Introduction
Features and Functionality at a Glance
Contents
Front Panel Features:
Input; Channel 1 - Clean & Channel 2 - Crunch Control Features
Power Amp section: P.T.M. Display, Presence, Depth Punch
Channel 3 - Lead (3) & Channel 4 - Lead (4) Control Features
Middle-boosted (button), Channel selection
Power Amp section: Master A/B
Stand By, Power
Rear Panel Features:
Mains, Mains Fuse
S.A.C. Port for Z-9, Footswitch Ports
Noise Gate: Threshold Level
FX Loop: Send, Return, and Balance
Poweramp Output 4, 8, 16 Ohms
Poweramp Output: speaker options
page
4
5
6
6 - 8
8, 9
9 - 11
11, 12
12, 13
13
14
14, 15
16
17
17
18
:
Handling and Care
Troubleshooting
Technical Data,
Tube Map, Tube Exchange Service
Remote Control Options
Wiring of Principal Connectors
Front Panel Diagrams for Noting Settings
Configuration table for Z-9 settings
Detailed Specifications and Ratings
18, 19
19, 20
21
22
23
23
24, 25
26
CAUTION! Please read and heed the following:
You'll find an ancillary pamphlet accompanying this owner's manual entitled
Instructions for the Prevention of Fire, Electrical Shock and Injury. Be sure to read it
before you plug in and power up the amp!
Technical specifications are subject to change without notice.
Note:
3
Congratulations, ENGL Amp user to your new Powerball-2 amplifier!
The second generation of the approved and extremely popular, 4-channel, all-tube
powered amp head appears in an absolutely ingenious revised model; the successor is
loaded with some additional, very meaningful features for guitarists: in addition to an
optical facelift the new amp model is equipped with four gain control knobs making
individual sensitivity adjustment and precise saturation tuning in the preamp section a
piece of cake!
Designed to satisfy the exacting demands of discerning players, it delivers all the tonal
hues and colors you need to paint the most vivid musical pictures imaginable. Housed
inside this newly designed enclosure is a powerhouse 100-watt amp boasting 6L6GC
tubes. It delivers the sonic goods you need to dial in everything from contemporary
ultra-high gain lead tone to crystal-clear clean and punchy crunch sounds. An
astonishing amount of gain reserves, remarkable tonal versatility, and bone-rattling
bottom end have crowned the Powerball king of the heap among modern-day guitar
amps.
Courtesy of its ability to crank out tight, focused low end, glossy top end and jawdropping sound pressure levels, this amp provides the contemporary guitarist with
richly detailed tone and the kind of cut-thru-the-din assertiveness that sets standards
for amps of this class. And in keeping with the ENGL tradition of engineering
excellence, it sports a host of hip features: a second master volume (),
electronic power amp monitoring (P.T.M.), a switchable and adjustable FX Loop, and a
Depth Punch knob that shapes the power amp's response by beefing up the low end.
But that's not the last word on this ENGL head's innovative features: you also get two
different mid sound voicings, via the middle-boosted feature. We created these
voicings to extend the range of lead sounds you have at your disposal by tweaking
mid-range response to suit different playing styles and applications.
There are few more handy features to rave about: This amp sports our Serial Amp
Control Port, or S.A.C. Port for short.
Plug an ENGL Z-9 Custom Foot Controller into to it and get hip to some very convenient
remote control options. This footboard lets you activate the four channels directly in
combination with Master A/B switching simply by tapping its four footswitches. And
that affords you instant access to four sound variations at two different volume levels
each. Moreover you can access furtherprominent features likeand
Loop off/on
footswitch in the new amp version too.
In addition, the amp comes with three stereo jacks designed to accept dual
footswitches like the ENGL Z-4 or a MIDI switching system (e.g. ENGL Z-11) for
selecting the channels and other crucial Amp features.
Old world craftsmanship and highest quality components are part of what makes
ENGL amps so special, and the Powerball is no exception. On that note, please read
and heed the guidelines on handling all-tube amps. The ENGL team is convinced that
this amp will delight and inspire you.
; the build in Noise Gate affecting both Lead channels is switchable via
2.andwith four channels
and different midrange voicings. Channel 3 and 4 feature the separate mid
control "Mid-boosted" for a precise sound tuning of lead sounds.
A broad tonal palette urgically precise sound-sculpting functions
3. : sare at your
fingertips, and a tap of your foot on the conveniently compact footboard.
This gives you very.
Four first-rate fundamental sounds in glorious all-tube tone:
4.
takes you from clean to a touch of mean.adds some grit to
the mill forwith a healthy helping of preamp overdrive.
Channel 3,takes you very deep into the saturation zone with
plenty of headroom
gain potential for creamy, singing lead tonemassive powerchords
5. Even morecourtesy of diverse sound shaping features:
BrightBottomCleanCrunch
for.
6. Anthat will give you years of
playing pleasurevalue to boot
;
powerful remote control options
sweet crunch tones
Lead (3)
to spare.offers an immense range of
tone-tweaking power
andforandand a separatesound feature
each Lead channel
ultra-advanced, tone-generating machine
and.
Channel 4,
ease of useremarkably intuitive
Clean
Channel 2,
Lead (4)
or.
Crunch
Bottom
Channel 1,
Features and Functionality at a Glance
Four channels
->:with
separate Gain and Volume knobs.
Two voicing sections specially tuned for each channel
->: One three-band EQ
for Clean and Crunch modes and one three-band EQ
control pot
Two controlsanda very special feature that lets
you tweak the high-end response in both Clean and Crunch modes individually.
Four sound switching options in the preamp section:
->and
assigned toand; onebutton assigned to
and anotherbutton assigned to.
Switchable and adjustable
->. You can control the remotely via
a footswitch and use this circuit as a hardware bypass for connected FX.
->and.EQ-system in the poweramp circuit: PresenceDepth Punch
Two power amp Master knobs
->. You can footswitch these knobs to activate
two different power amp volume settings on the fly without twisting a knob.
The optional Z-9 Custom Footswitch
->. It lets you select channels directly and
control two additional (sound-shaping) features of your choice. Three ¼” stereo
jack plugs accept three dual footswitches that let you control remotely the four
channels,,, , and.
A Noise Gate for the two Lead Channels.
->Activate it at the amp or via
footswitch to suppress excessive noise at very high gain settings.
forand.
Treble-CleanTreble-Crunch:
CleanCrunchBottomLead (3)
BottomLead (4)
Middle-boosted Master A/B FX LoopNoise Gate
,,and, each channelClean Crunch Lead (3)Lead (4)
Lead (Lead (4)
3)
FX Loop
plus the "
BrightBottom
Middle-boosted"
FX Loop
5
Among the hallmarks of this fine amp are painstaking workmanship and finishing as
well as rigorously tested and carefully selected quality components. You'll find
guidelines on care and maintenance of tube amps on page 18 and 19. Under the
heading Tips from the designer, you'll come across practical tips on the
aforementioned features throughout the manual. All critical information concerning
the operation of this amp is preceded by "NOTE", "CAUTION", "Read and heed" or some
other eye-catching comment. We're calling your attention to these remarks for
reasons of safety or other compelling motives, so please give them due consideration.
Everyone at ENGL is confident that the
versatilityoutstanding featuresSimply plug in, play and
be inspired by the tone of your great ENGL Amp!
A few words of wisdom from the designer:
Though this amplifier is relatively easy to handle and you're probably raring to give it a
go, I recommend that you read the owner's manual thoroughly before you power it
up. It is equipped with several safety features that require further explanation to
prevent malfunctions.
andare sure to delight you:
Powerball-2 tube amp's extraordinary
Contents:
1. ENGL Powerball-2 Tube Amp Head type E645-2;
2. mains cord;
3. this manual;
4. a leaflet presenting diverse sound setting samples;
5. a pamphlet entitled
Electrical Shock and Injury
Instructions for the Prevention of Fire,
.
Front Panel Features
At the back of the manual,diagrams of the front and rear
panels. As you'rethe descriptions of the amp's features, you'll gain a better
understanding of the topic of discussion if you unfold and refer to them as we go!
1 Input
¼" unbalanced input jack. Plug your guitar in here using a shielded cord.
A tip from the designer:
Depending on the type of cord and its shielding, you may occasionally encounter
interference from sources such as radio stations or powerful magnetic fields. When
this occurs, try connecting your guitar to the amp using different cords. What's more,
to minimize signal degradation due to high-frequency loss, use the shortest cords
feasible (as a rule, the shorter the cord, the less susceptible it is to high-frequency
attenuation).
2 Clean Gain-1
Gain control for the
Clean channel is active.
reading
Channel 1,. This knob determines input sensitivity when the
you'll find fold-out
Clean
6
A tip from the designer:
In Clean mode, single-coil pickups may begin saturating the preamp when the knob is
set to approximately the two o'clock position. Pickups with very high output levels
(humbuckers or active pickups) will evoke mild overdrive at even lower settings. If you
want squeaky clean tone (a pure guitar tone without preamp distortion, that is),
simply back off the Gain control knob accordingly.
3 Crunch Gain-2
Gain control for the
the Crunch channel is active; use it to dial in the desired amount of preamp distortion.
A tip from the designer:
The amount of distortion depends on your guitar's pickups. If your guitar sports singlecoils and you want to add some grit to your tone and bite to your riffs, set the knob
somewhere between 10 and 2 o'clock. For higher output pickups such as humbucking
or active jobs, dial in settings between 9 and 1 o'clock. For an even bigger, beefier
crunch tone, try Crunch Gain settings well beyond the 2 o'clock position.
CAUTION:
Avoid feedback squeals; they can lead to hearing loss and damage speakers! At higher
volumes, back off the Gain and Treble levels in order to prevent unchecked feedback!
4 Bright
This feature boosts the upper end of the high frequency range for Channel 1 and
Channel 2 (or Clean and Crunch modes, if you prefer). Its intensity decreases as gain
settings increase.
A tip from the designer:
For a crisp or glassy tone, activate the Bright boost. It brightens the sound of
humbucking or muddy pickups.affects both channelsand. Use it
to tweak the amp's tone to taste, activating it to boost top-end frequencies or
deactivating it to dampen high end response.
Extremely high gain and volume levels can produce powerful feedback.
Channel 2,. This knob determines input sensitivity when
Crunch
BrightCleanCrunch
5 Bottom
Alters the EQ by boosting the low end range; the Bottom feature affects Channel 1
and Channel 2 (&).
A tip from the designer:
If you want to ladle an extra helping of bottom-end oomph on crunch sounds, I
recommend that you activate the Lo End Punch button. At very high Gain knob
settings (> 3 o'clock) and with high output pickups, your best bet is to deactivate this
button for a more focused, crisper tone.
6 Bass
This is the preamp voicing section's passive low-frequency EQ for
Channel 2 (Clean and Crunch modes).
7 Middle
This is the preamp voicing section's passive midrange frequency EQ
Channel 2 (Clean and Crunch modes).
CleanCrunch
Channel 1 and
for Channel 1 and
7
8 Treble-Clean
This is the preamp voicing section's passive high-frequency EQ
mode).
9 Treble-Crunch
This is the preamp voicing section's passive high-frequency EQ
mode).
A tip from the designer:
To help you get acquainted with the amp's fundamental sounds, I recommend that
you set all tone controls to the center or 12 o'clock position. For higher-gain Crunch
sounds, your best bet is to turn the respective Treble knob (9) well down to prevent the
pickups and speakers from interacting at hi levels and generating feedback (the
recommended setting is somewhere in the 10 to 1 o'clock range).
Bear in mind that you also have the Bright (4) button and the Presence (16) control
knob at your disposal for shaping the high frequency range.
The Clean and Crunch channels are equipped with dedicated Treble knobs (8 & 9). This
means that you can tweak the top end of each of the two channels separately to suit
your taste and the given sonic scenario. You will find that grittier tones generally
sound better with a touch less treble because preamp saturation makes higher
frequencies figure more prominently in the signal.
10 Clean Volume-1
Determines the level of Channel 1 (Clean mode). Twist this knob to adjust Channel 1's
volume and dial in the desired balance of levels with Channel 2, 3 and 4. Because this
volume control is located pre effects loop, it also determines the effects send level for
Channel 1. The green LED to the right of the knob lights up to indicate Channel 1 is on.
for Channel 1 (Clean
for Channel 2 (Crunch
11 Crunch Volume-2
Determines the level of Channel 2 (Crunchmode). Twist this knobto adjust Channel 2's
volume and dial in the desired balance of levels with Channel 1, 3 and 4. Because this
volume control is located pre effects loop, it also determines the effects send level for
Channel 2. The yellow LED to the right of the knob lights up to indicate Channel 2 is on.
12 Power Tube Monitor V1
This LED lights up when the current flowing through the V1 power amp tube was too
high and the power tube monitor system has switched that tube off.
To learn more about this crucial protection feature, read the paragraph that follows
section 15. See the tube layout chart on page 22 to locate V1's position on the amp
chassis.
13PowerTubeMonitorV2
This LED lights up when the current flowing through the V2 power amp tube was too
high and the power tube monitor system has switched that tube off.
To learn more about this crucial protection feature, read the paragraph that follows
section 15. See the tube layout chart on page 22 to locate V2's position on the amp
chassis.
8
14PowerTubeMonitorV3
This LED lights up when the current flowing through the V3 power amp tube was too
high and the power tube monitor system has switched that tube off.
To learn more about this crucial protection feature,read the paragraph that follows
section 15. See the tube layout chart on page 22 to locate V3's position on the amp
chassis.
15PowerTubeMonitorV4
This LED lights up when the current flowing through the V4 power amp tube was too
high and the power tube monitor system has switched that tube off.
The next paragraph provides details on this crucial protection feature. See the tube
layout chart on page 22 to locate V4's position on the amp chassis.
The electronic power amp monitoring system constantly gauges the current flowing
through each power amp tube. If it rises to too high a level the system shuts down the
given tube.
This can occur when the amp is operated incorrectly (for example, if the impedance is
wrong due to an incorrect speaker load; see page 18 for permissible loads), at extreme
power spikes, or when a tube is defective.
Reset this electronic monitoring system by switching the standby switch off and on
again. When you press the standby switch to turn the amp on again, the system again
measures the current sent to the tube. If it is still too high, the power amp must be
checked by a service technician, and the tube may have to be replaced if it is defective.
IMPORTANT, PLEASE NOTE: do not flip the Stand By switch off and on in short time
intervals if a P.T.M. LED (12, 13, 14, 15) indicates a tube failure. Let a few minutes
pass by before you engage the poweramp again after you have switched it off!
16 Presence
This power amp voicing knob's setting determines the amount of high-end frequencies
and affects all four channels.
17DepthPunch
This power amp voicing knob's setting determines the amount of lo-end frequencies
and affects all four channels.
18 LeadGain-3
Gain control for the Channel 3,. This Control knob determines input sensitivity
when Channel 3 is active. Use it to dial in the desired amount of preamp saturation
level.
A tip from the designer:
The two Lead channels offers distinctive tonal characteristics; thus they are suited for
different playing styles and techniques. The leaflet “Sound setting samples" illustrates
several application examples.
CAUTION:
feedback. Avoid feedback squeals; they can lead to hearing loss and damage
Extremely high gain and volume levels in Lead mode can produce powerful
Lead (3)
9
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