Emotiva XMC-1 User Manual
XMC-1
7.2 Channel AV Preamp Processor
Important Safety Precautions and Explanation of Symbols
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important
installation, operation, and service instructions in this manual.
!
The lightning ash with arrowhead symbol within an equilateral triangle is intended to alert the user to the
presence of uninsulated dangerous voltages within the enclosure that may be of sucient magnitude to
constitute a risk of electrical shock to the user.
Please read this manual thoroughly before attempting to install, congure, or operate the Emotiva
XMC-1. After successful installation and conguration of the XMC-1, be sure to retain this manual in a safe
place for future reference.
Safety is a key component of a long lasting and trouble free installation. Please read and follow all
instructions and heed all warnings on the XMC-1 and in this manual. The vast majority of the subsequent
safety precautions are common sense. If you are not comfortable with the installation of audio/video
entertainment equipment, you should seek the services of a qualied installation professional or call us for
help.
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT USE THE XMC1 NEAR WATER
OR IN WET LOCATIONS, DO NOT EXPOSE IT TO RAIN OR MOISTURE, DO NOT EXPOSE IT TO DRIPPING
!
OR SPLASHING FROM OTHER SOURCES, AND ENSURE THAT NO OBJECTS FILLED WITH LIQUIDS SUCH
AS VASES ARE PLACED ON IT. DOING SO MAY RESULT IN DAMAGE TO THE XMC1 AND THE RISK OF
ELECTRIC SHOCK, WHICH MAY RESULT IN BODILY INJURY OR DEATH.
WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE THE COVER FROM THE
XMC1. THERE ARE NO USERSERVICEABLE PARTS INSIDE THE XMC1. REFER ALL SERVICE TO
QUALIFIED SERVICE PERSONNEL.
Do not install the XMC-1 near or above any heat sources such as radiators, heating vents, or other apparatus’
that produce heat. Do not block any ventilation openings or heat sinks. Avoid installing the XMC-1 directly
above other heat-producing equipment unless sucient ventilation or forced-air cooling is provided.
Do not install the XMC-1 in locations without proper ventilation. The XMC-1 should not be operated on a bed,
sofa, rug, or similar surface that may block vents. The XMC-1 should not be installed in an enclosed location
such as a bookcase, cabinet, or closed equipment rack unless sucient forced-air ventilation is provided.
Always install your XMC-1 according to the manufacturer’s instructions and only use attachments or
accessories specied by the manufacturer.
Do not install the XMC-1 on any stand, shelf, or other piece of furniture that is unable to support its weight. If
a cart is used to move the XMC-1, use caution to avoid injury from tip-over.
Connect the XMC-1 only to power sources of the correct voltage (as shown in this manual and on the XMC-1).
Protect power supply cables from being pinched, walked on, or otherwise damaged. Be especially careful
where the power cable enters the power outlet and the XMC-1 unit.
Only connect the XMC-1 to an electrical outlet or extension cord of appropriate type and rating.
DO NOT defeat the safety purpose of a grounding or polarized plug by removing ground pins or using unsafe
adapters. A polarized plug has two blades - one wider than the other. A grounding plug has a third ground
prong in addition to the two main conductors. The wide blade or third grounding prong is provided for your
safety. If the provided plug does not t your outlet, consult an electrician to replace your obsolete outlet. If
you replace the power cord on the XMC-1, only use one of similar type and equal or greater current rating.
The power cable for the XMC-1 should be unplugged from the outlet during severe electrical storms, or when
unused for a long period of time.
Only replace the fuses in the XMC-1 with fuses of proper value and voltage rating.
The XMC-1 should only be cleaned as directed in the manual. Avoid spraying liquids directly onto the XMC-1
and NEVER spray liquids into the vents. Care should be taken so that small objects do not fall into the inside
of the XMC-1.
You should seek service for your XMC-1 by qualied service personnel if any of the following occur:
!
1. The power-supply cord or the plug has been damaged.
2. Objects or liquid have fallen or spilled into the vents.
3. The XMC-1 has been exposed to rain.
4. The XMC-1 exhibits a marked change in performance.
5. The XMC-1 has been dropped, or its enclosure or chassis is damaged.
NOTE: TO COMPLETELY DISCONNECT THE XMC-1 FROM THE AC POWER MAINS, DISCONNECT THE
AC POWER CORD FROM THE AC RECEPTACLE.
NOTE: THE XMC-1 AC POWER CORD MUST REMAIN READILY ACCESSIBLE AT ALL TIMES.
CAUTION
CAUTION: TO REDUCE THE RISK
OF ELECTRICAL SHOCK, DO
NOT REMOVE COVER. NO USER
SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
Electric service
equipment
Ground clamps
NEC - National Electrical Code
Ground clamp
Antenna lead-in wire
Antenna discharge unit
(NEC section 810-20)
Grounding conductors
(NEC section 810-20)
Power service grounding
electrode system
(NEC art 250, part H)
FCC Interference Statement
Note: This equipment has been tested and found to comply with the limits for a Class B digital
device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable
protection against harmful interference in a residential installation. This equipment generates,
uses and can radiate radio frequency energy and, if not installed and used in accordance with
the instructions, may cause harmful interference to radio communications. However, there is no
guarantee that the interference will not occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception, which can be determined by turning
the equipment o and on, the user is encouraged to try to correct the interference by one or
more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment to an outlet on a circuit dierent from that of the receiver.
Consult the manufacturer or an experienced radio/TV technician for help.
For questions regarding service, please contact:
Emotiva Audio Corporation
Attn: Repair Department
139 Southeast Parkway Court
Franklin, TN 37064
1-877-366-8324
www.emotiva.com
Emotiva XMC-1
ENTER
7.2 Channel AV
Preamp/Processor
Contents
Important Safety Precautions and Explanation of Symbols
FCC Interference Statement
Introduction .......................................................................................................................2
About This Manual ........................................................................................................... 3
Unpacking ...........................................................................................................................4
Welcome to the XMC-1 ..................................................................................................5
Dntia Refence Medi Controer
TUNER 1 2 3 4 5 6 7 8
------------------------------------------ INPUTS ------------------------------------------
MENU DIM AUDIO INFO
STANDBY
VOLUME
XMC-1
G E N 2
Specications ..................................................................................................................... 8
Operating the XMC-1 ................................................................................................... 12
The XMC-1 Menu System ........................................................................................... 27
Connecting the XMC-1 ................................................................................................ 63
Care and Maintenance ................................................................................................ 85
Troubleshooting ............................................................................................................ 93
Appendices ...................................................................................................................... 96
Emotiva Audio Corporation Limited Warranty .................................................100
Notes ................................................................................................................................ 103
Page 1
Introduction
Introduction
Thank you for choosing the new Emotiva XMC-1 7.2 Channel AV Preamp/Processor. The XMC-1 is
the culmination of years of research and design, and truly represents the current state-of-the-art
in surround sound processors.
The XMC-1 is based on an all new, custom designed hardware platform that delivers cutting edge
video performance and true audiophile calibre sound quality. Powerful DSP processors decode
the latest surround sound formats; high-quality DACs deliver superb quality audio to a highly
optimized balanced analog signal path; and interstage hardware-based ASRCs (asynchronous
sample rate converters) ensure immunity from the jitter that plagues other processors. Our
elegant control system is sophisticated, yet user friendly, and allows full control of the XMC-1
from the front panel, the included all-metal remote, or by a remote control application on your
computer or smart phone. Firmware updates are also easy; and run from a simple USB stick.
While some pre/pros give you a simplied automatic room correction system, or a manual
equalizer, the XMC-1 oers a full set of powerful controls that let you get the absolute best from
your room and speakers. Dirac Live™ provides the best automatic room correction available today;
powerful parametric equalizers are available for audiophiles who prefer to manually dial-in their
own corrections; the XMC-1 can import lter settings directly from Room Equalization Wizard;
and, for those who prefer them, we’ve included real tone controls - with variable bass and treble
turnover frequencies. The tone controls allow you to ne tune how your system sounds, even if
you’re already using another room correction method.
The XMC-1 also includes a full palette of video features including 8 HDMI 1.4b inputs and 2 HDMI
outputs - with fast, powerful, glitch free video switching and full support for 4k / 60 Hz and 3D.
The XMC-1’s advanced Video on Standby feature not only lets you watch video directly when the
XMC-1 is in Standby mode; you can even change video inputs from Standby mode; and the
concise, easy to read, on-screen menu system displays over live video - even 3D video.
Enjoy.
The Emotiva Team
Page 2
About This Manual
About This Manual
This manual will provide you with all the information you need to install and congure the
XMC-1 to achieve its optimum potential.
You may wish to record serial numbers or other purchase information on the Notes page at the
back of this manual.
Page 3
Unpacking
Unpacking
Your XMC-1 was carefully packed and should reach you in perfect condition. If you notice any
shipping damage or other issues when you unpack it, please contact Emotiva immediately.
Gently remove your XMC-1 from the packing carton and remove all wrappings and shipping
material.
It is important to save the box and all packing materials in case your processor ever needs to be
moved or shipped back to the factory for service.
We truly value customer feedback and would like to hear from you.
What’s In The Box
Manual
Remote Control
Microphone
Preamp/Digitizer
Microphone
XMC-1
Accessory Box
Accessory Box 1
Contents
Microphone Stand
FM Antenna
Trigger Cable
AM Antenna Stand
Accessory Box 2
Contents
AM Antenna
Accessory Box
Page 4
AC Power Cord
Remote Control Batteries
(2 x “n” cells)
Welcome to the XMC-1
Welcome to the XMC-1
ENTER
Dntia Refence Medi Controer
TUNER 1 2 3 4 5 6 7 8
------------------------------------------ INPUTS ------------------------------------------
MENU DIM AUDIO INFO
STANDBY
VOLUME
XMC-1
G E N 2
The Emotiva XMC- 1 combines cutting edge features and exibility, true audiophile sound quality,
superior video switching capabilities, and a comprehensive, yet easy to use menu and control
system - in a single A/V preamp/processor that will truly redene everything you know about
home theater. Even better, the XMC-1 is designed and manufactured by Emotiva in the United
States of America...
Audiophile Sound Quality
The XMC-1 combines the latest audio processing modes and features with true audiophile sound
quality. The XMC-1’s Dierential Reference mode delivers true balanced two channel audio
performance rivalling that of the nest analog preamps available today. From analog and digital
inputs to fully balanced outputs, the XMC-1 has a true audiophile quality signal path, which
includes high quality digital-to-analog converters (DACs), hardware asynchronous sample rate
converters (ASRCs), and a precision resistor analog ladder network volume control.
Flexible Audio Processing Modes
The XMC-1 oers the ultimate combination of advanced surround sound processing modes
and purist audiophile options. In addition to the latest high-resolution surround-sound
modes, Reference Stereo Mode provides absolutely pure audiophile sound with no processing
whatsoever, and our rened Direct Mode includes minimal processing options, but still oers bass
management.
Page 5
Welcome to the XMC-1
Dirac Live Automatic Room Correction System
The XMC-1 features Dirac Live™, the most advanced automatic room correction system available
for both audiophile and home theater systems. Dirac Live performs a series of measurements,
then uses sophisticated mathematics to calculate a set of lters which correct both the frequency
and time domain response of your room and speakers. The result is crystal clear, accurate sound
reproduction, with a cohesive sound stage and excellent rendition of transients - even in less than
ideal rooms.
Powerful Manual Room Correction
For those who prefer to do their own room adjustments, the XMC-1 provides powerful manual
parametric equalization controls. The XMC-1 allows you to create two entirely independent
EQ presets; each preset includes 11 fully adjustable bands of parametric equalization for each
speaker. For each input, you get to decide whether to use the automatic room correction
provided by Dirac Live or one of your two user-dened presets.
Integration With Room EQ Wizard (REW)
Room EQ Wizard is a very popular free software program that allows you to perform many
dierent measurements on your audio system, analyze the results, produce a wide variety of
reports and graphs, and calculate correction parameters for use with a parametric equalizer.
Correction lter settings generated by REW can now be imported directly into the XMC-1, and
lter settings from the XMC-1 can be exported directly to REW. Parametric equalizer lter settings
are imported and exported using a standard XML le format, which allows the settings to be
edited externally and then re-imported, or stored for later analysis and use.
Convenient Tone Controls
In addition to manual parametric equalizers, the XMC-1 also includes true Tone Controls. Both
Bass and Treble Controls include fully congurable turnover points, and the Tone Controls are
available both as temporary adjustments (Tone Trims) and as persistent controls (which remain
set until changed). The Tone Controls and Tone Trims operate independently of each other, and
both can be used in conjunction with either Dirac Live or the Manual EQ Presets enabled.
True DSD Playback
The XMC-1 oers audiophile quality playback of DSD audio (when received via HDMI from an
SACD or a DSD audio le), which bypasses all processing for the most accurate audio rendition
possible.
Page 6
Welcome to the XMC-1
Popular Remote Control Options
The XMC-1 oers a wide range of remote control options, including a solid metal infrared (IR)
remote control, network-based remote control, and remote control apps for a variety of portable
devices (starting with iDevices, Android devices, and Windows computers). Remote control codes
will be provided for programming intelligent IR remote controls and for developing networkbased remote control applications.
Advanced Video On Standby
The XMC-1 incorporates an advanced feature which not only allows you to watch - or continue
to watch - video on your monitor while the XMC-1 is in Standby Mode, but even allows you to
change sources while in Standby. This feature is great if you just want to do a quick check of the
weather, or let the kids watch TV without turning on your main system.
Multiple Zones
The XMC-1 oers an independent second audio zone, which can deliver a stereo version of
the same content that is selected in the Main Zone, or can be congured to play audio from a
dierent source (either digital or analog).
Page 7
Specications
Specications
Analog Performance
Balanced Input to Balanced Output (Reference Stereo Mode)
THD: <0.0005% @ 1 kHz
THD: < 0.002% (20 Hz to 20 kHz)
IMD: < 0.004% @ 1 kHz
S/N ratio: > 123 dB (A weighted)
Frequency Response: 5 Hz to 80 kHz (+0 / -0.1 dB)
Crosstalk: <100 dB
Unbalanced Input to Unbalanced Output (Reference Stereo Mode)
THD: <0.0007% @ 1 kHz
THD: < 0.003% (20 Hz to 20 kHz)
IMD: < 0.005% @ 1 kHz
S/N ratio: > 114 dB (A weighted)
Frequency Response: 5 Hz to 80 kHz (+0 / -0.1 dB)
Crosstalk: <100 dB
Digital Input to Balanced Analog Output (HDMI PCM)
THD: < 0.00025% @ 1 kHz
THD: < 0.002% (20 Hz to 20 kHz)
S/N ratio (all main channels): > 110 dB (A weighted)
S/N ratio (subwoofer channels) > 100 dB (A weighted)
Analog-to-Digital Converters
(Analog Input to Analog Output via digital signal path)
THD: <0.0007% @ 1 kHz
THD: < 0.0007% (20 Hz to 20 kHz)
IMD: < 0.005% @ 1 kHz
S/N ratio: > 106 dB (A weighted)
Page 8
Specications
Input Impedance (Analog)
Balanced Inputs: 47 kOhms
Unbalanced Inputs: 100 kOhms
Output Impedance (Analog)
Balanced Outputs: 100 Ohms
Unbalanced Outputs: 100 Ohms
Maximum Output Level (Analog)
Balanced Outputs: 11 VRMS
Unbalanced Outputs: 5.5 VRMS
Decoding and Processing Modes
Digital Decoding Modes
Dolby TrueHD
Dolby Digital Plus
Dolby Digital 5.1
DTS-HD Master Audio
DTS-HD High Resolution Audio
DTS 5.1
DTS ES Discrete 6.1
PCM-Multi 5.1
PCM-Multi 7.1
Digital Post Processing Modes
Dolby Prologic IIx (PLIIx)
DTS ES Matrix
Audio Operating Modes
Reference Stereo (purist stereo mode)
Direct Mode (minimal processing; with bass management)
Stereo Mode
All Stereo Mode (“party mode”)
Display and OSD
Display
OLED (blue; high resolution 256 x 60 pixel graphical; variable brightness)
OSD
Color OSD is displayed over live video, including 4k and 3D sources
(variable transparency; multiple operating modes provide dierent levels of information)
Page 9
Specications
Inputs / Outputs
Analog Inputs
• 1 pair (stereo) – Reference quality analog audio (balanced XLR)
• 1 pair (stereo) – Reference quality analog audio
(unbalanced; machined gold-plated RCA connectors)
• 3 pairs (stereo) – Analog audio (unbalanced)
• 1 set (7.1 channels) – Analog audio (unbalanced)
Digital Inputs
• 8 – HDMI 1.4b
• 3 – Toslink optical S/PDIF digital audio (up to 24/192)
• 3 – Coax (RCA) electrical S/PDIF digital audio (up to 24/192)
• 1 – AES/EBU (XLR) digital audio
• 2 – USB Type A digital data (for rmware updates and future enhancements)
• 1 – USB Type B digital audio (“USB DAC” input; up to 24/192, UAC2, using CM6631A)
• 1 – Ethernet port (RJ-45) (network connection for Dirac and remote control applications)
Other Inputs
• Internal high-performance AM/FM tuner
(antenna connections: FM - “F” connector; AM - push terminals)
Analog Outputs
• 1 set (7.2 channels) – Reference quality main analog audio (balanced XLR)
• 1 set (7.2 channels) – Main analog audio (unbalanced; machined gold-plated RCA connectors)
• 1 pair (stereo) – analog line level record output (unbalanced)
• 1 pair (stereo) – analog line level main zone mix output (unbalanced)
• 1 pair (stereo) – analog line level Zone 2 output (unbalanced)
• 1 – high quality headphone output (using TPA-6130)
Digital Outputs
• 2 – HDMI 1.4b (Main output with CEC and ARC)
• 1 – Toslink optical S/PDIF digital audio
• 1 – Coax (RCA) electrical S/PDIF digital audio
Page 10
Specications
Power / Environmental
Power Consumption
Operation: 35 Watts (42 VA)
Standby: 0.5 Watts (2.4 VA)
Video On Standby: 30 Watts (37 VA)
Dimensions
Unboxed: 17” Wide x 15.5” Deep x 5.25” High (not counting feet)
Unboxed: 17” Wide x 15.5” Deep x 5.75” High (with feet)
Boxed: 22” Long x 19” Wide x 11” High
Weight
Unboxed: 21 pounds
Boxed: 30 pounds
Page 11
Operating the XMC-1
Operating the XMC-1
ENTER
Dntia Refence Medi Controer
TUNER 1 2 3 4 5 6 7 8
------------------------------------------ INPUTS ------------------------------------------
MENU DIM AUDIO INFO
STANDBY
VOLUME
XMC-1
G E N 2
Page 12
Operating the XMC-1
Audio Modes
Reference Stereo Mode
Reference Stereo Mode provides the purest listening experience, with the fewest options for
processing or modifying the signal.
In Reference Stereo Mode:
• The output is always TWO CHANNEL STEREO.
• There is NO bass management, and NOTHING is sent to the subwoofer.
• You CANNOT use the Loudness Control, or the Tone Presets, or the Tone Trims.
• You CANNOT use Dirac Live or the manual Parametric EQ Presets.
• Level Trims, which operate in the analog domain, are still available.
• Speaker Distance adjustments are active for digital inputs but not for analog inputs.
• Stereo analog input signals are passed straight to the Volume Control and the outputs.
• Stereo digital input signals are converted to analog then sent to the Volume Control.
• Surround sound digital signals are decoded, mixed down to stereo (the Center Channel and
LFE signals, if present, are mixed into the stereo output), and converted to analog.
Note: Because Reference Stereo Mode does not include bass management, care should be
used when playing “small” speakers in this mode. Reference Stereo Mode CANNOT be selected
using the “Mode Up/Down” buttons, but can be selected as the current mode in the Main Zone
Conguration Menu, and can be congured as the default mode for an input.
Note: Reference Stereo Mode may also be accessed directly from the front panel controls by
pressing the Audio button while pressing and HOLDING the Enter button.
Note: When using the Analog 7.1 Channel Inputs, the ONLY available mode is Analog Bypass,
which passes the incoming analog channels directly to the output with no processing or bass
management. In this mode, the LFE channel will be routed to both subs if you have two subs
congured.
Note: In Reference Stereo Mode and Direct Mode, you cannot use PLIIx or any other post
processing mode intended to “enhance” the audio signal. Decoding is limited to converting
digital surround signals to analog using the highest quality, purest decoding method possible.
Direct Mode
Direct Mode provides a relatively pure listening experience, and eliminates most processing, but
still retains bass management.
In Direct Mode:
• The output contains the same number of channels as the input signal.
• No extra channels are synthesized; if the output channel that corresponds to a given input
channel is not present, that channel signal is mixed into the appropriate available
channels.
Page 13
Operating the XMC-1
• Bass management IS available and the subwoofer IS active.
• You CANNOT use the Loudness Control, or the Tone Presets, or the Tone Trims
• You CANNOT use Dirac Live or the manual Parametric EQ Presets.
• Level Trims, which operate in the analog domain, are still available.
• Speaker Distance adjustments are available for both analog and digital inputs.
• Stereo digital signals are presented directly to the processor.
• Stereo analog input signals are converted to digital and passed to the processor.
• Surround sound digital signals are decoded, and passed to the processor.
• Multi-channel discrete digital signals (like multi-PCM) are passed directly to the processor.
• All signals receive bass management - but no other processing.
• If an LFE signal is present, and one or two subwoofers are also present, the LFE content
will be routed to the subs along with low-frequency content from the main channels
(as determined by the bass management settings).
Stereo Mode
Stereo Mode provides a full complement of processing and control options - with a stereo output.
In Stereo Mode:
• The output is always TWO CHANNEL STEREO.
• Bass management IS available and the subwoofer IS active.
• Loudness Control, the Tone Controls, and the Tone Trims are active.
• Dirac Live and the manual Parametric EQ Presets are active.
• Level Trims are active.
• Speaker Distance adjustments are available for both analog and digital inputs.
• Stereo digital signals are presented directly to the processor.
• Stereo analog input signals are converted to digital and passed to the processor.
• Surround sound digital signals are decoded, down-mixed to stereo, and passed to the
processor.
• Multi-channel discrete digital signals (like multi-PCM) are down-mixed to stereo and passed
to the processor.
• If an LFE signal is present, and one or two subwoofers are also present, the LFE content
will be routed to the subs along with low-frequency content from the main channels
(as determined by the bass management settings).
All Stereo Mode
All Stereo Mode provides a full complement of processing and control options - with a stereo
output. In addition, the left signal is routed to all left side speakers and the right signal is routed to
all right side speakers for a “room lling” experience. In All Stereo Mode:
• The output is always TWO CHANNEL STEREO - routed to all speakers.
• The left channel is routed to all left side speakers; the right channel to all right side speakers;
and the center channel speaker receives a mix of left and right.
Page 14
Operating the XMC-1
• Bass management IS available and the subwoofer IS active.
• Loudness Control, the Tone Presets, and the Tone Trims are active.
• Dirac Live and the manual Parametric EQ Presets are active.
• Level Trims are active.
• Speaker Distance adjustments are available for both analog and digital inputs.
• Stereo analog signals are converted to digital audio and routed through the processor.
• Stereo digital input signals are routed through the processor.
• Surround sound digital signals are decoded, mixed down to stereo, and converted to analog
(the Center Channel and LFE signals, if present, are mixed into the stereo output).
• After all processing is completed, the left signal is routed to ALL left side speakers and the
right signal is routed to ALL right side speakers; and the center channel speaker receives a
mix of left and right. .
• If an LFE signal is present, and one or two subwoofers are also present, the LFE content will be
routed to the subs along with low-frequency content from the main channels (as determined
by the bass management settings).
Discrete (Digital) Surround Sound Formats
Discrete Digital Surround Sound formats like Dolby TrueHD and DTS-HD Master Audio contain highquality discrete multi-channel digital audio; each channel is stored separately, and the decoded
audio is an exact replica of the original content.
For audio encoded in these formats, the XMC-1 will automatically detect the format and use the
correct decoder.
Matrix Surround Sound Formats
Matrix Surround Sound processing modes like Dolby PLIIx and DTS Neo:6 use information in the
audio signal itself to create additional audio channels from the channels already present. These
processing modes can be used to recreate multi-channel audio from stereo content that was
specically encoded for them - although, unlike with discrete surround sound formats, the result will
only be an approximation of the original. Originally, various Matrix Surround Sound formats were
used to deliver surround sound content; today virtually all surround sound content is encoded in
one of the discrete formats.
Today, these modes are most commonly used as post processing modes to synthesize extra
channels, either to transform stereo music into 5.1 channel or 7.1 channel surround sound, or to
transform discrete 5.1 channel surround sound into synthesized 7.1 channel surround sound.
The XMC-1 will oer you the option of choosing various Matrix Surround Sound Processing Modes
where appropriate.
Page 15
Operating the XMC-1
Note: Some Matrix Surround Sound processing modes are not appropriate to use with certain
types of input signals, and some may conict with certain other modes. For example, Dolby
PLIIx may be used to transform stereo analog content into 5.1 channel or 7.1 channel surround
sound content, and may be used to transform 5.1 channel Dolby Digital or Dolby TrueHD
content into synthesized 7.1 channel content, but cannot be used with 7.1 channel Dolby
TrueHD content (because it is already 7.1 channels). The XMC-1 will ONLY allow you the option
of choosing modes that are appropriate for your current signal source and mode.
How the XMC-1 Treats Content in Dierent Surround Sound Formats
The combination of Surround Sound decoding and Surround Sound processing the XMC-1 uses
for a given input signal will depend on the format of the incoming signal, and on how you have
congured the Surround Mode in the Setup Inputs Menu and Main Zone Menu.
The Setup Inputs Menu allows you to congure the default behavior independently for each input
for each type of input signal:
In Auto Mode - the XMC-1 will attempt to process the incoming signal to match the number of
speakers you have congured. For example, if your XMC-1 is congured for 5.1 speakers, a Dolby
TrueHD 5.1 channel input signal will be decoded to 5.1 channels, and a Dolby TrueHD 7.1 channel
input signal will be decoded to 7.1 channels, then mixed down to 5.1 channels. If your XMC-1
is congured for 7.1 speakers, a Dolby TrueHD 5.1 channel input signal will be decoded to 5.1
channels, then the surround channels will be processed with Dolby PLIIx to create a 7.1 channel
output optimized for your 7.1 channel system.
In Last Used Mode - the XMC-1 will use as it’s default the same decoding and processing options as
were used the last time a similar signal was received on that input. (If, the last time a Dolby TrueHD
input was received on that input, you manually chose to listen in Stereo Mode, then Stereo Mode
will be the default the next time a similar signal is received on that input.)
You will also have the option of manually conguring an initial default mode for each input - for
each type of input signal which may be received. The specic options available will depend on the
type of input.
Regardless of what decoding and post processing modes are selected automatically by the
XMC-1, you will always be able to manually choose to use any combination of decoding and
processing modes that are appropriate for the type of input signal being received - either by using
the Mode Selector buttons on the front panel or remote control, or from the Main Zone Menu.
Note: Reference Stereo Mode must be congured from the menu system; it cannot be selected
manually using the Mode Up/Down buttons.
Note: When the XMC-1 is congured for a single subwoofer, your subwoofer must be connected
to the XMC-1’s Left Subwoofer output. When the XMC-1 is congured for a single rear surround
speaker, the same (monaural) surround signal is presented at both Rear Surround outputs.
Page 16
Operating the XMC-1
The XMC-1 Start-Up Routine
The XMC-1 is controlled by a custom Linux-based operating system. Even though loading and
initializing the operating system is a complex process, the start up sequence on the XMC-1 has
been optimized to minimize the delays you will experience in normal operation.
The start up routine for the XMC-1 will progress dierently depending on whether you have
enabled the Video on Standby feature in the conguration menu.
Video On Standby
The XMC-1 has a feature which allows it to operate in a special Standby mode when you switch it
into Standby. In this mode, all video and audio processing is disabled, but the XMC-1 will still pass
audio and video directly to your TV or monitor, and the controls on the XMC-1 will still allow you
to change sources. This feature may be used to allow your family to continue to watch TV on the
TV monitor connected to the XMC-1 even when “the big stereo” is turned O.
The Video on Standby feature is congured in the Setup | Advanced Menu (to use this mode,
congure Standby in the XMC-1 for “Video Remains On”.
When the Video on Standby feature is NOT Enabled
When you turn on the rear panel Power switch, the XMC-1 will go into Standby Mode (the halo
ring around the front panel Standby button will illuminate amber).
When you then press the front panel Standby button, the XMC-1 will load and initialize the
operating system. During this time, the Emotiva logo will appear in the front panel display, and a
progress bar will be shown along the bottom of the display.
When the XMC-1 is fully initialized, the display will change to the normal Information display.
Pressing the Standby button on the front panel or the remote control will return the XMC-1 to
Standby Mode.
When the Video on Standby feature IS Enabled
When you turn on the rear panel Power switch, the XMC-1 will go into a special Standby Mode
which allows the Video on Standby feature to operate even though the main power is o.
When you rst turn on the rear panel switch, the halo ring around the front panel Standby switch
will illuminate blue. The XMC-1 will then load and initialize the operating system, during which
time the Emotiva logo will appear in the front panel display a progress bar will be shown along
the bottom of the display.
When the XMC-1 is fully initialized, the display will switch o and the halo ring around the front
panel Standby button will illuminate amber. At this point the XMC-1 is in a special Standby mode
and the Video on Standby feature is operational.
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Operating the XMC-1
Note: When the Video on Standby feature is enabled, pressing the Standby button (from On)
places the XMC-1 in a special standby mode. The XMC-O/S remains loaded in this mode, and so
doesn’t have to be re-loaded when you turn the XMC-1 back On. Leaving the Video on Standby
Mode enabled allows the XMC-1 to switch from Standby Mode to On very quickly. For this
reason, you may prefer to have Video on Standby Mode enabled even if you don’t watch video
while the XMC-1 is in Standby Mode.
Bass Management
The XMC-1 is a full 7.2 channel surround sound processor, which means that it supports two
independent stereo subwoofers.
If you have two subwoofers, and congure the XMC-1 for Stereo subs, then both subs will be
congured separately, and will operate in full stereo mode. Both subs will receive content from
the LFE (low frequency eects) channel and, in modes where bass management is active, the Left
Subwoofer will receive audio content at frequencies below the congured crossover points for
the Left Front, Left Surround, and Left Back Surround Speakers; the Right Subwoofer will receive
audio content at frequencies below the congured crossover point for the Right Front, Right
Surround, and Right Back Surround Speakers; both subwoofers will receive audio content below
the crossover frequency for the Center Channel.
If you have two subwoofers, and congure the XMC-1 for Dual Mono subs, then both subs will
be congured separately, but both will receive the same summed mono signal. Both will recieve
content from the LFE (low frequency eects) channel and, in modes where bass management is
active, will also receive audio content at frequencies below the congured crossover points for
your Front, Surround, Back Surround, and Center Speakers.
If you have one subwoofer, and congure the XMC-1 for a Mono sub, then that sub will receive
content from the LFE channel and, in modes where bass management is active, it will also receive
audio content at frequencies below the congured crossover points for all your other channels. In
this conguration, your one sub should be connected to the XMC-1’s Left Subwoofer output.
Note: Because some “localization” of subwoofer content may occur in some situations, stereo
subs should ideally be identical, and should be positioned symmetrically in the listening room.
If you have two very dissimilar subwoofers, or plan to place two or more subs in positions
that are NOT symmetrical - perhaps for purposes of evening out response variations caused
by major room modes, you may get better performance by conguring the XMC-1 to use Dual
Mono subs. Using asymmetrically placed stereo subwoofers, or dissimilar stereo subs, may
result in imperfect imaging and a sound stage that is less than optimal. This will depend on the
specics of your subwoofers, your listening room, and your conguration.
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Operating the XMC-1
Enhanced Bass
Enhanced Bass is a feature which allows you to combine the bass output of your subwoofers with
the bass output of your large main speakers.
When Enhanced Bass is disabled (normal operation), bass from the LFE channel is routed to your
subwoofer (or subs), bass below the crossover frequency of any speaker you have congured as
small is also routed to your sub or subs, and bass from any channels you have congured as large
is routed to the intended main speaker.
When Enhanced Bass is enabled on the XMC-1, bass from the LFE channel is routed to your
subwoofer (or subs), bass below the crossover frequency of any speaker you have congured as
small is also routed to your sub or subs, and bass from any channels you have congured as large
is routed to the intended main speaker. IN ADDITION, bass below 80 Hz from the LFE channel is
also routed to every speaker you have congured as large (except the center channel), and bass
below 80 Hz from all main speakers congured as large (including the center channel) is also
routed to your sub or subs.
Note: Enhanced Bass is designed to boost the overall amount of bass available. Music is
rendered more accurately when Enhanced Bass is DISABLED. Also, since there is no industry
standard, Enhanced Bass may be implemented dierently on devices other than the XMC-1.
Tone Presets and Tone Trims
In addition to Dirac Live, and the parametric equalizer Preset options, the XMC-1 oers Tone
Controls for making broad adjustments to large segments of the frequency band. Bass and Treble
Tone Controls have independently congurable turnover points, and operate just like traditional
“Bass and Treble” knobs or sliders.
The Tone Presets accessed via the Setup | Speakers | Presets | {preset} | Equalization | System EQ
Menu are retained when the XMC-1 is powered O. The Tone Trims accessed via the Main Zone |
Trims | Tone Menu are temporary trims, and are not retained when the XMC-1 is turned O.
Note: The Tone Presets and Tone Trims on the XMC-1 operate independently, and in addition to
the Parametric EQs and Level Trims. (You can use them all at the same time and the eects will
add together.)
Note: The XMC-1 utilizes automatic normalization routines to ensure that, no matter what
combination of settings you make in the various Tone Presets, Tone Trims, and Level Controls,
the XMC-1 will NOT digitally clip the audio signal. Therefore, no combination of settings made
in the Level Trims, Tone Presets, or Tone Trims should result in clipping.
Note: Even though the normalization routines in the XMC-1 will prevent clipping under normal
circumstances, it is POSSIBLE, by applying positive gain to multiple overlapping bands in the
Parametric Equalizers in the XMC-1, to create a situation that will cause the XMC-1 to clip.
WE STRONGLY RECOMMEND THAT YOU AVOID APPLYING POSITIVE GAIN TO MULTIPLE
OVERLAPPING PEQ BANDS. If you do so, please check carefully for clipping, and reduce the
settings on those bands if any clipping occurs. (If clipping does occur due to band overlap, you
must reduce the gain in one of the bands; you CANNOT eliminate it using the Level Trims.)
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Operating the XMC-1
Headphone Output
The XMC-1 includes a high-quality front panel Headphone Output; the Main Outputs on the
XMC-1 are muted when headphones are plugged into this output. When headphones are
connected, all internal EQ processing is disabled (Dirac Live and the Speaker Presets are disabled
while the headphones are connected.)
The XMC-1 also includes a unique level of intelligence in how it handles Level Trims and Tone
Trims for the headphones; both sets of trims are congured and stored independently for the
Main Outputs and the Headphone Outputs. When no headphones are connected, the Tone Trim
and Level Trim settings you make apply to the Main Outputs; when headphones are connected,
the Tone Trim and Level Trim settings apply to the headphones. When you unplug your
headphones, the trim settings return to their previous settings for the Main Outputs; when you
plug your headphones back in, they return to the previous settings for the headphones.
Note: Trim settings for BOTH the Headphone Output and Main Outputs are not persistent, and
both are reset when you switch the XMC-1 into Standby Mode or switch it O.
Playing SACD Audio in Pure DSD
There are a wide variety of disc players which support playback of standard SACD discs (and the
SACD portion of hybrid discs). These discs are recorded in a special digital audio format called
DSD (direct stream digital).
For audio purists who prefer to play the DSD content from SACD discs directly, without
modication or processing, the XMC-1 supports direct playback of DSD audio content received
over an HDMI connection. In order to utilize this feature, your player must be congured to deliver
the unaltered DSD “bitstream” to the XMC-1 via HDMI.
Note: Dierent players require dierent settings to enable them to output DSD digital audio
without converting it; and some players may not oer this option. On some players, you will
select “DSD” as your output mode; on some you may select “bitstream” as your output mode
when playing SACDs; and on others you will DISABLE the option “convert SACD output to PCM”;
some players may require you to set multiple options on dierent menu pages.
Note: Many SACDs include versions of the same content in both Stereo and Surround Sound.
These are actually separate tracks on the disc, and you must choose the one you want when
playing the disc.
Note: Some players can also play DSD audio directly from a DXD or DSDIFF digital audio le. As
long as the result is output to the XMC-1 as standard DSD via HDMI it should play as DSD.
The XMC-1 can play the standard DSD format which is used by SACD discs; it cannot play audio
in the “DSDx2” or “DSD128” format, which is twice the standard SACD sample rate, or any
other non-standard DSD sample rates.
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Operating the XMC-1
Because DSD digital audio cannot be processed in the normal way, and because most purists
who choose to listen to unconverted DSD content prefer to avoid any and all conversions and
processing, the playback options for DSD content on the XMC-1 are limited. Two channel DSD
content may be played in modes equivalent to Stereo and All Stereo, with no bass management
or other processing. Surround Sound DSD content may be played in its original 5.1 channels,
or the XMC-1 can be congured to duplicate the Surround Channels into the Rear Surround
Channels (if you have a 7.1 or 7.2 system), also with no bass management or other processing.
If your player only supports converting DSD content to PCM, then the XMC-1 will treat it as it
would any other PCM digital audio input. If you require bass management, or any other features
not available with a DSD signal input, then you should congure your player to send its output to
the XMC-1 in PCM format when playing SACDs.
Note: To play digital audio from an SACD, you MUST use an HDMI connection. The copy
protection present on all SACD discs (including the SACD layer of hybrid discs) restricts the
formats in which players are legally allowed to provide an audio output when playing them.
When playing an SACD disc, players are allowed to provide analog audio (if they have analog
outputs), and they are allowed to provide a digital audio output over an HDMI connection.
They are NOT allowed to provide digital audio from other standard types of digital audio
outputs (like Coax S/PDIF or Toslink). When playing an SACD disc, the player will mute all
digital outputs OTHER THAN HDMI.
(If you connect only the Coax digital output of your universal disc player to the appropriate
input on your XMC-1, you will be able to use that connection to play CDs, and to play the CD
layer on hybrid SACDs, but you will get silence if you attempt to play an SACD, or the SACD layer
of a hybrid disc, through that output. Some players may provide a lower quality digital audio
output from their non-HDMI outputs, and some players will play a few seconds of music from
those outputs before the copy protection mutes them, but the only output you can use to play
full quality digital audio from an SACD disc is HDMI.)
Using the XMC-1 Tuner
The XMC-1 includes a high-quality AM/FM tuner, which can play all standard content from
terrestrial radio stations. The XMC-1’s tuner plays standard FM broadcasts (but not “digital” or
“HD” radio broadcasts).
The XMC-1’s display will show station or program identication information that is received via
the RBDS data system used by many FM stations.
Note: The Name eld, which can be congured for each station that is entered as a preset, is
manually entered by the user, and is NOT derived from the RBDS information.
Operating the XMC-1’s Tuner is slightly dierent depending on whether you’re using the front
panel controls or the remote control.
From the front panel: Pressing the Tuner direct input button will select the Tuner as the active
input. To choose or congure a station, or set other Tuner parameters, use the Menu button to
bring up the Menu, use the up and down arrows to move to the Tuner Menu, and then use the up,
down, left, and right buttons to choose a station or enter other information.
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Operating the XMC-1
Note: There are several shortcuts that can be used when operating the XMC-1 Tuner from the
front panel. These Tuner shortcuts are accessed by pressing and holding the Tuner Input button
on the front panel while operating additional controls:
To tune stations, turn the Volume knob WHILE PRESSING AND HOLDING THE TUNER BUTTON.
To skip to the last/next station, use the Up and Down navigation buttons WHILE PRESSING AND
HOLDING THE TUNER BUTTON.
To seek to the last/next station, use the Left and Right navigation buttons WHILE PRESSING
AND HOLDING THE TUNER BUTTON.
To switch between the AM and FM bands, press the Enter button WHILE PRESSING AND
HOLDING THE TUNER BUTTON.
From the remote control: Pressing the Tuner direct input button will select the Tuner as the active
input. Once the Tuner is your selected Input, you can use the direct control buttons on the remote
control to move between stations or radio bands.
The AM/FM Button can be used to switch between the AM and FM radio bands.
The Station Up and Station Down buttons can be used to move directly to the next/last
congured station preset.
The Seek Up and Seek Down buttons can be used to instruct the XMC-1 to seek in the chosen
direction for the next available station with sucient signal strength to provide acceptable
listening quality.
The Tune Up and Tune Down buttons can be used to instruct the XMC-1 to move up or down to
the next station frequency increment.
Note: The Tune buttons allow you to “manually” shift the frequency up or down to the next
valid location for a station - whether any station is currently broadcasting at that frequency
with sucient strength for the XMC-1 to tune it or not. This is equivalent to manually turning
a tuning dial, and can be used to congure preset stations that are too weak for the XMC-1 to
detect automatically, or to congure preset stations that are not currently on the air.
Of course, if you prefer, you can operate the XMC-1’s Tuner from the remote control using the
Tuner Menu.
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Operating the XMC-1
Dirac Live
Dirac Live takes the correction process a step further than other, more basic room correction
systems. Because Dirac Live uses mixed-phase lters, it is able to calculate lters that not only
correct the frequency response, but also compensate for errors in time response. This allows
Dirac Live to correct more of the dierences between how your speakers perform in your room,
and how ideal speakers, in an ideal room, would sound - and enables Dirac Live to correct both
frequency response and transient response. In simplest terms, because Dirac Live is not limited to
correcting only problems related to frequency response, it does a better job of making your room
sound more like it theoretically should.
In addition to its extensive set of manual adjustment and calibration tools, the XMC-1 includes
Dirac Live for Emotiva™ - a powerful version of Dirac Live Room Correction optimized to run on
the XMC-1 hardware platform.
Dirac Live is comprised of two modules: the Dirac Live Calibration Tool (DLCT), which takes the
measurements, analyzes them, and calculates the correction lters, and the audio processing
module that applies the correction lters to your music. Every XMC-1 purchase includes a
license for a single-user copy of Dirac Live LE for Emotiva, which provides all the powerful room
correction capabilities of Dirac Live, but oers limited options for user customization. Users who
require the ability to further customize Dirac’s operation and target curves will have the option
of purchasing Dirac Live Full for Emotiva for a small additional charge. Both Emotiva versions of
Dirac Live use the same custom programmed audio processing module, which runs on the DSP
hardware in the XMC-1, and is included as a module in the XMC-1 rmware.
The Dirac Live Calibration Tool is a computer program which can be installed and run on any
relatively current personal computer. Once the Dirac Live correction lters have been transferred
to your XMC-1, they are accessed by simply selecting the Dirac Speaker Preset - which, like the
two other Speaker Presets, can be selected manually from the Setup Menu or the remote control,
or associated with specic inputs in the Setup Menu.
The Dirac Live LE for Emotiva™ package that comes with your XMC-1 includes the following:
• A single user license for the Dirac Live LE for Emotiva (DLCT) computer software.
• The Dirac Live audio processing module - which is part of the XMC-1 rmware.
• A calibrated test microphone designed specically to work with Dirac Live for Emotiva.
• A precision USB microphone preamplier and digitizer module - which enables you to
connect the calibrated microphone directly to a USB port on your computer.
• A desktop microphone stand.
The Dirac Live Full for Emotiva™ upgrade package includes:
• A single user license for the Dirac Live Full for Emotiva (DLCT) computer software.
See the Dirac Live Addendum for detailed instructions about how to install, congure, and use
Dirac Live for Emotiva Automatic Room Correction.
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Operating the XMC-1
Manual Room Correction
The XMC-1 oers two separate Manual Room Correction Presets; each Preset can be labelled
with a user-dened name; and each includes 11 bands of independent Parametric EQ for each
speaker/channel, and Tone Presets (which are applied to all speakers). Each Input on the XMC-1
can be congured to use either of the two Presets, or the results of the Dirac Live Automatic Room
Correction.
The parametric equalizers (parametric EQ or PEQ for short) oer 11 independently adjustable
frequency bands for each channel/speaker. The center frequency, the width of the band, and
the gain or cut, can be independently adjusted for each of those bands. The center frequency
for each band is specied in Hz; the width of each band is specied in both Q and in Hz; and the
gain is specied in dB. A band with a Q of 1.4 is approximately equivalent to a band in an old-stlye
graphic equalizer; a higher Q value corresponds to a narrower band.
Note: You may adjust the width of each PEQ band by changing either the Q or the width in Hz.
Because of the way the XMC-1 updates the display, only the value you are working with will
change in real time on the display; the other value will change to match when you exit the eld
you are adjusting.
There are many dierent ways in which you can determine the proper values required to calibrate
your system and your room using a parametric equalizer. A wide variety of textbooks are available
on the subject of room equalization for those who are interested. Some audiophiles prefer to take
manual measurements using a sound pressure level (SPL) meter or real-time audio analyzer (RTA).
For them the XMC-1 includes sophisticated calibration tools, including a pink noise generator and
a highly congurable sine wave generator. Some audiophiles prefer various software solutions;
one very popular and incredibly exible software room calibration tool is Room Equalization
Wizard (REW). Some basic tools, including a simple SPL meter, only provide the information you
need to manually determine what corrections to make; others, like REW, can provide you with
specic values to enter into each PEQ lter on the XMC-1 to achieve a specic result.
The conguration controls for the Parametric EQ on the XMC-1 have been optimized to make this
process as simple and ecient as possible - and to minimize the number of buttons you have to
press to get the job done:
• You may, of course, adjust all of the lter bands for one speaker, then move on to the next
speaker. However, if you prefer to adjust a specic band for all speakers, then move on
to adjust the next band for all speakers, the XMC-1 facilitates this by remaining set to the
particular EQ band number you’re working on when you switch between speakers. For
example, if you’re adjusting Filter 3 for your Front Right speaker, and you then switch to
the Front Left speaker, you will be taken directly to the settings for Filter 3 for the Front Left
speaker; this way you can very easily adjust each Filter band sequentially for all your speakers.
• Test Tone Level and Test Tone Frequency settings are global; even though the controls for the
Test Tone Generator appear on several dierent menu screens, there is only a single Test Tone
Generator which you are accessing from dierent places. Therefore, as you move from place to
place in the menu system where the Test Tone Generator is used, the Test Tone Generator will
remain set at the last Level and Frequency you select until you change it. When you exit the
area of the menu where the Test Tone Generator is used, it will automatically switch O.
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