Hughes & Kettner Triplex User Manual
BEDIENUNGSANLEITUNG
ENGLISH
MANUAL
DEUTSCH
FRANÇAIS
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ESPAÑOL
illustrations
technical data
MODE
FX-UNIT
RED
BOX
LINE OUT LINE IN
IN OUT
INPUT
FOOTSWITCH
FS-2
LINE OUT
PHONES
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DEUTSCH
FRANÇAIS
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C O N G R AT U L ATIONS AND THANK YOU
FOR CHOOSING THE HUGHES & KETTNER
TRIPLEX AMP!
Men and women with a mission, our team of guitarists and
engineers developed the TRIPLEX with the goal of putting a
powerful musical tool into your hands: an amp that is easy to
handle, delivers top-notch tone, and gives you features that
make musical sense in the real world.
The TRIPLEX is the ideal workhorse for demanding guitarists who
want an amp that provides a broad range of great sounds and
the essential effects in an all-in-one package. Its efficient
Current Feedback power amp not only pumps out 50 watts
of power, it also delivers the sought-after characteristics of
vacuum tubes.
The Celestion®RockDriver Junior 12” speaker is a key
component in the signal chain and the quality tone that
distinguishes this amp. Delivering vintage-style sound, the
speaker's efficiency is also remarkable. Equipped with these
high-quality components, your TRIPLEX is far louder than other
amps bearing the same output rating.
With an ingenious on-board digital effects section, the TRIPLEX
allows you to dial in all the essential effects, quickly and
without a lot of fuss. In designing the processing section, we
focused on implementing pure, crystal-clear effects of the
highest quality rather than everything-but-the-kitchen
combinations of cheesy, cheap -sounding presets.
In terms of tone, versatility and fine features, the TRIPLEX
delivers the goods on stage, in the studio and in rehearsal
rooms. Designed for easy, intuitive handling, the TRIPLEX is a
true plug & play amp. In no time at all, you'll be dialing in the
sounds you've always wanted to have at your disposal.
This operating manual points out the amp's many interesting
aspects, so you can effortlessly make the most of the
possibilities and features of the TRIPLEX.
WE WISH YOU A LOT OF FUN AND
SUCCESS WITH YOUR NEW TRIPLEX!
BEFORE POWERING UP. . .
• Check that the local current and the amp's AC power
rating are identical before you plug the power cord
into an AC outlet.
• Ensure that air can circulate freely around your amp's
ventilation ducts.
• Place the amp on a stable platform where it is not
exposed to mechanical shocks and temperature
extremes which may damage the amp or endanger
the safety of bystanders.
• Hughes & Kettner is not liable for damages due to
improper use.
HOME
1.0 CHANNELS
The TRIPLEX features a newly developed preamp that not only
produces authentic harmonic overdrive but also responds
dynamically to your picking style. Based on semiconductors,
this innovative circuitry simulates the sound-shaping elements
of tube amps and delivers sound quality unparalleled in this
price range. It also provides the dynamics demanding
guitarists require for musical expression.
CLEAN:
Depending on the preamp control settings, the TRIPLEX delivers
a variety of contemporary and vintage clean tones. At higher
VOLUME settings, the "SoftClick" circuitry delivers that slight
edge you would expect from a vintage tube amp. If desired,
the CLEAN channel can put out plenty of crunch.
R E V E R B :
The reverb section of the TRIPLEX generates a clean room
simulation. Use the FX-Mix knob to dial in the desired effects
level.
D E L AY:
This classic effect lets you dial in anything from short slap-back
delay to lengthy tape-style delays. You can vary the Delay
Time, Feedback and FX-Mix knobs as you see fit.
C H O R U S :
Featuring a variable Chorus Rate, the chorus section of the
TRIPLEX gives you a vast range of subtle variations to chose
from—anything from a slight shimmer to Univibe-like effects
à la Hendrix.
O V E R D R I V E :
This channel delivers direct, in-your-face classic rock sounds
with a very British feel. The MID control is a very effective
sound-shaping tool; it lets you dial in many different lead
sounds. If you drastically taper off the mids, the TRIPLEX will
produce the unmistakable sound of modern tube amps
- ideal for tapping and heavy-duty power chord riffing.
2.0 EFFECTS SECTION
You can select reverb, delay or chorus individually for each of
the two channels of the TRIPLEX. The tweaking options are
streamlined for no-fuss handling, putting the most important
functions at your fingertips.
3.0 JACKS AND CONTROL FEAT U R E S
FRONT PA N E L :
INPUT: Input sensitivity is broad enough to handle guitars
equipped with humbuckers, active pickups, or single coils.
CLEAN VOL: Determines the CLEAN channel's volume.
Depending on the type of pickups in your instrument, the amp
will begin to clip somewhere around the 12 o'clock setting
(SoftClick).
FX SELECT: One three-position toggle switch for each channel
lets you preselect the desired effect (reverb, delay or chorus).
CHANNEL SELECT: This channel selector switch activates either
the CLEAN or OVERDRIVE channel. The OVERDRIVE channel is
active when the button is pressed.
REVERB: Controls how much integrated reverb is added to the
signal. Reverb is automatically adjusted for each channel
when you switch channels.
RED OVERDRIVE LED: The red LED illuminates when the
OVERDRIVE channel is active.
MODE: Overdrive Mode button; it allows you to switch back
and forth between two distinct overdrive characteristics.
OVERDRIVE GAIN: Controls the amount of distortion in the
OVERDRIVE channel.
OVERDRIVE MASTER: Determines the OVERDRIVE channel
volume level in relation to the CLEAN channel volume level.
EQ SECTION: Common BASS, MID and TREBLE controls for the
both channels. MID and TREBLE controls influence each other,
as is standard in tube amps: if you boost the treble, the mids
are cut and vice versa. This sound-shaping feature allows you
to dial in a wide variety of subtle tonal variations.
FX-MIX: Controls the amount of reverb or delay depending on
which effect was preselected.
DELAY: Varies the delay time.
FEEDBACK: This knob controls the amount of feedback for the
delay effect.
CHORUS RATE: Controls the rate or speed of the chorus effect.
MASTER: Controls the amp‘s master volume level. The LINE OUT
signal is unaffected by the MASTER control.
REAR PA N E L :
LINE OUT: Use this jack to feed the signal to the input of an
FX processor. You can also route the signal to a second power
amp or through a RED BOX to a mixing console.
LINE IN: If you are sending the LINE OUT signal to an
FX processor, connect the output from that processor
to this jack.
FOOTSWITCH: This jack is for a standard footswitch (e.g. Hughes
& Kettner FS-2) and it allows you to switch back and forth
between the CLEAN and OVERDRIVE channels and to switch
the effects on/off. When using a footswitch, ensure the
CHANNEL SELECT switch on the amp‘s front panel
is set to CLEAN.
PHONES: Headphone jack. The speaker is automatically
switched off when a plug is inserted into this jack.
MAINS: Connect the included Euro-norm mains cord to this
socket. Ensure the amp's voltage rating matches your local AC
voltage rating before you plug the cord into the wall socket.
4.0 STANDARD SETUP/ CABLE CONNECTIONS
5.0 OPERATING THE TRIPLEX
5.1 SELECTING CHANNELS
Use the CHANNEL SELECT switch or an external footswitch
to change channels.
NOTE: Before using a footswitch, set the CHANNEL SELECT
switch on front panel of the amp itself to the CLEAN position.
5.2 THE TRIPLEX AND SIGNAL PROCESSORS
The effects loop on the TRIPLEX is a serial effects loop, meaning
that the entire preamp signal is routed
to the FX device and processed there.
TO CONNECT A SIGNAL PROCESSOR:
• Connect the processor‘s INPUT to the TRIPLEX LINE OUT jack
and the processor‘s OUTPUT to the TRIPLEX LINE IN jack.
• To avoid noise, signal degradation, and interrupted signals,
only use high-quality patch cables.
• Make sure the processor is not distorting the signal. Check
the processor's gain LEDs (if it is equipped with this type of
display) and use the input and output controls to dial in a
suitable level.
• Distortion devices are not designed for use in an FX loop. As
a rule of thumb, any kind of device that compresses the
signal should be connected first in the signal chain.
Depending on the type of effect you want to achieve, you
may want to connect your compressor directly between the
instrument and the amp's input.
• If you are using several processors or stomp boxes, ensure
you connect them in the proper order.
5.3 THE TRIPLEX AND MIXING CONSOLES
If you want to feed the TRIPLEX ' signal to a mixing console, we
recommend you route it through a Hughes & Kettner RED BOX.
Patch the signal from the LINE OUT jack, as this signal path's
level is not influenced by the MASTER setting. The RED BOX
balances the signal and simulates a speaker cabinet.
6.0 SERVICE AND PREVENTIVE
MAINTENANCE
The TRIPLEX does not require service of any type. However,
there are a few precautions you should heed to ensure your
amp lasts for many years.
• Ensure all peripheral devices, cords and cables are in a state
of good repair. Defective speaker cables are the most
common cause of power amp failure. Poor-quality cables
will cause hum and undesirable noise.
• Make certain your amp's ventilation ducts are not blocked
or covered. Proper cooling will prolong the life of your amp.
• Avoid mechanical shocks and exposure to extreme heat,
dust and especially moisture.
• When connecting peripheral devices, always pay close
attention to their specifications. Never connect devices with
high output signal levels (e.g. power amps) to your amp's
input.
• Ensure you have the correct AC power rating available
before you plug in the amp. If in doubt, ask the venue's
sound technician or the custodian of the building you are
rehearsing in.
• Refrain from do-it-yourself repairs! Have a qualified service
technician replace internal fuses.
With the unit off and unplugged, use a soft damp cloth to
clean the exterior surface of the TRIPLEX.
7.0 TROUBLESHOOTING
1) The TRIPLEX will not switch on:
• The amp is not getting any AC power. Check the mains
cable to see if it is connected properly.
• The mains fuse is defective. Replace the fuse with another
identical fuse. If this fuse also trips, consult your Hughes &
Kettner dealer.
2) The TRIPLEX is connected properly, but no sound is audible.
• One or several GAIN and MASTER controls may be turned all
the way down. Dial in a higher setting.
• A short circuit in the speaker signal chain may have tripped
an internal fuse. Make sure none of the connections are
shorted out and have a qualified service technician replace
the fuse (identical specifications are a must).
3) The footswitch does not switch channels:
• The front panel selector switch may be in the OVERDRIVE
position. Set it to CLEAN (in this case, CLEAN = off).
• The footswitch is not connected to the TRIPLEX. Plug it into
the appropriate jack.
4) When accessed, the LINE OUT/LINE IN jacks cause annoying
hum.
• An electrical or magnetic field is causing interference. Use
higher-quality cables or re-arrange the cables you are using
to reduce interference to a minimum. If this still doesn't
improve the situation, use a DI box.
• The grounding of the connected devices may be causing a
ground loop. DO NOT SEVER THE GROUND OF THE
CONNECTED DEVICES UNDER ANY CIRCUMSTANCES! Try
plugging all devices into the same socket via an AC power
distributor/power strip. If this doesn't eliminate the noise, you
must ensure the connection is galvanically separated by
routing the signal through a DI box.
5) You have connected an FX processor to the LINE OUT jack
and the signal is totally distorted, even when you have
dialed in a clean sound.
• The LINE OUT signal is overloading the input of the FX
processor. Reduce the processor‘s input sensitivity ("INPUT" or
"GAIN").
6) You have connected an FX processor to the LINE OUT jack
of the TRIPLEX and the signal's volume level is way too low.
• The FX processor's output level is set incorrectly. Turn it up.
TECHNICAL DATA
PREAMP SECTION:
CLEAN + OVERDRIVE solid state channels
INPUT: -10 dBV/ 1 M ohm
LINE IN: 0 dBV/ 25 k ohms
LINE OUT: 0 dBV/ 220 ohm
POWER AMP SECTION::
'CURRENT FEEDBACK' solid state power amp
Output Power:
50 watts rms into 8 ohms
Freqency response:
20 Hz - 30 kHz (into 8 ohms)
S P E A K E R :
CELESTION®RockDriver Junior, 12”, 8 ohms
Headphones:
100 mW into 4 - 600 ohms
GENERAL FEAT U R E S :
Voltage:
230 V~ (European model)
117 V~ (North American model)
100 V~ (Japanese model)
Max. power consumption:
70 VA
Mains Fuse:
slo-blo 250 mA (230 V model)
slo-blo 500 mA (117 V model)
slo-blo 630 mA (100 V model)
Dimensions: (W x H x D)
490 x 445 x 270 mms
19.2” x 17.3” x 10.5”
Weight:
approx. 32 Lbs./approx.14,5 kgs
WIR FREUEN UNS, DASS DU DICH FÜR EINEN
HUGHES & KETTNER TRIPLEX AMP
ENTSCHIEDEN HAST!
Ein Team aus Gitarristen und Technikern hat den TRIPLEX mit
dem Ziel entwickelt, anspruchsvolle Gitarrensounds mit
einfachster Bedienung und praxisgerechter Ausstattung
zu kombinieren.
Der TRIPLEX ist das ideale Arbeitsgerät für anspruchsvolle
Gitarristen, die amtliche Grundsounds, kombinierbar mit den
wichtigsten Effekten in einem kompakten Amp fordern. Seine
leistungsstarke Current Feedback Endstufe sorgt nicht nur für
50 Watt Power, sondern auch für standesgemäßen, offenen
”Röhrencharakter”.
Einen besonderen Anteil an der Soundqualität hat dabei der
Celestion RockDriver Junior 12” Speaker. Dieser überzeugt
durch seinen authentischen “Vintage” Soundcharakter und
einen hervorragenden Wirkungsgrad. Damit ist Dein TRIPLEX
deutlich lauter als andere Verstärker mit gleicher
Ausgangsleistung.
Die ausgeklügelte, digitale Effektsektion des TRIPLEX
ermöglicht es Dir, mit wenigen Handgriffen, ohne komplizierte
Menusteuerung, alle nötigen Effekte zu realisieren. Dabei
haben wir weniger Wert auf die Kombinationsmöglichkeiten
vieler Billig-Effekte gelegt, sondern auf pure, glasklare
Effektsounds in hervorragender Qualität.
Der TRIPLEX überzeugt bei Livegigs, im Studio und im Übungs raum durch Sound, Flexibilität und Ausstattung. Das übersichtli che und komfortable Bedienkonzept macht es einfach, direkt
in die Soundwelt des TRIPLEX einzusteigen - diese Bedienungs anleitung wird Dir darüber hinaus interessante Aspekte über
die Möglichkeiten und Features Deines TRIPLEX vermitteln.
VIEL ERFOLG UND SPASS AM ”TONE”
MIT DEINEM TRIPLEX!
VOR DER INBETRIEBNAHME
• Vergewissere Dich vor dem Anschluß des TRIPLEX, daß
der nahe der Netzbuchse angegebene Spannungswert mit der vorhandenen Netzspannung
übereinstimmt.
• Stelle eine ausreichende Luftzufuhr an die Kühlflächen
des Gerätes sicher.
• Achte auf einen festen Stellplatz, der mechanische
und thermische Fremdeinwirkungen, welche die
Betriebssicherheit des Gerätes oder die Sicherheit von
Personen beeinträchtigen könnten, ausschließt.
• Für Schäden am Gerät, die durch unsachgemäßen
Betrieb entstehen, wird seitens des Herstellers keine
Haftung übernommen.
HOME
1.0 DIE KANÄLE DES TRIPLEX
2.0 DIE EFFEKTSEKTION
Die Vorstufe des TRIPLEX realisiert nicht nur harmonischen
Overdrive, sondern auch ein besonders dynamisches
Reagieren auf die Spielweise. Sein innovatives Schaltungskonzept, das alle soundgestaltenden Elemente von
Röhrenamps in Halbleitertechnik simuliert, verleiht dem TRIPLEX
eine bisher in dieser Preisklasse nicht realisierbare Tonqualität
und ermöglicht die Dynamik, die ein anspruchsvoller Gitarrist
für seinen musikalischen Ausdruck braucht.
C L E A N :
Je nach Einstellung der Vorstufe können moderne oder
”Vintage”- Cleansounds realisiert werden. Bei höheren
Einstellungen des VOLUME Reglers sorgt die ”SoftClick”
Schaltung für weichen Overdrive, bekannt durch alte
Vollröhrenamps. Bei Bedarf wird so aus diesem ”Clean”
ein ”Crunch”- Kanal.
O V E R D R I V E :
Dieser Kanal bietet klassische, offene Rocksounds mit einem
sehr ”englischen” Spielgefühl - direkt und dynamisch.
Insbesondere der effektive Mittenregler an der Klangregelung
ermöglicht eine große Bandbreite von Leadsounds. Extreme
Mittenabsenkung ermöglicht das unverwechselbare
Soundverhalten moderner Röhrenamps - ideal z.B. für kraftstrotzende Powerchords.Mit dem MODE-Schalter lassen sich
zwei unterschiedliche Overdrive-Charakteristiken abrufen.
Hall, Delay oder Chorus können an beiden Kanälen des
TRIPLEX gesondert angewählt werden. Dabei sind die
Regelmöglichkeiten der Effekte auf die wichtigsten Funktionen
beschränkt.
H A L L :
Der Hall-Effekt des TRIPLEX erzeugt eine cleane Raumsimulation. Mit dem FX-Mix Regler lässt er sich in der Lautstärke
beimischen.
D E L AY:
Dieser klassische Effekt kann von kurzen Slap-Backs bis zu langen Tape-Delays variiert werden. Einstellbar sind hier Delay
Time, Feedback und FX-Mix.
C H O R U S :
Regelbar in der Chorus-Rate bietet der Chorus des TRIPLEX von
leicht schwebenden Sounds bis zu Univibe-Effekten à la
Hendrix alle Nuancen dieses beliebten Effekts.
3.0 ANSCHLÜSSE UND BEDIENELEMENTE
INPUT: Anschlußbuchse für Gitarren mit Humbuckern, aktiven
Tonabnehmersystemen oder Single Coils.
CLEAN VOL: Regelt die Lautstärke des CLEAN Kanals, je nach
Ausgangsleistung der Pickups lassen sich ab ca.
”12 Uhr” Stellung leicht übersteuerte ”Clip” Sounds realisieren
(SoftClick).
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