Casio QV-R3 User's Guide Part 2

OTHER RECORDING FUNCTIONS

1200
1600
NORMAL
99
24
12
58
OTHER RECORDING FUNCTIONS
This chapter describes the other powerful features and func­tions that are available for recording.

Selecting the Focus Mode

You can select one of four different focus modes: Auto Fo­cus, Macro, Infinity, and Manual.
Enter a recording mode.
Press MF .
• Each press of MF cycles thorough the focus mode settings in the se­quence shown below.
No indicator (Auto Focus)
(Macro)
(Infinity)
MF (Manual Focus)
Focus mode indicator
MF
MF
DPOF
PREVIEW

Using Auto Focus

As its name suggests, Auto Focus focuses the image auto­matically. The automatic focus operation starts when you press the shutter release button down half way. The follow­ing is the Auto Focus range.
Range: Approximately 40cm to (1.3´ to ∞)
Keep pressing MF until there is no fo­cus mode indicator on the display.
Compose the image so the main subject is within the focus frame, and then press the shutter release button half way.
You can tell whether the image is focused by observing the focus frame and the green operation lamp.
Focus frame
53
1200
1600
NORMAL
0202/1212/24
:
12
99
IN
58
OTHER RECORDING FUNCTIONS
When you see this:
Green focus frame Green operation lamp
Green flashing focus frame Flashing green operation lamp
Press the shutter release button the rest of the
It means this:
The image is focused. The image is not in
focus.
way to record the image.

Using the Macro Mode

The Macro Mode lets you focus automatically on close up subjects. The automatic focus operation starts when you press the shutter release button down half way. The follow­ing is the focus range in the Macro Mode.
Approximately 14cm to 50cm (5.5˝ to 19.7˝)
Keep pressing MF until the is on the display.
Record the image.
The focus and image recording operations are identi­cal to those in the Auto Focus Mode.
You can tell whether the image is focused by observ­ing the focus frame and the green operation lamp. The indications of the focus frame and green operation lamp are the same as those in the Auto Focus Mode.
IMPORTANT!
Optical zoom is disabled in the Macro Mode. Zoom is fixed at maximum wide angle.
54
OTHER RECORDING FUNCTIONS

Using the Infinity Mode

The Infinity Mode fixes focus at infinity (). Use this mode when recording scenery and other faraway images.
Keep pressing MF until the is on the display.
Record the image.

Using Manual Focus

With the Manual Focus Mode, you can adjust the focus of an image manually. The following shows focus ranges in the Macro Mode for two optical zoom factors.
Optical Zoom Factor
Keep pressing
1X 3X
Approximate Focus Range
14cm (0.5´) to infinity (∞) 40cm (1.3´) to infinity (∞)
MF until MF
is on the display.
At this point, a bound­ary also appears on the display, indicating the part of the image that will be used for manual focus.
Boundary
55
OTHER RECORDING FUNCTIONS
While watching the image on the monitor screen, use [ ] and [ ] to focus.
Manual focus position
To do this: Focus out on the subject Focus in on the subject
Pressing [ ] or [ ] causes the area inside of the boundary displayed in step 1 to fill the monitor screen momentarily to aid in focus. The normal image reap­pears a short while later.
Press the shutter release button to record the
Do this: Press [ ]. Press [
].
image.
56
OTHER RECORDING FUNCTIONS
1200
1600
NORMAL
99
24
12
58
1200
1600
NORMAL
99
24
12
58

Using Focus Lock

Focus lock is a technique you can use to focus on a subject that is not located within the focus frame when you record an image. You can use focus lock in the Auto Focus Mode and the Macro Mode ( ).
Using the monitor screen, compose the image so the main subject is within the focus frame, and then press the shutter release button half way.
The focus and image recording operations are identical to those in the Auto Focus Mode.
You can tell whether the image is focused by observ­ing the focus frame and the green operation lamp. The indications of the focus frame and green operation lamp are the same as those in the Auto Focus Mode.
Focus frame
1200
1600
NORMAL
0202/1212/24
:
12
99
58
Keeping the shutter release button half way down, re-com-
1600
NORMAL
1200
99
IN
pose the image as you like.
IN
When the image is composed the way you want, press the shutter release button the rest
0202/1212/24
:
12
58
of the way to record it.
NOTE
Locking the focus also locks the exposure.
57
OTHER RECORDING FUNCTIONS

Exposure Compensation (EV Shift)

Exposure compensation lets you change the exposure set­ting (EV value) manually to adjust for the lighting of your sub­ject. This feature helps to achieve better results when re­cording a backlit subject, a strongly lit subject indoors, and a subject that is against a dark background.
Exposure Compensation Range: –2.0EV to +2.0EV Steps: 1/3EV
In a recording mode, press [ ] and [ ].
This causes the exposure compensation value to appear on the monitor screen.
EV value
58
Press [ ] to increase the EV value. A higher EV value is best used for light-colored subjects and backlight subjects.
Press [ ] to decrease the EV value. A lower EV value is best for dark-color subjects and for shooting outdoors on a clear day.
To cancel exposure compensation, adjust the value until it becomes zero.
Compose the image and then press the shutter relese button.
IMPORTANT!
When shooting under very dark or very bright condi­tions, you may not be able to obtain satisfactory re­sults even after performing exposure compensation.
OTHER RECORDING FUNCTIONS

Recording Consecutive Images (Continuous Shutter Mode)

The Continuous Shutter Mode records images as long as you keep the shutter release button depressed. Note that the length of the interval between images depends on the image quality setting.
Press / DPOF to select the Continuous Shutter Mode (page
49).
The Continuous Shutter Mode is selected when the indicator is on the monitor screen.
Hold down the shutter release button to record the images you want.
IMPORTANT!
The flash does not fire during continuous shutter re­cording.
You cannot use the self-timer in combination with the continuous shutter mode.
Never remove the battery or memory card from the camera or unplug the AC adaptor while images are being saved to memory.
59
OTHER RECORDING FUNCTIONS

Combining Shots of Two People into a Single Image (Coupling Shot)

The Coupling Shot Mode lets you record images of two people and combine them into a single image. This makes it possible for you to include yourself in group images, even when there is no one else around to record the image for you.
Combined Images
First Image This is the part
Second
Image
of the image that does not include the person who is recording the first image.
Making sure that the background of the image is aligned correctly, record the image of the person who recorded the first image.
60
Align the mode dial with (Coupling Shot Mode).
First, align the focus frame on the monitor screen with the subject you want on the left side of the image, and then press the shutter release button to
Focus frame
record the image.
The following settings are fixed for this image: focus, exposure, white balance, zoom, flash.
OTHER RECORDING FUNCTIONS
Next, align the focus frame with the sub­ject you want in the right side of the image, taking care to align the actual background with the semi-transparent image of the back-
Semi-transparent image
ground of the first image, which is shown on the monitor screen. When every­thing is aligned correctly, record the image.
Pressing MENU any time after step 2 of the above procedure cancels the first image and returns to step
2.
NOTE
The Best Shot Mode (page 64) includes three sample scenes that use Coupling Shot. One of the scenes uses two shots on the left half and the right half of the image, as described in the procedure above. The first shot of the other two Coupling Shot sample scenes uses the left 1/3 of the image, while that of the remain­ing sample scene uses the right 1/3 of the image. Note, however, that the Coupling Shot sample scenes in the Best Shot Mode cannot be used in the Coupling Shot Mode.
61
OTHER RECORDING FUNCTIONS

Recording a Subject onto an Existing Background Image (Pre-shot)

Pre-shot helps you get the background you want, even if you need to ask someone else to record the image for you. Basi­cally, Pre-shot is a two-step process.
1. You compose the background you want and press the shutter release button, which causes a semi-transparent image of the background to remain on the monitor screen.
2. Ask someone else to record a shot of you against your original background, telling them to compose the image by using the semi-transparent monitor screen image as a guide.
The camera stores the image produced by step 2 only.
Depending on how the image is actually composed in
step 2, its background may not be exactly the same as the one you composed in step 1.
Note that Pre-shot is available in the Best Shot Mode only (page 64).
Freeze the background on the monitor screen.
Record the image, using the background on the monitor screen as a guide.
This records the image.
62
OTHER RECORDING FUNCTIONS
Align the mode dial with .
Use [ ] and [ ] to select “Pre-shot,” and then press SET.
Freeze the background on the monitor screen.
Though a semi-transparent image of the background appears on the monitor screen in step 4, the back­ground image is not saved in memory at this time.
The following settings are fixed for this image: focus, exposure, white balance, zoom, flash.
Next, align the focus frame with the sub­ject, composing the subject with the semi­transparent back­ground shown on the monitor screen. When everything is aligned
Semi-transparent image
correctly, record the image.
This records the image composed on the monitor screen in step 4. The reference background image is not recorded.
Pressing MENU any time after step 3 of the above procedure cancels the background image and returns to step 3.
63
OTHER RECORDING FUNCTIONS

Using the Best Shot Mode

Selecting one of the 33 Best Shot scenes automatically sets up the camera for recording a similar type of image.
Example Sample Scene
Composition Outline
Selecting certain Best Shot scenes causes a composition outline to appear on the monitor screen. Use the composition outline to compose your image and achieve proper balance. The location of the composition outline depends on the sample scene you select.
Focus frame
Composition outline
Align the mode dial with .
This enters the Best Shot Mode and displays a sample scene.
Use [ ] and [ ] to select the sample scene you want, and then press SET.
Record the image.
IMPORTANT!
Sample scenes numbered 5 through 7 are Coupling Shot scenes (page 60). Sample scene number 8 is a Pre-shot scene (page 62).
Best Shot scenes were not recorded using this cam­era. They are provided as samples only.
Images recorded using a Best Shot scene may not produce the results you expected due to shooting con­ditions and other factors.
You can change to a different sample scene by using [ ] and [ ] to select the scene you want and pressing SET.
Example: Recording a
portrait.
64
OTHER RECORDING FUNCTIONS

Creating Your Own Best Shot Setup

You can use the procedure below to save the setup of an image you recorded for later recall when you need it again. Recalling a setup you save automatically sets up the camera accordingly.
Align the mode dial with .
This enters the Best Shot Mode and displays a sample scene.
Use [ ] and [ ] to display “Register Favorites.”
Press SET.
Use [ ] and [ ] to display the image whose setup you want to register as a Best Shot scene.
Use [ ] and [ ] to select “Save,” and then press SET.
This registers the setup.
Now you can use the
procedure on page 64 to select your user setup for recording.
65
OTHER RECORDING FUNCTIONS
IMPORTANT!
Setups that you register as Best Shot Mode sample scenes are located after the built-in sample scenes.
Note that formatting the built-in memory (page 103) deletes all Best Shot Mode user setups.
NOTES
Best Shot Mode user setups are located in memory after the built-in sample scenes.
The following are the settings that are included in a Best Shot Mode user setup: focus mode, EV shift value, filter, metering mode, white balance mode, color enhancement, flash intensity, sharpness, satu­ration, contrast, flash mode, ISO sensitivity, and aper­ture and shutter speed.
Note that images recorded with this camera only can be used for registration of Best Shot Mode user set­ups.
You can register up to 999 Best Shot Mode user set­ups.
You can check the current setup of a scene by dis­playing the various setting menus.
User setups are assigned file names using the formatUQVR3nnn.jpe (where n = 0 to 9) or UQVR4nnn.jpe
(where n = 0 to 9).
To delete a Best Shot Mode user setup
Align the mode dial with .
This enters the Best Shot Mode and displays a sample scene.
Use [ ] and [ ] to display the user setup you want to delete.
Press to delete the user setup.
You can also delete a user setup by using your com­puter to delete its file in the SCENE folder in camera memory (page 122).
66
OTHER RECORDING FUNCTIONS

Using the Night Scene Mode

The night scene mode extends the exposure time to produce beautiful night images.
Align the mode dial with .
Record the image.
NOTE
When recording a portrait of a subject against a twilight or nighttime background, you can use the Night Scene Mode in combination with the flash to achieve a slow sync effect that causes the subject to stand out better.
IMPORTANT!
Always mount the camera on a tripod when using the Night Scene Mode. This protects against blurred im­ages caused by slow shutter speeds.
Auto Focus may not be able to work properly when lighting is low. If this happens, focus the image manu­ally (page 55). Trying to record a fast moving object can cause blurring of the image.
The slower the shutter speed, the more likely it is that the recorded image will not match the image that is on the monitor screen when you press the shutter release button.

Shooting with Manual Exposure

In the Manual Exposure Mode, you can manually adjust shutter speed and aperture.
Shutter Speed Setting Range
Shutter Speed
Brightness Movement
Slower Faster 2 seconds 1/1000 second (F2.6) 2 seconds 1/2000 second (F5.0)
Brighter Darker Flowing
Stopped
Aperture Setting Range
Aperture
Brightness Focus
Wider Smaller
F2.6, F5.0 (Wide angle zoom)*
Brighter Darker Shallow
Deep
* The following shows how the optical zoom setting affects
aperture.
Zoom Wide Aperture Small Aperture
(Wide Angle) (Telephoto)
F2.6/3.0/3.4/3.8/4.2/4.6/4.8 F5.0/5.8/6.5/7.3/8.0/8.7/9.2
67
OTHER RECORDING FUNCTIONS
Align the mode dial with M (Manual Exposure).
Use [ ] and [ ] to
Shutter speed value
specify the shutter speed, and then use [ ] and [ ] to specify the aperture value.
Aperture value
Compose the image and then press the shutter release button.
IMPORTANT!
The shutter speed and aperture value on the monitor screen will turn orange when you press the shutter re­lease button half way if the image is over-exposed or under-exposed.
You may not be able to achieve the brightness you want when recording an image that is very dark or very bright. If this happens, adjust the shutter speed.
Using slow shutter speeds can cause static noise to appear in the image.
At shutter speeds slower than 1/8 second, the bright­ness of recorded image may not be the same as the brightness of the image that appears on the monitor screen.
68
OTHER RECORDING FUNCTIONS

Using the Movie Mode

You can record movies up to 30 seconds long.
File Format: AVI AVI format conforms to the Motion JPEG format promoted by the Open DML Group.
Image Size: 320 x 240 pixels
Movie File Size: Approximately 200KB/second.
Maximum Movie LengthOne Movie: 30 secondsTotal Movie Time:
60 seconds with built-in memory; 330 seconds with 64MB SD memory card
Point the camera at the subject and then press the shutter release button.
Movie recording continues for 30 seconds, or until you stop it by pressing the shutter release button again.
The remaining recording time value counts down on the monitor screen as you record.
If you want to stop recording sooner than 30 seconds, press the shutter release button again.
After recording stops, the camera starts the movie file store operation.
To cancel storage of the movie file while it is being performed, press , use [ ] and [ ] to select De­lete, and then press SET.
Align the mode dial with .
•“Remaining capacity shows how many 30­second movies can still be recorded to memory.
Remaining capacity
Remaining recording time
IMPORTANT!
The flash does not fire in the Movie Mode.
69
OTHER RECORDING FUNCTIONS

Shooting at Fixed Intervals

You can set up the camera to record at fixed intervals, speci­fying the number of images to be recorded, the interval be­tween recordings, and a start time. The following describes the types of recording variations you can configure.
Interval Recording Records images at a fixed interval, starting immediately.
Timer Recording Records a single image at a specified time.
Interval Timer Recording Records images at a fixed interval, starting from a specified time.
Align the mode dial with .
Use [ ] and [ ] to change the “Shots” setting, and then press [ ].
Specify the number of shots you want to record. Skip this step by pressing SET without changing the default setting (1) if you want to record a single image.
Select the MAX option if you want recording to con­tinue until memory becomes full.
Use [ ] and [ ] to change the “Interval” set­ting, and then press [ ].
Specify the interval between shots. You can specify a value from one minute to 60 minutes, in one-minute increments.
Use [ ] and [ ] to set the start time, and then press SET.
The initial default setting for the start time is Start.
You can set the start time to a value in the range of 1
minute to 240 minutes. When you press the shutter release button in step 6, recording starts after the number of minutes you specify here passes.
If you want recording to start immediately when you press the shutter release button, select Start for this setting, and then press SET to advance to the next step.
70
OTHER RECORDING FUNCTIONS
Configure image recording settings.
At this point, you should make white balance and any other settings you want.
Align the focus frame with the subject, and then press the shutter release button all the way down.
This causes camera power to turn off. Camera power will turn back on and image recording will be per­formed in accordance with the interval timer recording settings you configured with the above steps.
Canceling an Interval Mode Timer Operation
Turning on the camera while it is standing by for an Interval Mode record operation causes the message Interval record­ing was canceled. to appear, and cancels the interval re­cording operation. An Interval Mode record operation is also cancelled by changing the mode dial setting to something other than .
71
OTHER RECORDING FUNCTIONS

Adjusting the White Balance

The wavelengths of the light produced by various light sources (sunlight, light bulb, etc.) can affect the color of a subject when it is recorded. White balance lets you make adjustments to compensate for different lighting types, to make the colors of an image appear more natural.
In a recording mode, press MENU.
Select the “REC” tab, select “White Bal­ance,” and then press [ ].
Use [ ] and [ ] to change the current setting, and then press SET.
When shooting under these conditions: Normal conditions Outdoor daylight Shade Incandescent light bulb (reddish tinge) Fluorescent light (greenish tinge) Difficult lighting that requires manual
control (See below.)
NOTE
Selecting Manual changes white balance to the set­tings achieved the last time a manual white balance operation was performed.
Select this setting:
Auto
Manual
72
OTHER RECORDING FUNCTIONS

Adjusting White Balance Manually

Under some light sources, automatic white balance under the Auto setting can take a long time to complete. Also, the auto white balance range (color temperature range) is lim­ited. Manual white balance helps to ensure that colors are recorded correctly for a particular light source. Note that you must perform manual white balance under the same conditions you will be shooting under. You must also have a white piece of paper or other similar object on hand in order to perform manual white balance.
In step 3 of the procedure under “Adjusting the White Balance,” select “Manual” (page 72).
This causes the object you last used to adjust manual white balance to appear on the monitor screen.
Point the camera at a white piece of paper or similar object under the lighting conditions for which you want to set the white balance, and then press the shutter release button.
This adjusts the white balance.
Press SET.
This registers the white balance settings and exits the setting screen.
Dim lighting or pointing the camera at a dark colored object can cause white balance to take a long time to complete.
73
OTHER RECORDING FUNCTIONS

Selecting the Metering Mode

Use the following procedure to specify multi-pattern meter­ing, spot metering, or center-weighted metering as the me­tering mode.
In a recording mode, press MENU.
Select the “REC” tab, select “Metering,” and then press [ ].
Select the setting you want and then press SET.
Multi-pattern:
Multi-pattern metering divides the image into sections and measures the light in each section for a balanced exposure reading. The camera automatically deter­mines shooting conditions according to the measured lighting pattern, and makes exposure settings accordingly. This type of metering provides error-free exposure settings for a wide range of shooting conditions.
Center-weighted:
Center-weighted metering measures light concentrating on the center of the focus area. Use this metering method when you want to exert some control over exposure, without leaving settings totally up to the camera.
Spot:
Spot metering takes readings at a very small area. Use this metering method when you want exposure to be set ac­cording to the brightness of a particular subject, without it being affected by sur­rounding conditions.
IMPORTANT!
When Multi is selected as the metering mode, cer­tain procedures cause the metering mode setting to change automatically as described below.
Changing the exposure compensation setting (page
58) to a value other than 0.0 changes the metering mode setting to Center Weighted. The metering mode changes back to Multi when you return the ex­posure compensation setting to 0.0.
Selecting manual exposure (page 67) changes the metering mode setting to Center Weighted. The me­tering mode changes back to Multi when you select an exposure mode other than manual.
74
OTHER RECORDING FUNCTIONS

Using the Histogram

Using the DISP button to display the histogram on the moni­tor screen makes it possible for you to check exposure con­ditions as you record images (page 20). You can also display the histogram of a recorded image in the Play Mode.
Histogram
A histogram is a graph that represents the lightness of an image in terms of the number of pixels. The vertical axis indi­cates the number of pixels, while the horizontal axis indi­cates lightness. You can use the histogram to determine whether an image includes the shadowing (left side), mid tones (center), and highlighting (right) required to bring out sufficient image detail. If the histogram appears too lopsided for some reason, you can use exposure compensation (EV shift) to move it left or right in order to achieve better bal­ance. Optimum exposure can be achieved by correcting ex­posure so the graph is as close to the center as possible.
When the histogram is too far to the left, it means that there are too many dark pixels. This type of histogram results when the overall image is dark. A histogram that is too far to the left may result in black out of the dark areas of an image.
When the histogram is too far to the right, it means that there are too many light pixels. This type of histogram results when the overall image is light. A histogram that is too far to the right may result in white out of the light areas of an image.
A centered histogram indicates that there is good distribution of light pixels and dark pixels. This type of histogram results when the overall image is at optimal lightness.
75
OTHER RECORDING FUNCTIONS
IMPORTANT!
Note that the above histograms are shown for illustra­tive purposes only. You may not be able to achieve exactly the same shapes for particular subjects.
A centered histogram does not necessarily guarantee optimum exposure. The recorded image may be over­exposed or under-exposed, even though its histogram is centered.
You may not be able to achieve an optimum histogram configuration due to the limitations of exposure com­pensation.
Use of the flash or multi-metering, as well as certain shooting conditions can cause the histogram to indi­cate exposure that is different from the actual expo­sure of the image when it was recorded.
When using the Continuous Shutter Mode, the histo­gram appears for the first image only (page 59).
This histogram does not appear when you are using Coupling Shot (page 60).

Recording Mode Settings

The following are the settings you can make before record­ing an image using a recording mode.
ISO sensitivity
Enhancement
Color filtering
Saturation
Contrast
Sharpness
Grid on/off
Power on default settings
NOTE
You can also configure the settings listed below. See the referenced pages for more information.
Size and Quality (page 51)White Balance (page 72)Metering (page 74)Flash Intensity (page 48)Digital Zoom (page 45)
76
OTHER RECORDING FUNCTIONS

Specifying Sensitivity

Use the following procedure to select the sensitivity setting that suits the type of image you are recording.
In a recording mode, press MENU.
Select the “REC” tab, select “ISO,” and then press [ ].
Select the setting you want and then press SET.
QV-R3
Auto : Automatic sensitivity selection ISO125: Conforms with ISO125 ISO250: Conforms with ISO250
QV-R4
Auto : Automatic sensitivity selection ISO100: Conforms with ISO100 ISO200: Conforms with ISO200
IMPORTANT!
Increasing sensitivity can cause static to appear in­side an image. Select the sensitivity setting that suits your shooting needs.

Enhancing Specific Colors

Use the following procedure when you want to enhance a particular color in your recorded image.
In a recording mode, press MENU.
Select the “REC” tab, select “Enhance,” and then press [ ].
Select the setting you want and then press SET.
To do this: Turn off color enhancement Enhance reds Enhance greens Enhance blues Enhance flesh tones
NOTES
Enhancing a color produces the same effect as at­taching a color enhancer lens filter to the lens.
If color enhancement and the filter function (page 78) are both turned on at the same time, the filter function is given priority (color enhancement is not performed).
Select this setting:
Off
Red
Green
Blue
Flesh Tones
77
OTHER RECORDING FUNCTIONS

Using the Filter Function

The cameras filter function lets you alter the tint of an image when you record it.
In a recording mode, press MENU.
Select the “REC” tab, select “Filter,” and then press [ ].
Select the setting you want and then press SET.
Available filter settings are: Off, B/W, Sepia, Red, Green, Blue, Yellow, Pink, Purple
IMPORTANT!
Using the cameras filter feature produces the same effect as attaching a color filter to the lens.
If color enhancement (page 77) and the filter function are both turned on at the same time, the filter function is given priority (color enhancement is not performed).

Specifying Color Saturation

Use the following procedure to control the intensity of the image you are recording.
In a recording mode, press MENU.
Select the “REC” tab, select “Saturation,” and then press [ ].
Select the setting you want and then press SET.
To get this: High color saturation (intensity) Normal color saturation (intensity) Low color saturation (intensity)
Select this setting:
Normal
78
High
Low
OTHER RECORDING FUNCTIONS

Specifying Contrast

Use this procedure to adjust the relative difference between the light areas and dark areas of the image you are record­ing.
In a recording mode, press MENU.
Select the “REC” tab, select “Contrast,” and then press [ ].
Select the setting you want and then press SET.
To get this: High contrast Normal contrast Low contrast
Select this setting:
High
Normal
Low

Specifying Outline Sharpness

Use the following procedure to control the sharpness of im­age outlines.
In a recording mode, press MENU.
Select the “REC” tab, select “Sharpness,” and then press [ ].
Select the setting you want and then press SET.
To get this: High sharpness Normal sharpness Low sharpness
Select this setting:
Hard
Normal
Soft
79
OTHER RECORDING FUNCTIONS

Turning the On-screen Grid On and Off

You can display gridlines on the monitor screen to help you compose images and ensure that the camera is straight when recording.
In a recording mode, press MENU.
Select the “REC” tab, select “Grid,” and then press [ ].
Select the setting you want and then press SET.
To do this: Display the grid Hide the grid
Select this setting:
On Off

Specifying Power On Default Settings

You can configure the camera to save certain settings in “mode memory” when it is turned off, and restore them the next time you turn the camera back on. This keeps you from having to configure the camera each time you turn it on.
Mode Memory Settings
The following are the settings that can be saved in mode memory and restored the next time you turn on the camera. Flash mode, focus mode, white balance, ISO sensitivity, me­tering mode, flash intensity, digital zoom, manual focus posi­tion
In a recording mode, press MENU.
Select the “Memory” tab, and then press [ ].
Select the item whose setting you want to change, and then press SET.
80
OTHER RECORDING FUNCTIONS
Select the setting you want and then press SET.
To do this:
Save the current status of the setting and restore it the next time the camera is turned on.
Restore the factory default setting whenever the camera is turned on.
After you are finished configuring settings,
Select this setting:
On
Off
press the MENU button to exit the setting screen.
Function
Flash
Focus
White Balance
ISO
Metering
Flash Intensity
Digital Zoom
MF Position
On
Setting when camera is turned off
Off Auto Auto Auto Auto Multi
Normal
On
Last Auto Focus position that was in effect before you switched to manual focus

Resetting the Camera

Use the following procedure to reset all of the camera’s set­tings to their initial defaults as shown under “Menu Refer­ence” on page 131.
In a recording mode or the Play Mode, press MENU.
Select the “Set Up” tab, select “Reset,” and then press [ ].
Select “Reset,” and then press SET.
• To cancel the procedure without resetting, select “Cancel” and press SET.
81

PLAYBACK

PLAYBACK
You can use the cameras built in monitor screen to play back files

Basic Playback Operation

Use the following procedure to scroll through files stored in the cameras memory.
Press the power button to turn on the camera.
This causes an image or a message to appear on the monitor screen.
Align the mode dial with (Play Mode).
This enters the Play Mode.
ON/OFF
Power button
MF
DPOF
PREVIEW
Mode dial
82
Use [ ], [ ], [ ], and [ ] to scroll through im­ages on the monitor screen.
[ ]
[ ]
[ ]
To do this: Scroll forward Scroll back Display the first image Display the last image
NOTES
Holding down [ ] or [ ] scrolls images at high speed.
Note that the images produced on the monitor screen
of this camera are simplified versions of the actual im­age stored in memory.
[ ]
[ ]
Do this: Press [ ]. Press [ ]. Press [ ]. Press [
[ ]
].
PLAYBACK

Zooming the Displayed Image

Perform the following procedure to zoom the image currently on the monitor screen up to four times its normal size.
In the Play Mode, use [ ] and [ ] to display the image you want.
Shift the zoom controller towards to enlarge the image.
This displays an indicator that shows the current zoom factor.
Current zoom factor
Use [ ], [ ], [ ], and [ ] to shift the image up, down, left, or right.
Press any button besides DISP to return the image to its original size.
IMPORTANT!
You cannot enlarge a movie image.
83
PLAYBACK

Resizing an Image

You can use the following procedure to change an image to one of the two sizes: SXGA size (1280 x 960 pixels) or VGA size (640 x 480 pixels).
In the Play Mode, press MENU.
Select the PLAY tab, select Resize, and then press [ ].
Use [ ] and [ ] to scroll through images and display the one you want to resize.
Use [ ] and [ ] to select the size you want, and then press SET.
To do this: Resize to 1280 x 960 pixels (SXGA) Resize to 640 x 480 pixels (VGA) Cancel the resizing operation
Select this setting:
1280X 960
640X480
Cancel
IMPORTANT!
Resizing an image causes a new (resized) version to be stored as a separate file.
Images smaller than 640 X 480 pixels cannot be resized.
Resizing is supported for images recorded by this model camera only.
If the message The function is not supported for this file. appears, it means that the current image cannot be resized.
The resize operation cannot be performed if there is not enough memory to store the resized image.
84
PLAYBACK

Cropping an Image

Use the following procedure when you want to crop a portion of an enlarged image and use the remaining part of the im­age as an e-mail attachment, Web page image, etc.
In the Play Mode, use [ ] and [ ] to scroll through images and display the one you want to crop.
Press MENU.
Select the PLAY tab, select Trim­ming, and then press [ ].
Shift the zoom controller towards to expand the size of the boundary on the monitor screen.
The size of the cropping boundary depends on the size of the image on the display.
Use [ ], [ ], [ ], and [ ] to move the cropping boundary up, down, left, or right until the area of the image you want to extract is within the boundary.
Press SET to extract the part of the image en­closed in the cropping boundary.
If you want to cancel the procedure at any point, press MENU.
IMPORTANT!
The cropped version of the image is saved as a new file.
The original, pre-cropped image is also retained in memory.
A Movie Mode image cannot be cropped.
If the message The function is not supported for this
file. appears, it means that the current image cannot be cropped.
The cropping operation cannot be performed if there is not enough memory to store the cropped image.
85
PLAYBACK

Playing a Movie

Use the following procedure to play back a movie recorded in the Movie Mode.
In the Play Mode, use [ ] and [ ] to display the movie you want play.
Press SET to start playback of the movie.
You can perform the following operations while a movie is playing.
Movie icon
86
To do this: Play at fast forward Play at fast reverse Pause or unpause playback Skip forward or back while
playback is paused Stop playback
IMPORTANT!
A movie plays until the end and then stops. You can­not repeat-play a movie.
Do this: Press [ ]. Press [ ]. Press SET.
] or [ ].
Press [ Press MENU.
PLAYBACK

Displaying the 9-image View

The following procedure displays nine images on the monitor screen at the same time.
Enter the Play Mode.
Shift the zoom controller towards .
This displays the 9-image screen with the image that was on the monitor screen in step 2 in the center, with a selection boundary around it.
Use [ ], [ ], [ ], and [ ] to move the selection boundary to the image you want. Pressing [ ] while the selection boundary is in the right col­umn or [ ] while it is in the left column scrolls to the next full screen of nine images.
Example: When there are 20 images in memory, and
Image 1 is displayed first
Pressing any button except [ ], [ ], [ ], and [ ] displays the full-size version of the image where the selection boundary is located.
17 18 19 20 1 2
345
When there are nine or fewer images, they are dis­played in order with Image 1 in the upper left corner, with the selection boundary around it.
678 91011
12 13 14
15 16 17 18 19 20
2 3
1
87
PLAYBACK

Selecting a Specific Image in the 9-image View

Display the 9-image view.
Use [ ], [ ], [ ], and [ ] to move the selection boundary up, down, left, or right until it is located at the image you want to view.
Pressing any button except [ ], [ ], [ ], or [ ] displays the selected image.
This displays the full­size version of the image you selected.
Selection boundary
88

DELETING FILES

DELETING FILES
You can delete a single file, or you can delete all files cur­rently in memory.
IMPORTANT!
• Note that file deletion cannot be undone. Once you delete a file, it is gone. Make sure you really do not need a file anymore before you delete it. Especially when deleting all files, make sure you check all the files you have stored before proceeding.
• Delete cannot be performed when all the files in memory are protected (page 92).
• A protected file cannot be deleted. To delete a pro­tected file, unprotect it first (page 92).

Deleting a Single File

Perform the following steps when you want to delete a single file.
In the Play Mode, press .
Use [ ] and [ ] to display the image you want to delete.
Use [ ] and [ ] to select “Delete.”
• To exit the file delete operation without deleting any­thing, select “Cancel.”
Press SET to delete the image.
• Repeat steps 2 through 4 to delete other files, if you want.
Press MENU to exit the delete operation.
89
DELETING FILES
IMPORTANT!
• If a file cannot be deleted for some reason, the mes­sage “The function is not supported for this file.” ap­pears when you try to delete it.

Deleting All Files

The following procedure deletes all unprotected files cur­rently in memory.
In the Play Mode, press .
Use [ ] and [ ] to select “All File Delete,” and then press SET.
Use [ ] and [ ] to select “Yes.”
• To exit the file delete operation without deleting any­thing, select “No.”
Press SET to delete all the images.
90

FILE MANAGEMENT

FILE MANAGEMENT
The file management capabilities of the camera make it easy to keep track of images. You can protect files against dele­tion, and even use its DPOF feature to specify images for printing.

Folders

Your camera automatically creates a directory of folders in its built-in flash memory or on the memory card to store im­ages.

Memory Folders and Files

An image you record is automatically stored in a folder, whose name is a serial number. You can have up to 900 folders in memory at the same time. Folder names are gen­erated as shown below.
Example: Name of the 100th folder.
100CASIO
Serial number (3 digits)
Each folder can hold files numbered up to 9,999. Trying to store the 10,000th file in a folder causes the next serially numbered folder to be created. Folder names are generated as shown below.
Example: Name of the 26th file
CIMG0026.JPG
Extension
Serial number (4 digits)
• The actual number of files you will be able to store on a memory card depends on the image quality settings, ca­pacity of the card, etc.
• For details about the directory structure, see “Memory Di­rectory Structure” on page 122.
91
FILE MANAGEMENT

Protecting Files

Once you protect a file it cannot be deleted. You can protect files individually or you can protect all files in memory with a single operation.

To protect and unprotect a single file

In the Play Mode, press MF .
Use [ ] and [ ] to display the image you want to protect.
Use [ ] and [ ] to select either “On” (pro­tected) or “Off” (unprotected).
Press SET to apply the setting.
• Protecting an image causes to appear on it.
Press MENU to exit the image protect screen.

To protect all files in memory

In the Play Mode, press MF .
Use [ ] and [ ] to select “All Files: On,” and then press SET.
• To unprotect all images, select “All Files: Off,” and then press SET.
• Selecting “All Files: On” protects all images and causes to appear on them.
Press MENU to exit the image protect screen.
92
FILE MANAGEMENT

DPOF

The letters “DPOF” stand for “Digital Print Or­der Format,” which is a format for recording on a memory card or other medium which digital camera images should be printed and how many copies of the image should be printed. Then when you print on a DPOF-compatible printer or at a professional print service that supports DPOF, only the files you selected on the card are printed, in the quantities you specified. With this camera, you should always select images by view­ing them on the monitor screen. Do not specify images by file name without viewing the file contents.
DPOF Settings
File Name, number of copies, date

To configure print settings for a single image

In the Play Mode, press / DPOF.
Use [ ] and [ ] to select “Select images,” and then press SET.
Use [ ] and [ ] to dis­play the image you want.
Use [ ] and [ ] to specify the number of cop­ies.
• You can specify up to 99 for the number of copies. Specify 00 if you do not want to have the image printed.
93
FILE MANAGEMENT
12
12
12
12
To turn on date stamping for the prints, press DISP so
• To turn off date stamping for the prints, press DISP so
12
1
is displayed.
12
1
is not displayed.
• Repeat steps 3 through 5 if you want to configure other images for printing.
After all the settings are the way you want, press SET to apply them.

To configure print settings for all images

In the Play Mode, press / DPOF.
Use [ ] and [ ] to select “All images,” and then press SET.
Use [ ] and [ ] to specify the number of cop­ies.
• You can specify up to 99 for the number of copies. Specify 00 if you do not want to have the image printed.
To turn on date stamping for the prints, press DISP so
• To turn off date stamping for the prints, press DISP so
After all the settings are the way you want, press SET to apply them.
12
1
is displayed.
12
1
is not displayed.
94
FILE MANAGEMENT

PRINT Image Matching II

Images include PRINT Image Matching
II data (mode setting and other camera
setup information). A printer that sup­ports PRINT Image Matching II reads this data and adjusts the printed image accordingly, so your images come out just the way you intended when you re­corded them.
* PRINT Image Matching and PRINT Im-
age Matching II are registered trade­marks of SEIKO EPSON Corporation.

Exif Print

Exif Print is an internation­ally supported, open stan­dard file format that makes it possible to capture and dis­play vibrant digital images with accurate colors. With Exif 2.2, files include a wide range of shooting condition information that can be inter­preted by an Exif Print printer to produce better­looking prints.
IMPORTANT!
• Information about the availability of Exif Print compat­ible printer models can be obtained from each printer manufacturer.
95

OTHER SETTINGS

OTHER SETTINGS

Specifying the File Name Serial Number Generation Method

Use the following procedure to specify the method for gener­ating the serial number used for file names (page 91).
In a recording mode or the Play Mode, press MENU.
Select the Set Up tab, select File No., and then press [ ].
Use [ ] and [ ] to change the setting, and then press SET.
To do this for a newly saved file:
Store the last file number used and increment it, regardless of whether files are deleted or whether the memory card is replaced with a new one
Find the highest file number in the current folder and increment it
Select this setting:
Continue
Reset

Turning the Key Tone On and Off

Use the following procedure to turn the tone that sounds when you press a key on and off.
In a recording mode or the Play Mode, press MENU.
Select the Set Up tab, select Beep, and then press [ ].
Use [ ] and [ ] to change the setting, and then press SET.
To do this: Turn on the key tone Turn off the key tone
Select this setting:
On Off
96
OTHER SETTINGS

Specifying an Image for the Startup Screen

You can specify an image you recorded as the startup screen image, which causes it to appear on the monitor screen for about two seconds whenever you turn on the camera.
In a recording mode or the Play Mode, press MENU.
Select the Set Up tab, select Startup, and then press [ ].
Use [ ] and [ ] to display the image you want to use as the startup image.
You can specify a snapshot image or a movie image that is two seconds (200KB) or less in length.
Use [ ] and [ ] to change the setting, and then press SET.
To do this:
Use the currently displayed image as the startup screen image
Disable the startup screen
Select this setting:
On Off
IMPORTANT!
The snapshot image or movie that you select as the startup image is stored in a special memory location called startup image memory. Only one image can be stored in startup image memory at one time. Se­lecting a new startup image overwrites anything that is already stored in startup image memory. Because of this, if you want to return to a previous startup image, you need to have a separate copy of that image in the cameras standard image storage memory. Note that you cannot delete an image from startup image memory. You can only replace it with another image.

Using the Alarm

You can configure up to three alarms that cause the camera to beep and display a specified image at the time you specify.

To set an alarm

In the Play Mode, press MENU.
Select the PLAY tab, select Alarm, and then press [ ].
97
OTHER SETTINGS
Use [ ] and [ ] to select the alarm whose set­ting you want to configure, and then press SET.
Use [ ] and [ ] to select the setting you want to change, and then use [ ] and [ ] to change the selected setting.
You set an alarm time, and setup an alarm to sound either once or daily. You can also turn the alarm on and off.
Press DISP.
You could press SET in place of DISP if you want to configure the alarm without an image.
Use [ ] and [ ] to select the scene you want to appear at the alarm time, and then press SET.
After all the settings are the way you want, press SET.
You can configure up to three alarms, named 1, 2, and
3.

Stopping the Alarm

When an alarm time is reached while the camera is turned off, the alarm sounds for about one minute (or until you stop it), even if the camera is turned off. The camera turns on automatically after the alarm sounds. To stop the alarm after it starts to sound, press any button.
IMPORTANT!
The alarm does not sound when either of the following conditions exists.
When the camera is turned onWhile you are using the Interval Mode
98
OTHER SETTINGS

Changing the Date and Time Setting

Use the following procedure to change the date and time set­ting. The settings you make here affect your home time zone.
In a recording mode or the Play Mode, press MENU.
Select the Set Up tab, select Adjust, and then press [ ].
Set the current date and the time.
To do this: Move the cursor between settings Change the setting at the current
cursor location Toggle between 12-hour and 24-
hour timekeeping
When all the settings are the way you want, press SET to register them and exit the setting screen.
Do this:
Press [ ] or [ ]. Press [
Press DISP.
] or [ ].

Changing the Date Format

You can select from among three different formats for dis­play of the date.
In a recording mode or the Play Mode, press MENU.
Select the Set Up tab, select Date Style, and then press [ ].
Use [ ] and [ ] to change the setting, and then press SET.
Example: October 23, 2002
To display the date like this:
02/10/23 23/10/02 10/23/02
Select this format:
YY/MM/DD DD/MM/YY MM/DD/YY
99
OTHER SETTINGS

Using World Time

You can use the World Time screen to view a time zone that is different from the home time zone when you go on a trip, etc. World Time can display the time in one of 162 cities in 32 time zones.

To switch between the home time and World Time screens

In a recording mode or the Play Mode, press MENU.
Select the Set Up tab, select World Time, and then press [ ].
This displays the current World Time zone.
Use [ ] and [ ] to select either home time or World Time.
To do this: Display the time in your home time zone Display the time in a different time zone
Press SET again to exit the setting screen.
Select this:
Home World

To configure World Time settings

In a recording mode or the Play Mode, press MENU.
Select the Set Up tab, select World Time, and then press [ ].
This displays the current World Time zone.
Use [ ] and [ ] to select World, and then press [ ].
If you want to configure Home Time settings, selectHome instead.
Use [ ] and [ ] to select “City,” and then press [ ].
Use [ ], [ ], [ ], and [ ] to select the geographical area you want, and then press SET.
100
OTHER SETTINGS
Use [ ] and [ ] to select the city you want, and then press SET.
This displays the current time in the city you select.
When the setting is the way you want, press SET to apply it and exit the setting screen.

To configure summer time (DST) settings

In a recording mode or the Play Mode, press MENU.
Select the Set Up tab, select World Time, and then press [ ].
This displays the current World Time Settings.
Use [ ] and [ ] to select World, and then press [ ].
If you want to configure Home Time settings, selectHome instead.
Use [ ] and [ ] to select the summer time (DST) setting you want, and press [ ].
101
To do this:
Advance the current time setting by one hour
Display the current time as-is
Select this:
On Off
OTHER SETTINGS
After the setting is the way you want, press SET.
This displays the current time in accordance with your setting.
Press SET again to exit the setting screen.

Changing the Display Language

You can use the following procedure to select one of six lan­guages as the display language.
In a recording mode or the Play Mode, press MENU.
Select the Set Up tab, select Language, and then press [ ].
Use [ ] and [ ] to change the setting, and then press SET.
: Japanese English : English Français : French Deutsch : German Español : Spanish Italiano : Italian
102
OTHER SETTINGS

Formatting Built-in Memory

Formatting built-in memory deletes any data stored in it.
IMPORTANT!
Note that data deleted by a format operation cannot be recovered. Check to make sure you do not need any of the data in memory before you format it.
Formatting memory deletes all files in memory, includ­ing protected files (page 92), and Best Shot Mode user setups (page 65).
The startup screen image is not deleted by formatting memory.
Check to make sure there is no memory card loaded in the camera.
If there is a memory card loaded in the camera, re­move it (page 105).
In a recording mode or the Play Mode, press MENU.
Select the Set Up tab, select Format, and then press [ ].
Select Format, and then press SET.
To exit the format operation without formatting, selectCancel.
103
Loading...