JBL Control 14C-VA, Control 16C-VA Owner's Manual & Installation Manual

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Control 10C-VA Series Ceiling Loudspeakers
Owner’s Manual
& Installation Guide
Rev A
Control 12C-VA, Control 14C-VA, and Control 16C-VA
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Table of Contents
Product Description ....................................................2
Product Feature Identication ................................... 2
Installation Preparations ............................................. 3
Step-By-Step Installation and Wiring ....................... 3
Painting the Speaker .................................................... 7
Safety Agency Compliance ......................................... 8
Maintenance ................................................................. 8
Replacement Parts ....................................................... 8
Contacting JBL .............................................................8
Product Specications ................................................. 9
ank you for purchasing JBL Control Contractor ceiling loudspeakers. Read through this manual to familiarize yourself with the features, applications and precautions before you use these products.
Product Descriptions
e JBL Control Contractor Control 10C-VA Series of EN54-24 certied ceiling loudspeakers utilize innovative design and materials to provide premium level performance from compact in-ceiling speakers.
CONTROL 12C-VA – A 3” (75 mm) full-range driver to provide high-delity full-range sound over an extremely wide coverage area.
CONTROL 14C-VA – A wide bandwidth ceiling speaker containing a co-axially mounted 4” (100 mm) woofer and ¾” (19 mm) so-dome tweeter.
CONTROL 16C-VA – A wide bandwidth, high sensitivity, extended bass ceiling speaker containing a co-axially mounted 6.5” (165 mm) woofer and ¾” (19 mm) so-
dome tweeter.
(Control 14C-VA Shown)
Product Feature Identication
Zinc-Plated Steel Backcan
Tap Selector for

direct and OFF
Loudspeaker Driver
Attachment Screws
Gland Nut
Seismic Tab (secondary support point)
Terminal Cover Plate
(Ceramic Terminal Block Inside)
Rotating Mounting Tabs (dog-ears)
Perforated Press-In Grille
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Installation Preparations
e entire installation can be accomplished, if necessary, with­out requiring access above the ceiling. Bracketry for use with either suspended ceilings or sheetrock ceilings is included. e speaker is held securely in place via mounting ears which lock
into place.
OPTIONAL PRE-INSTALLATION BRACKETS
IN MOST CASES, NO BRACKETS OTHER THAN THE ONES INCLUDED WITH YOUR SPEAKER ARE REQUIRED. Everything needed for most installations of these loudspeakers is provided with your Control Contractor ceiling speaker.
However, when the speaker is being installed into a sheet rock (typically gypsum board) ceiling, JBL’s optional pre-installation brackets can be installed before the sheetrock is installed. e pre-installation bracket provides a bracket to which wiring can be tied behind the sheetrock. It can function as a cutout tem­plate when many cutouts are to be made in a production-line style installation, and it secures the ceiling speaker to the building structure. Two types of pre-installation brackets are available from JBL Professional as optional accessories:
1) e optional NEW-CONSTRUCTION BRACKET is made of at sheetmetal, with wings to attach to the building structure. Holes are drilled for nails or screws at 16 inches (406 mm) and 24 inches (610 mm) on-center. Additional holes can be drilled by the installer at other spacings up to a maximum of 24-3/4 inches (630 mm) apart. Sheet rock installs over the bracket, and the bracket provides a template for blind cutout of the hole in the sheet rock. e sheet rock is typically cut with a router-type cutting tool, using the bracket ring as a cutout guide.
Figure 1:
Optional NC New-Construction Bracket
2) e optional PLASTER-RING BRACKET (or “mud ring”) contains a circular oset, forming a edge guide for sheet rock plastering. e bracket has wings that attach to the building structure. Sheet rock is typically either precut or cut with a rotary cutting tool using the outside of the plaster ring circle as a guide. e sheet rock hole is then plastered (or “mudded”) up to the ring to create a seamless cutout.
Figure 2:
Optional MR Plaster-Ring Bracket (“Mud Ring”)
Table 1: New Construction Brackets
Model
New
Construction
Bracket
Plaster-Ring
Bracket
Control 12C-VA MTC-24NC MTC-24MR
Control 14C-VA MTC-24NC MTC-24MR
Control 16C-VA MTC-26NC MTC-26MR
USING INCLUDED C-BRACKET WITH SHEET-ROCK
For most installations, the INCLUDED C-shaped backing plate provides adequate reinforcement to the ceiling material, spread-
ing out the clamping force from the tab clamps.
CUTOUT SIZES
Table 2: Cutout Sizes
Model
Cutout Size (diameter)
Control 12C-VA 167 mm (6.7 in)
Control 14C-VA 167 mm (6.7 in)
Control 16C-VA 225 mm (8.8 in)
STEP-BY-STEP INSTALLATION AND WIRING
e installation system has been designed so that the entire installation can be accomplished from beneath the ceiling for instances when access above the tile is not possible or practical. However, in some cases it may be easier with removable ceiling tiles to access from both the top and bottom of the ceiling tile during various phases of the installation.
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Step 1 – Cut the Hole in the Ceiling Material. Cut-
out the circular hole to the cutout hole size listed above. Pull the wiring through the cutout hole.
Figure 3:
Hole Cutout
Step 2 – Insert Backing Hardware rough the Hole. Packaged with the speakers are two types of backing
hardware – a C-shaped backing-plate bracket and two tile rails.
Suspended Ceilings – Insert the C-plate through the hole cut in the ceiling tile. Place the C-plate around the hole with the tabs located as shown on Figure 4. Insert the tile rails through the cut hole in the ceiling tile. Snap the two rails into the two tabs in the C-plate and align the rails so that the ends extend OVER the T-channel grid on the side of the tile. Secure the rails onto the C-bracket tabs by inserting a screw though each tab into the rail. is can all be accomplished
from below the ceiling tile, if necessary.
FOR SAFETY: IMPORTANT TO USE BRACKETS
ALL included support brackets – C-plate and tile rails -- MUST be used when installing into suspended ceiling tiles.
Figure 4:
C-Bracket and Tile Rail Positioning on Ceiling Tile
Additional Suspended Ceiling Installation Information
Tile Rails: e tile rails are designed to t either standard 24-inch wide tiles or 600-mm wide tiles. e tile rail piec­es do NOT physically attach to the T-grid struts. Instead, the inverted-V shape at the ends of the rails sit OVER the T-grid strut. During normal operation, the rails are supported by the edge of the tile. If the tile were to come out or fall apart, the ends of the support rails are designed to catch onto the T-grid, providing secure support to hold the loudspeaker assembly in place.
Vibration Reduction: Loudspeakers can generate sub­stantial vibration which can cause buzzing of the ceiling materials or structure. Depending on the character of the ceiling tile and structure, the installer might need to place neoprene or other dampening material under the tile rails or the edges of the tiles to eliminate rattles.
Cutout Placement: e tile rails are pre-punched with attachment holes along their length. Placement is not limited to the center of the tile as is the case with many other tile rail support systems.
Non-Suspended Ceiling Typese C-bracket can be optionally used by itself to shore up the ceiling material and to spread out the clamping force from the tab clamps. Insert the C-plate through the cut hole in the ceiling and place it on the back side of the hole before inserting the speaker.
Step 3 -- Removing Terminal Cover. Loosen the 4
screws holding the Terminal Cover Plate (you do not have to remove them), slide the plate to where the screws line up with the larger end of the keyholes, and remove the Terminal Cover Plate.
Figure 5:
Loosening the four set screws holding the Terminal Cover Plate
and removing the plate.
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Make sure the gland nut tting is axed and tightened in the proper knock-out location (add a second gland nut to the other knock-out location if two glands nuts are desired). Slide the wire through the gland nut (do not tighten the gland nut onto the wire yet).
Figure 6:

Plate
Step 4 – Connect the Wiring to the Ceramic Ter­minal Block – e Ceramic Terminal Block is attached to
the speaker. Strip the insulation back about 5 mm (about 3/16 inch). Do NOT strip wires back any longer than this. Insert the bare end of wire fully into the connector (not allowing any bare wire outside of connector). Only utilize the side of the terminal where there aren’t already wires connected.
Add a second set of wires in parallel to the same terminals if a second wire is utilized for looping to another loudspeak­er. Screw down the hold-down screw until tight using a small phillips-type screwdriver. Tighten any unused screws to avoid
rattling from vibration.
Figure 7:
Connecting Wires to the Ceramic
Terminal Block
(Note that the right-hand wire shown
in diagram is optional. It only needs to be connected if the chassis of the
driver needs to be connected to a safety
ground.)
Figure 8:
Connecting two sets of wires to the
Ceramic Terminal Block for loop-out to a
subsequent loudspeaker
Figure 9:
Paralleling connections to multiple
speakers for 70V or 100V distributed
speakers systems
Guide to the Pins for Connection -- e Ceramic Terminal Block contains 3 terminals, as marked on the connector as + INPUT, - INPUT and GROUND.
Figure 10:
Terminals
Figure 11:
Shown wired (without cover shown)
-
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Step 5 – Re-attach Terminal Cover Plate and Tighten Gland Nut -- Slide the wire through the gland nut
until you can re-attach the Terminal Cover Plate. Install the cover plate so that the screws go in through the keyholes, and slide the plate so that the screws are back at the narrow-slot end of the keyholes. Tighten the 4 screws. Tighten the gland nut onto the wire (leaving enough slack inside the coverplate so that there is no strain on the wires inside the compartment).
Figure 12:
Re-attaching Terminal Cover Plate
Figure 13:
Shown wired with Terminal Cover Plate
in place
Step 6 – Insert Speaker into Ceiling & Tighten In-
sert the speaker into the ceiling as far as it goes, until the front bae rim touches the ceiling.
Figure 14:
Inserting Speaker into Ceiling
(C-ring/tile-rail assembly is above the ceiling tile. Speaker inserted through cutout in ceiling material. Diagram shown
without cable and ceiling tile for clarity)
Turn the attachment screws to tighten the mounting tabs, by using the following directions:
Figure 15:
Tightening Mounting Tabs
IMPORTANT -- For each attachment screw, FIRST turn ½ turn COUNTER-CLOCKWISE to release the mounting tab from its guide.
en tighten the mounting tabs by turning the screw CLOCK­WISE until tight. e rst ¼ clockwise turn rotates the attach­ment tabs outward and the remaining turns tighten the tabs down onto the back of the ceiling surface. DO NOT OVER­TIGHTEN.
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A tab is provided on the back of each speaker for connection to an independent secondary support point. Some construc­tion codes require using this secondary support point, which requires connecting a support line to a separate secure support point on the building structure. Consult construction codes in your region.
IMPORTANT -- Control Contractor ceiling speakers can gen­erate substantial vibration . Using the seismic tab as a secondary support point is highly recommended in case the ceiling tile or structure breaks. In some areas, using the seismic tab as a secondary support point is required by code.
Step 7 Adjust Tap Selector e tap selector rotary
switch is located on the front bae. Adjust the tap setting before applying power to the speaker and before inserting the grille. From the OFF position, turn the selector counter-clock­wise to set to the 8Ω (low impedance) nominal setting (see spec sheet for more precise impedance information) or turn the selector clockwise to set to the various 70V and 100V distribut-
ed system tap settings.
Figure 16:
Tap Selector
(Shown: Control 14C-VA. Tap ratings on the

Step 8 – Insert the Grille Aer testing the speaker,
consider which direction the logo is facing and press the grille into place until the front of the grille is ush with the rim. It is oen easiest to press in various places around the perimeter of the grille. Make sure grille is securely seated to prevent it from vibrating loose and falling.
Removing the Grille -- e grille presents a tight t in order to make sure that it won’t fall out, even with high vibrations that can be produced by these speakers. If you need to remove the grille, it is easiest to do so by inserting 2 pointed objects (such as push pins) into 2 nearby holes in the grille, presenting slow even pressure to pull down on the grille until that section of the grille comes out approximately 6 mm (1/4 inch) . Work your way around the grille, loosening a section
at a time until the grille comes out.
Painting the Speaker
For EN54 Applications -- Painting is not allowed for EN54
applications, under the general requirements for EN54-certied loudspeakers.
For Non-EN54 Applications -- e speaker’s textured white nish complements most decor and does not need further n-
ishing. Where the interior design requires it, these speakers are easy to paint.
e rim can be painted before installation or in cases where the rim needs to be nished along with the ceiling, the speaker rim can be painted aer attaching into the ceiling.
Type of Paint e speaker’s ABS rim accepts almost any type of latex or oil based paint. Two coats are recommended.
Painting Process – For best results, the following procedure is recommended:
• Clean the rim and grille with a light solvent such as mineral spirits by rubbing the item with a lightly dampened cloth. Do not, however, use abrasives such as sandpaper or steel wool. Nor should you use gasoline, kerosene, acetone, MEK, paint thinner, harsh detergents or other chemicals. Use of these cleaners may result in permanent damage to the enclosure.
• Aer cleaning, apply two or more thin coats of either latex or oil-based paints. Latex paint will adhere best if an oil-based primer is used rst. Application can be made by rolling, brush­ing or spraying.
Painting the Speaker Along With the Ceiling – Insert the clear plastic paint shield into the front of the speaker to mask the drivers and internal bae, paint the speaker, then remove the shield.
Painting the Grille – Painting the grille requires removal of the logo prior to painting (the logo should be stuck back onto the grille aer painting, making sure it is located in the exact center of the grille).
e backing to the grille is glued in place so that it can’t interfere with the movement of the woofer cone. Leave the grille backing in place. Spray the grille lightly using thinned paint. Make sure the spray is light enough that when the grille is held up to the light, you can still see light through the grille holes (which means that sound can also get through). Spray only the front of the grille, not the back. Rolling or brushing the paint is discour­aged because the mesh and/or backing may become clogged with paint and poor sound quality may result, however using a
very short-napped roller can be made to work.
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Safety Agency Compliance
Maintenance
S7232
LISTED
15CM Signaling Speaker
e standard Control 12C/T, Control 14C/T and Control 16C/T models are certi ed per UL-2043 Fire Tests for Heat and Visi­ble Smoke Release for Discrete Products and their Accessories Installed in Air Handling Spaces, NFPA-70 National Electric Code 1996, Article 300-22(C), and NFPA-90A Installation of Air Con­ditioning and Ventilation Systems, Section 2-3.10.1 (a), Exception
3. Listed UL1480-6 Speakers for Fire Protective Signaling Systems. SUITABLE FOR USE IN AIR HANDLING SPACES.
e C-VA models -- Control 12C-VA, Control 14C-VA and Con­trol 16C-VA are certi ed per EN54-24
No maintenance is required when installed in accordance with installation and wiring guidelines described in this
manual.
Replacement Parts
ere are no user serviceable parts inside these speak­ers. Refer servicing to an authorized JBL Service Cen­ter. For the name of an authorized Service Center in your area, contact JBL Professional at the address listed
below.
Warranty & Contacting JBL
ese products are designed and backed by JBL Professional, the world leader in sound reinforcement. For complete JBL warranty information, to order replacement parts or to ask for clari cations to this manual, contact JBL Professional:
ese products are in compliance with the EMC Directive 89/336/ EEC and Article 10 (1) of the directive. In compliance with Tech­nical Regulations EN50081-1 and EN50082-1. For a copy of the model-speci
address listed at the end of this manual.
c CE Declaration of Conformity, contact JBL at the
WITHIN THE UNITED STATES: Contact the Applica­tions Dept, JBL Professional, PO Box 2200, 8500 Balboa Blvd, Northridge CA 91329 USA. In the USA you may call Monday through Friday 8:00 am to 5:00 pm Paci c Coast Time (818) 894-8850.
IN OTHER AREAS THROUGHOUT THE WORLD: Contact the JBL Professional Distributor in your country.
A list of JBL Professional Distributors and U.S. Service Centers can be attained from the JBL Professional WWW. JBLPRO.COM website.
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Product Specications
See product specication sheets for complete specication
listings.
Control 12C-VA
Components: 76 mm (3 in) full-range driver Frequency Range1: 68 Hz - 17 kHz Power Capacity (low-Z): 40 W Cont. Program 20 W Cont. Pink Noise Sensitivity2: 84 dB Coverage3: 130˚ Max. SPL: 97 dB @ 1m ave., 103 dB peak Nominal Impedance: 8 ohms (in direct/bypass 8 setting) Transformer Taps: 15W, 7.5W, 3.8W @ 70V & 100V; plus 1.9W @ 70V
Control 14C-VA
Components: 100 mm (4 in) LF driver 19 mm (3/4 in) HF driver Frequency Range1: 74 Hz - 20 kHz Power Capacity (low-Z): 60 W Cont. Program 30 W Cont. Pink Noise Sensitivity2: 87 dB Coverage3: 120˚ Max. SPL: 102 dB @ 1m ave., 108 dB peak Nominal Impedance: 8 ohms (in direct/bypass 8 setting) Transformer Taps: 25W, 12.5W, 6.3W @ 70V & 100V; plus 3.2W @ 70V
Control 16C-VA
Components: 165 mm (6.5 in) LF driver; 19 mm (3/4 in) HF driver Frequency Range1: 62 Hz - 20 kHz Power Capacity (low-Z): 100 W Cont. Program 50 W Cont. Pink Noise Sensitivity2: 91 dB Coverage3: 110˚ Max. SPL: 108 dB @ 1m ave., 116 dB peak Nominal Impedance: 8 ohms (in direct/bypass 8 setting) Transformer Taps: 30W, 15W, 7.5W @ 70V & 100V; plus 3.8W @ 70V
1
Half-space (flush mounted in ceiling)
2
Continuous Pink Noise Rating is IEC-shaped pink noise with a 6 dB crest factor for 100 hours continuously. Continuous Program Power is a conservative expression of the system’s ability tohandle normal speech and music program material, and is defined as 3 dB above the Continuous Pink Noise Rating.
3
Half-space (in ceiling) average 1 kHz to 16 kHz.
5065359A
JBL Professional 8500 Balboa Blvd, P.O. Box 2200 Northridge, CA 91329 U.S.A.
Contribution of Each One-ird Octave Frequency Band when Speaker is Driven at Full Volume, measured at 4 meter dis­tance (req’d in this manual by EN54-24):
Control 12C-VA
Freq (Hz) Value 500 57.4 630 57.2 800 57.4 1000 57.8 1250 57.4 1600 59.9 2000 58.9 2500 54.7 3150 57.3 4000 59.2
Control 14C-VA
Freq (Hz) Value 500 58.8 630 58.0 800 58.4 1000 58.1 1250 57.7 1600 59.1 2000 59.0 2500 58.6 3150 60.8 4000 62.8
Control 16C-VA
Freq (Hz) Value 500 62.5 630 62.3 800 63.7 1000 65.6 1250 62.2 1600 62.9 2000 63.8 2500 64.4 3150 63.7 4000 65.4
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