Classe Audio SSP-300 User Manual

Owner’s Manual

SSP-300

Surround Processor

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO
NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRICAL SHOCK, DO
NOT REMOVE COVER. NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the

user to the presence of uninsulated dangerous voltage within the product’s enclosure that may be of
sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of

important operating and maintenance (servicing) instructions in the literature accompanying the
appliance.

Marking by the “CE” symbol (shown left) indicates compliance of this device with the EMC (Elec-

tromagnetic Compatibility) and LVD (Low Voltage Directive) standards of the European Com­munity.

NOTICE

All of us at Classé take extreme care to ensure that your purchase will remain a prized investment. We are proud to inform you
that all Classé components have been officially approved for the European Community (CE) mark under CE Certificate Number
C401CLA1.MGS

This means that your Classé product was subjected to the most rigorous manufacturing and safety tests in the world. The CE mark
certifies that your purchase meets or exceeds all European Community requirements for unit-to-unit consistency and consumer
safety.

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC
Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This
equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions,
may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a par
ticular installation. If this equipment does cause interference to radio or television reception, which can be determined by turning
the equipment on and off, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna;

• Increase the separation between the equipment and the receiver;

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected;

• Consult the dealer or an experienced radio/TV technician for help.

granted on 18 July 1996.

-

CAUTION: Changes or modifications to this equipment not expressly approved by the manufacturer could void the user’s authority
to operate the equipment.

The information contained in the manual is subject to change without notice. The most current version of this manual will be
posted on our web site at http://www.classeaudio.com.

Important Safety Instructions

Caution:
Please read and observe all warnings and instructions in this owner’s manual and all those marked on
the unit. Retain this owner’s manual for future reference.

1. Do not attempt to service this product yourself. Do not open the cover for any reason. There are no
user-serviceable parts inside. An open unit, particularly if it is still connected to an AC source, presents
a potentially lethal shock hazard. Refer all questions to authorized service personnel only.

2. To prevent fire or shock hazard, do not expose the unit to water or moisture. If a liquid does enter
your component, immediately disconnect it from the AC mains and take it to your Classé dealer for a
thorough checkup.

3. Do not place your component near any heat-producing device such as a radiator, stove, etc. Keep it
away from direct sunlight.

4. Connect your component only to an AC source of the proper voltage. The shipping container and
the rear panel serial number tag will indicate the proper voltage. Use of any other voltage may damage
the unit and void the warranty.

5. AC cords should be routed so that they are not likely to be walked on or pinched by items placed
upon or against them. Do not stress the AC cord by stretching it to a plug. If damage does occur to
the AC cord, take it to your Classé dealer for a thorough checkup and proper repair or replacement.

6. If your component will be out of use for an extended period of time (vacation, etc.), you may wish
to unplug the power cord from the AC source to prevent any chance of problems from a voltage surge
or lightning strike.

7. NEVER wet the inside of this product with any liquid.

8. NEVER pour or spill liquids directly onto this unit.

9. NEVER block air flow through ventilation slots or heatsinks.

10. NEVER bypass any fuse.

11. NEVER replace any fuse with a value or type other than that specified.

12. NEVER attempt to repair this product. If a problem occurs, contact your Classé dealer.

13. NEVER expose this product to extremely high or low temperatures.

14. NEVER operate this product in an explosive atmosphere.

15. ALWAYS unplug sensitive electronic equipment during lightning storms.

Please record the serial number for your new Classé component here for future reference.

Serial #: __________________

Contents

Welcome to the Classé family ..........................................................................6

Unpacking and Placement ...............................................................................7

unpacking your surround processor .......................................................................7

placement ..............................................................................................................7

ventilation .............................................................................................................

custom installations ...............................................................................................7

serial number .........................................................................................................7

register your purchase! ...........................................................................................

warm up/break-in period .......................................................................................

please read this manual… ......................................................................................8

Operating Voltage ............................................................................................9

A Word About Installation ..............................................................................10

Special Design Features .................................................................................11

high-bandwidth video circuitry ............................................................................11

transcoding ...................................................................................... 11

THX Ultra™ .........................................................................................................11

Re-Equalization™ ............................................................................ 12

Timbre Matching™ .......................................................................... 12

Adaptive Decorrelation™ ................................................................ 12

Advanced Surround Array™ ............................................................. 13

THX Music Mode ............................................................................ 13

THX Movie Mode ............................................................................ 14

Boundary Gain Compensation ......................................................... 14

flexible GUI .........................................................................................................14

customizable volume control ...............................................................................14

highly refined circuit design .................................................................................

extensive listening tests ........................................................................................

extraordinary longevity ........................................................................................

Initial Setup ...................................................................................................17

Front Panel .....................................................................................................20

Rear Panel .....................................................................................................23

The Remote Control .......................................................................................31

Understanding Surround Sound .....................................................................34

how many channels? ...........................................................................................34

matrix or discrete? ...............................................................................................34

multichannel formats ....................................................................... 35

post-processing possibilities .................................................................................35

multichannel formats ....................................................................... 36

Using the SSP-300 .........................................................................................38

source selection ...................................................................................................38

mode selection ....................................................................................................38

video preview ......................................................................................................39

controls ...............................................................................................................39

system trims ..................................................................................... 40

zone control .................................................................................... 40

position select .................................................................................. 41

15
15
16

7

8
8

4

The Menu System ..........................................................................................42

system setup ........................................................................................................42

rotary ............................................................................................... 43

input setup ....................................................................................... 45

speaker setup ................................................................................... 48

triggers setup ................................................................................... 50

max volume ..................................................................................... 50

teach IR ...............................................................................................................51

display setup ........................................................................................................

51

brightness ........................................................................................ 52

timeout ............................................................................................ 52

language .......................................................................................... 52

OSD ................................................................................................ 52

temp. display ................................................................................... 53

volume ............................................................................................ 53

Dolby/DTS setup .................................................................................................53

Dolby Pro Logic II ........................................................................... 54

DTS Neo:6 ....................................................................................... 54

remote Fkeys .......................................................................................................54

cautionary note on Fkey use ............................................................ 55

status ...................................................................................................................55

version info ...................................................................................... 55

sensors ............................................................................................. 55

Troubleshooting .............................................................................................56

Care & Maintenance ......................................................................................58

Specifications ................................................................................................59

Dimensions ...................................................................................................60

5

Welcome to the Classé family

Congratulations on your purchase of a Classé product. It is the result of many
years of continuous refinement, and we are sure that you will enjoy it for many
years to come.

We value our relationship with our customers. Please allow us to stay in touch
with you by returning your warranty card now, before you pack up the shipping
carton of your new product and forget all about it. Doing so will enable us to
let you know about any possible future upgrades or updates that might become
available for your Classé component.

Sending in your warranty card also registers your product with us so that
warranty service can be obtained easily and quickly, even if you have mislaid
your original sales slip.

You will find the warranty registration card at the end of the separate warranty
policy booklet, enclosed.

Please take a few minutes to fill out the warranty registration

card and drop it in the mail.

6

Unpacking and Placement

unpacking your

surround processor

Important! Keep all packing materials for future transport of your Classé

placement As with any surround processor, it is best to place the SSP-300 centrally within

Carefully unpack your surround processor according to the supplied
instructions, and remove all accessories from the carton.

product. Shipping your new component in anything other
than its purpose-designed packing material may result in
damage that is not covered by the warranty.

your system, since it is the hub to which all other components are connected.
It should also be located at a convenient height for both visibility and use,
since you generally interact with your surround processor more than any other
component (changing inputs, adjusting volume, etc.).

Note that adequate clearance for the AC cord and connecting cables
must be left behind the SSP-300. We suggest leaving eight inches (20
cm) of free space behind your surround processor to allow all cables
sufficient room to bend without crimping or undue strain.

Classé recommends that the unit not be placed directly on the top surface of a
power amplifier (or any other heat source).

ventilation Your Classé surround processor generates a certain amount of heat in the course

of normal operation. Be sure to allow three inches of clearance above it and
three inches to each side to allow heat dissipation through air circulation. Avoid
placement on soft surfaces that would restrict airflow (such as plush carpeting).

custom installations Drawings are included in this manual to facilitate special installations and

custom cabinetry (see the section
rack mount kit is available for this product. Contact your Classé dealer for more
information.

serial number The serial number for your surround processor is found on the rear of the

unit. Please note and record this number on the page entitled Important Safety

Instructions for your future reference.

Dimensions). An optional, purpose-designed

7

register your purchase! Having found the serial number, now would be a good time to fill out the

registration card. Please register your purchase so we can advise you of updates
and other items of interest.

It will take only a minute or so. Please complete the card now, before you forget.

warm up/break-in period Your new Classé surround processor will deliver outstanding performance

immediately. However, you should expect to hear it improve somewhat as
it reaches its normal operating temperatures and its various components
“break-in.” It has been our experience that the greatest changes occur within the
first 300 hours, as the surround processor reaches thermal equilibrium and the
capacitors fully form. After this initial break-in period, the performance of your
new product should remain quite consistent for years to come.

The only exception to this rule is if the unit is unplugged for an extended period
of time, allowing it to cool down. Depending on the degree of cooling involved,
you should expect a brief warm-up period before the surround processor’s
sound quality is at its best. Unless your surround processor was allowed to
become quite chilled, subsequent thermal re-stabilization should not take long.
Fortunately, you should never have to repeat the initial 300 hour break-in
period.

please read this manual… Please take a few minutes to review this manual, and to familiarize yourself

with your new surround processor. We understand that you are anxious to plug
everything in and get started. However, reading this manual and following the
advice it gives will ensure that you get all the benefits you deserve from having
purchased such a fine piece of equipment.

8

Operating Voltage

The SSP-300 surround processor is set at the factory (internally) for 100V,
120V, 230V, or 240V AC mains operation, as appropriate for the country in
which it is to be sold. (230V only in European Union countries, in compliance
with CE regulations.) The voltage setting may not be changed by the user.

Make sure that the label on the rear panel of your surround processor indicates
the correct AC operating voltage for your location. Attempting to operate your
surround processor at an incorrect voltage may damage the unit.

Warning: The voltage setting of your surround processor may not be

changed by the user. There are no user-serviceable parts
within the unit. Please refer any problems to an authorized
Classé service center.

If the AC mains voltage indicated on your surround processor is incorrect, please
contact your local, authorized Classé dealer or distributor.

The SSP-300 can easily be powered by a normal 15-ampere AC mains line. If
other devices are also powered from the same AC line, their additional power
consumption should be taken into account.

The SSP-300 includes protection circuitry that will prevent the surround
processor from operating at dangerously high or low voltages.

• At startup: the AC mains voltage must be within a range of
approximately -15% to +10% of its nominal value at startup, or
the surround processor will not turn on. For example, a 120V unit
requires the AC mains to be between approximately 95V–135V in
order to turn on.

• Overvoltage during operation: if the AC mains voltage surges by
roughly 10% or more during operation, the surround processor
will enter protection mode and shut down. The standby LED
(Light-Emitting Diode) will flash to indicate the protection mode
has been engaged. An error message will be displayed on the LCD
touchscreen.

• Under-voltage during operation: if the AC mains voltage sags
by 15% or more, the surround processor will continue to play
(since this does not present a particular danger to the surround
processor), but note that it may not be able to achieve its usual
standard of performance under these compromised conditions.
The standby LED will flash to indicate the condition.

9

A Word About Installation

Every effort has been made to make the Classé SSP-300 simple and
straightforward to install and use.

Still, we have no way to evaluate other variables such as the size and shape of
your room, its acoustics, and the associated equipment you have chosen to
use with your surround processor. All of these factors influence the ultimate
performance of your system.

For this reason, we strongly encourage you to have your

system installed and calibrated by your dealer, whose
experience, training, and specialized equipment can make a
profound difference in the final performance of the system.

10

Special Design Features

high-bandwidth

video circuitry

transcoding The SSP-300 will receive standard, interlaced composite, S-video, and

Modern high definition video sources provide truly stunning picture quality.
However, the technical requirements of passing these remarkable signals along to
the display are quite challenging.

In recognition of the degradations that normally occur when passing these
pristine signals through circuitry that is often not up to task, many videophiles
connect all their video sources directly to their video displays. Unfortunately,
doing so means switching inputs separately on the audio and the video gear,
which is tedious to say the least.

Your new Classé surround processor incorporates professional-quality video
circuitry that has both the extraordinary bandwidth and the requisite dynamic
range to handle even the most demanding video signals in the HDTV standard.
This preserves simple everyday operation of the system, since now all video and
audio signals are routed through a single controller. Just as importantly, it does
so without any compromise in picture quality – whether you are watching 480i,
or 1080p, or anything in between.

component signals and transcode (convert) them to provide all of those formats
simultaneously to its various video outputs. It will convert signals “up” or
“down” as needed to ensure that all outputs are active, all the time, regardless
of input signal. (Note, however, that the SSP-300 does not change frame rates or

broadcast standards, e.g., we do not convert from 60 fps NTSC to 50 fps PAL or vice
versa.)

THX Ultra

Also, progressive input signals cannot be routed to the remote zone, since the
remote zone receives a composite signal. (There is no such thing as a progressive
composite signal.) If you have a progressive source, we suggest connecting both
its progressive output (for use in the main zone, without any further signal
processing) and its S-video or composite output (for use in the remote zone).

®

THX® is an exclusive set of standards and technologies established by the world­renowned film production company, Lucasfilm Ltd. THX grew from George
Lucas’ personal desire to make your experience of the film soundtrack, in both
movie theaters and in your home theater, as faithful as possible to what the
director intended.

Movie soundtracks are mixed in special movie theaters called dubbing stages,
and are designed to be played back in movie theaters with similar equipment and
conditions. This same soundtrack is usually then transferred directly onto DVD
and other distribution formats, and is not changed for playback in a small home
theater environment.

11

THX engineers developed patented technologies to accurately translate the
sound from the movie theatre environment into the home, correcting the tonal
and spatial errors that occur. With your SSP-300, when the THX indicator is
on, the following THX features are automatically added:

Re-Equalization™ The tonal balance of a standard film soundtrack will be excessively bright and

harsh when played back over high quality audio equipment in the home because
film soundtracks were designed to be played back in large movie theatres using
very different professional equipment. Re-Equalization restores the correct tonal
balance for watching a movie soundtrack in a small, home environment.

Timbre Matching™ The human ear alters our perception of a sound based on the direction from

which the sound is coming. Thus two identical sounds arriving from different
directions sound somewhat different to us (based on the assymetrical shape of
our ears). In film soundtracks, this can introduce discontinuity as sounds pan
from the front to the rear of the room, even if the speakers themselves are quite
well-matched.

The Timbre Matching feature filters the information going to the surround
speakers so that they more closely match the tonal characteristics of the sound
coming from the front speakers. This ensures seamless panning between the
front and surround speakers.

Adaptive Decorrelation™ In a movie theater, there is an array of perhaps a dozen surround speakers so

that the surround information is literally all around you. This creates a diffuse
surround soundfield that envelopes you,drawing you into the action on the
screen rather than distracting you from it.

By contrast, in a home theater you often use only two speakers, located to the
sides and somewhat behind you. Even in more elaborate “7.1 channel” systems,
you still have only two speakers to the sides and two speakers to the rear – quite
different than the surround array for which the soundtrack was mixed. This
difference can make the surround speakers sound like headphones, lacking
spaciousness and envelopment. The surround soundfield also tends to collapse
into the closest speaker as you move away from the middle seating position.

™

Adaptive Decorrelation

– another THX technology – slightly changes each
surround channel’s time and phase relationship with respect to the other
surround channels. This expands the listening position and helps create – even
with only two surround speakers – the same spacious surround experience as in a
movie theater.

12

Advanced Surround Array™ The people at THX have also found a solution to a problem that dogged high

performance multichannel systems for years: the apparent conflict between
optimal music and movie setups.

You see, movies are mixed in highly standardized environments,with even
spaced surround speakers in an array designed to provide a diffuse, enveloping
soundfield. Their goal is to draw you into the movie on the screen. If the
surround sound tempts you to look over your shoulder, the system has failed:
it has reminded you that you are safe in your living room rather than “in” the
movie you are watching.

By contrast, most multichannel music is mixed with a single pair of surround
speakers aimed directly at the listener from behind. Many music mixers
deliberately place particular instruments or musicians in these locations, and
want you to feel as though you are “in the middle of the band.” Thus, a diffuse,
non-localizable soundfield is not what you might like for the most accurate
reproduction of the musical producer’s intent.

THX Ultra solves this apparent dilemma by the innovative use of a special
surround array that can provide either highly diffuse surround sound (for
movies) or highly localizable surround sound (for music), without having to
reposition any loudspeakers. The Advanced Speaker Array™ places a pair
of surround speakers to the sides of the listener, and another pair directly
behind the listener (and as close to each other as practical). Through the use of
sophisticated digital signal processing (DSP), this array can create the audible
illusion of either many speakers surrounding you on all sides, or only a single
pair of speakers behind you and spread apart as you might normally expect.

THX Music Mode By using the technology in ASA (described above), the THX Music mode

optimizes the performance of the speakers in the system for multichannel
music – whether found on a concert video DVD, a DVD-Audio disc, or a
multichannel SACD disc.

When in THX Music mode, ASA creates the illusion of a single pair of
surround speakers located at ±30° from directly behind the primary listening
position. This simulates the most common configuration found in multichannel
music recording studios, and provides the best-possible recreation of the
experience the music producer had when mixing the recording.

There are other changes as well (for example, the Re-Equalization circuit
is not employed, since the music was not mixed with large movie theaters
in mind) – but the bottom line is that the THX Music mode does a terrific
job of optimizing the performance of your system for multichannel music
reproduction, with the touch of a button.

13

THX Movie Mode As you might expect, the THX Movie mode does a similarly terrific job of

optimizing the system for accurate reproduction of movie soundtracks.

When in THX Movie mode, ASA creates a diffuse soundfield that emulates the
much larger array of surround speakers found in a state of the art commercial
theater. Of course, Re-EQ, Adaptive Decorrelation, and Timbre-Matching are
all employed to compensate for the differences between an excellent commercial
theater and your room at home. Once again, a single selection can fully optimize
your system for a significantly different task: reproducing movies as they were
intended to be experienced.

Boundary Gain

Compensation

flexible GUI The LCD touchscreen on the front panel of your new component supports an

Most speakers are designed to sound their best when placed out well away
from the walls. This placement usually offers the best imaging and overall
performance.

However, this placement is often not practical in multi-purpose rooms that are
used for home entertainment. Speakers end up pushed back close to the walls
so as to make more room for the people who live in the house. Unfortunately,
this change in placement reinforces frequencies from the mid-bass down to
the deepest bass. While few people would object to having a little extra deep
bass, the boosted mid-bass makes male vocals sound “chesty,” “congested” or
“boomy.”

extremely flexible and versatile graphical user interface (GUI) while maintaining
a clean, uncluttered appearance. The SSP-300 provides a range of controls
that might otherwise require dozens of buttons and knobs on the front panel.
Despite this power and flexibility, it remains simple to operate in day-to-day use.

In fact, in some ways it is even simpler to operate than a more conventional
design might be. For example, if you are not using one or more of the inputs
on your SSP-300, you can delete the unnecessary buttons from the operational
menu. Doing so prevents anyone from trying to select a nonexistent source
component, with the resulting confusion stemming from the lack of any sound.

(Of course, you can easily restore the button if you subsequently add another source
component and need that input.)

14

customizable

volume control

The volume control on your new Classé surround processor is controlled by
sophisticated software that allows you to fine-tune its response to suit your
preferences.

Ideally, a volume control would allow you to reach the volume you desire
quickly, and would also provide extremely fine control once you are close to the
“perfect” volume. Of course, these characteristics are in conflict with each other:
one requires the volume to change by quite a lot for a given amount of turning
of the knob, while the other requires small, incremental changes for the same
turn of the knob.

highly refined

circuit design

The volume control system on your SSP-300 solves this problem by responding
differently based on the specific circumstances (e.g. how quickly you are turning
the knob and where in the volume range you are). After extensive testing, we
feel we have created factory default settings that most people will find intuitive
and a real pleasure to use. However, if you feel you would like to fine-tune its
performance further in order to suit your particular preference, you may easily
do so.

All Classé analog amplification stages are based on circuits that have been
extensively optimized over many years of continuous development.

By starting with excellent circuit designs and working with them over the years,
we are able to discover the many small refinements that add up to superlative
performance, in a variety of applications. Altering a voltage here, or using a
slightly different part there, may make all the difference between solid and
absolutely outstanding performance.

This level of refinement only comes with a great deal of experience, and is
not available to those who flit from one trendy notion to the next. It accounts
in no small measure for both the consistency of sonic performance among
Classé products (as they are all based on similar analog gain stages), and for the
consistently excellent reviews these products receive from owners and reviewers
alike.

extensive listening tests Excellent measured performance is to be expected in world-class products, and

Classé products deliver that performance. However, experience has shown that
technical excellence alone is insufficient to guarantee subjectively musical results.

For this reason, all Classé products are laboriously fine-tuned during the
development process by carefully controlled listening tests. Our ears are still
some of the finest laboratory test instruments available, and nicely complement
more traditional engineering test equipment. In the course of optimizing the
circuitry for a product, hundreds of decisions are made based on the subjective
impression given by substituting one high quality part for another.

As an example, we may listen to half a dozen 0.1% tolerance film resistor
components of the same value, from several different companies. Standard tests
may show them all to provide identical results in terms of noise, distortion, and
so forth. Yet, almost invariably, one selection yields some small improvement in
the subjective reaction to the performance of the product under development.
Less often, even a single such change can result in a surprisingly large
improvement.

Multiply those various improvements by the dozens or even hundreds of such
decisions that must be made before the product can be finalized for production,
and you have a remarkable improvement, indeed – all based on careful listening
tests, which we view as a necessary complement to the solid engineering you
might rightly expect from Classé.

15

extraordinary longevity Another benefit of having worked with highly refined circuit designs so

extensively over many years is that we have vast experience in what works well
over the long term.

By using only the highest quality parts to begin with, and then using them in an
informed way as a result of both accelerated aging experiments and actual long­term experience, we are able to design and manufacture products which we are
confident will stand the test of time.

We are confident that your new Classé surround processor will give you many
years of trouble-free reliability and musical enjoyment, just as previous Classé
products have given their owners.

16

Initial Setup

We understand that you may be anxious to begin enjoying your new surround
processor. Our best advice: take advantage of the considerable experience your
Classé dealer offers to make sure you get all the performance you deserve.

However, if you want to set up your new system yourself, this section is
designed to get the system up and running quickly. Following the steps outlined
below will not fully optimize your system, since doing so involves optimizing
everything in the system – not merely your surround processor. But we can get
you off to a good start, assuming that the rest of the system is approximately as it
should be.

Your new SSP-300 is delivered with default factory settings which this section
will use to make your initial task simpler. Please note that these default settings
cannot deliver all the performance and functionality that the SSP-300 offers in
your particular system. For a full understanding of the capabilities of your new
surround sound preamplifier/processor, you should still read the rest of this
manual – particularly the section describing the menu system.

1 Plug everything into the AC mains, but make sure everything is off

or in standby.

By plugging everything into the wall, you ensure that every component is
grounded and lessen the chances of a static discharge damaging delicate
electronics. However, it is important that everything be turned off before
you begin, especially the power amplifiers. You do not want a transient
from making a connection to be amplified by your power amplifiers and
sent to the speakers.

2 Connect your source components to the SSP-300.

By default, the
audio connection. INPUT2 button with LINE2, INPUT3 button with
LINE3, etc.Analog audio sources such as tuners should be connected to
any available
your various sources.

3 Connect your SSP-300 to your power amplifier(s).

Connect the Main Outputs of the SSP-300 to the corresponding inputs
on your various amplifier channels, being careful not to mix them up.
In particular, make sure the
subwoofer – the extremely low frequencies often sent from the
could damage a small speaker that was not designed for those frequencies.

4 After making sure that the amplifiers are off or in standby,

connect them to the appropriate loudspeakers.

Pay close attention to the phase of the speaker connections. Always
connect red (+) terminals to red (+) terminals, and black (–) terminals to
black (–) terminals.

INPUT1 button is associated with the LINE1 analog

LINE connectors. Make a note of where you are connecting

SUB output is sent only to an appropriate

SUB output

17

5 Now you are ready to power up your new SSP-300 and its

associated amplifiers.

Note that the initial power up takes approximately 90 seconds, during
which time the blue LED on the standby button will flash.

After approximately 45 seconds the LCD screen will display “initializing,
please wait….” Once this period is complete the LED light will remain on
while the LCD screen goes into standby mode.

A simple touch of the LCD screen will wake up the SSP-300 from its
standby mode. The LCD touchscreen will now display a blue screen titled
“intializing” for a further 15 seconds.

6 Connect the supplied calibration microphone to the MIC input on

the rear of the SSP-300, and use the auto-calibrate function of the
SSP-300 to finish your initial setup.

The auto-calibrate function of the SSP-300 can be found by touching the
following on-screen “buttons” in the LCD display, in this order:

• Path: MENU/system setup/speakers/position 1/autocalibration

• touch auto levels (and wait for the autocalibration to finish)

• touch auto delays

Hold the microphone upright at arm’s length so that it is approximately
where your head would be when seated at your preferred listening position,
and pointed at the ceiling.

Pink noise (at a low level) will automatically begin from the left front
speaker and rise slowly in volume. The SSP-300 generates this noise, listens
through the microphone, then increases the signal level gradually until the
Sound Pressure Level at the listening position is 75 dB. The SSP-300 will
test every speaker in the same sequence as described above and set their
levels to 75 dB.

SPECIAL NOTE FOR SUBWOOFER

We have observed that, depending on the acoustics of your listening space,
the subwoofer distance auto-calibration may fail or return unreasonable
results. If this happens try one of the following solutions: If the subwoofer
level was very soft during the first pass of the auto-calibration process,
increase it a bit to make the signal more audible. Try raising the crossover
frequency of the subwoofer (in the Audio Setup menu) or turning the
subwoofer filter off (which will make the selected crossover frequency
irrelevant). If all these measures fail, you will have to enter the subwoofer
distance manually through the Distance Setup menu.

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7 Sit back and enjoy some music or a movie while reading the rest

of this manual.

It is important that you become familiar with the full capabilities of your
new surround processor if you are to get maximum value from your
purchase. (Alternatively, you may prefer to have your dealer perform a
comprehensive installation of the system, leaving the technical details to
the professionals.)

For example: the default settings of the bass management system in
the SSP-300 are to divert any bass below 80 Hz, in any channel, to the
subwoofer output. This is a reasonably safe choice, since few loudspeakers
that are likely to be used with equipment of the SSP-300’s caliber are going
to be stressed by these settings.

However, these setting may not be optimal for your particular loudspeaker
systems. Your dealer can assist you in determining the best configuration of
the bass management system for your specific situation.

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