Gemini CS-19, CS-19R User Manual
OPERA TORS MANUAL
BEDIENUNGSHANDBUCH
MANUAL DEL OPERADOR
MANUEL D’INSTRUCTIONS
CS-19/CS-19R
CLUB INST ALLATION MIXER
MEZCLADOR PARA CLUBES
CLUB INSTALLATION MISCHPULT
MÉLANGEUR RÉSERVÉ AUX CLUBS
M
ULTI
ENGLISH........................................................................................................................PAGE 4
DEUTSCH......................................................................................................................PAGE 9
ESP AÑOL....................................................................................................................PAGE 14
FRANCAIS...................................................................................................................PAGE 19
-L
Page 1
ANGUAGE
I
NSTRUCTIONS
CS-19
42
18
18
3
14
14
36
14
36
18
36
14
36
18
22
21
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39
37
38
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Page 2
15
5
43
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4
16
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9
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40
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29
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20
15
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17 17
19
20
28
19
15
16
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23
24
25
27
30
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11
2
13
10
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12
ON
32
34
35
31
19
19
CS-19R
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19
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Page 3
51
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54
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51
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50
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65
64
57
57
56
56
55
55
49
60
60
62
59
59
62
62
47
66
63
1
0 -6dB -12dB
44
44
46
46
47
61
61
58
58
62
48
53
FEA TURE DESCRIPTIONS:
1
POWER SWITCH: Turns power to unit on and off. Press the switch into the upright position to turn the unit ON, and press
the switch into the downright position to turn the unit OFF.
POWER LED: Glows anytime the unit is connected to an appropriate power source and the unit is turned ON.
2
MIC 1 & MIC 2 INPUTS: Neutrik Combo Connectors accept an XLR jack or 1/4” phono jack. This gives you the advantage
3
of being able to adapt this mixer to any situation and sound system. You can use microphones that come with standard 1/4”
connectors or XLR connectors.
MIC TREBLE CONTROL: Adjusts the high frequency response of MIC 1 and MIC 2. Rotate this knob clockwise to increase
4
the high frequency response, and counterclockwise to decrease it. This gives you a wide variety of sound allowing for special
effects.
MIC BASS CONTROL: Adjusts the low frequency response of MIC 1 and MIC 2. Rotate this knob clockwise to increase the
5
low frequency response, and counterclockwise to decrease it. This gives you a wide variety of sound allowing for special
effects.
6
MIC LEVEL CONTROL: Adjusts the volume of MIC 1 and MIC 2. Rotate this knob clockwise and you will increase the
volume of MICS 1 & 2. Rotate the knob counterclockwise to decrease the volume.
CUE BUTTON: Sends MIC 1 and MIC 2 output to the Cue Mix. Press this button and your microphone can now be monitored
7
in your headphones and booth monitors along with the cue mix.
MIC INDICA TOR: Glows to indicate that MIC 1 & MIC 2 are ON. When this LED is glowing you will be able to speak into
8
your microphone and hear it in your program and/or cue mix.
9
MIC T ALKOVER SWITCH: The purpose of the talkover section is to allow the program playing to be muted so that the mic
can be heard above the music. The MIC/T ALKOVER SWITCH controls MIC 1 and MIC 2 and has three settings. When the
MIC/T ALKOVER SWITCH is in the “OFF” position, MIC 1 and MIC 2 and talkover are off. When the MIC/T ALKOVER
SWITCH is in the “MIC 1 & 2” position MIC 1 and MIC 2 are on, the MIC INDICA T OR will glow, but talkover is off. When
the MIC/T ALKOVER SWITCH is in the “TALKOVER” position, MIC 1 and MIC 2 and talkover will be on and the volume of
all sources except the MIC 1 & 2 inputs are lowered by 16 dB.
10
CUE LEVEL: Adjusts the cue volume without affecting the overall mix. Rotate this knob clockwise to increase the volume of
the cue mix. Rotate it counterclockwise to decrease the volume.
11
PEAK HOLD LED METER: Indicates the Master Output left and right channel levels. By viewing this meter, you will be able
to optimize your sound quality and eliminate distortion in the system.
CUE PGM P AN CONTROL: By rotating the CUE PGM P AN CONTROL to the left you will be able to monitor the
12
assigned cue signal. Rotating to the right will monitor the PGM (program) output.
13
HEADPHONE JACK: A 1/4” stereo jack allows for the insertion of stereo headphones
14
CHANNEL GAIN CONTROL: Adjusts the GAIN for Channels 1, 2, 3, 4. Rotate this knob clockwise to increase the gain to
the channel. Rotate the knob counterclockwise to decrease the gain to the channel.
15
CHANNEL HIGH EQ CONTROL: Contour the high frequency response for Channels 1, 2, 3 and 4. Rotate this knob
clockwise to increase the high frequency response, and counterclockwise to decrease it. This gives you a wide variety of
sound possibilities allowing for special effects.
CHANNEL MID EQ CONTROL: Contour the mid frequency response for Channels 1, 2, 3 and 4. Rotate this knob
16
clockwise to increase the mid frequency response, and counterclockwise to decrease it. This gives you a wide variety of
sound possibilities allowing for special effects.
17
CHANNEL LOW EQ CONTROL: Contour the low frequency response for Channels 1, 2, 3 and 4. Rotate this knob
clockwise to increase the low frequency response, and counterclockwise to decrease it. This gives you a wide variety of
sound possibilities allowing for special effects.
INPUT SELECT SWITCH: Allows you to select the input source for Channels 1, 2, 3, 4. Select Phono1/Line 1, Line 5,
18
Line 6, Line 7, Line 8 or AUX. The level and EQ features will affect only the input that is selected for that channel.
19
CHANNEL SLIDE/KNOB: Controls the relative levels of each of the four Input mixing Channels (Channels 1, 2, 3, 4).
20
CHANNEL CUE ASSIGN BUTTON: Engaging any single or combination of CUE pushbuttons sends any program present
at the respective Channel’s source control SELECT SWITCH to the headphone cue section. The pushbuttons will illuminate
when the switch is engaged.
Page 4
CHANNEL 5 INPUT SELECT SWITCH: Allows you to select the input source for Channel 5. Select MIC3, Line 5,
21
Line 6, Line 7, Line 8 or AUX. The level and EQ features will affect only the input that is selected for that channel. (MIC #3
input on this channel)
CHANNEL 5 GAIN CONTROL: Adjusts the GAIN for Channel 5. Rotate this knob clockwise to increase the gain to
22
the channel. Rotate the knob counterclockwise to decrease the gain to the channel.
CHANNEL 5 HIGH EQ CONTROL: Contour the high frequency response for Channel 5. Rotate this knob clockwise to
23
increase the high frequency response, and counterclockwise to decrease it. This gives you a wide variety of sound
possibilities allowing for special effects.
CHANNEL 5 MID EQ CONTROL: Contour the mid frequency response for Channels 1, 2, 3 and 4. Rotate this knob
24
clockwise to increase the mid frequency response, and counterclockwise to decrease it. This gives you a wide variety of
sound possibilities allowing for special effects.
CHANNEL 5 LOW EQ CONTROL: Contour the low frequency response for Channel 5. Rotate this knob clockwise to
25
increase the low frequency response, and counterclockwise to decrease it. This gives you a wide variety of sound
possibilities allowing for special effects.
26
CHANNEL 5 SLIDE/KNOB: Controls the relative levels of Channel 5.
CHANNEL 5 CUE ASSIGN BUTTON: Engaging any single or combination of CUE pushbuttons sends any program present
27
at Channel 5’s source control SELECT SWITCH to the headphone cue section. The pushbuttons will illuminate
when the switch is engaged.
CROSSFADER: Allows the mixing of one source into another. This crossfader controls the levels of any two channels
28
assigned to it by the left and right Crossfade ASSIGN SWITCHES.
LEFT ASSIGN SWITCH: Assigns the left side of the Crossfader to any of the five Input Channels
29
RIGHT ASSIGN SWITCH: Assigns the right side of the Crossfader to any of the five Input Channels
30
31
MASTER BALANCE: Adjusts the balance of the Master LEFT and RIGHT channels
MASTER: Determines the program and mic level at the Main Outputs
32
BOOTH CONTROL: Adjusts the level of the Booth Output
33
ZONE 1 CONTROL: Adjusts the level of the Zone 1 Output
34
35
ZONE 2 CONTROL: Adjusts the level of the Zone 2 Output
PREF ADER INPUT LEVEL LED METERS: Reflect the Gain, High, Mid & Low adjustments
36
LOOP INPUTS: Brings the signal back to the mixer from an outboard signal processor
37
LOOP OUTPUTS: Sends the signal out from the mixer to an outboard signal processor. The unit comes with jumpers to be
38
used with the loop inputs and outputs. Keep the jumpers in the unit if you are not using the loop to prevent interruptions in
your music program.
AUX INPUTS: Allow easy access for connecting an additional device (tape deck, etc.). This is a useful feature if you need to
39
connect another sound source temporarily. You do not have to disconnect any of the devices you already have connected to
use an additional device.
CROSSF ADER CURVE BUTTON: The CROSSF ADER CUR VE BUTT ON allows you to adjust the kind of curve the
40
crossfader has. Depress the CROSSF ADER CUR VE BUTTON to make the curve steep and cutting (perfect for
scratching). Release the CROSSF ADER CUR VE BUTTON to make the curve gradual and gentle.
CUE BUTTON: When you press the CUE BUTTON you will send your cue mix (the same mix you hear in your
41
headphones) to the booth monitors.
LOOP BUTTON: Activates the LOOP inputs and outputs. When activated this pushbutton will illuminate.
42
MIC OVERLOAD LEDS: Light if the signal to MIC inputs 1 & 2 is too high. When these LEDs light, you should reduce the
43
gain of that channel to prevent distortion.
44
MASTER OUTPUTS (BALANCED): Uses XLR connectors. Provides a fully balanced main output signal. Pin 2 is (+), pin 3
is (-) and pin 1 is signal ground. Use these outputs to connect to your main amplifier and speaker system.
MASTER OUTPUTS (UNBALANCED): Provides main output signal using RCA connectors. Use these outputs to connect
45
to your main amplifier and speaker system.
BOOTH OUTPUT JACKS: Used to connect to amplifier in the DJ Booth. Uses RCA connectors.
46
Page 5
47
RECORD OUT JACKS: Allow you to record to a cassette recorder, etc. Uses RCA connectors
48
ZONE 1 OUTPUT JACKS: Used to connect to an additional amplifier. Uses 1/4” phono connectors
ZONE 2 OUTPUT JACKS: Used to connect to an additional amplifier. Uses 1/4” phono connectors
49
50
VOL T AGE SELECT OR SWITCH: Push this switch to the up position to select 115V and to the down position to select 230V
51
GROUND SCREWS: Four ground screws are provided on the rear panel to allow easy grounding of your turntables
MIC 3 INPUT : Allows you to connect a third microphone. This input also utilizes a Neutrik Combo jack enabling you to
52
connect microphones with both XLR connectors as well as 1/4” phono connectors.
MIC 1, 2, 3 GAINS: Separate gains for each of the 3 microphones
53
PHONO 1 / LINE 1 INPUT : These inputs will accept either a line level input or phono input. The phono inputs will only
54
accept turntables with a magnetic cartridge.
PHONO 2 / LINE 2 INPUT : These inputs will accept either a line level input or phono input. The phono inputs will only
55
accept turntables with a magnetic cartridge.
PHONO 3 / LINE 3 INPUT : These inputs will accept either a line level input or phono input. The phono inputs will only accept
56
turntables with a magnetic cartridge.
57
PHONO 4 / LINE 4 INPUT : These inputs will accept either a line level input or phono input. The phono inputs will only
accept turntables with a magnetic cartridge.
LINE 5 INPUT : This input accepts a line level input (such as a CD player or cassette player). T urntables must be connected
58
to the Phono/Line inputs (54, 55, 56, 57)
LINE 6 INPUT : This input accepts a line level input (such as a CD player or cassette player). T urntables must be connected
59
to the Phono/Line inputs (54, 55, 56, 57)
LINE 7 INPUT : This input accepts a line level input (such as a CD player or cassette player). T urntables must be connected
60
to the Phono/Line inputs (54, 55, 56, 57)
LINE 8 INPUT : This input accepts a line level input (such as a CD player or cassette player). T urntables must be connected
61
to the Phono/Line inputs (54, 55, 56, 57)
62
PHONO/LINE SWITCH: Allows you to set the Phono/Line Inputs to Phono or Line. Put this switch into the PHONO
position for that particular input to accept a turntable with a magnetic cartridge. Select LINE for the input to accept a CD
Player, cassette player , etc.
GROUND LIFT SWITCH: Separates chassis ground from signal ground. Normally, this switch should be in the GND
63
(ground) position. In some circumstances, moving it to the opposite position eliminates stubborn hum and buzz. Always
turn off your power amplifiers before changing the ground to avoid damage to your system.
64
LOOP INPUTS/OUTPUTS: 1/4” balanced (tip= send, ring= return, sleeve= ground) LOOP INPUT/OUTPUT JACKS
on the rear panel, which are connected in series with the LOOP INPUTS/OUTPUTS on the front panel so you can add
additional effects or signal processors.
65
STEREO/MONO SWITCH: Assigns outputs as a MONO signal or STEREO signal. This includes the MASTER
OUTPUTS, BOOTH OUTPUTS , RECORD OUTPUTS as well as the ZONE 1 and ZONE 2 OUTPUTS.
66
MASTER LEVEL A TTENUA TION: Allows you to preset the output level of the Master Outputs to 3 presets: 0dB,
-6dB and -12dB.
Page 6
Introduction
Congratulations on purchasing the Gemini CS-19 or CS-19R PRO
CLUB MIXER. This unique state of the art mixer is backed by a three
year warranty, excluding crossfader and channel slides. Prior to
use, we suggest that you carefully read all the instructions.
Features
• 5 Stereo Channels
• Master Level Attenuation
• State of the Art Cue Section with Assignable Cue Output
• 8 Lines, 4 Phono, 3 Mic Inputs, 1 AUX
• Crossfader Curve Button and Crossfader Assign Controls
• Gain, High, Mid and Low Tone Controls for each channel
• Talkover
• Master Outputs, Booth Output, 2 Zone Outputs
• Mic 1, 2, 3 Gains on rear panel
• Mic 1 & 2 Output Overload LED Indicators
• Illuminated push-button switches
Cautions
1. Always test equipment before rack mounting. Retain a copy of your
sales receipt for warranty purposes.
2. All operating instructions should be read before using this equipment.
3. To reduce the risk of electrical shock, do not open the unit. There are
NO USER REPLACEABLE PARTS INSIDE. Please refer servicing to a
qualified service technician.
In the U.S.A., if you have any problems with this unit,
call 1-732-738-9003 for customer service. Do not retur n
equipment to your dealer.
4. Do not expose this unit to direct sunlight or to a heat source such as a
radiator or stove.
5. This unit should be cleaned only with a damp cloth. Avoid solvents or
other cleaning detergents.
6. When moving this equipment, it should be placed in its original carton
and packaging. This will reduce the risk of damage during transit.
7. DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
8. DO NOT USE ANY SPRAY CLEANER OR LUBRICANT ON ANY
CONTROLS OR SWITCHES.
Connections
1. Before plugging in the power cord, make sure that the VOLTAGE
SELECTOR SWITCH (50) is set to the correct voltage.
NOTE: This product is double insulated and not intended to be
grounded.
2. Make sure that the POWER SWITCH (1) is in the OFF position.
3. The CS-19 and CS-19R are supplied with 2 sets of amp output jacks.
The BALANCED MASTER OUTPUT JACKS (44) are used to connect
to your main amplifier using standard XLR cables. We recommend
using the BALANCED MASTER OUTPUT JACKS if the cables to your
amp are 25 feet or more. Balanced outputs have three separate
conductors, two of which are signal (positive and negative) and one
shield (ground). Pin 1 is ground (shield). Pin 2 is signal hot (positive).
Pin 3 is signal cold (negative). The MASTER OUTPUT JACKS (45) are
unbalanced and used to connect to your main amplifier. The OUTPUT
BOOTH JACKS (46) allow you to hook up an additional amplifier. The
RECORD OUTPUT JACKS (47) allow you to record your mix to a
cassette recorder, CD recorder, etc. The ZONE 1 OUTPUT (48) and
ZONE 2 OUTPUT (49) can be used to connect to additional amplifiers.
4. The MIC 1 and MIC 2 (3) INPUTS (found on the front panel) are
Neutrik Combo connectors, which accept either an XLR jack or a
standard 1/4” jack. Each MIC input has its own individual TREBLE
CONTROL (4), BASS CONTROL (5), LEVEL CONTROL (6), CUE
BUTTON (7) and OVERLOAD LED (43). MIC 3 INPUT (52) is located
on the rear panel. GAIN CONTROLS (53) for MICS 1, 2 & 3 are located
on the rear panel.
The MIC OVERLOAD LEDS (43) will light if the signal to MIC INPUTS 1
& 2 is too high.
5. On the rear panel are 4 stereo PHONO/LINE INPUTS (54, 55, 56, 57),
and 4 stereo LINE INPUTS (58, 59, 60, 61). The PHONO/LINE SWITCH
(62) enables you to set the PHONO/LINE INPUTS (54, 55, 56, 57) to
Phono or Line. The phono inputs will accept only turntables with a
magnetic cartridge. GROUND SCREWS (51) for you to ground your
turntables are located on the rear panel. The stereo line inputs will
accept any line level input such as a CD player, cassette player, etc.
6. Headphones can be plugged into the front panel mounted HEADPHONE
JACK (13).
Using the Ground Lift Switch
Depending on your system configuration, sometimes applying the
ground will create a quieter signal path. Sometimes lifting the ground
can eliminate ground loops and hum to create a quieter signal path.
1. With the mixer on, listen to the system in idle mode (no signal present)
with the ground applied (the GROUND LIFT SWITCH (63) in the “GND”
position).
2. Then turn the power OFF before moving the GROUND LIFT SWITCH
(63). Lift the ground by moving the GROUND LIFT SWITCH (63) to the
“LIFT” position, turn the power back on and listen to determine which
position will provide a signal free of background noise and hum. Keep
the GROUND LIFT SWITCH (63) in the “GND” position if the noise level
remains the same in either position.
CAUTION: DO NOT TERMINATE THE AC GROUND ON THE POWER
MIXER IN ANY WAY. TERMINATION OF THE AC GROUND CAN
BE HAZARDOUS.
Operation
1. POWER ON: Once you have made all the equipment connections to
your mixer, press the POWER SWITCH (1). The power will turn on and
the POWER LED (2) will glow.
2. CHANNEL 1: The GAIN (14), HIGH (15), MID (16), and LOW (17)
controls allow you to fully adjust the selected source. Switch # (18)
allows you to select the PHONO 1/LINE 1 or the LINE 5, 6, 7, 8 or AUX
input. The CHANNEL SLIDE or KNOB (19) controls the input level of
this channel. The illuminated CUE BUTTON (20) allows you to cue the
channel.
3. CHANNEL 2: The GAIN (14), HIGH (15), MID (16), and LOW (17)
controls allow you to fully adjust the selected source. Switch # (18)
allows you to select the PHONO 2/LINE 2 or the LINE 5, 6, 7, 8 or
AUX INPUT. The CHANNEL SLIDE or KNOB (19) controls the input
level of this channel. The illuminated CUE BUTTON (20) allows you to
cue the channel.
4. CHANNEL 3: The GAIN (14), HIGH (15), MID (16), and LOW (17)
controls allow you to fully adjust the selected source. Switch #
(18)allows you to select the PHONO 3/LINE 3 or the LINE 5, 6, 7, 8 or
AUX INPUT. The CHANNEL SLIDE or KNOB (19) controls the input
level of this channel. The illuminated CUE BUTTON (20) allows you to
cue the channel.
5. CHANNEL 4: The GAIN (14), HIGH (15), MID (16), and LOW (17)
controls allow you to fully adjust the selected source. Switch # (18)
allows you to select the PHONO 4/LINE 4 or the LINE 5, 6, 7, 8 or
AUX INPUT. The CHANNEL SLIDE or KNOB (19) controls the input
level of this channel. The illuminated CUE BUTTON (20) allows you to
cue the channel.
Page 7
6. CHANNEL 5: The GAIN (22), HIGH (23), MID (24), and LOW (25)
controls allow you to fully adjust the selected source. Switch # (21)
allows you to select the MIC 3 or the LINE 5, 6, 7, 8 or AUX INPUT.
The CHANNEL SLIDE or KNOB (26) controls the input level of this
channel. The illuminated CUE BUTTON (27) allows you to cue the
channel.
7. CROSSFADER SECTION: The CROSSF ADER (28) allows the mixing of
one source into another. The CS-19 and CS-19R feature an assignable
crossfader. The ASSIGN SWITCHES (29, 30) allow you to select
which channel will play through each side of the crossfader. The
ASSIGN SWITCH (29) has 6 settings (OFF, 1, 2, 3, 4 or 5) and allows
you to select channel 1, 2, 3, 4 or 5 to play through the left side of the
crossfader. The ASSIGN SWITCH (30) has 6 settings (OFF, 1, 2, 3, 4
or 5) and allows you to select channel 1, 2, 3, 4 or 5 to play through
the right side of the crossfader. With the ASSIGN SWITCH in the OFF
position, that side of the crossfader will be inactive.
The CROSSFADER CURVE BUTTON (40) allows you to adjust the kind
of curve the crossfader has. Depress the CROSSFADER CURVE
BUTTON (40) to make the curve steep and cutting (perfect for
scratching). Release the CROSSFADER CURVE BUTTON (40) to
make the curve gradual and gentle.
8. OUTPUT CONTROL SECTION: The level of the MASTER OUTPUT (44,
45) is controlled by the MASTER BALANCE (31) and the MASTER
(32). The BOOTH CONTROL (33) adjusts the level of the BOOTH
OUTPUT (46). HINT: The BOOTH OUTPUT is used by some DJs to
run monitor speakers in their DJ booth. The ZONE 1 (34) and ZONE 2
(35) CONTROLS are used to control the level to another ZONE or
AMPLIFIER. This balanced line uses a standard tip-sleeve connection.
(Tip= hot or positive (+), ring= cold or negative (-), and sleeve=
shield/ground.) The illuminated LOOP BUTTON (42) will light when the
loop is activated. The STEREO/MONO SWITCH (65) assigns ALL
OUTPUTS (44, 45, 46, 47, 48, 49) as a mono signal or stereo signal.
The MASTER LEVEL ATTENUATION (66) allows you to preset the
output level of the MASTER OUTPUTS (44, 45) with a choice of 3
settings (0, -6dB and -12dB).
9. TALKOVER SECTION: The purpose of the talkover section is to allow
the program playing to be muted so that the mic can be heard above
the music. The MIC/TALKOVER SWITCH (9) controls MIC 1 and MIC 2
and has three settings. When the MIC/TALKOVER SWITCH (9) is in
the “OFF” position, MIC 1 and MIC 2 and talkover are off. When the
MIC/TALKOVER SWITCH (9) is in the “MIC 1 & 2” position MIC 1 and
MIC 2 are on, the MIC INDICATOR (8) will glow, but talkover is off.
When the MIC/TALKOVER SWITCH (9) is in the “TALKOVER” position,
MIC 1 and MIC 2 and talkover will be on and the volume of all sources
except the MIC 1 & 2 inputs are lowered by 16 dB. The TREBLE (4) and
BASS (5) CONTROLS allow you to fully adjust the tone of MIC 1 and
MIC 2. MIC 1 LEVEL (6) and MIC 2 LEVEL (6) control the individual
levels of MIC 1 and MIC 2.
10. CUE SECTION: Pressing the MIC CUE BUTTON (7) allows you to send
your MIC output to your cue mix. By connecting a set of headphones
to the HEADPHONE JACK (13), you can monitor any or all of the
channels. A unique feature of the CS-19 and CS-19R is the CUE
BUTTON (41). When you press the CUE BUTTON (41) you will send
your cue mix (the same mix you hear in your headphones) to the booth
monitors. Press the CUE ASSIGN BUTTONS (20, 27) for channels 1 5 to select the channel or channels to be monitored and the buttons will
illuminate. The channels selected will be included in your cue mix and
can be monitored through your booth monitor speakers and/or
headphones.
Use the CUE LEVEL CONTROL (10) to adjust the cue volume without
affecting the overall mix. By rotating the CUE PGM PAN CONTROL
(12) to the left you will be able to monitor the assigned cue signal.
Rotating to the right will monitor the PGM (program) output.
1 1. DISPLA YS: The PEAK HOLD LED METER (11) indicates the MASTER
OUTPUT (44, 45) left and right channel levels. The individual channels
each have their own PREFADER INPUT LEVEL LED METERS (36)
which reflect the GAIN, HIGH, MID, and LOW rotary control
adjustments. The CHANNEL CONTROLS (19, 26, 33, 40, 47) will not
affect the PREFADER INPUT LEVEL LED METERS (36).
12.There are LOOP INPUTS (37) and LOOP OUTPUTS (38). If you are
using an outboard signal processor, you can use the LOOP OUTPUTS
(38) to send the signal to the device and the LOOP INPUTS (37) to
bring the signal back in to the mixer. The unit comes with jumpers to be
used with the loop inputs and outputs. Keep the jumpers in the unit if
you are not using the loop to prevent interruptions in your music
program. There are also 1/4” balanced (tip= send, ring= return, sleeve=
ground) LOOP INPUT/OUTPUT JACKS (64) on the rear panel, which
are connected in series with the LOOP INPUTS/OUTPUTS (37, 38) on
the front panel so you can add additional effects or signal processors.
13. AUX INPUTS: The AUX INPUTS (39) on the front of the mixer allow
easy access for connecting an additional device such as a tape deck,
CD player, etc. EQ, Gain and Level of the AUX INPUTS (39) can be
controlled by assigning them to a channel by setting the INPUT
SELECT SWITCH (18, 21) on any channel to the “AUX” position.
Specifications
INPUTS:
Phono........................................................................4.5mV
47Kohm Mic 1, 2, 3........................2.5mV, 2Kohm, Balanced
Line...........................................................150 mV 27Kohm
Aux............................................................150 mV 27Kohm
OUTPUTS:
Master/Zone 1, 2 (balanced/unbalanced).......0 dB 2V , 400ohm
Booth(unbalanced)......................................0dB, 1V, 400ohm
Max..............................20V Peak to Peak
Rec..............................................................150mV 5Kohm
Infrasonic Filter.........................................15Hz, 18dB/octave
GENERAL:
Bass(Mic1,2)............................................................± 12dB
Treble (Mic 1, 2)........................................................± 12dB
Gain (Mic 1, 2, 3).................................................0 to -40dB
Low (Channels 1-5)........................................+ 12dB/- 32 dB
Mid (Channels 1-5)........................................+ 12dB/- 32 dB
High (Channels 1-5).......................................+ 12dB/- 32 dB
Gain (Channels 1-5)..............................................0 to -30dB
Master Output Attenuation .........................0dB, -6dB, -12dB
Frequency Response...........................20Hz - 20KHz +/- 2dB
Distortion....................................................less than 0.02%
S/N Ratio....................................................better than 80dB
Talkover Attenuation.....................................................16dB
Power Source...................................115/230V 50/60Hz 20W
Dimensions........................................19”w x 10.5”h x 4.75”d
Weight..................................................................11.28 lbs
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