro. Timesavers like Color Correction 3-Way, Desaturate, Brightness/ Contrast, Wide Screen, Mask Shape, Invert, SL Balance, Gamma Correc­tion, and Proc Amp. And it's free! There is no extra charge to get RT and future additions to it. REAL Programmability! Aurora's drivers add new functionality immediately. All RT filters are downloaded directly to programmable hardware. There is no wait for any 'firmware release'. REAL Scalability! IgniterRT011 starts with Composite and Y/C video and un­balanced audio. Upgrades can op­tionally be bundled in, or purchased
are truly real-time at a full 30-fields per sec. All effects can be instantly applied and output at 60 fields per sec. Real-Time Color Processing & White Balance: Instantly adjusts video color cor­rection, contrast, brightness and saturation. The Auto White Bal­ance feature will correct your mis­takes at seemingly warp speed. Image Support for Photos: Creating a photomontage is easy with ScreenPlay's digital connectivity. Easily import images from Smart Media or Compact Flash cards, or a Kodak Picture CD. Sequel requires the Optional DV Upgrade to perform this function.
Each Applied Magic editor
separately. SDI, COMPONENT, Bal­anced XLR Audio, LTC I/O, and 24 frame Film can all be added as your needs change. REAL TRUE Film 24 fps Editing! Igniter Film offers true reverse telecine into 24 FPS time-
lines, 3:2 pulldown on playback, and
0.1% audio stretching to per­fectly match the conversion from
29.97 to 24. Perfect
clock-by-clock audio sync is maintained throughout the process. No other FCP card has all of these capabilities. REAL YUV Processing! Igniter Offers the highest quality video capability with true YUV mode processing. When needed, we also offer the best possible RGB-YUV processing algorithms. REAL Multiple Video Output! Connect your IgniterRT to an SDI deck, a COMPONENT deck, and to both a Y/C monitor and Composite monitor for previewing your edits. Aurora was the first to deliver Quicktime Compatible, Un­compressed video with a Mac! With
comes with a mouse, custom keyboard and 1-year warranty. The size and weight of a VCR, each editor is portable and connects easily to a
television or moni­tor. ScreenPlay and Sequel are turnkey, PC-free editors therefore the po­tential for hardware
and software in­compatibility and conflicts are eliminated. Our editors are designed to do one thing, and only one thing well, edit video.
List Prices: Sequel - $1,995.00, ScreenPlay - $3,795.00, ScreenPlay Plus - $4,395.00. Special Academic version pricing is available to schools. Many optional features are also available. CALL TO SCHEDULE A
DEMONSTRATION.
the release of IgniterRT in August 2001, Aurora was the first to deliver Final Cut Pro Real time effects with Uncompressed video! Igniter was the first Final Cut Pro Qualified Un­compressed editing board! Igniter is the ONLY board available with Timecode Write/Read support!
With hardware starting at under $1,000.00, Aurora Igniter RT Systems are the only solutions of their type which allow you to upgrade as you grow to incorporate Component, SDI, and Film options. Aurora also is the only solution that offers you motion JPG compression from as little as
1.5:1 all the way to 50:1. Igniter RT is the MOST flexible, cost effective, broadcast quality board you can use with Final Cut Pro. Call Visual Sound to arrange a personal demo today.
DID YOU KNOW...
With the acquisition of the Audio/Video Products and Systems Division of Peirce-Phelps, Visual Sound, Inc. has become the largest full-service audio/video and presentation systems dealer of its kind in the Mid-Atlantic region. With over 400 product lines, VSI is now a one stop shop for any audio or video need. Products from Crown, Rane, Sony, Panasonic, and JVC are just some of the lines we can offer to our customers. We can design, engineer, build and service any system large or small. Visual Sound is an authorized service center for many of the manufacturer lines we represent. Our technicians are factory certified and are requalified through schooling on the latest techniques to troubleshoot your equipment. We pride ourselves in our ability to service what we sell...and what we don't sell. From audio/video and presentation equipment sales, installation and service, to large-scale rental support for meetings and events, Visual Sound is your total AV technology resource! With Pennsylvania locations in Broomall, Philadelphia,
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