We at DigiTech are very proud of our products and back-up each one we sell with the
following warranty:
1. The warranty registration card must be mailed within ten days after purchase
date to validate this warranty.
2. DigiTech warrants this product, when used solely within the U.S., to be free
from defects in materials and workmanship under normal use and service.
3. DigiTech liability under this warranty is limited to repairing or replacing
defective materials that show evidence of defect, provided the product is
returned to DigiTech WITH RETURN AUTHORIZATION, where all parts
and labor will be covered up to a period of one year. A Return Authorization
number may be obtained from DigiTech by telephone. The company shall not
be liable for any consequential damage as a result of the product’s use in any
circuit or assembly.
4. Proof-of-purchase is considered to be the burden of the consumer.
5. DigiTech reserves the right to make changes in design, or make additions to, or
improvements upon this product without incurring any obligation to install the
same on products previously manufactured.
6. The consumer forfeits the benefits of this warranty if the product’s main
assembly is opened and tampered with by anyone other than a certified
DigiTech technician or, if the product is used with AC voltages outside of the
range suggested by the manufacturer.
7. The foregoing is in lieu of all other warranties, expressed or implied, and
DigiTech neither assumes nor authorizes any person to assume any obligation
or liability in connection with the sale of this product. In no event shall
DigiTech or its dealers be liable for special or consequential damages or from
any delay in the performance of this warranty due to causes beyond their
control.
NOTE: The information contained in this manual is subject to change at any
time without notification. Some information contained in this manual may also be
inaccurate due to undocumented changes in the product or operating system since this
version of the manual was completed. The information contained in this version of the
owner’s manual supersedes all previous versions.
Manufacturer’s Name:DigiTech
Manufacturer’s Address:8760 S. Sandy Parkway
Sandy, Utah 84070, USA
declares that the product:
Product name:GNX3000
Product option:all (requires Class II power adapter that conforms
to the requirements of EN60065, EN60742, or equivalent.)
conforms to the following Product Specifications:
Safety:IEC 60065 (1998)
EMC:EN 55013 (2001+A1)
EN 55020 (2002+A1)
Supplementary Information:
The product herewith complies with the requirements of the Low Voltage
Directive 72/23/EEC and the EMC Directive 89/336/EEC as amended by
Directive 93/68/EEC.
Vice-President of Engineering-MI
8760 S. Sandy Parkway
Sandy, Utah 84070, USA
Date: June17, 2005
European Contact: Your local DigiTech Sales and Service Office or
Harman Music Group
8760 South Sandy Parkway
Sandy, Utah
84070 USA
Ph: (801) 566-8800
Fax: (801) 568-7583
Introduction
GNX3000 Owner’s ManualGNX3000 Owner’s Manual
Introduction
Congratulations on your purchase of the GNX3000 Guitar Workstation®. The
GNX3000 delivers an award-winning GeNetX
General MIDI drum machine, and USB Audio/MIDI interface in a single integrated
package. Combined with the included suite of recording, editing, and production
software, the GNX3000 Guitar Workstation is a complete solution for your performing
and recording needs.
™
multi-modeling guitar processor,
GNX3000 Owner’s Manual
The new GNX3000 Guitar Workstation® also features our new advanced
Based Modeling™ for the most authentic tone you’ve ever heard.
Traditionally, amp modeling has been done either by electronic measurement or
A/B comparison between the physical amp and digital algorithms. These methods
can create a single amplifier “tone snapshot.” But as we all know, a classic amp is a
complex instrument.
Component Based Modeling analyzes the signal path, individual components and
acoustic behavior of an amp: preamp and tone stage topology, the type of power stage,
its feedback structure and tube saturation characteristics, how the speaker and output
transformer interact, cabinet size and composition, and much more.
When combined with traditional electronic measurements and hundreds of hours of
critical listening, the result is the first modeling that distorts, saturates, overdrives and
generally behaves the way the original amp’s designers intended. The only thing more
real is the amp itself!
The GNX3000’s intuitive user interface makes programming as simple as turning a
knob. However, your time would be well spent by reading through the Quick Start
section on page 3 (as well as the rest of this Owner’s Manual) with your GNX3000 in
front of you.
Component
Be sure to visit the sound community at www.digitech.com and
www.guitarworkstation.com to exchange custom amps, presets and songs. Plus you can
get all the latest updates and lots of cool tips and tricks.
1
GNX3000 Owner’s Manual
Introduction
Included Items
Please check to make sure the following items have been included:
• DigiTech GNX3000 Guitar Workstation
• DigiTech GNX3000 Owner’s Manual
• DigiTech GNX3000 Software Install CD with:
• X-Edit™ Editor/Librarian, USB Drivers, and Pro Tracks Plus™ Software (Windows
• Pro Tracks Plus™ User’s Guide (.pdf)
• Lexicon® Pantheon™ User’s Guide (.pdf)
• DigiTech PSS3 Power Supply
• DigiTech Warranty Card
• USB Cable
The utmost care was taken in the manufacturing and packaging of your GNX3000.
Everything should be included and in perfect working condition. However, if you find
anything missing, please contact the factory at once. Please take a moment to fill out
the warranty card or register online at www.digitech.com. It is your safeguard in the
unlikely event that the GNX3000 develops a problem.
® XP only)
GNX3000 Owner’s Manual
2
Quick Start
Guitar InputLeft 1/4" Balanced Output
Amplifier
Make Connections
1. Connect your instrument to the GUITAR/INSTRUMENT INPUT on the
GNX3000’s rear panel.
2. Connect either the 1/4” or XLR LEFT/RIGHT OUTPUTS to the input(s) of your
amplifier(s), power amp, or mixer.
Apply Power
1. Turn the OUTPUT LEVEL knobs (for both the 1/4” and XLR OUTPUTS), on the
rear panel of the GNX3000, all the way down (fully counter clockwise).
2. Connect the PSS3 power supply to the Power jack on the GNX3000.
3. Connect the other end of the PSS3 power supply to an AC outlet.
4. Turn the GNX3000 POWER SWITCH on.
5. Turn your amplifier(s) on, and adjust the volume(s) to a normal playing level.
Gradually turn up the GNX3000’s output level until you reach your desired
listening level.
GNX3000 Owner’s Manual
Setups
Here are three of the most popular setups, and one of them is probably what you’re
looking for. For additional setups see page 27.
Single Amp
For a simple guitar-to-workstation-to-amp setup, just plug your guitar into the
GUITAR INPUT (on the back panel) and plug the LEFT 1/4” BALANCED OUTPUT
into your amp. Turn Speaker Compensation off for the 1/4” OUTPUTS
24).
(see page
3
GNX3000 Owner’s Manual
Guitar
Input
Headphones
Output
Headphones
or
Guitar Input
Pan
Mute
-10
0
+5
+10
-20
-30
-
-5
L / R
Mute
L / R
Mute
L / R
Mute
L / R
-5
-4
-3
-2
-10+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-10+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-10+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-10+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-10+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-10+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-10+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-10+1
+2
+3
+4
+5
1 2 3 4
-10
0
+5
+10
-20
-30
-
-5
-10
0
+5
+10
-20
-30
-
-5
-10
0
+5
+10
-20
-30
-
-5
Mute
L / R
5
-10
0
+5
+10
-20
-30
-
-5
Mute
L / R
6
-10
0
+5
+10
-20
-30
-
-5
Mute
L / R
-10
0
+5
+10
-20
-30
-
-5
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Mute
L / R
-10
0
+5
+10
-20
-30
-
-5
Mixer
Quick Start
Headphones
This setup is ideal for practicing when neighbors, roommates or significant others
don’t want to listen. Plug your guitar into the GUITAR INPUT and plug your
headphones into the HEADPHONE
is a 1/4” jack, so if your headphones have an 1/8” jack, you’ll need an adapter
(available at your local electronics store). Turn Speaker Compensation on for the
XLR OUTPUTS (see page 24) which also enables it for the headphones.
OUTPUT. Note that the HEADPHONE OUTPUT
GNX3000 Owner’s Manual
Mixer
To connect to a mixer, plug your guitar into the GUITAR INPUT, and connect the
GNX3000’s LEFT and
and right inputs. Turn Speaker Compensation on for the 1/4”
(see page 24).
4
RIGHT XLR or 1/4” BALANCED OUTPUTS to your mixer’s left
and XLR OUTPUTS
Selecting Presets and Amp Models
NAME
64
Preset Bank LEDs
Data Wheel
NAME
64
GENETX Button
Knob 1Knob 2
Knob 4
Knob 5
Once you’re connected to the GNX3000, you can immediately transform the tone
of your guitar with the 130
customize; learn how to create a custom preset on page
can also select different amp models that will further alter your guitar’s tone.
Factory presets. (There are also 65 User presets you can
.) Within each preset you
81
Presets
Turn the DATA WHEEL to scroll through the presets. The number and name in the
DISPLAYS change as you turn the DATA WHEEL. When you stop turning the DATA
WHEEL, the selected preset is automatically loaded. Play your guitar to hear it.
GNX3000 Owner’s Manual
Look at the Preset Bank LEDs to the left of the DATA WHEEL, and notice that
either the
bank, you start at the beginning of the next bank.
Amp and Cabinet Models
You can choose and customize a virtual amp/cabinet combo to run your guitar
signal through. (In this case, “amp” refers to the head, where all the knobs and
tubes or electronics reside, and “cabinet” refers to the enclosure where the
speakers are mounted.) For example, you can select the
which by default uses two 12-inch speakers in a Blonde cabinet (
Then, if you want to, you can change the cabinet to a British model with four 12inch speakers (
powering British speakers.
User, Factory 1 or Factory 2 LED is lit. When you get to the end of one
62 bman amp model,
Blnd2x12).
Brit4x12), which would result in the sound of a Bassman
®
head
GNX3000 Owner’s Manual
5
Guitar
Input
Line Inputs
XLR
Balanced
Outputs
MIDI Keyboard
MIDI
Audio
Microphone
Headphones
Powered Studio Monitor
Powered Studio Monitor
USB Cable
Computer
GNXFC Foot Controller
(Optional)
Mic Input
Quick Start
To select an Amp and Cabinet model:
1. Push the GENETX BUTTON
.
2. Turn KNOB 1 or KNOB 4 to select an amp model.
3. Turn
KNOB 2 or KNOB 5 to select a cabinet model.
See page 44 for more information about Amp/Cabinet modeling.
Recording - Computer
If you’re ready to start recording, here’s how to connect the GNX3000 to your
computer. You’ll also need to install the included software; see page
information.
for more
101
GNX3000 Owner’s Manual
1. Connect your guitar (or bass guitar) to the GNX3000’s GUITAR INPUT.
2. Connect a microphone to the GNX3000’s MIC INPUT and use the MIC LEVEL
control knob located next to the MIC INPUT on the GNX3000’s rear panel to
adjust the microphone output level. To adjust your microphone input level for
optimal use see Mic Level Optimization on page 26.
3. Connect a keyboard, line level instrument, or stereo mixer (for feeding
submixes) to the GNX3000’s LEFT
input levels for optimal use see Line Level Optimization on page 26.
4. Connect XLR cables from the GNX3000’s LEFT
and RIGHT LINE INPUTS. To adjust your line
and RIGHT XLR OUTPUTS
to powered studio monitors, OR connect a pair of stereo headphones to the
HEADPHONE OUTPUT
5. Connect a GNXFC Foot Controller (optional) to the GNX3000’s FOOTSWITCH
JACK
.
.
6
6. Connect the GNX3000 to your computer’s USB JACK using the included USB
cable.
ATTENTION: Refer to the “Installing the GNX3000’s Software Suite” section on page
101 before connecting the GNX3000 to the USB port on your PC and using Pro Tracks
Plus.
7. Connect a MIDI keyboard to the GNX3000’s MIDI IN and OUT/THRUJACKS
using 5 Pin MIDI cables.
8. Press the GNX3000’s OUTPUT SETUP
output mode using the DATA WHEEL
9. Turn Speaker Compensation on for the XLR OUTPUTS
See page 24 for more information about Speaker Compensation.
button and select STEROALL as the
.
(see page 24).
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
7
Programming Matrix
Control Panel
Highlights of the GNX3000
Highlights of the GNX3000
This section gives you a breakdown of the GNX3000’s main areas.
The Programming Matrix
This panel is divided into two main sections: the Amp/Cabinet section and the Effects
section. If the Amp/Cabinet section is active, you can select and adjust amp and
cabinet models and configurations. If the Effects section is active, you can select and
adjust effects. The knobs adjust settings for whichever section is active.
The Control Panel
These buttons control several “nuts and bolts” operations of the GNX3000. You can
use them to change the footswitch mode you’re in (page 36), choose output options
(page 20), audio setup for recording
save preset settings
(page 92), and perform many other functions.
(page 31), control the drum machine (page 99),
GNX3000 Owner’s Manual
8
The Expression Pedal
Expression Pedal
Down/Up Footswitches
The EXPRESSION PEDAL can control up to three parameters at a time for any preset.
For example, you could assign Chorus speed, Chorus depth, and volume to the
EXPRESSION PEDAL so that they all increase when you rock it forward, and decrease
when you rock it backward. See page 75 for more information about assigning
functions to the EXPRESSION PEDAL
.
GNX3000 Owner’s Manual
You can turn the Wah pedal on or off by rocking the EXPRESSION PEDAL all the way
forward (toe down), and pressing down firmly on the toe until
WAH ON or WAH
OFF appears in the display.
Down/Up Footswitches
Depending on the mode, these footswitches select drum patterns or navigate through
presets and preset banks. See page 36 for more on modes.
GNX3000 Owner’s Manual
9
Footswitches 1-5
Highlights of the GNX3000
Footswitches 1-5
Depending on the mode, these five footswitches select presets, change amp channels,
turn individual effects on and off, control drum machine operations, and give you
Hands-Free
press pairs of
effects or the entire preset, access the tuner, or change the Footswitch modes.
TM
recording operation when recording on your computer. You can also
footswitches to activate the Learn-A-LickTM feature, bypass individual
GNX3000 Owner’s Manual
10
GNX3000 Special Features
This section describes some of the GNX3000’s unique characteristics in simple, easyto-understand language and directs you to the pages where you can learn more about
them.
Modes
The GNX3000 operates in one of three different modes. The active mode corresponds
directly to what functions the footswitches control. The modes are called
Stompbox, and Record/Drum. These modes are described in detail on page 36. The
short description goes like this:
presets;
settings with the FOOTSWITCHES;
of the recording and drum machine functions.
To change modes, switch amp channels, and turn effects on and off, press the
MODE button (to the right of the DATA WHEEL) or step on FOOTSWITCHES 4 and 5
simultaneously. Each time the mode is changed, the name of the new mode will be
displayed briefly.
Stompbox Mode lets you change between individual presets and modify their
Preset Mode lets you easily change between groups of
Record/Drum Mode gives you Hands-FreeTM control
Preset,
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
Amp Channels 1 and 2
Not only does the GNX3000 let you choose from a garage full of simulated amp head
and cabinet combinations (page 44), you can set up two different combinations within
the same preset and quickly switch back and forth between them.
For example, you can set up a
Channel 1 and a ‘65 Fender
play through either amp by switching channels with the AMP CHANNEL FOOTSWITCH
(FOOTSWITCH 1) when the GNX3000 is in Stompbox Mode.
Mesa/Boogie® Dual RectifierTM model amp on
®
Deluxe Reverb® amp model on Channel 2. You can
Amp Channel - Warped
A third channel can exist in addition to Channel 1 and Channel 2; we call this the
Warped channel (yellow LED). Choose the Warped channel to hear a unique amp and
cabinet combination based on the amps and cabinets assigned to the
Channel 2.
Refer to the Amp Channel Footswitch section on page 76 for more information.
Channel 1 and
HyperModels
A HyperModelTM is a custom user amp and cabinet model that is made by warping
two different amp/cabinet combinations together. You can select a HyperModel like
any other amp/cabinet model.
See page 81 for details about how to create a HyperModel; see page 44 for more on
amp and cabinet models.
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
11
11
Getting Familiar with the GNX3000
Getting Familiar with the GNX3000
The Front Panel
GNX3000 Owner’s Manual
1. Footswitches 1-5
Depending on the selected mode, these five FOOTSWITCHES select presets, change
amp channels, turn individual effects on and off, and control drum machine and
recording operations. Learn-A-Lick
accessed by pressing the labeled pair of FOOTSWITCHES
TM
, Bypass, Tuner and Mode functions are
.
2. Effect Select Buttons
The and EFFECT SELECT buttons are used together with the Matrix LEDs
to choose the effects you want to edit.
12
3. Amp Control Buttons
The four AMP CONTROL buttons are used to select one of the amp/cabinet model
edit rows including: CHAN ONE EQ
(Red), and TONE (Silver).
(Green), GENETX(Yellow), CHAN TWO EQ
4. Status button
The STATUS button has multiple functions that depend on the matrix row that is
selected. For example:
GNX3000 Owner’s Manual
With the CHAN ONE EQ (Green) row selected, the STATUS
One’s EQ on and off.
With the
selects which amp you are listening to: Channel One, Channel Two, or the Warped
Amp (if a Warped state between both channels exists).
With the CHAN TWO EQ (Red) row selected, the STATUS
Two’s EQ on and off.
With the TONE (Silver) row selected, the STATUS
listening to: Channel One, Channel Two, or the Warped Amp (if a Warped state
between both channels exists). The Amp Gain, Bass, Midrange, Treble, and Amp
Levels alternate between editing Channel One’s (lit green) or Channel Two’s (lit
red) amp settings as the STATUS
When editing effects in the Effect Matrix, the STATUS button turns the selected
effect on and off, or selects a controller type for the expression assignment.
GENETX (Yellow) amp/cabinet model row selected, the STATUS button
button selects which amp you are
button is pressed.
button turns Channel
button turns Channel
5. Knobs 1-5
After selecting one of the rows using the AMP CONTROL or EFFECT SELECT buttons,
these five knobs adjust the parameters listed in the column directly above or below
each knob.
6. Matrix
a. GeNetX™ Amp Controls Matrix
The GeNetX Amp Controls Matrix lists the Channel One and Channel Two
amp types, cabinet types, EQ/tone controls, and cabinet tuning parameters
available for editing in each preset.
b. Effects Matrix
The Effects Matrix lists the effects and effect parameters available for editing
in each preset.
GNX3000 Owner’s Manual
13
Getting Familiar with the GNX3000
7. Displays
The Displays give feedback of the various functions that are being used in the
GNX3000, including preset name, editing functions,
machine settings.
8. Preset Bank LEDs
The Preset Bank LEDs indicate whether the selected preset resides in the User,
Factory 1, or Factory 2 banks.
9. Data Wheel
The DATA WHEEL is a multi-function control used for selecting presets and editing
preset parameters. It is also used for adjusting the settings of the Drum Machine,
Utilities, Output Setup, Mic/Line Routings, and Recording Setup menus.
10. Status Indicator LEDs (Clip, Wah, and USB Active)
There are three Status Indicator LEDs. The CLIP LED illuminates when one of the
four input signals clip (is at or above their maximum input level), The WAH PEDAL
LED lights when the Wah pedal is active. The
connection is active.
tuner, utility menus, and drum
USB LED lights when the USB
11. Control Panel Buttons
The Control Panel buttons are used to select the GNX3000’s Footswitch Modes,
Output Setups, and Utility functions, and to store Amp/Cabinet Model edits and
Preset changes. They also access the GNX3000’s Drum Machine functions as well
as mic/line routing and USB input source routing for recording. The buttons are
labeled as follows:
MODE - This button changes the functionality of the DOWN/UP FOOTSWITCHES
and FOOTSWITCHES 1-5 (see the Footswitch Functions for Modes section on page
94
). Each time the mode is changed, the name of teh new mode is displayed
briefly.
OUTPUT SETUP - This button selects one of the GNX3000 Audio Output Setups:
Stereo All, Mono All, Mono 1/4”, Mono XLR, Split 1 and Split 2. Stereo and Mono
All have all the input sources (guitar, mic, line inputs, drums, and audio playback
from USB) routed to both output pairs in either stereo or mono respectively. Split 1
routes the guitar signal to just the 1/4” OUTPUTS while all other sources are routed
out the XLR OUTPUTS. Split 2 is the same as Split 1 but the guitar signal is also
routed out the XLR OUTPUTS. See page 24 for more information about Speaker
Compensation for XLR and 1/4” OUTPUTS
.
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
UTILITY - This button accesses the GNX3000’s global functions including:
Volume Pedal Update, Expression Pedal Calibration, Preset Bounceback, Bank
Naming, MIDI Channel selection, Sysex Bulk Dump, MIDI Preset Dump, User
14
14
HyperModel™ Amp Dump, MIDI Mapping, MIDI Merge, USB Mode and Factory
Reset
(see the Utilities section on page 118).
AMP SAVE - This button stores Amp and Cabinet changes (tone, gain, level, amp
type, cabinet type, warp, EQ or cabinet tuning) as HyperModels
TM
.
STORE - This button is used to save Preset edits to the User Presets bank.
(STOP/PLAY) DRUMS - This button is used to turn the General MIDI
Drum Machine on and off. See page 99 for a list of drum patterns and page 128
for a list of samples.
PATTERN - Pressing this button and using the DATA WHEEL selects Drum
machine patterns.
LEVEL - Pressing this button and using the DATA WHEEL adjusts the Drum
Machine output level.
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
TEMPO - Pressing this button and using the DATA WHEEL adjusts the Drum
Machine.
SHIFT - When this button is lit, the secondary functions labeled below each
button are now active.
USB 1-2 SRC - Selects what input sources are to be recorded up the USB 1-2
channels.
USB 3-4 SRC - Selects what input sources are to be recorded up the USB 3-4
channels.
MIC - Selects the Mic Input Routing menu and how the mic signal is routed
through the GNX3000’s effects processing for both recording and live
performance.
LINE - Selects the Line Input Routing menu and how both LINE INPUTS are
routed through the GNX3000’s effects processing for both recording and live
performance.
USB 1-2 LVL - A gain/attenuation control to optimize the level of sources
being recorded up the USB 1-2 channels.
USB 3-4 LVL - A gain/attenuation control to optimize the level of sources
being recorded up the USB 3-4 channels.
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
15
15
Getting Familiar with the GNX3000
PREV/NEXT - Use these buttons to scroll through the active selection’s menus or
values.
EXIT -Exits all functions back to the preset name display.
12. Down/Up Footswitches
These FOOTSWITCHES move up and down through the User preset banks (Preset
Mode), navigate through presets (
(Record/Drum Mode).
USB PLAY MIX - Controls the level balance between the GNX3000’s
processing and the USB stream played back from your computer. This button
is inactive when there is no active USB connection to a computer. The display
will read
NOTE: When connected to the computer it is possible to lose your audio input
signal levels from the GUITAR,
control is all the way down (
NO USB if the button is pushed for this case.
MIC, and/or LINE INPUTS if the USB Play/Mix
GNX mix = 0).
Stompbox Mode), and select drum patterns
13. Expression Pedal
The EXPRESSION PEDAL controls up to three effect parameters in real time. Most
GNX3000 parameters can be assigned to the EXPRESSION PEDAL. Applying extra
pressure to the toe of the EXPRESSION PEDAL changes the EXPRESSION PEDAL’s
function to control the Wah
.
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
16
16
The Rear Panel
1
23456789 1011
12
1314
15
1. Guitar/Instrument Input
Connect your guitar/instrument to this jack.
2. Mic Level
Controls the gain of the MIC INPUT preamp.
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
3. Microphone Input
Connect a low impedance microphone to this jack for recording vocals or acoustic
instruments. It can also be used for the Talker
page 57). The mic signal can remain dry or processed through the GNX3000’s
effects for live and recording applications (see page 25 for more information). The
Microphone Input is equipped with built-in phantom power (which is always on)
for use with condenser or ribbon mics that require phantom power.
™
Vocoder effect (see Talker on
4. Left/Right Balanced Line Inputs
Connect line level sources to these jacks for recording or live performance
mixing into the GNX3000. Line signals can remain dry or be processed through
the GNX3000’s effects for live and recording applications (see page 25 for more
information).
5. Output Level (1/4” Outputs Only)
Controls the overall volume level of the 1/4" OUTPUTS of the GNX3000.
6. Left/Right 1/4" Balanced Line Outputs
Connect these outputs to your guitar amplifier(s), power amplifier(s), or to a
mixing console that accepts
1/4" balanced connections.
7. Output Level (XLR and Headphone Outputs Only)
Controls the overall volume level of the balanced XLR and HEADPHONE OUTPUTS
of the GNX3000.
17
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Getting Familiar with the GNX3000
8. Left/Right XLR Balanced Outputs
Connect these outputs to your power amplifier/speaker system or to a mixing
console that accepts XLR balanced connections. DigiTech
do not connect these GNX3000 XLR outputs to mixer or console channels that
have phantom power enabled.
9. Headphone Output
Connect a pair of stereo headphones to this jack. DO NOT connect a mono plug to
this jack, as it may damage the output driver.
10. Footswitch
(OPTIONAL ) Connect a GNXFC footswitch to this jack for remote control of the
GNX3000’s record functions.
11. USB Jack
Connect this jack to your computer’s USB port for hard disk recording and
computer preset editing via the X-Edit
USB cable is included. The GNX3000 is compatible with USB 2.0 high speed ports,
however the USB 2.0 bus will switch to a USB v1.1 full speed (up to 12 Mbps) data
rate to work with the GNX3000.
®
recommends that you
™
Editor/Librarian software. A standard
ATTENTION: Refer to the “Installing the GNX3000’s Software Suite” section on page
101 before connecting the GNX3000 to the USB port on your PC and using Pro Tracks
Plus.
12. MIDI In
The MIDI In jack receives all incoming MIDI data including MIDI preset
changes. MIDI preset changes and CC control messages received from external
MIDI devices connected to the MIDI In jack can be used to control the GNX3000
and its preset parameters. When the GNX3000 is connected to the computer
via USB, the MIDI In can be used as a MIDI interface for recording any MIDI
data in Pro Tracks Plus
MIDI CC table.)
™
or other MIDI recording software. (See page 129 for the
13. MIDI Out/Thru
The MIDI Out/Thru jack sends MIDI data from the GNX3000 MIDI preset
changes. When the GNX3000 is connected to the computer via USB, it can act as
a MIDI interface for sending MIDI data from Pro Tracks Plus
recording software to external keyboards or sound modules. When MIDI Merge
is enabled in the Utility menu, the MIDI Out acts as a MIDI Thru for any data
coming into the GNX3000 from the MIDI In jack. (See page 129 for the MIDI CC
table.)
™
or other MIDI
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18
14. Power Switch
Turns the power on and off.
15. Power Input
Connect only the provided DigiTech PSS3 power supply to this jack.
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19
Audio Routing Setups
Audio Routing Setups
Setups Introduction
The GNX3000 is equipped with four inputs and four outputs that can be configured
several different ways for both live and recording applications. These settings determine
which pair of outputs the guitar processing, MIC and LINE INPUTS are routed to and
how the MIC or LINE INPUTS are routed through the GNX3000’s effects processing.
For example, today you may be practicing with headphones, tomorrow you may be
recording on your computer, and next week you might be performing at a club, running
your guitar and vocals through monitors and a PA system. The GNX3000 has different
input/output options that are designed for each of those situations, and more.
Output Setups
The GNX3000 features both 1/4" and XLR OUTPUTS on the rear panel. These jacks let
you simultaneously connect the GNX3000 to an amplifier/speaker system on stage via
the 1/4" OUTPUTS and connect directly to your PA system via the XLR OUTPUTS.
Press the OUTPUT SETUP button and turn the DATA WHEEL to select one of the Output
Setup options. Press the EXIT button to save your selection.
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20
20
The six OUTPUT SETUPS are as follows:
Mic Input
Guitar Input
Line Left
Line Right
mic rvbmic dry
line rvb line dry
DRUMS &
USB PLAYBACK
SC
mic fx
line fx
= Speaker Compensation Module
Delay
Reverb
+
+
XLR Left Output
XLR Right Output
1/4" Left Output
1/4" Right Output
+
+
+
SC
SC
SC
SC
Pickup
Sim
Wah
Comp
Stompbox
CH 1
Cabinet
Comp
Detector
Gate
Detector
Whammy/IPS
(except
Talk
er)
CH 1 Amp
Modeling/
Tone
CH 1
Cabinet
CH 1 Amp
Modeling/
Tone
CH 2
Cabinet
CH 2 Amp
Modeling/
Tone
Gate
Whammy/IPS
(Talker)
Chorus/
Mod
+
+
Mic Input
Guitar Input
Line Left
Line Right
mic rvbmic dry
line rvb line dry
SC
= Speaker Compensation Module
mic fx
line fx
Delay
Reverb
+
+
XLR Left Output
XLR Right Output
1/4" Left Outpu
t
1/4" Right Output
+
+
+
SC
SC
SC
SC
Pickup
Sim
Wah
Comp
Stompbox
CH 1
Cabinet
Comp
Detector
Gate
Detector
Whammy/IPS
(except
Talk
er)
CH 1 Amp
Modeling/
Tone
CH 1
Cabinet
CH 1 Amp
Modeling/
Tone
CH 2
Cabinet
CH 2 Amp
Modeling
/
Tone
Gate
Whammy/IPS
(Talker)
Chorus/
Mod
+
+
+
+
DRUMS &
USB PLAYBACK
Stereo All ( steroall )
All input sources (guitar, mic, line inputs, drums, and USB playback) are routed
to both output pairs in stereo. Speaker Compensation can be turned on and off
independently for either the 1/4” or XLR OUTPUTS using the Speaker Compensation
menus (see page 24).
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
Mono All ( mono all)
All input sources (guitar, mic, line inputs, drums, and USB playback) are routed to both
output pairs in mono. Speaker Compensation can be turned on and off independently
for either the 1/4” or XLR OUTPUTS using the Speaker Compensation menus (see page
24).
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21
Mic Input
Guitar Input
Line Left
Line Right
mic rvbmic dry
line rvb line dry
SC
mic fx
line fx
= Speaker Compensation Module
Delay
Reverb
+
+
XLR Left Output
XLR Right Output
1/4" Left Output
1/4" Right Output
+
+
+
SC
SC
SC
SC
Pickup
Sim
Wah
Comp
Stompbox
CH 1
Cabinet
Comp
Detector
Gate
Detector
Whammy/IPS
(except
Talker)
CH 1 Amp
Modeling/
Tone
CH 1
Cabinet
CH 1 Amp
Modeling/
Tone
CH 2
Cabinet
CH 2 Amp
Modeling
/
Tone
Gate
Whammy/IPS
(Talker)
Chorus/
Mod
+
+
+
DRUMS &
USB PLAYBACK
Mic Input
Guitar Input
Line Left
Line Right
mic rvbmic dry
line rvb line dry
SC
mic fx
line fx
= Speaker Compensation Module
Delay
Reverb
+
+
XLR Left Output
XLR Right Output
1/4" Left Output
1/4" Right Output
+
+
+
SC
SC
SC
SC
Pickup
Sim
Wah
Comp
Stompbox
CH 1
Cabinet
Comp
Detector
Gate
Detector
Whammy/IPS
(except
Talker)
CH 1 Amp
Modeling
/
Tone
CH 1
Cabinet
CH 1 Amp
Modeling
/
Tone
CH 2
Cabinet
CH 2 Amp
Modeling
/
Tone
Gate
Whammy/IPS
(Talker)
Chorus/
Mod
+
+
+
DRUMS &
USB PLAYBACK
Audio Routing Setups
Mono 1/4 ( mono 1/4 )
All input sources (guitar, mic, line inputs, drums, and USB playback) are routed to the
1/4" OUTPUTS in mono. All input sources routed to the XLR OUTPUTS maintain stereo
separation. Speaker Compensation can be turned on and off independently for either
the 1/4” or XLR OUTPUTS using the Speaker Compensation menus (see page 24).
Mono XLR ( mono xlr )
All input sources (guitar, mic, line inputs, drums, and USB playback) are routed to the
XLR OUTPUTS in mono. All input sources routed to the 1/4” OUTPUTS maintain stereo
separation. Speaker Compensation can be turned on and off independently for either
the 1/4” or XLR OUTPUTS using the Speaker Compensation menus (see page 24).
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22
Split 1 ( split1 )
Mic Input
Guitar Input
Line Left
Line Right
mic rvbmic dry
line rvbline dry
SC
mic fx
line fx
= Speaker Compensation Module
SC
SC
DRUMS &
USB PLAYBACK
Delay
Reverb
+
+
+
+
XLR Left Output
XLR Right Output
1/4" Left Output
1/4" Right Output
Pickup
Sim
Wah
Comp
Stompbox
CH 1
Cabinet
Comp
Detector
Gate
Detector
Whammy/IPS
(except
Talker)
CH 1 Amp
Modeling
/
Tone
CH 1
Cabinet
CH 1 Amp
Modeling
/
Tone
CH 2
Cabinet
CH 2 Amp
Modeling
/
Tone
Gate
Whammy/IPS
(Talker)
Chorus/
Mod
+
Mic Input
Guitar Input
Line Left
Line Right
mic rvb mic dry
line rvbline dry
mic fx
line fx
DRUMS &
USB PLAYBACK
Delay
Reverb
+
+
+
XLR Left Output
XLR Right Output
1/4" Left Output
1/4" Right Output
SC
SC
SC
= Speaker Compensation Module
Pickup
Sim
Wah
Comp
Stompbox
CH 1
Cabinet
Comp
Detector
Gate
Detector
Whammy/IPS
(except
Talker)
CH 1 AmpModeling/
Tone
CH 1
Cabinet
CH 1 Amp
Modeling/
Tone
CH 2
Cabinet
CH 2 Amp
Modeling/
Tone
Gate
Whammy/IPS
(Talker)
Chorus/
Mod
+
SC
SC
+
Stereo guitar processing and any inputs routed through the GNX3000’s guitar
processing are routed to the 1/4" OUTPUTS. Audio playback from the computer,
dry, line dry and drums is routed to the XLR OUTPUTS. Speaker Compensation can
be turned on and off independently for either the 1/4” or XLR OUTPUTS using the
Speaker Compensation menus (see page 24).
mic
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
Split 2 ( split2 )
SPLIT2 is the same as SPLIT1 but the guitar processing is also routed out the XLR
OUTPUTS
.
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23
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Audio Routing Setups
Speaker Compensation
Both the 1/4” and XLR OUTPUTS can be used in a variety of ways. They can be plugged
directly into guitar combo amp inputs, XLR inputs on a power amp connected to
an external speaker cabinet, into mixer channels, and directly into full range studio
monitors. Depending on which application you are using them for, you can enable or
disable Speaker Compensation on either output pair independently.
Speaker Compensation is to be used when the outputs of the GNX3000 will be played
through a full range speaker system and emulates the rolled off response that a guitar
cabinet normally provides without having to use one. An example of where you would
want Speaker Compensation turned on is when the outputs are connected to a mixer
which is connected to your band’s PA system, or when plugging the outputs directly
into powered studio monitors while recording.
When running into the front end of an amp or into a power amp connected to a guitar
speaker cabinet, you will most likely want Speaker Compensation disabled on the
outputs that are being used. If you want to use one set of outputs for running into
a guitar amp and the other pair for running direct to the PA, just enable Speaker
Compensation on the outputs connected to the mixer.
To enable or disable Speaker Compensation, follow these steps:
1. Press the OUTPUT SETUP button.
2. Use the NEXT button to select
WHEEL to turn Speaker Compensation on or off (the default factory setting is
SC XLR in the DISPLAY and use the DATA
on).
3. Press the NEXT button again to select
WHEEL to turn Speaker Compensation on or off (the default factory setting is
SC 1/4 in the display and use the DATA
off).
4. Press the EXIT button.
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24
Mic and Line Setups
Mic
Button
Line
Button
Shif
t
Button
You can configure the MIC and LINE INPUTS routing for live performance and
recording applications. The GNX3000 acts as a mixing device for
INPUTS, and can eliminate the need for a mixer when the outputs are to be plugged
directly into a full-range powered speaker system. When enabled, these inputs can be
routed around or through some or all of the effects processing and then mixed directly
into the GNX3000’s 1/4” and XLR OUTPUTS.
Use the SHIFT>MIC and SHIFT>LINE buttons along with the DATA WHEEL to select the
Mic/Line Setup options.
MIC and LINE
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
Both MIC and LINE INPUTS have four settings that can be independently selected.
They are as follows:
MIC OFF/LINE OFF - MIC and LINE INPUTS are disabled.
MIC DRY
bypassing all effects processing.
MIC RVB
of the current preset.
MIC FX
preset.
/LINe DRY - MIC and LINE INPUTS are routed directly to GNX3000’s outputs,
/LINe RVB - MIC and LINE INPUTS are routed through delay and reverb effects
/LINE FX - MIC and LINE INPUTS are routed through all effects of the current
For more information about how these settings are routed, refer to the charts on pages
21 through 23.
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GNX3000 Owner’s Manual
Optimizing the Mic and Line Input Levels
Optimizing the Mic and Line Input Levels
To properly use MIC and LINE INPUTS for recording, it is best to optimize their levels
for best signal to noise performance. This can be done one of two ways on the
GNX3000:
Mic Level Optimization
The MIC INPUT has an input level that can be used for optimizing the levels for singing
live, recording tracks to the computer, and matching levels with your guitar. While
singing or during an acoustic performance, adjust the MIC INPUT level on the back
panel of the GNX3000 until the CLIP LED next to the CONTROL PANEL lights only
occasionally during the loudest parts of the performance.
Line Level Optimization
When an external source such as an electronic keyboard or a submix from an external
mixer is brought into the GNX3000’s LINE INPUTS, it is ideal to have enough level
control to optimize these signals from the source. If the signal is weak and cannot
be made strong enough from the source, you can increase the USB 1-2 level or USB
3-4 level until the CLIP LED lights only occasionally during the loudest parts of the
performance.
See more in the
recording application’s User’s Guide for more information on proper level adjustment
for recording.
Computer Recording via USB section of this manual and your
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26
Hooking It Up
Guitar InputLeft 1/4" Balanced Output
Amplifier
Live Performance Setups
The GNX3000 was designed to be extremely flexible to meet any of your application
needs. For many GNX3000 users, its primary purpose will be for use in live
performances. The following diagrams show examples of how to utilize the GNX3000
in typical live performance applications.
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
NOTE: Before making connections to the GNX3000, make sure both the GNX3000
and your amplifier(s) are turned OFF.
Small Club Setup (Mono Amp Rig)
This diagram demonstrates a minimum setup for using the GNX3000 in a typical, small
club performance setup. All you need is your guitar, two guitar cables, and an amp. This
connection scheme also applies for use with a power amp/speaker cabinet rig.
1. Connect your guitar to the GNX3000’s GUITAR INPUT.
2. Connect a single mono instrument cable from the LEFTof the GNX3000 to the instrument input or the effect return on your amplifier.
3. Press the GNX3000’s OUTPUT SETUP button and select "
the DATA WHEEL
4. Turn
OFF Speaker Compensation for the 1/4" BALANCED OUTPUTS in the 1/4”
Speaker Compensation
.
menu (described on page 24).
1/4" BALANCED OUTPUT
MONO 1/4" mode using
NOTE: When connecting the GNX3000 to a guitar amp(s), it may be best to connect
the GNX3000’s Output to your amp’s effects return to avoid coloration of the tone
due to the amplifier’s tone controls.
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27
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Amplifier
Guitar Input
1/4" Balanced Outputs
Amplifier
Hooking It Up
Medium Stage Setup (Stereo Amp Rig)
Whether your gig is at a large club or a small hall, nothing beats running your guitar
in stereo. This diagram demonstrates a typical setup using your GNX3000’s
OUTPUTS, and two guitar combo amps.
1. Connect your guitar to the GUITAR INPUT.
2. Connect mono instrument cables from the LEFT and RIGHT 1/4” BALANCED OUTPUTS of the GNX3000 to the instrument inputs or the effect returns on
your amplifiers.
3. Press the
DATA WHEEL
4. Switch the Speaker Compensation for the 1/4”
OUTPUT SETUP button and select “STEROAll” mode using the
.
BALANCED OUTPUTS to OFF in
the Speaker Compensation menu described on page 24.
LINE
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28
Large Stage Setup (Stereo Amp/Cabinet Rig)
Stereo Power Amp
2- Speaker Cabs
Guitar Input
PA
Speaker (Left)
XLR Balanced Outputs
1/4" Balanced
Outputs
PA Speaker (Right)
Pan
Mute
-10
0
+5
+10
-20
-30
-
-5
L / R
Mute
L /
R
Mute
L / R
Mute
L / R
-5
-4
-3
-2
-1
0
+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-1
0
+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-1
0
+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-1
0
+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-1
0
+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-1
0
+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-1
0
+1
+2
+3
+4
+5
Pan
-5
-4
-3
-2
-1
0
+1
+2
+3
+4
+5
1 2 3 4
-10
0
+5
+10
-20
-30
-
-5
-10
0
+5
+10
-20
-30
-
-5
-10
0
+5
+10
-20
-30
-
-5
Mute
L /
R
5
-10
0
+5
+10
-20
-30
-
-5
Mute
L /
R
6
-10
0
+5
+10
-20
-30
-
-5
Mute
L /
R
-10
0
+5
+10
-20
-30
-
-5
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Aux 1
0
2
4 6
8
10
Aux 2
0
2
4 6
8
10
Mute
L /
R
-10
0
+5
+10
-20
-30
-
-5
Mixer
A large stage rig lets you really pull out all the stops since space isn’t necessarily an
issue, but volume usually is. For this application, plug your guitar into the GNX3000
and connect mono instrument cables from the 1/4" OUTPUTS into a stereo power
amp feeding two cabinets. Using two cabinets gives you much more dramatic stereo
separation and helps widen the sweet spot for your sound when you move onstage.
Another great idea is to run the XLR OUTPUTS directly into the house P.A. and have
the sound engineer control your front of house volume in the overall mix. Then if
you need to turn up your stage volume, you won’t upset him by trying to rebalance
your guitar volume in the house mix. This diagram demonstrates a typical, large stage
performance setup.
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
1. Connect your guitar to the GUITAR INPUT.
2. Press the GNX3000’s
output mode using the DATA WHEEL
3. Connect mono instrument cables from the GNX3000’s LEFT LINEOUTPUTS to a stereo power amplifier and switch the 1/4” OUTPUTS
Speaker Compensation
OUTPUT SETUP button and select “STEROALL“ as the
.
to OFF in the Speaker Compensation menu (described
and RIGHT 1/4"
on page 24).
4. Connect XLR cables from the GNX3000’s Left and Right XLR OUTPUTS to the
house P.A. mixer and switch the XLR OUTPUTS
Speaker Compensation
to ON.
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GNX3000 Owner’s Manual
Guitar Input
Microphone
Input
Left 1/4" Balanced Output
Microphone
Amplifier
Hooking It Up
Talker
TM
Performance Setup
The built-in Talker effect creates a talk box effect. To use this effect you must plug a
microphone into the GNX3000’s MIC INPUT and select one of the five Talker types in
the Whammy
™
/IPS/Talk module of a preset. Then as you play your guitar talk into the
microphone to emulate the talk box effect. The Talker can be used with any output
setup, but for this diagram it will be shown in conjunction with a mono amp rig.
1. Connect your guitar to the GNX3000’s GUITAR INPUT.
2. Press the GNX3000’s OUTPUT SETUP button and select "
output mode using the DATA WHEEL
3. Connect a single mono instrument cable from the Left 1/4"
the GNX3000 to the instrument input or the effect return on your amplifier
and switch the 1/4"
Speaker Compensation
4. Connect a microphone to the GNX3000’s MIC INPUT using an XLR cable.
5. Select one of the five Talker types in the Whammy/IPS/Talk module of a preset.
6. Use the MIC LEVEL control knob located next to the MIC INPUT on the
GNX3000’s rear panel to adjust the microphone output level. To adjust your
microphone input level for optimal use see Mic Level Optimization
page 26.
MONO 1/4" as the
.
LINE OUTPUT of
BALANCED OUTPUTS Speaker Compensation to OFF in the
menu described on page 24.
on
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30
30
Computer Recording Setup
Guitar
Input
Line Inputs
XLR
Balanced
Outputs
MIDI Keyboard
MIDI
Audio
Microphone
Headphones
Powered Studio Monitor
Powered Studio Monitor
USB Cable
Computer
GNXFC Foot Controller
(Optional)
Mic Input
The GNX3000 offers tremendous flexibility for recording applications. Shown below is
a typical recording setup.
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
At the heart of your recording studio, the GNX3000 serves both as your guitar processor
and audio/MIDI interface. With MIC INPUT, LINE INPUTS, and MIDI I/O, you have a full
featured interface for recording almost any source you can think of. Connect your guitar
or bass to the GNX3000’s GUITAR INPUT and use the amp models for tracking your
guitar and bass parts. Next, plug in the mic and get your vocal or acoustic performance
nailed. You can even add line level instruments or feeds from submixes in and record
these and all of this completely hands-free. Even your MIDI keyboard performance can
be recorded so you can try the part with different synth voices later. Since the GNX3000
has professional BALANCED OUTPUTS, you can plug directly into your favorite powered
monitors and get the bonus of latency free recording to boot. For more information about
computer recording, see page 101.
1. Connect your guitar (or bass guitar) to the GNX3000’s GUITAR INPUT
2. Connect a microphone to the GNX3000’s MIC INPUT and use the MIC LEVEL
.
control knob located next to the MIC INPUT on the GNX3000’s rear panel to
adjust the microphone output level. To adjust your microphone input level for
optimal use see Mic Level Optimization
3. Connect a pair of stereo headphones to the HEADPHONE OUTPUT
on page 26.
.
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31
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Computer Recording Setup
4. Connect a keyboard, line level instrument, or stereo mixer (for feeding
submixes) to the GNX3000’s LEFT
input levels for optimal use see Line Level Optimization on page 26.
5. Connect a GNXFC Foot Controller (optional) to the GNX3000’s Footswitch
jack.
6. Connect a MIDI keyboard to the GNX3000’s MIDI IN and OUT/THRU
using 5 Pin MIDI cables.
7. Press the GNX3000’s OUTPUT SETUP button and select “
output mode using the DATA WHEEL
8. Connect XLR cables from the GNX3000’s LEFT and
to powered studio monitors and set XLR Speaker Compensation
(described on page 24).
9. Connect the GNX3000 to your computer’s USB jack using the included USB
cable.
ATTENTION: Refer to the “Installing the GNX3000’s Software Suite” section on page
101 before connecting the GNX3000 to the USB port on your PC and using Pro Tracks
Plus.
and RIGHT LINE INPUTS. To adjust your line
jacks
STEROALL” as the
.
RIGHTXLR OUTPUTS
to ON
GNX3000 Owner’s Manual
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32
Applying Power
Before applying power to anything, set your amp(s) to a clean tone and set the
tone controls to a flat EQ response (on most amps, this would be 0 or 5 on the tone controls). Then do the following:
1. Turn your amp’s volume all the way down.
2. Pull the mixer’s master faders all the way down.
3. Turn the GNX3000’s OUTPUT LEVEL KNOBS all the way down (fully counter-
clockwise)
4. Connect the plug of the PSS3 power supply to the GNX3000’s POWER JACK.
Connect the other end of the PSS3 power supply to an AC outlet.
5. Turn the GNX3000’s power on.
6. Turn your amplifier
7. Push the mixer’s master faders up to the desired listening level.
8. Gradually increase the GNX3000’s Output Levels to the desired listening level.
.
(s) on and adjust the volume(s) to a normal playing level.
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33
33
NAME
64
Preset Name Preset Number
LEDs indicate whether a User,
Factory 1, or Factory 2 preset
is active.
About the GNX3000
About the GNX3000
Presets
A preset is a named and numbered location of a programmed sound that resides in
the GNX3000. Presets can be recalled with the FOOTSWITCHES or the DATA WHEEL.
The GNX3000 comes with 65 Factory 1, 65 Factory 2, and 65
Presets do not let you store changes to them. The User presets let you store changes.
From the factory, the 65 User presets are exact duplicates from the 65 Factory 1 and
Factory 2 presets. This lets you create your own presets without worrying about losing
any of the original presets. When you select a preset, the name of the preset appears in
the green display and the number of the preset appears in the red numeric display. The
USER LED to the left of the DATA WHEEL lights indicating the User preset is active, or
the FACTORY 1 or FACTORY 2 LED lights indicating a Factory preset is active.
User presets. The Factory
Learn-A-Lick
The Learn-A-LickTM function lets you record a nine second passage of music and play
it back as slowly as 1/4 the original speed with no change in pitch. This is very useful
for picking out the notes of a fast guitar solo.
There are five Learn-A-Lick functions. They are:
• Stop (Controlled by FOOTSWITCH 1)
• Rewind (Controlled by FOOTSWITCH 2)
• Record (Controlled by FOOTSWITCH 3)
• Play (Controlled by FOOTSWITCH 4)
• Playback Speed (Controlled by the DOWN/UP FOOTSWITCHES)
Using Learn-A-Lick
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34
34
TM
1. Connect the player’s headphone output to the LINE INPUTS on the rear panel
of the GNX3000. Set the volume level of the player to match the level of your
guitar.
2. Find the passage you want to record and pause the Tape, CD, or MP3 player.
3. Press and hold FOOTSWITCHES
1 and 2 to enter Learn-A-Lick. The display
reads: Lrn LICK
4. Release the pause button on your playback device and press FOOTSWITCH 3.
The display reads:
reference while recording is in process. When recording is complete, the
recorded passage is set in an auto-loop playback, indicated by play appearing in
the display.
5. Press Stop or Pause on the playback device.
6. Use the DOWN FOOTSWITCH to slow the playback down, or use the
FOOTSWITCH to increase the playback speed at 1/8 speed intervals.Your
interval choices include:
7. Press FOOTSWITCH 2 to step back through the loop at 1 second intervals.
8. The EXPRESSION PEDAL controls the output level of the recorded phrase.
9. To stop the playback, press FOOTSWITCH 1
10. To resume playback, press FOOTSWITCH 4
11. To record a new passage, press FOOTSWITCH 3
12. To exit Learn-A-Lick
EXIT in the control panel.
RECORD. The red numeric display provides a time elapsed
UP
FULL, 7/8, 3/4, 5/8, 1/2, 3/8, and 1/4 speeds.
.
.
.
TM
, press and hold FOOTSWITCHES 1 and 2, or press
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
Bypass
The GNX3000 presets can be bypassed for a clean, unprocessed guitar signal. Bypass
turns off all effects and modeling. To bypass the GNX3000 in Preset Mode, press the
active preset’s Footswitch (the 1-5 footswitch that is lit). To bypass the GNX3000 while
in Stompbox or Record/Drum Mode, press FOOTSWITCHES 2 and 3 simultaneously.
When the GNX3000 is bypassed, the display reads
Matrix turn off. Press any Footswitch to exit Bypass and return to the last preset. The
Matrix and Programming buttons do not function when Bypass is activated.
NOTE: If Preset Bounceback is enabled in the Utility menu, pressing the active
preset’s footswitch while in Preset Mode will not bypass the GNX3000’s effects. To
bypass the GNX3000’s presets while Preset Bounceback is enabled you must press
FOOTSWITCHES 2
and 3 simultaneously.
BYPASS and all LEDs in the
Tuner
The Tuner in the GNX3000 lets you quickly tune or check the tuning on your guitar.
Press FOOTSWITCHES 3 and 4 simultaneously to access the TUNER. The display briefly
flashes tuner. To begin tuning, play a note on your guitar (a harmonic at the 12th fret also works). The red numeric display shows the note being played, and the green
alpha-numeric display indicates whether the note is sharp or flat. Arrows to the left
(<<<) indicate the note is sharp and should be tuned down. Arrows to the right (>>>)
indicate the note is flat and should be tuned up. When your note is in tune,
-><- is displayed.
35
35
GNX3000 Owner’s Manual
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About the GNX3000
While the tuner is selected, you can set your tuning reference with the DATA WHEEL.
The default factory setting is A=440 Hz. The tuning references range from 427 Hz to
453 Hz (± 50 cents (1/2 semitone) from either direction of 440 Hz). Below 427 Hz, are
alternate dropped tunings. The alternate tunings are REF A
and REF G
(A=Gb). The display window briefly flashes the selected tuning preference.
(A=Ab), REF G(A=G),
Footswitch Modes
When you first apply power to the GNX3000, it powers up in one of three Footswitch
Modes:
different ways:
Preset, Stompbox, or Record/Drum. The Footswitch Modes are selected in two
Press the
OR
Press and hold FOOTSWITCHES 4 and 5 simultaneously.
Depending on which mode is selected, the DOWN/UP
different color. When Preset Mode is selected, these footswitches will be lit green. When
Stompbox Mode is selected, these footswitches will be lit yellow. And when Record/
Drum Mode is selected, these footswitches will be lit red. In any of the modes, the
display shows the selected preset’s name and number. The vertical LEDs on the Matrix
indicate which effects are active for the selected preset.
MODE button (located to the right of the DATA WHEEL)
FOOTSWITCH LEDs will light a
Preset Mode
The GNX3000’s Presets are grouped into thirteen banks of five presets. When
Preset Mode
thirteen User, thirteen Factory 1, or thirteen Factory 2 Banks. Successive presses of
the DOWN/UPFOOTSWITCHES advance through all User/Factory Banks. Pressing
and holding the DOWN/UP
Banks. Once a Bank is selected, FOOTSWITCHES 1-5 will flash indicating a preset
within that bank can be selected. If a preset is not selected within 5 seconds, the
GNX3000 returns to the currently selected bank and preset. A second press of an
active Preset’s footswitch bypasses the preset. Another press reloads the preset.
is active the DOWN/UPFOOTSWITCHES are used to select one of the
FOOTSWITCHES scrolls through the User/Factory
GNX3000 Owner’s Manual
For a list of presets, refer to page 133.
Preset Bounceback
Preset Bounceback is a great live performance feature that lets you switch
beween two presets with the same footswitch. For example, let’s say you select
Preset 1 using FOOTSWITCH 1 as your rhythm tone. Then you select Preset 4
using FOOTSWITCH 4 as your solo tone. You can now press FOOTSWITCH 4
again and Preset 1 will be selected again. Pressing FOOTSWITCH 4 repeatedly
will bounceback between Preset 4 and Preset 1. To enable the Preset Bounceback feature, do the following:
36
1. Press the UTILITY control panel button and use the PREV/NEXT arrow
buttons to locate the Bounceback feature. The display will read
2. Rotate the DATA WHEEL to turn the BounceBack feature on.
3. When finished press the EXIT button.
NOTE: The Preset Bounceback feature only works when the GNX3000 is in
Preset Mode. When Preset Bounceback is enabled, a preset cannot be bypassed
by pressing its footswitch repeatedly.
For more information regarding the footswitch functions for Preset Mode see page 94.
BOUNCBAK.
Stompbox Mode
Stompbox Mode is another mode of operation that can be used during a
performance. When Stompbox Mode is active, the DOWN/UP
are used to select presets. FOOTSWITCHESFOOTSWITCH 5 is used as a Tap-Tempo switch for setting the delay time during a
live performance.
For more information regarding the footswitch functions for
page 96.
1-4 turn the effects on and off.
FOOTSWITCHES
Stompbox Mode see
GNX3000 Owner’s Manual
Record/Drum Mode
When Record/Drum Mode is active, the DOWN/UP FOOTSWITCHES are used for
selecting drum patterns. FOOTSWITCHES
the Pro Tracks Plus
For more information regarding the footswitch functions for Record/Drum Mode
see page
98
.
TM
software.
1-5 are used for Hands-FreeTM control of
Expression Pedal
The EXPRESSION PEDAL can control three different parameters simultaneously in
each preset. Rock the EXPRESSION PEDAL back and forth to change the values of
the assigned parameters. Each parameter the EXPRESSION PEDAL controls has an
adjustable minimum and maximum range. The EXPRESSION PEDAL also includes a
toe switch that turns on the Wah effect and switches from controlling the parameters
assigned to the EXPRESSION PEDAL and controls the Wah.
See page 75 for more information on Expression Pedal Assignment
.
GNX3000 Owner’s Manual
37
NAME
64
AMP/CABINET
SECTION
EFFECTS
SECTION
Effect Select
Buttons
Status Button
Knobs
Amp Control
Buttons
GNX3000 Matrix Functions
GNX3000 Matrix Functions
The GNX3000 Matrix
The main panel of the GNX3000 is the Matrix. The Matrix is comprised of two main
sections, AMP/CABINET and EFFECTS. It is used to navigate through the GNX3000’s
amp/cabinet modeling and effects parameters. Upon power up, the GNX3000 defaults
to the TONE row in the AMP/CABINET section and any effects that are enabled within
a preset will have their corresponding LEDs lit in the EFFECTS section of the Matrix.
You can select one of the other three Amp Control rows, CHAN 1 EQ,
CHAN 2 EQ using the AMP CONTROL
and their parameters using the EFFECT SELECT
row indicates which row is active, while the STATUS
corresponding parameter above or below each knob.
buttons or you can select the different effects
buttons. The LED to the left of each
button and five KNOBS control the
GENETX, or
GNX3000 Owner’s Manual
38
NAME
64
AMP/CABINET
SECTION
Effect Select
Buttons
Status Button
Knobs
Amp Control
Buttons
Data Wheel
NAME
64
EFFECTS
SECTION
Effect Select
Buttons
Status Button
Knobs
Amp ControlButtons
Data Wheel
TM
Viewing/Editing GeNetX
To view or edit an amp parameter’s current value, you must first select the row in which
the parameter resides using the AMP CONTROL buttons located to the left of the amp
parameter rows. After selecting the desired row, use the STATUS button and KNOBS
to adjust the parameters. Turning a knob one click position will display the current
value of the selected parameter. If a KNOB is turned again within three seconds, the
parameter value will be changed and the new value will be displayed. If a KNOB is not
turned within three seconds, the main display returns back to the preset name.
NOTE: If a parameter name is shown in the display while editing both Amps and
Effects, the DATA WHEEL can change the value as well as the Knobs.
and Amp Parameter Values
GNX3000 Owner’s Manual
Viewing/Editing Effect Parameter Values
To view or edit an effect parameter’s current value, you must first select the row in
which the desired parameter resides by using the EFFECT SELECT buttons. They are
located to the left of the STATUS
STATUS
adjustments will show in the displays as edits are made. To exit effect editing, press the
EXIT button in the Control Panel.
button and knobs to adjust the effect’s individual parameters. Parameter
NOTE: If a parameter name is shown in the display while editing both Amps and
Effects, the DATA WHEEL can change the value as well as the Knobs.
button. After selecting the desired effect, use the
39
GNX3000 Owner’s Manual
STATUS
BUTTON
KNOB
1
KNOB
5
KNOB
4
KNOB
3
KNOB
2
GENETX ROW
GNX3000 Matrix Functions
GENETXTM Row
The GENETX row is where amp and cabinet models are selected for the current preset.
It is also where the Warp function resides allowing GeNetX
two amp models. When the
GENETX row is selected, the Knobs and STATUS button
perform the following functions:
TM
warping between the
Status button
Selects between Amp Channel 1 (Green) and Amp Channel 2 (Red) and lets
you hear each channel independently. If a Warped state (Yellow) between both
channels exists, this button also selects it and lets you hear the warped amp.
The STATUS
button’s LED will light Green, Red, or Yellow depending on which
channel is selected.
Knob 1
Selects the Channel 1 (Green) amp model and its LED is lit green.
Knob 2
Selects the Channel 1 (Green) cabinet model and its LED is lit green.
Knob 3
Warps the Channel 1 and Channel 2 amp and cabinet models together. Setting
this parameter to its minimum position selects Channel 1’s amp and cabinet only
and its LED is lit green. Setting this parameter to its maximum position selects
Channel 2’s amp and cabinet only and its LED is lit red. Setting KNOB 3 to any
other position selects a warped state, a combination of Channel 1 and 2’s amp and
cabinet models and the LED will be lit yellow.
GNX3000 Owner’s Manual
Knob 4
Selects the Channel 2 (Red) amp model and its LED is lit red.
Knob 5
Selects the Channel 2 (Red) cabinet model and its LED is lit red.
40
CHAN ONE EQ and CHAN TWO EQ Rows
STATUS
BUTTON
KNOB
1
KNOB
5
KNOB
4
KNOB
3
KNOB
2
CHAN ONE EQ & CHAN TWO EQ ROWS
The CHAN ONE EQ and CHAN TWO EQ rows are used for modifying the center
frequencies of the Bass, Midrange, and Treble controls of that reside within the TONE
Row. There is also a Cabinet Tuning control for changing the tuning of a selected
channel’s cabinet resonance, and a Presence control is available here for editing amp
tone as well. When either the CHAN ONE EQ
knobs and STATUS
button perform the following functions:
or CHAN TWO EQ row is selected, the
GNX3000 Owner’s Manual
Status button
Turns the EQ on and off for the selected channel.
Knob 1
Adjusts the Cabinet Tuning resonance of the cabinet model for the selected
channel. The Cabinet Tuning ranges are from one octave below (
octave above (
12.0).
-12.0) to one
Knob 2
Selects the Bass Center Frequency for the selected channel. The Bass Center
Frequency range is from 50Hz (
50 hz) to 300Hz (300 hz).
Knob 3
Selects the Midrange Center Frequency for the selected channel. The Midrange
Center Frequency range is from 300Hz (
300 HZ) to 5000Hz (5000 HZ).
Knob 4
Selects the Treble Center Frequency for the selected channel. The Treble Center
Frequency range is from 500Hz (
500 HZ) to 8000Hz (8000 HZ).
Knob 5
Boosts or cuts the Presence Level for the selected channel. The Presence Control
is a shelf EQ and has a fixed frequency of 7500Hz. The Presence Level range is
from -12dB
(-12) to 12dB (12).
GNX3000 Owner’s Manual
41
GNX3000 Matrix Functions
Here is an example of how the CHAN ONE EQ row would function when its button is
pressed:
Warped Amp Sound being heard:
If the sound being heard is a Warped sound of both amp models, pressing the CHAN
ONE EQ button selects the knobs to control the CHAN ONE EQ’s row of parameters.
The STATUS
and the knobs will all light green. You can modify the CHAN ONE EQ row parameters
which will be heard as the knobs are turned. The STATUS ONE EQ on or off and indicate this status by turning the button LED on and off.
button LED will light yellow, indicating a Warped sound is being heard,
button will turn the CHAN
CHAN ONE amp sound being heard:
If the sound being heard is the CHAN ONE amp tone, pressing the CHAN ONE EQ
button selects the knobs to control CHAN ONE EQ’s row of parameters. The STATUS button and the knobs will light green. You can modify the CHAN ONE EQ row
parameters, which can be heard as the knobs are turned. The STATUS
the CHAN ONE EQ on or off and indicate this status by turning the button LED on and
off.
button will turn
CHAN TWO amp sound being heard:
If the sound being heard is the CHAN TWO amp tone, pressing the CHAN ONE EQ
button selects the knobs to control the CHAN ONE EQ’s row of parameters. The
STATUS button will be lit red indicating you are still listening to the CHAN TWO amp
tone. The knobs however will be lit green and once any of them are turned, the sound
will change from the CHAN TWO amp tone to the CHAN ONE amp tone. You can then
modify the CHAN ONE EQ parameters and these changes can be heard as the knobs
are turned. The STATUS
turn the CHAN ONE EQ on or off as will be indicated by the button’s LED turning on
and off.
button will also turn green at this time and can be used to
GNX3000 Owner’s Manual
42
TONE Row
STATUS
BUTTON
KNOB
1
KNOB
5
KNOB
4
KNOB
3
KNOB
2
TONE ROW
The TONE row is where the amp tone controls are located for Channel 1 or Channel 2.
The sound that you hear while adjusting these parameters will depend on the channel
status (see chart below). TONE control row parameters are Channel, Amp Gain, Bass,
Midrange, Treble, and Amp Level.
Status button
Selects one of the four channel states in the following order:
Ch1 amp - The STATUS button LED lights green and the five control knobs
light green indicating that you are listening to Channel 1 and the
control knobs affect Channel 1’s tone settings.
Ch1 warp - The STATUS button LED lights yellow and the five control knobs
light green indicating that you are listening to a warped sound
and the control knobs affect Channel 1’s tone settings.
Ch2 amp - The STATUS button LED lights red and the five control knobs
light red indicating that you are listening to Channel 2 and the
control knobs affect Channel 2’s tone settings.
Ch2 warp - The STATUS button LED lights yellow and the five control knobs
light red indicating that you are listening to a warped sound and
the control knobs affect Channel 2’s tone settings.
Knob 1
Controls the amount of Amp Gain. The Amp Gain range is from 0 to 99.
GNX3000 Owner’s Manual
Knob 2
Controls the Bass EQ Level (boost/cut). The Bass EQ Level range is from -12dB
(-12) to 12dB (12).
Knob 3
Controls the Midrange EQ Level (boost/cut). The Midrange EQ Level range is
from -12dB (-12) to 12dB (12).
Knob 4
Selects the Treble EQ Level (boost/cut). The Treble EQ Level range is from 12dB (-12) to 12dB (12).
Knob 5
Controls the Amp Level. The Amp Level Range is from 0 to 99.
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GNX3000 Owner’s Manual
Amp/Cabinet Modeling
Amp/Cabinet Modeling
The GNX3000 was designed to make sound processing easy and intuitive. Because the
GNX3000 provides both Amp Modeling and Effects Processing, the editing functions
are divided into two sections: the AMP/CABINET MODELING section and the EFFECTS
section. The GeNetX
further than mere Amp Modeling. GeNetX lets you create your own Amp/Cabinet
HyperModelTM and store this custom creation to a User Amp/Cabinet location. When
editing either the AMP/CABINET MODELING or the EFFECTS section, you must start
with one of the
be in the location that you intend to save it.
After selecting a preset, you can select the Amp or Cabinet models for your preset.
Amp/Cabinet Modeling applies the tone of one of several vintage or modern Amp and
Cabinet models to your guitar signal. The GNX3000 includes 33 guitar Amp Models,
10 Bass Amp Models, 2 Acoustic Guitar Models, and 29 Speaker Cabinet Models. Your
choices include:
Amp Models
TM
technology contained in the GNX3000 lets you go much
User or Factory presets. The preset you begin with does not need to
GNX3000 Owner’s Manual
44
GNX3000 Owner’s Manual
Marshall, Vox, Fender, Matchless, HiWatt, Ashdown, Ampeg, Trace-Elliot, Sunn, Hartke
and Mesa Boogie, are trademarks of their respective companies and are in no way
associated with DigiTech
®
.
45
GNX3000 Owner’s Manual
Amp/Cabinet Modeling
Cabinet Types
GNX3000 Owner’s Manual
Fender, Ampeg, Ashdown, Sunn, Fane, Acoustic, Hartke, Eden, and SWR are trademarks
of their respective companies and are in no way associated with DigiTech
®
.
Editing Amps and Cabinets
Each GNX3000 preset has three channels, Channel 1 (green), Channel 2 (red), and
Warp (yellow). Amp channels 1 and 2 have selectable amps and cabinets. Each
channel has independent controls for gain, level, EQ, and cabinet tuning. The Warp
channel is effectively a mixture of the Channel 1 and 2 amps and cabinets using the
Warp knob in the AMP CONTROLS section of the matrix. When parameter values have
changed, the Store LED lights indicating the preset has been modified and needs to be
stored (see page 92 for more on the storing procedure).
Once you have selected your amps for Channel 1 and 2, you can switch between these,
as well as the Warp channel, using the Amp Channel footswitch (
only) or the STATUS
The following sections guide you through the process of selecting amps and cabinets,
adjusting amp parameters, performing cabinet tuning, and creating then saving a
HypermodelTM Amp.
button (GeNetX row is active) when the preset name is displayed.
Stompbox Mode
46
Selecting Amps and Cabinets
The first step to editing an Amp/Cabinet model, or creating your own
HyperModelTM is to select the Amp and Cabinet model for Channel 1 and
Channel 2 in your preset. The procedure for selecting Amps or Cabinets is as
follows:
GNX3000 Owner’s Manual
1. Press the
2. Use KNOB 1 to select the Amp for Channel 1. The Amp name appears in the
display. (See page 44 for a complete list of Amp Models
4. Use KNOB 2 to select the Cabinet for Channel 1. The Cabinet name appears in
the display. See page
5. Use KNOB 4 to select the Amp for Channel 2. The Amp name appears in the
display.
6. Use KNOB 5 to select the Cabinet for Channel 2. The Cabinet name appears in
the display.
GENETXAMP CONTROL button.
for a complete list of Cabinet Types
46
.)
.)
Adjusting Amp Parameters
The Gain, EQ, and Level Parameters can be adjusted individually for Channel 1
and Channel 2. This is accomplished by pressing the TONE Amp Control button.
The sound that you hear while adjusting the knobs depends on the state of the
STATUS
the STATUS button steps through four states in the following order:
Ch1 amp - The STATUS button LED lights green and the five control knobs
Ch1 warp - The STATUS button LED lights yellow and the five control knobs
Ch2 amp - The STATUS button LED lights red and the five control knobs
Ch2 warp - The STATUS button LED lights yellow and the five control knobs
button and the KNOBS (see chart below). When the TONE row is selected,
light green indicating that you are listening to Channel 1 and the
control knobs affect Channel 1’s tone settings.
light green indicating that you are listening to a warped sound
and the control knobs affect Channel 1’s tone settings.
light red indicating that you are listening to Channel 2 and the
control knobs affect Channel 2’s tone settings.
light red indicating that you are listening to a warped sound and
the control knobs affect Channel 2’s tone settings.
The Gain ranges from 0 (
from -12 dB
procedure for adjusting these parameters is as follows:
1. Press the TONE Amp Control button.
2. Press the
Amp (Red).
3. Use Knobs 1 through
channel.
(-12) to +12dB (12). The Level ranges from 0 (0) to 99 (99). The
STATUS button to select either Channel 1 Amp (Green) or Channel 2
0) to 99 (99). The Bass, Midrange, and Treble EQ range
5 to adjust the Gain, Tone, and Level of the selected amp
47
GNX3000 Owner’s Manual
Amp/Cabinet Modeling
Cabinet Tuning
Cabinet tuning actually changes the resonant frequency of the selected cabinet.
This is useful for changing the tonality of your sound without having to touch the
EQ parameters. Tuning down gives the sound more bottom end while tuning up
enhances higher frequencies. The procedure for tuning the cabinets is as follows:
1. Press the CHAN ONE EQ or the CHAN TWO EQ Amp Control button to access
the Cabinet Tuning parameters.
2. Use KNOB 1 to adjust the Cabinet Tuning resonance. The Cabinet Tuning ranges
are from -12.0 (one octave below) to 12.0 (one octave above) the cabinet’s
standard resonance.
Storing Amp Parameter Edits
Once you are satisfied with your amp edits, these changes need to be stored so
that they can be recalled later. See page 92 for more information on storing
changes to a preset.
Creating HyperModelsTM
Creating new, unique HyperModels is what Digitech’s GeNetXTM technology is all
about. Once both channels Amps and Cabinets are selected and the Amp Parameters
and Cabinet Tunings have been adjusted, GeNetX technology lets you do something
amazing. The characteristics of each Amp and Cabinet can be combined or “Warped”
to create a completely new custom HyperModel Amp. The procedure for Warping the
Channel 1 and Channel 2 Amps together is as follows:
GNX3000 Owner’s Manual
1. Press the
2. Rotate KNOB 3
together. Rotating it counter-clockwise emphasizes the Channel 1 characteristics
while rotating it clockwise emphasizes the Channel 2 characteristics. A warp
value of 1 produces the amp tone of only the Channel 1 (Green) Amp. A warp
value of 99 produces the amp tone of only the Channel 2 (Red) Amp.
GENETX amp control button.
to Warp the Channel 1 and Channel 2 Amps and Cabinets
Saving HyperModelsTM (Amp Save)
When you have found your ideal warp setting for Channel 1’s and Channel 2’s Amp
Models, you can save this sound as a HyperModel for future use. This HyperModel
can be saved in one of 9 User locations. After it has been saved, it can now be
selected by either Amp Channel as the starting point for a new HyperModel. The
Amp Save procedure is as follows:
1. Press the AMP SAVE button. The AMP SAVE button will begin flashing and the
display will read
name your HyperModel.
2. Use the DATA WHEEL to change the alpha-numeric character.
NEWAMP. The N of NEWAMP is flashing indicating that you can
48
3. Use the NEXT button to move to the next character (to the right), or the PREV
button to select the previous character (to the left).
4. Repeat steps 2 and 3 you have finished naming the new HyperModel
5. Press the AMP SAVE button again to select one of the 9 User HyperModel
locations. If all HyperModel locations in the GNX3000 are available, the
display will read
location for storing a HyperModel. If one or more HyperModels have already
been stored, the number displayed will be the first empty HyperModel location.
If all 9 HyperModel locations are full, the GNX3000 defaults to the first
HyperModel location and displays
in the first location.
6. Use the DATA WHEEL to select a
locations have been used, the display shows the name of the HyperModel about
to be overwritten.
7. Press the AMP SAVE button again to complete the Amp Save procedure. Press
the EXIT button at any time during the Amp Save procedure to abort the
process.
U1. The U1 flashes, indicating that this is the first available
U1 and the name of the HyperModel stored
User location to save the HyperModel. If all
TM
.
GNX3000 Owner’s Manual
NOTE: The Amp Save procedure only saves Amp/Cabinet combinations to the User
HyperModel locations. It does not store changes or the new HyperModel to the
selected preset. See page 92 for information on storing changes to a preset.
49
GNX3000 Owner’s Manual
GNX3000
OUTPUTS
SPEAKER
COMPENSATION
PRESET
LEVEL
(W
HAMMY,
TALKER)
(IPS, PIT
CH,
DETUNE)
Edit
Parameter name and value
are shown in display
Use Effect Select buttons
to select Effect row
LEDs indicate the
selected row
Status button
turns selected
effect on or off
Each knob adjusts the
column of parameters
directly below knob for
the selected Effect ro
w
Effects and Parameters
Effects and Parameters
The GNX3000 features a comprehensive set of effects for creating just the sound
you need for any musical application. These effects are connected in a standard
effects chain with pickup simulator, wah, compressor, Whammy
stompbox effects placed before the amps. Effects placed post amp are those that
typically sound best when heard in stereo like modulation effects, delay and reverb.
The following diagram show the signal path through the effects of the GNX3000:
Editing a Preset’s Effects
The EFFECTS section is accessed with the EFFECT SELECT UP/DOWN buttons. The
Matrix LEDs light one at a time to identify the selected row of effects. Each effect
has up to 5 Parameters that can be edited. Pressing the STATUS
effect row on and off. The 5 knobs control the Parameters listed directly beneath the
corresponding knob. Each effect’s parameter is labeled in the Matrix. When a knob is
turned, the corresponding parameter name and value appear in the displays.
TM
/IPS, and distortion
button turns the
GNX3000 Owner’s Manual
Rotating the knobs increases or decreases the value of the parameter (except for Type
which selects different effect types) and you hear the change in real time. Changing
presets, or turning the power off before storing any changes will erase your changes
and revert to the stored values. When the preset has been edited, the STORE BUTTON LED turns on indicating that a change has been made.
50
Effect Definitions
Each Effect within the GNX3000 is fully programmable. Understanding how these
effects modify the sound, and how each parameter alters the effect will help you
achieve the sound you are looking for. The following overview outlines how each
effect and parameter in the GNX3000 works.
Wah-Pickup
A Wah is an effect controlled by the EXPRESSION PEDAL. A Wah applies a boost in
gain to a narrow band of frequencies. As the EXPRESSION PEDAL is rocked back and
forth, the center frequency receiving the boost is swept up and down making the
guitar sound as if it is saying “Wah”. The Wah is engaged and disengaged by applying
pressure to the toe of the EXPRESSION PEDAL.
The Pickup Simulator applies the warmth and thickness of a double coil humbucker
pickup to a single coil guitar, or the unique, crisp sound of a single coil pickup to a
guitar with a humbucker. This allows you to have the best of both worlds without ever
changing guitars.
GNX3000 Owner’s Manual
Wah On/Off
The STATUS button (or the EXPRESSION PEDAL toe switch) turns the Wah (Wah) on
and off.
Wah Type
KNOB 1 selects the type of Wah. Values include: Cry Wah (CRY) is a traditional
sounding Wah, Boutique Wah (
modern sound and Full Range Wah (
audible frequencies.
BOuTIQUe) is a wide sweeping Wah with a more
fullrang) sweeps the entire spectrum of
Wah Pedal
KNOB 2 controls the pedal (wah pdl) parameter that adjusts the wah sweep when the wah is active. The wah sweep range is from 0-99. The EXPRESSION
PEDAL is automatically linked to this parameter when the wah is activated. To
adjust the minimum and maximum range, see the Wah Pedal section on page 75.
Pickup Type/Off
KNOB 3 selects the type of Pickup to be simulated. Values include: Pickup
Simulator Off (
single coil pick up the warm tone of a humbucker, and Humbucker>Single Coil
(humb>SC) gives a humbucker the unique sound of a single coil.
pick off), Single Coil>Humbucker (SC>humb) gives a
Knob 4
No function when the Wah-Pickup is selected.
Preset Level
KNOB 5 adjusts the overall preset level. Ranges from 0-99.
GNX3000 Owner’s Manual
51
Effects and Parameters
Compressor
A compressor is used to increase sustain, and even out the volume dynamics in guitar
signal. A compressor sets boundaries for a signal’s strength. When a signal exceeds
the set boundary, it is forced back into the set boundary. As the signal fades to a point
where it no longer exceeds the boundary, the compressor expands the signal strength
and increases sustain. The compression parameters are as follows:
Comp On/Off
The STATUS button turns the Compressor (Compress) on and off.
Attack
KNOB 1 adjusts the length of time it takes for the Compressor to respond to a
signal exceeding the Threshold. Values include:
fast, meDIUM, and slOw.
Ratio
KNOB 2 adjusts the input to output ratio once the Threshold has been exceeded.
For instance, a Ratio of 4 to 1 means that a signal exceeding the Threshold by 4
dB will only be allowed 1 dB of increased output. Higher settings yield a tighter
sound and increase sustain. Lower settings allow better dynamics. Ratio settings
are: 1.2:1 (
KNOB 3 selects the Threshold (threshld). The Threshold is the level a signal
must reach before the compressor begins to work. Low Threshold settings
activate the compressor with weaker signals. Higher settings require a stronger
signal to activate compression. Ranges from 0 to
99.
Gain
KNOB 4 adjusts the Output Gain (CMP Gain) from the Compressor. This
parameter is used to balance the level of the Compressor to reach unity gain.
Other effects can clip if the Compressor Gain too high. Ranges from
(dB).
0 to 20
Knob 5
No function when the Compressor is selected.
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52
WhammyTM/IPS/Talk
This module includes four types of pitch altering effects: Whammy, IPS, Detune, Pitch
Shift, and the Talker
time. After selecting the type of effect in this module, the Knobs 2-5 can then be used
to adjust the individual parameters associated with the selected effect. The following
pages describe each effect and their parameters in more detail.
TM
effect. Only one of the effects in this row can be used at a
Whammy/IPS/Talk On/Off
When the Whammy/IPS/Talk effects module is selected the STATUS button turns
the Whammy/IPS/Talk effects on and off.
Whammy/IPS/Talk Select
KNOB 1 selects whether the module is a Whammy (WHAMMY), Intelligent Pitch
Shifting (IPS), Detuner (DETUNE), Pitch Shift (PITCH), or Talker (Talker
1-5).
GNX3000 Owner’s Manual
GNX3000 Owner’s Manual
53
Effects and Parameters
Whammy
Whammy is an effect that uses the EXPRESSION PEDAL to bend the pitch of the
incoming signal, or add a bendable harmony with the original signal. As the
Pedal is moved, the note bends either up or down. When Whammy is selected, it is
automatically placed before the Amp Modeling as shown in the block diagram (see
page 50). The Whammy effect must be linked to the Expression Pedal in order to
function. See page 75 for more information on linking the EXPRESSION PEDAL
.
Parameter 1
KNOB 2 selects the interval and direction of the pitch bend. Choices are as follows:
Whammy (no Dry Signal)
Harmony Bends (Dry Signal
Added)
1 oct up (one octave up)
2 oct up (two octaves up)
2nddown (2nd down)
rev2nddn (2nd down
reversed pedal
action)
4th down (one 4th down)
1 oct dn (one octave down)
2 oct dn (two octaves down)
divebomb (Dive Bomb)
m3->maj3 (a m3rd to a
Maj3rd)
2nd->maj3 (a 2nd above to a
Maj3rd up)
3rd->4th (a Maj3rd above to a
4th up)
4th->5th (a 4th above to a
5th up)
5th->oct (a 5th above to an
octave up)
h oct up (one octave up)
h oct dn (one octave down)
octup->Dn (one octave up to
one octave down)
Parameter 2
KNOB 3 provides a manual control of the Whammy Pedal (wham pdl) position.
Ranges from 0 to
99.
GNX3000 Owner’s Manual
Knob 4
No function when the Whammy is selected.
Level
KNOB 5 adjusts the Whammy Mix (Wham mix) of all of the pitch-altering effects
in this module. Ranges from 0 to
99.
54
Intelligent Pitch Shifting (IPS)
Intelligent Pitch Shifting makes a copy of the incoming signal, and then changes the
pitch of the copied note to a diatonically correct interval specified by the Amount
parameter. An Intelligent Pitch Shifter sharpens or flattens the shifted pitch in
order to keep the specified interval within the selected key and scale creating a true
harmony.
Parameter 1
KNOB 2 selects the Amount or harmony interval for the Intelligent Pitch Shifter.
Interval choices include:
GNX3000 Owner’s Manual
OCT DowN (octave down)
7TH DowN (a seventh below)
6tH DowN (a sixth below)
5tH DowN (a fifth below)
4tH DowN (a fourth below)
3RD DowN (a third below)
2ND DowN (a second below)
2ND UP (a second above)
3RD UP (a third above)
4TH UP (a fourth above)
5TH UP (a fifth above)
6TH UP (a sixth above)
7TH UP (a seventh above)
OCT UP (an octave above)
Parameter 2
KNOB 3 selects the Scale the IPS will use. Scale choices include: Major (MAJOR),
KNOB 4 selects the musical Key the IPS uses. Key choices range from the Key of
E (
KEY E) through the Key of Eb (KEY E∫).
Level
KNOB 5 adjusts the IPS Level (IPS LEVL) of all the pitch-altering effects in this
module. Ranges from 0 to
99.
55
GNX3000 Owner’s Manual
Effects and Parameters
Detune
A Detuner makes a copy of your incoming signal, takes the copied signal slightly out
of tune from the original, and mixes the two signals together. The result is a doubling
type of effect as if two guitars were playing the same part together.
Parameter 1
KNOB 2 selects the Amount (AMouNT) of detuning applied to the copied pitch in
cents (100 cents equals 1 semitone). Ranges are from 24 cents below
cents above
(24).
(-24) to 24
Knob 3
No function when Detune is selected.
Knob 4
No function when Detune is selected.
Level
KNOB 5 adjusts the Detune Level (
module. Ranges from 0 to
99.
dtn LeVL) of all pitch-altering effects in this
Pitch Shift
A Pitch Shifter copies the incoming signal, then shifts the pitch of the copied note to a
different note. The shifted note is then mixed back with the original signal sounding as
if two guitars were playing parallel notes.
Parameter 1
KNOB 2 selects the Shift (SHIFT) of the pitch in semitone intervals. Ranges from
two octaves below
(-24) to two octaves above (24).
Knob 3
No function when Pitch Shift is selected.
Knob 4
No function when Pitch Shift is selected.
Level
KNOB 5 adjusts the Pitch Level (pch LeVL) of all pitch-altering effects in this
module. Ranges from 0 to
99.
GNX3000 Owner’s Manual
56
GNX3000 Owner’s Manual
Talker
The Talker is an effect that lets your instrument’s signal be manipulated by your voice.
The Talker requires a microphone be connected to the MIC INPUT on the rear panel of
the GNX3000. As you speak into the microphone, your instrument mimics what you say.
There are five Talker types.
TM
Type
KNOB 1 is used to select one of the 5 Talker types. Talker Types range from talker
1 (deep tonal characteristics), to talker 5 (bright tonal characteristics).
Parameter 1
KNOB 2 adjusts the Sensitivity of the microphone level (MIC LEVL). The input
level from your microphone must be loud enough for the Talker to work properly. If
the microphone input is too weak, the Talker will have trouble tracking. If the input
is too strong, the Talker will clip making the words unintelligible. Adjust the mic
level on the GNX3000’s rear panel so that the LEDs light, but stay below the clip
level. (See Mic Level Optimization on page 26 for more information regarding mic
level adjustment.) The mic level sensitivity ranges are from
(most sensitive).
0 (least sensitive) to 99
Knob 3
No function when Talker is selected.
Knob 4
No function when Talker is selected.
Knob 5
No function when Talker is selected.
57
GNX3000 Owner’s Manual
Effects and Parameters
Stompbox Modeling
The GNX3000 Modeling emulates the tones of the most popular distortion boxes ever
used including the DOD® OD250
Harmonix® Big Muff
Ibanez® TS-9
TM
the Roger® Mayer Octavia
TM
, ProCo® RATTM, DOD® GrungeTM, Boss® Metal ZoneTM,
, Voodoo Labs® Sparkle DriveTM, and the Guyatone® OD-2TM* and
TM
TM
, Boss® DS-1TM, Arbiter® Fuzz FaceTM, Electro
*.
Stompbox On/Off
The STATUS button turns the Stompbox Modeling on and off.
Type
KNOB 1 selects the type of Stompbox to be used. Choices include:
TM
TM
TM
TM
TM
TM
TM
Screamer Based on an Ibanez® TS-9
RODENT Based on a ProCo® Rat Distortion
DS Dist Based on a Boss® DS-1
DOD 250 Based on a DOD® Overdrive 250
BIG MP Based on the Electro® Harmonix Big Muff Pi
Guy OD Based on a GuyaTone® OD-2
SpArkDrV Based on a Voodoo Labs® SparkleDrive
Grunge Based on a DigiTech® Grunge®
Fuzzy Based on an Arbiter® Fuzz Face
Zone Based on a Boss® Metal Zone
8tavia Based on a Roger Mayer® Octavia
TypeGainParam1Param2Param3**Param4**Level
Screamerdrivetonelevel
Rodentdistfiltervolume
DS Distdisttonelevel
DOD 250gainlevel
Big MPsustaintonevolume
Guy ODdrivelevel
Sparkdrvgaintonecleanvolume
Grungegrnggainbuttfaceloud
Fuzzyfuzzvolume
Zonedistmid freqmid lvllowhighlevel
8taviadrivevolume
TM
TM
TM
* Arbiter, Boss, Electro-Harmonix, ProCo, Ibanez, Voodoo Labs, Guyatone, DS-1, Fuzz Face,
Big Muff, RAT, Metal Zone, TS-9, Sparkle Drive, Roger Mayer Octavia and OD-2 are trademarks of their respective companies and are in no way associated with DigiTech.
GNX3000 Owner’s Manual
** These Parameters are only available using the X-Edit
58
TM
Editor/Librarian software.
Gain
KNOB 2 controls the amount of Gain or Distortion in the Stompbox model.
Range is from 0 to
99.
Parameter 1
KNOB 3 acts as a Tone control for each Stompbox (no function on DOD 250, Big
MP, Guy OD, Fuzzy and 8tavia models) and controls the Mid Frequency of
the Zone model. Range is from 0 to
99.
Parameter 2
KNOB 4 acts as a wet/dry control for the SparkleDriveTM and tone control for the
Grunge Stompbox models and controls the Mid Level of the Zone model. Range
is from 0 to
99.
*Parameter 3
Controls the Low Frequency of the Zone model. Range is from 0 to 99.
*Parameter 4
Controls the High Level of the Zone model. Range is from 0 to 99.
GNX3000 Owner’s Manual
Level
KNOB 5 controls the output level of the Stompbox model. Range is from 0 to 99.
*These Parameters are only available using the X-EditTM Editor/Librarian software.
59
GNX3000 Owner’s Manual
Effects and Parameters
Noise Gate
A Noise Gate is designed to eliminate hiss and ambient noise while you are not
playing. A Noise Gate can also be used to create an automatic swell in volume.
The GNX3000 includes two different types of Noise Gates: Silencer and Pluck. The
Silencer operates as a standard Noise Gate. The Pluck feature is designed to close
after every note (depending on the Pluck Sensitivity). This allows automatic volume
swells to occur on a note by note basis.
Gate On/Off
The STATUS button turns the Noise Gate (gate) on and off.
Gate Type
KNOB 1 selects between the Silencer (Silencer) or Pluck (PLUCK) type of
Noise Gates.
Gate Threshold
KNOB 2 sets the signal strength required to open or close the Noise Gate. The
Gate Threshold (
(requires strong signals to open).
Threshld) parameter ranges from 0 (opens easily) to 99
Gate Attack
KNOB 3 adjusts the length of time it takes the gate to open (ATTACK) and the
signal to become audible once the Threshold has been exceeded. Ranges from
(immediate signal), to
9 (This setting will gradually ramp up the volume).
0
Pluck Sensitivity
KNOB 4 selects the threshold (PLUCKSNS) where the Gate re-triggers when using
the Pluck type Noise Gate. This parameter is only available when Pluck is the
selected type of Noise Gate. Ranges from
triggers with weak signals).
0 (requires strong signals) to 99 (re-
Knob 5
No function when the Noise Gate is selected.
GNX3000 Owner’s Manual
60
Chorus/Mod Effects
The Modulation Effects group is a multi-function module allowing you to select effects
such as: Chorus, Flanger, Phaser, Triggered Flanger, Triggered Phaser, Univibe
Tremolo, Panner, Vibrato, Rotary Speaker, AutoYa
Filter (auto wah), Detune, and Pitch Shift. Only one of the effects in this row can be
used at a time. After selecting the type of effect in this module, the Knobs 2-5 can
then be used to adjust the individual parameters associated with the selected effect.
The following pages describe each effect and their parameters in more detail.
TM
, YaYaTM, SynthTalkTM, Envelope
TM
,
Chorus/Mod Effects On/Off
When the Chorus/Mod group is selected, the STATUS button turns the Chorus/
Mod Effects module on and off.
A Chorus adds a short delay to your signal. The delayed signal is modulated in and out
of tune and then mixed back with the original signal to create a thicker sound.
Parameter 1
KNOB 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99.
Parameter 2
KNOB 3 adjusts the intensity (Depth) of the modulation. Ranges from 0 to 99.
Parameter 3
KNOB 4 adjusts the PreDelay (PREDeLaY) or length of time before the Chorus
effect is applied to the input signal. Ranges from
1 to 20.
*Parameter 4
Selects the waveform used by the Chorus. Waveforms include: Triangle,
Sine, and Square.
*Parameter 5
Adjusts the left to right balance of the wet signal, Ranges from mod left 99
to mod rght 99.
Mod Level
KNOB 5 controls the level (mod levl) of the Chorus. Ranges from 0 to 99.
GNX3000 Owner’s Manual
*These Parameters are only available using the X-EditTM Editor/Librarian software.
62
Flanger
A Flanger uses the same principle as a Chorus but has a shorter delay time and adds
regeneration (or repeats) to the modulating delay. This results in an exaggerated up
and down sweeping motion to the effect.
Parameter 1
KNOB 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99.
Parameter 2
KNOB 3 adjusts the intensity (Depth) of the Modulation. Ranges from 0 to 99.
Parameter 3
KNOB 4 adjusts the amount of feedback (Regen) added to the Flanger delay.
Ranges from 0 to
99.
*Parameter 4
Selects the waveform used by the Chorus. Waveforms include: Triangle,
Sine, and Square.
GNX3000 Owner’s Manual
*Parameter 5
Adjusts the left to right balance of the wet signal, Ranges from mod left 99
to mod rght 99.
Mod Mix
KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all
dry) to 99 (all wet).
*These Parameters are only available using the X-EditTM Editor/Librarian software.
63
GNX3000 Owner’s Manual
Effects and Parameters
Phaser
A Phaser splits the incoming signal, takes the split signal in and out of phase and
mixes it back in with the original signal. As the phasing changes, different frequencies
are canceled resulting in a warm sort of twisting sound.
Parameter 1
KNOB 2 adjusts the rate (Speed) of the modulating phase. Ranges from 0 to 99.
Parameter 2
KNOB 3 adjusts the intensity (Depth) of the modulation. Ranges from 0 to 99.
Parameter 3
KNOB 4 adjusts the amount of effected signal returned to the input of the Phaser
(Regen). Ranges from 0 to 99.
*Parameter 4
Selects the waveform used by the Phaser. Waveforms include: Triangle,
Sine, and Square.
*Parameter 5
Adjusts the left to right balance of the wet signal, Ranges from mod left 99
to mod rght 99.
Mod Level
KNOB 5 controls the level (mod levl) of wet and dry signal. Ranges from 0 (all
dry) to 99 (all wet).
GNX3000 Owner’s Manual
*These Parameters are only available using the X-EditTM Editor/Librarian software.
64
Triggered Flanger
A Triggered Flanger is the same sound as a regular Flanger but it lets you choose
the starting point of the Flanger sweep. With a regular Flanger, the low frequency
oscillator (LFO) is continually sweeping up and down. Therefore, when you begin to
play, the flanger may be at the top, bottom, or any random point of the sweep. With
a Triggered Flanger, every time the signal exceeds the Sensitivity level setting, the
Flanger begins at the LFO Start Parameter.
Parameter 1
KNOB 2 adjusts the rate (Speed) of the modulation. Ranges from 0 to 99.
Parameter 2
KNOB 3 adjusts the strength the signal must be (senstvty) in order to trigger the
Flanger. Ranges from
0 (strong signals) to 99 (weak signals).
Parameter 3
KNOB 4 selects the Flanger sweep starting point (LFO STrt). Ranges from 0
(bottom of the sweep point) to 99 (top of the sweep point).
GNX3000 Owner’s Manual
Mod Mix
KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry)
to 99 (all wet).
Triggered Phaser
A Triggered Phaser is the same sound as a regular Phaser but it lets you choose the
starting point of the Phaser sweep. In a regular Phaser, the low frequency oscillator
(LFO) is continually changing the phase of the signal. Therefore, when you begin to
play, the phaser may be at any random point of the phase. With a Triggered Phaser,
every time the signal exceeds the Sensitivity level setting, the Phaser begins at the LFO
Start Parameter.
Parameter 1
KNOB 2 adjusts the rate (Speed) of the modulating phase. Ranges from 0 to 99.
Parameter 2
KNOB 3 adjusts the strength the signal must be (senstvty) in order to trigger the
Phaser. Ranges from
0 (strong signals) to 99 (weak signals).
Parameter 3
KNOB 4 selects the Phaser sweep starting point (LFO STrt). Ranges from 0
(bottom of the sweep point) to
99 (top of the sweep point).
Mod Mix
KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry)
to 99 (all wet).
65
GNX3000 Owner’s Manual
Effects and Parameters
Unovibe
Based on the Unicord® UnivibeTM pedal, Unovibe adds a lush chorus or rotary
speaker effect to your tone.
Parameter 1
KNOB 2 selects either the chorus or vibrato effect.
Parameter 2
KNOB 3 adjusts the intensity of the effect. Ranges from 0 to 99.
Parameter 3
KNOB 4 adjusts the pedalposition.
Knob 5
No function when the Unovibe is selected.
Tremolo
A Tremolo effect modulates the volume of the signal at an even rate.
Parameter 1
KNOB 2 adjusts the rate (Speed) at which the volume modulates. Ranges from 0
to 99.
Parameter 2
KNOB 3 adjusts the intensity (Depth) of the modulating volume. Ranges from 0
to 99.
Parameter 3
KNOB 4 selects the type of wave form the modulation uses. Choices include:
Triangle, Sine, and Square.
Knob 5
No function when the Tremolo is selected.
GNX3000 Owner’s Manual
66
Panner
An Auto Panner modulates the sound from left to right at an even rate.
Parameter 1
KNOB 2 adjusts the rate (Speed) at which the signal pans from side to side.
Ranges from 0 to
99.
Parameter 2
KNOB 3 adjusts the intensity (Depth) of the changing pan. Ranges from 0 to 99.
Parameter 3
KNOB 4 selects the type of wave form the modulation uses. Choices include:
Triangle, Sine, and Square.
Knob 5
No function when the Panner is selected.
Vibrato
A Vibrato effect modulates the pitch of the incoming signal at an even rate.
GNX3000 Owner’s Manual
Parameter 1
KNOB 2 adjusts the rate (Speed) at which the pitch modulates. Ranges from 0 to
99.
Parameter 2
KNOB 3 adjusts the intensity (Depth) of the modulating pitch. Ranges from 0 to
99.
Parameter 3
KNOB 4 selects the type of wave form the modulation uses. Choices include:
Triangle, Sine, and Square.
Knob 5
KNOB 5 does not function when the Vibrato is selected.
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GNX3000 Owner’s Manual
Effects and Parameters
Rotary Speaker
Rotary Speaker is an emulation of a device that includes a spinning horn and rotor
(woofer). The rotation of these two speakers produces an interesting combination of
sound panning from side to side, as well as a slight pitch change due to the speed of
the sound coming towards, and then going away from the listener.
Parameter 1
KNOB 2 adjusts the rate (Speed) of the spinning speakers. Ranges from 0 to 99.
Parameter 2
KNOB 3 controls the intensity (Depth) of the Effect. Ranges from 0 to 99.
Parameter 3
KNOB 4 controls the Pitch Shift (doppler) effect that is the ratio between the
horn and the rotor positions. Ranges from 0 to 99.
*Parameter 4
Selects the crossover frequency between the horn and rotor. Ranges from 200Hz
to 1500Hz.
Mod Mix
KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all dry)
to 99 (all wet).
GNX3000 Owner’s Manual
*This Parameter is only available using the X-EditTM Editor/Librarian software.
68
GNX3000 Owner’s Manual
AutoYa
An AutoYa combines the characteristics of a Wah and a Flanger together creating
an almost human vowel sound as if the guitar were saying “Yah.” The AutoYa
automatically provides this animation by modulating the sound at an even rate.
TM
Parameter 1
KNOB 2 adjusts the rate (Speed) of the AutoYa. Ranges from 0 to 99.
Parameter 2
KNOB 3 adjusts the intensity (Depth) of the AutoYa effect. Ranges from 0 to 99.
Parameter 3
KNOB 4 adjusts the throaty quality (Range) of the AutoYa effect. Ranges from 1
to 50.
*Parameter 4
Adjusts the left to right balance of the wet signal, Ranges from mod left 99
to mod rght 99.
Mod Mix
KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all
dry) to 99 (all wet).
*This Parameter is only available using the X-EditTM Editor/Librarian software.
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GNX3000 Owner’s Manual
Effects and Parameters
TM
YaYa
The YaYa is an effect exclusive to DigiTech® products. The YaYa is controlled by the
EXPRESSION PEDAL and combines the characteristics of a wah and a flanger together
providing a unique talk box type of effect. As the EXPRESSION PEDAL is rocked back
and forth, the guitar appears to say “Yah.” The YaYa effect must be linked to the
EXPRESSION PEDAL in order to function. See page
the EXPRESSION PEDAL.
for more information on linking
75
Parameter 1
KNOB 2 adjusts the Ya Pedal position (YA PeDaL). Ranges from 0 to 99.
Parameter 2
KNOB 3 adjusts the intensity (Depth) of the YaYa effect. Ranges from 0 to 99.
Parameter 3
KNOB 4 adjusts the throaty quality (Range) of the YaYa effect. Ranges from 1 to
50.
*Parameter 4
Adjusts the left to right balance of the wet signal, Ranges from mod left 99
to mod rght 99.
Mod Mix
KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all
dry) to 99 (all wet).
GNX3000 Owner’s Manual
*This Parameter is only available using the X-EditTM Editor/Librarian software.
70
GNX3000 Owner’s Manual
SynthTalk
SynthTalk is another effect exclusive to DigiTech®. It makes your guitar appear to
speak based upon the dynamics of your playing style.
TM
Parameter 1
KNOB 2 adjusts the Attack (attack) of the synthesized voice. Ranges from 0 to
99.
Parameter 2
KNOB 3 adjusts the Release (release) of the synthesized voice. Ranges from 0
to 99, and oo (infinity).
Parameter 3
KNOB 4 changes the characteristics of the various synth voices (VOX). Ranges
from 0 to 99.
*Parameter 4
Adjusts the left to right balance of the wet signal, Ranges from mod left 99
to mod rght 99.
Sensitivity
KNOB 5 knob adjusts the sensitivity (senstvty) of the input signal required to
trigger the SynthTalk effect. Ranges from 0 to
99.
Envelope Filter
The Envelope Filter is an automatic Wah effect that alters your sound according to
how hard the strings are struck.
Parameter 1
KNOB 2 adjusts the sensitivity (Senstvty) of the input signal required to trigger the
Wah effect. Ranges from 0 to
99.
Parameter 2
KNOB 3 adjusts the frequency range (Range) of the Wah effect. Ranges from 0 to
99.
Parameter 3
KNOB 4 adjusts the left/right balance of the Wah signal. Ranges from left 99 (mod
left 99
) to right 99 (mod rght 99).
Mod Mix
KNOB 5 controls the mix (mod mix) of wet and dry signal. Ranges from 0 (all
dry) to 99 (all wet).
*This Parameter is only available using the X-EditTM Editor/Librarian software.
GNX3000 Owner’s Manual
71
Effects and Parameters
Detune
A Detuner makes a copy of your incoming signal, takes the copied signal slightly out
of tune from the original, and mixes the two signals together. The result is a doubling
type of effect as if two guitars were playing the same part together.
Parameter 1
KNOB 2
to the copied pitch in cents (100 cents equals 1 semitone). Ranges are from 24
cents below
selects the Amount (AMouNT) of detuning applied
(-24) to 24 cents above (24).
Parameter 2
KNOB 3 adjusts the left/right balance of the detuned signal. Ranges from left 99
(mod left 99) to right 99 (mod rght 99).
Knob 4
No function when Detune is selected.
Mod Level
KNOB 5 controls the level (mod levl) of the detuned note. Ranges from 0 to
99.
Pitch Shift
A Pitch Shifter copies the incoming signal, then shifts the pitch of the copied note to a
different note. The shifted note is then mixed back with the original signal sounding as
if two guitars were playing parallel notes.
Parameter 1
KNOB 2 adjusts the Amount of Pitch Shift (SHIFT) in intervals of one semi-tone.
Ranges from 12 semitones below
(-12) to 24 semitones above (24).
Parameter 2
KNOB 3
(mod left 99) to right 99 (mod rght 99).
adjusts the left/right balance of the shifted pitch. Ranges from left 99
Knob 4
No function when Pitch Shift is selected.
Mod Level
KNOB 5 controls the level (mod levl) of the shifted pitch. Ranges from 0 to 99.
GNX3000 Owner’s Manual
72
Delay
Delay records a portion of the incoming signal, and plays it back a short time later.
The recorded segment can repeat just once, several times, or infinitely (that turns off
the input to the Delay and lets you play over the top of a passage in the Delay loop).
The Delay in the GNX3000 also includes a Ducker Threshold that lets you set the
signal strength required before the Delay records. This feature lets you control the
Delay with your playing.
Delay On/Off
The STATUS button turns the Delay (delay) on and off.
Delay Type
KNOB 1
MONO (clear concise repeats), pingpong (bounces from side to side), ANALOG
(deteriorates with each repeat),
Spread (clear concise repeats with stereo imaging)
selects one of the five different types of Delay. The Delay choices include:
anlgpong (side to side with deterioration),
Time
KNOB 2
milliseconds (2 seconds) (
the DATA WHEEL while the Delay Time appears in the Display to adjust the Delay
Time in 100 ms increments.
adjusts the length of time between repeats. Ranges from 0 through 2000
0 MS through 2000 MS) in 1 ms increments. Use
GNX3000 Owner’s Manual
Feedback
KNOB 3 adjusts the number of times the delayed signal will repeat (feedback).
Ranges from 0 to 99 and
rpt hold (infinite repeat).
Ducker Threshold
KNOB 4 adjusts the level (threshld) the input signal must reach before the
Delay signal is attenuated. Ranges from
1 to 99 and off (oF).
*Ducker Attenuation
The Ducker Level selects the amount of attenuation applied to the Delay signal
when the Ducker Threshold has been exceeded. Ranges from 0 to
99.
*Delay Balance
The Delay Balance adjusts the left/right balance of the Delay signal. Ranges from
dly left 99 to dly rght 99.
Spread
This parameter increases or decreases the stereo imaging for the Spread Delay.
Range is
1 to 30.
Delay Level
KNOB 5 adjusts the volume (dly levl) of the Delay signal. Ranges from 0 to
99.
*These Parameters are only available using the X-EditTM Editor/Librarian software.
73
GNX3000 Owner’s Manual
Effects and Parameters
Reverb
Reverb gives the listener a sense that the music is being performed in various
acoustical environments. It can provide the tight acoustics of a small room, or the
ambience of a huge arena.
Reverb On/Off
The STATUS button turns the Reverb (reverb) on and off.
Reverb Type
KNOB 1 selects the type of Reverb or acoustic environment. The GNX3000
provides ten different environments to choose from including:
studio = Studio
room = Wood Roomclub = Club plate = Plate hall = Halltheater = Amphitheater church = Churchgarage = Parking Garage arena = Arenaspring = Spring
PreDelay
KNOB 2 adjusts the amount of time (PREDeLaY) it takes for the initial sound to
reach the first reflective surface in the simulated environment. Ranges from 0 to
15.
Decay
KNOB 3 adjusts the length of time the Reverb is audible (DECAY). Ranges from 0
to 99.
Damping
KNOB 4 controls the amount of sound which is absorbed (damping) in the
simulated environment. Ranges from 0 to
99.
*Reverb Balance
The Reverb Balance adjusts the left/right balance of the Reverb signal. Ranges
from rvb left 99 to Rvb rght 99.
Reverb Level
KNOB 5 adjusts the level (rvb levl) of the Reverb. Ranges from 0 to 99.
GNX3000 Owner’s Manual
*This Parameter is only available using the X-EditTM Editor/Librarian software.
74
Expression Pedal Assignment
The GNX3000 has several options for real-time control over effects parameters in
each of its presets. Parameters can be modified during performance both manually
and automatically by several methods. These are referred to as expression controllers
and include the built-in EXPRESSION PEDAL and the Internal LFOs (low frequency
oscillators) Each of these controllers can be programmed specifically for each preset,
giving you many options for manipulating parameters in different ways.
Expression Pedal
The EXPRESSION PEDAL on the GNX3000 can control up to 3 parameters in real time.
Each parameter assigned to the EXPRESSION PEDAL can have specific ranges of how
much the parameter is controlled by using the minimum and maximum controls.
Apply extra pressure to the toe of the EXPRESSION PEDAL to activate the toe switch,
and the EXPRESSION PEDAL switches between the assigned parameters and the Wah.
Expression Pedal Links 1-3
Each preset can have up to 3 parameters assignments to the EXPRESSION PEDAL. Each
assignment has the following assignment options:
1. Parameter Type (see parameter list on page
2. Min Value
3. Max Value
77
)
GNX3000 Owner’s Manual
The procedure for assigning a parameter to the EXPRESSION PEDAL
1. Press either EFFECT SELECT button until the EXPRESSION ASSIGN
2. Press the STATUS
Link 1),
Pedal Link 3), depending upon which assignment you want to use or the
number of parameters you intend to assign.
3. Rotate KNOB 1 until the parameter appears in the display. See the Expression
Parameter Assignment List on page
parameters.
4. Rotate KNOB 2 to select the minimum value the parameter reaches with the
Expression Pedal in the toe up position.
5. Rotate KNOB 3 to select the maximum value the parameter reaches with the
Expression Pedal in the toe down position.
6. Store your Expression Pedal assignment to your preset. See page
information on storing presets.
exp pdl2 (Expression Pedal Link 2), or exp pdl3 (Expression
button until the display reads exp pdl1 (Expression Pedal
for a complete list of assignable
77
is as follows:
row is selected.
for more
92
Wah Pedal
The wah effect can be programmed to have specific heel and toe ranges in each
preset. These settings are configured in the EXPRESSION ASSIGN row of the matrix. To
customize the heel/toe range for the wah effect, follow these steps:
75
GNX3000 Owner’s Manual
Expression Pedal Assignment
1. Press either EFFECT SELECT button until the EXPRESSION ASSIGN row is selected.
2. Press the STATUS
3. Rotate KNOB 2 to set the heel position of the wah effect. Ranges from
4. Rotate KNOB 3 to set the toe position of the wah effect. Ranges from
5. Press EXIT when finished.
button multiple times until WAH PDL appears in the display.
0 to 99.
0 to 99.
Amp Channel Footswitch
From the factory, the AMP CHANNEL FOOTSWITCH selects between the Channel 1
Amp, Channel 2 Amp, and the Warped Amp state when the GNX3000 is in
Mode. However, you can configure the function of the AMP CHANNEL FOOTSWITCH
within a preset.
The procedure for assigning the function of the AMP CHANNEL FOOTSWITCH is as
follows:
1. Press either EFFECT SELECT button until the
2. Press the STATUS
3. Rotate KNOB 1 to select the Amp Footswitch function. Your choices include:
button until the display reads AMP FS (Amp Footswitch).
EXPRESSION ASSIGN row is selected.
Stompbox
CH1-CH2 - Switches between the Channel 1 (Green) and the Channel 2
(Red) Amp Channels.
CH1-Warp - Switches between the Channel 1 (Green) and the Warped Amp
(Yellow) Channels.
CH2-Warp - Switches between the Channel 2 (Red) and the Warped Amp
(Yellow) Channels.
C1-c2-wp - Switches between the Channel 1(Green), the Warped (Yellow)
Channel, and the Channel 2 (Red) Channels.
92
4. Store your Amp Footswitch assignment to your preset. See page
information on storing presets.
for more
LFOs
The GNX3000 includes two low frequency oscillators (LFO1 and LFO2) that can each
be assigned to a single parameter. A low frequency oscillator automatically varies the
value of the assigned parameter at a steady rate. A minimum and maximum value can
be assigned. For instance: if the Amp Gain was assigned to LFO1, and the minimum
value was set at 1 and the maximum value was set at 99, the GNX3000 would
automatically sweep the amount of distortion from clean to distorted and back to
clean. Individual LFO speeds can also be assigned. In the previous example, the LFO
speed would determine the length of time it took the LFO to sweep from the clean to
the distorted sound.
GNX3000 Owner’s Manual
76
LFO Links 1-2
Each preset has two LFOs that can each be assigned to a single parameter. Each LFO
has the following assignment options:
1. Parameter Type (see attached parameter list)
2. Min Value
3. Max Value
4. LFO Waveform
5. LFO Speed
The procedure for assigning a parameter to the LFO 1 or LFO 2 is as follows:
1. Press either EFFECT SELECT button until the EXPRESSION ASSIGN row is selected.
2. Press the STATUS
3. Rotate KNOB 1 until the Parameter is displayed. See the Expression Parameter Assignment List on page
4. Rotate KNOB 2 to select the minimum value the assigned parameter reaches at
the bottom turn around point for the LFO.
5. Rotate KNOB 3 to select the maximum value the assigned parameter reaches at
the top turn around point for the LFO.
6. Rotate KNOB 4 to select the speed that the LFO oscillates from the minimum to
the maximum values. LFO speed ranges from (
7. Rotate KNOB 5 to select the waveform the LFO oscillates on. Your choices
include:
Triangle - a smooth rise and fall, but abrupt turn around in oscillation.
SINE - a smooth rise, fall, and turn around in oscillation.
SQUARE - an abrupt rise, fall, and turn around in oscillation.
8. Store your LFO assignment to your preset. See page 92 for more information
on the storing procedure.
button to assign LFO1 (LFO 1) or LFO2 (LFO 2).
for a complete list of assignable Parameters.
77
.O5 Hz) to 10 Hz (1o HZ).
GNX3000 Owner’s Manual
Expression Parameter Assignment List
The following parameters can be assigned to the EXPRESSION PEDAL Links or LFO 1
and LFO 2.
NO LINK (No Link) No Parameter is assigned
AMP CHaN (Amp Channel) Switches Amp Channels
Amp WARP (Amp Warp) Warps the Channel 1 and Channel 2
Amp Models
Cab WARP (Cabinet Warp) Warps the Channel 1 and Channel 2
Cabinet types
WARP (Warp) Warps Channel 1 and Channel 2
Amp and Cabinet Models simultaneously
ch1 GAIN (Channel 1 Gain) Controls the Gain for Channel 1
Amp Model
77
GNX3000 Owner’s Manual
Expression Pedal Assignment
ch1 LeVL (Channel 1 Level) Controls the Volume of Channel 1
Amp Model
ch2 GAIN (Channel 2 Gain) Controls the Gain for Channel 2
Amp Model
ch2 LeVL (Channel 2 Level) Controls the Volume of Channel 2
Amp Model
wahonoff (Wah On/Off) Turns the Wah on and off
wah pdl (Wah Pedal) Adjusts the Wah sweep
pckonoff (Pickup Simulator On/Off) Turns the Pickup Simulator on and
off
pck type (Pickup Type) Selects the Pickup type
cmponoff (Compressor On/Off) Turns the Compressor effect on and
off
cmpattak (Compressor Attack) Controls the Compressor’s Attack
time
cmpratio (Compressor Ratio) Controls the Compressor’s Ratio
cmpthres (Compressor Threshold) Controls the Compressor’s
Threshold
CMP GAiN (Compressor Gain) Controls the Compressor’s Gain
ipsonoff (Whammy
sboxonof (Stompbox On/Off) Turns the Stompbox module on and off
Stompbox Parameters
Active Stompbox
Screamer drive tone level
rodent dist filter volume
ds dist dist tone level
dod 250
gain level
Big mp sustain tone volume
guy od
drive level
sparkdrv gain tone clean volume
grunge grnggain butt face loud
fuzzy fuzz volume
zone dist mid freq mid levl level
8tavia drive volume
Noise Gate Parameters
gatonoff (Noise Gate On/Off) Turns the Noise Gate on and off
gatthres (Noise Gate Threshold) Controls the Noise Gate’s Threshold
gatattak (Noise Gate Attack) Controls the Noise Gate’s Attack time
PLucksNS (Noise Gate Pluck) Controls the Noise Gate’s Pluck Sensitivity
fx onoff (Chorus/Mod On/Off) Turns the Chorus/Mod module on and off
Modulation Parameters
Active Effect
Chorus Speed Depth predelay Mod levl MOD wave* mod bal*
Flanger Speed Depth Regen MOD mix MOD wave* mod bal*
Phaser Speed Depth Regen Mod levl mOD wave* mod bal*
Trigflng Speed Senstvty LFO Strt MOD MIX
Trigphas Speed SenstvtY LFO Strt MOD MIX
unovibe chorus/ Intensty Pedal
vibrato
Tremolo Speed Depth waveform
pannerSpeed Depth waveform
vibrato Speed Depth waveform
rotary Speed Depth Doppler mod mix xover* MOD bal*
autoya Speed Depth RANGE MOD mix MOD bal*
yaya yAya PDL Depth RANGE MOD mix MOD bal*
*These Parameters are only available using the X-EditTM Editor/Librarian software.
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GNX3000 Owner’s Manual
Expression Pedal Assignment
synthtlk Attack Release Vox Senstvty mod bal*
Envelope Senstvty Range MOD Bal MOD MIX
DETUNe Amount MOD Bal Mod levl
pitch SHIFT MOD Bal Mod levl
dlyonoff (Delay On/Off) Turns the Delay module on and off
DLY fdbk (Delay Feedback) Controls the amount of Delay Feedback
threshld (Delay Threshold) Controls the Ducker Threshold for the Delay
duckattn (Ducker Attenuation) Controls the attenuation level applied to the Delay signal when
the Ducker Threshold is exceeded
Dly levl (Delay Level) Controls the Mix Level of the selected Delay Type
DLY BAL (Delay Balance) Controls the left/right balance of the selected Delay Type
**DLY sprd (Delay Spread) Controls the left/right balance of the selected Delay Type
rvbonoff (Reverb On/Off) Turns the Reverb effect on and off
RVB PRE (Reverb Predelay) Controls the Reverbs Predelay time
rvbdecay (Reverb Decay) Controls the Reverbs Decay time
RVB levl (Reverb Level) Controls the Reverbs Mix Level
RVB BAL (Reverb Balance) Controls the left/right balance of the selected Reverb Type
VOL PRE (Volume Pre) Controls the Volume after the Amp Modeling, but before the Effects
VOL PoST (Volume Post) Controls the Volume at the end of the Effects chain
LFo1 SPD (LFO 1 Speed) Controls the modulation speed of Expression LFO 1
LFo2 SPD (LFO 2 Speed) Controls the modulation speed of Expression LFO 2
* This Parameter is only available using the X-EditTM Editor/Librarian software.
**Delay Balance is replaced by Delay Spread when Spread Delay is selected.
GNX3000 Owner’s Manual
80
1. Press the GENETX
Amp Control button
2. Rotate Parameter 1 knob
until Display reads 57 dlux
3. Rotate parameter 2 knob
until Displa
y reads brit1x12
GNX3000 Owner’s Manual
Creating a Preset
Suppose you wanted to create your own HyperModelTM that incorporates the sweet tones of a vintage
Tweed using an British 1x12 cabinet, and the ripping distortion of a Rectified Amp with a British 4x12
cabinet. Let’s also suppose that you want to be able to toggle between an acoustic guitar simulation
and this new HyperModel with a preset that gives your single coil pickup a humbucker sound, uses no
Compression, has a Noise Gate that opens quickly, a subtle Chorus effect, no Delay, and a little bit
of a Hall reverb. The following guide steps you through the process of creating just that preset in the
GNX3000. Start by selecting Stompbox Mode (yellow), using the
Selecting a Preset
The first step to create a custom preset of your own is to select a starting point. You can start with
any existing preset, but for this example let’s start with Factory 1 Preset 40. Use the DATA WHEEL or FOOTSWITCHES (when the GNX3000 is in either Preset or
40.
MODE button.
Stompbox Mode) to select Factory 1 Preset
Create a HyperModel
For this example, we are going to use a vintage Tweed amp with an British 1x12 Cabinet, and warp it
with a Rectified Amp using a British 4x12 cabinet.
TM
Select Channel 1 Amp and Cabinet
To assign the vintage Tweed amp to Channel 1 do the following:
1. Press the
2. Rotate KNOB 1 until the display reads
3. Rotate KNOB 2 until the display reads
GENETX Amp Control button to access each channel’s amp and cabinet models.
57 dlux (Tweed).
brit1X12 (Vox
TM
).
GNX3000 Owner’s Manual
81
1. Rotate Parameter 4 knob
until Display reads dualrect
2. Rotate Parameter 5 knob
until Display reads brit4x12
1. Press the Tone Amp
Control button
2. Press the Status button
until Display reads CH1 AMP
and all LEDs light green
3.-7. Rotate Parameter knobs to
adjust Channel 1’s Gain, EQ Level,
and Amp Level
Creating a Preset
Select Channel 2 Amp and Cabinet
To assign the Rectified amp to the Channel 2 do the following:
1. Rotate KNOB 4 until the display reads
2. Rotate KNOB 5 until the display reads
DualRect (Rectified).
brit4x12 (British 4x12).
Adjust Channel 1 Tone Controls
The Tweed amp that we selected for our Channel 1 assignment uses the factory
default settings for the Gain, EQ, and Level Parameters. Therefore, you may want
to change the settings. To access the tone controls for Channel 1, do the following:
1. Press the TONE Amp Control button.
2. Press the STATUS
horizontal LEDs will light green indicating that all 5 knobs will adjust Channel
1’s tone controls.
3. Rotate KNOB 1 to adjust the Tweed Amp’s Gain. The range is from
button until the display reads ch1 amp and all the
0 to 99.
GNX3000 Owner’s Manual
4. Rotate KNOB 2 to adjust the Tweed Amp’s Bass EQ Level (boost/cut). The
range is from -12 dB
5. Rotate KNOB 3 to adjust the Tweed Amp’s Midrange EQ Level(boost/cut). The
range is from -12 dB
6. Rotate KNOB 4 to adjust the Tweed Amp’s Treble EQ Level(boost/cut). The
range is from -12 dB
7. Rotate KNOB 5 to adjust the Tweed Amp’s Level. The range is from
82
(-12) to +12 dB (12).
(-12) to +12 dB (12).
(-12) to +12 dB (12).
0 to 99.
Adjust Channel 2 Tone Controls
2.-6. Rotate Parameter knobs to
adjust Channel 2’
s Gain, EQ levels,
and Amp levels.
1. Press the Status button to
turn the EQ on and off
Like the Tweed amp in Channel 1, the Rectified amp in Channel 2 may need to be
adjusted to suit your personal taste. To access the tone controls for Channel 2, do
the following:
1. Press the STATUS
horizontal LEDs will light red indicating that all 5 knobs will adjust Channel 2’s
tone controls.
2. Rotate KNOB 1 to adjust the Rectified Amp’s Gain. The range is from
3. Rotate KNOB 2 to adjust the Rectified Amp’s Bass EQ Level (boost/cut). The
range is from -12 dB
4. Rotate KNOB 3 to adjust the Rectified Amp’s Midrange EQ Level (boost/cut).
The range is from -12 dB
5. Rotate KNOB 4 to adjust the Rectified Amp’s Treble EQ Level (boost/cut). The
range is from -12 dB
6. Rotate KNOB 5 to adjust the Rectified Amp’s Level. The range is from
button until the display reads ch2 amp and all the
0 to 99.
(-12) to +12 dB (12).
(-12) to +12 dB (12).
(-12) to +12 dB (12).
0 to 99.
GNX3000 Owner’s Manual
83
GNX3000 Owner’s Manual
1. Press either the Chan One EQ or
Chan Two EQ Amp Control button
3.-7. Rotate Parameter knobs to
adjust cabinet Tuning, EQ Center
Frequencies, and Presence Level
2. Press the Status button to
turn the EQ on and off
Creating a Preset
Adjust EQ/Tune the Cabinets
As an option, you may also want to modify each channel’s EQ center frequencies
(Bass, Midrange, and Treble found in the TONE row) and adjust the resonance for
the British 1x12 and the British 4x12 Cabinets. To access the EQ center frequency
settings and Cabinet tuning, do the following:
1. Select the amp channel that you would like to edit by pressing either the
ONE EQ AMP CONTROL button or the CHAN TWO EQ AMP CONTROL button.
2. Press the STATUS
button to turn the EQ on and off.
3. Rotate KNOB 1 to adjust the Cabinet Tuning resonance. The Cabinet Tuning
ranges are from
-12.0 (one octave below) to 12.0 (one octave above).
4. Rotate KNOB 2 to select the Bass center frequency. The range is from 50 Hz
(50 HZ) to 300 Hz (300 HZ).
5. Rotate KNOB 3 to select the Midrange center frequency. The range is from 300
Hz (
300 HZ) to 5000 Hz (5000 HZ).
6. Rotate KNOB 4 to select the Treble center frequency. The range is from 500 Hz
(500 HZ) to 8000 Hz (8000 HZ).
7. Rotate KNOB 5 boosts or cuts the Presence Level. The range is from -12 dB
(-12) to +12 dB (12).
CHAN
GNX3000 Owner’s Manual
84
Warping Amp Channels Together
1. Press the GENETX
Amp Control button
2. Rotate Parameter 3 knob to warp
amp and cabinet models tog
ether
3. Use the Next arrow button to
select character locations
2. Use the Data Wheel to
change characters
NEW AMP
1., 4. Press the Amp
Save button
When the Amps and Cabinets in Channel 1 and Channel 2 are dialed in to
suit your taste, we can Warp their characteristics together to create a new
HyperModel. To warp the amps do the following:
1. Press the
2. Rotate KNOB 3 (Warp) knob to blend the Amps and Cabinets together to
create a new unique amp.
GENETX Amp Control button.
GNX3000 Owner’s Manual
Save the HyperModelTM
Now that we have designed our own Amp/Cabinet HyperModel, we need to save
it to one of the 9 User HyperModel locations. This allows us to use it in presets.
To save the HyperModel, do the following:
1. Press the AMP SAVE button until the display reads
2. Rotate the DATA WHEEL to select R as the first letter.
3. Press the NEXT ARROW button to select the next character in the display.
4. When the display reads
NEW AMP and the first
letter (
N) is flashing. For this example, let’s name the HyperModel “Rectwed”
(Rectified Tweed).
Continue using the DATA WHEEL and NEXT ARROW button until the display
reads RECTWED.
RECTWeD, press the AMP SAVE button again.
85
GNX3000 Owner’s Manual
5. Use the Data Wheel
to select an empty
User Amp location
empty
6. Press the Amp
Save button
u1
2. Rotate the Knob 1
until Display reads
ac dread
3. Rotate Knob 4
until Display reads
rectwed
1. Press the GENETX
Amp Control button
Creating a Preset
5. Now we need to choose one of the 9 User HyperModel locations. Use the
DATA WHEEL to select a an empty user location. The display should read
EMPTY (Empty) and the red numeric display should read U1 if this is the first
HyperModel stored to your GNX3000.
6. Press the AMP SAVE button again to save to this Amp location. The display
briefly reads
selected preset.
AMP SaVeD (Amp Saved) and then returns to the name of the
Select Models for the Preset’s Channels
In the previous steps, we selected a Tweed amp model for the Channel 1 amp and a
Rectified amp model for the Channel 2 amp. Then we warped the two together to
create our HyperModel
Rectwed, but it is not currently part of our preset. In this example preset, we need to
be able to toggle between an acoustic guitar simulation and our new HyperModel. To
do this we need to now select the Dreadnaught acoustic guitar model for Channel 1’s
amp and our custom Rectwed for Channel 2’s amp in our preset. This procedure is as
follows:
1. Press the
GENETX Amp Control button.
2. Rotate KNOB 1 until the display reads
for the preset.
3. Rotate KNOB 4 until the display reads
This is Channel 2’s Model for the preset. This lets us toggle between these two
sounds using the Amp Footswitch (when Preset Mode is active).
TM
. This HyperModel is saved as an amp type that we named
AC dread. This is Channel 1’s Model
RECTWeD (our new HyperModel).
GNX3000 Owner’s Manual
86
Edit the Preset Effects
wah
OF
1. Press the Effect
Select Down button;
the LED lights on the
Wah-Pickup effect row
2. If necessary, press the
Status button to turn
the W
ah effect off
SC>HUMB
OF
1. Rotate Knob 3 until
Display reads sc>humb
The next step to creating our example preset involves editing the effects. To edit the
preset, do the following:
1. Press the EFFECT SELECT DOWN button. The display will briefly read
the Matrix LED in the Wah-Pickup row will light.
2. If the display reads
(since our example does not use a Wah).
WAH On, press the STATUS button once to turn the Wah off
EDIT and
GNX3000 Owner’s Manual
Select the Pickup Type
In our example preset we use a single coil pickup, but want it to sound like a
double coil humbucker.
1. With the Wah-Pickup LED lit, rotate KNOB 3 until the display reads
This makes a single coil pickup sound like a humbucker.
SC>Humb.
87
GNX3000 Owner’s Manual
Creating a Preset
Turn the Compressor Off
We don’t use compression in our preset so, we need to turn the Compressor off.
To turn the Compressor off, do the following:
1. Press the EFFECT SELECT DOWN button. The Compression LED lights and the
display shows the current status of the Compressor.
2. If the Compressor is on, press the STATUS
(Of).
button until the red display reads off
Turn the WhammyTM/IPS/TalkerTM Off
We don’t want Whammy, IPS, or Talker effects in this preset. To turn these effects
off, do the following:
1. Press the EFFECT SELECT DOWN button, and the Whammy/IPS/Talker LED is
lit.
2. If the display indicates that one of these effects is active, press the STATUS
button until the display reads off (Of).
Turn the Stompbox Modeling Off
To turn the Stompbox Modeling off for this preset, do the following
1. Press the EFFECT SELECT DOWN button until the Stompbox LED is lit.
2. If the display indicates that it is active, press the STATUS
display reads off (
Of).
button until the
Adjust the Noise Gate
For our example, we want our Noise Gate to open quickly with a relatively weak
signal. This type of gate uses the Silencer
time. To create this type of Noise Gate, do the following:
1. Press the AMP FOOTSWITCH to select the Channel 2 Amp (
high gain model.
2. Press the EFFECT SELECT DOWN button and the Noise Gate’s LED lights.
3. If the display reads off (
(On).
4. Rotate KNOB 1 until the display reads
5. Rotate KNOB 2 to set the Threshold to
depending upon your guitar).
6. Rotate KNOB 3 to set the Attack Time to
Of), press the STATUS button until the display reads on
TM
with a low threshold and short attack
CH2 AMP), our
SILeNCeR for the type of gate.
37 (this may need to be adjusted
0 (fast attack).
GNX3000 Owner’s Manual
88
Select and Adjust the Chorus
chorus
1. Press Effect Select
Down again until the
Chorus/Mod LED
lights
3. Rotate Knob 1
to select Chorus
2. Press the Status button to
turn on the Chorus/Mod effect
4. Rotate Knob 2
to set the Chorus
speed to 5
5. Rotate Knob 3
to set the Chorus
Depth to 30
6. Rotate Knob 4
to set the Pr
eDelay
to 1
7. Rotate Knob 5
to set the Chorus
Level to 50
Next we want to thicken up the sound, by adding a subtle Chorus effect, in the
following manner:
1. Press the EFFECT SELECT DOWN button again and the LED in the Chorus/Mod
row lights.
2. If the display reads off (
(On).
3. Rotate KNOB 1 until the display reads
4. Rotate KNOB 2 to set the Chorus Speed to
5. Rotate KNOB 3 to set the Chorus Depth to
6. Rotate KNOB 4 to set the PreDelay to
7. Rotate KNOB 5 to set the Chorus Level to
Of), press the STATUS button until the display reads on
Chorus (Chorus) for the effect type.
5.
30.
1.
50.
GNX3000 Owner’s Manual
Turn the Delay Off
To bypass the Delay, do the following:
1. Press the EFFECT SELECT DOWN button until the LED in the Delay row lights.
2. If the display reads on (
On), press the STATUS button until the display reads off
(Of).
89
GNX3000 Owner’s Manual
hall
1. Press Effect Select
Down again until the
Reverb LED lights
3. Rotate Knob 1
to select Hall as
the Reverb type
2. Press the Status button to
turn on the Reverb
4. Rotate Knob 2
to set the Reverb
PreDelay to 2
5. Rotate Knob 3
to set the Reverb
Decay to 15
6. Rotate Knob 4
to set the Reve
rb
Damping to 40
7. Rotate Knob 5
to set the Reverb
Level to 30
Creating a Preset
Select and Adjust the Reverb
In our example preset we wanted a little bit of Hall Reverb to provide some
ambience. To add the reverb, do the following:
1. Press the EFFECT SELECT DOWN button until the LED in the Reverb row lights.
2. If the display reads off (
(On).
3. Rotate KNOB 1 to select Hall (
4. Rotate KNOB 2 to set the Reverb Predelay to
5. Rotate KNOB 3 to set the Reverb Decay to
6. Rotate KNOB 4 to set the Reverb Damping to
7. Rotate KNOB 5 to set the Reverb Level to
Of), press the STATUS button until the display reads on
Hall) for the Reverb Type.
2.
15.
40.
30.
GNX3000 Owner’s Manual
90
Store the Preset
3. Use the Next arrow button to
select character locations
2., 4., 6. Use the Data Wheel to
chang
e characters
store
1., 5., 7. Press the Store
button
The last step is to store our changes to a User Preset. If we changed presets
or turned the GNX3000 off without storing these settings, it would forget what
we had done and revert back to the original preset. To store the preset, do the
following:
1. Press the STORE button. The first letter in the display begins to flash. Since this
is an example preset, let’s name the preset
2. Rotate the DATA WHEEL until the flashing character in the display is an E.
3. Press the NEXT button once and the second character begins to flash.
4. Rotate the DATA WHEEL again until the flashing character is an
using the NEXT button to select the character location and the DATA WHEEL to
change the characters.
examplE.
X. Continue
GNX3000 Owner’s Manual
5. Once the Display reads exampLE, press the STORE button again. The numbers
in the red numeric display are flashing.
6. Rotate the DATA WHEEL to select User Preset 48 as the destination.
7. Press the STORE
button once more to save the preset.
Congratulations! You have successfully created a Preset.
GNX3000 Owner’s Manual
91
Name
64
2. Use the Data Wheel to select
an alpha-numeric character
1. Press Store
3. Use the Next button to
select the next character
number
64
5. Press Store again
6. Select a User
preset using the
Data Wheel
7. Press Store again
Storing/Copying a Preset
Storing/Copying a Preset
Storing a Preset
Once you have modified the Amp Models, Cabinet Types, and Effect Parameters, the
Store button LED flashes indicating you have changed a parameter and need to store
the changes to a User Preset location in order to recall them later. The following steps
outline the procedure for storing a preset:
1. Press the STORE button. The first letter of the preset name begins flashing.
2. Use the DATA WHEEL to select the alpha-numeric character.
3. Press the NEXT button to select the next character to the right, and the
button to select the previous character to the left.
PREV
GNX3000 Owner’s Manual
4. Repeat steps 2 and 3 until you are finished naming the new preset.
5. Press the STORE button again. The current preset location will then flash in the
red display.
6. Select the User Preset location using the DATA WHEEL.
7. Press the STORE button again to finish.
92
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