Games PS2 TOMB RAIDER-LEGEND User Manual

WARNING: READ BEFORE USING YOUR PLAYSTATION®2 COMPUTER
ENTERTAINMENT SYSTEM.

A very small percentage of individuals may experience epileptic seizures when
exposed to certain light patterns or flashing lights. Exposure to certain patterns
or backgrounds on a television screen or while playing video games, including
games played on the PlayStation 2 console, may induce an epileptic seizure in these
individuals. Certain conditions may induce previously undetected epileptic symptoms
even in persons who have no history of prior seizures or epilepsy. If you, or anyone
in your family, has an epileptic condition, consult your physician prior to playing.
If you experience any of the following symptoms while playing a video game —
dizziness, altered vision, eye or muscle twitches, loss of awareness, disorientation,
any involuntary movement, or convulsions — IMMEDIATELY discontinue use
and consult your physician before resuming play.

WARNING TO OWNERS OF PROJECTION TELEVISIONS:

Do not connect your PlayStation 2 console to a projection TV without first consulting
the user manual for your projection TV, unless it is of the LCD type. Otherwise, it
may permanently damage your TV screen.

USE OF UNAUTHORIZED PRODUCT:

The use of software or peripherals not authorized by Sony Computer
Entertainment America may damage your console and/or invalidate
your warranty. Only official or licensed peripherals should be
used in the controller ports or memory card slots.

HANDLING YOUR PLAYSTATION 2 FORMAT DISC:

• This disc is intended for use only with PlayStation 2
consoles with the NTSC U/C designation.

• Do not bend it, crush it or submerge it
in liquids.

• Do not leave it in direct sunlight or near
a radiator or other source of heat.

• Be sure to take an occasional rest
break during extended play.

• Keep this disc clean. Always hold
the disc by the edges and keep it
in its protective case when not
in use. Clean the disc with
a lint-free, soft, dry cloth,
wiping in straight lines
from center to outer edge.
Never use solvents
or abrasive cleaners.

CONTENTS

GETTING STARTED . . . . . . . . . . . . . . 2

CONTROLLER . . . . . . . . . . . . . . . . . . 3

LARA . . . . . . . . . . . . . . . . . . . . . . . . 4

MAIN MENU . . . . . . . . . . . . . . . . . . . . 5

DIFFICULTY LEVELS/SCREEN MODES . . 7

SAVING AND LOADING THE GAME . . . . . 8

CONTROLLING LARA . . . . . . . . . . . . . . 9

Movement Controls 9
Swimming Controls 9
Combat and Item Controls 10
Driving Controls 10

COMBAT . . . . . . . . . . . . . . . . . . . . . 11

Combat Strategies 11
Aiming and Firing Controls 11
Melee Attacks 11
Defensive Combat Controls 12
Targeting 12

HUD (Head’s-Up Display) . . . . . . . . . . . 13

PDA . . . . . . . . . . . . . . . . . . . . . . . . 14

EQUIPMENT . . . . . . . . . . . . . . . . . . . 14

REWARDS . . . . . . . . . . . . . . . . . . . . 16

CREDITS . . . . . . . . . . . . . . . . . . . . . . 17

2 3

GETTING STARTED CONTROLLER

open button

memory card slot 2

memory card slot 1

controller port 1
controller port 2

USB connectors

disc cover

on/standby/
reset button

IR receiver

Set up your PlayStation®2 computer entertainment system according
to the instructions in its Instruction Manual. Make sure the MAIN POWER
switch (located on the back of the console) is turned ON. Press the RESET
button. When the power indicator lights up, press the OPEN button
and the disc tray will open. Place the

TOMB RAIDER: LEGEND™ disc

on the disc tray with the label side facing up. Press the OPEN button
again and the disc tray will close. Attach game controllers and other
peripherals, as appropriate. Follow on-screen instructions and refer
to this manual for information on using the software.

MEMORY CARD 8MBfor PlayStation®2

To save game settings and progress, insert a memory card (8MB)(for
PlayStation

®

2) into MEMORY CARD slot 1 before powering on the system.
At least 155KB of free space on the memory card is required to save
game data.

This game supports saving and loading of game data in MEMORY CARD
slot 1 only. You can load saved game data from the same memory card
or from any memory card containing previously saved

LEGEND™

games.

TOMB RAIDER:

DUALSHOCK®2 ANALOG CONTROLLER CONFIGURATIONS

L2 button

L1 button

directional
buttons

left analog stick
(L3 button
SELECT button
ANALOG mode button
START button
right analog stick
(R3 button

when pushed down)

when pushed down)

Connect the DUALSHOCK

®

2 analog controller to controller port 1 before

R2 button

R1 button

button

button

button

button

starting play. When the vibration function is ON, the controller will vibrate
in response to game events. You can reconfigure the controls and toggle
the vibration function ON/OFF in Options mode

(page 6).

NOTE: All controls used in this manual are the default controls.

MENU CONTROLS

You can select and adjust options from the Main Menu and from
the in-game Pause menu (press the

■ Use the directional buttons to view and cycle through the game options.

■ Press the x button to select an option, change a current option,

confirm any changes made or progress to the next screen.

■ Press the t button in a submenu to return to the previous screen.

NOTE: See pages 5-7 for a list of game options.

w button during play to pause).

4 5

LARA

At the age of nine, Lara survived a plane
crash in the Himalayan mountains that led to
the death of her mother. After miraculously
surviving a ten-day solo trek from the crash
site to Kathmandu, she spent the rest of her
childhood under the close tutelage of her
archeologist father — the late Earl
of Abbingdon, Richard Croft.

At the age of 18, after the death of her
father, Lara inherited the Croft estates
and became Countess of Abbingdon.
Since then she has been credited
with the discovery of some 16 archeological
sites of international significance.

Lara Croft has been hailed both as an
Archeological Wunderkind and a glorified
Treasure Hunter, depending on whom
you listen to. There are thousands
of rumors surrounding Lara's
exploits, invariably involving
the unexplained or outright
unbelievable. Lady Croft herself
is rarely available for comment,
which further adds to the fog
of mystery that surrounds
her life and work.

Consequently, Lara Croft
continues to be the focus
of wild speculation and
intense debate. Idealized
and vilified in equal
measure, she is perhaps
one of the most fascinating
and enigmatic figures
of our times.

MAIN MENU

START GAME

Start a new game. If saved data is present on your memory card, this
option changes to

LOAD

■ NEW GAME Start a new game.

■ LOAD GAME Displays a list of saved games. Select a save

■ LOAD LEVEL Displays a list of completed levels (present in the loaded

CROFT MANOR

You can visit Lara’s expansive manor via the Main Menu throughout
the game. However, to gain full access you must have a saved game
containing at least one completed mission. Only then will all the Manor's
secrets become approachable for you to discover.

OPTIONS

Press the left analog stick or directional buttons */@ to select an option
and

$/^ to change the setting. Press the x button to confirm your

Options changes, or press the
without change.

■ SOUND Adjust the volume of MUSIC, SFX and VOICE VOLUME.

■ DISPLAY Use the Display Menu to adjust the following options:

SUBTITLES Set subtitles ON/OFF or to your

SCREEN POSITION U/D Use the slide bar to adjust the screen

SCREEN POSITION L/R Use the slide bar to adjust the screen

WIDESCREEN Turn ON/OFF. Selecting ON enables

PROGRESSIVE SCAN MODE Turn ON/OFF. Selecting ON switches

RESUME GAME and resumes play from the last save.

and press the

x button to load it.

save). Replay these levels to collect rewards, play
in different difficulty modes, or attempt a Time Trial.

t button to return to the Main Menu

preferred language.

position up/down.

position left/right.

a widescreen 16:9 aspect ratio image.

to a 525p image. Progressive scan offers
higher-quality pictures but requires
a screen that supports this feature.

6 7

OPTIONS continued

■ CAMERA Set the following camera options to YES or NO:

INVERT X-AXIS
INVERT Y-AXIS
AIM & BINOCS INVERT X-AXIS
AIM & BINOCS INVERT Y-AXIS

■ CONTROL Set the following control option:

CONTROLLER CONFIGURATION Select DEFAULT, ALTERNATIVE 1,

ALTERNATIVE 2

or ALTERNATIVE 3.

Then choose from the following (for any control option):

COMBAT MODE Select STANDARD, ADVANCED HOLD,

or ADVANCED TOGGLE.

VIBRATION

■ CALIBRATION Press the left analog stick $/^ to adjust

the screen

Select ON or OFF.

BRIGHTNESS and CONTRAST.

EXTRAS

Access information and bonus content within TOMB RAIDER: LEGEND™.
By completing levels and collecting rewards along the way, you will unlock
items that you can then select and view here.

DIFFICULTY LEVELS/SCREEN MODES

When you start a new game, you’ll be prompted to select a difficulty level
and set two screen options:

■ DIFFICULTY Choose EXPLORER (easy), ADVENTURER (medium)

■ WIDESCREEN Turn ON/OFF. Selecting ON enables a widescreen

■ PROGRESSIVE SCAN Turn ON/OFF. Selecting ON switches to a 525p

NOTE: Once you make your screen mode selections, you will not be prompted
again unless you start a New Game. However, you can change these options
at any time from the Pause Menu/Options Menu (press the
to pause the game and select

or

TOMB RAIDER (hard).

16:9 aspect ratio image.

image. Progressive scan offers higher-quality
pictures than does interlaced scan, but requires
a screen that supports this feature.

w button

OPTIONS).

98

SAVING AND LOADING THE GAME

Press the w button during play to display the Pause Menu; from here you
can save your progress and rewards and load a saved game.

SAVING YOUR PROGRESS

Every game level has several checkpoints to pass. The word CHECKPOINT
will appear in the bottom right of the screen to inform you when Lara
has passed a checkpoint. This is a good place to save your progress.
Press the
From here you can choose to create a new save game or overwrite
an existing save.

You can also save between checkpoints, but Lara will always appear
at the most recently saved checkpoint when a save is loaded again.

NOTE: There is no automatic save when you leave the game. However,
if Lara dies during a game, she automatically restarts at the last checkpoint
passed, regardless of whether or not you saved there. If you quit the game
without saving, you lose all progress since the last saved checkpoint.

SAVING REWARDS

When you replay a previously completed level, you will have the option to
select

LOADING A SAVED GAME

You can load any saved game on your memory card from the Main Menu
or from the in-game Pause Menu. Select
one of the four save slots. If data is present, details of the save will be
shown at screen right. Press the

If you have a save that was created at the end of the game, you cannot
load it during gameplay. Instead, you can revisit any part of the game via
the

NOTE: If you’re using save files that were copied from one memory card
to another, the save file MOST RECENTLY copied becomes your “current”
save, and will be selected when you choose

data does not represent the most up-to-date game progress.

w button to access the Pause Menu and select SAVE.

SAVE REWARDS to save any collected rewards to your current game.

LOAD, then choose a save from

x button to load and resume that game.

LOAD LEVEL option (page 5) in the Main Menu.

RESUME GAME, even if this save

CONTROLLING LARA

The controls shown in this section are default. You can view all the

CONTROLLER CONFIGURATION settings (page 6) in the Options Menu.

MOVEMENT CONTROLS

left analog stick Movement: Sneak, Walk

c button Crouch/Roll.
t button Interact/Action: while standing

x button Jump. Hold button to jump

right analog stick Rotate camera.

, button Reset camera angle and view

SWIMMING CONTROLS

left analog stick Swim left, right, forward.

c button Dive. Hold button

t button Interact/Action/Pick up

x button Swim toward the surface/

right analog stick Rotate camera.

and Run.

next to objects or vehicles.
Pick up new weapon: when

standing over weapon.
Safety Grab: prevent Lara

from falling from ledges.

farther.

HUD

(page 13).

to dive deeper.

rewards.
Fast Stroke.

Surface.

NOTE: When Lara is swimming underwater, her air meter slowly drains.
If it runs out, Lara will start to take damage to her standard health
bar

(page 13). If Lara does not surface for air in time, she will drown.

1110

COMBAT AND ITEM CONTROLS

r button Fire.
d button Throw grenade/flare.
f button Accurate Aim Mode: toggle.
l button Combat Mode lock-on.
, button Realign camera behind Lara.
s button Throw grapple.
t button Pull grapple/Interact

directional pad * Use health pack.

DRIVING CONTROLS

left analog stick Steer.

x button Accelerate.
s button Brake/Reverse.
r button Fire weapon.
l button Select target.
t button Shoot Hazard target.

directional pad * Use health pack.
right analog stick Rotate camera.

with environmental targets
(explosive barrels, etc.).

@ Switch weapons.
$ Personal Light Source

(PLS) on/off.

^ Binoculars. Activate the

RAD

(page 15) by pressing the

t button in Binocular view.

COMBAT

COMBAT STRATEGIES

In combat, always remember these two key elements:

■ KEEP MOVING

Keeping Lara moving is the most important factor in combat; her
continually changing position slows the enemy's advance. A moving target is
much harder to hit than a static one.

■ MANIPULATE THE ENVIRONMENT

Constantly check for objects in the environment that Lara can manipulate
to her advantage. For example, she can thwart enemies by blocking paths,
collapsing structures, detonating nearby explosives and releasing obstacles.

AIMING AND FIRING CONTROLS

l button Lock-on target.
r button Fire weapon.

right analog stick Change target: Flick */@/$/^ during

l button (hold) + d button Throw grenade at target.
d button Grenade free throw: hold button

MELEE ATTACKS

■ SLIDE ATTACK Target enemies while running toward them, then press

the

c button to slide. Lara slides into enemies, knocking

them off balance and setting them up for her guns.

■ AERIAL ATTACK Press the x button twice when close to the enemy.

With the first press, Lara jumps at an enemy.
As she lands on the enemy, press the
again to activate slow time, then immediately press
the

r button to fire, shooting the target.

■ POWER KICK Hold the l button and press the t button to kick

the target enemy away with Lara’s boot.

■ GRAPPLE Hold the l button and press the s button to use

Lara’s grapple to pull enemies toward her and inflict
some damage.

NOTE: Melee attacks are ineffective against animal enemies.

lock-on.

for distance.

x button

1312

DEFENSIVE COMBAT CONTROLS

While Lara is locked-on to a target, she can perform various maneuvers
to avoid enemy attacks.

■ ROLL Hold the l button, press the left analog stick

■ FLIP Hold the l button, press the left analog stick

in any direction, then press the

in any direction, then press the

c button.

x button.

TARGETING

The targeting reticle will appear when a target is within sight. The color
of the reticle changes to indicate the target status:

■ GRAY RETICLE Target is out of range.

■ RED RETICLE Target is within rage at the current distance.

■ BLUE RETICLE Target can be grappled.

TIP: If the target is within distance but off-screen,
an arrow appears showing the direction
of the target’s location.

HUD Heads-Up Display

WEAPONS, ITEMS AND HEALTH

■ HEALTH BAR The health bar gauge displays Lara's current health level.

■ USE ITEMS (PLS, Health Pack, Binoculars) To use an item or gadget

When Lara's health gets dangerously low, you need to
replenish it using a health pack

(page 14) if available.

from Lara's inventory, press the corresponding direction
on the

directional buttons:

* Health pack (use)
@ Switch weapons (toggle)
$ PLS (on/off)
^ Binoculars (on/off)

1514

PDA

The PDA is Lara's automatic data capture and wireless communication
device. It holds all of her mission data and real time objective and
equipment information. Press the

q button to access Lara’s PDA, which

displays the following data:

■ OBJECTIVES Provides Lara with information on her current objectives

and overall mission objectives.

■ DATA Provides information for completed missions, and allows

you to keep a tally of rewards collected while playing
the missions.

COMPLETION TIME Records your fastest time for the Mission.
COMPLETED TIME TRIAL Yes/No.
GOLD REWARDS Shows number collected and total rewards

available (of each type) in the Mission.

SILVER REWARDS Shows number collected and total rewards

available (of each type) in the Mission.

BRONZE REWARDS Shows number collected and total rewards

available (of each type) in the Mission.

■ GEAR Provides Lara with information on all her inventory. Here

you can view stats and descriptions of each weapon and
item Lara has.

EQUIPMENT

HEALTH PACK

A staple of the rough-and-rugged adventurer, health packs allow Lara
to treat her injuries in the field.

NOTE: Lara can carry a maximum of three health packs.

PERSONAL LIGHT SOURCE PLS

Ultra-bright LED portable light source.
Kinetically charged, the PLS shines for
a limited time before shutting off to recharge.

MAGNETIC GRAPPLE

Using her grapple, Lara can
manipulate objects from a distance,
climb or drop to different heights,
and swing across large gaps.
The grapple consists of a magnetic
grapple head that can latch
onto discrete, visually distinct
surfaces, plus a lengthy wire
and an automatic recoiler.

NOTE: The grapple can only be used
on specific shiny metallic surfaces.

BINOCULARS/REMOTE ANALYSIS DEVICE RAD

The RAD, a pair of high-tech lenses
in Lara’s inventory, perform the
following functions:

■ BINOCULARS Magnify the image

in the field of view.

■ RAD MODE Analyze and provide

a readout for
objects in view
that have significant
archeological or
technological interest. Data collected include:

CHEMICALLY UNSTABLE Object explodes given the right impulse.
TECHNICAL Object is part of machinery large

or small, ancient or modern, electronic
or physical.

MOVABLE Object can be moved, either with direct

Lara interaction or by other means.

PHYSICALLY UNSTABLE Object can be made to topple or break.

USING THE BINOCULARS/RAD

■ Press the left analog stick ^ to activate the binoculars. (Press again to

deactivate.) Press and hold the

■ Press the t button to activate RAD mode. (Press again to deactivate.)

r or l button to zoom in or out.

16 17

REWARDS

Throughout Lara's archeological adventure, various artifacts and relics
become available for discovery and collection. Collecting rewards opens up
bonus content and extra features such as outfits (which you can view
in Croft Manor), pistol upgrades, concept art and much more. Make sure
Lara scours the environment thoroughly.

Each mission has a number of different types of collectables:

■ BRONZE REWARDS Informational content.

■ SILVER REWARDS Game content.

■ GOLD REWARDS Special game rewards.

NOTE: The most valuable unlockables are only obtained by collecting
a combination of all three reward types. When each level is complete, you
will be notified about which type of reward(s) you have managed to unlock.
Select

EXTRAS from the Main Menu to view and select your rewards.

TIP: Select LEVEL LOAD from the Main Menu to replay completed missions
and pick up missed rewards.

CREDITS

DEVELOPMENT TEAM

Senior Producer

Matthew Guzenda

Producer

Morgan Gray

Production Staff

Alex Jones, Lulu LaMer, Elio Rutigliano,
Rosaura Sandoval, Nate Schaumberg

Additional Production

David Baker, Juli Logemann

PROGRAMMING STAFF

Technical Director

Jason Bell

Lead Programmer

Rob Pavey

Player Character Lead Programmer

Gary Snethen

Senior Programmers

Scott Krotz, Erin Catto

Programmers

Joshua Criz, Darrell Dennies, Matthew Gaston, Sean Gugler,
Komei Harada, Anne-Lise Hassenklover, Andrew Hynek,
David Modiano, Hong Park, Stephen Perez, Sean Skelton,
Anthony Thibault

Additional Programming

Dan Archard, Stanislav Baranov, Michael Davies,
Nathan Frost, Mike Gonzales, Joel Hunter, Ted Johnson,
Thomas Mayer, Matthew McKinnon, Paul Taylor,
Meilin Wong

Scripting

Tom Fong, Brad Johnson, Josie Nutter, Matt Roberts

Art Director

Jacob Wendler

Lead Artists

Jason Botta, Drew Medina

Artists

Matthew Abbott, Lucas Aceituno, Scott Anderson,
Matt Bein, Jim Conrad, Chris Gregory, Yaroslav Grabovskyy,
Yu Gu, Jeff Johnsrude, Justin Lamperski, Freddie Lee,
Shao Wei Liu, Dan Neuberger, Ross Patel, Kristen Russell,
Patrick Sirk, Caleb Strauss, Chris Strugill, Andrew Wood

Visual Effects Lead

Gavin Wood

Environment Concept Art

Joel Boucquemont, Bill Stoneham

Lara Design & Creative Consultant

Toby Gard

Lead Character Designer

Kam Yu

Lead Character Artist

Daniel Cabuco

Character Artists

Chris Anderson, David Gustlin

Lead Animators

Brandon Fernández, Jeff Wilcox

Animators

Ryan Goldsberry, Ben Harrison, Barry Nardone,
Michael Smith, Jake Spence

Animation Intern

Shaun Budhram

DESIGN STAFF

Lead Designer

Riley Cooper

Assistant Lead Designer

Harley Baldwin

Lead Level Designer

Martin Dufour

Designers

Jeremy Bredow, John Dumala, Steve Goodale,
Jesse Johansen, Kyle Mannerberg, Darren Mckinsey,
Matt McManus, Stephen McManus, Jon Vosovic,
Jason Weesner, Steve Yoshimura

Story Designer

Eric Lindstrom

Dialogue Writer

Aaron Vanian

ART STAFF

1918

Music Composed by

AUDIO STAFF

Troels B. Folmann

Audio Engineer

Karl Gallagher

Sound Designer

Mike Peaslee

Junior Sound Engineer

Gregg Stephens

Creative Services Director

David Goodwine

Title Sequence Created by

Jake Hughes

AV Support

Estuardo Sandoval

AV Interns

Rick Gilliland, Jae Shin

Playtest Coordinator

Daniel Atkins

Original Design

Doug Church

Voice Acting

Lara Croft . . . . . . . . . . . . . Keeley Hawes

Zip . . . . . . . . . . . . . . . . . . Alex Desert

Alistair . . . . . . . . . . . . . . . Greg Ellis

Winston . . . . . . . . . . . . . . Alan Shearman

Amanda . . . . . . . . . . . . . . Kath Soucie

Anaya . . . . . . . . . . . . . . . . Melissa Lloyd

Rutland . . . . . . . . . . . . . . . Rino Romano

Nishimura . . . . . . . . . . . . . Paul Nakauchi

Takamoto . . . . . . . . . . . . . Michael Hagiwara

Narrator . . . . . . . . . . . . . . Alister Duncan

Archeologist (Kent) . . . . . . Alister Duncan

Lady Croft . . . . . . . . . . . . . Eve Karpff

Child Lara . . . . . . . . . . . . . Charlotte Sparey

Voice Director (UK)

Jonathan Ashley

Voice Director (US)

Kris Zimmerman

Voice Consultant (UK)

Andy Emery

Voice Consultant

Gordon Hunt

Joe Allen, Marianne Arotzarena, Eric Beerbaum, Kim Chew,
Rolef Conlan, Patrick Connor, Rusty Drake, Mike Ellis,
Jennifer Fernández, Rutherford Gong, Austin Grossman,
Jon Guilford, Jim Hedges, David Hong, Noor Khawaja,
Sam Kolb, Richard Lemarchand, Art Matsuura,
Martin McDonald, Billy Mitchell, Robert Quattlebaum,
Calvin Rein, Cory Ringdahl, Andre Rodriguez, Sally Short,
Ian Slutz, John Spinale, Alex Vaughan, Brian Venturi,
Mark Wilhelm, Salami Studios (US), Side (UK),
Everyone at Crystal Dynamics for their support!

The Tomb Raider Development team would like to thank
our families, husbands, wives, children, significant others,
pets and everyone else who helped us during the making
of Tomb Raider: Legend. We could not have made it
without you!

SPECIAL THANKS

General Manager

Sean Vesce

Director of Production

Graeme Bayless

Director of Design

Noah Hughes

Director of Technology

John Pursey

Director of Art

Darrell Gallagher

Quality Assurance Manager

Chris Bruno

Lead Tester

Benny Ventura

Platform Leads

Bill Gahr, John Hsia, Daniel Kim, Oliver Villa Piega

Testers

David Pogan, John Allen, Flynn O'Hare, Bryan Enriquez

E IDOS UK

CEO

Jane Cavanagh

Commercial Director

Bill Ennis

Financial Director

Rob Murphy

Company Secretary

Anthony Price

Head of European Publishing

Scott Dodkins

Product Acquisition Director

Ian Livingstone

Worldwide CTO

Julien Merceron

Development Director

Darren Barnett

Senior Producer

Greg Hounsom

Creative Development Director

Patrick O'Luanaigh

Executive Designer

Dax Ginn

Head of Global Brand

Larry Sparks

Senior Brand Manager

Matt Gorman

Brand Manager

Alex Price

Head of Support Services

Flavia Timiani

Senior Localisation Manager

Monica Dalla Valle

CRYSTAL DYNAMICS

Localisation Manager

Guillaume Mahouin

Creative Manager

Quinton Luck

Senior Designer

Jodie Brock

Designer

Philippa Pratley

QA Manager

Marc Titheridge

QA Supervisor

Dave Pettit

QA Lead Technicians

Richard Abbott, Tyrone O'Neill, Andrew Standen,
Anthony Wicker, George Wright

QA Technicians

Dominic Andoh, Sam Beard, Warren Beckett,
Neil Delderfield, Jonathan Fuguet, James Hinchliffe,
Hugo Hirsh, Alistair Hutchison, David Klein,
Daniel Mills, Mark Parker, Garth Philip, Matthew Poon,
Jonathon Redington, David Sangan, Daniel Webster

Special Thanks

A big thanks to all our European Marketing, Sales and Web
teams as well as our Finance department who have done a
wonderful job to make this game happen. Your tremendous
work is much appreciated. A big thanks also to Tom Waine
for writing this manual

EIDOS US

CEO & President, Eidos North America

Bill Gardner

Executive Vice President of Sales & Marketing

Robert Lindsey

Vice President of Legal & Business Affairs

James O’Riordan

Vice President of Finance

Malcolm Dunne

Vice President of Human Resources

Edie Dykstra

National Sales Manager

Joe Morici

Global Brand Manager

Matt Gorman

Associate Marketing Manager

Mike Schmitt

Director of Public Relations

Michelle Seebach Curran

Public Relations Manager

Tali Fischer

Senior Public Relations Manager

Loretta Stevens

Online Community Specialist

Matt Dalghren

Channel Marketing Manager

Janty Sumimoto

Senior Channel Marketing Specialist

Ilana Budanitsky

Channel Marketing Coordinator

Rafal Dudziec

Director of Marketing Communications

Stephanie Lipetzky

Web Producer

Roderick van Gelder

Web Designer

Boon Khoo

Creative Services Project Manager

Eileen Buenviaje

Media Specialist

Micheal Tran

Graphic Designer

James Song

Events Specialist

Annie Meltzer

Music Licensing

Kevin Gill

Publishing Support Coordinator

Clint Waasted

Operations Manager

Gregory Wu

Senior External Producer

Nick Goldsworthy

Associate Manager of Product Operations

Colby McCracken

Quality Assurance/Customer Service Manager

Mark Cartwright

QA Supervisors

Dan Franklin, Aaron Safronoff

Lead QA Technician

Elizabeth Rutlin

Assistant Lead QA Technicians

David Bushee, John Hayes

Quality Assurance Technicians

Katie Bieringer, Jonathan Brown, Richard Campbell,
Nicholas Cooprider, Ergin Dervisoglu, Wil Dimas,
Kip Ernst, Joe Greer, Stephanie Greer, Richard Hartzell,
Mackenzie Hume, Nick Jacobson, Jason Johnson,
Aaron Keillor, Erik Kennedy, Chester Lee, Jeff Lowe,
Nicholas Lutz, Peter Panagiotis, Tony Perata,
Joshua Pfeiffer, Brandon Reed, Matthew Trudell,
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EIDOS, INC., LICENSE & LIMITED WARRANTY

Eidos, Inc., warrants to you, the original purchaser of this disc, that for a period of
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For warranty support please contact our Customer Support department at
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