Games PS2 KARAOKE REVOLUTION User Manual

Table of Contents
Getting Started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Main Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Prepare To Sing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
How To Play. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Game Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Extras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Song Lyrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Notes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Warranty & Customer Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Thank you for purchasing Karaoke RevolutionTMVolume 2. For best results, we recommend that you read through this manual prior to playing the game.
Konami is constantly striving to improve the quality of our products to give our customers the best gaming experiences possible. As a result, there may be some slight differences between versions of the same product, depending on when and where you purchased the game.
Karaoke Revolution
and developed by Harmonix Music Systems, Inc.
®
PlayStation
Select Character . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Judging Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Select Venue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Select Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Game Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Music Staff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Crowd Meter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Combos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Crowd Boost . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Final Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Hints & Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Quick Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Single Player Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Multi Player Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Training . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
High Scores . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Videos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Cheats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Microphone Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Sound Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Display Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Save/Load . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
TM
Volume 2 is an original product produced and published by Konami Digital Entertainment,
1
Getting Started
Controls
Setting Up Your PlayStation®2 System
Set up your PlayStation
®
2 computer entertainment system according to the instructions in the manual. Make sure the MAIN POWER switch (located in the back of the console) is turned ON. Press the RESET button. When the power indicator turns green, press the OPEN button and the disc tray will open. Place the Karaoke Revolution
TM
Volume 2
disc on the disc tray with the label side facing up. Press the OPEN button again and the disc tray will close. Attach a DUALSHOCK
®
2 analog controller to controller port 1 and a USB headset or handheld microphone to a USB connector. Follow on-screen instructions and refer to this manual for information on using the software.
Memory Card (8MB)(for PlayStation
To save game settings and progress, insert a memory card (8MB)(for PlayStation MEMORY CARD slot 1 (MEMORY CARD slot 2 is not used) of the PlayStation
®
2)
®
2) into
®
2 computer entertainment system. You can load saved game data from the same memory card (8MB)(for PlayStation containing previously saved Karaoke Revolution
NOTE: Karaoke Revolution
®
2), or from any memory card (8MB)(for PlayStation®2)
TM
Volume 2 uses at least 85 KB of memory card data
TM
Volume 2 games.
to save each game. Make sure there is enough free space on your memory card (8MB) (for PlayStation (8MB)(for PlayStation
®
2) before starting play. Do not insert or remove a memory card
®
2) while saving/loading games or you may corrupt your save
game data.
DUALSHOCK®2 ANALOG CONTROLLER CONFIGURATION
Menus
directional buttons or left analog stick directional buttons or left analog stick
button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Select Menu Item, Save Settings
ç
button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Back to Previous Screen
In-Game Controls
START button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pause Game
While the song is playing, you can change the sound settings with the DUALSHOCK controller. Use the following controls to mix the sound to your personal preference:
button (hold) + directional buttons
button (hold) + directional buttons ç button (hold) + directional buttons button (hold) + directional buttons
*/@
. . . . . . . . . . . . . . . . . Highlight Menu Item
$/^
. . . . . . . . . . . . . . . . . . Change Highlighted Item
*/@
. . . . . . . . . . . . . . . . . Earpiece Volume
*/@
. . . . . . . . . . . . . . . . . Microphone Volume
*/@
. . . . . . . . . . . . . . . . . Guide Vocals Volume
*/@
. . . . . . . . . . . . . . . . . Music Volume
®
2 analog
2
3
Controls
Introduction
USB (PlayStation
®
2 compatible) Headset
or Microphone (Required)
or
Karaoke RevolutionTMVolume 2 requires the use of a PlayStation®2 headset or microphone in order to play the game. If you do not already have a headset
or microphone, there are several PlayStation purchase separately. The game supports headsets and microphones officially licensed and designed to work with the PlayStation for PlayStation
A PlayStation playing the game. Before booting up the game, make sure to plug in a headset or
microphone. The headset or microphone connects to either of the USB (Universal Serial Bus) connectors, located on the front of the PlayStation insert the headset or microphone cable into one of the USB connectors. The game only supports 1 headset or microphone at a time.
®
2.
®
2 headset or microphone must be plugged in at all times while
®
2 headsets and microphones available for
®
2, including the Logitech®USB Microphone
®
2. With the USB symbol facing up,
Encore! Encore! Karaoke RevolutionTMVolume 2 delivers more karaoke fun for your
PlayStation Volume 2 offers a brand new lineup of hit songs to keep you singing. Also featured is
the new Medley Mode, where you get to create and perform your own song medleys.
If you are not already familiar with the first game, Karaoke Revolution Volume 2 allows you to sing your favorite songs in exciting concert venues in front of a live audience. The game can be played with a group of friends or as a solo activity. Don’t worry, if you don’t consider yourself a great singer you can lower the judging level and the game will become much more forgiving, even if you hit some bad notes. So don’t be shy; step up to the mic and start singing!
The main objective of the game is to sing each song exactly like the original version. As you sing the song, your vocal performance is judged by how closely you can match the pitch and rhythm of the original lead vocals. If you sing like a pro, the crowd will cheer you on and you’ll rack up the points. If you sing badly, you will lose the crowd and may even get booed off stage.
®
2. Expanding on the unique gameplay featured in Karaoke RevolutionTM,
TM
For best results, it is important to keep the headset microphone or handheld microphone positioned close to the front of your mouth while playing the game. We recommend that you access the Microphone Setup screen in Options to adjust
the Mic Gain.
4
5
Main Menu
Prepare to Sing
Quick Play
Jump in, select your favorite song and start singing. Your performance will be scored.
Single Player
Game modes for one player including:
Showtime – Start your career as a singer and work your way to the top.
Medley – Customize and perform your own song medley.
Karaoke – Standard karaoke with no scoring.
Multi Player
Game modes for up to eight players including:
Medley – Perform song medleys and compete for the highest score. (for 2 to 8 players)
Arcade – Take turns singing to see who can score points and win the most rounds.
(for 2 to 8 players)
Karaoke Competition – No scoring in this mode; each contestant votes on the
performances. (for 3 to 8 players)
Training
Learn the basics of the game interface and how to play Karaoke RevolutionTMVolume 2.
Select Character
When you begin a new game, you will be able to customize your main character.
USERNAME Select an existing
name or enter a new name. You can delete any name in the list by pressing the button.
CHARACTER There are 10 main characters to choose from, plus additional characters
that you can unlock in Showtime Mode.
OUTFIT Select an outfit for your character. New outfits will become available as
you play through the game.
Judging Level
In Karaoke RevolutionTMVolume 2, we offer four different judging levels for each player’s vocal performance:
EASY MEDIUM HARD EXPERT
Extras
View lots of extra goodies including high scores, credits, videos and cheats.
Options
Access the microphone, sound, display and save/load options.
Your singing will be judged and rated as you play the game. Each player is able to scale the judging difficulty individually, so that everyone has fun no matter how well they can sing. At the lower judging levels, the game widens the range of pitch and rhythm that is accepted. It will recognize that you are singing the proper notes even if your pitch or timing is a little off. The phrase meter will be shorter and will fill up quickly, making it easier to get a high rating for the phrase. If you select a higher judging level, you will need to sing much more closely to the original track, and the phrase meter will take longer to fill up.
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Prepare to Sing
Prepare to Sing
Select Venue
There are 11 unique venues to choose from. You must complete Showtime Mode in order to unlock all of the venues in the game. Press the button to select a random venue (all modes except Showtime).
GARAGE Invite people over and put on a show in your garage.
THE PARTY Sing in front of your friends at a local house party.
CENTRAL STATION Take it to the streets and sing in the subway station.
THE PIT STOP Play with your new band in the local rock club.
COUNTY FAIR Strut your stuff on a big outdoor stage at the county fair.
THE WAGON WHEEL Holler and howl in this wild country bar.
SUPERSTAR TV Make an appearance on a new television show.
CLUB AVALANCHE Bust out the jams in the hottest new club in town.
HMX RECORDS Promote your band with a live appearance in a record store.
ROYAL HALL Entertain the crowd in an elegant and stately concert hall.
ENORMOBOWL Perform live in the biggest concert venue in the world!
Select Song
Highlight a song on the list to view additional information and hear a short preview of the song. You can press the button to select a random song on the list.
Song information:
SONG LENGTH Length of the song in minutes:seconds format.
HIGH SCORE High score for the song at the current judging level.
SONG COMPLEXITY The mic icons indicate the overall complexity of the song:
Easiest songs to sing
Medium song complexity
Most difficult songs to sing
Depending on the game mode, you may be presented with additional options after you select the song you wish to sing: PERFORM Perform the song in front of a live crowd with scoring turned on.
(Showtime)
FULL SONG Sing the full version of the song with scoring turned on.
(Quick Play, Multiplayer Karaoke and Arcade)
FULL SCREEN LYRICS Full screen lyrics will be displayed (only available in Karaoke Mode)
8
SHORT SONG Sing a short version of the song with scoring turned on.
(Quick Play, Multiplayer Karaoke and Arcade)
PRACTICE Practice the song before you are ready to perform the song for
points. Scoring is turned off and you will not get booed off stage. (Showtime and Quick Play)
9
How to Play
GAME SCREEN
Score
Crowd Meter
How to Play
As you sing the correct notes in the phrase, the Phrase Meter will fill up and change colors. Try to hit as many notes as you can to fill the phrase meter. At the end of the phrase, your score will increase and you will receive a performance rating of
POOR, , GOOD, or GREAT.
LOUSY,
Phrase Meter
Music Staff
Phrase Meter
Now Bar
Note Tubes
Pitch Arrow
Lyrics
Music Staff
The Music Staff and Lyrics are displayed at the bottom of the screen. The blue bars which scroll across the staff are called Note Tubes. Note tubes represent the pitch and length of each note you have to sing during the song. Each word within the song matches up with a corresponding note tube.
As the lyrics scroll across the screen, sing the proper words and try to match the note tubes as they reach the Now Bar. The Pitch Arrow will appear while you are singing; this represents your current pitch. The arrow will move away from the note tube and tilt slightly up or down if you sing above or below the note. If the arrow flattens out and lines up with the note tube, and green sparks appear, this means that you are hitting the note correctly.
Phrases
A Phrase is considered to be one line of lyrics within the song. The end of each phrase is designated by a Phrase Marker. When the phrase marker reaches the now bar, you have completed that phrase and a new phrase will begin.
Crowd Meter
The Crowd Meter represents the excitement level of the crowd. This meter will move up or down after you receive a rating for each phrase. Try to keep the crowd excited throughout the song. If you are able to pin the meter to the maximum level, the meter will flash green and you will receive a special 2X score multiplier, which doubles your score as long as you keep the meter pinned. If the meter drops down to a low position and starts flashing red, this is a warning that you are about to be booed off the stage. If you continue to receive bad ratings, you will eventually get booed off stage and the song will end.
Combos
If you manage to get a “Good” or “Great” rating on three phrases in a row, you will start a Combo. During the combo, you will receive a score bonus for every phrase. The number of combos will appear next to the phrase meter while the combo is in effect. As the combo number increases, the score bonus will increase as well. Continue to score “Good or “Great” to keep the combo going.
Crowd Boost
During random phrases within the song, green sparkling note tubes will appear on the staff. If you hit the notes correctly and get a “Good” or “Great” rating, you will receive a Crowd Boost. The crowd boost will send the crowd meter shooting upwards. The crowd boost can be especially helpful when your crowd meter is really low.
10
11
How to Play
How to Play
Final Score
At the end of the song, the Final Score Screen will display your score with the percentage of each phrase rating listed underneath. The score gauge shows how well you performed overall and how close you were to receiving an award.
Additional information is listed below:
SONG Name of song performed
PLAYER Username of current player
HIGH SCORE Current high score or new high score
HIGHEST COMBO Highest combo achieved
JUDGING LEVEL Judging level for song
If you score enough points, you will be awarded a gold or platinum record. Win gold and platinum records in Showtime Mode to unlock special items in the game.
HINTS & TIPS
Microphone Placement – For best results, it is important to keep the headset microphone positioned very close to the front of your mouth (1-3 cm) with the red dot facing your mouth. If you are using a handheld microphone, try to keep the microphone at the same distance from your mouth and sing directly into the microphone. We recommend that you access the Microphone Setup screen in Options to adjust the Mic Gain.
Practice – Every song featured in the game includes the lead vocals. In order to learn the songs, you should listen to and sing along with the original vocals. We have included a Karaoke Mode and a Practice option (in Showtime & Quick Play), which you can use to practice the songs. The song lyrics in the back of this manual will be a useful guide while learning the songs.
Octaves – You can sing the songs in any octave without getting penalized. If certain notes are too high or low, try singing them in a different octave; the game system will automatically adjust.
Holding Notes – The game system will easily recognize vowel sounds as real notes. For long notes that are held, be sure to hold the vowel within the word, not the consonant. Make sure to hold each note for the entire length of the note tube. Also, try to sing cleanly without any distortion in your voice.
Judging Level – If you are having trouble getting through a song, try selecting a lower judging level.
Unlocked Items – All of the items that you unlock in Showtime mode will become globally available in all of the game modes for all of the players. The unlocked items will be automatically saved to the memory card (8MB)(for PlayStation
®
2).
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13
Game Modes
Game Modes
QUICK PLAY
Quick Play makes it easy to sing a song without having to enter a full game mode. Choose you character, judging level, venue and any song from the list, then start singing!
Quick Play is also a great mode to use when you have a group of people who want to play the game, but aren’t interested in a full multiplayer game. Sing one song, then let the next person choose what they want to sing.
SINGLE PLAYER MODES
Showtime
Warm up your vocal cords, step up to the mic and begin your career as a professional singer. In Showtime Mode, you work your way to the top by starting out in your garage and singing through all of the venues until you reach the Enormobowl!
Within each venue, you will be given a selection of 4 songs to choose from. You must complete at least 1 song before moving on to the next stage. If you can make it through all 8 stages and win some awards along the way, you will unlock all sorts of cool stuff that can be used in any of the game modes. Try to obtain platinum on every song in Showtime.
Medley
In Medley Mode, you can customize and sing your own song medleys. Short clips from each song that you select will play in rapid succession. You must sing through all of the song clips to successfully complete the medley.
On the Medley Setup screen, set the number of songs (3, 4 or 5) you would like to include in the medley. Next, select the songs you wish to include in the medley. Each song you select will be displayed on the Playlist at the right side of the screen. If you have selected a song by mistake, press the ç button to take that song off of the playlist. When you have selected all of the songs for your medley, CONTINUE will be highlighted. Press the button to start your medley.
If you want an extra challenge, press the button to fill all of the slots with random songs. Try to sing each song as it comes up. Fortunately we give you
14
a little help; the song title is displayed on the screen when each song clip begins.
Karaoke
Karaoke Mode is comparable to a normal karaoke machine. Only the lyrics of the song are displayed on screen and there is no scoring involved. On the Venue Selection Screen, there is an additional “Full Screen Lyrics” option which displays stationary lyrics across the entire screen, just like standard karaoke.
MULTI PLAYER MODES
Medley
This is the multiplayer version of Medley Mode for 2 to 8 players. The players take turns singing song medleys and their scores are compared at the end of each round. Score the most points and win the most rounds to beat the competition!
When you begin a multiplayer medley game, there are several options to set for the game:
PLAYERS Number of players in the game (2-8) SONGS Number of song clips in the medleys (3-5) ROUNDS Number of rounds in the game (1-5) RANDOM ROUNDS
NO RANDOM ROUNDS Players select the songs RANDOM LAST ROUND Songs are randomly selected in the last round ALL RANDOM ROUNDS Songs are randomly selected in all rounds
At the beginning of every round, the players select the songs they wish to place in their song medleys. If the Random Rounds option is active, the song selection will be randomly generated for that round.
Arcade
In Arcade Mode, 2 to 8 players take turns singing individual songs to see who can get the highest score and win the most rounds. Each player will be able to select their own judging level along with their character, so expert singers can handicap themselves against the novices.
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Game Modes
Options
When you begin a multiplayer arcade game, there are several options to set for the game:
PLAYERS Number of players in the game (2-8) ROUNDS Number of rounds in the game (1-5) RANDOM ROUNDS
NO RANDOM ROUNDS Players select the songs RANDOM LAST ROUND Songs are randomly selected in the last round ALL RANDOM ROUNDS Songs are randomly selected in all rounds
FULL/SHORT SONG Sing the full (normal) version or short version of the songs.
At the end of each round, you will be brought to the Round Recap Screen which has information about your progress in the current game. A final winner is declared at the end of the game.
Karaoke Competition
This is a multi player version of Karaoke for 3 to 8 players. Instead of the game system rating your performance, the contestants themselves are the judges. At the end of each song, the players will get a chance to secretly rate the performance of the singer. The player with the highest overall rating at the end of the final round wins the competition.
TRAINING
In Training Mode, we teach you the basics of the game including the interface and we’ll take you through a few interactive examples. We recommend you go through training mode to get a better handle on how the game works before playing the other game modes.
Extras
High Scores
Check your high scores for the songs. A high score is displayed for every song at each judging level. You must sing the full version of the song in order to set a high score.
Credits
Review the list of people who worked hard to bring you Karaoke RevolutionTMVolume 2.
Videos
If you are successful, you can unlock special videos and view them here.
Cheats
Cheat codes will be listed here, after you unlock them in Showtime.
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Microphone Setup
In Microphone Setup, you can adjust the Mic Gain, which is the input level of the microphone. We recommend using the default setting unless the microphone does not seem to be picking up your voice properly. Turn up the Mic Gain if the microphone is not picking up your voice properly. Keep in mind that you may experience distortion if you turn up the Mic Gain too high.
Sound Setup
Many of these settings can be changed with the DUALSHOCK®2 analog controller while a song is playing. See CONTROLS for more details:
MUSIC Volume level of the background music track. LEAD VOCALS Volume level of the original lead vocals in the song. SOUND FX Volume level of the sound effects within the game. MIC VOLUME Volume level of the microphone playback through the
speakers (different than Mic Gain).
EARPIECE Volume level of your voice in the earpiece monitor
(headset only).
Display Setup
MUSIC STAFF Turn the music staff and the meters ON/OFF. LYRICS Turn the lyrics ON/OFF.
Save/Load
Your progress will automatically be saved as you play the game and loaded each time you boot up the game. However, if you have just inserted a memory card (8MB) (for PlayStation you can do so here.
SAVE Save your game to the memory card (8MB)
LOAD Load your game from the memory card (8MB)
REFRESH Refresh the screen if a new memory card (8MB)
AUTOSAVE Turn the autosave feature ON/OFF.
®
2) and need to save/load or you wish to turn off the autosave feature,
®
(for PlayStation NOTE: This will overwrite your existing save game file.
(for PlayStation®2).
(for PlayStation®2) has been inserted.
2).
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Song Lyrics
Song Lyrics
...BABY ONE MORE TIME BORN TO BE WILD CRY
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
DRIFT AWAY
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
EVERY BREATH YOU TAKE FRIENDS IN LOW PLACES GENIE IN A BOTTLE HEARTBREAK HOTEL HERE WITHOUT YOU HOT STUFF
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I BELIEVE IN A THING CALLED LOVE I HATE EVERYTHING ABOUT YOU I WILL SURVIVE
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I’LL MAKE LOVE TO YOU I’M WITH YOU IRRESISTIBLE IT’S MY LIFE
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I’VE GOT YOU UNDER MY SKIN JESSIE’S GIRL LADY MARMALADE LET’S GET IT ON MISS YOU MY GIRL
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PAPA DON’T PREACH PERFECT RICH GIRL
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ROCK AND ROLL ALL NITE (SITTIN’ ON) THE DOCK OF THE BAY SWEET HOME ALABAMA THE FIRST CUT IS THE DEEPEST THE JOKER TOXIC VIRTUAL INSANITY WE ARE FAMILY WHITE FLAG
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...BABY ONE MORE TIME
WRITTEN BY MAX MARTIN PUBLISHED BY ZOMBA MUSIC PUBLISHERS LTD (PRS) (ADMIN BY ZOMBA ENTERPRISES INC (ASCAP) IN THE US & CANADA) © 1998
Oh baby baby Oh baby baby Oh baby baby how was I supposed to know That something wasn’t right here Oh baby baby I shouldn’t have let you go And now you’re out of sight yeah Show me how you want it to be Tell me baby ‘cause I need to Know now what we’ve got
My loneliness is killing me I must confess I still believe When I’m not with you I lose my mind Give me a sign Hit me baby one more time
Oh baby baby the reason I breathe is you Boy you got me blinded Oh pretty baby there’s nothing that I wouldn’t do It’s not the way I planned it Show me how you want it to be Tell me baby ‘cause I need to Know now what we’ve got
My loneliness is killing me I must confess I still believe When I’m not with you I lose my mind Give me a sign Hit me baby one more time
Oh baby baby Oh baby baby Oh baby baby how was I supposed to know Oh pretty baby I shouldn’t have let you go I must confess that my loneliness Is killing me now Don’t you know I still believe That you will be here and give me a sign Hit me baby one more time
My loneliness is killing me I must confess I still believe When I’m not with you I lose my mind Give me a sign
I must confess that my loneliness Is killing me now Don’t you know I still believe That you will be here And give me a sign Hit me baby one more time
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Song Lyrics
BORN TO BE WILD
WRITTEN BY MARS BONFIRE PUBLISHED BY SONGS OF UNIVERSAL INC. O/B/O UNIVERSAL MUSIC PUBLISHING, A DIVISION OF UNIVERSAL STUDIOS, CANADA LTD. (BMI) ALL RIGHTS RESERVED © 1968
Get your motor running Head out on the highway Lookin’ for adventure In whatever comes our way
Yeah darlin’ go and make it happen Take the world in a love embrace Fire all of your guns at once and Explode into space
I like smoke and lightning Heavy metal thunder Racin’ with the wind And the feeling that that I’m under
Yeah darlin’ go and make it happen Take the world in a love embrace Fire all of your guns at once and Explode into space
Like a true nature’s child We were born, born to be wild We can climb so high I never want to die Born to be wild Born to be wild
Get your motor running Head out on the highway Lookin’ for adventure In whatever comes our way
Yeah darlin’ go and make it happen Take the world in a love embrace Fire all of your guns at once and Explode into space
Like a true nature’s child We were born, born to be wild We can climb so high I never want to die Born to be wild Born to be wild
CRY
WRITTEN BY ANGIE APARO PUBLISHED BY EMI BLACKWOOD MUSIC INC, ROUNDED MUSIC AND POTTY MOUTH PUBLISHING, ADMIN BY EMI BLACKWOOD MUSIC INC (BMI) ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION © 2000
If I had, just one, tear running down your cheek Maybe, I could, cope maybe I’d get some sleep If I had, just one, moment at your expense Maybe all my misery Would be well spent, yeah
Could you cry a little, lie just a little Pretend that you’re feeling a little more pain I gave now I’m wanting, something in return So cry just a little for me
If your love, could be caged, honey I would hold the key And conceal it underneath, the pile of lies you handed me And you’d hunt those lies, they’d be all you’d ever find That’d be all you’d have to know For me to be fine, yeah
And you’d cry a little, die just a little And baby I would feel, just a little less pain I gave now I’m wanting, something in return So cry just a little for me
Give it up baby, I hear you’re doin’ fine Nothin’s gonna save me, I can see it in your eyes Some kind of heartache comin’, give it a try I don’t want pity, I just Want what is mine, yeah
Could you cry a little, lie just a little Pretend that you’re feeling, a little more pain I gave now I’m wanting, something in return So cry just a little for me yeah Cry just a little for me, whoa Could you cry a little for me
DRIFT AWAY
WRITTEN BY MENTOR WILLIAMS PUBLISHED BY ALMO MUSIC CORP. (ASCAP) © 1972
Day after day I’m more confused Yet I look for the light through the pourin’ rain You know that’s a game that I hate to lose And I’m feelin’ the strain, ah ain’t it a shame
Oh give me the beat boys and free my soul I wanna get lost in your rock and roll and drift away Give me the beat boys and free my soul I wanna get lost in your rock and roll and drift away Won’t you take me away
Beginnin’ to think that I’m wastin’ time I don’t understand the things I do The world outside looks so unkind And I’m countin’ on you, you can carry me through
Oh give me the beat boys and free my soul I wanna get lost in your rock and roll and drift away Give me the beat boys and free my soul I wanna get lost in your rock and roll and drift away Won’t you take me away
And when my mind is free You know a melody can move me And when I’m feelin’ blue The guitars comin’ through to soothe me
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Song Lyrics
Thanks for the joy that you given me I want you to know I believe in your song Rhythm and rhyme and harmony You’ve helped me along, ah you makin’ me strong
Oh give me the beat boys and free my soul I wanna get lost in your rock and roll and drift away Give me the beat boys and free my soul I wanna get lost in your rock and roll and drift away
Give me the beat boys and free my soul I wanna get lost in your rock and roll and drift away Just give me the beat boys and free my soul I wanna get lost in your rock and roll and drift away
Oh won’t you take me, oh won’t you take me I want to drift away Won’t you take me away Won’t you take me, take me home Won’t you take me away
EVERY BREATH YOU TAKE
WRITTEN BY STING PUBLISHED BY EMI MUSIC PUBLISHING LIMITED ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION © 1983
Every breath you take Every move you make Every bond you break, every step you take I’ll be watching you
Every single day And every word you say Every game you play, every night you stay I’ll be watching you
Oh can’t you see You belong to me How my poor heart aches With every step you take
Every move you make Every vow you break Every smile you fake, every claim you stake I’ll be watching you
Since you’ve gone, I’ve been lost without a trace I dream at night I can only see your face I look around but it’s you I can’t replace I feel so cold and I long for your embrace I keep crying baby, baby, please
Oh can’t you see You belong to me How my poor heart aches With every step you take
Every move you make And every vow you break
Every smile you fake, every claim you stake I’ll be watching you
Every move you make, every step you take I’ll be watching you
I’ll be watching you I’ll be watching you I’ll be watching you I’ll be watching you Ooh I’ll be watching you I’ll be watching you I’ll be watching you
FRIENDS IN LOW PLACES
WRITTEN BY EARL BUD LEE, DEWAYNE BLACKWELL PUBLISHED BY SONY/ATV CROSS KEYS PUBLISHING CO, INC. (ASCAP), ALL RIGHTS ON BEHALF OF SONY/ATV TUNES LLC ADMIN BY SONY/ATV MUSIC PUBLISHING. CAREERS­BMG MUSIC PUBLISHING INC. (BMI) ALL RIGHTS RESERVED. USED BY PERMISSION. © 1990
Blame it all on my roots I showed up in boots And ruined your blacktie affair The last one to know The last one to show I was the last one You thought you’d see there And I saw the surprise And the fear in his eyes When I took his glass of champagne And I toasted you Said honey, we may be through But you’ll never hear me complain
‘Cause I got friends in low places Where the whiskey drowns And the beer chases my blues away Yeah I’ll be okay I’m not big on social graces Think I’ll slip on down to the oasis Oh, I’ve got friends in low places
Well, I guess I was wrong I just don’t belong But then, I’ve been there before Everything’s all right I’ll just say goodnight And I’ll show myself to the door Hey, I didn’t mean To cause a big scene Just give me an hour and then Well, I’ll be as high as that ivory tower That you’re livin’ in
‘Cause I got friends in low places Where the whiskey drowns And the beer chases my blues away Yeah I’ll be okay I’m not big on social graces Think I’ll slip on down to the oasis Oh, I’ve got friends in low places (3X)
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Song Lyrics
GENIE IN A BOTTLE
WRITTEN BY STEPHEN KIPNER, DAVID FRANK & PAM SHEYNE PUBLISHED BY EMI APRIL MUSIC INC. (ASCAP), O/B/O OF ITSELF AND STEPHEN A. KIPNER MUSIC, GRIFF GRIFF MUSIC. APPLETREE SONGS, LTD, ADMIN BY WARNER-TAMERLANE PUBLISHING CORP. ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION © 1998
Ooooh I feel like I’ve been locked up tight For a century of lonely nights Waiting for someone to release me You’re licking your lips and blowing kisses my way But that don’t mean I’m gonna give it away Baby baby baby Ooh, ooh, ooh, ooh, ooh, ooh
If you wanna be with me Baby there’s a price to pay I’m a genie in a bottle You gotta rub me the right way If you wanna be with me I can make your wish come true You gotta make a big impression Gotta like what you do
I’m a genie in a bottle baby Gotta rub me the right way honey I’m a genie in a bottle baby Come come, come on and let me out
Music’s fading and the lights down low Just one more dance and then we’re good to go Waiting for someone, who needs me Hormones racing at the speed of light But that don’t mean it’s gotta be tonight Baby baby babe Ooh, ooh, ooh, ooh, ooh, ooh
If you wanna be with me Baby there’s a price to pay I’m a genie in a bottle You gotta rub me the right way If you wanna be with me I can make your wish come true Just come and set me free baby And I’ll be with you
I’m a genie in a bottle baby Gotta rub me the right way honey I’m a genie in a bottle baby Come come, come on and let me out I’m a genie in a bottle baby Gotta rub me the right way honey I’m a genie in a bottle baby Come come, come on and let me out
Ooh, ooh, ooh, ooh, ooh, ooh
If you wanna be with me Baby there’s a price to pay I’m a genie in a bottle You gotta rub me the right way
If you wanna be with me I can make your wish come true You gotta make a big impression Gotta like what you do
If you wanna be with me Baby there’s a price to pay I’m a genie in a bottle You gotta rub me the right way If you wanna be with me I can make your wish come true A just come and set me free baby And I’ll be with you I’m a genie in a bottle baby Come come, come on and let me out
HEARTBREAK HOTEL
WRITTEN BY MAE BOREN AXTON, TOMMY DURDEN, ELVIS PRESLEY PUBLISHED BY SONY/ATV TREE PUBLISHING (BMI). ALL RIGHTS ADMIN BY SONY/ATV MUSIC PUBLISHING. USED BY PERMISSION. ALL RIGHTS RESERVED. © 1956
Well since my baby left me Well I found a new place to dwell Well it’s down at the end of lonely street that’s Heartbreak Hotel where I’ll be I’ll be so lonely baby Well I’m so lonely I’ll be so lonely, I could die
Although it’s always crowded You still can find some room For broken hearted lovers To cry there in the gloom, I’ll be so Heartbreak is so lonely baby Heartbreak is so lonely It’s so lonely, they could die
Now, the bellhop’s tears keep flowin’ And the desk clerk’s dressed in black Well they been so long on lonely street They’ll never, they’ll never look back, and think you’re so They think you’re so lonely baby Well they’re so lonely Well they’re so lonely, they could die
Well now if your baby leaves ya You got a tale to tell Oh just take a walk down lonely street to Heartbreak Hotel where you will be Got to think it’s so lonely baby Well you will be lonely You’ll be so lonely, you could die
Oh although it’s always crowded You still can find some room For broken hearted lovers To cry there in the gloom, heartbreak is so Heartbreak is so lonely baby Well they’re so lonely They’ll be so lonely they could die
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Song Lyrics
HERE WITHOUT YOU
WRITTEN BY BRAD ARNOLD, MATTHEW DARRICK ROBERTS, CHRISTOPHER LEE HENDERSON, ROBERT TODD HARRELL PUBLISHED BY SONGS OF UNIVERSAL INC. O/B/O ITSELF AND ESCATAWPA SONGS (BMI) ALL RIGHTS RESERVED © 2002
A hundred days have made me older Since the last time that I saw your pretty face A thousand lies have made me colder And I don’t think I can look at this the same But all the miles that separate They disappear now when I’m dreaming of your face
I’m here without you baby But you’re still on my lonely mind I think about you baby And I dream about you all the time I’m here without you baby But you’re still with me in my dreams And tonight it’s only you and me yeah
The miles just keep rollin’ As the people lead their way to say hello I’ve heard this life is overrated But I hope that it gets better as we go, oh yeah yeah
I’m here without you baby But you’re still on my lonely mind I think about you baby And I dream about you all the time I’m here without you baby But you’re still with me in my dreams And tonight girl there’s only you and me
Everything I know And anywhere I go whoa It gets hard but it won’t take away my love And when the last one falls When it’s all said and done It gets hard but it won’t take away my love Whoa
I’m here without you baby But you’re still on my lonely mind I think about you baby And I dream about you all the time I’m here without you baby But you’re still with me in my dreams And tonight girl it’s only you and me, yeah Hoh yeah oh oh, oh ho
HOT STUFF
WRITTEN BY BELLOTTE, FORSEY AND FALTERMEIER PUBLISHED BY WB MUSIC CORP. (ASCAP) AL RIGHTS RESERVED. © 1979
Sitting here eating my heart out waiting Waiting for some lover to call Dialed about a thousand numbers lately Almost rang the phone off the wall
Looking for some hot stuff baby this evening I need some hot stuff baby tonight I want some hot stuff baby this evening Gotta have some hot stuff Gotta have some love tonight
I need hot stuff I want some hot stuff I need hot stuff
Looking for a lover who needs another Don’t want another night on my own Wanna share my love with a warm blooded lover Wanna bring a wild man back home
Gotta have some hot love baby this evening I need some hot stuff baby tonight I want some hot stuff baby this evening Gotta have some loving Got to have love tonight
I need hot stuff Hot love Looking for hot love
Hot hot hot hot stuff, hot hot hot Hot hot hot hot stuff, hot hot hot
How’s about some hot stuff baby this evening I need some hot stuff baby tonight Looking for my hot stuff baby this evening I need some hot stuff baby tonight Yeah yeah I want some hot stuff baby this evening I want some hot stuff baby tonight
I BELIEVE IN A THING CALLED LOVE
WRITTEN BY JUSTIN DAVID HAWKINS, DANIEL FRANCIS HAWKINS, FRANCIS GILLES POULLAIN-PATTERSON, EDWIN JAMES GRAHAM PUBLISHED BY UNIVERSAL -POLYGRAM INTERNATIONAL PUBLISHING, INC. O/B/O UNIVERSAL MUSIC PUBLISHING LTD. (ASCAP) ALL RIGHTS RESERVED © 2003
Can’t explain all the feelings that you’re making me feel My heart’s in overdrive and you’re behind the steering wheel Touching you, touching me, touching you Yeah you’re touching me
I believe in a thing called love Just listen to the rhythm of the heart There’s a chance we could make it now We’ll be rocking ‘til the sun goes down I believe in a thing called love, ooh ooh
I wanna kiss you every minute every hour every day You got me in a spin but every ‘fin is A-O-K Touching you, touching me, touching you God you’re touching me
I believe in a thing called love Just listen to the rhythm of the heart There’s a chance we could make it now We’ll be rocking ‘til the sun goes down I believe in a thing called love, ooh ooh, guitar
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Song Lyrics
Touching you, touching me, touching you God you’re touching me, ahh
I believe in a thing called love Just listen to the rhythm of the heart There’s a chance we could make it now We’ll be rocking ‘til the sun goes down I believe in a thing called love, ooh ooh
I HATE EVERYTHING ABOUT YOU
WRITTEN BY THREE DAYS GRACE AND GAVIN BROWN PUBLISHED BY EMI APRIL MUSIC (CANADA), 3 DAYS GRACE PUBLISHING AND NOODLES FOR EVERYONE, ADMIN BY EMI APRIL MUSIC INC. (ASCAP) ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION. © 2003
Every time we lie awake After every bit we take Every feeling that I get But I haven’t missed you yet
Every roommate kept awake By every sign and screen we make All the feelings that I get But I still don’t miss you yet
Only when I stop to think about it
I hate everything about you Why do I love you I hate everything about you Why do I love you
Every time we lie awake After every bit we take Every feeling that I get But I haven’t missed you yet
Only when I stop to think about it
I hate everything about you Why do I love you I hate everything about you Why do I love you
Only when I stop to think About you I know Only when you stop to think About me do you know
I hate everything about you Why do I love you You hate everything about me Why do you love me
I hate, you hate, I hate, you love me
I hate everything about you Why do I love you
I WILL SURVIVE
WRITTEN BY FREDERICK J. PERREN, DINO FEKARIS PUBLISHED BY UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. O/B/O ITSELF AND PERREN-VIBES MUSIC, INC. (ASCAP) ALL RIGHTS RESERVED © 1978
At first I was afraid, I was petrified Kept thinkin’ I could never live without you by my side But then I spent so many nights Thinkin’ how you did me wrong And I grew strong And I learned how to get along And so you’re back, from outer space I just walked in to find you here with that sad look upon your face I should have changed that stupid lock I should have made you leave your key If I’d have known for just one second you’d be back to bother me
Go on now go, walk out the door Just turn around now ‘Cause you’re not welcome anymore Weren’t you the one who tried to hurt me with goodbye Did you think I’d crumble Did you think I’d lay down and die Oh no not I, I will survive Oh as long as I know how to love I know I’ll stay alive I’ve got all my life to live I’ve got all my love to give And I’ll survive, I will survive hey hey
It took all the strength I had not to fall apart Kept trying hard to mend the pieces of my broken heart And I spent oh so many nights Just feeling sorry for myself I used to cry, but now I hold my head up high And you see me, somebody new I’m not that chained up little person still in love with you And so you felt like droppin’ in And just expect me to be free Now I’m savin’ all my lovin’ for someone who’s lovin’ me
Go on now go walk out the door Just turn around now ‘Cause you’re not welcome anymore Weren’t you the one who tried to break me with goodbye Did you think I’d crumble Did you think I’d lay down and die Oh no not I, I will survive Oh as long as I know how to love I know I’ll stay alive I’ve got all my life to live And I’ve got all my love to give And I’ll survive, I will survive, oh
Go on now, go walk out the door Just turn around now ‘Cause you’re not welcome anymore Weren’t you the one who tried to break me with goodbye Did you think I’d crumble Did you think I’d lay down and die Oh no not I, I will survive Oh as long as I know how to love I know I’ll stay alive
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Song Lyrics
I’LL MAKE LOVE TO YOU
WRITTEN BY KENNETH “BABYFACE” EDMONDS (BMI) PUBLISHED BY SONY/ATV SONGS LLC/ECAF MUSIC. ALL RIGHTS ADMINISTERED BY SONY/ATV MUSIC PUBLISHING © 1994
Close your eyes, make a wish And blow out the candlelight For tonight is just your night We’re gonna celebrate
Pour the wine, light the fire Girl your wish is my command I submit to your demands I will do anything Girl you need only ask
I’ll make love to you Like you want me to And I’ll hold you tight Baby all through the night I’ll make love to you When you want me to And I will not let go ‘til you tell me to
Girl relax, let’s go slow I ain’t got nowhere to go I’m just gonna concentrate on you Girl are you ready It’s gonna be a long night Throw your rose On the floor I’m gonna take my rose off too I’ve made plans to be with you Girl whatever you ask me you know I can give
I’ll make love to you Like you want me to And I’ll hold you tight Baby all through the night I’ll make love to you When you want me to And I will not let go ‘til you tell me to
Baby tonight is your night And I will do you right Just make a wish on your night Anything that you ask I will give you the love of your life Your life your life
I’ll make love to you Like you want me to And I’ll hold you tight Baby, all through the night I’ll make love to you When you want me to And I will not let go ‘til you tell me to (2X)
I’M WITH YOU
WRITTEN LAUREN CHRISTY, SCOTT SPOCK, GRAHAM EDWARDS AND AVRIL LAVIGNE PUBLISHED BY ALMO MUSIC CORP. O/B/O ITSELF AND AVRIL LAVIGNE PUBLISHING LTD (ASCAP) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI) O/B/O OF ITSELF AND MR.SPOCK MUSIC (BMI), HOLLYLODGE MUSIC (BMI) AND RAINBOW FISH PUBLISHING (BMI) TIX MUSIC AND FERRY HILL SONGS (ASCAP) ALL ADMIN BY WB MUSIC CORP. (ASCAP). ALL RIGHTS RESERVED. © 2002
I’m standing on the bridge I’m waitin’ in the dark I thought that you’d be here by now There’s nothing but the rain No footsteps on the ground I’m listening but there’s no sound
Isn’t anyone trying to find me Won’t somebody come take me home It’s a darn cold night Trying to figure out this life Won’t you, take me by the hand Take me somewhere new I don’t know who you are, but I I’m with you, I’m with you hmmm
I’m looking for a place I’m searching for a face Is anybody here I know ‘Cause nothing’s going right And everything’s a mess And no one likes to be alone
Isn’t anyone trying to find me Won’t somebody come take me home It’s a darn cold night Trying to figure out this life Won’t you, take me by the hand Take me somewhere new I don’t know who you are, but I I’m with you, I’m with you yeah yeah
Oh, why is everything so confusing Maybe I’m just out of my mind Yeah yeah yeah, yeah yeah, yeah yeah Yeah yeah, oh ho
It’s a darn cold night Trying to figure out this life Won’t you, take me by the hand Take me somewhere new I don’t know who you are, but I I’m with you hoo, I’m with you hoo
Take me by the hand Take me somewhere new I don’t know who you are, but I I’m with you hoo, I’m with you hoo
Take me by the hand Take me somewhere new I don’t know who you are, but I I’m with you, oh, I’m with you hoo I’m with you
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IRRESISTIBLE
WRITTEN BY ANDERS BAGGE, PAM SHEYNE AND ARNTHOR BIRGISSON PUBLISHED BY FINTAGE TALENT BV (PRS) O/B/O ITSELF AND AIR CHRYSALIS (STIM) & MURLYN SONGS (ASCAP) ALL ADMIN BY WARNER-TAMERLANE PUBLISHING CORP. (BMI). EMI MUSIC PUBLISHING (SWEDEN) AB, ADMIN BY EMI APRIL MUSIC INC. (ASCAP) AND UNIVERSAL - POLYGRAM INTERNATIONAL INC. O/B/O MURLYN SONGS AB (ASCAP) ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION. © 2001
Don’t you try to tell me that he’s not my type To hide what I feel inside When he makes me weak with desire I know that I’m supposed to make him wait Let him think I like the chase But I can’t stop fanning the fire I know I meant to say no
But he’s irresistible Up close and personal Now inescapable I can hardly breathe More than just physical Deeper than spiritual His ways are powerful Irresistible to me Oh I can hardly breathe
Don’t you think I’m trying to tell my heart what’s right That I should really say goodnight But I just can’t stop myself falling Maybe I’ll tell him that I feel the same That I don’t want to play no game ‘Cause when I feel his arms wrapped around me I know I meant to say no
But he’s irresistible Up close and personal Now inescapable I can hardly breathe More than just physical Deeper than spiritual His ways are powerful
Can’t you see Whenever he’s close to me I really find it hard to breathe He’s so irresistible Babe you know It’s more than just spiritual His kisses are powerful He’s so irresistible
But he’s irresistible Up close and personal Now inescapable I can hardly breathe More than just physical Deeper than spiritual His ways are powerful Irresistible to me (2X)
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IT’S MY LIFE
WRITTEN BY TIM FRESE-GREENE AND MARK DAVID HOLLIS PUBLISHED BY F-SHARP PRODUCTIONS LTD. (ADMIN. BY ZOMBA ENTERPRISES INC (ASCAP) FOR US & CANADA AND BY ZOMBA MUSIC PUBLISHERS LTD (PRS) FOR THE REST OF THE WORLD) AND UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL PUBLISHING, INC. O/B/O HOLLIS SONGS LTD. (BMI) ALL RIGHTS RESERVED © 1983
It’s funny how I find myself, in love with you If I could buy my reasoning, I’d pay to lose One half won’t do
I’ve asked myself, how much do you Commit yourself Oh it’s my life, don’t you forget It’s my life, it never ends
Funny how I blind myself, I never knew If I was sometimes played upon, afraid to lose
Oh I’d tell myself, what good do you do Convince myself Oh it’s my life, don’t you forget Oh it’s my life, it never ends
And I’ve asked myself, how much do you Commit yourself
Oh it’s my life, don’t you forget Caught in the crowd, it never ends
And it’s my life, don’t you forget Caught in the crowd, it never ends
Oh it’s my life, don’t you forget Caught in the crowd, it never ends
I’VE GOT YOU UNDER MY SKIN
WRITTEN BY COLE PORTER PUBLISHED BY CHAPPELL & CO., INC. (ASCAP) ALL RIGHTS RESERVED. © 1936
I’ve got you under my skin I’ve got you deep in the heart of me So deep in my heart that you’re really a part of me I’ve got you under my skin
I’d tried so not to give in I said to myself this affair never will go so well But why should I try to resist when baby I know so well I’ve got you under my skin
I’d sacrifice anything come what might For the sake of having you near In spite of a warning voice that comes in the night And repeats, repeats in my ear Don’t you know little fool You never can win Use your mentality Wake up to reality But each time that I do just the thought of you Makes me stop before I begin ‘Cause I’ve got you under my skin
I would sacrifice anything come what might For the sake of having you near
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Song Lyrics
In spite of a warning voice that comes in the night And repeats how it yells in my ear Don’t you know, little fool You never can win Why not use your mentality Step up, wake up to reality But each time I do just the thought of you Makes me stop just before I begin ‘Cause I’ve got you under my skin Yes, I’ve got you under my skin
JESSIE’S GIRL
WRITTEN BY RICK SPRINGFIELD PUBLISHED BY UNIVERSAL- SONGS OF POLYGRAM INTERNATIONAL, INC. (BMI) ALL RIGHTS RESERVED © 1981
Jessie is a friend Yeah I know he’s been a good friend of mine But lately something’s changed that ain’t hard to define Jessie’s got himself a girl and I want to make her mine
And she’s watching him with those eyes And she’s loving him with that body I just know it Yeah and he’s holding her in his arms late late at night
You know I wish that I had Jessie’s girl I wish that I had Jessie’s girl Where can I find a woman like that
I play along with the charade There doesn’t seem to be a reason to change You know I feel so dirty when they start talking cute I wanna tell her that I love her but the point is probably moot
‘Cause she’s watching him with those eyes And she’s lovin’ him with that body I just know it And he’s holding her in his arms late late at night
You know I wish that I had Jessie’s girl I wish that I had Jessie’s girl Where can I find a woman like that Like Jessie’s girl I wish that I had Jessie’s girl Where can I find a woman Where can I find a woman like that
And I’m looking in the mirror all the time Wonderin’ what she don't see in me I’ve been funny I’ve been cool with the lines Ain’t that the way love’s supposed to be
Tell me where can I find a woman like that
You know I wish that I had Jessie’s girl I wish that I had Jessie’s girl I want Jessie’s girl Where can I find a woman like that Like Jessie’s girl I wish that I had Jessie’s girl I want I want Jessie’s girl
LADY MARMALADE
WRITTEN BY BOB CREWE AND KENNY NOLAN PUBLISHED BY JOBETE MUSIC CO., INC., STONE DIAMOND MUSIC CORP., TANNYBOY MUSIC CO., AND KENNY NOLAN PUBLISHING, ADMIN BY EMI APRIL MUSIC INC. (ASCAP) AND EMI BLACKWOOD MUSIC INC. (BMI) ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION © 1974
Hey sister, go sister, soul sister, go sister Hey sister, go sister, soul sister
He met Marmalade down in Old New Orleans Struttin’ her stuff on the street She said “Hello, hey Joe You wanna give it a go?”
Mmm, mmm Gitchy gitchy ya ya da da Gitchy gitchy ya ya here Mocha choca lata ya ya Creole Lady Marmalade
Voulez-vous coucher avec moi ce soir Voulez-vous coucher avec moi
He sat in her boudoir while she freshened up The boy drank all that magnolia wine On her black satin sheets where he started to freak
Gitchy gitchy ya ya da da Gitchy gitchy ya ya here Mocha choca lata ya ya Creole Lady Marmalade
Voulez-vous coucher avec moi ce soir Voulez-vous coucher avec moi
Hey, hey, hey Touching her skin feelin’ silky smooth Color of cafe au lait Made the savage beast inside roar until it cried More, more, more
Now he’s back home doing 9 to 5 Living his grey flannel life But when he turns off to sleep old memories meet More, more, more
Gitchy gitchy ya ya da da Gitchy gitchy ya ya here Mocha choca lata ya ya Creole Lady Marmalade
Voulez-vous coucher avec moi ce soir Voulez-vous coucher avec moi Voulez-vous coucher avec moi ce soir Creole Lady Marmalade
Voulez-vous coucher avec moi ce soir Voulez-vous coucher avec moi (4X)
Gitchy gitchy ya ya da da Gitchy gitchy ya ya here Mocha choca lata ya ya
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Song Lyrics
LET’S GET IT ON
WRITTEN BY MARVIN GAYE AND ED TOWNSEND PUBLISHED BY JOBETE MUSIC CO., INC. AND STONE DIAMOND MUSIC CORP. ADMIN BY EMI APRIL MUSIC INC. (ASCAP) AND EMI BLACKWOOD MUSIC INC. (BMI) ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION. © 1973
I’ve been really trying baby Tryin’ to hold back this feeling for so long And if you feel like I feel baby Come on oh come on
Let’s get it on, let’s get it on Let’s get it on, let’s get it on
We’re all sensitive people with so much to give Understand me sugar Since we got to be here Let’s live, I love you There’s nothing wrong with me loving you Baby nah nah, and Giving yourself to me can never be wrong If the love is true, oh baby, woohoo Don’t you know how sweet and wonderful life can be woohoo I’m asking you baby to get it on with me ooh ooh ooh I ain’t gonna worry I ain’t gonna push, won’t push you baby
Come on, come on, come on, come on, come on baby Stop beating ‘round the bush Let's get it on Let’s get it on
You know what I’m talking ‘bout come on baby Yeah let your love come out If you believe in love let’s get it on Ooh let’s get it on baby This minute ah yeah let’s get it on Please, please get it on
Come on, come on, come on, come on, come on darling Stop beating ‘round the bush Oh gonna get it on Threatenin’ you baby I want to get it on You don’t have to worry that it’s wrong If the spirit moves you let me groove you Girl let your love come down Oh get it on come on baby Do you know the meaning of being sanctified
MISS YOU
WRITTEN BY TEDDY BISHOP AND JOHNTA AUSTIN PUBLISHED BY MUSIC OF WINDSWEPT (ASCAP) O/B/O ITSELF AND HAND IN MY POCKET MUSIC. (ALL RIGHTS ADMIN BY WINDSWEPT.) CHRYSALIS MUSIC (ASCAP)/NAKED UNDER MY CLOTHES MUSIC (ASCAP) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI) O/B/O ITSELF AND NOONTIME TUNES (BMI)/OCTOBER EIGHTH MUSIC, INC. (BMI) ALL RIGHTS RESERVED. © 2002.
Hoh, hey yay yay yay No no no no no no no
It’s been too long and I’m lost without you What am I gonna do Said I been needin’ you, wantin’ you
Wonderin’ if you’re the same and who’s been with you Is a your heart still mine, I wanna cry sometimes
Off to college, yes you went away Straight from high school, you up and left me We were close friends, also lovers Did everything, for one another Now you’re gone and I’m lost without you here now But I know I gotta live and make it somehow Come back, to me, can you, feel me Hear me, callin’, for you
It’s been too long and I’m lost without you What am I gonna do Said I been needin’ you, wantin’ you Wonderin’ if you’re the same and who’s been with you Is a your heart still mine, I wanna cry sometimes
Now I’m sittin’ here, thinkin’ ‘bout you And the days we used to share It’s drivin’ me crazy, I don’t know what to do I’m just wonderin’ if you still care I don’t wanna let you know, that it’s killing me I know you got another life you gotta concentrate baby Come back, to me, can you, feel me Hear me, callin’, for you
It’s been too long and I’m lost without you What am I gonna do Said I been needin’ you, wantin’ you Wonderin’ if you’re the same and who’s been with you Is a your heart still mine, I wanna cry sometimes
It’s been too long and I’m lost without you What am I gonna do Said I been needin’ you, wantin’ you Wonderin’ if you’re the same and who’s been with you Is a your heart still mine, I wanna cry sometimes
I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I
I can’t think no more Since you went away I Don’t really feel like talkin’ No one here to love me Baby do you understand me I can’t do a thing without
It’s been too long and I’m lost without you What am I gonna do Said I been needin’ you, wantin’ you Wonderin’ if you’re the same and who’s been with you Is a your heart still mine, I wanna cry sometimes
It’s been too long and I’m lost without you What am I gonna do Said I been needin’ you, wantin’ you Wonderin’ if you’re the same and who’s been with you Is a your heart still mine, I wanna cry sometimes
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Song Lyrics
MY GIRL
WRITTEN BY RONALD WHITE AND WILLIAM ROBINSON JR. PUBLISHED BY EMI APRIL MUSIC INC. (ASCAP) ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION © 1964
I’ve got sunshine on a cloudy day When it’s cold outside, I’ve got the month of May
I guess you’d say What can make me feel this way My girl Talkin’ ‘bout my girl, my girl
I’ve got so much honey, the bees envy me I’ve got a sweeter song, than the birds in the trees
Well I guess you’ll say What can make me feel this way My girl Talkin’ ‘bout my girl, my girl Ooh, ooh
Hey hey hey Hey hey hey Ooh, yeah
I don’t need no money, fortune or fame I’ve got all the riches baby, one man can claim
Well I guess you’ll say What can make me feel this way My girl Talkin’ ‘bout my girl, my girl
PAPA DON’T PREACH
WRITTEN BY BRIAN ELLIOT PUBLISHED BY ELLIOT/JACOBSON MUSIC (ASCAP) © 1986
Papa I know you’re going to be upset ‘Cause I was always your little girl But you should know by now I’m not a baby
You always taught me right from wrong I need your help daddy please be strong I may be young at heart But I know what I’m saying
The one you warned me all about The one you said I could do without We’re in an awful mess and I don’t mean maybe
Please papa don’t preach I’m in trouble deep Papa don’t preach I been losing sleep But I made up my mind I’m keeping my baby Ooh I’m gonna keep my baby mmm
He says that he’s going to marry me We can raise a little family
38
Maybe we’ll be all right It’s a sacrifice
But my friends keep telling me to give it up Saying I’m too young I ought to live it up What I need right now is some good advice
Please papa don’t preach I’m in trouble deep Papa don’t preach I been losing sleep But I made up my mind I’m keeping my baby I’m gonna keep my baby ooh oh
Daddy daddy if you could only see Just how good he’s been treating me You’d give us your blessing right now ‘Cause we are in love We are in love
So please papa don’t preach I’m in trouble deep Papa don’t preach I been losing sleep But I made up my mind I’m keeping my baby I’m gonna keep my baby ooh oh
Papa don’t preach I’m in trouble deep Papa don’t preach I been losing sleep Papa don’t preach I’m in trouble deep Papa don’t preach I been losing sleep
Oh I’m gonna keep my baby ooh Don’t you stop loving me daddy I know I’m keeping my baby
PERFECT
WRITTEN BY CHARLES COMEAU, JEAN-FRANCOIS STINCO, PIERRE BOUVIER, SEBASTIAN LEFEBVRE AND ARNOLD LANNI PUBLISHED BY WB MUSIC CORP. (ASCAP), O/B/O ITSELF AND DROP OUT MUSIC (SOCAN), WET WHEELIE MUSIC (SOCAN), STINKY MUSIC (SOCAN), HIGH-MAINTENANCE MUSIC (SOCAN) AND LANNI TUNES (SOCAN) ALL RIGHTS RESERVED. © 2002
Hey dad look at me Think back and talk to me Did I grow up according to plan And do you think I’m wasting my time Doing things I wanna do But it hurts when you disapprove all along
And now I try hard to make it I just want to make you proud I’m never gonna be good enough for you Can’t pretend that I’m alright And you can’t change me
‘Cause we lost it all Nothing lasts forever I’m sorry I can’t be perfect Now it’s just too late And we can’t go back I’m sorry I can’t be perfect
I try not to think About the pain I feel inside Did you know you used to be my hero All the days you spent with me
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Song Lyrics
Now seem so far away And it feels like you don’t care anymore
And now I try hard to make it I just want to make you proud I’m never gonna be good enough for you I can’t stand another fight And nothing’s alright
‘Cause we lost it all And nothing lasts forever I’m sorry I can’t be perfect Now it’s just too late And we can’t go back I’m sorry I can’t be perfect
Nothing’s gonna change the things that you said And nothing’s gonna make this right again Please don’t turn your back I can’t believe it’s hard Just to talk to you But you don’t understand
‘Cause we lost it all And nothing lasts forever I’m sorry I can’t be perfect Now it’s just too late And we can’t go back I’m sorry I can’t be perfect (2X)
RICH GIRL
WRITTEN BY DARYL HALL PUBLISHED BY UNICHAPPELL MUSIC, INC. (BMI) AND HOT CHA MUSIC CO. (BMI) ALL RIGHTS RESERVED. © 1976
You’re a rich girl and you’ve gone too far ‘Cause you know it don’t matter anyway You can rely on the old man’s money You can rely on the old man’s money You’re a rich girl, but it’s gone too far ‘Cause you know it don’t matter anyway Say money but it won’t get you too far Get you too far
Don’t you know, don’t you know That it’s wrong to take what is given you So far gone on your own You can get along if you try to be strong But you’ll never be strong
‘Cause you’re a rich girl and you’ve gone too far ‘Cause you know it don’t matter anyway You can rely on the old man’s money You can rely on the old man’s money You’re a rich girl and it’s gone too far
‘Cause you know it don’t matter anyway Say money but it won’t get you too far Get you too far
High and dry out of the rain It’s so easy to hurt others when you can’t feel pain Don’t you know that a love can’t grow ‘Cause there’s too much to give ‘cause you’d rather live For the thrill of it all oh
You’re a rich girl and you’ve gone too far ‘Cause you know it don’t matter anyway You can rely on the old man’s money You can rely on the old man’s money You’re a rich girl and it’s gone too far
‘Cause you know it don’t matter anyway Say money money won’t get you too far Say money money won’t get you too far Say money money won’t get you too far Get you too far
And you say you can rely on the old man’s money You can rely on the old man’s money You’re a rich girl a rich girl Oh you’re a rich rich girl yeah
ROCK AND ROLL ALL NITE
WRITTEN BY PAUL STANLEY, GENE SIMMONS PUBLISHED BY UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING O/B/O HORI PRODUCTION AMERICA, INC. AND CAFÉ AMERICANA, INC. (ASCAP) ALL RIGHTS RESERVED © 1975
You show us everything you’ve got You keep on dancin’ and the room gets hot You drive us wild we’ll drive you crazy You say you wanna go for a spin The party’s just begun we’ll let you in You drive us wild we’ll drive you crazy
You keep on shoutin’ you keep on shoutin’
I wanna rock and roll all nite and party every day I wanna rock and roll all nite and party every day I wanna rock and roll all nite and party every day I wanna rock and roll all nite and party every day
You keep on saying you’ll be mine for a while You’re lookin’ fancy and I like your style You drive us wild we’ll drive you crazy You show us everything you’ve got Baby baby that’s quite a lot And you drive us wild we’ll drive you crazy
You keep on shoutin’ you keep on shoutin’
I wanna rock and roll all nite and party every day I wanna rock and roll all nite and party every day I wanna rock and roll all nite and party every day I wanna rock and roll all nite and party every day I wanna rock and roll all nite and party every day I wanna rock and roll all nite and party every day I wanna rock and roll all nite and party every day I wanna rock and roll all nite and party every day
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Song Lyrics
(SITTIN’ ON) THE DOCK OF THE BAY
WRITTEN BY OTIS REDDING AND STEVE CROPPER PUBLISHED BY IRVING MUSIC, INC. (BMI) © 1968
Sittin’ in the mornin’ sun I’ll be sittin’ when the evenin’ come Watching the ships roll in Then I watch ‘em roll away again, yeah
Sittin’ on the dock of the bay Watching the tide roll away Ooh just sittin’ on the dock of the bay Wastin’ time
I left my home in Georgia Headed for the ‘Frisco bay ‘Cause I’ve had nothing to live for Look like nothin’s gonna come my way
So I’m just gonna sit on the dock of the bay Watching the tide roll away Ooh sittin’ on the dock of the bay Wastin’ time
Looks like nothing’s gonna change Everything still remains the same I can’t do what ten people tell me to do So I guess I’ll remain the same
Sittin’ here resting my bones And this loneliness won’t leave me alone Two thousand miles I roam Just to make this dock my home
Now I’m just gonna sit at the dock of the bay Watching the tide roll away Just sittin’ on the dock of the bay Wastin’ time
SWEET HOME ALABAMA
WRITTEN BY RONNIE VAN ZANT, GARY ROSSINGTON, EDWIN C. KING PUBLISHED BY UNIVERSAL -DUCHESS MUSIC CORPORATION O/B/O ITSELF AND EMI/LONGITUDE MUSIC CO. /UNIVERSAL - ON BACKSTREET MUSIC, INC. O/B/O ITSELF AND EMI/FULL KEEL MUSIC CO. (BMI/ASCAP) ALL RIGHTS RESERVED © 1974
Big wheels keep on turning Carry me home to see my kin Singing songs about the Southland I miss Alabamy once again And I think it’s a sin
Well I heard mister Young sing about her Well, I heard ol’ Neil put her down Well, I hope Neil Young will remember A Southern man don’t need him around anyhow
Sweet home Alabama Where the skies are so blue Sweet home Alabama Lord I’m coming home to you
In Birmingham they love the governor, fool fool fool Now we all did what we could do Now Watergate does not bother me Does your conscience bother you Tell the truth
Sweet home Alabama Where the skies are so blue Sweet home Alabama Lord I’m coming home to you Here I come, Alabama
Now Muscle Shoals has got the Swampers And they’ve been known to pick a song or two Lord they get me off so much They pick me up when I’m feeling blue Now how about you
Sweet home Alabama Where the skies are so blue Sweet home Alabama Lord I’m coming home to you
Sweet home Alabama Oh sweet home baby Where the skies are so blue And the governor’s true Sweet home Alabama, Lordy Lord I’m coming home to you
THE FIRST CUT IS THE DEEPEST
WRITTEN BY YUSUF ISLAM PUBLISHED BY UNIVERSAL - MCA MUSIC PUBLISHING, A DIVISION OF UNIVERSAL STUDIOS, INC. O/B/O SALAFA LTD. (BMI) ALL RIGHTS RESERVED © 1967
I would have given you all of my heart But there’s someone who’s torn it apart And he’s taken just all that I had But if you want I’ll try to love again Baby I’ll try to love again but I know
The first cut is the deepest, baby I know The first cut is the deepest But when it comes to bein’ lucky he’s cursed When it comes to lovin’ me he’s worst
I still want you by my side Just to help me dry the tears that I’ve cried And I’m sure gonna give you a try If you want I’ll try to love again, try Baby I’ll try to love again but I know, oh
The first cut is the deepest, baby I know The first cut is the deepest But when it comes to bein’ lucky he’s cursed And when it comes to lovin’ me he’s worst
I still want you by my side Just to help me dry the tears that I’ve cried But I’m sure gonna give you a try ‘Cause if you want I’ll try to love again Baby I’ll try to love again but I know, oh
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Song Lyrics
Song Lyrics
The first cut is the deepest, baby I know The first cut is the deepest When it comes to bein’ lucky he’s cursed When it comes to lovin’ me he’s worst, oh
The first cut is the deepest, baby I know The first cut is the deepest Try to love again
THE JOKER
WRITTEN BY STEVE MILLER, AHMET ERTEGUN AND EDDIE CURTIS. PUBLISHED BY SAILOR MUSIC (ASCAP) ALL RIGHTS RESERVED. USED BY PERMISSION. © 1973
Some people call me the space cowboy, yeah Some call me the gangster of love Some people call me Maurice ‘Cause I speak of the pompitous of love
People talk about me baby Say I’m doin’ you wrong doin’ you wrong Well don’t you worry baby don’t worry ‘Cause I’m right here, right here, right here, right here at home
‘Cause I’m a picker, I’m a grinner I’m a lover and I’m a sinner I play my music in the sun I’m a joker, I’m a smoker I’m a midnight toker I sure don’t want to hurt no one
‘Cause I’m a picker, I’m a grinner I’m a lover and I’m a sinner I play my music in the sun I’m a joker, I’m a smoker I’m a midnight toker I get my lovin’ on the run
Woo hoo, woo hoo
You’re the cutest thing that I ever did see I really love your peaches wanna shake your tree Lovey-dovey, lovey-dovey, lovey-dovey all the time Ooh-eee baby I’ll sure show you a good time
‘Cause I’m a picker, I’m a grinner I’m a lover and I’m a sinner I play my music in the sun I’m a joker, I’m a smoker I’m a midnight toker I get my lovin’ on the run
I’m a picker, I’m a grinner I’m a lover and I’m a sinner I play my music in the sun I’m a joker, I’m a smoker I’m a midnight toker I sure don’t want to hurt no one
Woo hoo, woo hoo
44
People keep talking about me baby They say I’m doin’ you wrong Well don’t you worry, don't worry, no don’t worry mama ‘Cause I’m right here at home
TOXIC
WRITTEN BY CATHY DENNIS, CHRISTIAN KARLSSON, PONTUS WINNBERG AND HENRIK JONBACK PUBLISHED BY EMI MUSIC PUBLISHING LTD. ALL RIGHTS FOR EMI MUSIC PUBLISHING LTD. IN THE U.S. AND CANADA ADMIN BY COLGEMS-EMI MUSIC INC (ASCAP). UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING INC. O/B/O UNIVERSAL MUSIC PUBLISHING AB AND MURLYN SONGS AB (ASCAP) ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION. © 2003
Baby can’t you see, I’m calling A guy like you, should wear a warning It’s dangerous, I’m fallin’ There’s no escape, I can’t wait I need a hit, baby, give me it You’re dangerous, I’m lovin’ it
Too high, can’t come down Losing my head, spinning ‘round and ‘round Do you feel me now
With a taste of your lips I’m on a ride You’re toxic I’m slipping under (With a) taste of a poison paradise I’m addicted to you Don’t you know that you’re toxic And I love what you do Don’t you know that you’re toxic
It’s getting late, to give you up I took a sip, from my devil’s cup Slowly, it’s taking over me
Too high, can’t come down It’s in the air, and it’s all around Can you feel me now
With a taste of your lips I’m on a ride You’re toxic I’m slipping under (With a) taste of a poison paradise I’m addicted to you Don’t you know that you’re toxic And I love what you do Don’t you know that you’re toxic
Taste of your lips I’m on a ride You’re toxic I’m slipping under (With a) taste of a poison paradise I’m addicted to you Don’t you know that you’re toxic (With a) taste of your lips I’m on a ride You’re toxic I’m slipping under (With a) taste of a poison paradise I’m addicted to you Don’t you know that you’re toxic
Intoxicate me now With your lovin’ now I think I’m ready now Intoxicate me now With your lovin’ now I think I’m ready now
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Song Lyrics
VIRTUAL INSANITY
WRITTEN BY JASON KAYE AND TOBY SMITH PUBLISHED BY EMI MUSIC PUBLISHING LTD. (ALL RIGHTS FOR THE US & CANADA ADMIN BY EMI BLACKWOOD MUSIC INC. (BMI) ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION © 1997
Oh hey hey, aww, what we’re living in Let me tell ya
Hell it’s a wonder man can eat at all When things are big that should be small Who can tell what magic spells We’ll be doing for us And I’m giving all my love to this world Only to be told I can’t see, I can’t breathe No more will we be And nothing’s gonna change the way we live ‘Cause we can always take but never give And now that things are changing for the worse, see Whoa, it’s a crazy world we’re living in And I just can’t see that half of us immersed in sin Is all we have to give these
Futures, made of, virtual insanity now Always, seem to, be govern’d by this love we have for Useless, twisting, of their new technology Oh now there is no sound, for we all live underground
And I’m thinking what a mess we’re in Hard to know where to begin If I could slip, the sickly ties of earth that man has made And now every mother can choose the color Of her child, that’s not nature’s way Well that’s what they suggest today There’s nothing left to do but pray I think it’s time to find a new religion Whoa, it’s so insane To synthesize another strain There’s something in these futures that We have to veto
Futures, made of, virtual insanity now Always, seem to, be govern’d by this love we have for Useless, twisting, of their new technology Oh now there is no sound, for we all live underground
Oh, now there is no sound, if we all live underground And now it’s virtual insanity, forget your virtual reality Oh, there’s nothing so bad, yeah so bad every man Oh yeah, I know yeah, ooh
Futures, made of, virtual insanity now Always, seem to, be govern’d by this love we have for Useless, twisting, of their new technology Oh now there is no sound, for we all live underground, oh
Living in, virtual insanity, living in, virtual insanity Living in, virtual insanity, living in, virtual insanity Virtual insanity is what we’re living in
WE ARE FAMILY
WRITTEN BY NILE RODGERS AND BERNARD EDWARDS PUBLISHED BY SONY/ATV SONGS LLC (BMI) AND BERNARD’S OTHER MUSIC (BMI) ALL RIGHTS O/B/O OF BERNARD’S OTHER MUSIC (BMI) ADMIN BY WARNER-TAMERLANE PUBLISHING CORP (BMI) ALL RIGHTS RESERVED. © 1979
We are family I got all my sisters with me We are family Get up everybody and sing We are family I got all my sisters with me We are family Get up everybody and sing
Everyone can see we’re together As we walk on by And we flock just like birds of a feather I won’t tell no lie All of the people around us they say Can they be that close Just let me state for the record We’re givin’ love in a family dose
We are family I got all my sisters with me We are family Get up everybody and sing We are family I got all my sisters with me We are family Get up everybody and sing
Living life is fun and we’ve just begun To get our share of this world’s delights High hopes we have for the future And our goal’s in sight No we don’t get depressed Here’s what we call our golden rule Have faith in you and the things you do You won’t go wrong oh no This is our family jewel
We are family I got all my sisters with me We are family Get up everybody and sing
We are family I got all my sisters with me We are family Get up everybody and sing
We are family I got all my sisters with me We are family Get up everybody and sing
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47
Song Lyrics
Credits
WHITE FLAG
WRITTEN BY RICK NOWELS, DIDO ARMSTRONG AND ROLLO ARMSTRONG PUBLISHED BY EMI APRIL MUSIC INC. (ASCAP) FUTURE FURNITURE MUSIC, ADMIN BY EMI APRIL MUSIC INC. (ASCAP), BMG MUSIC PUBLISHING LTD., AND WARNER/CHAPPELL MUSIC LTD. (PRS) ADMIN BY WB MUSIC CORP. ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION © 2003
I know you think that I shouldn’t still love you Or tell you that But if I didn’t say it Well I’d still have felt it Where’s the sense in that I promise I’m not trying to make your life harder Or return to where we were
But I will go down with this ship And I won’t put my hands up and surrender There will be no white flag above my door I’m in love and always will be
I know I left too much Mess and destruction to Come back again And I caused nothing but trouble I understand if you Can’t talk to me again And if you live by the rules of it’s over Then I’m sure that that makes sense
But I will go down with this ship And I won’t put my hands up and surrender There will be no white flag above my door I’m in love and always will be
And when we meet, I’m sure we will All that was there, will be there still I’ll let it pass, and hold my tongue And you will think, that I’ve moved on
I will go down with this ship And I won’t put my hands up and surrender There will be no white flag above my door I’m in love and always will be
I will go down with this ship And I won’t put my hands up and surrender There will be no white flag above my door I’m in love and always will be
I will go down with this ship And I won’t put my hands up and surrender There will be no white flag above my door I’m in love and always will be
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HARMONIX
PROJECT MANAGEMENT
Project Leader Tracy Rosenthal-Newsom Creative Director Josh “Robotkid” Randall Director of Technology Eran Egozy Art Director Ryan Lesser Music Director Kasson Crooker QA Manager Paul Gallo
PROGRAMMING TEAM
Lead Programmers Christine Legge, Steve Merel Engine Programmer Eric Malafeew Programmer Damian Frank
MUSIC TEAM
Sound Designers Pete Maguire, Jeff Allen, Sachi Sato, Uygar “Nomad” Ovunc
ART TEAM
Art Lead Adolph Wong Character Designers Jennifer Hrabota Lesser, Matthew Gilpin 3D Character Artists Jennifer Hrabota Lesser, Matt Taylor, Matthew Gilpin Venue Artists David Flamburis, Brian Gibson, Dare Matheson Game Shell, HUD Artist Jason Arnone Lip Sync Animators Chris Saraullo, Joey Kan Character Animator Antonio Bolfo Video Artist Frank Difficult Art Interns Nikki Laney, Jason Kendall
QUALITY ASSURANCE
Lead Tester DeVron Warner Testers Robynn Amy, Danielle Charette, Stefan Colson, Reed Cournoyer,
HARMONIX MANAGEMENT
CEO Alex Rigopulos EVP & COO Mike Dornbrook VP Product Development Greg LoPiccolo Seneschal Kris Fell Network Admin Jason Warburg, Ed Selvaraj
Fonts fontalicious.com, Pixel Surgeon, Iconian Fonts, Hydrogen Whiskey typeface
Images Jason Kendall, Getty Images, Audrey Welch, Josh Lewis Special Thanks Gene Landy, Newbury Comics
WAVEGROUP SOUND
Music/Vocals Recorded & Produced at WaveGroup Sound (Fremont, CA) Additional Music/Vocals Recorded & Produced by Robert Berry at SoundTek Studios (Campbell, CA) Additional Music Recorded and Produced by Lyle Workman (Glendale, CA) Additional Music Recorded and Produced by Lance Taber (Sacramento, CA)
Executive Music Producer Will Littlejohn Additional Production Services Darryl C. Anders, Robert Berry, Scott Dugdale, Lance Taber, Lyle Workman Guitar Ken Harrill, Lance Taber, Lyle Workman Bass Darryl C. Anders, Robert Berry, Lyle Workman Drums, Percussion, Congas Robert Berry, Gregg Bissonette, Scott Dugdale, Will Littlejohn, Bryant Mills,
Keyboards, Piano, Organ Robert Berry, Scott Dugdale, Will Littlejohn Fiddle Brittany Haas Horns Erik Jekabson, Melecio Magdaluyo Vocalists Darryl C. Anders, Sheida Ansari, Stephanya Barranti, Robert Berry,
Additional Vocals Paul Armatta, Shawn Green, Barbara Hosokawa, Ted Lange, Nick Lefevre,
Sound Effects Mark Lee
Jeannine Hebb, Erin Malone, Naoko Takamoto, A.J. Wolosenko
by Ray Larabie
Gary Novak, Tearle Tomlin
Larry Braggs, Brad Brooks, Andrew Chaikin, Indra Jones, Brooks Lundy, Patrick Maier, Chris Perry, Dave Russell, Calvin Tillery, Kenny Washington, Austin Willacy, Daline Jones-Weber, Susan Zelinsky
Michael McHale, Jonathan Rivera, Jason Ray, Leslie Barton, Denise Gomes, Will Littlejohn, Scott Dugdale, Sue Pelmulder, Ron Forstall, Peter Steinbach, Lori Dugdale
49
Credits
Notes
Engineers Robert Berry, Scott Dugdale, Bill Frank, Mark Lee, Will Littlejohn, Sue
Assistant Engineers Safar Bake, Tearle Tomlin, Gin Wesener Programmers Robert Berry, Scott Dugdale, Will Littlejohn, Lyle Workman
Special Thanks to Leslie Barton, Florence Littlejohn, Sky Greenawalt
KONAMI DIGITAL ENTERTAINMENT - AMERICA
PRODUCTION
Senior Producer Michael McHale Associate Producer Shawn Green VP of Development Kurt Busch Executive Liaison Tomoko Matsubayashi Design & Music Direction Michael McHale, Shawn Green
QA Manager Michael Klug QA Liaison Hiromi Nakajima Senior QA Lead Keith Matejka QA Lead Jameel Din Lead Tester Ted Lange Assistant Lead Tester Jonathan Rivera Testers John An, Mel Baltazar, Andrew Fitch, Jacqueline Jaszka,
LICENSING
V.P. of Content Licensing Linda Osher Executive Assistant Natalie Martin
PUBLISHING
President Tommy Gotsubo C.O.O. Geoff Mulligan V.P. of Operations Linda Stackpoole Senior V.P. of Sales & Marketing Catherine Fowler General Counsel Nick Lefevre
Senior Director of Marketing Rick Naylor Associate Director of Marketing Brad Schlachter Product Manager Jason Enos Director of Marketing Communications Cherrie McKinnon Associate Director of Creative Services Monique Catley Operations Manager Kathie Tompkins Associate Director of PR Marc Franklin Associate Manager of PR Peter Nguyen Product Website Mike Dobbins Package Design and Layout Philip Travisano & Price Design Group
Thanks to Ritche Corpus, Robert Jacobson, Mike Smith, Cameron Little, Joe Kreiner, Fred Swan and everyone at Logitech for the Logitech
Lip sync data created with Impersonator™ from OC3 Entertainment, Inc. Thanks to Doug Perkowski, Jamie Redmond & John Briggs at OC3.
Motion capture data was captured and processed at House of Moves. Thanks to Jarrod Phillips and everyone at HoM. Special Thanks:
Everyone at KDE, Harmonix, WaveGroup, Paul Armatta, Theresa Bottenhorn, Daniel Castillo, Jean Chung, Randy Eckhardt, Ryan Erickson, Annetta Gentile, Rob Goff, Angela Hall, Scott Hawkins, Melinda Hodgens, Ryan Kaher, Matt Knoles, Adriana Komar, Justin Kubiak, Daniel Laskowski, Barbara Loo, Takeshi Minagawa, Christy Motoyoshi, Jill Nightingale, Ken Ogasawara, Jennifer Price, Karyn Mason, Matthew Prinvale, Heather M. Palmex, Jason Ray, Doug Rebert, Brett Robinson, Matt Robinson, Joshua Romano, Brad Smith, Geoff Sutton, Franklin Vasquez, Lee Allison Verdeckberg, Brett Walter, Kumi Watabe, Matt Wise
KONAMI CORPORATION
Executive Corporate Officer Kazumi Kitaue General Manager Tetsuya Hiyoshi Product Manager Kaz Nirasawa License Support Yoko Ishioka
Pelmulder, Peter Steinbach, Lance Taber, Lyle Workman
Michael Larsen, John Saito, Randy Thodas
®
USB Microphone for PlayStation®2
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