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TABLE OF CONTENTS
I
n a Secret Lab. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Setting Up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Quic k Start . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Menu Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Game Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Getting Started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Main Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Mono/Stereo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Sound Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Game Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Choosing a World . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Choosing an Area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Secrets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Playing Stitch: Experiment 626. . . . . . . . . . . . . . . . . . . . . . . . . . 10
Main Game Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Stitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Stitch’s Moves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Stitch’s Combat Skills . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Special Items. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Special Weapons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Pausing the Game . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Saving the Game. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Stitch’s Enemies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Stitch’s ‘Friends’. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
I
N A SECRET LAB
…on a distant planet in a strange part of the
universe, Experiment 626 is born. Well, not quite
“born.” 626 is actually the creation of the eccentric
scientist, Jumba, and he’s the pinnacle of years of genetic
research. Jumba designed 626 to be an indestructible
master of mayhem, and if previous experiments are any
guide, Jumba has succeeded. The little blue creature is nearly
impervious to all forms of attack and is capable of destruction
on a galactic scale. But 626 is not alone in the lab. When he
awakes Experiment 621 is already there, watching. Both are
the latest in a long series of experiments, and their series,
the 600s, has been a smashing success. Could 626 be the
greatest of all?
I
n another secret lab not so far away, Jumba’s arch nemesis
is hard at work on experiments of his own. The nefarious
Dr. Habbitrale is racing to create mutants more powerful
than anything cooked up in Jumba’s lab. For his first test,
626 will make his way to Dr. Habbitrale’s mountain hide-away
and demonstrate that nothing is more powerful than Jumba’s
creations, and certainly nothing designed by Dr. Habbitrale.
Meanwhile, Captain Gantu watches all of these proceedings,
aboard a gigantic military ship on the fringes of the galaxy.
He is observing the activities of these scientists with a
great deal of interest, waiting for them to cross the line.
Perhaps their destructive little mutants will go a step too far
this time... then it’s a long, long stay in a very uncomfortable
place for Jumba, Habbitrale, and their miserable little creations.
Now you take control of Experiment 626, aka Stitch. Jumba
has planned a series of missions designed to test his latest
experiment.
I
n each of these, Stitch’s chief goal is to collect
DNA for Jumba to use in his ongoing genetic research, then
reach the teleporters at the end of each level to return to
the lab. Stitch is fond of destruction, and he’s very good at
causing it, so along the way he will do his best to cause as
much mayhem as possible, while still getting the job done. Let
him do what comes naturally! Destruction in these worlds
often yields surprising results! As Stitch collects more DNA,
more worlds will open for exploration… and destruction!
Standing in the way will be
many foes. Some are
pushovers. Others
are very powerful
indeed. it’s time
to prove that
Stitch is worthy
of his reputation.
SETTING UP
Set up your Console according to the instructions in its
Instruction Manual. Insert the Disney’s Stitch: Experiment
626 disc and close the disc cover. Turn the Console ON at the
POWER button. Do not insert or remove peripherals or MEMORY
CARDS once the power is turned on. Make sure there are enough
free blocks on your MEMORY CARD before commencing play. To save
game settings and results or continue play on previously saved games,
insert a MEMORY CARD into MEMORY CARD Slot 1 before starting play.
QUICK START
Refer to the instructions below to quickly get Stitch on his way. You’ll
find more detailed information about Stitch and his abilities, as well as
gameplay tips and information about his universe, in the pages that follow.
Here’s an early tip: If it looks like something you might like to smash,
bust-up, or destroy, Stitch is ready. It’s part of his design. When in
doubt, break something.
MENU CONTROLS
Use these buttons to navigate through a menu screen.
[UP], [DOWN], [LEFT], [RIGHT] . . . . . . . . . . . . . . . . . Highlight Menu Options
≈ button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Select/Confirm
ç button . . . . . . . . . . . . . . . . . . . . . . . . Return to the previous screen
I
N-GAME CONTROLS
These are the default controller settings.
Left Analog Stick . . . . . . . . . . . . . . . . . . . . . . . . . . . . Direction and Aim
Directional Buttons (D-Buttons) . . . . . . . . . . . . . . . . . . . . . Walk and Aim
≈ button . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jump (Tap again in midair
for Double Jump)
√ button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fire Ray Guns
Ω button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lift/Throw
ç button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fire Special Weapon
å . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Speed Burst/Ball Slam
ß. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Snap Camera View (Tap)/
Side-Strafe (Hold)
∂ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jetpack/Grapple
ƒ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lock-on and Circle-Strafe
(Hold)
Right Analog Stick . . . . . . . . . . . . . . . . . . . . . . . . . . . . Look Around
(Press to snap Stitch to camera)
÷ button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pause Menu
≥ button . . . . . . . . . . . . . . . . . . . Hide/Show
I
nterface
MEMORY CARD slot 2
MEMORY CARD slot 1
Top USB connector
Controller port 1
Controller port 2
Disc tray
RESET
button
OPEN
button
Bottom USB connector
S400 i.Link connector
Left Analog Stick
(L3 button when pushed down)
SELECT button
ANALOG mode switch
START button
Right Analog Stick
(R3 button when pushed down)
button
button
button
button
Directional
buttons
L2 button
L1 button
R2 button
R1 button
GETTING STARTED
THE TITLE SCREEN
Press the [START] button to open the Main Menu. You will be
asked to load a saved game or select an empty slot from your
MEMORY CARD. The game will automatically save your progress as
you play.
LOAD FAILED SCREEN
You’ll see this screen if you don’t have a MEMORY CARD inserted into
MEMORY CARD Slot 1, or if you have a MEMORY CARD inserted but no
game saved to it. Press the ≈ button to continue to the next screen.
MAIN MENU
Choose a world to explore from this menu. See ‘Choosing a World’ below
for more details. You can also set game options by pressing [START] and
opening the Pause Menu.
OPTIONS
Change game
settings here, as
described below.
CONTROLS
From this menu, you can
adjust the following game
functions:
ViBRATiON FUNCTiON
Press the ≈ button to switch the Vibration Function of your
DUALSHOCK®2 analog controller ON or OFF. Then use D-Button
[UP & DOWN] to continue on to other Options Menu choices.
I
NVERT LOOK
Press the ≈ button to switch the direction of the [UP & DOWN] control
when using the [RIGHT ANALOG STICK] to look around Stitch’s world. When
this selection is “on,” control will behave like an aircraft stick, [UP]
pitches the camera forward, [DOWN] pulls the camera back. When this
selection is “off,” these controls will be reversed.
I
NVERT JETPACK
Press the ≈ button to switch the direction of the [UP & DOWN] control
when flying with the Jetpack. When this selection is “on,” control will
behave like an aircraft stick, [UP] pitches the camera forward, [DOWN]
pulls the camera back. When this selection is “off,” these controls will
be reversed.
ViEW CONTROLS
This selection will show you the controller configuration for the game.
When you have finished reviewing the controls, tap the ç button to go
back to the Main Menu.
MONO/STEREO
Press the ≈ button to switch between Stereo and Mono sound. When
you have finished making your selection, press the ç button to return
to the Main Menu.
SOUND EFFECTS
Press D-Button [LEFT] to lower the sound effects volume or [RIGHT] to
raise the sound effects volume. When you have finished making your
selection, press the ç button to return to the Main Menu.
MUSiC
Press D-Button [LEFT] to lower the music volume or [RIGHT] to raise
the music volume. When you have finished making your selection,
press the ç button to return to the Main Menu.
GAME CREDiTS
Choose this option to see the names of all the people who
made the game. Press the ≈ button to return to the
Options Menu.
CHOOSING A WORLD
Use the Main Menu to move from world to world as you
help Stitch collect DNA for Jumba. The first world is open
to you when you start the game, but others are closed until
you unlock them by collecting DNA. The circular picture window
tells you how much DNA is required to open each locked world.
The spinning DNA icon on the Main Menu tells you how much total
DNA you have collected so far.
From the Main Menu, Press D-Button [LEFT] or [RIGHT] to choose a
world to explore. Press the ≈ button when the world you have chosen
appears in the picture window.
CHOOSING AN AREA
Within each world are several areas from which you can collect DNA. As
with the world menu, Press D-Button [LEFT] or [RIGHT] to choose the
area to which you want to go. Press the ≈ button when the area you
have chosen appears in the picture window. Each area contains 50 pieces
of DNA for you to collect. The picture window tells you both how many
pieces of DNA you have collected in each area, and how many DNA are
needed to open the next locked area. To complete a level you must locate
the teleporter at the end of the area.
SECRETS
As you guide Stitch through his missions, collect all the film reels you
find. You’ll need them to purchase and unlock secrets. A counter at the
bottom of the screen tells you the total number of film reels you have
collected so far.
To unlock a secret, go to the main menu and select secrets. Press D-Button
[UP] or [DOWN] to highlight a locked selection. Selections appear in Stitch’s
alien language until they are unlocked and revealed. Press the ≈ button
to make your selection. if you have enough film reels, the secret will
be revealed!
To access a secret, Press D-Button [UP] or [DOWN] to highlight a selection.
Press the ≈ button to make your selection.
Press the ç button to return to the Main Menu.
QUIT
Press the ç button to return to the Title Screen.
PLAYING DISNEY’S STITCH:
EXPERIMENT 626
MAIN GAME SCREEN
You view the action from behind and slightly above Stitch. Move him
through the alien environments, collecting as much DNA as possible.
Run, jump, climb… and destroy! Beware the dangerous obstacles that
stand between Stitch and completion of the job Jumba has given him.
Pay special attention to Stitch’s facial expression on the Health Meter.
I
f he doesn’t look too good, it might be a good idea to find some Alien Toes
to restore his health.
HEALTH METER
The red section shows Stitch’s health. You can tell how much damage Stitch
has sustained by his facial expression. If this bar disappears, Stitch returns
to the previous checkpoint.
SLOW MO METER
The purple section shows how much burst energy Stitch has collected.
As Stitch performs Speed Bursts and Ball Slams, this meter will begin to
disappear. Fill it by collecting more Slow Mo objects.
DNA
This shows the total amount of DNA Stitch has collected. Under the
spinning DNA icon, you can see the amount of DNA needed to open the
next world.
GUNS
Stitch can carry up to four guns. This shows the number of guns
Stitch is currently carrying.
I
f Stitch is carrying a special weapon
(freeze gun or big gun), it will be displayed here until the special
weapon runs out of shots.
JET PACK
I
f Stitch is wearing the Jet Pack, this indicator shows the amount of
Jet Pack fuel remaining.
STITCH
Manic and destructive, Stitch
craves freedom and demolition
most of all. He can’t help
himself, since his love of
mayhem is in his genes,
hard coded into his
biology by his creator, the
eccentric scientist, Jumba.
Stitch is sturdy and able to
take a lot of
damage. He
can move
quickly, jump
very high, and
even climb walls. He
is not a good swimmer.
I
n fact, he sinks like a stone,
so beware of lakes and rivers.
He does his best to carry out
Jumba’s orders – usually to bring additional DNA back
to the lab for further genetic experiments – but too often
his nature causes far more devastation than is tolerable.
HEALTH METER
SLOW MO METER
DNA NEEDED
NUMBER
OF GUNS
DNA COLLECTED
STITCH’S MOVES
Use the D-Buttons or the Left Analog Stick to control
his direction. Stitch has the ability to climb sheer walls
and cliffs and jump to extreme heights using his double-jump.
I
f he’s in a hurry, he can put all six limbs on the ground and
really move.
NORMAL
Stitch gets around just fine on two of his six limbs, allowing him to
stand upright and use his other four limbs to carry objects and enemies,
or up to four Ray Guns. Interesting possibilities for chaos abound.
SPEED BURST
Sometimes Stitch needs to get somewhere fast and drops to all six to
scurry along. Tap [L1] to go into Speed Burst Mode. Time slows dramatically
for Stitch — it’s like the world is in Slow Motion, but only for Stitch.
While everybody else lags behind at ‘normal’ speed, Stitch hurries along in
a blue flash. It takes a lot of energy to race around this way, so Stitch
can’t keep up the pace for long. He’s a superior specimen of strength and
dexterity, but there are limits. His Speed Burst meter (the purple bar
beneath his health) shows how many
times Stitch can burst. To refill the
meter, pick up a Slow Mo object.
Use the Speed Burst to dodge
attacks, or to cover a piece
of ground rapidly, or even to
shoot more rapidly than enemies
who only fire at ‘normal’
speed. Combine with a
well-timed shift to a
Ball Slam (see page 15)
for awesome destructive
capabilities (Tip: press
the [L1] button while
Stitch is in mid-air
from a jump or fall).
CLiMBiNG
Stitch’s incredibly
sharp claws allow him to
climb many sheer walls
and cliffs. When in
Normal or Speed Burst
Mode, approach a wall or
cliff, and, if he can sink his
claws into it, he’ll start to
climb. He needs all six limbs while climbing, but he can still
fire two of his four Ray Guns. Not as devastating as a barrage from all
four Ray Guns, but useful nonetheless.
LiFTiNG AND THROWiNG
The mix of DNA Jumba included in Experiment 626’s design gives Stitch
out of this universe strength. He can lift hatchling eggs, big
bombs, and even many enemies.
Once in his grasp, Stitch can
give them the heave-ho to
clear the way. To lift an
object, approach it and
press the Ω button.
Stitch will carry
the object until it’s
thrown by pressing
the Ω button again.
STITCH’S COMBAT SKILLS
Stitch’s preferred approach to combat is direct and to
the point. This usually means that fights are furious and
brief. A fusillade from up to
four of his Ray Guns will bring
down most common foes.
For others, consider
combinations of Ray Guns
and a little bit of stealth…
Because Stitch is
Stitch, he’s eager
to use these skills
to generate havoc
and mayhem wherever
he happens to be. Feel
free to use these weapons
and skills on anything you
see. Stitch is happiest
when you do.
RAY GUNS
Standard issue Plasma Ray
Guns. Press the √ button to
fire. To strafe, press and hold [L2] or [R2], then move left or right.
Strafing will keep the enemy in Stitch’s gunsights while he moves laterally
on two feet. [L2] strafes side-to-side in a straight line, while the [R2]
strafe moves Stitch in a circle around his opponent.
When upright in Normal movement, Stitch can wield up to four of these,
unleashing a devastating barrage. If two of his limbs are holding an object,
well he’ll only be able to fire two Ray Guns. Stitch starts each level with
a single Ray Gun. As he explores the world and defeats enemies, he’ll find
additional guns hidden inside objects. When Stitch picks up another Ray
Gun, the Ray Gun meter moves up one dot to indicate the current number
of guns in Stitch’s arsenal. If Stitch is defeated, he will also lose some of
his firepower.
SPEED BURST TO BALL SLAM
Some enemies can’t be defeated by Ray Guns – plasma salvos bounce right
off their tough armor! That doesn’t mean the battle is lost. It means
Stitch gets to use his Ball Slam instead! Here’s how it works. Have Stitch
jump into the air, then press and hold the [L1] button. Time slows to a crawl
as Stitch goes into super-speed mode – it looks like the world is in slow
motion, but really Stitch is moving much, much faster than everything else
(like a Speed Burst), giving you enough time to help Stitch aim at a target.
Once you’ve lined up the enemy, release the [L1] button to send Stitch
careening into the target. After you’ve mastered this attack, try to get
multiple Ball Slams on the same enemy by immediately pressing [L1] again
after each successful slam.
SPECIAL ITEMS
Sometimes these are just lying around and sometimes they are hidden in
hard to reach places. Sometimes they are inside other objects – smash
them open to find out what’s inside! Or just smash everything to pieces
because it’s fun. No matter. Keep your eyes open when the dust clears;
you never know what you’ll find in the rubble.
DNA
Jumba sends Stitch and 621 after these bits of genetic
code for use in his ongoing experiments. Collect them to
open other worlds and complete your goals.
GUIDANCE MARKERS
Jumba is always watching Stitch’s progress. Move Stitch into these
spinning red disks to get a word of advice from 626’s creator.
CHECKPOINTS
When these platforms are activated, Jumba can return
Stitch to these points if he should be defeated, instead
of starting the mission over from the
beginning. An activated checkpoint
can also help you find your way.
The flashing arrows on top point
the way to the next objective.
ALIEN TOE
Gobble up mutated Alien Toes to restore Stitch’s health.
They may not look appetizing, but each restores a bit of
Stitch’s health. They have no effect if Stitch already has
maximum health.
MOVIE REELS
Collect these to unlock secrets, which
you access through the Secrets menu
on the Main Menu. From there, choose
a secret to buy, and spend reels to
unlock it. The more reels you find, the
more secrets you can buy!
SQUID BOTS
These hovering robots will lead Stitch on a wild chase
to find hidden Movie Reels. To activate a Squid Bot,
simply bump into it, and the chase is on! Better hurry,
because if a Squid Bot pauses for too long, it will
warp back to its starting position.
SLOW MO
Stitch can only enter Slow Motion mode (Ball Slam, Speed Burst) for short
periods of time. Collecting Slow Mo objects refills the purple Slow Mo
meter and allows Stitch more time for this type of fast-paced action.
JET PACK
Find one of these, strap it on Stitch’s back and go! Press
and hold [R1] to accelerate the Jet Pack and use the Left
Analog Stick to control Stitch’s direction. While
you’re jetpacking, watch for rings. These rings
refuel your jetpack, and without them, you
won’t get far!
GRAPPLE GUN
Aim the Grapple Gun at pipes and beams to swing Stitch into action.
Press and hold the [R1] button to fire and the Grapple will swing Stitch
forward. As long as you hold the [R1] button, Stitch will swing back and
forth and the Grapple will remain attached. Pump the Left Analog
Stick forward and back to gain more speed and
momentum. At the right moment, release [R1]
and watch Stitch fly! Try a double-jump after
a Grapple swing to gain extra distance.
SPECIAL WEAPONS
I
n addition to his four Ray Guns, Stitch can use special weapons he finds
throughout the galaxy. When you’ve got one of these, press the ç button
to fire. Each special weapon has a limited number of shots; don’t waste
them destroying objects. Save them for the really tough opponents.
FREEZE RAY
Encases the target in a block of ice. Stitch, of
course, can then shoot the frozen target and
watch it shatter into a million bits!
BIG GUN
A jumbo-size variant of Stitch’s normal Ray Guns. This version
shoots guided rockets, so after you’ve
Locked On an enemy (tap [R2]), press
the ç button to let the rocket fly.
There’s not much to do after that but
wait and watch the thrilling explosion.
PAUSING THE GAME
Sometimes your world interferes with Stitch’s, or maybe
the volume of Stitch’s world is interfering with yours.
What to do? Press the [START] button to pause the game.
Choose <<Resume>> to keep playing the game, or choose
<<Options>> to open the In Game Options Menu (where you can
adjust game volume, among other things). Choose <<Level Select>>
to save your game and move to a different area. When you’re ready
to re-join Stitch, press [START] again.
SAVING THE GAME
Rather than make Stitch do something he isn’t very good at – like sit
still while you save the game – Disney’s Stitch: Experiment 626 saves
automatically! When you leave a level by choosing <<Level Select>> from
the Pause Menu or by reaching the teleporter, your progress is saved to
the current MEMORY CARD slot. Once you’ve selected a saved game slot
at the start of your first game, you
never have to worry about
saving again.
STITCH’S ENEMIES
Just to give you an idea of what you’re up against, below you’ll find a
brief list of some of Stitch’s enemies. You’ll find
plenty more as you explore the galaxy.
SOLDIER
Standard issue space-soldiers
in combat armor. Slow, not
too smart, and lightly armed.
They’ll put up a fight, if only a
brief one.
HEAVY SOLDIER
These are tougher, smarter and stronger
than regular soldiers. They are so heavily
armored that they are impervious to
Stitch’s shots! They are equipped
with powerful, heat seeking rockets.
FROGBOT
Large, flying robots with an impressive
looking strafe attack designed and built by
the military. Many private security firms use them
too, so they are common. They’re dumber than
Soldiers and only a bit
tougher. The lack of
complex sensing
equipment leaves
them vulnerable
to sneak attacks,
especially from behind.
WALL GUN
Wall Guns, with their rapid rate of fire and
strong plasma bursts, are totally impervious
to Stitch, even his ball slam! Like
Frogbots, they’re machines with limited
intelligence and their sensory
devices merely track motion, making
them easy to distract.
GREEMA
Cute, cuddly Greemas are found everywhere, and
normally they wouldn’t be included here in a discussion
of Stitch’s enemies. However, Dr Habbitrale has infected
some, (quite a lot of them, in fact) with mutant genetic
code. The sick ones look a little odd (Habbitrale isn’t
half the scientist Jumba is), but when they fully
mutate they’re awful
looking beasts, nearly
three times the size of
Stitch. Their hides
are very tough,
too tough for
Ray Guns.
BUZZER
They look and fly like giant dragonflies,
but Buzzers are more like common
household flies – pests to
get rid of with a swat (or
a blast from all four Ray
Guns). Nothing more than
annoying when you’ve got better
things to do.
STITCH’S ‘FRIENDS’
JUMBA
Jumba, the eccentric scientist who specializes in genetics. He has an
affection for Stitch, somewhat like a parent’s, but since Stitch is a genetic
experiment and not actually a child, Jumba can be callous about 626’s
general welfare. Jumba doesn't enjoy seeing Stitch hurt, though it’s not
always clear if his concern arises out of his
affection or his desire that his creations be
superior in every way. After all, a flaw
in the creation means the creator
is himself flawed. He does not
tolerate suggestions that
Stitch is not the most
powerful creature ever
created in a lab. Jumba’s
got a short fuse –
he angers quickly, but
even at the height of a
rage, he always manages
to take care of himself —
before he worries about
anyone else.
EXPERIMENT 621
Stitch’s immediate predecessor, 621 is envious of his younger sibling.
Perhaps he’s well aware of the realities in Jumba’s lab — later experiments
such as 626 are superior models, if only slightly. They are more likely to
be destined for greatness than the older models. 621 desperately wants
to please Jumba... and he won't let 626 get into his way.
CREDITS
DiSNEY INTERACTiVE
Senior Producer
SCOTT CUTHBERTSON
Assistant Producer
AM
i
R FiROZKAR
Conceptual Art
MARY ANN RAM
i
REZ
Featuring the Voice Talents of
ZOE CALDWELL
JENN
i
FER HALE
KEV
i
N MiCHAEL RiCHARDSON
CHR
i
S SANDERS
DAV
i
D OGDEN STiERS
JAMES ARNOLD TAYLOR
FRANK WELKER
Audio Post Production
WALT D
i
SNEY iMAGiNEERiNG
L
i
SA BECKWiTH
ROBERT DURAN
JOHN (JK) KESTLER
STEVE L
i
TTEN
Localization
PH
iLi
PPE JUTON
ALEXANDER COWARD
Manager, Quality Assurance
DAV
i
D ARNSPiGER
Supervisor, Quality Assurance
DOUGLAS JACOBS
QA Project Lead
M
i
KE O’BRiEN
Senior Testers
PETER F
iLi
CE
LUKE JOZW
I
AK
QA Test Team
E
i
TAN LEViNE
SHANNON RANDALL
QA Technology Team
SCOTT TORROLL (SUPERV
i
SOR,
QA TECHNOLOGY TEAM)
EM
i
L HAGHNAZARiAN
Additional Testing
ABSOLUTE QUAL
i
TY, iNC.
M
i
KE RiCHARDSON
TOBY WATK
i
NS
Special Thanks
WALT D
i
SNEY FEATURE ANiMATION,
CLARK SPENCER, DEAN DEBLO
i
S,
CHR
i
S SANDERS, KELLY SLAGLE,
BELA TEMESVARY, LOR
i
KORNGRiEBEL, ROBERT BAGLEY
SONY COMPUTER
ENTERTAiNMENT AMERiCA
Senior Producer:
GRADY HUNT
Associate Producer:
SAM THOMPSON
Assistant Producer:
GREG PH
iLLi
PS
Director of Product
Development:
CONN
i
E BOOTH
Vice President of
Product Development:
SHUHE
i
YOSHiDA
Director of Marketing:
AM
i
MATSUMURA-BLAiRE
Marketing Specialist:
SHELLEY ASH
i
TOM
i
Director of Public Relations:
MOLLY SM
i
TH
Public Relations Manager:
CHARLOTTE PANTHER
PR Specialist:
T
i
NA CASALiNO
QA Director:
M
i
CHAEL BLACKLEDGE
QA Manager:
R
i
TCHARD MARKELZ
QA Core Manager:
SAM BRADLEY
Project Coordinator:
ER
iC i
PPOLiTO
Technical Coordinator:
ARA DEM
iRJi
AN
Lead Analyst:
ANDREW WOODWORTH
Analysts:
MATT BALABAN, JASON B
i
ANCH
i
TONY FELiCE, JEFF JUCO,
ROGEL
i
O RAMiREZ
Manual Design:
CMB DES
i
GN DESiGN
PARTNERS,
i
NC.
HiGH VOLTAGE SOFTWARE
Producer
JEFFREY S. MARKS
Lead Programmer
JEROME KARAGAN
i
S
Lead Artist
DAM
i
ON DAViS
Lead Game Designer
LARALYN MCW
iLLi
AMS
Audio Lead
T
i
M STASiCA
Assistant Art Lead
CHR
i
S COBB
Game Design
SEAN R
i
LEY
Additional Game Design
BRANDON F
i
SH
ED KUEHNEL
Programming
CORY BLOYD
JOSE CORPUZ
COREY FRANG
BRANT FRENCH
M
i
KE HENRY
PRADYUT PANDA
BRETT Z. RUB
i
N
KE
i
TH SCHAEFER
Art
BRAD BOWL
i
NG
GRAY G
i
NTHER
CEF GR
i
MA
CARY PENCZEK
CHR
i
S PETERSON
BEN SAVAGE
L
i
SA WELLS
STEPHEN ZAFROS
Additional Art
DAR
i
N BEAVER
AARON MARROQU
i
N
DAV
i
D SEABAUGH
Audio
FRED LOVE
Additional Audio
T
i
M SCHLiE
Management
CEO/Founder
KERRY J. GANOFSKY
President
JOHN W. KOPECKY
VP of Creative Content
ER
i
C NOFSiNGER
VP of Software Development
JESSE HELTON
Design Director
TOM SM
i
TH
Audio Director
D. CHADD PORTW
i
NE
Director of Technology
BRETT BOURB
i
N
Executive Producer
KEV
i
N SHELLER
Office Manager
BR
i
DGET RANiER
i
Logistics Administrator
MARGARET M. BOHLEN
I
T Director
RAYMOND E. BA
i
LEY
I
nternal Testing
GLEN UALAT
KYLE MARCUSSEN
Cinematics by:
ATOM
IC i
MAGiNG
High Voltage Software would
like to thank the following:
GABE BOTT
DREW CAMPBELL
ANDREW FALTH
STEVE GEHRKE
LE
i
F LATHROP
ZACK OL
i
VER
JAY POWELL
ANGEL RU
i
Z
NE
i
L ViOLA
ER
i
C THOMAS
CHAD WH
i
TESELL
CHARLES WH
i
TEHEAD
RED EYE STUD
i
O —
HOFFMAN ESTATES,
i
L
© D
i
SNEY 2002
Limited Warranty
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of this SCEA product that this software is free from defects in material and
workmanship of a period of ninety (90) days from the original date of purchase.
SCEA agrees for a period of ninety (90) days either to repair or replace, at its
option, the SCEA product. You must call 1-800-345-SONY to receive instructions
to obtain repair/replacement services.
This warranty shall not be applicable and shall be void if the defect in the SCEA
product has arisen through abuse, unreasonable use, mistreatment or neglect.
THIS WARRANTY IS IN LIEU OF ALL OTHER WARRANTIES AND NO OTHER
REPRESENTATIONS OR CLAIMS OF ANY NATURE SHALL BE BINDING ON OR
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PRODUCT, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS
FOR A PARTICULAR PURPOSE, ARE LIMITED TO THE NINETY (90) DAY PERIOD
DESCRIBED ABOVE. IN NO EVENT WILL SCEA BE LIABLE FOR INCIDENTAL
OR CONSEQUENTIAL DAMAGES RESULTING FROM POSSESSION, USE OR
MALFUNCTION OF THE SCEA SOFTWARE PRODUCT.
Some states do not allow limitations as to how long an implied warranty lasts
and/or exclusions or limitations of consequential damages, so the above limitations and/or exclusions of liability may not apply to you. This warranty gives
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