Fostex FD-4 User Manual

Owner’s Manual

Model

Digital Multitracker

AUX

AUX1

AUX2

HIGH

MID GAIN

MID SHIFT

300

200

LOW

PAN

MID GAIN

MID SHIFT

900

300

200 5k

LOW

0000

MON MON MON MON

000

TRK1INPUT

PAN

MON L MON RMON L MON R

PAN PAN PAN

INPUT SELINPUT SEL INPUT SEL

INPUT

OFF

TRK 1

2 3 4

AUX2

HIGH

TRK2INPUT

INPUT

OFF

TRK 2

MID GAIN

MID SHIFT

300

LOW

PAN

200 5k

MON L MON R

900

TRK3INPUT

INPUT

OFF

TRK 3

H M L

LEVEL LEVEL

MID GAIN

MID SHIFT

LOW

PAN

300

200 5k

MON L MON R

INPUT SEL

AUX

AUX2

900

TRK4INPUT

PAN

INPUT

OFF

TRK 4

H M L

MASTER

SELECTOR

L/R

010

MON SECTION

010

AUX RTN

L/R+MON

RECORD TRACK

1/L

PREVIEW

START IN OUT

AUTO PUNCH

AUTO RTN

HOLD/ STORE

PGM SEL

AUTO RTN

VARI

AUTO PLAY

PITCH

SHIFT

L/R

MON

P. EDIT

CLIPBOARD PLAY

LOCATE ABS 0

AUTO

LOCATE REC END

PUNCH RECORD

4/R3/L2/R

END IN OUT

CLIPBOARD

UNDO/ REDOEDIT

LOCATE

LOC MEM

DIGITAL MULTITRACKER

ADD. TRACK

TIME BASE

SETUP

SELDISP SEL

EXIT

EXECUTE

/YES

/NO

ELECT

ACCESS

SHUTTLE

JOG

F FWDREWINDPLAYSTOP

Safety Instructions

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER - SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

"WARNING"

"TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE."

SAFETY INSTRUCTIONS

1. Read Instructions - All the safety and operating instructions should be read before the appliance is operated.

2. Retain Instructions - The safety and operating instructions should be retained for future reference.

3. Heed Warnings - All warnings on the appliance and in the operating instructions should be adhered to.

4. Follow Instructions - All operating and use instructions should be followed.

5. Water and Moisture - The appliance should not be used near water - for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, and the like.

6. Carts and Stands - The appliance should be used only with a cart or stand that is recommended by the manufacturer.

An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn.

7. Wall or Ceiling Mounting - The appliance should be mounted to a wall or ceiling only as recommended by the manufacturer.

8. Ventilation - The appliance should be situated so that its location or position dose not interfere with its proper ventilation. For example, the appliance should not be situated on a bed, sofa, rug, or similar surface that may block the ventilation openings; or, placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings.

CAUTION:

TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION:

POUR EVITER LES CHOCS ELECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU' AU FOND.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

9. Heat - The appliance should be situated away from heat sources such as radiators, heat registers, stoves, or other appliances (including amplifiers) that produce heat.

10. Power Sources - The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance.

11. Grounding or Polarization - The precautions that should be taken so that the grounding or polarization means of an appliance is not defeated.

12. Power Cord Protection - Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance.

13. Cleaning - The appliance should be cleaned only as recommended by the manufacturer.

14. Nonuse Periods - The power cord of the appliance should be unplugged from the outlet when left unused for a long period of time.

15. Object and Liquid Entry - Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.

16. Damage Requiring Service - The appliance should be serviced by qualified service personnel when:

A. The power supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the

appliance; or C. The appliance has been exposed to rain; or D. The appliance does not appear to operate normally or

exhibits a marked change in performance; or E. The appliance has been dropped, or the enclosure damaged.

17. Servicing - The user should not attempt to service the appliance beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel.

Table of contents

Introduction.............................................................................4

Main features...........................................................................4

Recording Preparation

Connecting a SCSI drive......................................................5

Formatting a new disk........................................................6

Removing a disk from the SCSI drive...............................7

Formatting the disk again..................................................8

Names and Functions

Control Panel (Mixer section)...........................................10

Control Panel (Recorder section)....................................12

Front Panel (Input/output section)................................18

Rear Panel (Input/output section).................................18

Display Section...................................................................20

Before Starting

Time Base.............................................................................24

Recording method and REMAIN indicator...................25

Managing songs by Program Change function............25

Real track and Additional track.......................................26

Input monitoring and playback monitoring................26

PAN knob and Stereo bus................................................27

Basic Application

Basic Recording and Playback..........................................28

FD-4 initial settings........................................................28

Recording one sound source to one track...................28

Undo/Redo recording....................................................30

Recording onto the additional track...........................30

Checking the recording sound......................................31

Editing Tracks

Copy & Paste and Move & Paste......................................56

Erase..................................................................................58

Track Exchange.................................................................60

Cue & Review Function

Cue & Review function using

the REWIND and F FWD button............................62

Digital scrubbing using the JOG dial.............................62

Cue & Review function using the SHUTTLE feature......62

Storing a Locate Point (Edit Point)

Storing in real-time...........................................................63

Editing and storing locate data.......................................64

Editing and storing data..................................................64

Editing the data stored in the LOCATE key..................65

Locate Function

Direct Locate.......................................................................66

Auto Play............................................................................66

Auto Return........................................................................67

Auto Repeat........................................................................68

MIDI Synchronization

MIDI clock sync system....................................................71

MTC sync/Machine Control system...............................72

SYNC system in Slave mode..............................................74

Preview Function

Executing the Preview function.......................................69

Trimming the sound while previewing.........................70

Basic Multitrack Recording..............................................32

Recording a drum machine to track 1.........................32

Overdubbing the bass to track 2..............................32

Listening to the overdubbed sound..............................33

Undo/Redo overdubbing.............................................33

Mixdown........................................................................34

Handling Programs

Creating a new Program....................................................36

Using the Program Change function..............................37

Deleting a Program...........................................................38

Editing a Program title......................................................39

Special Application

Playback in Vari Pitch Mode............................................40

Recording to a Metronome Sound..................................41

Punch In/Out Recording..................................................43

Auto Punch In/Out....................................................43

Manual Punch In/Out................................................46

Ping-Pong Recording.........................................................49

Ping-Pong Recording to Additional Tracks..................51

Digital Recording................................................................52

Digital recording from an external digital device..52

Digital recording to an external device....................53

Digital mixdown..........................................................54

How to use the RECORDER IN jack.................................55

Saving and Loading Song Data

Saving song data................................................................77

Loading song data.............................................................79

Changing the Initial Settings (SETUP mode)

Selecting SETUP mode.....................................................81

Setting a time signature....................................................82

Setting a Tempo..................................................................83

Setting the Metronome function.....................................85

Setting a preroll value.......................................................85

Setting MIDI sync output signal......................................86

Setting an MTC frame rate..............................................87

Setting an MTC offset value............................................87

Setting Offset mode...........................................................88

Setting the Slave mode.....................................................88

Setting the Slave type.......................................................89

Setting the Record Protection function.........................90

Setting digital input tracks..............................................91

Setting digital output tracks............................................92

Setting BAR/BEAT resolution mode...............................92

Setting the MIDI device number.....................................93

MIDI Implementation Chart.....................................................94

MMC Command List/Inquiry Message List.....................95

Maintenance/Specifications...............................................96

Block Diagram.......................................................................97

Introduction/Main features

Introduction

Thank you for choosing the Fostex FD-4. The FD-4 is a four-track multitracker equipped with two additional virtual tracks. It uses a SCSI removable disk, such as a Zip cartridge or an MO disk, as a recording media to perform six-track recording and four-track playback.

Main features

Mixer section

The FD-4 is equipped with a four-channel analog mixer that achieves the high tonal quality required by stateof-the-art digital recording.

• The mixer section features four input channels. Inputs 1 and 2 supports line level input and Inputs 3 and 4 support a wide range of input sources, from line level to mic level.

• Inputs 3 and 4 are equipped with a microphone amplifier, a three-stage trim switch, and an insert jack, as well as a balanced XLR connector.

• All input channels have a three-point equalizer (two channels: shelving, one channel: parametric), that allow for a sharp and high-responsive tone adjustment.

• Two AUX sends and returns allows for flexible sound processing. You can connect two ambient-type signal processors with stereo outputs.

• The mixer section also features an “All Stereo Mix function” that facilitates producing a stereo masterpiece and allows you to master all sources in stereo, including synchronizing MIDI sound sources.

Recorder section

The FD-4’s recorder section uses a recording format called FDMS-3 (Fostex Disk Management System-3). It uses an external SCSI device (stationary disk or removable disk) as the recording media.

• Two Additional tracks enable for stereo ping-pong recording of four Real tracks.

• The FD-4 features non-destructive audio editing (a great advantage of digital recording) such as Copy & Paste, Move & Paste, Erase, etc. You can choose Time Base (ABS or MTC) or MIDI bar/beat/clock as the unit.

• Three recording modes: Normal mode, Mastering mode 1, and Mastering mode 2, to support various recording media.

• A “Preview function” allows for an intuitive fine-adjustment of an editing point (locate point).

• An “Undo/Redo function” enables you to easily correct recording and editing mistakes.

• A “Digital Input Track Setting function” is used to record digital signals from CD or MD to any track on the FD-4. (This function is available when recording mode is set to Mastering mode 1 or 2.)

• A “Digital Output Track Setting function” enables you to output digital signals by selecting any two output sources from Real tracks 1-4 and the L/R outputs in the mixer section.

• You can also use the DATA IN/OUT jacks to mix down digital signals to an external DAT, and to save and load song data (audio data and SETUP mode settings) to and from the DAT.

• A “Digital Remix function” allows for digital output of all twelve sources remixed in the mixer section.

• MIDI clock and Song Position Pointer can be transmitted according to the internal programmable Tempo Map. You can set up a synchronization system with a sequencer or a rhythm machine without wasting a track.

• You can use the FD-4 as a sync slave machine by sending MTC from a connected device.

• The FD-4 supports MTC, MMC, and Fostex System Exclusive Message, which allows for advanced control and highprecision synchronization from external sequencing software. You can set the device number and MTC frame rate for MMC and Fostex System Exclusive Message. Also, “MTC Offset function” and “Offset Mode function” are useful for setting up a sync environment using an external sequencing software.

• Auto Punch In/Out and Manual Punch In/Out functions offer two modes: “Take” for a real recording, and “Rehearsal” for monitoring the part between the in and out points.

• The “Program Select function” enables you to select a song from up to 99 songs and name the songs.

• Recorder In jacks (L/R) are used to record audio directly to the recorder section, bypassing the mixer section.

• A “Bar/Beat Resolution function” is used to edit audio at the beginning of the beat (round up or round off to a beat).

• The “Metronome function” can be used as a rhythm guide for recording.

• Various edit functions using an edit point (locate point), such as Copy & Paste, Move & Paste, Erase, Auto Punch In/Out, Auto Locate, are available. You can also locate ABS 0 or REC END regardless of the edit point (locate point).

• You can set a preroll time of 0 to 10 seconds.

• A “Disk Remain Display function” offers a clear indication of available recording time and disk space (in mono track recording). You can choose the Time Base from ABS, MTC, and BAR/BEAT/CLK.

• A “Vari Pitch function” allows you to fine-tune the pitch.

R MON OUT L R MIX OUT L

AUX RTN 2

R MONO/L2 AUX SEND 1

SCSI

OUTIN

DATADATA

POWER

Recording Preparation

The FD-4 does not include recording/playback media. First you need to connect a SCSI drive and format a disk so that you can record, play back, and edit on the FD-4.

You may use a removable SCSI drive, such as an MO drive, EZ drive or a Zip drive. For more information on removable SCSI disks supported by the FD-4, refer to the “List of the drives with operation guaranteed” attached to this manual.

FOSTEX does not guarantee data integrity recorded on the FD-4 using an unlisted removable drive.

Fostex is not responsible for any “direct damage” or “ indirect damage” caused by using the FD-4.

It is prohibited law to use any part of a CD recording or video images or audio data for which a copyright is possessed by a third party for commercial purpose such as contents, broadcasts, sales, or distribution - any purpose other than for your personal pleasure.

Recording preparation

SCSI terminator

SCSI drive

SCSI cable

SCSI connector

• After making the connection, turn on the power

to the FD-4 and the SCSI drive.

Connecting a SCSI drive

Connect a SCSI drive to the SCSI terminal on the FD-4. Refer to the figure on the right and read the notes and steps described here to connect the drive.

• Handling a SCSI drive

A SCSI drive and its disk are made of precision parts that are susceptible to strong external impact and magnetic fields. Handle them carefully . Do not drop them on the floor or place them near a device that could generate a strong magnetic field (such as a large TV, speakers, etc.). Read the instruction manual that comes with your SCSI drive before you try to connect it to the FD-4.

• Notes on connection 1

You can connect only one SCSI drive to the FD-4’s SCSI terminal. Do not “daisy-chain” multiple SCSI drives.

Install a SCSI terminator on the other connector on the connected SCSI drive. (If it has a termination switch, be sure to turn the switch to “terminate” or “on.”)

Before making the connection, be sure to turn off the power to all devices.

If the connection is made correctly, turning on the power to both devices will display the “Initial..” message, then the “No Disk” message. (The following example assumes that a removable SCSI drive is connected. If a stationary disk is connected, the [UnFormat ?] message (see the next page) appears instead of the [No Disk] message.) This message means that a disk has not been inserted into the SCSI drive. Follow the steps on the next page to set up and format the disk so that you can use it to record and play back.

SYNC OUT

AUTO A.PUNCH

ABS

SMF

SYNC OUT

AUTO A.PUNCH

DRIVE

SCSI

PGM

SCSI

The FD-4 has a 25-pin female SCSI connector that supports the Macintosh. Use an appropriate, standard SCSI cable. Fix the connector of the cable with screws.

There is no restriction regarding the ID number for a connected SCSI drive. The FD-4 will automatically recognize and display the ID number that is set on the SCSI drive.

<Note>

If the “No Drive !” message and the “Initial..” message flash alternately on the display when you turn on the power, the FD-4 cannot recognize the SCSI drive. Check to see whether all connections are made correctly, that the power to the SCSI drive is turned on, and that the cable is not defective.

Recording preparation

Formatting a new disk

Follow the procedure below to format a new disk.

1/L

START IN OUT

AUTO PUNCH

AUTO RTN

HOLD/ STORE

PGM SEL

VARI PITCH

SHIFT

P. EDIT

AUTO

PUNCH RECORD

RECORD TRACK

PREVIEW

AUTO RTN AUTO PLAY

CLIPBOARD PLAY

LOCATE ABS 0

LOCATE REC END

UNDO/ REDOEDIT

LOCATE

LOC MEM

4/R3/L2/R

ADD. TRACK

END IN OUT

CLIPBOARD

TIME BASE

SETUP

SELDISP SEL

EXIT

EXECUTE

/YES

/NO

ELECT

ACCESS

SHUTTLE

JOG

F FWDREWINDPLAYSTOP

4 5 2

1. Insert a disk into the SCSI drive.

If you insert an unformatted disk or a disk in an inappropriate formats, the FD-4 recognizes that the disk is “unformatted,” displays the “Unformat!” message, then automatically enters SETUP mode, and displays the “Format ?” menu. At this time, the ID number of the connected SCSI drive will appear and [SURE ?] will blink on the display. (In the following example, the FD-4 recognizes that the ID number of the connected SCSI drive is set to [ID 2].)

SYNC OUT

DRIVE

AUTO A.PUNCH

44.1kHz

SETUP

SCSI

Flashing

SURE?

SYNC OUT

DRIVE

AUTO A.PUNCH

SCSI

There are three recording modes (see the following table). In most cases, select [Normal] (Normal mode) ,which is currently displayed. If you prefer higher quality recording (CD-level quality with a sampling rate of 44.1kHz), select “Mastering mode 1” or “Mastering mode 2.” Note that available recording time is shorter in Mastering mode 1 and 2.

Recording

mode

Normal mode

Mastering

mode 1

Mastering

mode 2

Sampling

rate

32 kHz

44.1 kHz

Quantization

DAC *

16-bit linear

Available recording

track in real-time

4 Real tracks

2 Additional tracks

4 Real tracks

2 Additional tracks

4 Real tracks

(See Notes below.)

SETUP

44.1kHz

DRIVE

SCSI

Flashing

SYNC OUT

AUTO A.PUNCH

SURE ?

SYNC OUT

AUTO A.PUNCH

2. Press the EXECUTE/YES key.

The FD-4 displays [Pls Wait !], then immediately displays the recording mode menu, with [Normal] and [SURE ?] flashing as shown below.

(*) Digital Audio Acoustic Coding.

<Notes>

* Y ou can record only to Real tracks on a disk formatted in

Mastering mode 2. However, you can perform operations other than recording, such as “T rack Exchange,” using Additional tracks. For more information, refer to the “Real track and Additional track” section of the “Before Starting” chapter.

* After you record data on a disk formatted in Normal mode, if you

mix down the data digitally to DAT, copy the data, or save or load the song data, select “32kHz/SP mode” as a recording mode for the DAT recorder.

* The FD-4 employs a recording format called “FDMS-3” (Fostex

Disk Management System-3), which is also used on the Fostex digital master recorder D-160. Therefore, the D-160 can play back data that was recorded in Mastering mode 1 or 2 on the FD-4. However, the D-160 can not play back data recorded in Normal mode.

Recording preparation

3. Turn the JOG dial to select a recording mode.

Turning the JOG dial counter-clockwise (to the left) will display the recording mode indication in the order of [Normal] -> [Master 2] -> [Master 1].

SURE?

SYNC OUT

AUTO A.PUNCH

SETUP

44.1kHz

DRIVE

SCSI

44.1kHz

SETUP

SURE?

DRIVE

SYNC OUT

SCSI

AUTO A.PUNCH

SURE?

SYNC OUT

AUTO A.PUNCH

SETUP

44.1kHz

DRIVE

SCSI

4. Press the EXECUTE/YES key while holding down the RECORD button.

The [Format ?] message lights up on the display, and a negative value of the unformatted disk area size (Megabytes) will count down as the format operation progresses. All keys will be disabled during the format operation. Please wait a while. When formatting is complete, [COMPLETED !] lights up on the display, and the FD-4 stops accessing the SCSI disk. The display looks something like below. (If you have selected Mastering mode 1 or 2, [44.1kHz] lights up on the display.)

SETUP

When you format a disk, a Program is named “temporary title.” You can edit this title as you wish. For more information, refer to “Editing a Program title” of the “Handling Programs” chapter on page 39.

Formatting will automatically create one Program on the disk. You can create up to 99 Programs, depending on the available disk space. You can also select a desired Program from multiple Programs. For more information, refer to “Managing songs by Program Change function” in the “Before Starting” chapter on page 25. For more information, refer to “Using a Program Change function” on page 37.

If you format a disk in Master 1 or Master 2 recording mode, the sampling rate indicator [44.1kHz] lights up. If you select Normal mode, nothing lights up.

After formatting the disk, the FD-4 automatically selects ABS as Time Base. You can select ABS, MTC time, or BAR/BEA T/CLK as the Time Base. For more information, refer to the “Display Section” in the “Names and Functions” chapter on page 21.

The indicated “SYNC OUT” setting ([CLK]) means that clock signals (MIDI clock signal and Song Position Pointer) are output as a sync signal from the FD-4’s MIDI OUT connector to an external MIDI device. You may change this setting, if necessary, when you are using the FD-4 to sync with an external MIDI device. For more information, refer to “SYNC OUT setting” in the “Changing the Initial Settings” chapter on page 86.

COMPLETED

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

5. Press the STOP button or the EXIT/NO key .

Press the STOP button or the EXIT/NO key to exit SETUP mode. The Time Base will change to ABS (ABS 0 appears). Formatting will automatically create one Program on the disk (PGM 01), and display its title (#0001). (This title also appears whenever you insert a formatted disk in the SCSI drive.) The display indicators mean the following:

“T emporary title” for Program 1 (See Note 1.)

ABS

ABS is selected as Time Base. (See Note 4.)

SYNC OUT

CLK

ABS time 0

The default setting of SYNC OUT (See Note 5.)

Program number (See Note 2.)

44.1kHz

SMF

AUTO A.PUNCH

DRIVE

PGM

SCSI

The current drive is a SCSI drive.

Now that you completed connecting the SCSI drive and formatting the disk, you can start recording and playing back.

Removing a disk from the SCSI drive

If a removable disk is inside the SCSI drive, you cannot eject it using the eject switch on the drive. Follow the procedure below using the key on the control panel of the FD-4 to eject the disk.

1. Press the EXIT/NO key while holding down the SHIFT key.

The disk is ejected from the SCSI drive and [No Disk] appears on the display.

1/L

START IN OUT

AUTO PUNCH

AUTO RTN

HOLD/ STORE

PGM SEL

VARI PITCH

SHIFT

P. EDIT

AUTO PUNCH

RECORD

RECORD TRACK

AUTO RTN AUTO PLAY

CLIPBOARD PLAY

LOCATE ABS 0

LOCATE REC END

PREVIEW

4/R3/L2/R

END IN OUT

CLIPBOARD

UNDO/ REDOEDIT

LOCATE

LOC MEM

ADD. TRACK

TIME BASE

SETUP

SELDISP SEL

EXIT

EXECUTE

/YES

/NO

ELECT

ACCESS

SHUTTLE

JOG

F FWDREWINDPLAYSTOP

Recording preparation

Formatting the disk again

If you wish to change the recording mode of a formatted disk or to re-format a used disk, you need to set the FD-4 to SETUP mode and use the [Format ?] menu. In the following procedure, we assume that the power to the FD-4 and the SCSI drive is already turned on.

1. Insert a disk into the SCSI drive.

When you insert a formatted disk into the SCSI drive, the FD-4 displays the recording mode of the disk (Master 1, Master 2, or Normal) and the type of Time Base that was used previously.

1/L

START IN OUT

AUTO PUNCH

AUTO RTN

HOLD/ STORE

PGM SEL

VARI PITCH

SHIFT

P. EDIT

AUTO

PUNCH RECORD

RECORD TRACK

PREVIEW

AUTO RTN AUTO PLAY

CLIPBOARD PLAY

LOCATE ABS 0

LOCATE REC END

LOC MEM

4/R3/L2/R

ADD. TRACK

END IN OUT

CLIPBOARD

UNDO/

REDOEDIT

LOCATE

TIME BASE

SETUP

SELDISP SEL

EXIT

EXECUTE

/YES

/NO

ELECT

ACCESS

SHUTTLE

JOG

F FWDREWINDPLAYSTOP

4, 5, 7

3, 6

4. Press the EXECUTE/YES key.

As explained in the “Formatting a new disk” section, the ID number of the connected SCSI drive appears and [SURE ?] flashes on the display.

44.1kHz

SETUP

Flashing

SURE ?

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

5. Press the EXECUTE/YES key again.

[Pls Wait !] appears momentarily, then the recording mode selection display appears.

SETUP

44.1kHz

DRIVE

SCSI

Flashing

SYNC OUT

AUTO A.PUNCH

SURE?

SYNC OUT

CLK

AUTO A.PUNCH

2. Press the SETUP key .

The FD-4 enters SETUP mode and displays the first layer, in which you can select the desired SETUP menu. If the FD-4 enters SETUP mode after you format a disk or turn on the power and insert a disk, the FD-4 displays the first layer of the [Sign. Set ?] (signature setting) menu as shown below. (“?” flashes.) Otherwise, the FD-4 displays the first layer of the menu that was shown before the FD-4 exited SETUP mode.

44.1kHz

SETUP

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

Flashing

SCSI

3. Turn the JOG dial and select [Format ?].

You can also use the HOLD/> key, REWIND button, or F FWD button to select the [Format ?] menu.

44.1kHz

SETUP

Flashing

6. Use the JOG dial to select a recording mode.

Refer to the “Formatting a new disk” section for more information on recording modes.

7. Press the EXECUTE/YES key while holding down the RECORD button.

The FD-4 starts formatting the disk in selected recording mode. Wait a while. When formatting is complete, [COMPLETED !] lights up on the display, and the FD-4 stops accessing the disk.

SETUP

COMPLETED

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

8. Press the STOP button or the EXIT/NO key.

The FD-4 exits SETUP mode and displays ABS 0.

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

INPUT 3

R MON OUT L

R ST OUT L

AUX RTN 1

R MONO/L

AUX RTN 2

R MONO/L

2 AUX SEND 1

4 INSERT 3

INPUT 4

SCSI

OUTIN

DATA

R RECORDER IN

LIN

MIDI

OUT

PUNCH

IN/OUT

DATA

MIDI

POWER

Rear panel

Control panel

Names and Functions

AUX

AUX1

AUX2

HIGH

+ MID GAIN

+ MID SHIFT

900

300

200

LOW

0000

MON MON MON MON

TRK1INPUT PAN

PAN PAN PAN

INPUT

OFF

TRK 1

AUX

AUX1

AUX2

HIGH

+ MID GAIN

+ MID SHIFT

900

300

200 5k

LOW

000

TRK2INPUT PAN

MON L MON RMON L MON R

INPUT SELINPUT SEL INPUT SEL

INPUT

OFF

TRK 2

2 3 4

AUX

AUX1

AUX2

HIGH

+ MID GAIN

+ MID SHIFT

900

300

200 5k

LOW

TRK3INPUT PAN

MON L MON R

INPUT

OFF

TRK 3

AUX1

HIGH

MID GAIN

MID SHIFT

300

200 5k

LOW

PAN

MON L MON R

INPUT SEL

H M L

LEVEL LEVEL

AUX

900

PAN

INPUT

TRK 4

AUX RTN

AUX2

010

PGM SEL

AUTO

PUNCH

RECORD

P. EDIT

VARI

PITCH

AUTO PUNCH

AUTO RTN

CLIPBOARD PLAY

LOCATE ABS 0

LOCATE REC END

RECORD TRACK

AUTO RTN AUTO PLAY

PREVIEW

4/R3/L2/R

ADD. TRACK

END IN OUT

CLIPBOARD

UNDO/ REDOEDIT

LOCATE

LOC MEM

DIGITAL MULTITRACKER

TIME BASE

SETUP

SELDISP SEL

EXIT

EXECUTE

/YES

/NO

ELECT

ACCESS

SHUTTLE

JOG

F FWDREWINDPLAYSTOP

1/L

MON SECTION

TRK4INPUT

MASTER

010

SELECTOR

L/R

OFF

L/R+MON

MON

L/R

START IN OUT

HOLD/ STORE

SHIFT

Front panel

Names and Functions

Control Panel (Mixer Section)

AUX

AUX1

7 6 5

3 2

AUX2

HIGH

MID

GAIN

MID

SHIFT

300

200

LOW

PAN

900

300

200 5k

LOW

0000

MON MON MON MON

TRK1INPUT

PAN

MON L MON RMON L MON R

PAN PAN PAN

INPUT SELINPUT SEL INPUT SEL

INPUT

OFF

TRK 1

2 3 4

Letters in brackets ([ ]) are labels on the panel.

AUX RTN

AUX

AUX1

AUX2

HIGH

MID GAIN

MID SHIFT

900

300

200 5k

LOW

000

TRK2INPUT

PAN

MON L MON R

INPUT

OFF

TRK 2

AUX2

HIGH

MID GAIN

MID SHIFT

LOW

TRK3INPUT

PAN

INPUT

OFF

TRK 3

LEVEL LEVEL

AUX1

900

300

200 5k

MON L MON R

PAN

INPUT SEL

AUX2

INPUT

TRK 4

010

MON SECTION

TRK4INPUT

MASTER

010

SELECTOR

L/R

L/R+MON

OFF

MON

L/R

H M L

1/L

START IN OUT

AUTO PUNCH

AUTO RTN

HOLD/ STORE

PGM SEL

VARI PITCH

SHIFT

P. EDIT

CLIPBOARD PLAY

AUTO

LOCATE REC END

PUNCH RECORD

RECORD TRACK

AUTO RTN AUTO PLAY

LOCATE ABS 0

4/R3/L2/R

PREVIEW

END IN OUT

UNDO/ REDOEDIT

LOCATE

LOC MEM

ADD. TRACK

CLIPBOARD

DIGITAL MULTITRACKER

TIME BASE

SETUP

SELDISP SEL

EXIT

EXECUTE

/YES

/NO

ELECT

ACCESS

SHUTTLE

JOG

F FWDREWINDPLAYSTOP

1. Input faders [1-4]

These faders allow you to control the input level of signals selected via the INPUT SEL switch [2] (that is, the input signals from the INPUT jacks or the recorder output signals). Nominal level is obtained at fader position of 7-8, and the fader achieves approximately 6dB of gain at the 10 position.

2. Input select switches [INPUT SEL (INPUT/OFF/TRK)]

These switches allow you to select signals to be routed to the input faders. The following options are available:

“INPUT” Signals from instruments and microphones connected

to the INPUT jacks are routed to the channel faders.

“OFF” The switch is turned off. No signals are routed.

“TRK” Recorder output signals (TRK 1-4) are routed to the

channel faders, with Track 1 output routed to Channel 1, Track 2 routed to channel 2, etc.

3. Panpot knobs [PAN (L/R)]

Panpot knobs have the following two functions:

During recording, you can use them to pan channel signals of the sound sources connected to the INPUT jacks to Tracks 1-4 (or Tracks 5 and 6). T urn the knobs all the way to L or R. If you turn the

knob to L, the corresponding channel signal is recorded to Tracks 1 and 3 (and 5). If you turn the knob to R, the corresponding channel signal is recorded to Tracks 2 and 4 (and 6). (Tracks 5 and 6 are available only in Mastering mode 1 and Normal mode.)

For mixdown, use these knobs to determine the stereo image of

the playback sound of Tracks 1-4. Turn the knobs to the desired position.

4. Monitor panpot knobs [P AN (MON L/MON R)]

These knobs allow you to adjust the balance of the signals that were level-adjusted for the level via the MON knob [5] before you send them to the monitor section L and R. The following options are available.

“MON L” The signal routed to the MON knob will be sent only to

monitor section “L.”

“Center” The signal routed to the MON knob will be sent to both

monitor section “R” and “L” at the same level.

“MON R” The signal routed to the MON knob will be sent only to

monitor section “R.”

Names and Functions

5. Monitor level control knob [MON (INPUT/TRK)]

These knobs are used to select signals sent to monitor sections L and R, and to adjust the level of those signals. The following options are available.

“TRK” The recorder output signals are sent to the monitor

section. As you turn the knob to the right, the signal

level becomes higher. “0” No signals are sent. “INPUT” Pre-fader signals* from the INPUT jacks are sent to the

monitor section. As you turn the knob to the left, the signal

level becomes higher.

* Pre-fader signal: Input signals before reaching the input faders

6. Equalizer control knobs [EQ (HIGH/MID/LOW)]

These knobs are used to adjust tonal quality of the signals routed to the channel faders. The following settings are available.

“HIGH” Signals with a frequency of 12kHz will be boosted/cut up

to +/-15dB.

“MID GAIN” The frequency range selected via the MID SHIFT knob

(200Hz-5kHz) will be boosted/cut up to +/-15dB.

“MID SHIFT” Use this setting to select a frequency range to boost or

cut using the MID GAIN knob. You can set the frequency in the range of 200Hz-5kHz.

“LOW” Signals with a frequency of 80Hz will be boosted/cut up

to +/-15dB.

8. AUX return knobs [AUX RTN (1, 2)]

These knobs allow you to adjust the input level of processed signals from a connected external effect unit.

AUX RTN 1 These knobs enable you to adjust the input level of

processed signals from an external effect unit connected to the AUX RTN jack 1. The level of both signals input to AUX RTN 1 L/MONO and R will be adjusted equally.

AUX RTN 2 These knobs enable you to adjust the input level of

processed signals from an external effect unit connected to the AUX RTN jack 2. The level of both signals input to AUX RTN 2 L/MONO and R will be adjusted equally.

9. Monitor master knob [MONITOR SECTION (MASTER)]

This knob allows you to adjust the final level of monitoring signals, that is, the headphone volume and the level of signals output from the MON OUT L/R jacks.

10. Monitor select switch [SELECTOR (L/R, L/R+MON, MON)]

This switch allows you to select a signal to be routed to the MON OUT L/R and PHONES jacks. The following options are available.

“L/R” This selects signals output from the STEREO OUT L/R

jacks (stereo bus L/R signals).

“L/R+MON” This selects both signals output from the STEREO OUT

L/R jacks and signals routed to channel monitor buses L/R.

“MON” This selects signals routed to channel monitor buses L/

7. AUX send knobs [AUX (AUX 1/AUX 2)]

These knobs are used to select whether the channel fader signals are output from the AUX SEND 1 jack or AUX SEND 2 jack, and to adjust the level of those signals. That is, the signals selected and adjusted via these knobs will be sent from the AUX SEND jack 1 or 2 to an external device, such as an effect unit.

“AUX 1” Signals are sent to the AUX SEND jack 1. T urning the knob

to the left will increase the output level. “0” No signals are sent. “AUX 2” Signals are sent to the AUX SEND jack 2. T urning the knob

to the right will increase the output level.

1 1. Master fader [L/R]

The master fader allows you to adjust the level of signals output from the STEREO OUT L/R jacks (stereo bus L/R output signal). The fader setting will affect the level of recorder input signals.

12. Input level switches [LEVEL (H/M/L)]

Set these switches to appropriate positions according to the output level of the devices connected to input jacks 3 and 4 (the phone jacks on the front panel or the XLR connector on the rear panel). Connect a microphone or other low-output device to input jacks 3 and 4 (on the front panel or rear panel) that have the input level switch. Refer to the example below.

“L (-50dB)” Set the switch to this position when you connect

a microphone.

“M (-30dB)” Set the switch to this position when you connect

a single-coil or humbucking type electric guitar or bass.

“H (-10dB) Set the switch to this position when you connect

a keyboard or drum machine.

Names and Functions

Control panel (Recorder Section)

36 32

28 29

1/L

START IN OUT

AUTO PUNCH

AUTO RTN

HOLD/ STORE

PGM SEL

VARI

PITCH

SHIFT

P. EDIT

CLIPBOARD PLAY

AUTO

PUNCH

LOCATE REC END

RECORD

RECORD TRACK

AUTO RTN

AUTO PLAY

LOCATE ABS 0

4/R3/L2/R

PREVIEW

END IN OUT

UNDO/ REDOEDIT

LOCATE

LOC MEM

ADD. TRACK

CLIPBOARD

DIGITAL MULTITRACKER

16 17

TIME BASE

SELDISP SEL

SETUP

EXIT

EXECUTE

/YES

/NO

ELECT

ACCESS

SHUTTLE

JOG

F FWDREWINDPLAYSTOP

41 22

13. Record track select keys [RECORD TRACK (1/L, 2/R, 3/L, 4/R, L, R)]

These keys enable you to select “SAFE” or “READY” for a recording track. Pressing the key once will cause the corresponding track to enter READY mode, and the LED of the key you pressed to flash. Pressing the key again will cause the corresponding track to enter “SAFE” mode, and the LED to turn off. The indication; 1/L, 2/R, 3/L, 4/R are for Real tracks, and L and R are for Additional tracks 5 and 6. When you start recording on a track in READY mode, the flashing LED remains lit steadily. If you press only the RECORD button with a track in READY mode, you can monitor the signal input to the READY track so that you can adjust the recording level. To cancel this input monitoring status, press the RECORD button again. (This causes the FD-4 to enter playback monitoring mode.) You can also use these select keys to select tracks to edit for Copy & Paste, Move & Paste, Erase, etc.

<Note> You can record on Additional tracks in real-time only when recording mode is “Normal mode” or “Mastering mode 1.”

Refer to page 26 for more information on playback monitoring and input monitoring.

Refer to page 28 for more information on using the RECORD TRACK select keys.

14. LCD

The LCD indicates signal levels and various settings.

Refer to “Display Section” on page 20 for more information on the display.

15. Contrast adjustment knob

Use this knob to adjust the contrast of the LCD. Turning this knob clockwise will increase the contrast, and turning it counter-clockwise will decrease the contrast.

<Note> The display is not illegible if you leave the knob counterclockwise all the way.

Names and Functions

16. Display indication select key

Pressing this key each time will change the display indication as follows:

Currently-selected Time Base indication *1

Currently-selected Time Base REMAIN indication *2

External MTC IN indication *3

*1 The current position in terms of Time Base selected via the TIME BASE SEL key appears. ABS time, MTC time, or BAR/BEAT/CLK is used.

*2 Available recording time and space on the current SCSI disk appears. Time indication uses the currently-selected Time Base (ABS, MTC, or BAR/BEAT/CLK). The space indication uses MB (Megabyte). (The values are based on mono track recording.)

*3 MTC being input from an external MIDI device to the FD-4 appears. If no MTC is input, the display shows “00H 00M 00S 00F.”

17. Setup key [SETUP]

Press this key to set the FD-4 in SETUP mode to execute various menus. This key works only when the FD-4 is stopped.

Refer to page 81 for more information on SETUP mode.

18. Time Base select key

Pressing this key repeatedly will switch Time Base as follows:

ABS time

BAR/BEA T/CLK

MTC time

Refer to pages 7, 56 and 81 for more information on the operation of this key .

21. Access LED [ACCESS]

This LED lights up or flashes when data is being written to or read from an external SCSI drive disk.

<Note> Do not turn off the power to the unit when this LED lights up or flashes. Otherwise you may lose data on the hard disk connected to the unit.

22. JOG dial [JOG/

When the FD-4 is stopped, use the JOG dial to perform a jog operation (forward or reverse) for audio scrubbing without pitch change. You can also use this dial to increase and decrease the numeric values or input alphabetical characters in edit mode. Rotating the JOG dial while holding down the SHIFT key will enable you to perform the shuttle operation with different speeds ranging from normal speed to 64-times speed.

Refer to page 62 for more information on the cue/review function and the shuttle function.

SHUTTLE

]

23. Fast forward button [F FWD]

Pressing this button while the FD-4 is stopped will start fast forwarding at low speed at first, then gradually accelerate to 30-times speed. If you press this button while the FD-4 is playing, cueing (fast forwarding with sound) starts at threetime speed. Pressing this button while holding down the STOP button will activate the “LOCATE REC END” operation, which will locate the end point of the recording on the Real track in the current Program. You can also use this button to locate an edit point in edit mode.

Refer to the “STOP button” section and page 66 for more information on the “LOCATE ABS 0” operation.

19. Execute/Yes key [EXECUTE/YES]

Press this key to confirm the edit operations, such as Copy & Paste, Move & Paste, and Erase, and to set the parameters of SETUP menus.

Refer to pages 56 and 81 for more information on the operation of this key.

20. Exit/No key [EXIT/NO/

This key is the counterpart of the EXECUTE/YES key. Press this key to cancel an operation. When you use a removable SCSI disk, pressing this key while holding down the SHIFT key will eject the disk.

EJECT

]

24. Rewind button [REWIND]

Pressing this button while the FD-4 is stopped will start rewinding at low speed at first, then gradually increase the speed up to 30-times speed. If you press this button while the FD-4 is playing, cueing (rewinding with sound) starts at three-times speed. Pressing this button while holding down the STOP button will activate the “LOCATE ABS 0” operation, which will locate the beginning of the current Program (ABS time: 00m 00s 00f). You can also use this button to locate an edit point in edit mode.

Refer to the “STOP button” section and page 66 for more information on the “LOCATE ABS 0” operation.

Names and Functions

25. Play button [PLA Y]

Pressing this button causes the recorder section to play back. Pressing this button while holding down the RECORD button when a track is in READY mode will cause the FD-4 to start recording on the READY track. Pressing only this button during the recording operation will punch-out (cancel) recording. Pressing this button while holding down the STOP button will cause the “CLIPBOARD PLAY” operation to start.

* Refer to the “STOP button” section and page 57 for more information on the “CLIPBOARD PLAY” operation.

* Refer to page 48 for more information on the Punch Out operation using the PLAY button.

26. Stop button [ST OP]

Pressing this button during the playback, recording, fast forward, or rewind operation will stop the recorder transport operation. Pressing this button while the FD-4 is in SETUP mode will cause the unit to exit SETUP mode. Pressing the PLAY, REWIND, or F FWD button while holding down the STOP button will cause the following operations to start. If you wish to rehearse the Manual Punch In/Out operation using the foot switch, press the foot switch while holding down this button to enter Rehearsal mode.

PLAY

“CLIPBOARD PLAY” operation starts. (See below.) . During the operation, the STOP LED flashes and the PLAY LED lights up.

STOP

REWIND

ABS 0 is located. (See below.)

* Refer to pages 57 and 66 for more information on these operations. * Refer to page 46 for more information on the Punch In/Out operation using a foot switch.

27. Record button [RECORD/

AUTO PUNCH

]

Pressing the PLAY button while holding down this button will cause the FD-4 to start recording on any READY tracks. At this time, the flashing LED of the RECORD TRACK select key for the corresponding READY track lights up steadily, and the PLAY LED and the RECORD LED light up. If you press only the RECORD button, a READY Real track enters input monitoring mode (The RECORD LED flashes.). At this time, pressing the RECORD button again will cancel the input monitoring mode, and the track will return to playback monitoring mode. Pressing the RECORD button while holding down the SHIFT key will toggle between AUTO PUNCH on and off.

* Refer to page 28 for more information on recording. * Refer to page 43 for more information on AUTO PUNCH

mode. * Refer to page 26 for more information on input monitoring

and playback monitoring.

28. Shift key [

SHIFT

]

Press a key, button, or turn the dial while holding down the SHIFT key to activate the following “shift-invoked” functions.

You can audition the data at edit points (locate points) stored in the memory keys. (For more information, refer to “Preview function” on page 69.)

The removable SCSI disk is ejected. (Refer to “Recording Preparation” on page 7.)

F FWD

REC END is located. (See below.)

* CLIPBOARD PLAY operation

The CLIPBOARD PLAY operation plays back data on the clipboard. (If the clipboard does not contain any data, the display shows [Void Data !] and nothing happens.). During this operation, the display indicates the type of the data (“Copy Clip” for copy data, and “Move Clip” for move data), and the duration. The indicator of the copy source or move source track flashes. In this way, you will know which track the currently playing data comes from and why the data is on the clipboard.

* ABS 0 locate operation

This operation locates the beginning of the current Program (ABS time: 00m 00s 00f).

* REC END locate operation

This operation locates the end of the audio recording (REC END) on the Real track in the current Program.

RECORD TRACK

1/L

START IN OUT

AUTO PUNCH

AUTO RTN

HOLD/ STORE

PGM SEL

AUTO RTN

VARI

AUTO PLAY

PITCH

SHIFT

P. EDIT

CLIPBOARD PLAY

LOCATE ABS 0

AUTO

PUNCH

LOCATE REC END

RECORD

Auto Punch mode is turned on and off. (Refer to “Punch In/Out” on page 43.)

You can edit Vari Pitch data. (Refer to “Playback in Vari Pitch mode” on page 40 for more information.)

4/R3/L2/R

ADD. TRACK

PREVIEW

END IN OUT

CLIPBOARD

UNDO/ REDOEDIT

LOCATE

LOC MEM

You can edit locate data stored in the LOCATE key. (Refer to “Storing an edit point (locate point)” on page 63 for more information.

TIME BASE

SELDISP SEL

SETUP

EXIT

EXECUTE

/YES

/NO

ELECT

ACCESS

SHUTTLE

JOG

F FWDREWINDPLAYSTOP

The SHUTTLE dial function is activated. (Refer to “JOG dial/ SHUTTLE dial cueing” on page 62 for more information.)

Names and Functions

AUTO

29.Vari Pitch key [VARI PITCH/

P.EDIT

]

This key toggles Vari Pitch mode on and off. When Vari Pitch mode is on, the “VARI PITCH” indicator lights up on the display, and the FD-4 plays using the current pitch data. Pressing the VARI PITCH key while holding down the SHIFT key will cause the FD-4 to enter edit mode, in which you can change pitch data in real-time. To exit edit mode, press the EXIT/NO key.

Refer to page 40 for more information on playing with Vari Pitch and editing Vari Pitch data.

30.Auto Return/Auto Play mode on/off key [AUTO RTN/AUTO PLAY]

Use this key to turn on and off Auto Return mode, Auto Play mode, and Auto Repeat mode. Each time you press the key, the mode will change and the following indication will be displayed.

Auto Return/Play mode is OFF. (No indication)

AUTO

PLAY

AUTO

RTN

Auto Play mode is ON. (“PLAY” lights up.)

Auto Return mode is ON. (“RTN” lights up.)

31. Locate key [LOCATE/

LOC MEM

]

Use this key to locate a point. Press a key that stores locate points, such as the CLIPBOARD IN/OUT keys, AUTO PUNCH IN/OUT keys, and AUTO RTN START/END keys, then press the LOCATE key to locate a point stored in the corresponding key. The last locate data will replace the data stored in the LOCATE key. Therefore, pressing only the LOCATE key will locate the last locate point. If you have set Auto Play mode, the FD-4 will start playing from the located point. Pressing the LOCATE key while holding down the SHIFT key will cause the FD-4 to enter edit mode, in which you can edit data stored in the LOCATE key.

Refer to page 66 for more information on the Locate function. Refer to page 63 for more information on editing data using

the LOCATE key.

32. Hold/> key [HOLD/>]

Pressing the HOLD/> key while the recorder is operating will cause the FD-4 to capture the time at which you pressed the key (or bar/beat/clock value), display it, then enter edit mode. (If you press the HOLD/> key while the recorder section is stopped, the FD-4 enters edit mode directly.) To cancel edit mode, press the STOP button, DISP SEL key, or the EXIT/NO key. In edit mode, you can use this key to select a digit of the value to edit (edit point). You can select a digit which flashes on the display) in the following order.

AUTO

PLAY RTN

* Auto Play mode

The FD-4 locates a point and starts playing from the locate point.

* Auto Return mode

When the AUTO RTN END point is reached while the recorder section is playing, the FD-4 automatically locates the AUTO RTN START point. This mode is effective only if the AUTO RTN START point and the AUTO RTN END point have already been specified.

<Note> The Auto Return function is enabled only when the FD-4 is playing. While the FD-4 is recording, the FD-4 will not locate the STAR T point after it reaches the AUTO R TN END point.

*Auto Repeat mode

This mode is effective only when Auto Play mode and Auto Return mode are turned on. The FD-4 will play the part between the AUTO RTN ST AR T point and the AUTO RTN END point repeatedly. This mode is also effective only if the AUTO RTN START point and the AUTO RTN END point have already been specified.

Auto Repeat mode is ON. (Both “PLAY” and “R TN” light up.)

ABS or MTC is used as Time Base:

First, “S” (second) flashes. Each time you press the HOLD/> key, the flashing characters change in this order: F -> SF -> H -> M-> S.

BAR/BEAT/CLK is used as T ime Base:

First, “BAR” flashes. Each time you press the HOLD/> key, the flashing indicator changes in this order: -> CLK -> BAR.

If you press the HOLD/> key and the STORE key simultaneously while the recorder is stopped, the FD-4 enters Program Select mode, in which you can select a Program or set up a new Program.

Refer to page 63 for more information on editing memory. Refer to page 37 for more information on the Program Select

function.

Refer to page 66 for more information on each mode.

Names and Functions

33. Store key [STORE]

This key is used to store time values (or bar/beat/clock values) in the memory keys. Press this key, then one of the following keys to store data indicated on the display (including edit data) in the corresponding memory key. If you press the STORE key and the HOLD/> key simultaneously while the recorder is stopped, the FD-4 enters Program Select mode, in which you can select a Program or set up a new Program.

Press the STORE key, and press the CLIPBOARD IN key .

The CLIPBOARD IN point is stored.

This data can be used as locate data.

Press the STORE key, and press the CLIPBOARD OUT key .

The CLIPBOARD OUT point is stored.

This data can be used as locate data.

Press the STORE key, and press the AUT O PUNCH IN key.

The AUTO PUNCH IN point is stored. This data can be used as locate data.

Press the STORE key, and press the AUTO PUNCH OUT key .

The AUTO PUNCH OUT point is stored.

This data can be used as locate data.

Press the STORE key, and press the AUTO R TN START key.

The AUTO RTN START point is stored.

This data can be used as locate data.

35. Edit key [EDIT]

Pressing this key causes the FD-4 to enter menu selection mode for editing tracks, and displays the title of the menu you used last time. Press this key repeatedly or turn the JOG dial to select a menu. The edit menus appear in the following order. To execute a desired menu, select the menu, then press the EXECUTE/YES key. To exit selection mode, press the EXIT/NO key.

Copy Clip

Move Clip

Copy Paste (or Move Paste *)

Erase

TRK Exchange

(*) After you execute Copy Clip, “Copy Paste” appears. After you execute Move Clip, “Move Paste” appears.

* Refer to page 56 for more information on Copy & Paste and Move & Paste.

* Refer to page 58 for more information on Erase.

Press the STORE key, and press the AUTO R TN END key .

The AUTO RTN END point is stored.

This data can be used as locate data.

To cancel the store operation after you have pressed this key, press the EXIT/NO key.

* Refer to page 66 for more information on the Locate function. * Refer to page 63 for more information on storing edit points

(locate points). * Refer to page 37 for more information on the Program Select

function.

34. Undo/Redo key [UNDO/REDO]

If you wish to restore the status prior to editing, recording, or performing a punch in/out take, press the UNDO/REDO key. Pressing the UNDO/REDO key again will restore the status obtained before you pressed the [UNDO/REDO] key the first time. When you undo the operation, [Undo!] appears. When you redo the operation, [Redo!] appears on the display for a short moment.

<Note> The Undo/Redo function is enabled only when the FD-4 is stopped.

* Refer to page 60 for more information on Track Exchange.

36. Auto Return Start key [AUTO RTN ST AR T/

Use this key to store the start point (AUTO RTN START point) for the Auto Return function and the Auto Repeat function. When you press this key, the FD-4 displays the currentlystored data, which you can edit. After editing the data, press the STORE key, then the AUTO RTN START/PREVIEW key to store the edited data in this key. The stored data can be used as locate data. This memory is reset to the factory default value when you turn off the power to the FD-4. If you press the AUTO RTN START/PREVIEW key while holding down the SHIFT key when the recorder is stopped, you can preview the fade-in part at the stored AUTO RTN START point.

* Refer to page 63 for more information on setting and editing the AUTO RTN START point.

* Refer to page 66 for more information on the Auto Return and Auto Repeat functions.

* Refer to page 69 for more information on previewing data at the AUTO RTN START point.

PREVIEW

]

Refer to pages 30, 31, 33, 46, 48, 50, 58 and 60 for more information on the Undo/Redo function.

Names and Functions

37. Auto Return End key [AUTO R TN END/

Use this key to store the start point (AUTO RTN END point) for the Auto Return function and the Auto Repeat function. When you press this key, the FD-4 displays currently-stored data, which you can edit. After editing the data, press the STORE key, then press the AUTO RTN END/PREVIEW key to store the edited data in this key. The stored data can be used as locate data. If you press the AUTO RTN END/PREVIEW key while holding down the SHIFT key when the recorder is stopped, you can preview the fade-out part at the stored AUTO RTN END point.

* Refer to page 63 for more information on setting and editing the locate point.

* Refer to page 66 for more information on the Auto Return and Auto Repeat functions.

* Refer to page 69 for more information on previewing data at the AUTO RTN END point.

38. Auto Punch In key [AUTO PUNCH IN/

Use this key to store the punch in (recording start) point for the Auto Punch In/Out function The stored data is also used as a paste start point (for Copy & Paste, Move & Paste) and as an erase start point. When you press this key, the FD-4 displays currently-stored data, which you can edit. After editing the data, press the STORE key, then press the AUTO PUNCH IN/PREVIEW key to store the edited data in this key. The stored data can be used as locate data.

If you press the AUTO PUNCH IN/PREVIEW key while holding down the SHIFT key when the recorder is stopped, you can preview the fade-out part at the stored AUTO PUNCH IN point.

* Refer to page 63 for more information on setting and editing the locate point.

* Refer to page 43 for more information on the Auto Punch In/ Out functions.

* Refer to page 69 for more information on previewing data at the AUTO PUNCH IN point.

PREVIEW

]

39. Auto Punch Out key [AUTO PUNCH OUT/

Use this key to store the punch out (recording end) point for the Auto Punch In/Out function The stored data is also used as an erase end point. When you press this key, the FD-4 displays currently-stored data, which you can edit. After editing the data, press the STORE key, then press the AUTO PUNCH OUT/PREVIEW key to store the edited data in this key. The stored data can be used as locate data.

If you press the AUTO PUNCH OUT/PREVIEW key while holding down the SHIFT key when the recorder is stopped, you can preview the fade-in part at the stored AUTO PUNCH OUT point.

PREVIEW

]

* Refer to page 63 for more information on setting and editing the locate point.

* Refer to page 43 for more information on the Auto Punch In/ Out functions.

* Refer to page 69 for more information on previewing data at the AUTO PUNCH OUT point.

40. Clipboard In key [CLIPBOARD IN/

Use this key to store the start point of audio data to be copied or moved. When you press this key, the FD-4 displays data currently stored, and you can edit the data. After editing the data, press the STORE key, then press the CLIPBOARD IN/PREVIEW key to store the edited data in this key. The stored data can be used as locate data. If you press the CLIPBOARD IN/PREVIEW key while holding down the SHIFT key when the recorder is stopped, you can preview the fade-in part at the stored CLIPBOARD IN point.

* Refer to page 63 for more information on setting and editing the locate point.

* Refer to page 56 for more information on the Copy & Paste/ Move & Paste functions.

* Refer to page 69 for more information on previewing data at the CLIPBOARD IN point

41. Clipboard In key [CLIPBOARD OUT/

Use this key to store the end point of audio data to be copied or moved. When you press this key, the FD-4 displays currently-stored data, which you can edit. After editing the data, press the STORE key, then press the CLIPBOARD OUT/PREVIEW key to store the edited data in this key. The stored data can be used as locate data. If you press the CLIPBOARD OUT/PREVIEW key while holding down the SHIFT key when the recorder is stopped, you can preview the fade-out part at the stored CLIPBOARD OUT point.

* Refer to page 63 for more information on setting and editing the locate point.

* Refer to page 56 for more information on the Copy & Paste/ Move & Paste functions.

* Refer to page 69 for more information on previewing data at the CLIPBOARD OUT point

PREVIEW

]

Names and Functions

Front Panel (Input/Output Section)

1.Input jacks [1, 2, 3, 4]

(Connector: phone)

Connect sound sources, such as musical instruments and microphones, here. Connect a microphone to input jacks 3 and 4, which are equipped with TRIM switches that allow you to switch according to the connected microphone output level. Input channels 3 and 4 also support balanced XLR connectors on the rear panel.

Rear Panel (Input/Output Section)

The phone jacks for input channels 3 and 4 on the front panel have priority. If you connect sound sources to these jacks, the balanced XLR jacks for input channels 3 and 4 on the rear panel will be disabled.

2.Headphone jack [PHONES]

(Connector: stereo TRS phone)

Connect headphones here. You can adjust the headphone volume using the MASTER knob in the monitor section.

R MON OUT L

POWER

1. Monitor Out jacks [MON OUT L, R]

R ST OUT L

2 AUX SEND 1

(Connector: RCA pin)

SCSI

Connect monitoring speakers and amplifier or powered speakers here. These jacks output signals selected by the SELECTOR in the monitor section (L/R, L/R+MON, or MON). Use the MASTER knob in the monitor section to adjust the output level.

R MON OUT L

AUX RTN 2

R MONO/L

DATA

OUTIN

AUX RTN 1

R MONO/L

PUNCH

IN/OUT

INPUT 3

INPUT 4

4 INSERT 3

MIDI

OUT

RECORDER IN R

LIN

2. Stereo Out jacks [ST . OUT L, R]

These jacks output stereo bus L/R signals. Connect these jacks to the input jacks of a master recorder. You can adjust the output level using the master fader L/R.

R ST OUT L

78910

(Connector: RCA pin)

Names and Functions

RECORDER IN R

3. AUX Send jacks 1, 2 [AUX SEND 1, 2]

(Connector: phone)

Connect these jacks to the input of an effect unit. The AUX SEND jacks send out signals selected and adjusted by the AUX send knobs to the connected effect unit.

2 AUX SEND 1

4. AUX Return jacks 1, 2 [AUX RTN 1, 2]

(Connector: phone)

Connect these jacks to the output of an effect unit. You can also use these jacks as auxiliary inputs. If a connected effect unit has a mono output, connect the output to the L/MONO jack of the FD-4. The right channel will also receive the same signal. Adjust the level of processed signals using AUX RTN knobs 1 and 2.

AUX RTN 1

MONO/L

AUX RTN 2

MONO/L

5. Insert jacks 3, 4 [INSERT 3, 4]

(Connector: stereo TRS phone)

Use these jacks when you wish to apply an effect to the signal input at input jacks 3 and 4 (unbalanced inputs on the front panel or balanced inputs on the rear panel). In particular, use them when you wish to apply a compressor/limiter.

7. Recorder in jacks L, R [RECORDER IN L, R]

(Connector: RCA pin)

These jacks are used to route analog signals input from an external device directly to the recorder section. Using these jacks enables you to use only the recorder section, bypassing the mixer section. Signals input from these jacks are recorded to the tracks selected by the RECORD TRACK select keys.

Refer to page 55 for more information on using the RECORDER IN jacks.

8. MIDI OUT jack [MIDI OUT]

Connect this jack to the MIDI OUT jack of an external MIDI device. This jack transmits MTC (MIDI timecode), MIDI clock & Song Position Pointer, MMC (MIDI Machine Control) command, response, and FEX (Fostex System Exclusive Message) response.

MIDI OUT

Refer to page 71 for more information on the example of using the MIDI OUT jack.

(Connector: DIN 5-pin)

4 INSERT 3

Refer to page 41 for more information on examples of using the INSERT jacks.

6. Balanced input connectors 3, 4 [INPUT 3, 4]

(Connector: balanced XLR)

Connect sound sources that have balanced outputs, such as musical instruments and microphones. Input channels 3 and 4 also support phone jacks on the front panel. The phone jacks for input channels 3 and 4 on the front panel have priority. If you connect sound sources to these jacks, the balanced XLR jacks for input channels 3 and 4 on the rear panel will be disabled.

INPUT 3INPUT 4

Pin 1: GND Pin 2: HOT Pin 3: COLD

9. MIDI IN jack [MIDI IN]

(Connector: DIN 5-pin)

Connect this jack to the MIDI IN jack of an external MIDI device. You can control the FD-4 remotely by inputting MMC (MIDI Machine Control) command or FEX (Fostex System Exclusive Message) here.

MIDI

Refer to page 71 for more information on using the MIDI IN jack.

10. Punch in/out jack [PUNCH IN/OUT]

(Connector: phone)

Using an optional foot switch connected to this jack enables you to perform the Manual Punch In/Out operation (including rehearsal) using your foot. Connect an optional Fostex foot switch, Model 8051.

PUNCH IN/OUT

Refer to page 46 for more information on using the PUNCH IN/OUT jack.

Names and Functions

1 1. Data output jack [DA TA OUT]

(Connector: OPTICAL)

Connect this jack to the OPTICAL digital input of an external digital device to save song data to a DAT or to record digitally to a digital device (MD, DAT, CD-R, etc.).

DATA OUT

Refer to pages 52 and 76 for more information on using the DATA OUT jack.

12. Data input jack [DA T A IN]

(Connector: OPTICAL)

Connect this jack to the OPTICAL digital output of an external digital device to load song data from a DAT or to record data digitally from a digital device (MD, DAT, CD-R, etc.) to the FD-4.

DATA

Refer to pages 52 and 76 for more information on using the DATA IN jack.

13. SCSI connector [SCSI]

(Connector: D-SUB 25-pin)

Connect an external SCSI drive as the recording media for the FD-4.

Display Section

The FD-4 uses a liquid crystal display which integrates a 9digit/35-dot message section, 7-segment display section, and level meters. The level meters indicate the output level of tracks 1-4 and stereo out L/R. The time display shows various temporal information in different units, such as ABS time (absolute time), MTC (MIDI timecode), BAR/BEAT/CLK (bar/beat/clock), and makes it easy to check the recorder’s current time. The message display shows various messages required to operate the FD-4, and offers interactive operation. This section describes display functions along with examples.

Display when the power is turned on

When you turn the power on to the FD-4 and the connected external SCSI drive (with a formatted removable disk inserted), the display shows the [Initial...] message, then Recording mode (Normal, Master 1 or Master 2), and finally the Time Base of the last Program that was used before you turned the power off. The following example shows that the FD-4 started with the ABS Time Base used in Program 1.

44.1kHz

SCSI

Refer to page 5 for more information on connecting an external SCSI drive.

14. Power cable

Connect the power cable to an AC outlet.

15. Power switch [POWER]

This switch turns power on and off to the FD-4.

ABS

SETUP

DRIVE

44.1kHz

DRIVE

44.1kHz

DRIVE

SYNC OUT

CLK

AUTO A.PUNCH

SURE?

SYNC OUT

AUTO A.PUNCH

SMF

SYNC OUT

CLK

AUTO A.PUNCH

SCSI

PGM

SCSI

Names and Functions

SYNC OUT

AUTO

A.PUNCH

Preset display

The display below shows all preset items for explanation purposes.

DIGITAL

REMAIN ABS LOC MTC IN

The level meter shows the recorder output level and the recording level for tracks 1~4 and stereo bus L, R.

ABS

MTC

REMAIN

SETUP

COMPLETED !

SURE ?

MTC OFFSET

PGM

TEMPO

VARI PITCH

44.1kHz

MTC IN

MTC

SLAVE

MIDI

BAR

SMH

VARI PITCH TEMPO PGM

SURE

SYNC OUT

Lights up when ABS is selected as Time Base.

Lights up when MTC is selected as Time Base. Lights up to indicate available recording time and

space on the disk.

Lights up when the FD-4 enters SETUP mode.

Lights up when an edit operation (copy, move, paste, or erase) is completed.

Lights up to confirm or cancel the operation when you are making settings or edits.

Lights up when the MTC Offset menu is selected in SETUP mode.

Lights up to indicate the current Program number.

Lights up when the tempo setting menu is selected in SETUP mode.

Lights up when Vari Pitch mode is turned on.

Indicates a sampling rate of the corresponding Recording mode. It does not light up when the disk is formatted in Normal mode.

Lights up to indicate that MTC is input from an external MIDI device to the FD-4.

44.1kHz

SETUP MTC OFFSET

CLK

COMPLETED

DRIVE

AUTO A.PUNCH

MTC

H, M, S, F , SF

BAR,

, CLK

Lights up when the FD-4 receives MTC (MIDI Time Code) from an external device.

Lights up when the FD-4 enters Vari Pitch data edit mode.

Indicates available disk space on the disk in megabytes when the REMAIN indicator appears.

Lights up to indicate a time value when ABS or MTC is used as Time Base.

Lights up to indicate a bar/beat/clock value when BAR/BEAT/CLK is selected as T ime Base.

Indicates a Program title, edit parameters, and SETUP mode parameters.

Indicates the “SYNC OUT settings” in SETUP mode.

Indicates the AUTO PLAY/AUTO RTN mode settings.

DRIVE

Indicates the current drive. Usually, [SCSI] lights up.(*)

Indicates the AUTO PUNCH mode settings.

(*) When the FD-4 has the optional 2.5 inch internal IDE hard disk installed, and an external SCSI drive is not connected, [IDE] will be lit. However, even though an internal hard disk has been installed, if the external SCSI drive is connected, the SCSI drive will have priority and [SCSI] will be lit.

Display examples for Time Base selected via the TIME BASE SEL key

You can use the TIME BASE SEL key to select ABS, BAR/ BEAT/CLK, or MTC as Time Base. The following examples show the displays when you select a Time Base at the beginning of the disk of Program 1.

Time Base is ABS.

44.1kHz

ABS

PGM

SYNC OUT

CLK SCSI

AUTO A.PUNCH

DRIVE

LOC

DIGITAL

SLAVE

MIDI

Lights up when the FD-4 enters locate point (edit point) edit mode.

Lights up when the digital input track settings are made in SETUP mode and the FD-4 is receiving digital signals correctly. However , if the FD-4 is not receiving digital signals correctly, or if there is a connection problem, this indicator flashes. Flashes when Slave mode in SETUP mode is turned on. When a signal is locked, the flashing indicator lights up steadily.

Lights up when the FD-4 is receiving effective MIDI messages (MMC or FEX) from an external device.

Time Base is BAR/BEAT/CLK.

Time Base is MTC.

MTC

BAR

SYNC OUT

CLK SCSI

AUTO A.PUNCH

SYNC OUT

CLK SCSI

AUTO A.PUNCH

44.1kHz

CLK

44.1kHz

PGM

DRIVE

PGM

DRIVE

Names and Functions

Selecting Time Base using the DISP SEL key

When you press the DISP SEL key after you select a Time Base using the TIME BASE SEL key, the display changes as follows:

Time Base is ABS.

44.1kHz

REMAIN

ABS

SYNC OUT

CLK SCSI

AUTO A.PUNCH

SYNC OUT

CLK SCSI

AUTO A.PUNCH

44.1kHz

PGM

DRIVE

Time Base is MTC.

MTC

REMAIN

MTC IN

SYNC OUT

CLK SCSI

AUTO A.PUNCH

SYNC OUT

CLK SCSI

AUTO A.PUNCH

SYNC OUT

CLK SCSI

AUTO A.PUNCH

44.1kHz

PGM

DRIVE

MTC IN

Time Base is BAR/BEA T/CLK.

BAR

REMAIN

BAR

SYNC OUT

CLK SCSI

AUTO A.PUNCH

DRIVE

44.1kHz

CLK

PGM

SYNC OUT

CLK SCSI

AUTO A.PUNCH

DRIVE

44.1kHz

SYNC OUT

CLK SCSI

AUTO A.PUNCH

DRIVE

44.1kHz

The REMAIN display

The REMAIN display always indicates the figure converted to mono track. In other words, the remaining disk capacity for one track in which a recording can be made and the remaining time are displayed. The figure displayed here applies to all of the real tracks and additional tracks. For details on the REMAIN display, please refer to “FD-4 recording type and the REMAIN indicator” in “Before starting” on page 25.

Disk recordable remaining capacity is displayed.

44.1kHz

REMAIN

SYNC OUT

CLK SCSI

AUTO A.PUNCH

Disk recordable remaining time is displayed.

DRIVE

MTC IN

SYNC OUT

CLK SCSI

AUTO A.PUNCH

DRIVE

Names and Functions

Warning messages

The following warnings are shown operating mistakes are made, an unsuitable editing point (= locate point) is input, or when errors occur. If any of these warnings appear, refer to information detailed below.

<Void Data> message

This means registered data necessary for the selected operation is incorrect.

Action to take:

Re-register the correct data.

SYNC OUT

CLK

AUTO A.PUNCH

<Void Out> message

This means the registered in/out point is wrong.

Action to take:

Re-register the correct data.

SYNC OUT

CLK

AUTO A.PUNCH

<Track unselected> message

This means a track has not been specified.

Action to take:

Select any one track with the RECORD TRACK select key.

DRIVE

SCSI

<Unformat !> message

An unformatted or crashed SCSI disk. After a few seconds of this display, the FD-4 automatically enters the SETUP mode [Format ?] menu.

Action to take:

Press the EXECUTE/YES key while pressing the RECORD button.

<Note>

Any sound data recorded up to this point on the disk will be lost.

SYNC OUT

AUTO A.PUNCH

DRIVE

<Track Over> message

This means the number of recording tracks has been exceeded.

Action to take:

Simultaneous recording is possible on only two tracks. Setup the recording track again.

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

<Can’t Rec> message

This means the specified additional track cannot be recorded. This is displayed when recording is attempted on the additional track by using the [Mastering mode 2] disk.

Action to take:

If recording is to be make on the additional track, format in the [Normal mode] or [Mastering mode 1].

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

<Over> message

This means that disk space necessary for recording and editing is insufficient.

Action to take:

Before proceeding to the next operation, temporarily data in order to source empty space necessary for the next operation.

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

<Load Err > message

This means that loading is impossible because there is an error in data applied to the DATA IN connector from the external DAT.

Action to take:

Check the external DAT connected to the DATA IN connector and be sure there is no problem with the DAT tape. Then, try loading again.

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

<Rec + Yes !> message

This means press the EXECUTE/YES key while pressing the RECORD button (This is displayed when formatting).

Action to take:

Press the EXECUTE/YES key while pressing the RECORD button.

SETUP

SURE

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

<Protected> message

This means the disk inserted in the drive cannot be used because it is write-protected. The disk will be ejected automatically.

Action to take:

Release the write-protect and re-insert it.

SYNC OUT

CLK

AUTO A.PUNCH

DRIVE

SCSI

Before Starting

This chapter describes some basic items that you need to know before you start operating the FD-4. All users, including those who are familiar with using tape-based multitrackers and those who are new to multitrackers, should read this chapter thoroughly to understand the functions of the FD-4.

1. Time Base

2. Recording method and REMAIN display

3. Managing songs by Program Change function

4. Real tracks and Additional tracks

5. Input monitoring and playback monitoring

6. P AN knobs and stereo bus

Time Base

The word “Time Base” appears frequently in this manual. The concept of Time Base is similar to a “tape counter” on a conventional tape-based multitracker in that it indicates the precise position of the recorder transport section (the current position). The FD-4 offers three types of Time Base: ABS (Absolute type), MTC (MIDI time code), and BAR/BEAT/CLK (bar/beat/clock). ABS indicates an absolute time on the disk. MTC indicates a relative time that is obtained by adding a certain value (MTC offset value) to the ABS value. BAR/BEAT/CLK indicates the position in a song created in the internal Tempo Map according to MIDI clock and Song Position Pointer. The following diagrams depict the relationship among these three types of the Time Base.

ABS 0

00M, 00S, 00F

00M, 08S, 00F REC END

DISK END

23H, 59M, 59S

ABS

-002BAR, 1 , 00CLK

001BAR, 1 , 00CLK

BAR/BEAT/CLK

BAR =001BAR, 0404 TEMPO=001BAR, 1 , 60

01H, 00M, 00S, 00F

01H, 00M, 08S, 00F

00H, 59M, 59S

MTC

MTC OFFSET=01H, 00M, 00S, 00F MTC OFFSET MODE=ABS

(This shall be assumed to be the MTC OFFSET time set for the ABS 00M, 00S and 00F positions.)

00H, 59M, 52S, 00F

01H, 00M, 00S, 00F

00H, 59M, 51S

MTC

MTC OFFSET=01H, 00M, 00S, 00F MTC OFFSET MODE=BAR

(This shall be assumed to be the MTC OFFSET time set for the 00 BAR, 1 and 00 CLK positions.)

Recorded area

Non recorded area

You can switch between these three types of Time Base to suit your purpose. (Refer to the explanation in “Display Section” on page 21 for more information on switching Time Base.)

<Note>

When BAR/BEAT/CLK is selected as T ime Base, the position for ABS 0 (top of the disk) is always “- 2 BAR, 1 , 00 CLK” and you cannot modify this value.

Before Starting

Recording method and REMAIN indicator

Recording method

The FD-4 uses a SCSI removable disk (such as an MO disk or Zip disk) instead of a cassette tape. You can start recording sound sources from any point on a formatted disk as long as the point is within the range of 24 hours in ABS time. (Refer to the following diagram.)

ABS 0

recorded area (3 min.) unrecorded area

03M 00S 00F

You can record at any point within 24 hours in ABS Time.

10M 00S 00F 12M 00S 00F

recorded area (2 min.)

REC END

unrecorded area

The area actually used on the disk

recorded area (5 min.) unrecorded area

Recordable disk area.

For example, if you record three minutes of data starting from ABS 0 (top of the disk) as shown in the diagram, then record two minutes starting at the 10-minute point in ABS time, the recording end point is 12 minutes in ABS time. However, this does not mean that the entire recording duration is 12 minutes. The disk space actually used for recording is five minutes (3 minutes + 2 minutes). That is, the area between three minutes and ten minutes in terms of ABS time is still unrecorded. When you try to play or fast forward this unrecorded area, the time counter on the display will count, but the FD-4 will not access the disk. However, MTC will be output when you try to play this area. On the FD-4, the top of the disk is called “ABS 0” and the recording end point is called “REC END.”

DISK END

23H, 59M, 59S

If you wish to know how much you can record on four tracks, you need to divide the current REMAIN value by four.

Managing songs by Program Change function

The FD-4 features Program Select function, which enables you to set up to 99 Programs on the disk. When you format a disk, one Program will be automatically created on the disk. You may create more Programs, if necessary. You may also delete unnecessary Programs. The FD-4 also features Program Change function that enables you to select one of the Programs set on the disk. Programs on the disk are something like independent containers. You can record, play, and edit each container without affecting other containers. You can also name Programs, which is useful for managing songs.

Program 1

Program 4 Program 5 Program 6

Program 7

You can set up to 99 Programs (independent containers).

Refer to page 36 for more information on the Program Select function.

Program 2 Program 3

Program 8

Program 9

REMAIN indicator

The REMAIN indicator displays available recording time expressed in time value or bar/beat/clock value, depending on the currently selected Time Base. It also indicates the available disk space.

recorded area (5 min.)

recordable disk area

Right after you format the disk, the REMAIN indicator will show the maximum recordable time and space on the disk. The values will decrease as the actual recorded area expands. The REMAIN value is calculated by deducting the time and space of all data on the Real tracks and Additional tracks from the original available recording time and space in mono-track base. That is, the value indicates available recording time and space if you record on one mono track.

The REMAIN indicator displays the

amount of unrecorded area.

unrecorded area

<Note>

T otal available recording time is always the maximum available recording time on the disk, regardless of the number of Programs you set on the disk. That is, if you use up the maximum recording time for one Program, you will not be able to record any data in other Programs.

Before Starting

Real track and Additional track

The FD-4 features four Real tracks (1–4) and two Additional tracks (L and R), for a total of six tracks. Real tracks are used to record sound sources in real-time. Additional tracks are used to temporarily store the sound recorded in the Real tracks. This is useful since you can move data from Real tracks to Additional tracks to obtain empty tracks for recording. The Track Exchange function of the FD-4 handles this operation. This function allows you to swap data freely between six mono tracks. You can also swap Real tracks 1–2 or 3–4 with Additional tracks L and R.

Track R Track L

You can swap data between six mono tracks.

Additional tracks

Track 4 Track 3 Track 2 Track 1

Real tracks

If the disk is formatted in Normal mode or Matering mode 1, you can record to Additional tracks in real-time. This feature allows you to perform ping-pong recording from Real tracks 1–4 to Additional tracks L and R. You cannot use this feature with a disk in Mastering mode 2, although you can still use the Track Exchange function.

<Note>

You cannot play back data on Additional tracks in all recording modes. If you wish to play data on an Additional track, first use the Track Exchange function to move the data to a Real track.

<Note>

Data on the Additional tracks also affects the REMAIN value. If Real tracks contain no data, but Additional tracks contain data, the amount of the data (time and space) will be reflected in the REMAIN value.

You can also swap Real tracks 1–2 or 3–4 with Additional tracks L and R.

Input monitoring and playback monitoring

There are two methods for monitoring track sound (only on the Real tracks): input monitoring and playback monitoring. They are defined as follows:

Input monitoring

Input monitoring means to monitor via track output the recording signal sent to the Real tracks of the recorder. That is, you are monitoring a post-recorder signal, not a pre-recorder signal. The FD-4 enters input monitoring status when you perform one of the following operations.

• When you set a track to recording mode

To set a track to recording mode, press the RECORD TRACK select key to set the track READY, then press the PLAY button while holding down the RECORD button. When recording starts on the READY track, the FD-4 auto matically enters input monitoring status.

• When you set a track to recording stand-by mode

To set a track to recording stand-by mode, press the RECORD TRACK select key to set the track READY, then press only the RECORD button. (Pressing the RECORD button again will cause the FD-4 to enter playback monitoring mode.) Under this condition, only the READY track enters input moni toring mode, on stand-by for recording.

Track 4: INPUT monitor , Tracks 1~3: REPRO monitor

Track 4

INPUT

Track 3

Track 2

Track 1

Monitor

section

Playback monitoring

“Playback monitoring” means to monitor the playback sound of the tracks (only Real tracks). That is, you are monitoring the playback sound on the track, not the sound being recorded to the track.

All tracks: REPRO monitor

Refer to page 60 for more information on the Track Exchange function.

Refer to page 51 for more information on the Ping-pong recording to additional track.

Track 4 Track 3 Track 2

Track 1

Monitor

section

P AN knobs and stereo bus

The FD-4 features a four-channel mixer function that enables you to mix four sound sources into a stereo mix. Since the mixer functions and signal flow are not visible, the following diagram will help you understand them. The diagram shows the flow of signals from the inputs through the mixer section to the recorder. The thick line in the diagram is called the “stereo bus”, which collects the channel signals that are panned and processed by the EQ. The signals are adjusted for the final level by the master faders L/R, then routed to the STEREO OUT L/R jacks. The same signals are routed to the recorder (external SCSI disk) and recorded in the specified tracks. In this case, the PAN knobs function like a turn signal to stereo buses L and R. As shown in the diagram, rotating the PAN knob toward L will cause signals to be sent to stereo bus L. Rotating the PAN knob toward R will cause signals to be sent to the stereo bus R. Stereo bus L signals are then routed to Real tracks 1 and 3 and Additional track L. Stereo bus R signals are routed to Real tracks 2 and 4 and Additional track R. You can select a recording track using the RECORD TRACK select keys. (You can record to Additional tracks in real-time only on the disk in Mastering mode 1 or Normal mode.) For example, to record all sound sources input to channels 1–4, turn all channel PAN knobs completely to L, and press the RECORD RACK select key 1/L to set the track READY.

Before Starting

STEREO BUS L

STEREO BUS R

LRLRLR

PAN knob

1/L

2/R 3/L 4/R

REC SEL switch

ST OUT L, R

Basic Application (Basic Recording and Playback)

Basic Recording and Playback

This chapter explains how to perform basic recording and playback so that you can get used to operating the FD-4. This chapter will be helpful not only for those who are new to a multitracking, but also to those who are used to handling a tape-based multitracker to master the basic operation of the FD-4. After you master this basic chapter, proceed to the next “advanced” chapter to try multitrack recording using advanced techniques. The explanations here assume that a SCSI drive is connected as described in the “Recording Preparation” chapter and the disk is formatted in “Normal” recording mode.

<Note>

You can record up to two tracks simultaneously. If you try to set more than two tracks to READY mode, [Track Over] appears on the display and recording mode will be canceled.

FD-4 initial settings

Before you start operating the FD-4, or when you wish to proceed to the next step, you need to reset the knobs and switches on the FD-4. This is called “initializing the FD-4” in this document. Set the knob and switch settings to the following positions. Always remember to “initialize the FD-4” before you proceed to the next step.

Recording one sound source to one track

To get used to basic recording, record one sound source to one Real track. We will use electric guitar as the sound source in this example.

Real track 4 Real track 3 Real track 2

Real track 1

* Initialize the FD-4 before recording.

Setting the disk

1.Turn on the power to the FD-4 and the SCSI drive, and insert the disk.

The FD-4 displays [Normal] (recording mode), then displays the start of ABS time (ABS 00M 00S 00F).

2.Press the DISP SEL key to display the REMAIN indicator.

The REMAIN indicator shows the available recording duration and free disk space for mono track recording.

1. Lower the input channel faders and master faders L/R.

2. Set the LEVEL switch for channels 3 and 4 to H (–10dB).

3. Set the knobs and switches to the center position or “0” position.

4. T urn all the RECORD RACK select keys to OFF (SAFE).

5. Set all control keys to off (LEDs will turn off).

Point 1

Point 3

Point 2

Point 4

Point 5

3.After you check the REMAIN time, press the DISP SEL key to display the ABS time.

Connecting the guitar and the monitoring headphones

1.Connect the guitar to input jack 1, and connect the monitoring headphones to the PHONES jack.

You can connect the guitar to any input jack. If you wish to connect a sound source that requires the adjustment of the input level, such as a microphone, connect it to input jack 3 or 4. The input jacks support either the mic level or line level, and have LEVEL switches that allow for input level adjustment. You can also use the balanced inputs (INPUTs 3 and 4) on the rear panel to connect a balanced output from the sound source (XLR connector).

Basic Application (Basic Recording and Playback)

Setting the switch and knob

1.Set the channel 1 INPUT SEL switch to [INPUT].

The electric guitar signal is routed to the input channel 1 fader. If you connect the instrument to another input jack, set the INPUT SEL switch of the corresponding channel to [INPUT].

Monitoring the recording signal

8.Turn the MON knob in the MON mix section of channel 1 toward [TRK] and turn the MASTER knob in the monitor section to adjust the monitoring level

Use the MON PAN knob in the MON mix section to adjust the stereo image of the monitoring sound.

9.Adjust the equalizer for channel 1 if necessary.

If equalizing changes the level and the [OL] section of the meter lights up, lower the level using the input channel 1 fader.

* You can select the type of monitoring sound using the SELECTOR in the monitor section. Set the SELECTOR to [MON] to monitor the recording sound, and turn the MON knob in the MON mix section for the channel that corresponds to the real track toward [TRK]. Since we are now monitoring the track 1 recorder output, use the MON mix section of channel 1. At this time, by turning the MON knob toward [INPUT], you can monitor the pre-fader signal routed from the input jack (the signal that is unaffected by the input fader and equalizer).

* If you set the SELECTOR to [L/R], you can monitor the signal routed to the recorder (the signal that is going to be recorded). Since the level of the monitoring sound changes with the input fader position, regardless of the MON mix section setting, you need to use the MASTER knob in the monitor section to adjust the monitoring level.

2.Turn the channel 1 PAN knob to [L] all the way .

The electric guitar signal is routed to the stereo bus L.

3.Press the RECORD RACK select key [1/L] so that the [1/L] LED will flash.

Track 1 becomes READY mode.

Adjusting the recording level

4.Raise the master fader L/R to the [7–8] position.

5.Set the SELECTOR in the monitor section to [MON].

6.Press the RECORD button.

The RECORD LED flashes and track 1 enters input monitoring mode. In this mode, the electric guitar signal routed to track 1 is output through the recorder track 1 output.

7.While playing the guitar, raise the input channel 1 fader to [7–8], and adjust the recording level while checking the level meter 1.

When you raise the input fader, the level meter L also moves. This meter indicates the output level of the stereo bus L. Adjust the input fader so that the level meter will occasionally reach the [0] point of the meter at maximum volume. (Make sure that the meter at the [OL] section will not light up.)

* If you set the SELECTOR to [L/R+MON], you can monitor both signals with the [MON] and [L/R] settings.

Starting recording

10. Press the PLA Y button while holding down the RECORD button.

The flashing RECORD LED and the LED of the READY track remain lit, indicating that the track is now recording. At this time, the recording Real track is in input monitoring mode.

Stopping recording

1 1. T o stop recording, press the STOP button.

<Note>

After you finish recording, press the STOP button immediately. If you keep recording silence, you will waste disk space.

Now you have recorded the guitar sound in Real track 1 via the input jack 1. We can use the same method to record other sound sources to other tracks. The next table shows guideline settings for track 2–4 recording. You can connect any sound sources to any input jacks.

Basic Application (Basic Recording and Playback)

Recording

track

Track 1

Track 2

Track 3

Track 4

REC TRACK select key

for track READY

1/L is READY.

2/R is READY.

3/L is READY.

4/R is READY.

INPUT SEL switch

position

Set to INPUT

PAN knob adjustment

Turn all the way to R.

Undo/Redo recording

You can undo or redo a real-time recording.

• Press the UNDO/REDO key after recording is complete to restore the conditions that existed prior to the recording.

• Press the UNDO/REDO key again to restore the conditions that existed after the recording.

<Note>

The Undo/Redo is effective only in the stop mode of the FD-4. Undo/Redo will not effective if the following is executed prior to carrying out UNDO/REDO.

Turn all the way to L.

Monitor section’s

SELECTOR position

Set to MON

Adjusting the monitor sound of

the recording track

Use the channel 1 MON mix section to

adjust the monitoring sound for track 1.

Use the channel 2 MON mix section to

adjust the monitoring sound for track 2.

Use the channel 3 MON mix section to

adjust the monitoring sound for track 3.

Use the channel 4 MON mix section to

adjust the monitoring sound for track 4.

1. When a new recording made.

2. When a new editing is executed.

3. While in the Auto Punch On mode, when the AUTO PUNCH IN point is passed in the PLAY (or RECORD) mode.

4. When the power is momentarily switched off.

5. When the program is changed.

6. When the disk is ejected.

Recording onto the additional track

On a disk formatted in the [Normal mode] or the [Mastering mode 1], real time recording is possible on the additional track L and R. However, when real time recording onto the additional track, unlike recording onto a real track, the additional track cannot be entered in the input monitor mode. As shown in the chart below, the stereo bus L, R output sound is directly monitored by switching the monitor section SELECTOR to [L/R].

Additional Track R

Additional Track L

<Note>

When recording is attempted on the additional track on a disk formatted in “Mastering mode 2,” [Can’t Rec] will be displayed and the recording mode canceled.

* When recording on the additional track, if the monitor section SELECTOR is set to [L/R] as shown in the chart below, the stereo bus L, R signal sound quality processed such as with an equalizer for example, can be monitored. Also, if the SELECTOR is switched to [MON], and MON knob of the channel to which the sound source is input is rotated to the [INPUT] side, the pre-fader signal can be monitored. In other words, signals which have not been affected by the INPUT fader and equalizer, can be monitored.

Recording

track

Track L

Track R

REC TRACK select key

for track READY

L is READY.

R is READY .

INPUT SEL switch

position

Set to INPUT

PAN knob adjustment

Turn all the way to L.

Turn all the way to R.

Monitor section’s

SELECTOR position

Set to L/R

Adjusting the monitor sound of

the recording track

For the purpose of monitoring the stereo bus

L output, the monitor sound is adjusted only

with the monitor section MASTER knob.

For the purpose of monitoring the stereo bus

R output, the monitor sound is adjusted only

with the monitor section MASTER knob.

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Fostex FD-4 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual