Fluke 281-U, 284-U User manual

Page 1
®
281, 282, 284
40 MS/s Arbitrary Waveform Generators
Users Manual
January 2005
© 2005 Fluke Corporation, All rights reserved. Printed in USA All product names are trademarks of their respective companies.
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LIMITED WARRANTY AND LIMITATION OF LIABILITY
Each Fluke product is warranted to be free from defects in material and workmanship under normal use and service. The warranty period is one year and begins on the date of shipment. Parts, product repairs, and services are warranted for 90 days. This warranty extends only to the original buyer or end-user customer of a Fluke authorized reseller, and does not apply to fuses, disposable batteries, or to any product which, in Fluke's opinion, has been misused, altered, neglected, contaminated, or damaged by accident or abnormal conditions of operation or handling. Fluke warrants that software will operate substantially in accordance with its functional specifications for 90 days and that it has been properly recorded on non-defective media. Fluke does not warrant that software will be error free or operate without interruption.
Fluke authorized resellers shall extend this warranty on only but have no authority to extend a greater or different warranty on behalf of Fluke. Warranty support is available only if product is purchased through a Fluke authorized sales outlet or Buyer has paid the applicable international price. Fluke reserves the right to invoice Buyer for importation cost s of repair/replacement parts when product purchased in one country is submitted for repair in another countr y.
Fluke's warranty obligation is limited, at F or replacement of a defective product which is returned to a Fluke authorized service center within the warranty period.
To obtain warranty service, contact your nearest F authorization information, then send the product to that service center, with a description of the difficulty, postage and insurance prepaid (FOB Destination). Fluke assumes no risk for damage in transit. Following warranty repair, the product will be returned to Buyer, transportation prepaid (FOB Destination). If Fluke determines that failure was caused by neglect, misuse, contamination, alteration, accident, or abnormal condition of operation or handling, including overvoltage failures caused by use outsid e th e product’s specified rating, or normal wear and tear of mechanical components, Fluke will provide an estimate of repair costs and obtain authorization before commencing the work. Following repair, the product will be returned to the Buyer transportation prepaid and the Buyer will be billed for the repair and return transportation charges (FOB Shipping Point).
THIS WARRANTY IS BUYER'S SOLE AND EXCLUSIVE REMEDY AND IS IN LIEU OF ALL OTHER WARRANT OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. FLUKE SHALL NOT BE LIABLE FOR ANY SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES OR LOSSES, INCLUDING LOSS OF DATA, ARISING FROM ANY CAUSE OR THEORY.
Since some countries or states do not allow limitation of the term of an impl limitation of incidental or consequential damages, the limitations and exclusions of this warranty may not apply to every buyer. If any provision of this Warranty is held invalid or unenforceable by a court or other decision-maker of competent jurisdiction, such holding will not affect the validity or enforceability of any other provision.
, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY IMPLIED WARRANTY
IES
uke's option, to refund of the purchase price, free of charge repair,
l
new and unused products to end-user customers
uke authorized service center to obtain return
l
warranty, or exclusion or
ied
11/99
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Safety
This generator is a Safety Class I instrument according to IEC classification and has been designed to meet the requirements of EN61010-1 (Safety Requirements for Electrical Equipment for Measurement, Control and Laboratory Use). It is an Installation Category II instrument intended for operation from a normal single phase supply.
This instrument has been tested in accordance with EN61010-1 and has been supplied in a safe condition. This instruction manual contains some information and warnings which have to be followed by the user to ensure safe operation and to retain the instrument in a safe condition.
This instrument has been designed for indoor use in a Pollution Degree 2 environment in the temperature range 5 °C to 40 °C, 20 % - 80 % RH (non-condensing). It may occasionally be subjected to temperatures between +5 °C and -10 °C without degradation of its safety. Do not operate the instrument while condensation is present.
Use of this instrument in a manner not specified by these instructions may impair the safety protection provided. Do not operate the instrument outside its rated supply voltages or environmental range.
Warning
To avoid the possibility of electric shock:
This instrument must be earthed.
Any interruption of the mains earth conductor inside or
outside the instrument will make the instrument dangerous. Intentional interruption is prohibited. The protective action must not be negated by the use of an extension cord without a protective conductor.
When the instrument is connected to its supply, terminals may be live and opening the covers or removal of parts (except those to which access can be gained by hand) is likely to expose live parts.
Any adjustment, maintenance and repair of the opened instrument under voltage shall be avoided as far as possible and, if inevitable, shall be carried out only by a skilled person who is aware of the hazard involved.
Make sure that only fuses with the required rated current and of the specified type are used for replacement. The use of makeshift fuses and the short-circuiting of fuse holders is prohibited.
Caution
If the instrument is clearly defective, has been subject to mechanical damage, excessive moisture or chemical corrosion the safety protection may be impaired and the apparatus should be withdrawn from use and returned for checking and repair.
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i
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Note
This instrument uses a Lithium button cell for non-volatile memory battery back-up. Typical battery life is 5 years. In the event of replacement becoming necessary, replace only with a cell of the correct type, a 3 V Li/Mn0
20 mm button cell type 2032. Do not mix with solid waste stream.
2
Do not cut open, incinerate, expose to temperatures above 60 °C or attempt to recharge. Used batteries should be disposed of by a qualified recycler or hazardous materials handler. Contact your authorized Fluke Service Center for recycling information.
Caution
Do not wet the instrument when cleaning it and in particular use only a soft dry cloth to clean the LCD window.
The following symbols are used on the instrument and in this manual:
Caution - refer to the accompanying documentation, incorrect operation may damage the instrument.
Terminal connected to chassis ground. Mains supply OFF. Mains supply ON. Alternating current.
Warning - hazardous voltages may be present.
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EMC Compliance
This instrument meets the requirements of the EMC Directive 89/336/EEC. Compliance was demonstrated by meeting the test limits of the following standards:
Emissions
EN61326 (1998) EMC product standard for Electrical Equipment for Measurement, Control and Laboratory Use. Test limits used were:
a) Radiated: Class B b) Conducted: Class B c) Harmonics:
Immunity
EN61326 (1998) EMC product standard for Electrical Equipment for Measurement, Control and Laboratory Use. Test methods, limits and performance achieved were:
a) EN61000-4-2 (1995)
b) EN61000-4-3 (1997)
c) EN61000-4-11 (1994)
d) EN61000-4-4 (1995)
e) EN61000-4-5 (1995)
f) EN61000-4-6 (1996)
According to EN61326 the definitions of performance criteria are:
The instrument is Class A by product category.
EN61000-3-2 (2000) Class A
Electrostatic Discharge: 4 kV air, 4 kV contact
Electromagnetic Field: 3 V/m, 80 % AM at 1 kHz
Voltage Interrupt: 1 cycle, 100 %
Fast Transient: 1 kV peak (ac line), 0.5 kV peak (signal lines and RS232/GPIB ports)
Surge: 0.5 kV (line to line), 1 kV (line to ground)
Conducted RF: 3 V, 80 % AM at 1kHz (AC line only; signal connections <3 m not tested)
Performance A.
Performance A.
Performance A.
Performance A.
Performance A.
Performance A.
Performance criterion A: ‘During test, normal performance within the specification
limits.’
Performance criterion B: ‘During test, temporary degradation or loss of function or
performance which is self-recovering’.
Performance criterion C: ‘During test, temporary degradation or loss of function or
performance which requires operator intervention or system reset occurs.’
Cautions
To ensure continued compliance with the EMC directive the following precautions should be observed:
a) connect the generator to other equipment using only high quality, double-screened cables.
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b) after opening the case for any reason ensure that all signal and ground connections are remade correctl the cover. Always ensure all case screws are correctly refitted and tightened.
c) In the event of part replacement becoming necessary, only use components of an identical ty Manual.
pe. Refer to the Service
y before replacing
iv
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Table of Contents
Chapter Title Page
1 Introduction and Specifications......................................................... 1-1
Introduction........................................................................................................ 1-2
Overview ....................................................................................................... 1-2
Features ......................................................................................................... 1-2
Specifications..................................................................................................... 1-4
Waveforms .................................................................................................... 1-4
Standard Waveforms................................................................................. 1-4
Sine, Cosine, Haversine, Havercosine ...................................................... 1-4
Square........................................................................................................ 1-4
Triangle..................................................................................................... 1-4
Ramps and Sin(x)/x................................................................................... 1-4
Pulse and Pulse Train................................................................................ 1-4
Arbitrary.................................................................................................... 1-5
Sequence ................................................................................................... 1-5
Output Filter.............................................................................................. 1-5
Operating Modes........................................................................................... 1-5
Triggered Burst ......................................................................................... 1-5
Gated......................................................................................................... 1-6
Sweep........................................................................................................ 1-6
Tone Switching ......................................................................................... 1-6
Trigger Generator...................................................................................... 1-7
Outputs .......................................................................................................... 1-7
Main Output.............................................................................................. 1-7
Sync Out.................................................................................................... 1-7
Cursor/Marker Out.................................................................................... 1-8
Inputs............................................................................................................. 1-8
Trig In ....................................................................................................... 1-8
Modulation In............................................................................................ 1-8
Sum In....................................................................................................... 1-8
Hold........................................................................................................... 1-8
Ref Clock In/Out....................................................................................... 1-8
Inter-channel Operation................................................................................. 1-9
Inter-channel Modulation.......................................................................... 1-9
Inter-channel Analog Summing................................................................ 1-9
Inter-channel Phase Locking..................................................................... 1-9
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281, 282, 284
Users Manual
Inter-channel Triggering ........................................................................... 1-10
Interfaces ....................................................................................................... 1-10
General .......................................................................................................... 1-10
2 Installation ........................................................................................... 2-1
Mains Operating Voltage................................................................................... 2-2
Fuse.................................................................................................................... 2-2
Mains Lead ........................................................................................................ 2-2
Mounting............................................................................................................ 2-2
3 Connections......................................................................................... 3-1
Introduction........................................................................................................ 3-2
Front Panel Connections.................................................................................... 3-2
MAIN OUT................................................................................................... 3-2
SYNC OUT................................................................................................... 3-2
TRIG IN ........................................................................................................ 3-3
SUM IN......................................................................................................... 3-3
MODULATION IN....................................................................................... 3-3
Rear Panel Connections..................................................................................... 3-3
REF CLOCK IN/OUT................................................................................... 3-3
HOLD IN....................................................................................................... 3-4
CURSOR/MARKER OUT............................................................................ 3-4
RS232............................................................................................................ 3-4
GPIB (IEEE-488) .......................................................................................... 3-5
4 Initial Operation................................................................................... 4-1
Introduction........................................................................................................ 4-2
Initial Operation................................................................................................. 4-2
Switching On................................................................................................. 4-2
Display Contrast............................................................................................ 4-2
Keyboard ....................................................................................................... 4-2
Principles of Editing...................................................................................... 4-3
Principles of Operation...................................................................................... 4-5
Clock Synthesis Mode................................................................................... 4-5
DDS Mode..................................................................................................... 4-6
5 Standard Waveform Operation........................................................... 5-1
Introduction........................................................................................................ 5-2
Standard Waveform Operation.......................................................................... 5-2
Setting Generator Parameters ............................................................................ 5-2
Waveform Selection...................................................................................... 5-2
Frequency...................................................................................................... 5-2
Amplitude...................................................................................................... 5-3
DC Offset ...................................................................................................... 5-4
Warning and Error Messages............................................................................. 5-5
SYNC Output..................................................................................................... 5-6
6 Sweep Operation................................................................................. 6-1
Introduction........................................................................................................ 6-2
Principles of Sweep Operation...................................................................... 6-2
Connections for Sweep Operation................................................................. 6-2
Setting Sweep Parameters.................................................................................. 6-3
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Sweep Range................................................................................................. 6-3
Sweep Time................................................................................................... 6-4
Sweep Type................................................................................................... 6-4
Manual Sweep............................................................................................... 6-5
Sweep Spacing............................................................................................... 6-6
Sweep Marker................................................................................................ 6-6
Sweep Hold ................................................................................................... 6-6
7 Triggered Burst and Gate................................................................... 7-1
Introduction........................................................................................................ 7-2
Internal Trigger Generator............................................................................. 7-2
External Trigger Input................................................................................... 7-3
Adjacent Channel Trigger Output ................................................................. 7-3
Triggered Burst.................................................................................................. 7-3
Trigger Source............................................................................................... 7-4
Trigger Edge.................................................................................................. 7-4
Burst Count.................................................................................................... 7-4
Start Phase..................................................................................................... 7-5
Manual Initialization of Inter-channel Triggering......................................... 7-5
Gated Mode........................................................................................................ 7-6
Gate Source ................................................................................................... 7-6
Gate Polarity.................................................................................................. 7-6
Start Phase..................................................................................................... 7-6
Sync Out in Triggered Burst and Gated Mode .................................................. 7-7
Contents (continued)
8 Tone Mode ........................................................................................... 8-1
Introduction........................................................................................................ 8-2
Tone Frequency ................................................................................................. 8-2
Tone Type.......................................................................................................... 8-2
Tone Switching Source...................................................................................... 8-3
DTMF Testing with a Multi-Channel Generator............................................... 8-4
9 Arbitrary Waveform Generation......................................................... 9-1
Introduction........................................................................................................ 9-2
Arb Waveform Terms........................................................................................ 9-2
Arb Waveform Creation and Modification – General Principles ...................... 9-2
Selecting and Outputting Arbitrary Waveforms................................................ 9-3
Creating New Waveforms.................................................................................. 9-4
Create Blank Waveform................................................................................ 9-4
Create Waveform Copy................................................................................. 9-5
Modifying Arbitrary Waveforms....................................................................... 9-6
Waveform Edit Cursor .................................................................................. 9-6
Resize Waveform .......................................................................................... 9-6
Rename Waveform........................................................................................ 9-7
Waveform Info .............................................................................................. 9-7
Delete Waveform........................................................................................... 9-8
Edit Waveform .............................................................................................. 9-8
Point Edit....................................................................................................... 9-9
Line Edit........................................................................................................ 9-9
Wave Insert.................................................................................................... 9-9
Block Copy.................................................................................................... 9-10
Waveform Amplitude.................................................................................... 9-11
Waveform Offset........................................................................................... 9-11
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Wave Invert................................................................................................... 9-12
Position Markers............................................................................................ 9-12
Arbitrary Waveform Sequence.......................................................................... 9-13
Sequence Set-up ............................................................................................ 9-14
Frequency and Amplitude Control with Arbitrary Waveforms......................... 9-15
Frequency...................................................................................................... 9-15
Amplitude...................................................................................................... 9-16
Sync Out Settings with Arbitrary Waveforms................................................... 9-16
Waveform Hold in Arbitrary Mode................................................................... 9-16
Output Filter Setting .......................................................................................... 9-17
10 Pulse and Pulse-trains........................................................................ 10-1
Introduction........................................................................................................ 10-2
Pulse Set-up ....................................................................................................... 10-2
Pulse-Train Set-up ............................................................................................. 10-4
Waveform Hold in Pulse and Pulse-Train Modes ............................................. 10-6
11 Modulation ........................................................................................... 11-1
Introduction........................................................................................................ 11-2
External Modulation.......................................................................................... 11-2
External VCA................................................................................................ 11-2
External SCM................................................................................................ 11-3
Internal Modulation ........................................................................................... 11-3
12 Sum....................................................................................................... 12-1
Introduction........................................................................................................ 12-2
External Sum...................................................................................................... 12-2
Internal Sum....................................................................................................... 12-3
13 Synchronization .................................................................................. 13-1
Introduction........................................................................................................ 13-2
Inter-Channel Synchronization.......................................................................... 13-2
Synchronizing Principles............................................................................... 13-2
Master-Slave Allocation................................................................................ 13-2
Phase-setting between Channels.................................................................... 13-3
Other Phase-Locking Considerations............................................................ 13-4
Synchronizing Two Generators ......................................................................... 13-5
Synchronizing Principles............................................................................... 13-5
Connections for Synchronization .................................................................. 13-5
Generator Set-ups.......................................................................................... 13-5
Synchronizing................................................................................................ 13-7
14 System Operations from the Utility Menu......................................... 14-1
Introduction........................................................................................................ 14-2
Storing and Recalling Set-ups............................................................................ 14-2
Channel Waveform Information........................................................................ 14-2
Warnings and Error messages............................................................................ 14-3
Remote Interface Set-up .................................................................................... 14-3
Reference Clock In/Out Setting......................................................................... 14-3
Cursor/Marker Output........................................................................................ 14-3
Power On Setting............................................................................................... 14-4
System Information............................................................................................ 14-4
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Calibration ......................................................................................................... 14-5
Copying Channel Set-ups .................................................................................. 14-5
15 Calibration............................................................................................ 15-1
Introduction........................................................................................................ 15-2
Equipment Required.......................................................................................... 15-2
Calibration Procedure ........................................................................................ 15-2
Setting the Password...................................................................................... 15-2
Password Access to Calibration .................................................................... 15-3
Changing the Password ................................................................................. 15-3
Calibration Routine............................................................................................ 15-3
Remote Calibration............................................................................................ 15-5
16 Remote Operation ............................................................................... 16-1
Introduction........................................................................................................ 16-2
Address and Baud Rate Selection...................................................................... 16-2
Remote/Local Operation.................................................................................... 16-2
RS232 Interface ................................................................................................. 16-3
RS232 Interface Connector ........................................................................... 16-3
Single Instrument RS232 Connections.......................................................... 16-3
Addressable RS232 Connections................................................................... 16-3
RS232 Character Set...................................................................................... 16-4
Addressable RS232 Interface Control Codes................................................ 16-4
Full List of Addressable RS232 Interface Control Codes......................... 16-6
GPIB Interface................................................................................................... 16-6
GPIB Subsets................................................................................................. 16-6
GPIB IEEE Std. 488.2 Error Handling.......................................................... 16-6
GPIB Parallel Poll ......................................................................................... 16-7
Status Reporting................................................................................................. 16-7
Standard Event Status and Standard Event Status Enable Registers............. 16-7
Status Byte Register and Service Request Enable Register........................... 16-8
Power on Settings .............................................................................................. 16-9
Remote Commands............................................................................................ 16-10
RS232 Remote Command Formats............................................................... 16-10
GPIB Remote Command Formats................................................................. 16-10
Command List............................................................................................... 16-11
Channel Selection.......................................................................................... 16-11
Frequency and Period.................................................................................... 16-12
Amplitude and DC Offset.............................................................................. 16-12
Waveform Selection...................................................................................... 16-12
Arbitrary Waveform Create and Delete......................................................... 16-13
Arbitrary Waveform Editing ......................................................................... 16-14
Waveform Sequence Control ........................................................................ 16-17
Mode Commands........................................................................................... 16-17
Input/Output control...................................................................................... 16-18
Modulation Commands ................................................................................. 16-19
Phase Locking Commands ............................................................................ 16-19
Status Commands.......................................................................................... 16-19
Miscellaneous Commands............................................................................. 16-21
Remote Command Summary............................................................................. 16-22
Contents (continued)
17 Maintenance......................................................................................... 17-1
Introduction........................................................................................................ 17-2
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Cleaning............................................................................................................. 17-2
Appendices
A Mains Operating Voltage ............................................................................ A-1
B Warning and Error Messages...................................................................... B-1
C SYNC OUT Automatic Settings ................................................................. C-1
D Factory System Defaults ............................................................................. D-1
E Waveform Manager Plus............................................................................. E-1
F Block Diagrams........................................................................................... F-1
G Front and Rear Panel Drawings................................................................... G-1
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List of Tables
Table Title Page
3-1. RS232 Pin Functions.............................................................................................. 3-4
7-1. Phase Range and Resolution - Triggered Burst Mode........................................... 7-5
16-1. Remote Command Summary ................................................................................. 16-22
1-1. Approved Fuse Types ............................................................................................ 1-1
List of Figures
Figure Title Page
4-1. Single-Channel Simplified Block Diagram............................................................ 4-5
4-2. Clock Synthesis Mode............................................................................................ 4-6
4-3. Direct Digital Synthesis Mode............................................................................... 4-6
8-1. Tone Waveform Types........................................................................................... 8-3
16-1. Single Instrument RS232 Connections .................................................................. 16-3
16-2. RS232 Daisy-Chained Instruments ........................................................................ 16-3
16-3. RS232 Daisy-Chain Connector Wiring.................................................................. 16-4
16-4. Status Model........................................................................................................... 16-9
1-1. Mains Transformer Connections - Model 281....................................................... 1-2
1-2. Mains Transformer Connections - Models 282 and 284........................................ 1-2
6-1. Block Diagram: Single Channel............................................................................. 6-1
6-2. Inter-Channel Block Diagram................................................................................ 6-2
7-1. Front Panel - Model 281......................................................................................... 7-1
7-2. Front Panel - Model 282......................................................................................... 7-2
7-3. Front Panel - Model 284......................................................................................... 7-2
7-4. Rear Panel - Model 281.......................................................................................... 7-3
7-5. Rear Panel - Models 282 and 284.......................................................................... 7-3
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Chapter 1
Introduction and Specifications
Introduction........................................................................................................ 1-2
Overview ....................................................................................................... 1-2
Features ......................................................................................................... 1-2
Specifications..................................................................................................... 1-4
Waveforms .................................................................................................... 1-4
Standard Waveforms................................................................................. 1-4
Sine, Cosine, Haversine, Havercosine ...................................................... 1-4
Square........................................................................................................ 1-4
Triangle ..................................................................................................... 1-4
Ramps and Sin(x)/x................................................................................... 1-4
Pulse and Pulse Train ................................................................................ 1-4
Arbitrary.................................................................................................... 1-5
Sequence ................................................................................................... 1-5
Output Filter.............................................................................................. 1-5
Operating Modes ........................................................................................... 1-5
Triggered Burst ......................................................................................... 1-5
Gated ......................................................................................................... 1-6
Sweep ........................................................................................................ 1-6
Tone Switching ......................................................................................... 1-6
Trigger Generator...................................................................................... 1-7
Outputs .......................................................................................................... 1-7
Main Output .............................................................................................. 1-7
Sync Out.................................................................................................... 1-7
Cursor/Marker Out .................................................................................... 1-8
Inputs ............................................................................................................. 1-8
Trig In ....................................................................................................... 1-8
Modulation In............................................................................................ 1-8
Sum In ....................................................................................................... 1-8
Hold........................................................................................................... 1-8
Ref Clock In/Out ....................................................................................... 1-8
Inter-channel Operation................................................................................. 1-9
Inter-channel Modulation.......................................................................... 1-9
Inter-channel Analog Summing ................................................................ 1-9
Inter-channel Phase Locking..................................................................... 1-9
Inter-channel Triggering ........................................................................... 1-10
Interfaces ....................................................................................................... 1-10
General .......................................................................................................... 1-10
1-1
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Introduction
Overview
This manual describes the features and operation of t single-, two- and four-channel arbitrary waveform generators.
The physical differences between the two and four-channel generators are straightforward: the two-channel instru channels three and four.
ment has no set-up keys or output connections for
he Fluke models 281, 282 and 284
The single-channel instrument has essentially the sa differently to suit the half-rack case. There are drawings of all three models at the end of this manual.
The set-up and operation of an individual channel in any of the instruments is identical and therefore no distinction is functions associated with any single channel.
Those features associated with multi-channel operation (inter-channel summing, phase­locking, etc.) chapters are mostly grouped together towards the end of the manual (but before Remote Operation) although some mention of multi-channel operation is made when appropriate in earlier sections. To avoid repetition specific reference is not always made to two- and four-channel instruments in the text; it is obvious when the description applies only to a multi-channel instrument.
Features
These synthesized programmable arbitrary waveform generators have the following features:
1, 2
Sam
Sine waves and square waves up to
12-bit vertical
me keys but they are arranged quite
made between the different models when describing the
self-evidently apply only to the multi-channel instruments; the relevant
or 4 independent 'arb' channels
pling frequency up to 40 MHz
16 MHz
resolution
64K poi
256K point non-volatile waveform
Waveform
Inter-channel triggering, summing,
GPIB and RS232 i
A combination of direct digital synthesis and phase lock loop techniques provides high performance generate a wide variety of waveforms between 0.1 mHz and 16 MHz with high resolution and accuracy.
You can define arbitrary waveforms with 12 bit vert horizontal points. In addition a number of standard waveforms are available including sine, square, triangle, ramp and pulse.
You can replay arbitrary waveforms at a user specified waveform you can define the sample rate in terms of period or frequency.
The instruments provide extensive waveform editing features bet end points, including waveform insert, point edit, line draw, amplitude adjust and invert.
1-2
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nts horizontal resolution per channel
memory
linking, looping and sequencing
modulation and phase control
nterfaces
and extensive facilities in compact instruments. These instruments can
ical resolution and from 4 to 65,536
frequency or period, or
ween defined start and
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Introduction and Specifications
The supplied Windows™-based arbitrary waveform creation software gives access to more comprehensive features, allowing you to create waveforms from mathematical expressions, from combinations of other waveforms, freehand, or using a combination of all three techniques. Waveforms created in this way are downloaded via the RS232 or GPIB interface.
Up to 100 waveforms may be stored, each with a user-specified length and name. Wavefor may have a user defined repeat count from 1 to 32,768.
ms may be strung together to form a sequence of up to 16 steps. Each waveform
Introduction 1
All waveforms can be swept over their full frequency milliseconds and 15 minutes. Sweeps can be linear or logarithmic, single or continuous. Single sweeps can be triggered from the front panel, the trigger input, or from the digital interfaces. A sweep marker is provided.
Amplitude modulation is available for all waveform
channel or from an external generator via the MODULATION input socket.
Signal summing is available for all waveforms and is driven from
from an external generator via the SUM input socket.
All waveforms are available as a triggered burst, whereby each active edge of the trigger signal will produce one burst of the carrier. The number of cy between 1 and 1,048,575.
The gated mode turns the output signal on when the gating signal is true and off when it is false.
Both triggered and gated modes can be operated from the internal trigger generator (0.005 Hz to 100 kHz), from an external source (dc to 1 MHz) or by a key press or remote command.
Any number of channels can be phase locked with the phase angle under user control. You can use this feature to generate different frequencies.
If you need more signals than one instrument provides you can use the signals from the
REF IN/OUT and SYNC OUT sockets to phase lock two instruments.
multi-phase waveforms or locked waveforms of
range at a rate variable between 30
s and is controlled from the previous
the previous channel or
cles in the burst can be set
the previous or next channel, from
The generator parameters are clearly display characters. Soft-keys and sub menus are used to guide you through even the most complex functions.
You can enter all parameters directly from the nu also be incremented or decremented using the rotary control. This system combines quick and easy numeric data entry with quasi-analogue adjustment when required.
The generator has RS232 and GPIB interfaces as standard which can be used fo control of all of the instrument functions or for the down-loading of arbitrary waveforms.
As well as operating in conventional RS232 mode the serial interface can also be used in addressable
1-3
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mode whereby you can link up to 32 instruments to a single PC serial port.
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ed on a backlit LCD with four rows of 20
meric keypad. Most parameters can
r remote
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Specifications
Waveforms
Standard Waveforms
Sine, Cosine, Haversine, Havercosine
Specifications apply at 18-28ºC after 30 minutes warm-up, at maximum output into 50
Sine, square, triangle, DC, positive ramp, negative ramp, sin(x)/x, pulse, pulse train, cosine, haversine and havercosine.
Range: 0·1 mHz to 16 MHz Resolution: 0·1 mHz or 7 digits Accuracy: 10 ppm for 1 year Temperature stability: Typically <1 ppm/ºC. Output level: 2.5 mV to 10 V p-p into 50 Harmonic distortion: <0.1% THD to 100 kHz
<–65 dBc to <–50 dBc to 300 kHz <–35 dBc to 10 MHz <–30 dBc to 16 MHz
Non-harmonic spurious: <–65 dBc to 1 MHz,
<–65 dBc + 6
20 kHz
dB/octave 1 MHz to 16 MHz
Square
Range: 1 mHz to 16 MHz Resolution: 1 mHz (4 digits) Accuracy: ±1 digit of setting Output level: 2.5 mV to 10 V p-p into 50 Rise and fall times: <25 ns
Triangle
Range: 0.1 mHz to 100 kHz Resolution: 0.1 mHz or 7 digits Accuracy: 10 ppm for 1 year Output level: 2.5 mV to 10 V p-p into 50 Linearity error: <0.1 % to 30 kHz
Ramps and Sin(x)/x
Range: 0.1 mHz to 100 kHz Resolution: 0.1 mHz (7 digits) Accuracy: 10 ppm for 1 year Output level: 2.5 mV to 10 V p-p into 50 Linearity error: <0.1 % to 30 kHz
Pulse and Pulse Train
Output level: 2.5 mV to 10 V p-p into 50 Rise and fall times: <25 ns Period: range: resolution: accura
cy:
ns to 100 s
100 4-digit ±1 digit of setting
1-4
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Introduction and Specifications
Specifications 1
Delay: range: resolution: Width: range: resolution: Note that the pulse width and absolute value of the delay at any time.
Pulse trains of up to 10 pulses may be specified, ea width, delay and level. The baseline voltage is separately defined and the sequence repetition rate is set by the pulse train period.
Arbitrary
Up to 100 user defined waveforms may be stored in the 256K poi Waveforms can be defined by front panel editing controls or by downloading of waveform data via RS232 or GPIB.
Waveform memory size: 64K points per channel. Maxim
Vertical resolution: 12 bits Sample clock range: 100 mHz to 40 MHz Resolution: 4 digits Accuracy: ± 1 digit of setting
-99·99 s to + 99·99 s 0·002 % of period or 25 ns, whichever is greater
25 ns to 0·002 % of period or 25 ns, whichever is greater
points, minimum waveform size is 4 points
99·99 s
may not exceed the pulse period
ch pulse having independently defined
nt non-volatile RAM.
um waveform size is 64K
Sequence
Up to 16 waveforms may be linked. Each waveform A sequence of waveforms can be looped up to 1,048,575 times or run continuously.
Output Filter
Selectable between 16 MHz elliptic, 10 MHz elliptic, 10 MHz Bessel, or none.
Operating Modes
Triggered Burst
Each active edge of the trigger signal produces one burst of the waveform
Carrier waveforms: All standard and arbitrary Maximum carrier frequency
Number of cycles: 1 to 1,048,575 Trigger repetition rate: 0.005 Hz to 100 kHz internal
Trigger signal source: Internal from keyboard,
Trigger start/stop phase: ± 360 ° settable with 0.1 ° resolution, subject to waveform
:
may have a loop count of up to 32,768.
The smaller of 1 MHz or the maximum for the selected waveform. 40 M samples/s for arb and sequence.
DC to 1 MHz external.
previous channel, next channel or
trigger generator.
External from TRIG IN or remote interface.
frequency
and type.
.
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Gated
Sweep
Waveform runs while the gate signal is true and stops
while false.
Carrier waveforms: All standard and arbitrary. Maximum carrier frequency
:
The smaller of 1 MHz or the maximum for the selected waveform. 40 M samples/s for arb and Sequence.
Trigger repetition rate: 0.005 Hz to 100 kHz internal
DC to 1 MHz external.
Gate signal source: Internal from keyboard, previous channel, next channel or
trigger generator.
External from TRIG IN or remote interface.
Gate start/stop phase: ± 360 ° settable with 0.1 ° resolution, subject to waveform
frequency
Frequency sweep capability is provided for bot
and type.
h standard and arbitrary waveforms. Arbitrary waveforms are expanded or condensed to exactly 4096 points and DDS techniques are used to perform the sweep.
Carrier waveforms: All standard and arbitrary except pulse, pulse train and
sequence.
Sweep mode: Linear or logarithm
ic, triggered or continuous. Sweep direction: Up, down, up/down or down/up. Sweep range: From 1 mHz to 16 MHz in one range.
Phase continuous. Independent s
etting of start and stop frequency. Sweep time: 30 ms to 999 s (3 digit resolution). Marker: Variable during sweep. Sweep trigger source: The sweep may be free run, triggered manually from the
keyboard, the rem
Sweep hold:
Sweep can be held and restarted by the HOLD key.
Multi channel sweep: Any number of channels may
or triggered externally from the TRIG IN input or
ote interface.
be swept simultaneously but the sweep parameters will be the same for all channels. Amplitude, offset and waveform can be set independently for each channel.
Tone Switching
Capability provided for both standard and arbitrar
y waveforms. Arbitrary waveforms are expanded or condensed to exactly 4096 points and DDS techniques are used to allow instantaneous frequency switching.
Carrier waveforms: All waveforms except pulse, pulse train and sequence. Frequency list: Up to 16 frequencies from 1 mHz to 10 MHz. Trigger repetition rate: 0.005 Hz to 100 kHz internal
DC to 1 MHz external. Usable repetit
ion rate and waveform frequency depend on
the tone switching mode.
Source: Internal from
keyboard, previous channel, next channel or
trigger generator.
External from TRIG IN or remote interface.
1-6
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Page 20
Introduction and Specifications
Specifications 1
Tone switching modes: gated:
The tone is output while the trigger signal is true, and stopped at the end of the current waveform cycle, while the trigger signal is false. The next tone is output when the trigger signal is true again.
triggered: The tone is output when the trigger signal goes true.
The next tone
is output, at the end of the current waveform
cycle, when the trigger signal goes true again.
FSK: The tone is output when the trigger signal goes true.
The next tone
is output, immediately, when the trigger
signal goes true again.
You can generate DTMF test signals by
summing the outputs of two channels.
Trigger Generator
Internal source 0.005 Hz to 100 kHz square wave,
adjustable in 10 µs steps. 3 digit
resolution. Available for external use from any SYNC OUT socket.
Outputs
Main Output - one for each channel
Output impedance: 50 Amplitude: 5 mV to 20 V p-p open circuit
V to 10 V p-p into 50 ).
(2.5 m Amplitude can be specified open circuit (hi Z) or into an
assumed load of 50 or 600 in V p-p, V rms or dBm. Amplitude accuracy: 2 % ±1 mV at 1 kHz into 50 Amplitude flatness: ±0.2 dB to 200 kHz;
1 dB to 10 MHz;
±
±2.5 dB to 16 MHz. DC offset range: ±10 V
(DC offset plus signal peak lim DC offset accuracy: Typically 3% ±10 mV, unattenuated. Resolution: 3 digits for both amplitude and dc offset.
.
ited to ±10 V from 50 )
Sync Out - one for each channel
Multifunction output user definable or automatically
Waveform sync: (all wavefor
ms)
A square wave with 50% duty cycle at the main waveform frequency, or a pulse coincident with the first few points of
selected to be any of the following:
an arbitrary waveform. Position markers: (arbitrary
only)
Any point(s) on the waveform may have associated marker
bit(s) set high or low. Burst done: Produces a pulse coincident with the last cycle of a burst. Sequence sync: Produces a pulse coincident with the end of a waveform
sequence. Trigger: Selects the current trigger signal. Useful for synchronizing
burst or gated
signals.
Sweep sync: Outputs a pulse at the start of a sweep to synchronize an
oscilloscope or recorder. Phase lock out: Used to phase lock two generators. Produces a positive edge
at the 0 ° pha
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se point.
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Users Manual
Cursor/Marker Out
Inputs
Trig In
Output signal level: TTL/CMOS logic levels from typically 50
Adjustable output pulse for use as a marker in sweep mode or as a cursor in arbitrary waveform
editing mode. Can be used to modulate the Z-axis of an oscilloscope or be
displayed on a second oscilloscope channel.
Output Signal Level: Adjustable from nominally 2 to 14 V, normal or inverted;
adjustable width as a cursor. Output Impedance: 600
typical
Frequency range: DC to 1 MHz. Signal range: Threshold nominally
TTL level; max input ±10 V
Minimum pulse width: 50 ns, for trigger and gate modes;
50 µs for sweep m Polarity: Selectable as high/risin Input impedance: 10 k
ode.
g edge or low/falling edge.
Modulation In
Frequency range: DC to 100 kHz. Signal range: VCA: Approximately 1 V
Input impedance: Typically 1 k
Sum In
Frequency range: DC to 8 MHz Signal range: Approximately 2 V p-p input for 20 V p-p output. Input impedance: Typically 1 k
Hold
Holds an arbitrary waveform at its current position. A causes the waveform to stop at the current position and wait until a TTL high level or
switch opening which allows the waveform to continue. The front panel MAN HOLD
key
or a remote command may also be used to control the hold function. While held the
front panel MAN TRIG key or remote command may be used to return the waveform to the start. The HOLD input may be enabled independently for each channel.
Input impedance: 10 k
Ref Clock In/Out
Set to input: Input for an external 10MHz reference clock.
Set to output: Buffered version of the internal 10 MHz clock.
Set to phase lock:
p-p for 100 % level change at maximum output. SCM: Approximately ± 1 V pk for maximum output.
TTL low level or switch closure
TTL/CMOS threshold level.
Output levels nom
inally 1 V and 4 V from 50
Used together with SYNC OUT on a master and TRIG IN
on a slave to synchronize (phase lock) two separate generators.
1-8
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Page 22
Introduction and Specifications
Inter-channel Operation
Inter-channel Modulation
The waveform from any channel may be used to amplitude modulate (AM) or suppressed carrier
modulated (AM or SCM) with the signal at the MODULATION input socket.
Carrier frequency: Entire range for selected waveform. Carrier waveforms: All standard and arbitrary waveforms. Modulation types: AM: SCM: Modulation source: Internal from the previous channel.
Frequency range: DC to >100 kHz. Internal AM: depth: resolution: carrier External modulation signal range:
modulate (SCM) the next channel. Alternatively any number of channels may be
suppression:
Double sideb Double sideband suppressed carrier.
External from the m The external modulation signal may be applied to any number of channels simultaneously.
to 105 %
0 % 1 % SCM: better than -40 dB. VCA: Approximately 1 V p-p for 100 % level change at maxim SCM: Approximately ± 1 V pk for maximum output.
and with carrier.
odulation input socket.
um output.
Specifications 1
Inter-channel Analog Summing
Waveform summing sums the waveform from any
Alternatively any number of channels may be summed with the signal at the SUM IN
socket.
Carrier frequency: Entire range for selected waveform. Carrier waveforms: All standard and arbitrary waveforms. Sum source: Internal from the previous channel.
Frequency range: DC to >8 MHz. External signal range: Approximately 5 V p-p input for 20 V p-p output.
Inter-channel Phase Locking
Two or more channels may be phase locked together. assigned a phase angle relative to the other locked channels. Arbitrary waveforms and waveform sequences may be phase locked but certain constraints apply to waveform lengths and clock frequency ratios. With one channel assigned as the master and other channels as slaves a frequency change on the master will be repeated on each slave. This allows easy generation of multi-phase waveforms at the same frequency.
DDS waveforms are those with seven digits of freque DDS waveforms have four digits
Phase resolution: DDS non-DDS waveforms:
Phase error: all
waveforms:
waveforms:
channel into the next channel.
External from SUM IN socket.
Each locked channel may be
ncy setting resolution, while non-
0.1 °
0.1 ° or 360 ° divided by the number of points, whichever is the greater
<±10 ns
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Inter-channel Triggering
The signals from the REF IN/OUT socket and the SYNC OUT socket can be used to
phase lock two instruments where more than 4 channels are required.
Any channel can be triggered by the previous or next channel.
The previous/next connections can be used to "dais channel, through a number of channels in the chain to an "end" channel. Each channel receives the trigger out signal from the previous (or next) channel, and drives its selected trigger out to the next (or previous) channel. The "end" channel trigger out can be set up to drive the "start" channel, closing the loop.
In this way, complex and versatile inter-channel trigger schemes channel can have its trigger out and its output waveform set up independently. Trigger out may be selected from waveform end, position markers, sequence sync or burst done.
Using the scheme above it is possible to create a sequ segments, each channel producing up to 16 segments and all channels being summed to produce the complete waveform at the output of channel 4.
Interfaces
Full remote control facilities are available through the RS232 or GPIB interfaces.
RS232 Variable Baud rate, 9600 Baud maximum.
IEEE-488 Conforms with IEEE488.1 and IEEE488.2
General
Display: 20 character x 4 row alphanumeric LCD. Data Entry: Keyboard selection of mode, waveform etc.
Stored Settings: Up to 9 complete instru
Operating Range: +5 °C to +40 °C, 20-80 % RH Storage Range: -20 °C to +60 °C. Environmental: Indoor use at altitudes up to 2000 m,
Options: 19 inch rack mounting kit. Safety: Complies with EN61010-1. EMC: Complies with EN61326. Power: 100 V, 110 V-120 V or 220 V-240 V AC ±10 %, 50/60 Hz,
Model 281
Size: height 3U (130 mm)
Weight: 4.1kg (9lb) 7.2 kg (16 lb) 7.2 kg (16 lb)
9-pin D-conn
Value entry
recalled from battery-backed memory. Up to 100 arbitrary waveforms can also be stored independent of the instrument settings.
Pollution Degree 2.
adjustable internally
40 VA maximum
width 21
2 mm
depth 335mm
y chain" a trigger signal from a "start"
may be set up. Each
ence of up to 64 waveform
ector.
direct by numeric keys or by rotary control.
ment set-ups may be stored and
; Installation category II
Model 282 75 VA maximum height 3U (130 mm) width 350 mm depth 335 mm
Model 284 100 VA maximum height 3U (130 mm) width 350 mm depth 335 mm
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Page 24
Chapter 2
Installation
Mains Operating Voltage................................................................................... 2-2
Fuse.................................................................................................................... 2-2
Mains Lead ........................................................................................................ 2-2
Mounting............................................................................................................ 2-2
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Mains Operating Voltage
Fuse
Mains Lead
Check that the instrument operating voltage marked on the rear panel is correct for the local supply. If it is necessary to change the operating voltage, follow the procedure described in appendix A.
Ensure that the correct mains fuse is fitted for the set operating voltage. The correct mains fuse types are listed in Appendix A.
Warning
To avoid the possibility of electric shock, this instrument must be earthed. Any interruption of the mains earth conductor inside or outside the instrument will make the instrument dangerous. Intentional interruption is prohibited. The protective action must not be negated by the use of an extension cord without a protective conductor.
When a three core mains lead with bare ends is provided it should be connected as follows:-
Mounting
This instrument is suitable both for bench use and rack mounting. It is delivered with feet for bench mounting. The front feet include a tilt mechanism for optimal panel angle.
A rack kit for mounting in a 19” rack is available from the manufacturers.
Brown Mains Live Blue Mains Neutral Green / Yellow Mains Earth
2-2
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Page 26
Chapter 3
Connections
Introduction........................................................................................................ 3-2
Front Panel Connections.................................................................................... 3-2
MAIN OUT ................................................................................................... 3-2
SYNC OUT ................................................................................................... 3-2
TRIG IN ........................................................................................................ 3-3
SUM IN ......................................................................................................... 3-3
MODULATION IN....................................................................................... 3-3
Rear Panel Connections ..................................................................................... 3-3
REF CLOCK IN/OUT................................................................................... 3-3
HOLD IN....................................................................................................... 3-4
CURSOR/MARKER OUT............................................................................ 3-4
RS232 ............................................................................................................ 3-4
GPIB (IEEE-488) .......................................................................................... 3-5
3-1
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Introduction
Front Panel Connections
MAIN OUT (1 per channel)
SYNC OUT (1 per channel)
This chapter describes the front- and rear-panel connections and their functions.
MAIN OUT is the 50 output from the channel’s main generator. It provides up to 20 V
p-p into an open circuit or 10 V p-p into a matched 50 load. It can tolerate a short circuit for 60 seconds.
Caution
To avoid risk of damage to the instrument, do not apply external voltages to these outputs.
SYNC OUT provides a TTL/CMOS level output which may be set to any of the
following signals from the SYNC OUT screen.
waveform sync A sync marker phase-coincident with the MAIN OUT
waveform of that channel. For standard waveforms, (sine, cosine, haversine/cosine, square, triangle, sin(x)/x and ramp), the sync marker is a square wave with a 1:1 duty cycle, the rising edge at the 0 º phase point and the falling edge at the 180 º phase point. For arbitrary waveforms the sync marker is a positive pulse coincident with the first few points (addresses) of the waveform.
position marker When pos’n marker is selected, the instrument generates
a pulse marker pattern for arbitrary waveforms. The pulse pattern is programmable from the edit waveform menu on the MODIFY screen.
When the MAIN OUT waveform is a standard waveform
pos'n marker automatically changes to phase zero which is a narrow (1 clock) pulse output at the start of each standard waveform cycle.
Burst done Provides a signal during gate or trigger modes which is low
while the waveform is active at the main output, high at all other times.
Sequence sync Provides a signal which is low during the last cycle of the last
waveform in a sequence, high at all other times.
Trigger Provides a positive going version of the trigger signal.
Internal, external, manual and remote all produce a trigger sync.
Sweep sync Goes high at the start of the sweep, goes low at the end of the
sweep.
Phase lock Produces a positive edge coincident with the start of the
current waveform. This is used for phase locking instruments.
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Page 28
Connections
SYNC OUT logic levels are nominally 0 V and +5V from typically 50 Ω. SYNC OUT will withstand a short circuit.
Caution
To avoid risk of damage to the instrument, do not apply external voltages to this output.
TRIG IN
TRIG IN is the external input for trigger, gate, sweep and sequence operations. It is also
the input used to synchronize the generator as a slave to another generator which is the master.
Caution
To avoid risk of damage to the instrument, do not apply external voltages exceeding ±10 V to this input.
SUM IN
SUM IN is the input socket for external signal summing. The channel(s) with which this
signal is to be summed are selected on the SUM screen.
Rear Panel Connections 3
To avoid risk of damage to the instrument, do not apply external voltages exceeding ±10 V to this input.
MODULATION IN
MODULATION IN is the input socket for external modulation. Any number of channels
may be amplitude or suppressed-carrier modulated with this signal; the target channels are selected on the MODULATION screen.
To avoid risk of damage to the instrument, do not apply external voltages exceeding ±10 V to this input.
Rear Panel Connections
REF CLOCK IN/OUT
The function of the REF CLOCK IN/OUT socket is set from the ref clock i/o
menu on the UTILITY screen, as described under "System Operations from the Utility Menu".
input This is the default setting. The socket becomes an input for an
external 10 MHz reference clock. The system automatically switches over from the internal clock when the external reference is applied.
Caution
Caution
output The internal 10 MHz clock is made available at the socket.
phase lock When two or more generators are synchronized the slaves are set to
phase lock slave and the master is set to phase lock master.
3-3
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HOLD IN
CURSOR/MARKER OUT
As an output the logic levels are nominally 1 V and 4 V from typically 50 Ω.
REF CLOCK IN/OUT will withstand a short-circuit.
As an input the threshold is TTL/CMOS compatible.
Caution
To avoid risk of damage to the instrument, do not apply external voltages exceeding ±10 V to this socket.
HOLD IN controls the waveform hold function. The input impedance is nominally
10 kΩ.
Caution
To avoid risk of damage to the instrument, do not apply external voltages exceeding ±10 V to this input.
The CURSOR/MARKER OUT socket provides an output pulse for use as a marker in
sweep mode or as a cursor in arbitrary waveform editing mode. It can be used to modulate the Z-axis of an oscilloscope or can be displayed on a second oscilloscope channel. The output impedance is nominally 600 and the signal level is adjustable from 2 to14 V (nominal) from the cursor/marker menu on the UTILITY screen, as
described in chapter 14, System Operations from the Utility Menu.
RS232
Caution
To avoid risk of damage to the instrument, do not apply external voltages to this output.
The RS232 interface is on a 9-pin D-connector and is compatible with addressable
RS232 use. The pin connections are shown below:
Table 3-1. RS232 Pin Functions
Pin number Signal name Description
1 - No internal connection 2 TXD Transmitted data from instrument 3 RXD Received data to instrument 4 - No internal connection 5 GND Signal ground 6 - No internal connection 7 RXD2 Secondary received data 8 TXD2 Secondary transmitted data 9 GND Signal ground
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Connections
Pin 2, 3 and 5 may be used as a conventional RS232 interface with XON/XOFF handshaking. RS232 mode. Signal grounds are connected to the instrument ground. The RS232 address is set from the remote menu on the UTILITY screen, as described in chapter 14,
System Operations from the Utility Menu.
GPIB (IEEE-488)
The GPIB interface is not isolated; the GPIB signal grounds are connected to the
instrument ground
The implemented subsets are:
SH1, AH1, T6, TE0, L4, LE0, SR1, RL1, PP1, DC1, DT1, C0, E2.
The GPIB address is set from the remote menu on the UTILITY screen, as described chapter 14,
Pins 7, 8 and 9 are used when the instrument is operated in addressable
.
System Operations from the Utility Menu.
Rear Panel Connections 3
3-5
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Page 31
Chapter 4
Initial Operation
Introduction........................................................................................................ 4-2
Initial Operation................................................................................................. 4-2
Switching On................................................................................................. 4-2
Display Contrast............................................................................................ 4-2
Keyboard ....................................................................................................... 4-2
Principles of Editing...................................................................................... 4-3
Principles of Operation...................................................................................... 4-5
Clock Synthesis Mode................................................................................... 4-5
DDS Mode..................................................................................................... 4-6
4-1
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Introduction
This section is a general introduction to the organization and principles of the instrument and is intended to be read before using the generator for the first time. Detailed operation is covered in later sections starting with chapter 5, Standard Waveform Operation.
In this Users SYNC OUT; all soft-key labels, entry fields and messages displayed on the LCD are shown in the
Manual front panel keys and sockets are shown in capitals, e.g. CREATE,
Courier type-font, e.g. STANDARD WAVEFORMS, sine.
Initial Operation
Switching On
The power switch is located at the bottom left of the front panel. At power-up the generator displays the installed software revision whilst loading its
waveform
CHECK BATTERY will be displayed. If this happens, refer to appendix B, W and Error Messages.
Loading takes a few seconds, after which the status screen is display generator parameters set to their default values, with the MAIN OUT outputs set to off.
The power-up settings may be preset to those at power-down or to any of the stored settings; chapter 14, System Operations from the Utility Menu explains how to
You can recall the status screen at any time with the STATUS key; a second press returns the display
On multi-channel instruments the status shown is that SETUP keys; this is the channel currently enabled for channel selected, whether power has been switched off or not. You can change the basic generator parameters for the selected channel as described in chapter 5, and you can switch the output on with the MAIN OUT key; the ON lamp will light to show that output
RAM. If an error is encountered the message SYSTEM RAM ERROR,
is on.
arnings
ed, showing the
do this.
to the previous screen.
of the channel selected by the
editing and is always the last
Display Contrast
All parameter settings are displayed on the 20 character x 4 row backlit liquid crystal display (LCD). The contrast may viewing angle but can be optimized for a particular environment by using the front panel contrast control. Insert a small screwdriver or trimmer tool through the adjustment aperture marked LCD and rotate the control for optimum contrast.
Keyboard
Pressing the front panel keys displays screens which list parameters or choices relative to the key pressed. Selections are then are changed using either the numeric keys or the rotary control, as described later in this chapter under Principles of Editing.
The keys are grouped as follows:
WAVE SELECT keys call screens from which all standard or already defined
arbitrary
WAVE EDIT keys call screens from which arbitrary waveforms can be created and
m
4-2
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odified.
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vary a little with changes of ambient temperature or
made using the display soft-keys. Numeric values
Page 33
Initial Operation
FREQuency, AMPLitude, OFFSET and MODE keys display screens which permit
their respective parameters to be edited either from the numeric keypad or using the rotary control/cursor keys.
Initial Operation 4
Nu
CE (clear entry) undoes a numeric entry digit by digit. ESCAPE returns a setting
MODULATION, SUM, TRIG IN and SYNC OUT call screens from which the
Each channel has a key
MAN TRIG is used for manual triggering (when TRIG IN is appropriately set) and
UTILITY gives access to menus for a variety of functions such as remote control
meric keys permit direct entry of a value for the parameter currently selected.
Values are accepted in three formats: integer (20), floating point (20·0) and exponential (2 EXP 1).
For example, to set a new frequency of 50 kHz, press FREQ followed by 50000
ENTER or 5 EXP 4 ENTER. ENTER confirms the numeric entry and changes the generator setting to t
value.
being edited t
parameters of those input/ SWEEP similarly calls a screen from which all the sweep parameters an be set.
and off.
for synchroni HOLD is used to manually pause arbitrary waveform output and sweep; the output is held at the level it was at
interface set­to/from non-volatile memory; the STORE and RECALL keys can also be used to directly
o its last value.
outputs can be set, including whether the port is on or off.
which directly switches the MAIN OUT of that channel on
zing two or more generators when suitably connected together. MAN
when MAN HOLD was pressed.
up, power-up parameters, error message settings and store/recall set-ups
access the non-volatile stores.
he new
The INTER CHannel and COPY CHannel keys (multi-channel instruments only)
directly copying can be controlled.
The SETUP keys (multi-channel instruments only) select the channel to be edited;
the la
Eight soft-ke the currently displayed menu; their operation is described in more detail in the next section.
The STATUS key always returns the display to the default start-up screen which gives an overview of the generator's status. Pressing STATUS again returns the display to the
Further explanations will be found in the detailed descriptions of t operation.
Principles of Editing
Each screen called up by pressing a front panel ke of choices. Parameter values can be edited by using the rotary control in combination with the left and right arrowed cursor keys, or by direct numeric keyboard entry; choices are made using the soft-key associated with the screen item to be selected. The examples which follow assume factory default settings.
call screens from which channel-to-channel phase locking and set-up
mp lights beside the channel currently enabled for editing.
ys around the display are used to directly set or select parameters from
previous screen.
he generator’s
y shows parameter value(s) and/or a list
4-3
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Note
On multi-channel instruments the channel to be edited must first be selected by pressing the appropriate SETUP key; the lamp lights beside the SETUP key of the channel currently enabled for editing.
A diamond beside a screen item indicates that it is selectable; hollow diamonds ( identify deselected items and filled diamonds (
) denote selected items. For example,
)
press MODE to get the screen shown below:
MODE:
continuous gated setup triggered setup
The filled diamond indicates that the selected mode is continuous. Gated or triggered modes are selected by pressing the associated soft-key which will make
the diamond beside that item filled and the diamond beside continuous hollow. This screen also illustrates how an ellipsis (three dots following the screen text) indicates that a further screen follows when that item is selected. In the case of the MODE screen illustrated, pressing the setup… soft-key on the bottom line brings up the TRIGGER
SETUP menu; note that selecting this item does not change the continuous / gated / triggered selection.
Some screen items are marked with a double-headed arrow (
) when selected to indicate
that the item’s setting can be changed by further presses of the soft-key, by pressing either cursor key or by using the rotary control. For example, pressing FILTER brings up the screen shown below.
FILTER SETUP
mode: auto type: 10MHz eliptic
Repeated presses of the mode soft-key will toggle the mode between its two possible settings of auto and manual. Similarly, when type is selected, repeated presses of the type soft-key (or cursor keys or use of the rotary control) will step the selection through all possible settings of the filter type.
In addition to their use in editing items identified by a double-headed arrow as described above, the cursor keys and the rotary control operate in two other modes.
In screens with lists of items that can be selected (i.e. items marked with a diamond) the cursor keys and rotary control are used to scroll all items through the display if the list has more than three items; look, for example at the STD (standard waveform) and UTILITY screens.
In screens where a parameter with a numeric value is displayed the cursor keys move the edit cursor (a flashing underline) through the numeric field and the rotary control will increment or decrement the value; the step size is determined by the position of the edit cursor within the numeric field.
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Initial Operation
Principles of Operation 4
Thus for STANDARD FREQUENCY set to 1.000000 MHz rotating the control will change the frequency in 1 kHz steps. The display will auto-range up or down as the frequency is changed, provided that autoranging permits the increment size to be maintained; this will in turn determine the lowest or highest setting that can be achieved by turning the control. In the example above, the lowest frequency that can be set by rotating the control is 1 kHz, shown on the display as 1
.000000 kHz.
This is the limit because to show a lower frequency the display would need to autorange below 1 kHz to x
xx.xxx Hz, in which the most significant digit represents 100Hz, i.e.
the 1 kHz increment would be lost. If, however, the starting frequency had been set to
1.0000
to 9
00 MHz, i.e. a 100 Hz increment, the display would have autoranged at 1 kHz
00.0000 Hz and could then be decremented further to 000.0000 Hz without
losing the 100 Hz increment. Turning the control quickly will step numeric values in multiple increments.
Principles of Operation
The instrument operates in one of two different modes depending on the waveform selected. Direct digital synthesis (DDS) mode is used for sine, cosine, haversine, triangle, sin(x)/x and ramp waveforms. Clock synthesis mode is used for square, pulse, pulse train, arbitrary and sequence.
In both modes the waveform data is stored in RAM. As the RAM address is incremented the values are output sequentially to a digital-to-analogue converter (DAC) which reconstructs the waveform as a series of voltages steps which are subsequently filtered before being passed to the MAIN OUT connector.
Figure 4-1. Single-Channel Simplified Block Diagram
The main differences between DDS and clock synthesis modes are the way in which the addresses are generated for the RAM and the length of the waveform data.
Clock Synthesis Mode
In clock synthesis mode the addresses are always sequential (an increment of one) and the clock rate is adjusted by the user in the range 40 MHz to 0·1 Hz. The frequency of the waveform is the clock frequency divided by the waveform length, thus allowing short waveforms to be played out at higher repetition rates than long waveforms.
For example the maximum frequency of a 4 point waveform is 40,000,000÷4 or 10 MHz, but a 1000 point waveform has a maximum frequency of 40,000,000÷1000 or 40 kHz.
Arbitrary waveforms have a user defined length of 4 to 65,536 points. Square waves use a fixed length of 2 points and pulse and pulse train have their length defined by the user selected period value.
shb0005f.emf
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DDS Mode
In DDS mode all waveforms are stored in RAM as 4096 points. The frequency of the output waveform is determined by the rate at which the RAM addresses are changed. The address changes are generated as follows:
The RAM contains the amplitude values of all the individual points of one cycle (360 º) of the waveform; each sequential address change corresponds to a phase increment of the waveform of 360/4096 degrees. Instead of using a counter to generate sequential RAM addresses, a phase accumulator is used to increment the phase.
Figure 4-2. Clock Synthesis Mode
Figure 4-3. Direct Digital Synthesis Mode
shb0006f.emf
shb0007f.emf
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On each clock cycle the phase increment, which has been loaded into the phase increment register by the CPU, is added to the current result in the phase accumulator; the 12 most significant bits of the phase accumulator drive the lower 12 RAM address lines, the upper 4 RAM address lines being held low. The output waveform frequency is now determined by the size of the phase increment at each clock. If each increment is the same size then the output frequency is constant; if it changes, the output frequency changes as in sweep mode.
38
The generator uses a 38 bit accumulator and a clock frequency which is 2
x 10-4
(approximately 27·4878 MHz); this yields a frequency resolution of 0·1 mHz. Only the 12 most significant bits of the phase accumulator are used to address the RAM.
At a waveform frequency equal to the clock frequency divided by 4096, approximately 6·7 kHz, the natural frequency, the RAM address increments at every clock. At all frequencies below this (i.e. at smaller phase increments) one or more addresses are output for more than one clock period because the phase increment is not big enough to step the address at every clock. Similarly at frequencies above the natural frequency the larger phase increment causes some addresses to be skipped, giving the effect of the stored waveform being sampled; different points will be sampled on successive cycles of the waveform.
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Page 37
Chapter 5
Standard Waveform Operation
Introduction........................................................................................................ 5-2
Standard Waveform Operation .......................................................................... 5-2
Setting Generator Parameters ............................................................................ 5-2
Waveform Selection ...................................................................................... 5-2
Frequency ...................................................................................................... 5-2
Amplitude...................................................................................................... 5-3
DC Offset ...................................................................................................... 5-4
Warning and Error Messages............................................................................. 5-5
SYNC Output..................................................................................................... 5-6
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Introduction
Standard Waveform Operation
This section deals with the use of the instrument as a standard function generator, i.e. generating sine, square, triangle, dc, ramp, haversine, cosine, havercosine and sin(x)/x waveforms. All but the square wave are generated by DDS which gives 7-digit frequency precision; the square wave is generated by clock synthesis which results in only 4-digit
frequency resolution. Refer to Principles of Operation in the previous chapter for an
explanation of the differences.
The STANDARD WAVEFORMS screen also includes arbitrary and sequence for simplicity of switching between these and standard waveforms; they do, however, have
their own screens (accessed by pressing ARB and SEQUENCE respectively) and are
described in detail in their appropriate sections. Pulse and pulse-train are also accessed from the standard waveforms screen but are sufficiently different to justify their own section in this manual.
Most of the following descriptions of amplitude and offset control, as well as of mode, sweep, etc., in following sections, apply to arbitrary and sequence as well as standard waveforms; for clarity, any differences of operation with arbitrary, sequence, pulse and pulse-train are described only in the appropriaite sections.
Setting Generator Parameters
Waveform Selection
Pressing the STD key gives the STANDARD WAVEFORMS screen which lists all the
waveforms available:
STANDARD WAVEFORMS
sine square triangle
The rotary control or cursor keys can be used to scroll the full list back and forward through the display. The currently selected waveform (sine, with the factory defaults setting) is indicated by the filled diamond; the selection is changed by pressing the soft­key beside the required waveform.
Frequency
Pressing the FREQ key gives the STANDARD FREQUENCY screen:
STANDARD FREQUENCY
10.00
freq period
000 kHz
With freq selected as shown above, the frequency can be entered directly from the keyboard in integer, floating point or exponential format. For example, 12·34 kHz can be
entered as 12340, 12340·00, or 1·234 exp 4, etc. However, the display will
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Standard Waveform Operation
always show the entry in the most appropriate engineering units, in this case 12·34000 kHz.
With period selected instead of freq the frequency can be set in terms of a period,
for example 123·4µs can be entered as ·0001234 or 123·4 exp -6; again the display
will always show the entry in the most appropriate engineering units. Note that the precision of a period entry is restricted to 6 digits; 7 digits are displayed but the least significant is always zero. The hardware is programmed in terms of frequency, so that when you make a period entry the synthesized frequency is the nearest equivalent value that the frequency resolution and a 6-digit conversion calculation gives. If the frequency is displayed after a period entry the value may differ from the expected value because of these considerations. Further, once the setting has been displayed as a frequency, converting back again to display period will give an exact 6-digit equivalent of the 7-digit frequency, but this may differ from the period value originally entered.
Square waves, generated by clock synthesis, provides 4-digit resolution for both frequency and period entry but the hardware is still programmed in terms of frequency and the same differences may occur in switching the display from period to frequency and back to period.
Turning the rotary control will increment or decrement the numeric value in steps determined by the position of the edit cursor (flashing underline); the cursor is moved with the left- and right-arrowed cursor keys.
Setting Generator Parameters 5
Note that the upper frequency limits vary for the different waveform types; refer to the Specifications section for details.
Frequency setting for arbitrary, sequence pulse and pulse-train is explained in the relevant sections.
Amplitude
Pressing the AMPL key gives the AMPLITUDE screen:
The waveform amplitude can be set in terms of peak-to-peak volts (Vpp), rms volts (Vrms) or dBm (referenced to a 50 or 600 load). For Vpp and Vrms the level can be set assuming that the output is open-circuit (load:hiZ) or terminated (load:50 or
load:600); when dBm is selected termination is always assumed and the load:hiZ setting is automatically changed to load:50. Note that the actual
generator output impedance is always 50 ; the displayed amplitude values for 600 termination take this into account.
AMPLITUDE: +2
Vpp Vrms dBm load:hiZ
0.0 Vpp
With the appropriate form of the amplitude selected (indicated by the filled diamond) the amplitude can be entered directly from the keyboard in integer, floating point or
exponential format. For example 250 mV can be entered as ·250 exp -3 or 250, etc.
The display will always show the entry in the most appropriate engineering units, in this case 250 mV.
Turning the rotary control will increment or decrement the numeric value in steps determined by the position of the edit cursor (flashing underline); the cursor is moved with the left- and right-arrowed cursor keys.
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DC Offset
Alternate presses of the ± key will invert the signal at the MAIN OUT socket; if the DC OFFSET is non-zero the signal is inverted about the same offset. The exception to
this occurs when the amplitude is specified in dBm. Since low level signals are specified
in dBm (0 dBm = 1 mW into 50 = 0.224 mV rms) the - sign is interpreted as part of a
new amplitude entry and not as a command to invert the signal.
Note that for dc, sin(x)/x, pulse train, arbitrary and sequence, the amplitude can only be displayed and entered in the Vpp form; further limitations on pulse-train, arbitrary and sequence amplitude are discussed in the appropriate sections.
Pressing the OFFSET key gives the DC OFFSET screen:
DC OFFSET:
program +0.00 mVdc (actual +0.00 mVdc)
load:hiZ
The offset can be entered directly from the keyboard in integer, floating point or
exponential format, for example 100 mV can be entered as ·1 or 100 exp -3, etc. The
display will always show the entry in the most appropriate engineering units, in this case
100mV. During a new offset entry the ± key can be used at any time to invert the offset;
alternate presses toggle the sign between + and -.
Turning the rotary control will increment or decrement the numeric value in steps determined by the position of the edit cursor (flashing underline); the cursor is moved with the left- and right-arrowed cursor keys. Because the dc offset can have negative values, the rotary control can take the value below zero; although the display may autorange to a higher resolution if a step takes the value close to zero, the increment size is maintained correctly as the offset is stepped negative. For example, if the display shows
program = +205· mVdc
with the cursor in the most significant digit, the rotary control will decrement the offset in 100 mV steps as follows:
program = +205· mVdc program = +105· mVdc program = +5·00 mVdc program = -95·0 mVdc program = -195· mVdc
The actual dc offset at the MAIN OUT socket is attenuated by the fixed-step output
attenuator when this is in use. Since it is not obvious when the signal is being attenuated the actual offset is shown in brackets as a non-editable field below the programmed value.
For example, if the amplitude is set to 2·5 V p-p the output is not attenuated by the fixed attenuator and the actual dc offset (in brackets) is the same as that set. The DC OFFSET display shows:
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Standard Waveform Operation
DC OFFSET:
program +1.50 Vdc (actual +1.50 Vdc)
load:hiZ
If the amplitude is now reduced to, say, 250 mV pp, this introduces the attenuator and the actual dc offset changes by the appropriate factor:
DC OFFSET:
program +1.50 Vdc (actual +151 mVdc)
load:hiZ
The above display shows that the set DC offset is +1.50V but the actual offset is +151mV.
Warning and Error Messages 5
The actual offset value also takes into account the true attenuation provided by the fixed attenuator, using the values determined during the calibration procedure. In the example displayed the output signal is 250 mV p-p exactly and takes account of the small error in the fixed attenuator; the offset is 151 mV (to three significant figures) and takes account of the effect of the calibrated attenuation error on the set offset of 1.50 V.
Whenever the set dc offset is modified by a subsequent change in output level the display shows a warning message. Similarly, settings which would result in peak offset+signal levels outside the range ±10 V (and therefore clipping) generate a similar warning
message. There is additional information on these messages in the Warnings and Error Messages section below.
The output attenuation is controlled intelligently to minimize the difference between the programmed and actual offset when the combination of programmed amplitude and offset allows this. Thus when the offset is set to 150 mV, for example, the amplitude can be reduced to nominally 50 mV pp before the fixed attenuator causes the actual offset to be different from the programmed value.
Warning and Error Messages
Two classes of message are displayed on the screen when an illegal combination of parameters is attempted.
WARNING messages are shown when the entered setting causes some change which the user might not necessarily expect, as in the following two examples:
Note
1. Changing the amplitude from, for example, 2·5 V p-p to 25 mV p-p brings in the step attenuator; if a non-zero offset has been set then this will also be attenuated. The message DC OFFSET CHANGED BY AMPLITUDE will be shown temporarily on the screen but the setting will be accepted; in this case the actual attenuated offset will be shown in brackets below the set value.
2. With the output level set to 10 V p-p, increasing the dc offset beyond ± 5 V will cause the message OFFSET + SUM + LEVEL MAY CAUSE CLIPPING. The offset change will be accepted (producing a clipped waveform) and the user may then
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choose to change the output level or the offset to produce a signal which is not clipped. The word (clip?) will show in the display beside AMPLITUDE or DC OFFSET while the clipped condition exists.
ERROR messages are shown when an illegal setting is attempted, most generally a number outside the range of values permitted. In this case the entry is rejected and the parameter setting is left unchanged, as in the following three examples:
1. Entering a frequency of 1 MHz for a triangle waveform. The error message: Frequency out of range for the selected waveform is shown.
2. Entering an amplitude of 25 V pp. The error message: Maximum output level exceeded is shown.
3. Entering a DC offset of 20 V. The error message: Maximum DC offset exceeded is shown.
The messages remain on the display for approximately two seconds. The last two
messages can be viewed again by pressing the last error… soft-key on the UTILITY screen.
Each message has a number and the full list appears in appendix B.
The default set-up is for all warning and error messages to be displayed and for a beep to
sound with each message. This set-up can be changed on the error… menu on the UTILITY screen. The error menu is shown below:
Each feature can be turned on and off with alternate presses of the associated soft-key; the factory default is for all features to be on. If the setting is changed and is required for future use it should be saved by changing the POWER ON SETTING on the
power on… menu of the UTILITY screen to restore last setup.
SYNC Output
SYNC OUT is a multifunction CMOS/TTL level output that can be automatically or
manually set to be any of the following:
waveform sync: A square wave with 50 % duty cycle at the main waveform
position marker: Can be selected for arbitrary waveforms only. Any point(s)
error beep: ON error message: ON warn beep: ON warn message: ON
frequency, or a pulse coincident with the first few points of an arbitrary waveform. Can be selected for all waveforms.
on the main waveform may have associated marker bit(s)
set high or low. When the MAIN OUT waveform is a
standard waveform position marker is not available and this choice on the list automatically becomes phase zero; if selected, phase zero produces a narrow (1 clock) pulse at the start of each standard waveform cycle.
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Standard Waveform Operation
burst done: Produces a pulse coincident with the last cycle of the burst.
sequence sync: Produces a pulse coincident with the end of a waveform
sequence.
trigger: Selects the current trigger signal (internal, external,
adjacent channel or manual). Useful for synchronizing burst or gated signals.
sweep sync: Outputs the sweep trigger signal.
phase lock: Used to lock two or more generators. Produces a positive
edge at the 0 º phase point.
The setting up of the signals themselves is discussed in the relevant sections later in this
manual, e.g. trigger is covered in chapter 7, Triggered Burst and Gate and position markers in chapter 9, Arbitrary Waveform Generation.
Pressing the SYNC OUT key calls the SYNC OUT set-up screen:
SYNC OUT
output: on
mode: auto src: waveform sync
SYNC Output 5
SYNC OUT is turned on and off by alternate presses of the output soft-key. The selection of the signal to be output from the SYNC OUT socket is made using the
src (source) soft-key; repeated presses of src cycle the selection through all the choices (waveform sync, position marker, etc.) listed above. Alternatively, with the src selected (double-headed arrow) the rotary control or cursor keys can be used to step backwards and forwards through the choices.
The source selection of the SYNC OUT waveform can be made automatic (auto) or
user-defined (manual) with alternate presses of the mode soft-key. In automatic mode
the SYNC OUT waveform most appropriate for the current main waveform is selected.
For example, waveform sync is automatically selected for all continuous standard and arbitrary waveforms, but trigger is selected in trigger or gated waveform modes. The automatic selection will be mentioned in each of the appropriate main waveform mode sections and a full table is given in appendix C.
The automatic selection can still be changed manually by the src soft-key even when auto mode has been selected but the selection will immediately revert to the automatic choice as soon as any relevant parameter (e.g. main waveform frequency or amplitude) is adjusted. You must select manual with the mode soft-key for a source other than the automatic choice to remain set. The auto selection will generally set the most frequently used signal, for example waveform sync for all continuous main waveforms, but you will need to use manual for any special requirements, such as position markers on arbitrary waveforms.
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Chapter 6
Sweep Operation
Introduction........................................................................................................ 6-2
Principles of Sweep Operation...................................................................... 6-2
Connections for Sweep Operation................................................................. 6-2
Setting Sweep Parameters.................................................................................. 6-3
Sweep Range................................................................................................. 6-3
Sweep Time................................................................................................... 6-4
Sweep Type................................................................................................... 6-4
Manual Sweep............................................................................................... 6-5
Sweep Spacing............................................................................................... 6-6
Sweep Marker................................................................................................ 6-6
Sweep Hold ................................................................................................... 6-6
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Introduction
Principles of Sweep Operation
All standard and arbitrary waveforms can be swept with the exception of
pulse, pulse­train and sequence. During sweep all waveforms are generated in DDS mode because this offers the significant advantage of phase-continuous sweeps over a very wide frequency range (up to 10
10
:1). However it must be remembered that the frequency is actually stepped, not swept linearly, and thought needs to be given as to what the instrument is actually doing when using extreme combinations of sweep range and time.
For DDS operation during sweep all waveforms must be 409 natural length for standard waveforms but all arbitrary waveforms are expanded or compressed in software to 4096 points when sweep is turned on. The expansion or compression leaves the original data unaffected.
Sweep mode is turned on and off by the on or off soft-key on the SWEEP SETUP scre
en (accessed by pressing the SWEEP front panel key), or by the sweep soft-key
on the MODE screen. In multi-channel instruments two or more channels can be swept at once but one set of swe
ep parameters applies to all the swept channels.
When sweep is switched on the software creates a table of 2048 frequencies between, and including
, the specified start and stop values. For sweep times of 1·03 s and above the sweep will step through all 2048 frequency values. Below 1·03 s, however, the frequency sweep will contain fewer steps because of the minimum 0·5 ms dwell at each step; at the shortest sweep time (30 ms) the sweep will contain only 60 steps.
Because any frequency used in sweep mode must be one of the tabled values, the centre frequency
displayed (see Sweep Range) may not be the exact mid-point and markers (see Sweep Marker) may not be exactly at the programmed frequencies. The frequency resolution of the steps will be at its most coarse with wide sweeps at the fastest sweep rate.
Connections for Sweep Operation
Sweeps are generally used with an oscilloscope or hard-copy frequency response of a device. The MAIN OUT is connected to the device input and the device output
is connected to an oscilloscope or, for slow sweeps, a recorder.
6 points in length; this is the
device to investigate the
An oscilloscope or recorder can be triggered by connecting its trigger input t
o the
generator’s SYNC OUT socket. This defaults to sweep sync when sweep is turned on, going high at the start of sweep and lo
w at the end of the sweep. The low period is
sufficiently long to allow an oscilloscope to retrace. To show a marker on the display instrument the rear panel CURSOR/MARKER OUT
socket should be connected to a second channel. It can also be used in the case of an oscilloscope to m
odulate the Z-axis. See the Sweep Marker section below for information on setting the marker frequency. The cursor/marker polarity and level is set up on the cursor/marker… menu of the UTILITY screen, as described in chapter 14, System Operations from the Utility Menu.
For triggered sweeps you must provide a trigger signal, either electrically at the front panel TRIG IN socket, by a remote command or by manually pressing the MAN TRIG key. The TRIG IN function automatically defaults to external when you select triggered sweep. A sweep is initiated on the rising
The generator does not provide a ramp output for use with X-Y display
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edge of the trigger signal.
s or recorders.
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Sweep Operation
Setting Sweep Parameters 6
Setting Sweep Parameters
Pressing the SWEEP key (or the sweep setup… soft-key on the MODE screen) displays the SWEEP SETUP screen:
SWEEP SETUP: off
range… type… time… spacing… manual… marker…
Menus for setting up the range, time (sweep rate), type (continuous, triggered, etc.) spacing (linear or logarithmic) and marker position are all accessed from this screen using the appropriate soft-key. In addition the control screen for manual sweep (i.e. sweeping using the rotary control or cursor keys) is selected from this screen and sweep mode itself is turned on and off with alternate presses of the on/off soft-key.
Sweep can also be turned on by the sweep soft-key on the MODE screen. In multi­channel instruments two or more channels can be swept at once using the same sweep parameters. The channels to be swept are set on or off by selecting them in turn with the appropriate SETUP key and then using the on/off soft-key of the SWEEP SETUP screen.
On all the following menus, pressing the done soft-key returns the display to this SWEEP SETUP screen.
Sweep Range
Pressing the range… soft-key calls the SWEEP RANGE screen:
The maximum sweep range for all waveforms is 1 mHz to 16 MHz, including triangle, ramp and square wave (which have different limits in unswept operation).
You can define the sweep range in terms either of the start and stop frequencies or of the centre frequency and span. start and stop soft-keys permit the two end points of the sweep to be set directly from the keyboard or by using the rotary control; the start frequency must be lower than the stop frequency (but see Sweep Type below for selecting the sweep direction).
Pressing the centr/span soft-key changes the screen to permit entry in terms of center frequency and sweep span about that frequency; pressing the start/stop soft-key on that screen returns the display to the start and stop frequency form of entry.
SWEEP RANGE:
start: 100.0 kHz stop: 10.00 MHz centr/span done
Note that when the sweep is displayed in terms of centre frequency and span the span will always be the exact difference between start and stop frequencies but the centre frequency shown will be that of the frequency step nearest the true centre frequency, as described in the section above, Principles of Sweep Operation.
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Sweep Time
Sweep Type
Pressing the time… soft-key calls the SWEEP TIME screen:
SWEEP TIME:
0.05
sec (steps=100) done
The sweep time can be set from 0·03 to 999 s with 3-digit resolution by direct keyboard entry or by using the rotary control. As explained above, sweeps lasting less than 1·03 seconds will contain less than the maximum 2048 steps because of the minimum 0·5 ms dwell at each step. For this reason the number of steps in the sweep is displayed as a non­editable field below the sweep time.
Pressing the type soft-key calls the SWEEP TYPE screen:
SWEEP TYPE:
continuous
direction: up sync: on done
This screen is used to set the sweep mode (continuous; triggered; triggered, hold and reset; manual) and sweep direction.
Successive presses of the direction soft-key select one of the following sweep directions:
up start frequency to stop frequency. down stop frequency to start frequency. up/down start frequency to stop frequency and back to start frequency.
down/up
stop frequency to start frequency and back to stop frequency.
The total sweep time is always that set on the SWEEP TIME screen, i.e. for up/down and down/up operation the sweep time in each direction is half the total. Similarly the total number of steps is the same for all choices, i.e. there will be half the number of steps in each direction for up/down and down/up operation. In the sweep mode descriptions which follow the direction is assumed to be up but all modes can be used with all sweep directions.
In continuous mode the generator sweeps continuously between the start and stop frequencies, triggered repetitively by an internal trigger generator whose frequency is determined by the sweep time setting. At the stop frequency the generator resets to the start frequency after a delay (nominally long enough for an oscilloscope to retrace), and begins a new sweep.
If sync is set to on (the default) the generator steps from the stop frequency to zero frequency and then starts the next sweep from the first point of the waveform, synchronized to the internally generated trigger signal.
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Sweep Operation
This is useful because it forces the sweep always to start from the same point in the waveform. You should be aware that in this case the waveform discontinuity may be undesirable in some circumstances, for example in filter evaluation.
With sync is set to off the frequency steps directly and phase continuity is maintained from the stop frequency to the start frequency. Note, however, that the sweep is not synchronized to the software-generated trigger signal.
In triggered mode the generator holds the output at the start frequency until it recognizes a trigger, at which the frequency sweeps to the stop frequency, resets, and awaits the next trigger. If sync is set to on the frequency resets to zero frequency (i.e. no waveform) and starts a new sweep at the first point of the waveform when the next trigger is recognized. If sync is set to off the waveform resets to the start frequency and continues at that frequency until the next trigger initiates a new sweep.
In trig’d, hold/reset mode the generator holds the output at the start frequency until it recognizes a trigger; at which point the frequency sweeps to the stop frequency and holds. At the next trigger the output is reset to the start frequency where it is held until the next sweep is initiated by a further trigger. If sync is set to off the output operates exactly as described above; if sync is set to on the frequency goes to zero at the start and begins each new sweep at the first point of the waveform.
For both triggered and trig’d, hold/reset modes the TRIG IN input is automatically set to external. The trigger source can be the rising edge of an external signal applied to TRIG IN, a press of the MAN TRIG key on the front panel, or a remote command.
Setting Sweep Parameters 6
In manual mode the whole sweep process is controlled from the MANUAL SWEEP screen.
Manual Sweep
Pressing the manual… soft-key on the SWEEP SETUP screen calls the MANUAL SWEEP FREQ screen:
Before manual control can be used, you must select manual on the SWEEP TYPE screen. If manual has not been set, the message mode is not manual will be displayed instead of the frequency.
In manual mode the frequency can be stepped through the sweep range, defined on the SWEEP RANGE screen, by using the rotary control or cursor keys. Every point of the frequency table is stepped through if step slow is selected; if step fast is set then the frequency changes in multiple step increments. You can not select step fast when the number of steps in the table is small.
MANUAL SWEEP FREQ:
1.630 MHz
step fast wrap step slow done
If wrap is set the sweep wraps-round from start frequency to stop frequency and vice-versa; if no wrap is set the sweep finishes at either the start or stop frequency depending on the direction of the rotary control or cursor
keys.
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Sweep Spacing
Sweep Marker
Pressing the spacing… soft-key on the SWEEP SETUP screen calls the SWEEP SPACING screen:
SWEEP SPACING:
logarithmic linear
done
With linear selected the sweep changes the frequency at a linear rate; with logarithmic selected the sweep spends an equal time in each frequency decade.
Pressing the marker… soft-key on the SWEEP SETUP screen calls the SWEEP MARKER FREQ screen:
SWEEP MARKER FREQ: program: 5.0
00 MHz
actual: 4.977 MHz
done
A new marker frequency can be programmed directly from the keyboard or by using the rotary control and cursor keys. Note that the marker frequency can only be one of the values in the sweep frequency table; any value in the sweep range can be entered but the actual value will be the nearest frequency in the table. When sweep is turned on, the actual marker frequency is shown in the non-editable field below the programmed frequency. For the default sweep setting of 100 kHz to 10 MHz in 50 ms (which is completed in 400 steps), the actual frequency of a 5 MHz marker is 4·977 MHz.
The marker duration is for the number of 0·5 ms intervals that the frequency remains at the marker value; for fast and/or wide sweeps this will often be the 0·5 ms minimum but for slow and/or narrow spans the marker may last many 0·5 ms intervals. To avoid anomalous conditions the marker will not be exactly placed at the start and stop frequencies even though it can be programmed to be so. The marker polarity and level is set up on the cursor/marker… menu of the UTILITY screen. For full details refer chapter 14, System Operations from the Utility Menu.
You can change the marker frequency can be changed while the sweep is on but since the table of frequency values is rebuilt with each change this can be a slow process, especially if the rotary control is used. You can achieve the same result more quickly by switching the sweep off, changing the marker, then switching the sweep back on.
Sweep Hold
The sweep can be held or restarted at any time at or from its current frequency by alternate presses of the MAN HOLD key or by a remote command. As with all other sweep controls, pressing MAN HOLD will halt the sweep on all channels for which sweep has been set on.
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Chapter 7
Triggered Burst and Gate
Introduction........................................................................................................ 7-2
Internal Trigger Generator............................................................................. 7-2
External Trigger Input................................................................................... 7-3
Adjacent Channel Trigger Output ................................................................. 7-3
Triggered Burst.................................................................................................. 7-3
Trigger Source............................................................................................... 7-4
Trigger Edge.................................................................................................. 7-4
Burst Count.................................................................................................... 7-4
Start Phase..................................................................................................... 7-5
Manual Initialization of Inter-channel Triggering......................................... 7-5
Gated Mode........................................................................................................ 7-6
Gate Source ................................................................................................... 7-6
Gate Polarity.................................................................................................. 7-6
Start Phase..................................................................................................... 7-6
Sync Out in Triggered Burst and Gated Mode .................................................. 7-7
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Introduction
Triggered burst and gated modes are selected from the MODE screen, called by the MODE key, as alternatives to the default continuous mode.
MODE:
continuous gated setup… triggered setup…
In triggered burst mode a defined number of cycles are generated following each trigger event. This mode is edge triggered.
In gated mode the generator runs whenever the gating signal is true. This mode is level sensitive.
Triggered burst mode can be controlled by either the internal trigger generator, an external trigger input, the internally-generated trigger out signal from an adjacent channel on a multi-channel instrument, by the front panel MAN TRIG key or by remote control.
Gated mode can be controlled by the internal trigger generator or by external trigger input.
In both modes the start phase, i.e. the starting point on the waveform cycle, can be specified.
Internal Trigger Generator
The period of the internal trigger generator is set with the period soft-key on the TRIGGER IN set-up screen called by the TRIG IN key:
The internal trigger generator divides down a crystal oscillator to produce a 1:1 square wave with a period from 0·01 ms (100 kHz) to 200 s (0·005 Hz). Generator period entries that cannot be exactly accommodated are accepted and rounded up to the nearest available value, e.g. 0·109ms is rounded to 0·11ms.
When triggered burst or gated modes are selected the SYNC OUT source automatically defaults to trigger which is the output of the internal trigger generator when internal triggering or gating is specified.
TRIGGER IN: force
source: internal slope: positive period: 2.00ms
In triggered burst mode the selected edge of each cycle of the trigger generator is used to initiate a burst; the interval between bursts is therefore 0·01 ms to 200 s as set by the generator period.
In gated mode the output of the main generator is gated on while the internal trigger generator output is true; the duration of the gate is therefore 0·005 ms to 100 s, in step with trigger generator periods of 0·01 ms to 200 s.
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Triggered Burst and Gate
External Trigger Input
External trigger or gate signals are applied to the front panel TRIG IN socket which has a TTL level (+1·5 V) threshold. In triggered burst mode the input is edge sensitive; the selected edge of each external trigger initiates the specified burst. In gated mode the input is level sensitive; the output of the main generator is on whilst the gate signal is true.
The minimum pulse width that can be used with TRIG IN in triggered burst and gated mode is 50 ns and the maximum repetition rate is 1 MHz. The maximum signal level that can be applied without damage is ±10 V.
When triggered burst or gated modes are selected the SYNC OUT source automatically defaults to trigger which is always a positive-edged version of the external trigger or gate signal when external triggering or gating is specified.
Adjacent Channel Trigger Output
On multi-channel instruments the trigger out signal of an adjacent channel can be used as the control signal for a triggered burst. The channel numbering ‘wraps round’ such that channel 1 follows channel 4.
The source of the trigger out signal is selected by the source soft-key on the TRIGGER OUT screen called by the TRIG OUT key.
Triggered Burst 7
TRIGGER OUT:
mode: auto source: wfm end
The source choices are as follows:
wfm end: Waveform end; a positive-going pulse coincident with the end
of a waveform cycle (and the start of the next).
pos’n marker: Position marker; arbitrary waveforms only. Any point(s) on
the main waveform may have marker bit(s) set high or low. No output if selected for a standard waveform.
seq sync: Sequence sync; a positive-going pulse coincident with the end
of a waveform sequence.
burst done: A positive-going pulse coincident with the end of the last
cycle of a burst.
The default choice is wfm end except when the channel is running a sequence in which case it becomes seq sync. To set the trigger out to anything other than its default it is necessary to change the mode from auto to manual using the mode soft-key.
Trigger out is an internal signal but, as with the other trigger sources, a positive-edged version is available at the triggered channel’s SYNC OUT with its default source of trigger selected.
Triggered Burst
Triggered burst mode is turned on with the triggered soft-key on the MODE screen. The setup… soft-key on this screen accesses the TRIGGER/GATE SETUP
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Trigger Source
screen on which the burst count and start phase are set. The other trigger parameters are set on the TRIGGER IN set-up screen called by pressing the TRIG IN key.
TRIGGER IN: force
source: internal slope: positive period: 2.00ms
The trigger source can be selected with the source soft-key on the TRIGGER IN set-up screen to be internal, external, manual or (in the case of multi­channel instruments) either of the adjacent channels.
With internal selected the internal trigger generator is used to initiate a burst; this generator is set up as described in the previous section.
With external selected the specified edge of the signal at TRIG IN is used to initiate a burst.
With chan x selected (multi-channel instruments only) the trigger out signal from adjacent channel x is used to initiate a burst; the source of the trigger out signal on that channel x is set up as described in the previous section.
With manual selected as the source the only ways to initiate a burst are by pressing the MAN TRIG key or sending a remote command. In multi-channel instruments, pressing MAN TRIG will trigger all those channels for which manual has been selected as the source.
Trigger Edge
The slope soft-key is used to select the edge (positive or negative) of the external trigger signal used to initiate a burst. The default setting of positive should be used for triggering by the internal trigger generator or an adjacent channel’s trigger out.
Note that the trigger signal from SYNC OUT, used for synchronizing the display of a triggered burst on an oscilloscope for example, is always positive-going at the start of the burst.
Burst Count
The number of complete cycles in each burst following the trigger is set from the TRIGGER/GATE SETUP screen, called by selecting setup… on the MODE
screen:.
TRIGGER/GATE SETUP:
burst cnt: 0000001 phase: +000.0°
(actual +000.0°)
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Triggered Burst and Gate
Triggered Burst 7
The required count can be set by pressing the burst cnt soft-key followed by direct entries from the keyboard, or by using the rotary control. The maximum number of waveform cycles that can be counted is 1,048,575 (2
20
-1).
Start Phase
The start phase, i.e. the point on the waveform cy
cle at which the burst starts, can be
selected by pressing the phase soft-key followed by direct entries from the keyboard
using the rotary control. Since the waveform cycle is always completed at the end
or by of the burst the start phase is also the stop phase.
The phase can be set with a precision of 0.1 ° but the actual resolution is limited with so
me waveforms and at certain waveform frequencies as detailed below. To indicate when this is the case the actual phase is shown in brackets as a non-editable field below the programmed value.
To achieve start phase precision all waveforms are run in clock synthesis mode, i.e. as if
were arbitrary waveforms, when triggered burst is specified. This limits frequency
they resolution to 4 digits for all waveforms although the waveforms normally generated by DDS are still entered with 7-digit precision. Sine, cosine, haversine (etc.) waveforms are created as if they were arbitrary waveforms with the first point of the waveform exactly at the start phase. Each time the phase or frequency is changed the waveform is recalculated, and this can cause a slight lag if the parameters are changed quickly using the rotary control.
The phase resolution of true arbitrary waveforms is limited by the waveform length since the finest resolution
is 1 clock cycle; thus waveforms with a length greater than 3600 points will have a resolution of 0.1 °, but below this number of points the maximum resolution becomes 360° divided by the number of points.
Square waves, pulse, pulse trains and sequences have
no start phase adjustment. Their
phase is always fixed at 0°. The start phase capabilities in triggered burst mode are summarized below:
Table 7-1. Phase Range and Resolution - Triggered Burst Mode
Waveform Maximum Waveform
Frequency
Sine, cosine, haversine, havercosine
Square 1 MHz 0 ° only Triangle, Ramp, sin(x)/x 100 kHz ± 360 °, 0.1 ° Pulse, Pulse Train 10 MHz 0 ° only Arbitrary 40 Msamples/s clock ± 360 °, 360 °divided by length or 0.1 ° Sequence 40 Msamples/s clock 0 ° only
1 MHz ± 360 °, 0.1 °
Phase Control Range and Resolution
Manual Initialization of Inter-channel Triggering
If a multi-channel instrument is set up such that all channels are triggered by
an adjacent one it is possible to have a stable condition where all channels are waiting for a trigger and the sequence of triggered bursts never starts. To overcome this problem any channel can be triggered manually and independently using the force soft-key on that
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Gated Mode
Gate Source
channel’s TRIGGER IN screen. Select the channel to start the sequence with the appropriate SETUP key, select the TRIGGER IN screen with the TRIG IN key and press the force soft-key.
Gated mode is turned on with the gated soft-key on the MODE screen. The setup… soft-key on this screen accesses the TRIGGER/GATE SETUP screen on which the start phase is set. The other parameters associated with gated mode are set on the TRIGGER IN set-up screen called by pressing the TRIG IN key.
TRIGGER IN: force
source: internal slope: positive period: 2.00ms
The gate signal source can be selected with the source soft-key on the TRIGGER IN set-up screen to be internal, external, or (in the case of a multi-
channel instrument) an adjacent channel. With internal selected the internal trigger generator is used to gate the waveform;
the duration of the gate is half the generator period. Refer to the section on the Internal Trigger Generator above for more information.
With external selected the gate duration is from the point (nominally +1.5 V) on the specified edge of the signal at the TRIG IN socket until the same level on the opposite edge.
With chan x selected the trigger out signal from the adjacent channel x is used to gate the waveform; the source of the trigger out signal on that channel x is set up as described in the previous section.
Gate Polarity
If slope on the TRIGGER IN set-up screen is set to positive the gate will open at the threshold on the rising edge and close on the threshold of the falling edge of an external gating signal. In other words the gate signal is true when the TRIG IN signal is high. If the slope is set negative the gate signal is true when the TRIG IN signal is low. The default setting of positive should be used for gating with the internal trigger generator or an adjacent channel’s trigger out.
Start Phase
Press setup… on the MODE screen to access the TRIGGER/GATE SETUP screen on which the start phase can be set.
TRIGGER/GATE SETUP:
burst cnt: 0000001 phase: +000.0°
(actual +000.0°)
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Triggered Burst and Gate
The start phase, i.e. the point on the waveform cycle at which the gated waveform starts, can be selected by pressing the phase soft-key followed by direct entries from the keyboard or by using the rotary control. Since the waveform cycle is always completed at the end of the gated period the start phase is also the stop phase.
The phase can be set with a precision of 0.1 ° but the actual resolution is limited with some waveforms and at certain waveform frequencies as detailed below. To indicate when this is the case the actual phase is shown in brackets as a non-editable field below the programmed value.
To achieve start phase precision all waveforms are run in clock synthesis mode, i.e. as if they were arbitrary waveforms, when gated mode is specified. This limits frequency resolution to 4 digits for all waveforms although the waveforms normally generated by DDS are still entered with 7-digit precision. Sine, cosine, haversine (etc.) waveforms are created as if they were arbitrary waveforms with the first point of the waveform exactly at the start phase. Each time the phase or frequency is changed the waveform is recalculated, and this can cause a slight lag if the parameters are changed quickly using the rotary control.
The phase resolution of true arbitrary waveforms is limited by the waveform length since the maximum resolution is 1 clock; thus waveforms with a length greater than 3600 points will have a resolution of 0.1 °, but below this number of points the maximum resolution becomes 360 ° divided by the number of points.
Sync Out in Triggered Burst and Gated Mode 7
Square waves, pulse, pulse trains and sequences have no start phase adjustment. Their phase is always fixed at 0°.
Refer to the table in the Triggered Burst section above for a summary of start phase capabilities.
Sync Out in Triggered Burst and Gated Mode
When triggered burst or gated modes are selected the SYNC OUT source automatically defaults to trigger; this is a positive-edged signal synchronized to the actual trigger used whether internal (from the internal trigger generator or an adjacent channel) or external of either polarity.
Alternatively, SYNC OUT can be set to burst done on the SYNC OUT set-up screen; this provides a SYNC OUT signal which is low while the waveform is running and high at all other times.
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Chapter 8
Tone Mode
Introduction........................................................................................................ 8-2
Tone Frequency ................................................................................................. 8-2
Tone Type.......................................................................................................... 8-2
Tone Switching Source...................................................................................... 8-3
DTMF Testing with a Multi-Channel Generator............................................... 8-4
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Introduction
Tone Frequency
In Tone mode the output is stepped through a user-defined list of up to 16 frequencies under the control of the signal set by the source soft-key on the TRIGGER IN set-up screen. This signal can be the internal trigger generator, an external trigger input, the front panel MAN TRIG key or a remote command. On multi-channel instruments the control signal can also be the trigger out from an adjacent channel.
All standard and arbitrary waveforms can be used in tone mode with the exception of pulse, pulse-train and sequence. During tone mode all waveforms are generated in DDS mode for fast phase-continuous switching between frequencies. For DDS operation all waveforms must be 4096 points in length; this is the natural length for standard waveforms but all arbitrary waveforms are expanded or condensed in software to 4096 points when the tone list is built. This does not affect the original data.
Because DDS mode is used the frequency range for all waveforms is 1 mHz to 10 MHz in tone mode, including triangle, ramp and square wave, which have different limits in continuous operation.
Press the tone setup… soft-key on the MODE screen, called by pressing the MODE key. The TONE set-up screen will be displayed:
Each frequency in the list can be changed by pressing the appropriate soft-key and entering the new value from the keyboard. The selected frequency can be deleted from the list by pressing the del (delete) soft-key. Additional frequencies can be added to the end of the list by selecting end of list with the appropriate soft-key and entering the new frequency from the keyboard.
The whole list can be scrolled back and forward through the display using the rotary control.
Tone Type
The type soft-key on the TONE set-up screen permits three types of tone switching to be specified.
With type set to trig the frequency changes after each occurrence of the signal edge specified in the source and slope fields on the TRIGGER IN screen, but only after completing the last cycle of the current frequency.
TONE type: trig
2.000000 kHz #2
3.000000 kHz del
end of list #4
With type set to gate the frequency changes when the signal specified in the source field goes to the level specified in the slope field on the TRIGGER IN
screen and continues until the level changes again, at which point the current cycle is completed. The output is then gated off until the next occurrence of the gating signal, at which point the next frequency in the list is gated on.
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Tone Mode
Tone Switching Source 8
Thus the difference between triggered and gated tone changes is that in triggered mode the signal changes phase continuously from one frequency to the next at the waveform zero-crossing point immediately after the trigger signal, whereas in gated mode there can be an off (no signal) period between successive frequencies while the gate signal is not true.
With type set to fsk the frequency changes instantaneously (and phase­continuously) at each occurrence of the signal edge specified in the source and slope fields on the TRIGGER IN screen, without completing the current waveform cycle; this is true FSK (frequency shift keying) tone switching.
The following diagrams demonstrate the differences between trigger, gate and FSK tone switching for a list of two frequencies switched by a square wave (positive slope specified on the TRIGGER IN set-up).
The maximum recommended tone frequencies and trigger/gate switching frequencies for the three modes are as follows:
GATE: Maximum tone frequency 50 kHz;
maximum switching frequency < lowest tone frequency.
TRIGGER: Maximum tone frequency 50 kHz;
maximum switching frequency 1 MHz.
FSK: Maximum tone frequency 1 MHz;
maximum switching frequency 1 MHz.
Figure 8-1. Tone Waveform Types
Tone Switching Source
The signal which controls the frequency switching is that set by the source soft-key on the TRIGGER IN set-up screen. The slope field on the same screen sets the active polarity of that signal; when set to positive the rising edge of the trigger signal is active or the high level of the gating signal is true. The reverse is true for a negative setting. The signal selections available on the source soft-key are the internal trigger generator, an external trigger input, the front panel MAN TRIG key, a remote command and, for multi-channel instruments, the trigger output from an adjacent channel. A full explanation for each of these can be found in chapter 7, Triggered Burst and Gate.
shb0008f.emf
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DTMF Testing with a Multi-Channel Generator
An important use of tone mode is DTMF (Dual Tone Multiple Frequency) testing in which two channels are set up with equal length lists of different frequencies, triggered from a common signal. The outputs are summed together using the internal sum facility (see chapter 12, Sum). DTMF testing generally uses sine waves in the frequency range 600 Hz to 1.6 kHz.
It is also possible to set up DTMF testing using two single channel instruments triggered
a common external signal and summed using the external SUM capability.
by
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Chapter 9
Arbitrary Waveform Generation
Introduction........................................................................................................ 9-2
Arb Waveform Terms........................................................................................ 9-2
Arb Waveform Creation and Modification – General Principles ...................... 9-2
Selecting and Outputting Arbitrary Waveforms................................................ 9-3
Creating New Waveforms.................................................................................. 9-4
Create Blank Waveform................................................................................ 9-4
Create Waveform Copy................................................................................. 9-5
Modifying Arbitrary Waveforms....................................................................... 9-6
Waveform Edit Cursor .................................................................................. 9-6
Resize Waveform .......................................................................................... 9-6
Rename Waveform........................................................................................ 9-7
Waveform Info .............................................................................................. 9-7
Delete Waveform........................................................................................... 9-8
Edit Waveform .............................................................................................. 9-8
Point Edit....................................................................................................... 9-9
Line Edit........................................................................................................ 9-9
Wave Insert.................................................................................................... 9-9
Block Copy.................................................................................................... 9-10
Waveform Amplitude.................................................................................... 9-11
Waveform Offset........................................................................................... 9-11
Wave Invert................................................................................................... 9-12
Position Markers............................................................................................ 9-12
Arbitrary Waveform Sequence.......................................................................... 9-13
Sequence Set-up ............................................................................................ 9-14
Frequency and Amplitude Control with Arbitrary Waveforms......................... 9-15
Frequency...................................................................................................... 9-15
Amplitude...................................................................................................... 9-16
Sync Out Settings with Arbitrary Waveforms................................................... 9-16
Waveform Hold in Arbitrary Mode................................................................... 9-16
Output Filter Setting .......................................................................................... 9-17
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Introduction
Arbitrary (arb) waveforms are generated by sequentially addressing the RAM containing the waveform data with the arbitrary clock. The frequency of the arb waveform is determined both by the arb clock and the total number of data points in the cycle.
In this instrument an arb waveform can have up t range is -2048 to +2047, corresponding to a maximum peak-peak output of 20 V. Up to 100 waveforms can be stored in the 256 kByte non-volatile RAM and each waveform may be given a name; the exact number that can be stored depends on the number of points in each waveform.
Arb waveforms can be created using basic front panel editing capabilities (particularly useful for modifying existing standard or arb waveforms) or by using waveform design software that enables the user to create waveforms from mathematical expressions, from combinations of other waveforms, or freehand. The appendix includes information about the software tools available.
Arb Waveform Terms
The following terms are used in describing arb waveforms: Horizontal size. The number of horizontal points is the time component of the
Waveform address. Each horizontal point on an arb waveform
Arb frequency The arb frequency is the clock rate of the data RAM a
o 65,536 horizontal points. The vertical
waveform is 65,536 points.
address. Addresses always start at 0000, thus the end address is always one less than the horizontal size.
counters and has a range of 0·1 Hz to 40 MHz on these instruments.
. The minimum size is 4 points and the maximum
has a unique
ddress
Waveform frequency. The waveform frequency
and the horizontal size; for example a 1000 point waveform clocked at an arb frequency of 40 MHz has a waveform frequency of 40e6/1000 = 40 kHz.
Data Value. Each horizontal point in
value in the range -2048 to +2047.
Arb waveform amplitude. When playing arb waveforms the
amplitude will depend on both the range of data values and the output amplitude setting. A waveform that contains data values ranging from -2048 to +2047 will produce a maximum output which is 100% of the programmed peak-to­peak amplitude; if the maximum range of the data values is only -1024 to +1023, for example, the maximum output will only be 50% of the programmed level.
depends on both the arb frequency
the waveform has an amplitude
maximum output
Arb Waveform Creation and Modification – General Principles
Creating arb waveforms with the instrument alone consists of two main steps:
1. Creating a new blank waveform, or a copy of an existing one, and giving it a size and a na
me
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Arbitrary Waveform Generation
2. Modifying that waveform using the various editing capabilities to get exactly the waveform required.
Selecting and Outputting Arbitrary Waveforms 9
These steps are fully described in the Waveforms sections which follow.
Waveform creation using waveform design software
1. Creating the waveform using the software on a PC.
2. Downloading the waveform to the generator via the RS232 or GPIB interface.
Certain constraints apply to the overall operation of the generator during creation and m
odification of an arb waveform on the instrument; these ensure proper management of the arb waveforms and avoid contentions, particularly in multi-channel instruments. The constraints are mentioned in the individual sections which follow but are summarized here.
1. On multi-channel instruments all the channels m
allow arb creation or modification. Summing and modulation of channels is allowed.
2. Arb waveforms are created and mostly edited in the
to 100 waveforms can be stored subject to the memory limitation of 256 kBytes. Any of these waveforms can be called into a channel’s memory by selecting them to run as an arb or as part of an arb sequence, up to the channel’s limit of 65,536 points. During editing, changes are made to the waveform in non-volatile memory and are then copied to all the channels where that waveform is used. The exceptions to this are amplitude, offset and block copy changes which are initially made only to the waveform copy of the channel currently selected; the changes are copied to the non­volatile back-up memory (and then to any other channels using that waveform) when the parameter edit is confirmed with the save soft-key.
Creating New Waveforms and Modifying Arbitrary
also consists of two steps:
ust be running in continuous mode to
non-volatile backup memory; up
3. A waveform cannot be deleted from a channel’s memory if it is running on that
channel.
4. Waveforms must be deleted from the channel’s m
from the back-up memory.
5. If an arb waveform sequence is running no waveforms can be deleted from that
channel, whether they are used in the sequence or not.
6. A waveform used by a non-active sequence can be deleted but the s
subsequently run properly and should be modified to exclude the deleted waveform.
You will be reminded of the above constraints by display if you attempt an illegal operation.
emory before they can be deleted
a warning or error message in the
Selecting and Outputting Arbitrary Waveforms
At switch-on, assuming factory default settings, any arbitrary waveforms already created will only be stored in the non-volatile back-up memory. To run an arbitrary waveform it is necessary to select it from the list in back-up memory.
Press the ARB key to see the list, on the ARBS screen, of all arbitrary waveforms held in back-up m
emory.
equence will not
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ARBS: backup mem
wv00 01024 wv01 03782 wv02 00500
The rotary control or cursor keys can be used to scroll the full list backwards and forwards through the display. With the appropriate channel selected using its SETUP key press the soft-key beside the required waveform to load it into that channel’s memory. Many waveforms can be loaded into and held in the channel’s memory in this way, up to the 64k point limit. The last one selected will be the one currently output on that channel.
Once an arb waveform has been loaded into a channel it can also be selected to run from the STANDARD WAVEFORMS screen, accessed by pressing the STD key, by pressing the arb soft-key. If more than one arb waveform is held in the channel’s memory the last one selected will be the one that is output. The complete list of waveforms held in a channel’s memory can be viewed by pressing the top right soft-key on the ARBS screen; this causes the channel memory to be displayed instead of the backup memory, for example:
ARBS: chan mem
wv00 03872 wv01 00128
If the power-on setting has been set to restore last setup on the POWER ON SETTING screen the waveforms will be restored to the channel’s memory
at power-on. Refer to chapter 14, System Operations from the Utility Menu for more information.
The same arbitrary waveform can be selected to run on more than one channel; in this case, when it is edited in backup memory, the changes will also be applied to all copies of the waveform.
The following sections give full details as to how arbitrary waveforms are created and modified.
Creating New Waveforms
Pressing the CREATE key calls the CREATE NEW WAVEFORM screen.
CREATE NEW WAVEFORM free memory: 258972
create blank create from copy
Create Blank Waveform
Pressing the create blank… soft-key calls the menu:
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Arbitrary Waveform Generation
create: "wv00 " size: 01024
cancel create
The top line contains the user-defined waveform name which can be up to 8 characters long. The instrument allocates a default name of wv(n) starting at wv00; the name can be edited by selecting the appropriate character position with the cursor keys and then setting the character with the rotary control which scrolls through all alphanumeric characters in sequence.
Pressing the size soft-key permits the waveform length to be entered directly from the keyboard or by using the rotary control and cursor keys. 1024 points is the default size and the range is from 4 to 65,536 points. Screen messages will tell you if you have attempted to set values less than 4 or greater than the remaining available backup memory. The waveform ‘blank’ is created in the non-volatile backup memory and the free memory field shows the remaining unused backup memory.
The cancel soft key causes the name to be kept without any allocation of memory space. Pressing the create soft key allocates both the name and the memory, and calls the MODIFY screen to permit waveform editing.
Creating New Waveforms 9
Create Waveform Copy
Pressing the create from copy… soft-key calls the following menu:
The user-defined name and waveform size can be entered after pressing the create and size soft-keys respectively, exactly as described in the previous section.
The source waveform which is to be copied can be selected by the from soft key; repeated presses of the key, cursor keys or using the rotary control will scroll through the list of all the available waveforms, including any other arbitrary waveforms already created.
The horizontal size of the waveform being copied does not have to be the same as the waveform being created. When the waveform is copied by pressing the create key, the software compresses or expands the source waveform to create the copy. When the source is expanded the copy has additional interpolated points; when the source is compressed it is possible to lose significant waveform, particularly from arb waveforms with narrow spikes if the compression ratio is large.
create: "wv00 " from: sine size: 01024 cancel create
The cancel soft key causes the name to be kept without any allocation of memory space. Pressing the create soft key allocates both the name and the memory, and calls the MODIFY screen to permit waveform editing.
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Modifying Arbitrary Waveforms
Waveform Edit Cursor
Certain restrictions apply to waveform modification. They are summarized at the head of this chapter.
Pressing the MODIFY front panel key, or the create soft-key on either of the CREATE NEW WAVEFORM menus calls the MODIFY screen:
MODIFY: vwv01 resize rename delete info edit waveform
This screen gives access to a number of menus which permit the selected waveform to be resized, renamed, edited, etc. The arb waveform to be modified is selected using the rotary control or cursor keys to step through all possible choices; the current choice is displayed on the top line beside MODIFY.
During any arbitrary waveform modify procedure which involves setting waveform addresses, one or more waveform cursors can be output from the rear panel CURSOR/MARKER OUT socket. The waveform being edited must be running on the output currently selected by the channel SETUP keys. The amplitude, polarity and width of the cursor is set on the cursor/marker… menu of the UTILITY screen as described chapter 14, System Operations from the Utility Menu. The cursors are positioned at the start and stop addresses used for the various edit operations described below (one address per cursor only for point edit). The cursor signal can be displayed on a second channel of the oscilloscope or used to modulate the Z-axis to highlight the stop and start addresses.
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Note that the addresses are retained when moving between edit functions. Thus if the stop and start addresses are set for waveform insert, the same addresses appear as the defaults when wave amplitude edit is selected, for example. The addresses can of course be changed subsequently.
Resize Waveform
Pressing the resize… soft-key on the MODIFY screen calls the Resize screen:
Resize changes the number of points in the waveform. The new size can be larger or smaller than the old size. When the new size is larger the software adds additional interpolated points. When the new size is smaller points are removed. Reducing the waveform size may cause the waveform to lose significant data; be careful, because there is no "undo" for resize.
Resize: vwv01 (old size: 01024)
new size: 0
cancel resize
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Resize is implemented by pressing the resize soft-key. The cancel soft-key leaves the size unchanged. Both soft keys return the display to the MODIFY screen.
Rename Waveform
Pressing the rename… soft-key on the MODIFY screen calls the Rename screen:
The new name can be entered below the original by selecting the appropriate character position with the cursor keys and then setting the character with the rotary control which scrolls through all the alphanumeric characters in sequence. The name can be up to eight characters long.
Rename is completed by pressing the rename soft-key. The cancel soft-key leaves the name unchanged. Both soft keys return the display to the MODIFY screen.
Rename: vwv01 as: "myWave01
cancel rename
"
Modifying Arbitrary Waveforms 9
Waveform Info
Pressing the info… soft-key on the MODIFY screen calls the info screen.
The screen gives the name of the waveform, its length and the channels and sequences where it is used. The "where used" information is particularly important when executing waveform management operations such as delete.
Pressing exit returns the display to the MODIFY screen. To view what waveforms are held in a particular channel memory, select the channel
with its SETUP key, press the UTILITY key to view the UTILITY MENU and then press the chan wfm info… soft-key to get the CHANNEL WFM INFO: screen:
Info vwv03 exit length: 00128 chan: 3 4 seq:
CHANNEL WFM INFO: waveforms: 1 Free mem: 65436 exit
This shows the number of waveforms and the free memory on that channel. Press the exit soft-key to return to the UTILITY MENU.
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Delete Waveform
Pressing the delete… soft-key displays a request for confirmation that the selected waveform is to be deleted from the backup memory.
Delete waveform "wv01 " ?
cancel delete
Confirm deletion by pressing the delete soft-key which will return the display to the MODIFY screen with the next arb waveform automatically selected; the cancel soft
key aborts the deletion. A waveform cannot be deleted from the backup memory until it has first been deleted
from all channel memories. A waveform cannot be deleted from a channel’s memory if it is being output on that
channel. The waveform must first be deselected by selecting an alternative waveform. Make the new selection using either the STANDARD WAVEFORMS or the ARBS screen.
You will then be able to delete the waveform from the channel memory by selecting the ARBS screen for that channel.
A del soft-key will appear against those waveforms in the channels memory which are not in use. Press the appropriate del soft-key to delete the waveform from channel memory. You can then complete the deletion from backup memory as described above.
Edit Waveform
Pressing the edit waveform… soft-key calls the EDIT FUNCTIONS menu:
ARBS: chan mem
wv00 01024 del wv01 03872 wv02 00500 del
EDIT FUNCTIONS:
point edit line draw wave insert
From this menu you can select functions which permit you to edit the waveform point­by-point (point edit), by drawing lines between two points (line draw) or by inserting all or part of an existing waveform into the waveform being edited (wave insert). In addition, sections of the waveform can be selected and their peak-to-peak level changed using wave amplitude, or their baseline can be changed using wave offset. Sections of the
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Arbitrary Waveform Generation
waveform can be copied into itself (block copy) and position markers for use at SYNC OUT can also be defined.
Pressing the exit soft-key on any of these edit screens will return the display to the EDIT FUNCTIONS menu.
Point Edit
Press the point edit… soft-key to call the POINT EDIT screen:
POINT EDIT (addrs, value)
(00512, +0500) exit next point
To see the data value at a point, press the soft-key on the left adjacent to the numeric address and enter the point address directly from the keyboard or by using the rotary control. The current data value is displayed to the right of the address.
To change the value press the soft key on the right adjacent to the numeric value and enter the new value directly from the keyboard or by using the rotary control. Changing the data value automatically updates the waveform.
Modifying Arbitrary Waveforms 9
Pressing the next point soft-key automatically advances the address by one point.
Line Edit
Press the line draw… soft-key to call the LINE screen:
The display shows a frm (from) and to address which will be the points between which a straight line will be created when the draw line soft-key is pressed. The default frm address is the first point on the waveform or the point most recently edited if point edit has been used.
Set the "from" address and value by pressing the appropriate soft-key and making an entry direct from the keyboard or by using the rotary control; repeat for the "to" address and value.
The linear interpolations will be calculated for the addresses between the two selected points when the draw line soft-key is pressed.
LINE (addrs, value)
frm (00512, +0500) to (00750, +0412) exit draw line
Wave Insert
Pressing wave insert… calls the wave insert screen:
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wv01 wv02 00000 strt 00400 00512 stop 01000 exit insert
Wave insert places waveforms between programmable start and stop points. Both standard and arbitrary waveforms can be inserted in the new waveform, with the exception of pulse, pulse-train and sequence.
You can insert a section of an arbitrary waveform, defined by the left-hand strt (start) and stop addresses, for example points 00000 to 00512 of wv01 on the screen above. These start and stop addresses default to the start and stop addresses of the entire waveform being inserted, but you can adjust the addresses to define any section of the waveform.
Change the addresses by pressing the appropriate soft-key and making entries from the keyboard or by rotary control.
The destination of the selected section of the source waveform in the new waveform is defined by the right-hand strt and stop addresses. Again, change the addresses by pressing the appropriate soft-key and making entries from the keyboard or by rotary control.
The insertion is completed by pressing the insert soft-key. If there is a size difference between the two sections of waveform then the software will
expand or compress the source address space to fit the new waveform. As before, compressing the waveform may cause you to lose some significant data.
To insert sections of the current waveform within itself see the next section, Block Copy.
Block Copy
Pressing block copy… calls the BLOCK COPY screen:
Block copy allows a section of the current waveform to be inserted within itself. The block to be inserted is defined by the start and stop addresses. Change the addresses by pressing the appropriate soft-key and making entries from the keyboard or by rotary control.
The destination address for the start of the section is set by pressing the dest soft-key and entering the address. The effect of making the block copy can then by previewed by pressing the execute soft-key.
BLOCK COPY: execute
start: 00400 exit stop: 01000 undo dest: 00000 save
Note that if there are not enough waveform points between the destination address and end of waveform to accommodate the copied section, the waveform being copied will simply be truncated. The copy can be removed by pressing the undo soft-key or by entering a new destination address.
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Arbitrary Waveform Generation
Block copy edit operates on the version of the waveform in the channel currently selected by the channel SETUP keys, and the effect of the edit can be seen by selecting the waveform to run on that channel.
When your waveform is ready it can be saved by pressing the save soft-key; the action of saving modifies the waveform in the backup memory and also any other copies of the waveform in other channel memories. After the edited waveform has been saved the original waveform cannot be recovered.
Pressing the exit soft key returns to the EDIT FUNCTIONS screen without saving any changes.
Waveform Amplitude
Pressing the wave amplitude soft-key calls the AMPLITUDE screen:
Modifying Arbitrary Waveforms 9
AMPLITUDE: 0
start: 00400 stop: 01000 undo exit save
The waveform amplitude can be changed on a section of the waveform defined by the start and stop addresses. Set the addresses by pressing the appropriate soft-key
and making entries directly from the keyboard or by rotary control. The data values over the specified section of the waveform can be multiplied by a factor
of between 0·01 and 100·0 by making entries in the AMPLITUDE field. Press the appropriate soft-key and make entries directly from the keyboard or by using the rotary control. The amplitude changes on completion of the entry. Note that entries greater than 1·0 will cause clipping if the waveform already uses the full -2048 to +2047 data value range; the result is, however, still treated as a valid waveform. The original waveform can be restored by pressing the undo soft-key.
Amplitude edit operates on the version of the waveform in the channel currently selected by the channel SETUP keys; the effect of the edit can be seen by selecting the waveform to run on that channel. When the amplitude has been modified as required the new waveform can be saved by pressing the save soft key; the action of saving modifies the waveform in the backup memory and also any other copies of the waveform in other channel memories. After the edited waveform has been saved the original waveform cannot be recovered.
01.00
Pressing the exit soft key returns to the EDIT FUNCTIONS screen without saving any changes.
Waveform Offset
Pressing the wave offset soft-key calls the WAVE OFFSET screen.
WAVE OFFSET: +0
start: 00400 stop: 01000 undo exit save
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The waveform offset can be changed on a section of the waveform defined by the start and stop addresses. Set the addresses by pressing the appropriate soft-key
and making entries directly from the keyboard or by using the rotary control. The data values over the specified section of the waveform are offset by the value entered
in the WAVE OFFSET field. Press the appropriate soft-key and make entries directly from the keyboard or by using the rotary control. Entries in the range -4096 to +4095 will be accepted; this permits, in the extreme, waveform sections with values at the -2048 limit to be offset to the opposite limit of +2047. Warnings are given when the offset causes clipping, although the entry is still accepted. The original waveform can be restored by pressing the undo soft-key.
Offset edit operates on the version of the waveform in the channel currently selected by the channel SETUP keys; the effect of the edit can be seen by selecting the waveform to run on that channel. When the offset has been modified as required the new waveform can be saved by pressing the save soft key; the action of saving modifies the waveform in the backup memory and also any other copies of the waveform in other channel memories. After the edited waveform has been saved the original waveform cannot be recovered.
Pressing the exit soft key returns to the EDIT FUNCTIONS screen without saving any changes.
Wave Invert
Pressing the wave invert soft-key calls the INVERT screen:
The inversion can be applied to a section of the waveform defined by the start and stop addresses. Set the addresses by pressing the appropriate soft-key and making entries directly from the keyboard or by using the rotary control.
The data values over the specified section of the waveform are inverted about 0000 each time the invert soft-key is pressed.
Press exit to return to the EDIT FUNCTIONS screen.
Position Markers
Pressing the position markers… soft-key calls the POSITION MARKER EDIT screen:
INVERT: wv02
start adrs: 00512 stop adrs: 00750 exit invert
POSITION MARKER EDIT adrs: 00000 <0>
patterns… exit clear all
Position markers are output from the SYNC OUT socket when the source src is set to pos’n marker on the SYNC OUTPUT SETUP screen.
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Arbitrary Waveform Generation
Position markers can be set at any or all of the addresses of a waveform either individually, using the adrs (address) soft-key, or as a pattern, using the patterns… menu.
A marker can be set directly at an address by pressing the adrs soft-key followed by a keyboard entry. Pressing the right-hand soft-key on the adrs line then toggles the marker setting between <1> and <0>. The address can be changed by incrementing with the adrs key, by using the rotary control, or by further keyboard entries; marker settings are changed at each new address with the right-hand soft-key. Markers show immediately they are changed.
Alternatively, markers can be input as patterns by using the patterns… sub-menu:
Arbitrary Waveform Sequence 9
PATTERN: 0
start: 00000 stop: 01023 exit: do pattern
The start and stop addresses of the markers within the waveform are set using the start and stop soft-keys respectively followed by a direct keyboard entry or by
using the rotary control. The pattern itself is set in the top line of the display; press the soft-key to the right of
PATTERN: and enter the sequence of 1s and 0s using 1 and 0 from the keyboard (which auto-increments to the next character) or with the rotary control (using the cursor keys to move the edit cursor along the pattern).
The pattern consists of 16 values; if the cursor keys are used to skip over some character positions these will automatically be filled with the value of the last one specified to the left.
The pattern is entered repeatedly across the whole range defined by the start and stop addresses when the do pattern soft-key is pressed; pressing exit returns to the POSITION MARKER EDIT screen without implementing the pattern.
Pressing the clear all soft-key displays a request for confirmation that all markers should be cleared from the waveform. Pressing clear cancels all the markers and returns the display to POSITION MARKER EDIT; pressing cancel aborts the clear.
0000000…
Arbitrary Waveform Sequence
Up to 16 arbitrary waveforms may be linked in a sequence. Each waveform can have a loop count of up to 32,768 and the whole sequence can run continuously or be looped up to 1,048,575 times using the triggered burst mode.
Pressing the SEQUENCE key calls the initial SEQUENCE screen:
SEQUENCE (segs= 1)
sequence setup…
stop run
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Sequence Set-up
A previously defined sequence can be run and stopped from this screen using the run and stop soft-keys. The sequence can also be switched on from the STANDARD WAVEFORMS screen with the sequence soft-key.
The segs= field shows the number of segments in the sequence; there is always at least 1 segment.
Pressing the sequence setup… soft-key on the SEQUENCE screen (or the setup… soft-key next to sequence on the STANDARD WAVEFORMS screen) calls the sequence set up screen:
seg: 2 off wfm wv03 step on: count cnt: 00001 done
Repeated presses of the seg soft-key steps the display through the set-ups of each of the 16 segments of the sequence. With the exception of segment 1 which is always on (and therefore has no on-off soft-key) the 16 segment set-ups are identical in format. When segment 1 is displayed the segs= field shows the total number of segments in the current sequence.
The segment to be set up is selected with the seg soft-key; the 16 segments can be selected in sequence with repeated presses of the soft-key or by using the rotary control.
Once the segment to be edited has been set the waveform for that segment is selected with the wfm (waveform) soft-key; the list of all arbitrary waveforms already created is stepped through with repeated presses of the wfm soft-key or by using the rotary control.
The criterion for stepping between waveform segments is set by the step on soft- key. The default setting is step on: count which means that the waveform will step on to the next segment after the number of waveform cycles specified in the cnt (count) field; up to 32,768 cycles can be set with cnt selected, using direct keyboard entries or by rotary control.
Alternatively, the step on criterion can be set to trig edge or trig level in the step on field; trigger edge or trigger level can be mixed with count (i.e. some segments can step on count, others on the specified trigger condition) but trigger edge cannot be mixed with trigger level in the same sequence.
If trig edge is selected the sequence starts running at the first waveform segment when sequence is set to run and steps to the following segments in turn at each subsequent trigger. The trigger source can be any of the settings selected on the TRIGGER IN set-up screen (called by the TRIG IN key); these are described fully in chapter 7, Triggered Burst and Gate. At each trigger the current waveform cycle plus one further whole cycle are completed before the waveform of the next segment is started.
If trig level is selected the sequence runs continuously through each segment in turn (one cycle per segment) while the trigger level is true. When the trigger level goes false the waveform currently selected runs continuously until the level goes true again at which point the sequence again runs continuously through each segment in turn. The trigger level source can be any of the settings selected on the TRIGGER IN set-up
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Arbitrary Waveform Generation
screen with the exception of the MAN TRIG key (which when pressed can only produce an edge, not a level).
Providing the step on: field is set to count for all segments the waveform sequence can also be run in gated and triggered burst modes in the same way as simple waveforms. Refer to chapter 7, Triggered Burst and Gate for full details.
The individual segments of the sequence can be turned on or off with the on-off soft- key. Note that turning a segment off will automatically set all subsequent segments off; turning a segment on will also turn on any others between segment 1 and itself that were previously off. Segment 1 is always on.
When the whole sequence is defined the set-up is constructed by pressing the done soft-key which returns the display to the initial SEQUENCE screen. The sequence can be run and stopped from this screen with the run and stop soft-keys respectively.
Frequency and Amplitude Control with Arbitrary Waveforms 9
Frequency and Amplitude Control with Arbitrary Waveforms
Frequency and Amplitude control work in essentially the same way as for standard waveforms with the following minor differences.
Frequency
Pressing the FREQuency key with an arbitrary waveform selected calls the ARBITRARY FREQUENCY screen:
ARBITRARY FREQUENCY 40·00 MHz
sample waveform freq period
You can set either the frequency or the period, as before, by pressing the freq or period soft-key respectively. Note that the frequency and period resolution in arbitrary
mode is only 4 digits because clock synthesis generation is used. The Principles of Operation section in chapter 4, Initial Operation, provides an explanation of the synthesis
technique used. Additionally, for arbitrary waveforms, frequency or period can be set in terms of the
sample clock frequency, by pressing the sample soft-key, or in terms of the waveform frequency, by pressing the waveform soft-key. The relationship between them is
waveform frequency = sample frequency divided by waveform size. Frequency and period entries are made directly from the numeric keypad or by using the
rotary control in the usual way. Pressing the FREQuency key with sequence selected calls the
SEQ CLOCK FREQUENCY screen:
SEQ CLOCK FREQUENCY 40·00 MHz
freq period
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Amplitude
Frequency or period can now only be set in terms of the clock frequency. Frequency and period entries are made directly from the numeric keypad or by using the rotary control in the usual way.
Pressing the AMPLitude key with an arbitrary waveform selected calls the AMPLITUDE screen:
AMPLITUDE: +20·0 Vpp
Vpp
load:hiZ
This differs from the AMPLITUDE screen for standard waveforms in that amplitude can now only be entered in volts peak-to-peak.
Note that the peak-to-peak amplitude set on this screen will only be output if the arbitrary waveform has addresses with values which reach -2048 and +2047; if the maximum value range is -1024 to +1023 for example then the output range with the instrument set to 20 V p-p will only be 10 V p-p.
Sync Out Settings with Arbitrary Waveforms
The default setting for sync out when arbitrary waveforms are selected is waveform sync; this is a pulse that starts coincident with the first point of the waveform and is a few points wide.
If a waveform sequence has been selected then sync out defaults to sequence sync; this is a waveform which goes low during the last cycle of the last waveform in a sequence and is high at all other times. When sequence is used in triggered burst mode the burst count is a count of the number of complete sequences.
Waveform Hold in Arbitrary Mode
Arbitrary waveforms can be paused and restarted on any channel by using the front panel MAN HOLD key or a signal applied to the rear panel HOLD IN socket.
On multi-channel instruments the channels which are to be held by the MAN HOLD key or HOLD IN socket must first be enabled using the ARB HOLD INPUT screen, accessed by pressing the HOLD key:
ARB HOLD INPUT:
status: no hold
mode: disabled
Each channel is selected in turn using the channel SETUP keys and set using the mode soft-key; the mode changes between disabled and enabled with alternate
key presses.
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Arbitrary Waveform Generation
Pressing the front panel MAN HOLD key stops the waveform at the current level on all enabled channels; pressing MAN HOLD a second time restarts the waveform from that level. If the ARB HOLD INPUT screen is currently selected the status field will change from no hold to manual hold while the waveform is paused.
A logic low or switch closure at the rear panel HOLD IN socket also stops the waveform at the current level on all enabled channels; a logic high or switch opening restarts the waveform from that level. If the ARB HOLD INPUT screen is currently selected the status field will change from no hold to ext. hold while the waveform is paused.
If, while the waveform is held by either of the above means, the MAN TRIG key is pressed the waveform is reset to its first point; the waveform will restart from this point when MAN HOLD is pressed again or a high is applied to the rear panel HOLD IN socket.
Output Filter Setting 9
Output Filter Setting
The output filter type is automatically chosen by the software to give the best signal quality for the selected waveform. The choice can, however, be overridden by the user and this may be a frequent requirement with arbitrary waveforms.
To change the filter settings, press the FILTER key to call the FILTER SETUP screen:
FILTER SETUP
mode: auto type: 10MHz eliptic
The default mode is auto which means that the software selects the most appropriate filter. With the setting on auto the type can be changed manually but the choice will revert to the automatic selection as soon as any relevant parameter is changed.
To override the automatic choice press the mode soft-key to select manual.
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The four filter choices, which are either automatically selected or set manually with the type soft-key, are as follows:
10 MHz elliptic: The automatic choice up to 10 MHz for
sine, cosine, haversine, havercosine, sin(x)/x and triangle. Would be the better choice for arb waveforms with an essentially sinusoidal content.
16 MHz elliptic: The automatic choice above 10 MHz for sine, cosine, haversine and
havercosine. Not reco
mmended for any other waveforms.
10 MHz Bessel: The automatic choice for positive and negative ramps, arb and
sequence.
No filter: The automatic choice for square ware, pulse and pulse trains. May be
the best choice for arb wavefor
ms with an essentially rectangular
content.
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Pulse and Pulse-trains
Introduction10
Chapter 10
Pulse and Pulse-trains
Introduction........................................................................................................ 10-2
Pulse Set-up ....................................................................................................... 10-2
Pulse-Train Set-up ............................................................................................. 10-4
Waveform Hold in Pulse and Pulse-Train Modes ............................................. 10-6
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Introduction
Pulse Set-up
Pulse and pulse-trains are both selected and set-up from independent menus on the
STANDARD WAVEFORMS screen called by pressing the STD key. Pulse and pulse-
trains have similar timing set-ups and considerations but pulses are always unipolar, with a maximum amplitude of 10 V p-p, whereas pulse-trains can be bipolar, with a maximum amplitude of 20 V p-p.
Pulse waveforms are turned on with the pulse soft-key on the STANDARD WAVEFORMS screen. Pressing the setup… soft-key beside pulse calls the first of the pulse set-up screens:
Enter pulse period: 1
exit next
00·0 us
The pulse period can be set between 100·0 ns and 100 s, with 4-digit resolution, by direct entries from the numeric keypad or by using the rotary control. Pressing the next soft­key calls the pulse width screen:
Enter pulse width: program 5 (actual 50·00 us)
exit next
The width can be entered directly from the numeric keypad or by using the rotary control. Any value in the range 25·00 ns to 99·99 s can be programmed but the actual value may differ because of the considerations discussed below; for this reason the actual pulse width is shown below the program width.
Pressing the next soft-key calls the pulse delay screen:
Enter pulse delay: program 0 (actual 0·000 ns)
exit done
0·00 us
·000 ns
This is very similar to the pulse width screen and, again, the actual delay is shown below the program delay. The delay value that can be entered must be in the range ± (pulse period -1 point); positive values delay the pulse output with respect to waveform
sync from SYNC OUT; negative values cause the pulse to be output before the
waveform sync.
Pressing the done soft-key on this screen returns the display to the STANDARD WAVEFORMS screen.
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Pulse and Pulse-trains
The means by which pulse period is set-up in the hardware requires an understanding because it affects the setting resolution of both pulse width and delay. Pulse is actually a particular form of arbitrary waveform made up of between 4 and 50,000 points; each point has a minimum time of 25.00 ns corresponding to the fastest clock frequency of 40 MHz.
At short pulse periods, i.e. for waveforms with a small number of points, the setting resolution is, however, much better than 25.00 ns because the time-per-point is adjusted as well as the number of points; since the pulse width and delay are also defined in terms of the same point time, varying the time-per-point affects their resolution.
For example, if the period is set to 500 ns, the minimum pulse width, when set to 25.00 ns, will in fact be 25.00 ns; 20 points at 25.00 ns each exactly defines the 500 ns period. However, if the period is set to 499·0 ns, 20 points at the minimum point time of 25.00 ns will be too long so 19 points are used and the point time is adjusted to 26.26 ns (499·0/19); 26.26 ns is now the increment size used when changing the pulse width and delay.
For periods above 1·25 ms the maximum number of points in the waveform (50,000) becomes the factor determining pulse width and delay resolution. For example, with the period set to 100 ms, the smallest pulse width and delay increment is 2 µs (100 ms/50,000). This may appear to cause significant errors at extreme settings (for example, setting 100 ns in the above case will still give an actual width of 2 µs) but in practical terms a 1 in 50,000 resolution (0·002%) is normally acceptable.
Pulse Set-up10
The pulse period can be adjusted irrespective of the pulse width and delay setting (for example it can be set smaller than the programmed pulse width) because, unlike a conventional pulse generator, pulse width and delay are adjusted proportionally as the period is changed. For example, if, from the default pulse settings of 100 µs period and 50 µs width, the period is changed to 60 µs the pulse width actual changes to 30 µs even though the program width is still 50µs. To get a 50µs width with the period at 60 µs the width must be re-entered as 50 µs after the period has been changed.
Period can also be changed from the PULSE PERIOD screen, called by pressing the
FREQ key with pulse mode selected:
PULSE PERIOD 1
The new setting can be entered either as a period in the way already described or as a frequency by first pressing the freq soft-key. However, changing the period or frequency from this screen is slightly different from changing period on the pulse setup screen. When changing from this screen the number of points in the waveform is never changed (just as with a true arb) which means that the shortest period that can be set is the number of waveform points times 25.00 ns. To achieve faster frequencies (up to the specification limit) the period must be changed from the pulse set-up screen; changing the frequency from this screen causes the number of points to be reduced as the period is reduced (for periods less than 1·25 ms).
00·0 us
freq period
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Pulse-Train Set-up
Pulse-trains are turned on with the pulse-train soft key on the STANDARD WAVEFORMS screen; pressing the setup… soft-key beside pulse­train calls the first of the set-up screens:
Enter no of pulses in train (1-10): 2
done next
The number of screens used for the set-up depends on the number of pulses in the pulse­train. The first three screens define the parameters that apply to the whole pattern (number of pulses, overall pulse-train period and baseline voltage). Subsequent screens define the pulse level, width and delay for each pulse in turn (three screens for pulse 1, then three screens for pulse 2, etc.).
Pressing the next soft key on any screen calls the next set-up screen, finally returning the display to the STANDARD WAVEFORMS screen from which pulse-train can be turned on and off.
Pressing the done soft key returns the display directly to the STANDARD WAVEFORMS screen from any set-up screen.
The pulse-train is built only after the next soft key is pressed following the final parameter set-up screen, or whenever done is pressed (always assuming a change has been made).
The first screen, shown above, sets the number of pulses (1-10) in the pattern; enter the number of pulses directly from the numeric keypad or by using the rotary control.
Pressing next calls the pulse train period screen:
Enter pulse train period: 1
done next
The period can be set, with 4-digit resolution, from 100.00 ns to 100 s by direct numeric keypad entries or by using the rotary control.
Pressing next calls the baseline voltage screen, the last of the general set-up screens:
00·0us
Enter the baseline voltage: +0
done next
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·000 V
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Pulse and Pulse-trains
The baseline is the signal level between the end of one pulse and the start of the next, i.e. it is the level at which all pulses start and finish. The baseline can be set between -5·0 V and +5·0 V by direct numeric keypad entries or by using the rotary control.
Note that the actual baseline level at the output will only be as set in this field if the output amplitude is set to maximum (10 V p-p into 50 ) on the AMPLITUDE screen and terminated in 50 . The amplitude control scales the baseline setting, so that if, for example, the amplitude were set to 5 V p-p into 50 then the actual baseline range would be -2·5 V to +2·5 V for set values of -5·0 V to +5·0 V.
Note also that the output levels are doubled when the output is not terminated.
Pressing next on this screen calls the first of 3 screens for the first pulse in the pattern:
Pulse 1 level
+5·000 V
done next
The pulse level can be set on this screen between -5·0 V and +5·0 V by direct numeric keypad entries or by using the rotary control. As with the baseline level described above the set pulse levels are only output if the amplitude setting is set to maximum (10 V p-p into 50 ) on the AMPLITUDE screen and terminated in 50 . Adjusting the amplitude scales both the peak pulse levels and the baseline together, thus keeping the pulse shape in proportion as the amplitude is changed, exactly as for arb waveforms.
Pulse-Train Set-up10
Note also that the output levels are doubled when the output is not terminated.
By pressing the Pulse soft-key on this (and subsequent) screens, the pulse to be edited can be directly selected using the numeric keypad or the rotary control. This is useful for editing a particular pulse in a long pulse train without needing to step through all the earlier pulses.
Pressing next then calls the pulse width screen for the first pulse:
Pulse 1 width program 25·00 us
(actual 25·00 us)
done next
The width can be entered directly from the numeric keypad or by using the rotary control. Any value in the range 25.00 ns to 99·99 s can be programmed but the actual value may differ; for this reason the actual pulse width is shown below the program width. The variation between program and actual will only really be noticeable for very short pulse-train periods (only a few points in the pulse-train) and very long periods (each of the 50,000 points has a long dwell time) for exactly the same reasons as
described in the Pulse Set-up section.
Pressing next calls the pulse delay screen for the first pulse:
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Pulse 1 delay program +0·000 ns
(actual +0·000 ns)
done next
The pulse delay is entered in the same way as the pulse width and, again, the actual delay is shown below the program delay for the same reasons. The delay value that can be entered must be in the range ± (pulse-train period -1 point); positive values delay
the pulse with respect to waveform sync from SYNC OUT; negative values cause the
pulse to be output before the waveform sync.
Pressing next on this screen calls the first of the three screens for setting the parameters of Pulse 2, and so on through all the pulses in the pulse-train. In this way all parameters of all pulses are set. The pulse-train is built when next is pressed on the last screen of the last pulse or when done is pressed on any screen.
You must be careful to ensure that the set widths and delays of the individual pulses are compatible with each other and with the overall pulse-train period. Thus delays must not be such that pulses overlap each other and the delays plus widths must not exceed the pulse-train period; unpredictable results will occur if these rules are not followed.
Once the pulse-train has been defined the period can be adjusted irrespective of the pulse width and delay settings for the individual pulses because, unlike a conventional pulse generator, the individual pulse widths and delays are adjusted proportionally to the period as the period is changed.
Period can also be changed from the PULSE-TRN PERIOD screen called by pressing
the FREQ key with pulse-train mode selected:
PULSE-TRN PERIOD 1
done next
The new setting can be entered either as a period in the way already described, or as a frequency by first pressing the freq soft-key. However, changing the period or frequency from this screen is slightly different from changing the period on the pulse-train setup screen. When changing from this screen the number of points in the waveform is never changed (just as with a true arb) which means that the shortest period that can be set is the number of waveform points times 25.00 ns. To achieve higher frequencies (up to the specification limit) the period must be changed from the pulse set-up screen; changing the frequency from this screen causes the number of points to be reduced as the period is reduced (for periods less than 1·25 ms).
00·0us
Waveform Hold in Pulse and Pulse-Train Modes
Pulse and pulse-train waveforms can be paused and re-started on any channel by using
the front panel MAN HOLD key or a signal applied to the rear panel HOLD IN socket. On multi-channel instruments the channels which are to be held by the MAN HOLD key
or HOLD IN socket must first be enabled using the ARB HOLD INPUT screen, accessed by pressing the HOLD key:
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Pulse and Pulse-trains
ARB HOLD INPUT:
status: no hold
mode: disabled
Each channel is selected in turn using the channel SETUP keys and set using the mode
soft-key. The mode changes between disabled and enabled with alternate key presses.
Pressing the front panel MAN HOLD key stops the waveform at the current level on all enabled channels; pressing MAN HOLD a second time restarts the waveform from that
level. If the ARB HOLD INPUT screen is currently selected the status field will change from no hold to manual hold while the waveform is paused.
A logic low or switch closure at the rear panel HOLD IN socket also stops the waveform
at the current level on all enabled channels; a logic high or switch opening restarts the waveform from that level. If the ARB HOLD INPUT screen is currently selected the status field will change from no hold to ext hold while the waveform is paused.
Waveform Hold in Pulse and Pulse-Train Modes10
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Chapter 11
Modulation
Introduction........................................................................................................ 11-2
External Modulation .......................................................................................... 11-2
External VCA ................................................................................................ 11-2
External SCM ................................................................................................ 11-3
Internal Modulation ........................................................................................... 11-3
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Introduction
You can use both internal and external modulation sources. External modulation can be applied to any or all channels. Internal modulation uses the previous channel as the modulation source; for example channel 2 can be used to modulate channel 3. Clearly, internal modulation is not available on channel 1 or on a single channel instrument.
The external modulation mode can be either VCA (voltage controlled amplitude) or SCM (suppressed carrier modulation). The internal modulation mode can be either true AM (amplitude modulation) or SCM.
Modulation modes share some of the generator’s inter-channel resources with sum modes; as a result there are some restrictions on using modulation and sum together but they are generally outside the range of common-sense applications. To better understand
these constraints the following sections (and chapter 12, Sum) should be read with
reference to the block diagrams in appendix F. These show the control signals in a single channel and the inter-channel connections.
The block diagrams also show the inter-channel trigger connections described in chapter
7, Triggered Burst and Gate; in general, inter-channel triggering is possible
simultaneously with modulation but few combinations are of real use.
External Modulation
Pressing the MODULATION key calls the MODULATION set-up screen:
The source soft-key steps the modulation choice between off, external and CHx where x is the number of the previous channel; this last choice is not available on single channel instruments or on channel 1 of multi-channel instruments.
With ext selected the modulation can be switched between VCA and SCM with alternate presses of the type soft-key. Both types of external modulation can be used with internal or external sum.
External modulation can be applied to any or all channels.
External VCA
Select VCA with the type soft-key on the MODULATION screen. Connect the
modulating signal to the EXT MODULATION socket (nominally 1 k input
impedance). A positive voltage increases the channel output amplitude and a negative voltage decreases the amplitude. Note that clipping will occur if the combination of channel amplitude setting and VCA signal attempts to drive the output above 20 V p-p open-circuit voltage.
MODULATION
source: ext type: VCA
External AM is achieved by setting the channel to the required output level and applying the modulation signal (which can be ac coupled if required) at the appropriate level to obtain the modulation depth required. If the channel output level is changed the amplitude of the modulating signal must also be changed to maintain the same modulation depth.
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Modulation
The VCA signal is applied to the amplifier chain prior to the output attenuators. The amplifier itself is controlled over a limited range (approximately 10 dB); the full amplitude range of the channel is achieved by switching in up to five 10 dB attenuation stages. Peak modulation cannot exceed the maximum of the range within which the channel output has been set by choice of amplitude setting. Whereas with internal AM the generator gives warnings when the combination of modulation depth and amplitude
setting cause waveform clipping (see Internal Modulation below), it is up to the user to
observe the waveforms when using externally-driven VCA and to make adjustments to prevent clipping. Note that it is not possible to give a simple guide as to where the range clipping limits are because the use of dc offset, for example, changes them.
Within each 10 dB attenuator step the maximum output setting of the channel at which clipping is av modulation is increased from 0 to 100 %. 100 % modulation will be achieved at this mid-range setting with an external VCA signal of approximately 1 V p-p. The frequency range for the modulating signal is DC to 100 kHz.
oided is reduced from the range maximum to half this value as the
Internal Modulation11
It is also possible to modulate a dc level from
EXT MOD
Set the generator to external trigger on the TRIGGER IN set-up screen but do not appl
y a trigger signal to the TRIG IN socket; select square in the STANDARD
WAVEFORMS screen. The MAIN OUT socket now provides a constant voltage which is
the peak positive voltage defined by with AMPLITUDE displayed will set the level to the peak negative voltage. T
level can now be modulated by the signal applied to the EXT MODULATION input.
External SCM
Select SCM with the type soft-key on the MODULATION screen. Connect the m
odulating signal to the EXT MODULATION input (nominally 1 k input impedance).
With no signal the carrier i modulation input increases the amplitude of the carrier. Note that clipping will occur if the SCM signal attempts to drive the output above the 20 V p-p open-circuit voltage limit.
Peak modulation, i.e. maximum carrier amplitude (20 V p-p), is achieved with an external SCM level of appr frequency range is DC to 100 kHz.
When external SCM is selected for a channel the am disabled. The AMPLITUDE set-up screen shows the message fixed by SCM.
the generator with a signal applied to the
ULATION socket, as follows:
the current amplitude setting. Pressing the ± key
his DC
s fully suppressed; a positive or negative level change at the
oximately ±1 V, i.e. a 2 V p-p signal. The modulation
plitude control of that channel is
Internal Modulation
Only the multi-channel instruments (models 282 and 284) can make use of internal modulation; the single-channel model 281 has no internal modulation capability.
Pressing the MODULATION key calls the MODULATION set-up screen.
MODULATION
source: Ch3 type: SCM level
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The source soft-key steps the modulation choice between off, external and CHx where x is the number of the previous channel.
With CHx selected the modulation can be switched between AM and SCM with alternate presses of the type soft-key.
When AM is selected the screen has an additional soft-key labeled depth; selecting this key permits the modulation depth to be set directly from the keyboard or by the rotary control.
Warnings are given when either a modulation depth or output amplitude change has caused clipping; the new setting is accepted but one of the two parameters must be changed to eliminate clipping.
When SCM is selected the screen has an additional soft-key labeled level; selecting this key permits the peak carrier output level to be set directly from the keyboard or by the rotary control. The maximum output level that can be set is 10 V p-p.
When internal SCM is selected for a channel both the amplitude control of that channel and of the previous channel (which is the modulation source) are disabled. The
AMPLITUDE set-up screen of the channel being modulated shows the message fixed by SCM. The AMPLITUDE screen of the previous channel shows the message Set by CHx mod. and its status screen shows the message
x to indicate
that it is being used as a source for channel x.
Internal modulation can not be used with internal or external sum.
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Chapter 12
Introduction........................................................................................................ 12-2
External Sum...................................................................................................... 12-2
Internal Sum....................................................................................................... 12-3
Sum
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Introduction
Both internal and external sum can be selected; summing can be used to add noise to a waveform, for example, or to add two signals for DTMF (dual tone multiple frequency) testing.
External sum can be applied to any or all channels. Internal sum uses the previous channel as the source, so that for example channel 2 can be added into channel 3; internal sum is not available on channel 1 or on a single channel instrument.
Summing shares some of the generator’s inter-channel resources with the modulation modes; as a result neither internal nor external sum can be used with internal modulation but external modulation is still possible with sum.
To better understand the constraints, the following sections (and chapter 11, Modulation) should be read with reference to the block diagrams in appendix F. These show the control signals in a single channel and the inter-channel connections.
These diagrams also show the inter-channel trigger connections described in chapter 7, Triggered Burst and Gate; in general, inter-channel triggering is possible simultaneously with summing.
External Sum
In sum mode an external signal applied to the SUM input is summed with the waveform(s) on the specified channel(s). The same sum input signal can be used at different amplitudes with each of the channels with which it is summed.
Pressing the SUM key calls the SUM set-up screen:
Pressing the source soft-key steps the sum sources between off, external and CHx where x is the number of the previous channel.
With ext selected the screen is as shown above. The level of the SUM can be adjusted independently for the selected channel by pressing the ratio soft-key; use the rotary knob or cursor keys to set the SUM input attenuation for that channel from 0 to –50 dB in 10 dB steps. This facility permits the same SUM signal to be used at different levels with each channel.
Clipping will occur if the sum input level attempts to drive the channel amplitude above the maximum 20 V p-p open-circuit voltage. However, the relationship between the SUM input and the maximum summed output depends not only on the sum input level but also on the channel's own amplitude setting. This is because the sum input is applied to the amplifier chain prior to the output attenuators. The amplifier itself is controlled over a limited range (approximately10 dB) and the full amplitude range of the channel is achieved by switching in up to five 10 dB attenuation stages. The summed output cannot exceed the maximum of the range within which the channel output has been set by choice of amplitude setting. Whereas with internal sum the generator gives warnings when the combination of sum input and amplitude would cause waveform clipping (see Internal Sum below), it is the responsibility of the user to observe the waveforms when using external sum and to make adjustments if the waveform is clipped. Note that it is not
SUM source: ext
ratio: 0dB CH2 +2.00 Vpp
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Sum
possible to give a simple guide as to where the range breakpoints are because the use of dc offset, for example, changes these points.
Within each range a SUM signal of approximately 2 V p-p will force the channel output from the range minimum to the range maximum; if the channel amplitude is set to mid­range then the SUM signal needed to force the output to range maximum is halved to approximately 1 V p-p.
To facilitate the setting of appropriate sum and amplitude levels the output amplitude of the selected channel can also be changed from the SUM set-up screen. Press the CHx soft-key and adjust the amplitude with direct keyboard entries or by using the rotary control.
External sum cannot be used with internal modulation.
Internal Sum12
Internal Sum
Only the multi-channel instruments (models 282 and 284) can make use of internal sum; the single-channel model 281 has no internal sum capability.
Pressing the SUM key calls the SUM set-up screen:
SUM source: CH1
ratio: 1.00000 CH2 +2.00 Vpp CH1 +2.00 Vpp
Pressing the source soft-key steps the sum source between off, external and CHx (where x is the number of the previous channel). CHx is the source of the
internal sum signal. With CHx selected for internal sum the screen is as shown above. The amplitude of
both the summing channel, CHx the display, together with the ratio in which they are combined. All three parameters can be selected with the appropriate soft-key and set directly from the keyboard or by using the rotary control. Changing any one parameter will also adjust one of the other two; for example adjusting the amplitude of either channel will cause the displayed ratio to change.
The value shown in the ratio field is the CHx amplitude divided by the CHx amplitude. Adjusting the ratio value directly changes the amplitude of the sum input signal, CHx, not the channel’s output amplitude. When a value is entered into the ratio field it is initially accepted as entered but may then change slightly to reflect the actual ratio achieved with the nearest sum input amplitude that could be set for the given channel output amplitude.
Warnings are given when either a ratio, sum input or output amplitude change is attempted which would cause the channel's output to be driven into clipping.
+1, and the internal sum signal, CHx, are shown in
+1
In general it is recommended that the amplitude of the sum input is smaller than the channel amplitude, i.e. the ratio is less than or equal to 1; ratio values can be set from very small signal levels up to unity. If the sum input is greater than the channel amplitude there will be combinations when the ratio can be set to a little greater than 1. Note that the software will always accept an entry, make the calculation and, if the combination is not possible, return the instrument to its last legitimate setting.
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The amplitude of the channel being used for the internal sum signal can still be adjusted on its own AMPLITUDE set-up screen; its status screen shows the message
x to
indicate that it is being used as a source for channel x. Internal sum cannot be used with internal modulation.
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Chapter 13
Synchronization
Introduction........................................................................................................ 13-2
Inter-Channel Synchronization.......................................................................... 13-2
Synchronizing Principles............................................................................... 13-2
Master-Slave Allocation................................................................................ 13-2
Phase-setting between Channels.................................................................... 13-3
Other Phase-Locking Considerations............................................................ 13-4
Synchronizing Two Generators ......................................................................... 13-5
Synchronizing Principles............................................................................... 13-5
Connections for Synchronization .................................................................. 13-5
Generator Set-ups.......................................................................................... 13-5
Synchronizing................................................................................................ 13-7
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Introduction
Inter-Channel Synchronization
Synchronizing Principles
Two or more channels in one multi-channel generator can be synchronized together and precise phase differences can be set between the channels. Two separate generators can also be synchronized, giving a maximum of 8 channels that can be operated synchronously.
This section covers the use of a multi-channel instrument to produce two or more synchronous signals, and certain restrictions which apply to some specific waveform and frequency combinations.
Frequency locking is achieved by using the clock output from a master channel to drive the clock inputs of one or more slave channels. Any one channel can be the master and any or all the others can be slaves; master, slaves and independent channels can be mixed on the same instrument.
When frequency locking is switched on, an internal lock signal from the CPU locks the channels at the specified inter-channel phase and re-locks them automatically every time the frequency is changed. The clock and internal lock signals are shown in the Inter- Channel Block Diagram in appendix F. Channels to be locked together must all be operated in continuous mode.
For DDS-generated waveforms (refer to Principles of Operation in chapter 4) it is the
27.4878 MHz signal that is distributed from the master to the slaves, and channels can in principle be frequency-locked with any frequency combination. However, the number of cycles between the phase-referenced points will be excessively large unless the ratio is a small rational number; for example a 2 kHz signal could be locked usefully with 10 kHz, 50 kHz, 100 kHz, etc., but not with 2.001 kHz.
For clock synthesized waveforms it is the PLL clock of the master which is distributed from master to slaves; the clock frequency for master and slaves is therefore always the same. The number of points comprising the waveforms should also be the same to ensure that the waveforms themselves appear locked.
From the foregoing it is clear that only DDS slaves can be locked to a DDS master and only clock synthesized slaves can be locked to a clock synthesized master. In practice the constraints described are not severe as the most common use of synchronization is to provide outputs of the same waveform at the same frequency, or a harmonic of it, often with controlled phase offsets.
Master-Slave Allocation
Press the front panel INTER CHannel key to call up the inter-channel set-up screen.
mode: indep phase: +000.0º
(actual: +000.0º
status: off view
The mode soft-key can be used to select between independent, master, master/freq and slave; the default mode is independent. Only one
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Synchronization
master can be set. (More than one master can be selected but when locking is turned on with the status soft-key the set-up will be rejected.) Master/freq selects the master and sets frequency-tracking; for this to be operational the master and slave(s) must be set to the same frequency when locking is turned on. In this mode, when the frequency of the master is changed the frequency of the slaves also changes and the slaves are re­locked to the master.
Master/freq is the default mode when the waveforms are clock synthesized (arbs, pulses, etc); if master has been set instead the mode will automatically change to master/freq when locking is turned on. The frequency of clock synthesized waveform slaves always therefore tracks the master. Finally, slave selects those channel(s) which are to be locked to the master.
At any time, pressing the view soft-key gives a graphical view of the master-slave set­up, for example:
Inter-Channel Synchronization13
CH indep - - ­master slave -
Channel locking is turned on or off with the status soft-key. Any illegal setting combinations will result in an error message when an attempt is made to turn status on. Any of the following conditions will cause an error (see also Synchronizing Principles above for a discussion of the set-up constraints):
1. More than one master channel is enabled.
2. No master channel is enabled.
3. The locked channels contain a mixture of DDS and PLL generated waveforms.
4. Frequency tracking is enabled (mode: master/freq) but the frequencies are not the same on all channels. If PLL waveforms are locked the mode will be forced to frequency tracking.
5. A locked channel is not set to continuous mode.
6. An attempt is made to turn on phase lock with a frequency set too high. Note that the maximum frequency for phase-locked DDS operation is 10MHz.
7. An attempt is made to set the frequency too high during phase lock. This error does not set phase lock to off, the system simply inhibits the setting of the incorrect frequency.
1 2 3 4
- - -
- exit
In addition to the illegal setting combinations there are further considerations which affect the phase resolution and accuracy between channels; see below.
Phase-setting between Channels
The inter-channel set-up screen also has a field for setting up the phase of the slaves with respect to the master:
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mode: indep phase: +000.0º
(actual: +000.0º
status: off view
Selecting the phase soft-key allows the phase to be set by direct keyboard entry or by rotary control. Setting the phase of a slave positive advances the waveform of the slave with respect to the master; setting it negative delays the slave with respect to the master.
The phase of each slave channel can be set independently. The phase of the master can also be set, although this function is intended primarily for use in phase-locking between two generators. If both the master and the slaves are set to +90 °, say, on the same generator then the waveforms will all be in phase again; if the master is set to +90 ° and the slaves set to -90 ° the master and slave waveforms will be 180 ° out of phase.
DDS-generated waveforms can be phase-locked with 0.1 ° resolution up to their maximum available frequency; sine, cosine, haversine and havercosine are limited to 10 MHz in phase-locked mode.
The phase-locking resolution of arbitrary waveforms will be less than 0.1 ° for waveforms of less than 3600 points. The phase is fixed at 0 ° for pulses, pulse-trains and sequences.
Below is a summary of the phase control and frequency range for different waveforms.
Waveform Max waveform
frequency
Sine, cosine, haversine, havercosine
10 MHz Square 16 MHz 0° only Triangle 100 kHz ± 360°, 0.1° Ramp 100 kHz ± 360°, 0.1° Sin(x)/x 100 kHz ± 360°, 0.1° Pulse & Pulse Train 10 MHz ± 360°, 360° ÷ length or 0.1° Arbitrary 40 MS/s clock ± 360°, 360° ÷ length or 0.1° Sequence 40 MS/s clock 0° only
When phase-locking is turned on with the status soft-key the slaves are re-locked automatically after every phase or frequency setting change.
Further considerations are listed below.
Other Phase-Locking Considerations
The Master-Slave Allocation and Phase Setting between Channels sections contain tables of specific limitations on the selection of frequency, waveform type and phase-setting range and resolution. The following four points should also be considered.
Phase control
range, resolution
± 360°, 0.1°
1. The waveform filters introduce a frequency-dependent delay above about 1 MHz; this will affect the accuracy of the phase between locked waveforms at different frequencies.
2. Square waves, which are 2-point clock synthesized waveforms, will not reliably lock to other clock synthesized waveforms.
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Synchronization
3. Pulse and pulse train waveforms will lock to other pulse and pulse-trains (and to each other) but should be built with equal periods.
Synchronizing Two Generators13
4. Arb waveforms should be the same length (althou and violations do not create error messages).
Synchronizing Two Generators
This section covers the use of two generators to produce two or more synchronous signals. It is possible to link more than two generators in this way but the results are not guaranteed.
Synchronizing Principles
Frequency locking is achieved by using the clock output from the master generator to drive the clock inputs of a signal permits the slave to be synchronized such that the phase relat master and slave outputs is that specified on the slave generator’s inter-channel set-up screen.
Synchronization is only possible between generators when the ratio of the m slave frequencies is rational, e.g. 3 kHz can be synchronized with 2 kHz but not with 7 kHz.
Special considerations arise with waveforms generated b wave, arbitrary, pulse, pulse-train and sequence) because of the relatively poor precision with which the frequency is actually derived in the hardware. With these waveforms, frequencies with an apparently rational relationship (e.g. 3:1) may be individually synthesized such that the ratio is not close enough to e.g. 3:1 to maintain phase lock over a period of time; the only relationships guaranteed to be realized precisely are 2 because the division stages in clock synthesis mode are binary.
slave. The additional connection of an initializing SYNC
gh this requirement is not forced
ionship between
aster and
y clock synthesis mode (square
n
:1
A further complication arises with arb waveforms because waveform frequency depends on b
oth waveform size and clock frequency (waveform frequency = clock frequency divided by waveform size). The important relationship with arbs is the ratio of clock frequencies and the above considerations on precision apply to them. The most practical use of synchronization will be to provide outputs at the same frequency, or maybe harmonics, but with phase differences.
Connections for Synchronization
The clock connection arrangement is for the rear panel REF CLOCK IN/OUT of the
er, which will be set to phase lock master, to be connected directly to the
mast
REF CL
Similarly the synchronizing connection is from any SYNC OUT of the master (which all default to phase lock) to the TRIG IN socket of the slave.
Generator Set-ups
Each generator can have its main parameters set to any values, with the exception that the ratio of frequencies between master and generator can be set to any waveform (but see the section on Synchronizing Principles above). Best results will be achieved if the constraints forced on inter-channel synchronization are adopted for inter-generator synchronization.
The master has its CLOCK IN/OUT set to phase lock master on the REF. CLOCK I/O SETUP menu called by the ref. clock i/o soft-key on the
OCK IN/OUT socket of the slave, which will be set to phase lock slave.
slave must obey the rules above; and each
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281, 282, 284
Users Manual
UTILITY screen. Refer to chapter 14, System Operations from the Utility Menu for additional information.
REF CLOCK I/O SETUP
input output phase lock slave
Repeated presses of the phase lock soft-key toggle between master and slave.
The slave is set to slave. Setting the slave generator to phase lock slave forces the slave’s mode to continuous and defaults all the SYNC OUT outputs to phase lock. Only one of the SYNC OUTs is needed for inter-generator synchronization; the others may be reset to other functions if required. The phase relationship between the slave and the master is set on the inter-channel set-up screen of the slave, accessed by pressing the INTER CHannel key.
mode: indep phase: +000.0º
(actual: +000.0º
status: off view
The phase of the slave generator is set by adjusting the phase of the master channel on the slave generator’s inter-channel set-up screen exactly as described above for phase setting between the channels of a multi-channel instrument. The same section also covers the set­up for the phase(s) of the slave channel(s) on the slave generator.
When a single-channel generator (which has no inter-channel set-up key or screen) is the slave, its phase is set using the TRIGGER/GATE SETUP screen. The Trigger Phase section of the Triggered Burst and Gate chapter covers this process.
The convention adopted for the phase relationship between generators is the same as that used between channels, i.e. a positive phase setting advances the slave generator with respect to the master and a negative setting delays the slave generator. The status of the slave generator on the inter-channel set-up screen must be set to on (this is automatic on a single channel instrument).
Hardware delays become increasingly significant as frequency increases causing additional phase delay between the master and slaves. However, these delays can be largely nulled-out by backing off the phase settings of the slaves.
Typically these hardware delays are as follows: DDS waveforms: <± 25 ns <1° to 100 kHz Clock Synthesized waveforms: <300 ns <1° to 10 kHz. Clearly a multi-channel generator gives much closer inter-channel phase-locking and is
the recommended method for up to 4 channels.
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Synchronization
Synchronizing
Having made the connections and set up the generators as describ paragraphs, synchronization is achieved by pressing the MAN TRIG key of the slave. Once sy
MAN T
RIG key again.
nchronized any change to the set-up will require resynchronization with the
Synchronizing Two Generators13
ed in the preceding
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