External Component Guide
(
Figure 1
)
Component Value Purpose
C1 0.1 µF–
100 µF
May be part of power supply,
or may be added to suppress
power supply oscillation.
C2, C13 1 µF Blocks DC, pin 2 and pin 13
are at DC potential of V
S
/2.
C2, C13 form a low frequency
pole with 20k R
IN
.
C14 25 µF–
100 µF
Improves power supply
rejection.
C3, C12 0.0033 µF Forms integrator with internal
gm block and op amp. Sets
bandwidth conversion gain of
33 Hz/µA of gm current.
C4, C11 1 µF Output coupling capacitor.
Output is at DC potential of
V
S
/2.
C5 0.1 µF Works with R1 and R2 to
attenuate low frequency
transients which could disturb
control path operation.
C6 0.001 µF Works with input resistance of
pin 6 to form part of control
path frequency weighting.
C8 0.1 µF Combined with L8 and C
L
forms 19 kHz filter for FM
pilot. This is only required in
FM applications (Note 9).
L8, C
L
4.7 mH,
0.015 µF
Forms 19 kHz filter for FM
pilot. L8 is Toko coil
CAN-1A185HM (Notes 8, 9).
C9 0.047 µF Works with input resistance of
pin 9 to form part of control
path frequency weighting.
C10 1 µF Set attack and decay time of
peak detector.
R1, R2 1 kΩ Sensitivity resistors set the
noise threshold. Reducing
attentuation causes larger
signals to be peak detected
and larger bandwidth in main
signal path. Total value of R1
+ R2 should equal 1 kΩ.
R8 100Ω Forms RC roll-off with C8.
This is only required in FM
applications.
Note 8: Toko America Inc., 1250 Feehanville Drive, Mt. Prospect IL 60056
Note 9: When FM applications are not required, pin 8 and pin 9 hook-up as
follows:
Circuit Operation
The LM1894 has two signal paths, a main signal path and a
bandwidth control path. The main path is an audio low pass
filter comprised of a gm blockwith a variable current, and an
op ampconfigured as an integrator.As seen in
Figure 2
,DC
feedback constrains the low frequency gain to A
V
=
−1.
Above the cutoff frequency of the filter, the output decreases
at −6 dB/oct due to the action of the 0.0033 µF capacitor.
The purpose of the control paths is to generate a bandwidth
control signal which replicates theear’s sensitivity to noise in
the presenceof a tone. A single control path is used for both
channels to keep the stereo image from wandering. This is
done by adding the right and left channels together in the
summing amplifier of
Figure 2
. The R1, R2 resistor divider
adjusts the incoming noise level to open slightly the bandwidth of the low pass filter. Control path gain is about 60 dB
and is set by the gain amplifier and peak detector gain. This
large gain is needed to ensure the low pass filter bandwidth
can be opened by very low noise floors. The capacitors between the summing amplifier output and the peak detector
input determine the frequency weighting as shown in the
typical performance curves. The 1 µF capacitor at pin 10, in
conjunction with internal resistors,sets the attack and decay
times. The voltage is converted into a proportional current
which is fed into the gm blocks. The bandwidth sensitivity to
gm current is 33 Hz/µA. In FM stereo applications at 19 kHz
pilot filter is inserted between pin 8 and pin 9 as shown in
Figure 1
.
Figure 3
is an interesting curve and deserves some discussion.Although theoutput ofthe DNRsystem isa linear function of input signal, the−3 dB bandwidth is not.This is due to
the non-linear nature of the control path. The DNR system
has a uniform frequency response, but looking at the −3 dB
bandwidth on asteady state basis with asingle frequency input can be misleading. It must be remembered that a single
input frequency can only give a single −3 dB bandwidth and
the roll-off from this point must be a smooth −6 dB/oct.
A more accurate evaluation of the frequency response can
be seen in
Figure 4
. In this case the main signal path is frequency swept, while the control path has a constant frequency applied. It can be seenthat differentcontrol pathfrequencies each give a distinctive gain roll-off.
Psychoacoustic Basics
The dynamic noise reduction system is a low pass filter that
has a variable bandwidth of 1 kHz to 30 kHz, dependent on
music spectrum. The DNR system operates on three principles of psychoacoustics.
1. White noise can mask pure tones. The total noise energy
required to mask a pure tone must equal the energy of the
tone itself. Within certain limits, the wider the band of masking noise about the tone, the lower the noise amplitude need
DS007918-6
www.national.com5