Casio QV-3500EX User Manual

LCD Digital Camera
QV-3500EX
English

INTRODUCTION

To get the most out of your new CASIO Digital Camera, make sure you read this manual carefully and keep it on hand for future reference.
INTRODUCTION

Unpacking

Check to make sure that all of the items shown below are included with your camera. If something is missing, contact your dealer as soon as possible.
Camera Soft case Lens cap/cap holder
The lens cap should be affixed to the lens of the camera when you unpack it.
Memory card (8 MB
CompactFlash card )
Special video cable
Alkaline batteries
(4 AA-size batteries)
Basic Reference
Neck strap
Bundled Software
User’s Manual
CD-ROM
E-2
Special USB cable
Data transfer cable
INTRODUCTION

Contents

E-2
INTRODUCTION
Unpacking .................................................................E-2
Contents ....................................................................E-3
Quick Reference........................................................E-7
Getting Ready E-7 Recording an Image E-8 Playback E-9 Deleting Images E-10
Features .................................................................. E-12
Recording Features E-13
Precautions ............................................................. E-15
General Precautions E-15 Operating conditions E-16 Condensation E-16 About the camera’s backlight… E-17
E-18
GETTING ACQUAINTED
General Guide .........................................................E-18
Front E-18 Back E-19 Side E-20 Bottom E-20
Lens ......................................................................... E-21
Installing a Conversion Lens or Close-up Lens E-21 Using a Filter E-23 Lens Precautions E-24
Monitor Screen Indicators .......................................E-25
REC mode E-25 PLAY mode E-26 Changing the Contents of the Monitor Screen E-27
Indicator display ......................................................E-28
Operation Indicator Lamp ....................................... E-28
Operation lamp E-28 Flash lamp E-29 Self-timer lamp E-29
Using the Bundled Accessories..............................E-30
Using the Lens Cap E-30 Attaching the Neck Strap E-30 Adjusting the Length of the Neck Strap E-31 Using the Soft Case E-31
Power Requirements...............................................E-32
Loading Batteries E-32 Battery Handling Precautions E-35 Low Battery Indicator E-35 Using AC Power E-36 Turning the Camera On and Off E-37 Power Save Settings E-37
Memory Cards.........................................................E-39
Inserting a Memory Card into the Camera E-39 Removing a Memory Card from the Camera E-40 Formatting a Memory Card E-41 Memory Card Precautions E-42 IBM Microdrive Precautions E-42
E-3
INTRODUCTION
Menu Screens .........................................................E-44
Setting the Current Date and Time.........................E-45
Setting the Date and Time E-45 Selecting the Date Format E-46 Time Stamp E-47
E-48
BASIC IMAGE RECORDING
Recording a Simple Snapshot ................................E-48
About the REC Mode Monitor Screen E-50 About Auto Focus E-50 Recording Precautions E-50 Image Recording when the Battery is Low E-51
Camera Orientation Detection ................................E-51
Previewing the Last Image Recorded.....................E-52
Deleting the an Image in the REC Mode E-53
Using the Viewfinder for Recording ........................E-53
Using Zoom .............................................................E-54
Using Optical Zoom E-54 Using Digital Zoom E-55
Using the Flash .......................................................E-56
Flash Status Indicators E-57 Adjusting the Flash Intensity E-57 Precautions when Using Flash E-58
Selecting the Focus Mode ......................................E-59
Using the Auto Focus Mode E-59 Using the Macro Mode E-60 Using the Infinity Mode E-61 Using the Manual Focus Mode E-61 Using Focus Lock E-62 Specifying the Focus Frame Location E-63
E-4
Specifying Image Size and Quality.........................E-64
Using the Self-timer ................................................E-65
Exposure Compensation.........................................E-66
E-68
OTHER RECORDING FUNCTIONS
Using the Continuous Shutter Mode.......................E-68
Shooting Portraits....................................................E-69
Shooting Landscapes .............................................E-69
Shooting Night Scenes ...........................................E-70
Instant Setup Using the Best Shot Mode ............... E-71
Specifying the Location of Best Shot Mode Scene
Images E-73 Registering Your Own Scene Setups E-73 Importing a Scene from the Best Shot Library
on the CD-ROM E-74
Recording a Movie ..................................................E-76
To record a movie using the normal mode E-77 To record a movie using the past mode E-77
Shooting Panoramas...............................................E-78
Specifying the Exposure Mode ............................... E-79
Program AE E-79 Aperture Priority AE E-80 Shutter Speed Priority AE E-81 Manual Exposure E-83 Quick Exposure Mode Selection E-84
Selecting the Metering Mode ..................................E-85
Quick Metering Mode Selection E-86
INTRODUCTION
Setting the Sensitivity Level ....................................E-86
Using the Filter Function.........................................E-87
Selecting White Balance .........................................E-88
Adjusting White Balance Manually E-88 Quick White Balance Selection E-89
Enhancing Certain Colors.......................................E-90
Turning the On-screen Grid On and Off .................E-91
Specifying Outline Sharpness ................................ E-92
Specifying Color Saturation ....................................E-92
Specifying Contrast .................................................E-93
Saving Uncompressed Images (TIFF Mode) .........E-93
Specifying Power On Default Settings....................E-94
Resetting the Camera E-95
Using the Camera’s Shortcut Features .................. E-96
Changing REC mode FUNCTION Menu Settings
Using the Shortcut Buttons E-96
To assign REC mode FUNCTION menu items
to shortcut buttons E-97
Directly Accessing the REC mode FUNCTION Menu E-99
E-100
PLAYBACK
Basic Playback Operation.....................................E-100
Playing a Movie .....................................................E-101
Playing a Panorama ..............................................E-102
Enlarging the Playback Image ..............................E-103
E-5
Displaying the 9-image View.................................E-104
Selecting a Specific Image in the 9-image View E-105
Displaying the Histogram ......................................E-106
Using the Slide Show Feature ..............................E-107
Resizing an Image ................................................E-108
Cropping an Image................................................E-109
E-110
DELETING IMAGES
Deleting the Displayed Image ...............................E-110
Deleting Selected Images .....................................E-111
Deleting All Images in Selected Folders ............... E-112
Deleting All Unprotected Images ..........................E-113
E-114
MANAGING IMAGES
Folders and Files...................................................E-114
Folders E-114 Files E-115
Selecting a Folder for Playback ............................E-116
Protecting Images Against Deletion ..................... E-116
Protecting Selected Images E-116 Protecting and Unprotecting All Images in Selected
Folders E-117 Protecting and Unprotecting All Images E-118
DPOF.....................................................................E-119
INTRODUCTION
Making DPOF Settings for Particular Images E-119 Making DPOF Settings for Particular Folders E-120 Making DPOF Settings of All Images
on the Memory Card E-121
E-122
OTHER SETTINGS
Changing the Display Language...........................E-122
Turning the Confirmination Beep On and Off.......E-122
E-123
CONNECTING TO EXTERNAL EQUIPMENT
Connecting to a Television ....................................E-124
Selecting the Video Output Signal Mode E-125
Connecting the Wired Remote Controller
to the Camera .......................................................E-126
Connecting to a Computer ....................................E-126
USB Port Connection (Windows, Macintosh) E-127 Using a Serial Port Connection E-128
Using a Memory Card to Transfer Image Data.....E-129
Memory Card Data E-130 DCF Protocol E-130 Memory Card File Structure E-131 Image Files Supported by the Camera E-132 Precautions when Using a Memory Card
on a Computer E-133
Using the HTML Card Browser.............................E-134
Specifying the Card Browser Type E-134
E-6
Viewing Card Browser File Contents E-136 Saving Card Browser Files E-139
E-140
REFERENCE
Camera Menus......................................................E-140
REC mode E-140 PLAY mode E-141
Mode Settings .......................................................E-142
Settings in Each Mode E-142 Recording Mode + Exposure Mode Combinations E-143
Troubleshooting.....................................................E-144
Messages E-147
Specifications ........................................................E-149
INTRODUCTION

Quick Reference

Getting Ready

12
Load batteries.
1
Set the current time and date.
2
(page E-32)
3123
Insert the memory card.
(page E-39)
3
(page E-45)
E-7
INTRODUCTION
Recording an Image (page E-48)
4
After confirming that the Auto Focus operation is complete (the operation lamp lights green), press the shutter release button all the way down to record the im­age.
Use the Diopter Dial to adjust the view through the viewfinder to suit your particular eyesight. (page E-54)
MENU
SET/ DISP
SHIFT
P
R
3
Point the camera at the sub­ject, compose the image on the monitor screen, and press the shutter release button half way to focus the image.
R
E
C
O
/
RESIZE
F
F
/
MF
P
L
A
Y
B
E
S
T
S
H
O
T
1
Remove the lens cap from the lens.
T
W
2
E
V
IE
W
E-8
Align the POWER/Function Switch with REC.
INTRODUCTION
Playback (page E-100)
2
Use [ ] (forward) and [ ] (back) to scroll through stored images on the monitor screen.
M
E
N
SET/ DISP
1
Align the POWER/Function Switch with PLAY.
REC
OFF
/
R
E
S
/
IZ
M
E
U
T
S
H
IF
T
P
R
E
V
IE
W
E-9
PLAY
F
B
E
S
T
S
H
O
T
W
INTRODUCTION
Deleting Images (page E-110)
2
Use [ ] (forward) and [ ] (back) to scroll through stored images and display the one you want to de­lete.
5
Press [ ] to select “Yes” and then press SET/DISP button.
1
Align the POWER/Function Switch with PLAY.
R
E
C
O
/
R
MENU
S
E
T
/ D
IS
P
SHIFT
P
R
E
V
IE
W
F
E
F
S
/
IZ
MF
E
T
P
L
A
Y
B
E
S
T
S
H
O
T
W
E-10
3
Press .
4
Double check to make sure that you really want to delete the image you selected.
You can exit the image delete operation by pressing MENU.
INTRODUCTION
CASIO COMPUTER CO., LTD. assumes no responsibility for any damage or loss resulting from the use of this manual.
CASIO COMPUTER CO., LTD. assumes no responsibility for any loss or claims by third parties which may arise through the use of the QV-3500EX.
CASIO COMPUTER CO., LTD. assumes no responsibility for any damage or loss caused by deletion of data as a result of malfunction, repairs, or battery replacement. Be sure to back up all important data on other media to protect against its loss.
Windows and Internet Explorer are registered trademarks of Microsoft Corporation.
Macintosh is a registered trademark of Apple Computer, Inc.
CompactFlashTM and logo are registered trademarks of SanDisk Corporation.
The USB driver uses software by Phoenix Technologies Ltd., Compatibility Software Copyright C 1997 Phoenix Technologies Ltd., All Rights Reserved.
IBM is a registered trademark of International Business Machines Corporation.
Other company, product and service names used herein may also be trademarks or service marks of others.
E-11
INTRODUCTION

Features

• High-resolution 3.34-megapixel CCD
• 1.8-inch low-glare color LCD (HAST)
• 12X zoom: 3X optical zoom, 4X digital zoom
• Memory card image storage Supports CompactFlash cards (CF TYPE I/II) and the IBM microdrive.
• Digital Print Order Format (DPOF) Images can be printed easily in the sequence you want using a DPOF compatible printer. DPOF can also be used when specifying images and quantities for printing by pro­fessional print services.
• DCF Data Storage DCF (Design rule for Camera File system) data storage protocol provides image inter-compatibility with printers and other digital cameras.
• VIDEO OUT terminal Connect to your TV for big-screen viewing of images.
• USB compatibility Connect to your computer for quick and easy image ex­change.
• HTML File Card Browser Images are displayed on your computer screen in a conve­nient format. You can view a gallery of image thumbnails on your com­puter screen.
• Image management and manipulation software The QV-3500EX comes bundled with a CD-ROM that’s packed with useful software. Photo Loader automates up­loading of images to your computer, and Panorama Editor lets you stitch images together into panorama scenes. Other bundled applications include Internet Explorer (Web browser), Outlook Express (e-mail software), and QuickTime (movie viewer). You also get a copy of the Adobe Acrobat Reader PDF file reader for reading the user documentation on the CD-ROM.
E-12
INTRODUCTION

Recording Features

Portrait Mode Best Shot Mode
page E-69
Landscape Mode Movie Mode
page E-69
Night Scene Mode Panorama Mode
page E-70
E-13
page E-71
page E-76
page E-78
INTRODUCTION
Histogram
page E-106
Four exposure modes
Program AE, aperture priority AE, shutter speed priority AE, manual exposure
pages E-79 to E-84
Three metering modes
Multi-pattern, center weighted, spot
pages E-85 to E-86
Four focus modes
Auto focus, macro, infinity, manual
pages E-59 to E-62
E-14
INTRODUCTION

Precautions

General Precautions

Be sure to observe the following important precautions whenever using the QV-3500EX.
All references in this manual to this camera and the cam­era refer to the CASIO QV-3500EX Digital Camera.
Never try to take pictures or use the built-in display while operating a motor vehicle or while walking. Doing so cre­ates the danger of serious accident.
Never try to open the case of the camera or attempt your own repairs. High-voltage internal components create the risk of electrical shock when exposed. Always leave main­tenance and repair work up to authorized CASIO service providers.
Never fire the flash in the direction of a person operating a motor vehicle. Doing so can interfere with the drivers vi­sion and create the danger of accident.
Never fire the flash while it is too close to the subjects eyes. Intense light from the flash can cause eye damage if it is fired too close to the eyes, especially with young chil­dren. When using the flash, the camera should be at least one meter from the eyes of the subject.
Keep the camera away from water and other liquids, and never let it get wet. Moisture creates the danger of fire and electrical shock. Never use the camera outdoors in the rain or snow, at the seashore or beach, in the bathroom, etc.
Should foreign matter or water ever get into the camera, immediately turn power off, unplug the AC adaptor from the power outlet, and contact your dealer or nearest CASIO service provider. Using the camera under these conditions creates the danger of fire and electrical shock.
Should you ever notice smoke or a strange odor coming out of the camera, immediately turn power off and unplug the AC adaptor from the power outlet. Using the camera under these conditions creates the danger of fire and electrical shock. After making sure there is no more smoke coming from the camera, take it to your nearest CASIO service pro­vider for repair. Never attempt your own maintenance.
At least once a year, unplug the AC adaptor from the power outlet and clean the area around the prongs of the plug. Dust build up around the prongs can create the danger of fire.
If the cameras case should ever become cracked due to dropping it or otherwise subjecting it to rough treatment, immediately turn power off, unplug the AC adaptor from the power outlet, and contact your nearest CASIO service pro­vider.
Never use the camera inside of an air craft or in any other areas where its use is prohibited. Doing so can result in an accident.
Physical damage and malfunction of this camera can cause the image data stored in its memory to be deleted. Be sure to always keep backup copies of data by transfer­ring them to personal computer memory.
E-15
INTRODUCTION
Never open the battery compartment cover, disconnect the AC adaptor from the camera or unplug it from the wall socket while recording images. Doing so will not only make storage of the current image impossible, it can also corrupt other image data already stored in camera memory.

Operating conditions

This camera is designed for use in temperatures ranging from 0°C to 40°C.
Do not use or keep the camera in the following areas.In areas subject to direct sunlightIn areas subject to high humidity or dustNear air conditioners, heaters, or other areas subject to
temperature extremes
Inside of a closed vehicle, especially one parked in the
sun
In areas subject to strong vibration

Condensation

When you bring the camera indoors on a cold day or other­wise expose it to a sudden change of temperature, conden­sation can form on the exterior of the camera or on internal components. Condensation can cause malfunction of the camera, so you should avoid exposing it to conditions that might cause condensation.
To keep condensation from forming, place the camera into a plastic bag before moving it into a location that is much warmer or colder than your current location. Leave it in the plastic bag until the air inside the bag has a chance to reach the same temperature as the new location. If con­densation does form, remove the batteries from the cam­era and leave the battery compartment cover open for a few hours.
E-16
INTRODUCTION

About the camera’s backlight…

The camera is equipped with a fluorescent light source to provide the back lighting for its LCD.
The normal service life of the backlight is approximately six years, when the camera is used for about two hours a day.
Should the LCD image appear abnormally dark, take the camera to your dealer or an authorized CASIO service pro­vider to have the light source replaced. Note that you will be charged for this replacement.
Under very cold conditions, the backlight may require more time than normal to light, or reddish bands may appear in the displayed image. These conditions do not indicate mal­function, and normal operation should return at higher tem­peratures.
E-17

GETTING ACQUAINTED

This section contains important information you should know when trying to operate the camera.
GETTING ACQUAINTED

General Guide

The following illustrations show the names of each component, button, and switch on the camera.

Front

POWER/Function switch (
Shutter release button
(page E-48)
Self-timer lamp
(page E-29)
page E-37, 48)
Exposure sensor
(page E-58)
Indicator display
(page E-28)
Viewfinder
(page E-53)
Flash
(page E-56)
Terminal panel cover
(page E-20)
Lens
(page E-21)
E-18

Back

/ /MF RESIZE (Focus/Resize)
button
Flash lamp
(page E-29)
Operation lamp
(page E-28)
(pages E-59, 108)
MENU
GETTING ACQUAINTED
/
RESIZE
(Flash/Folder) button
(pages E-56, 116)
R
E
C
O
F
F
/
M
P
F
L
B
EST SHO
BEST SHOT button
(page E-71)
A
Y
T
(Self-Timer/Delete)
button
(pages E-65, 110)
MENU button
(page E-44)
[] [] [] [왔]
SET/DISP button
(page E-27, 44)
SET/ DISP
Monitor screen
(page E-25)
SHIFT
PREVIEW
E-19
T
W
PREVIEW button
(pages E-52)
Zoom slider (Enlarge/Nine Images)
(page E-54, 103, 104)
SHIFT button
(pages E-26, 96)
GETTING ACQUAINTED

Side Bottom

Diopter dial
(page E-54)
DIGITAL terminal
(page E-123)
Tripod screw hole
Battery compartment lock
(page E-32)
USB port
(page E-123)
DC IN 6V terminal
(page E-36)
VIDEO OUT terminal
(page E-123)
Memory card slot cover
(page E-39)
LOCK
OPEN
Battery compartment cover
(page E-32)
Open Terminal Panel Cover
E-20
GETTING ACQUAINTED

Lens

Threads are provided in the cameras lens to allow connec­tion of an optionally available Conversion Lens Adaptor (LU­35A). After installing the adapter, you can use one of the rec­ommended converter lenses, the recommended close-up lens, or an optionally available filter.

Installing a Conversion Lens or Close-up Lens

Installing a converter lens lengthens the focal distance for improved telephoto capabilities or shortens the focal dis­tance for wider angle shots. Installing the close-up lens pro­vides macro imaging.
IMPORTANT!
The Canon Inc. converter and close-up lenses listed following are recommended for use with this camera.
These lenses may not be available in some geo­graphic areas.
Canon Inc. Tele-Converter TC-DC58
Focal Distance: Digital camera focal distance x 1.5
Tele-Converter (TC-DC58)
Conversion Lens Adaptor (LU-35A)
Canon Inc. Wide Converter WC-DC58
Focal Distance: Digital camera focal distance x 0.8
Wide Converter (WC-DC58)
Conversion Lens Adaptor (LU-35A)
E-21
GETTING ACQUAINTED
Canon Inc. 58mm Close-up Lens 250D
Focal Distance:
In the Macro Mode, 5 cm to 14 cm from the sur­face of the close up lens to the subject (when zoom is set to maximum wide angle); 7 cm to 14 cm in other modes
Close-up Lens (250D)
Conversion Lens Adaptor (LU-35A)
IMPORTANT!
Be sure to use the Conversion Lens Adaptor (LU-35A) whenever you install a conversion lens or 58mm close-up lens. If you dont, the lens will come into con­tact with the conversion lens or 58mm close-up lens when it extends from the camera, resulting in malfunc­tion.
Be sure to use the monitor screen to compose images while conversion lens or close-up lens is installed on the camera. Do not use the viewfinder, because its image is not changed by the lens you are using.
Flash is disabled while a conversion lens or 58mm close-up lens is being used.
Setting the camera to wide-angle while the tele-con­verter lens is installed causes shadows around the periphery of the image due to light being block by the frame of the attached lens. Because of this, you should always set the camera to telephoto whenever you are using the tele-converter lens.
The effects of camera movement are always magni­fied while the tele-converter lens is being used. Whenever you are using a conversion lens, install the cushion that comes with it and mount the camera on a tripod so it is secure.
Due to certain characteristics of the wide converter lens, you may notice some slight distortion in images you record with it.
You should keep the zoom setting at its W limit when­ever you are using the wide converter lens.
E-22
GETTING ACQUAINTED
When using the close-up lens, make sure to set the focus mode to (Macro Mode) (page E-59). Proper focus of a close-up image is not possible with any other focus mode.

Using a Filter

This camera supports use of commercially available 58mm filters.
IMPORTANT!
Be sure to use the Conversion Lens Adaptor (LU-35A) whenever you install a filter. If you dont, the lens will come into contact with the filter when it extends from the camera, resulting in malfunction.
The designs of some filters can cause shadows around the periphery of the image.
Auto focus and flash may not produce desired results while a filter is on the lens.
Filters do not produce exactly the same results as those obtained with a film-based camera.
Do not use multiple filters in combination.
Use of the flash while a commercially available lens
hood is installed may not produce desired results.
E-23
GETTING ACQUAINTED

Lens Precautions

Fingerprints, dust, or any other soiling of the lens can inter­fere with proper image recording. Never touch the lens with your fingers. You can remove dust particles from the lens surface by using a lens blower to blow them off. Next, wipe the surface of the lens with a soft lens cloth.
The lens of this camera extends from its body when you turn on power and retracts when you turn off power. Take care not to subject the lens to undue force or impact, and never set the camera face down so the lens is in contact with a tabletop, etc. Be sure to remove the lens cap before turning on the camera.
If you align the POWER/Function switch with REC while the lens cap is on the lens, the message LENS CAP! ap­pears on the display and camera power turns off automati­cally. If this happens, remove the lens cap and try again.
Never remove the cameras batteries or unplug its AC adaptor while the lens is extended. Doing so leaves the lens extended, and creates the risk of lens damage.
E-24
GETTING ACQUAINTED

Monitor Screen Indicators

The following describes the different indicators and markings that appear on the cameras monitor screen.

REC mode

Flash Mode indicator
None Auto
Flash Off Flash On Red-eye reduction
Flash indicator indicates that the flash will fire (when auto flash is selected).
Aperture value Shutter speed value
An out of range aperture or shutter speed causes the corresponding monitor screen value to turn yellow.
Focus Mode indicator
None Auto Focus
Macro Infinity Manual Focus
Spot metering indicator
Camera shake indicator
Battery capacity
Auto Focus frame
Focusing complete: Green
Focusing failed: Red
No memory card loaded warning
Self-timer
10 SEC, 2 SEC
EV value
Zoom factor
Memory capacity (Remaining number of storable images)
Image size
2048 x 1536 pixels 1024 x 768 pixels
Quality
FINE, NORMAL, ECONOMY, TIFF
Image information
Movie Recording: recording time Panorama: number of images
Continuous Mode: mode indicator (
Date and time
This information appears for one or two seconds, and then disappears.
Recording Mode indicator
NORMAL PORTRAIT LANDSCAPE NIGHT SCENE BEST SHOT MOVIE
MOVIE (PAST) PANORAMA
(seconds)
(P1 to P10)
)
E-25
GETTING ACQUAINTED
Screen when SHIFT is held down
Metering Mode indicator
(multi) (center) (spot)
Exposure Mode indicator
(program AE) (aperture priority AE) (shutter speed priority AE) (manual)
SHIFT
PREVIEW
SHIFT button
White balance
(Auto) (Daylight) (Shade) (Tungsten) (Fluorescent) (Manual)

PLAY mode

E-26
Image protection indicator
Battery capacity
Folder name
File number
Image size
Quality
Date and time
GETTING ACQUAINTED
Screen when SET/DISP is pressed
SET/DISP button
Flash Mode indicatorWhite balance
Folder name File number
Metering Mode indicator
Exposure Mode indicator
Recording Mode indicator
IMPORTANT!
The above indicators may not appear when viewing images recorded using a different digital camera model.
SET/DISP
Aperture value
Shutter speed value

Changing the Contents of the Monitor Screen

Each press of the SET/DISP button changes the contents of the monitor screen as shown below.
REC mode
Display indicators on (page E-25)
SET/DISP
SET/DISP
Display indicators off
SET/DISP
Monitor screen off
PLAY mode
Display indicators on (page E-26)
SET/DISP
PLAY Mode details on (page E-27)
SET/DISP
IMPORTANT!
The histogram does not appear for movie images (page E-101).
SET/DISP
Histogram display on (page E-106)
SET/DISP
Display indicators off
E-27
GETTING ACQUAINTED

Indicator display

The indicator display located on the top of the camera also shows various camera status indicators during image re­cording. The indicator display comes in handy especially when the monitor screen is turned off.
Manual mode indicator Infinity indicator Flash off indicator Flash on indicator Red eye reduction indicator
Battery capacity Macro mode indicator
Self-timer time settings
Remaining number of
number
images/Image number

Operation Indicator Lamp

Operation lamp

The Operation lamp shows the operational status of the camera as described below.
REC mode
Lamp
Color
One of the following operations is in progress: start
Green
up, save (multiple), movie recording (PAST) standby
The camera is ready to record when the lamp is off.
Flashing
Partial Shutter Release Button
Lamp
Color
Green
Auto focus operation complete.
On
E-28
MENU
Operation lamp
Flashing
Auto focus operation failed.
GETTING ACQUAINTED

Flash lamp

Flash lamp
The Flash lamp also lights and flashes during a record operation as described below.
MENU
REC mode
Lamp Color
Amber
Flashing
Flash is charging.
Partial Shutter Release Button
Lamp Color
Amber
When the Operation lamp and Flash lamp are both flash­ing, an error message appears on the monitor screen, re­gardless of whether the monitor screen is turned on or off.
On
Ready to fire.

Self-timer lamp

The Self-timer lamp flashes when the self-timer is perform­ing a timer operation prior to releasing the shutter.
Self-timer lamp
E-29
GETTING ACQUAINTED

Using the Bundled Accessories

Using the Lens Cap

Always keep the lens cap on the lens whenever you are not using the camera.
Large loop
Small loop
Triangular ring
Lens cap holder
Attach the lens cap holder to the ring. This protects against accidental loss of the lens cap.
IMPORTANT!
Be sure to turn off camera power and let the lens re­tract into the camera before attaching the lens cap.
Never turn on camera power with the lens cap affixed to the lens.

Attaching the Neck Strap

Attach the strap as shown in the illustration below.
Neck Strap ring
Triangular ring
E-30
GETTING ACQUAINTED

Adjusting the Length of the Neck Strap

Use the buckle to adjust the length of the neck strap.
Buckle
IMPORTANT!
Be sure to keep the neck strap around your neck when using the camera to protect against accidentally drop­ping it.
The supplied neck strap is intended for use with this camera only. Do not use it for any other application.
Never swing the camera around by the neck strap.
Allowing the camera to swing freely from your neck
can result in damage to the camera due to its bumping against other objects. It also creates the danger of the camera becoming caught in a door or on other ob­jects, resulting in personal injury.
Keep the camera out of the reach of small children, especially when the neck strap is attached. The neck strap can accidentally wind around the neck of a child and create the risk of strangulation.

Using the Soft Case

Keep the camera in its soft case to protect it when not in use.
Monitor screen facing down.
NOTE
You can leave the soft case hanging from the neck strap when using the camera.
IMPORTANT!
Never put any other object be­sides the camera into the soft case.
Neck strap
E-31
GETTING ACQUAINTED

Power Requirements

Your camera features a two-way power supply that lets you use either AA-size batteries or household AC current. A set of AA-size alkaline batteries is supplied with the cam­era. The other items listed below are available separately.
Batteries
Four AA-size alkaline batteries: LR6
Four AA-size lithium batteries: FR6
Four AA-size nickel metal hydride rechargeable batteries:
NP-H3
Household Current
AC Adaptor: AD-C620
AC Adaptor/Charger: BC-3HA

Loading Batteries

Make sure that camera power is turned off whenever loading or replacing batteries.
1.
On the bottom of the camera, slide the battery compartment cover lock towards the back of the camera (
11
1) to unlock the
11
cover.
2
1
2.
Pressing down on the battery compartment cover, slide it towards the side of the camera to release it, and then swing the cover up to open
22
it (
2).
22
3.
Load the batteries so their plus (+) and minus (–) ends are facing as shown in the illustration.
4.
Swing the battery com­partment cover closed and then slide it towards the center of the camera to secure it in place (
5.
Slide the battery com-
11
1).
11
1
partment cover lock to­wards the front of the camera to lock the cover
22
(
2).
22
IMPORTANT!
Never use manganese batteries. Use only the battery types specifically mentioned in this Users Guide.
2
E-32
GETTING ACQUAINTED
Battery Life Guidelines
The battery life guideline values given below indicate the amount of time at standard temperature (25°C) until power automatically turns off due to battery failure. They do not guarantee that batteries will provide the amount of service indicated. Low temperatures and continued use reduce bat­tery life.
Type of Operation
Continuous Playback
Continuous Recording
AA-size Alkaline Batteries LR6
145 minutes
35 minutes (210 shots)
AA-size Lithium Batteries FR6
270 minutes 150 minutes
(900 shots)
AA-size Ni-MH
Batteries NP-H3
170 minutes 110 minutes
(660 shots)
The above figures are approximations only.
The above guidelines are based on the following battery
types: Alkaline: MX1500 (AA) DURACELL ULTRA Lithium: Energizer
* Battery life varies with brand.
Figures are based on continuous recording under the fol­lowing conditions. Flash turned off One zoom slider switching between T (Telephoto) and W (Wide-angle)
Recording one image per minute under the above conditions reduces battery life to about one sixth of that noted above. Battery life is greatly affected by how much you use flash, zoom and other functions, and how long you leave power turned on.
Tips for Prolonging Battery Life
Use the button to turn off the flash when you are not using it.
You can also use the power save settings (page E-37) to protect against wasting battery power when you forget to turn off the camera.
Alkaline Battery Life
The actual life of alkaline batteries is affected by a variety of factors, including the battery manufacturer, the amount of time the batteries spend in storage before you use them, temperature while you are recording, and photographic con­ditions. As a rule, we recommend the use of lithium batteries or Ni-MH batteries, which have longer lives than alkaline bat­teries.
E-33
GETTING ACQUAINTED
The following examples show how alkaline battery life changes under different shooting conditions.
Example 1: Intermittent use of the camera shortens battery
life.
Conditions
Temperature: 25°C
Repeat of a cycle of recording of one shot per minute
for 10 minutes, followed by one minute of playback, and a nine minutes of power off (power on, full lens extention, half lens contraction, full lens extension, image recording, power off)
Flash on
Approximate Battery Life: 35 minutes (32 shots)
Example 2: Low temperatures shorten battery life.
Conditions
Temperature: 0°C
Repeat of a cycle of recording of one shot per minute
for 10 minutes, followed by one minute of playback, and a nine minutes of power off (power on, full lens extention, half lens contraction, full lens extension, image recording, power off)
Flash on
Approximate Battery Life: 8 minutes (8 shots)
About rechargeable batteries
Use only the nickel-metal hydride batteries (NP-H3) that are available from your dealer as options for this camera. Proper camera operation is not guaranteed when other recharge­able batteries are used.
AC Adaptor/Charger : BC-3HA Nickel-metal hydride batteries (4-battery set)/Quick Charger Set : BC-1HB4 Nickel-metal hydride batteries (4-battery set) : NP-H3P4
IMPORTANT!
Be sure to keep all four batteries together as a set at all times, for both charging and powering the camera. Mixing batteries from different sets can shorten overall battery life and cause malfunction of the camera.
Rechargeable batteries cannot be charged while they are loaded in the camera.
E-34
GETTING ACQUAINTED

Battery Handling Precautions

Incorrect use or handling of batteries can cause them to leak or burst and create the danger of serious damage to your camera. Be sure to note the following important precautions to avoid problems with batteries.
Use only LR6 (AM-3) type alkaline or FR6 type lithium or Ni-MH (nickel-metal hydride) dry cell batteries with this camera. Never mix old bat­teries with new ones. Doing so can result in bursting or leaking of batteries, creating the
CAUTION
Remove batteries from the camera if you do not plan to use it for more than two weeks.
Never recharge batteries, never allow direct connection between two ends of a battery, and never try to take batter­ies apart.
Do not expose batteries to direct heat or dispose of them by burning. Doing so can create the danger of explosion.
Never mix batteries of different types.
danger of fire or personal injury.
Always make sure that the plus (+) and minus (–) ends of the batteries are facing correctly, as noted by the markings on the camera itself. Improper loading of batteries can result in bursting or leaking of batteries, creating the danger of personal injury or soiling of objects nearby.
Dead batteries are susceptible to leakage, which can cause serious damage to your camera. Remove batteries from the camera as soon as you notice they are dead.
The batteries that power the camera normally become warm as they discharge.

Low Battery Indicator

The following shows how the battery capacity indicator on the monitor screen and the indicator display changes as bat­tery power is used. Replace all four batteries as soon as pos­sible after they go dead. If you continue to use the camera while the battery level is or , camera power will auto­matically turn off.
Battery Capacity
Monitor Screen
Indicator Display
High Low
E-35
GETTING ACQUAINTED

Using AC Power

Use the adaptor as shown below to power the camera from a household power outlet.
AC Adaptor
DC IN 6V (AC power terminal)
AC Adaptor: AD-C620 (Option)
AC Adaptor/Charger: BC-3HA (Option)
The BC-3HA functions both as an AC adaptor and as a charger unit for AA-size nickel metal hydride batteries. It comes complete with four rechargeable nickel metal hy­dride batteries. This AC adaptor/charger unit can be used with any household power outlet rated for 100V to 240V AC.
E-36
CAUTION
AC Adaptor precautions
Never use an electrical outlet whose voltage is outside the rating marked on the AC adaptor. Doing so can create the danger of fire or elec­trical shock. Use only the optional AC adaptor specified for this camera.
Do not allow the AC adaptor power cord to be­come cut or damaged, do not place heavy ob­jects on it, and keep it away from heat. A dam­aged power cord creates the risk of fire and electrical shock.
Never try to modify the AC adaptor power cord, or subject it to severe bending, twisting, or pull­ing. Doing so creates the risk of fire and elec­trical shock.
Never touch the AC adaptor while your hands are wet. Doing so creates the risk of electrical shock.
Do not overload extension cords or wall out­lets. Doing so creates the danger of fire and electrical shock.
Should the cord of the AC adaptor become damaged (exposed internal wiring), request a replacement from an authorized CASIO ser­vice provider. A damaged AC adaptor cord creates the danger of fire or electrical shock.
GETTING ACQUAINTED
Be sure to turn off power before connecting or disconnect­ing the adaptor.
Always turn camera power off before disconnecting the AC adaptor, even if the camera has batteries installed. If you dont, the camera will turn off automatically when you dis­connect the AC adaptor. You also run the risk of damaging the camera whenever you disconnect the AC adaptor with­out first turning power off.
The AC adaptor may become warm to the touch after ex­tended periods of use. This is normal and is not cause for alarm.
After using the camera, turn it off and unplug the adaptor from the AC outlet.
The camera automatically switches over to AC adaptor powered operation whenever the AC adaptor is plugged into the camera.
Always use the AC adaptor to power the camera whenever it is connected to a computer.

Turning the Camera On and Off

Rotate the POWER/Function Switch to turn camera power on and off.
REC
PLAY
OFF
REC :Turns on power and enters the REC mode. PLAY :Turns on power and enters the PLAY mode. OFF : Turns off power.
IMPORTANT!
Never turn on power while the lens cap is attached to the lens or while the lens is facing downwards.
To restore camera power after it has been turned off by auto power off, rotate the POWER/Function switch to OFF and then back to REC or PLAY.

Power Save Settings

The settings described below let you specify sleep and auto power off trigger times that help to conserve valuable battery power.
E-37
GETTING ACQUAINTED
AUTO POWER OFF
Auto Power Off turns off camera power if no operation is performed for five minutes in the PLAY mode. In the REC mode, you can specify an Auto Power Off trigger time of two or five minutes.
SLEEP
The monitor screen enters a sleep state if no operation is performed for a specified amount of time in the REC mode. Pressing any button immediately wakes up the monitor and restores normal operation. You can specify 30 seconds, 1 minute, or 2 minutes before the sleep state is triggered, or you can turn off this setting entirely.
To power save settings
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Use [],[],[] and [] to select FUNCTION”, and then press SET/DISP.
4.
Use [] and [] to select the item whose set­tings you want to change, and then press SET/ DISP.
To make auto power off settings, select Auto Power Off”.
To make sleep settings, select: Sleep”.
E-38
5.
On the screen that appears, use [] and [] to make the setting you want, and then press SET/DISP.
Auto power off settings: 2 min” “5 min Sleep settings: Off” “30 sec” “1 min” “2 min
In the PLAY mode, the Auto Power Off trigger time is fixed at five minutes.
Sleep is disabled in the PLAY mode.
Performing any button operation while the monitor is
asleep immediately wakes it up and restores normal operation.
The Auto Power Off setting is given priority if you have2 min set for both Sleep and Auto Power Off. This
means that the camera turns off if you do not perform any operation for about two minutes in the REC mode.
Auto Power Off is automatically disabled under any one of the following conditions.
While a slideshow is playingWhen you are performing operations on a com-
puter, printer, or other external device connected to the cameras DIGITAL terminal or USB port.
While the AC adaptor is connected to the camera
GETTING ACQUAINTED

Memory Cards

This camera supports use of a CompactFlash memory card (CF TYPE I/II) or IBM microdrive for image storage. Note that all mentions of memory card in this manual refer both to a CompactFlash memory card and IBM microdrive, unless specifically noted otherwise.
IMPORTANT!
Make sure that the power of the camera is turned off before you insert or remove a memory card.
When inserting a memory card into the camera, make sure that the card is oriented correctly. Make sure that the correct side of the card is facing up, and that you insert the correct end of the card into the camera.

Inserting a Memory Card into the Camera

1.
Open the memory card slot cover.
Memory card slot cover
2.
With the side of the memory card marked with an arrow facing the same direction as the cameras monitor screen, slide it into the slot and push it in as far as it will go.
If the eject button is extended, press it in before sliding the memory card into the slot.
3.
Close the memory card slot cover.
Eject button
Side marked with arrow should face the same direction as the monitor screen!
E-39
GETTING ACQUAINTED

Removing a Memory Card from the Camera

1.
Open the memory card slot cover.
2.
Press the eject button so it extends from the camera.
Eject button
3.
Press the eject button once again to eject the card.
4.
Remove the memory card.
5.
Close the memory card slot cover.
IMPORTANT!
Insert only memory cards into the memory card slot. Inserting any other type of card can cause malfunc­tion.
Should water or any other foreign matter get into the memory card slot, immediately turn off power, unplug the AC adaptor, and contact your original retailer or nearest CASIO Service Provider.
Never eject the memory card while the card slot is fac­ing downwards. Doing so creates the danger of the memory card falling, which can corrupt data or dam­age the memory card.
Never remove the memory card from the camera while the operation lamp or card access lamp is flash­ing. Doing so can cause loss of recorded images or corruption of memory card data.
E-40
GETTING ACQUAINTED

Formatting a Memory Card

You can format a memory card to delete all of the data stored on it.
IMPORTANT!
Formatting a memory card deletes all images on the card, even if some or all of the images are protected (page E-116).
Formatting a memory card deletes all Best Shot Mode scene sample images stored on it. After deleting the card, you have to import the scenes you want to the memory card (page E-74).
Data deleted by a memory card format operation can­not be recovered! Be sure to carefully check and con­firm that you no longer need the data stored in a memory card before formatting it.
1.
Align the POWER/Function Switch with REC or PLAY.
2.
Select Format using one of the following two key operations, and then press SET/DISP.
If you are here
REC mode
PLAY mode
Select this on the menu screen
“FUNCTION” “SET UP” “Format” “SET UP”
Format
E-41
Use [왔] and [] to select each menu item, and press SET/DISP to advance to the next menu.
3.
In response to the confirmation message that appears, use [] and [] to select Yes to for­mat or No to exit, and then press SET/DISP.
GETTING ACQUAINTED

Memory Card Precautions

Images cannot be recorded with this camera unless a memory card is installed in it.
Be sure to use only CASIO brand CompactFlash cards. Proper operation with other memory cards is not guaran­teed.
Static electricity, electrical noise, and other electrical phe­nomena can cause corruption or even total loss of the data stored on a memory card. Because of this, you should al­ways make backup copies of important images on other media (magnetic optical disk, floppy diskette, computer hard disk, etc.).
Memory card problems can be corrected by reformatting the memory card. Reformatting a memory card deletes all images stored on the card, but you can use a computer to copy the images you want to keep to the computers hard disk before reformatting your card. If you plan to be record­ing images where you do not have access to a computer, it is a good idea to take along an extra memory card or two just in case you experience an unexpected memory card problem.
Formatting is recommended for any memory card that you suspect contains corrupted image data (due to a RECORD ERROR, strange image colors, malformed images) or for newly purchased memory cards.
Before starting a format operation, load a full set of new batteries (alkaline or lithium) into the camera or connect the AC adaptor to power the camera. Interruption of cam­era power during the format operation results in improper formatting, making it impossible to use the memory card.

IBM Microdrive Precautions

Compatibility of the camera with the IBM microdrive has been confirmed by CASIO. However, you should note the following important points whenever using the IBM microdrive.
Be sure to carefully read all of the documentation that comes with the microdrive before using it.
Note that the microdrive becomes hot during normal use. Take care when removing it from the camera.
Take care to avoid strong pressure on the label side of the microdrive when it is removed from the camera. Strong pressure can damage internal components and cause mal­function.
E-42
GETTING ACQUAINTED
Never turn off camera power or subject the camera to im­pact while the card access lamp is flashing. Doing so can cause malfunction of the microdrive.
The microdrive is a very high precision device. Dropping the camera can result in malfunction of the microdrive, even though the camera is undamaged. Take extra care when handling the camera while the microdrive is installed.
The microdrive has very large storage capacity. Because of this, certain operations can take a relatively long time to perform.
The microdrive may not operate properly in areas where barometric pressure is low. Because of this, you should avoid using it at high altitudes.
A microdrive consumes much more electrical power than a CompactFlash card. Depending on how a microdrive is used, it can greatly reduce battery life. When using alkaline batteries, certain operating conditions and certain battery brands can result in batteries going dead right after you install new ones. Whenever using a microdrive, we recom­mend that you use rechargeable nickel metal hydride bat­teries or lithium batteries to power the camera.
When battery power is low, the amount of time required between shots may become longer. This longer interval is designed to protect the microdrive.
In case of microdrive malfunction....
Contact your original microdrive retailer or the contact point noted in the microdrive documentation.
CASIO does not provide any servicing or maintenance support for the microdrive.
Note that CASIO assumes no responsibility for any data loss you may suffer while using the microdrive.
This camera supports use of both a CompactFlash card and the microdrive. Note, however, that ejecting a microdrive from the camera is relatively more difficult than ejecting a CompactFlash card.
E-43
GETTING ACQUAINTED

Menu Screens

Pressing MENU displays the menu screen. The contents of the menu screen depend on whether you are in the PLAY mode or REC mode. The following procedure shows opera­tion in the REC mode as an example.
1.
Align the POWER/Function Switch with REC.
To perform a menu operation in the PLAY mode, align the POWER/Function Switch with PLAY.
2.
Press MENU.
3.
Use [],[],[] and [] to select the item you want, and then press SET/DISP.
Make settings in accordance with the guidance mes­sages that appear on the monitor screen.
[] [] [] [왖]: Item selection, page scrolling SET/DISP: Applies displayed setting MENU: Returns to previous screen
Example Displays
REC mode, page 1
Items
On-screen guidance
REC mode FUNCTION menu, page 2
Items
On-screen guidance
Pressing the button is sometimes required to exit certain setting screens.
See the Camera Menus on page E-140 for more informa­tion about menu contents.
E-44
GETTING ACQUAINTED

Setting the Current Date and Time

Use the following procedures to set the current date and time, and to select the date format. When you record an image, the time and date the image was shot is registered in accordance with data from the camera’s built-in clock. You can even use the time stamp function to stamp the date and time inside the image.
IMPORTANT!
The time and date settings are cleared if the camera is left for about 24 hours without battery and AC power being supplied. If this happens, restore power and make new time and date settings before using the camera again.
A flashing time display indicates that the time and date (clock) settings have been cleared. Use the procedure on this page to make the correct time and date set­tings.
If you do not set the cameras built-in clock to the cur­rent date and time, all images are recorded with the default date and time, which probably is not your cor­rect current date and time. Be sure to correctly set the clock before you use the camera.

Setting the Date and Time

1.
Align the POWER/Function Switch with REC or PLAY.
2.
Press MENU.
3.
Select Date/Time using one of the following two key operations, and then press SET/DISP.
If you are here
REC mode
PLAY mode
Use [왘], [], [] and [] to select each menu item, and press SET/DISP to advance to the next menu.
“FUNCTION” “SET UP” “Date/Time” “SET UP” “Date/Time”
E-45
Select this on the menu screen
4.
Select and change the digits on the screen to set the current date and time.
Green marker
[] / []: Moves the green marker. [] / []: Increases and decreases the currently se-
5.
Press SET/DISP to apply your settings.
6.
Press to exit this setting screen.
lected digit.
GETTING ACQUAINTED

Selecting the Date Format

You can use the following procedure to select one of the three different date formats.
1.
Align the POWER/Function Switch with REC or PLAY.
2.
Press MENU.
3.
Select Date Style using one of the following two key operations, and then press SET/DISP.
If you are here
PLAY mode
Use [왘], [], [] and [] to select each menu item, and press SET/DISP to advance to the next menu.
4.
Use [] and [] to select the setting you want to use, and then press SET/DISP to apply it.
Example: October 18, 2001
Year/Month/Day: 01/10/18 Day/Month/Year: 18/10/01 Month/Day/Year: 10/18/01
REC mode
Select this on the menu screen
“FUNCTION” “SET UP” “Date Style” “SET UP” “Date Style”
E-46
5.
Press to exit this setting screen.
GETTING ACQUAINTED

Time Stamp

When it is turned on, the time stamp function digitally stamps the recording date and time in the lower right corner of each image as it is recorded. Note that once an image is stamped, the date and time cannot be deleted.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Time Stamp, and then press SET/DISP.
4.
Use [] and [] to select the setting you want, and then press SET/DISP to apply it.
Example:
Date: October 18, 2001 Time: 1:25pm
Off : No time stamping 2001/10/18 : Year/Month/Day 18 1:25pm : Day Hour:Minutes 2001/10/18 1:25pm : Year/Month/Day Hour:Minutes
E-47

BASIC IMAGE RECORDING

BASIC IMAGE RECORDING
This section describes the basic procedure for recording an image.

Recording a Simple Snapshot

The camera’s Program AE Mode (P Mode) is for simple snapshots. In this mode, the camera automatically sets the shutter speed and aperture for you in accordance with sub­ject brightness.
1.
Before turning on the camera, remove its lens cap.
2.
Align the POWER/ Function Switch with REC.
REC : Turns on power and
enters the REC mode.
PLAY :Turns on power and
enters the PLAY mode.
OFF :Turns off power.
REC
PLAY
OFF
E-48
3.
Compose the image on the monitor screen so the point on which you want to focus is inside the Focus frame.
Focus frame
• If you are using the viewfinder to compose the image, align the viewfinder’s auto focus frame with the sub­ject you want to focus.
• If you are using the viewfinder to compose the subject, press SET/DISP twice to turn off the monitor screen.
4.
Press the shutter release button about half way and hold it there to perform auto focus.
Shutter release button
BASIC IMAGE RECORDING
• The monitor screen momentarily goes blank when you press the shutter release button half way.
• The camera’s Auto Focus feature automatically focuses the image.
• You can find out the status of the Auto Focus operation by checking the color of the focus frame
MENU
and the status of the operation lamp.
If you see this
Green focus frame and green operation lamp
Red focus frame and green operation lamp
The image is in focus.
The image is not in focus.
Operation lamp
It means this
• Take care that you do not block the lens or the sensors with your fingers as you hold the camera.
• See “Using the Macro Mode” on page E-60 for infor­mation about shooting close-ups.
5.
After confirming that the image is in focus, press the shutter release button all the way down to record the image.
• Recorded images are temporarily stored in a buffer from which they are stored to the memory card. You can continue to shoot consecutive images as long as there is space available in the buffer.
• The number of images you can store in the camera depends on the storage medium and the image quality setting (page E-64) you are using.
• To avoid hand movement, press the shutter release button gently.
• Use of a tripod is recommended for slow shutter speeds and telephoto shots to avoid blurring of the image due to camera movement.
Camera Shake Indicator
The (camera shake indicator) appears on the monitor screen when the zoom slider is set to T (telephoto) or when a slow shutter speed is being used.
• If the camera shake indicator appears, use a tripod to avoid camera movement.
E-49
BASIC IMAGE RECORDING
About the REC Mode Monitor Screen
• The image shown on the monitor screen in the REC mode is a simplified image for composing purposes. The actual image is recorded in accordance with the image quality setting currently selected on your camera. The image re­corded on the memory card has much better resolution and detail than the REC mode monitor screen image.
• Certain levels of subject brightness can cause the re­sponse of the REC mode monitor screen to slow down, which causes some static noise in the monitor screen im­age.
About Auto Focus
Auto Focus tends not to work well with the following types of subjects. If you experience problems with obtaining good results with Auto Focus, try using manual focus (page E-61).
• Solid color walls or objects with little contrast
• Strongly backlit objects
• Polished metal or other brightly reflective objects
• Venetian blinds or other horizontally repeating patterns
• Multiple images that are varying distances from the camera
• Subjects in poorly lit areas
• Auto Focus also may not work properly when the camera is unsteady or shaking.
Fixed Focusing Distances
• The following are the fixed focusing distances when Auto Focus is unable to focus properly.
Well-lit Location:1.5 meters minimum With Flash :Approximately 2 meters
• Depending on actual conditions, a green operation indica­tor and focus frame do not necessarily guarantee that the image is in focus.
Recording Precautions
• Never open the battery compartment cover, disconnect the AC adaptor from the camera, or unplug the AC adaptor from the wall socket while the operation lamp and the card access lamp are flashing green. Doing so will not only make storage of the current image impossible, it can also corrupt other image data already stored on the camera’s memory card.
• Never remove batteries, unplug the AC adapter, or remove the memory card while the camera is saving images.
• Fluorescent lighting actually flickers at a frequency that cannot be detected by the human eye. When using the camera indoors under such lighting, you may experience some brightness or color problems with recorded images.
E-50
BASIC IMAGE RECORDING
Image Recording when the Battery is Low
To protect against unexpected loss of image data, each im­age is recorded directly to the memory card (without going into the buffer) whenever battery level is indicated as or lower. The message “Press to cancel save.” appears on the monitor screen during the save operation under this condition. As long as you do not press , the save op­eration continues and takes a few seconds to complete. Be sure to replace all four batteries as soon as possible after this message starts to appear. Pressing while the “Press to cancel save.” is on the monitor screen cancels the image save operation.
• If you have a microdrive loaded in the camera, the above message appears whenever the battery level is indicated as or lower.
• The message “Press to cancel save.” also appears momentarily during save operations in the Panorama Mode and Movie Mode. In this case, this message does not indicate that battery power is low.
• The message described above does not appear while the monitor screen is turned off.

Camera Orientation Detection

The camera automatically detects whether it is oriented vertically or horizontally when you record an image, and stores the orientation along with the image data. Then when you play back images using the bundled Photo Loader application, they are all automatically oriented correctly on the display.
IMPORTANT!
• Note the following precautions to ensure that the sensor built into the camera can correctly detect the orientation of the camera.
— Make sure you are holding the camera still when re-
cording images. Camera movement can cause sensor errors.
E-51
BASIC IMAGE RECORDING
— When recording portrait orientation images, position
the camera to it is standing up as straight as possible, as shown in the illustration below. Holding the camera at an angle can cause sensor errors. As a general rule, do not allow the camera to be more than about 20 degrees off of vertical.
— Tilting the camera too far upwards or downwards can
also cause sensor errors. As a general rule, do not allow the camera to point more than about 60 degrees up or down.
CARD
— The camera orientation sensor does not work with
movie images.

Previewing the Last Image Recorded

Use the following procedure to preview the last image re­corded, without leaving the REC mode.
1.
Press the PREVIEW button to display the last image recorded.
• You can use the PREVIEW button in the Movie Mode, too.
• The PREVIEW button does not perform any operation if you press it immediately after turning on camera power or immediately after entering to the REC mode from the PLAY mode.
E-52
BASIC IMAGE RECORDING
Deleting the an Image in the REC Mode
You can use following procedure to delete the last image you recorded without leaving the REC mode.
IMPORTANT!
• Note that the image delete operation cannot be un­done. Make sure you really do not need an image be­fore you delete it.
1.
In the REC mode, press the PREVIEW button to display the last image you recorded.
2.
Press .
3.
In response to the confirmation message that appears, select “Yes”.
• Select “No” to cancel the delete operation without de­leting anything.
4.
Press SET/DISP.
• This deletes the image and returns to the REC mode.

Using the Viewfinder for Recording

The illustrations below show what you see when you look through the viewfinder to compose an image for recording.
Auto Focus Frame
Focus Range Frame
Short distance to subject
Note that the focus range frame is valid for subjects that are about three meters away. A different focus range is used for subjects that are closer or farther away. Because of this, you should use / /MF RESIZE to change to the Macro Mode( ) or Manual Mode (MF) whenever the distance be­tween the camera and the subject is 30cm or less.
• The monitor screen turns on automatically whenever the camera is in the Macro Mode. Use the monitor screen to compose images in the Macro Mode.
E-53
BASIC IMAGE RECORDING
• You can use the Diopter Dial to adjust the image in viewfinder screen to your eyesight.
• Rotate the diopter dial to adjust the image in the viewfinder to match your eyesight.
*
Focusing of the viewfinder image is disabled while the camera is turned off or in the PLAY mode.
Diopter Dial

Using Zoom

Your camera is equipped with both optical zoom and digital zoom capabilities.
Using Optical Zoom
Optical zoom enlarges the image by changing the focal dis­tance of the lens. You can zoom an image by a zoom factor ranging from 1 (normal size) to 3 (three times normal size).
1.
Align the POWER/Function Switch with REC.
2.
Move the zoom slider to­wards T (telephoto) to zoom in on the subject, or W (wide­angle) to zoom out.
T (TELE): Telephoto W (WIDE): Wide-angle
W (WIDE) T (TELE)
E-54
Zoom slider
T
W
BASIC IMAGE RECORDING
NOTES
• Changing the optical zoom factor also affects the lens aperture value.
• The lens aperture value indicated on the camera is the aperture when optical zoom is 1X. Using a higher opti­cal zoom setting results in a higher aperture value (smaller aperture).
• Use of a tripod is recommended for telephoto shots to avoid blurring of the image due to camera movement.
Using Digital Zoom
With digital zoom, you can enlarge the image on the monitor screen by zoom factors of 2X or 4X before recording it.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select “FUNCTION” “Digital Zoom”, and then press SET/DISP.
E-55
4.
Select the setting you want, and then press SET/DISP to apply it.
To do this Turn off digital zoom Toggle between 2X and 4X digital zoom
whenever the zoom slider is slid to the maximum T (telephoto) setting.
Always use 2X digital zoom Always use 4X digital zoom
• A frame appears on the monitor screen whenever 4X digital zoom is in use. Only the area of the image within the frame is recorded, with the resulting image measuring 1024 x 768 pixels.
• 4X digital zoom is not available in the Movie Mode and Panorama Mode.
• 2X and 4X digital zoom are disabled while the compo­sition outline is displayed in the Best Shot Mode.
Select this
Off
Auto
X2 X4
BASIC IMAGE RECORDING

Using the Flash

The following describes various flash settings you can make to suit the type of image you are trying to record.
1.
Align the POWER/Function Switch with REC.
2.
Press to cycle through the available flash modes until the indicator for the one you want is on the monitor screen.
Flash mode
RESIZE
BEST SHOT
MF//
E-56
• Each press of cycles through the available flash modes described below.
To do this
Have the flash fire automatically when required (Auto Flash)
Turn off the flash (Flash Off) Always fire the flash (Flash On) Fire a pre-flash followed by image
recording with flash, reducing the chance of red-eye in the image (Red­eye Reduction)
Select this setting
No display
BASIC IMAGE RECORDING
Flash Status Indicators
You can check the current flash unit status by checking the monitor screen indicator and flash lamp while the shutter re­lease button is pressed about half way down.
Flash lamp
MENU
Flash lamp
When you press the shutter release button half way, the flash icon appears on the monitor screen and the Flash lamp light (amber) to indicate that the flash will fire when the shut­ter release button is pressed the rest of the way down.
Monitor screen
When you have Auto Flash or Red-Eye Reduction selected as the flash mode, the indicator appears on the display when you press the shutter release button about half way down to indicate that available light is insufficient and the flash will be fired.
Adjusting the Flash Intensity
Use the following procedure to adjust the intensity of the flash when it fires.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select “FUNCTION” “Flash Intensity”, and then press SET/DISP.
4.
Select the setting you want, and then press SET/DISP to apply it.
To do this Fire the flash with strong intensity Fire the flash with normal intensity Fire the flash with weak intensity
Select this setting
E-57
Strong
Normal
Weak
BASIC IMAGE RECORDING
Precautions when Using Flash
• Make sure that you do not touch or block the flash or the exposure sensor with your fingers. Doing so can soil these components and interfere with correct flash operation.
Flash
Exposure sensor
• Flash is best be used for distances within the range of about 0.5 meters to 4 meters (fully open aperture). Flash does not work well outside this ranges.
• Depending on operating conditions (type of batteries being used, temperature, etc. ), it may take up to 40 seconds for the flash unit to charge.
• The flash is disabled during movie recording, which is indi­cated by the (Flash Off) icon on the monitor screen.
• The flash unit does not charge when battery power is too low to charge the flash. The (Flash Off) indicator ap­pears in order to warn you that the flash will not fire cor­rectly, which may affect exposure of the image. Replace batteries as soon as possible when this happens.
• Red-eye reduction may not work well when the camera is not pointed directly at the subject or when the subject is far from the camera.
• In the Red-eye Reduction Mode , the flash is fired auto­matically in accordance with exposure. Because of this, the flash does not fire if the subject is well-lit.
• White balance is fixed while the flash is being used, so sun­light, fluorescent lighting, or other sources of illumination in the immediate area may affect the coloring of the recorded image.
E-58
BASIC IMAGE RECORDING

Selecting the Focus Mode

You can use the following procedure to select from among four different focus modes: Auto Focus, Macro, Infinity, and Manual Focus.
1.
Align the POWER/Function Switch with REC.
2.
Press / /MF RESIZE to cycle through the available focus mode
RESIZE
settings.
/ /MF RESIZE
Focus Mode
Each press of / /MF RESIZE cycles through the focus modes in the following sequence.
Auto Focus (no indicator) Macro ( ) Infinity ( ) Manual Focus ( )
BEST SHOT
MF//
Using the Auto Focus Mode
As its name suggests, the Auto Focus Mode adjusts focus automatically whenever you press the shutter release button about half way down. The following shows the relationship between the optical zoom factor and the focusing distance for Auto Focus.
Optical Zoom Factor
1X 3X
1.
Press / /MF RESIZE to cycle through the fo-
Focusing Distance
30cm to 32cm to
cus mode settings until there is no focus mode indicator on the display. This indicates the Auto Focus Mode.
2.
Compose the image to the object you want within the focus frame, and then press and hold the shutter release button about half way down.
E-59
BASIC IMAGE RECORDING
Using the Macro Mode
The Macro Mode automatically sets the focus for close-up shooting. Focus adjustment starts automatically whenever
Focus frame
you press the shutter release button about half way down. The following shows the relationship between the optical zoom factor and the focusing distance for the Macro Mode.
• You can find out the status of the Auto Focus opera­tion by checking the color of the focus frame and the status of the operation lamp.
If you see this
Green focus frame and green operation lamp
Red focus frame and green operation lamp
3.
Press the shutter release button the rest of the
It means this
The image is in focus.
Auto Focus is not possible for some reason.
way down to record the image.
E-60
Optical Zoom Factor
1X 2X
1.
Press / /MF RESIZE to cycle through the focus
Focusing Distance
6cm to 30cm 9cm to 30cm
mode settings until the indicator appears on the display. This indicates the Macro Mode.
2.
Compose the image and record it.
• See “Using the Auto Focus Mode” on page E-59 for information about how the camera focuses an image automatically.
• You can check the current status by looking at the op­eration lamp and focus frame. See “Using the Auto Focus Mode” on page E-59 for more information.
IMPORTANT!
• The focusing range is the distance from the lens sur­face to the subject.
• Note that you can use 1X and 2X zoom only with Macro Mode recording.
BASIC IMAGE RECORDING
Using the Infinity Mode
The Infinity Mode sets the focus near infinity. It is a good choice for scenery and other far-off subjects. Focus adjust­ment starts automatically whenever you press the shutter release button about half way down.
1.
Press / /MF RESIZE to cycle through the fo­cus mode settings until the indicator ap­pears on the display. This indicates the Infinity Mode.
2.
Compose the image and record it.
• See “Using the Auto Focus Mode” on page E-59 for information about how the camera focuses an image automatically.
• You can check the current status by looking at the op­eration lamp and focus frame. See “Using the Auto Focus Mode” on page E-59 for more information.
Using the Manual Focus Mode
With Manual Focus, you make the required focus settings by hand. The following shows the relationship between the opti­cal zoom factor and the focusing distance for the Manual Focus Mode.
Optical Zoom Factor
1X 3X
1.
Press / /MF RESIZE to cycle through the fo-
Focusing Distance
6cm to
18cm to
cus mode settings until the indicator ap­pears flashing on the display. This indicates the Manual Focus Mode.
2.
While the indicator is flashing, use [] and [] to focus the image.
• If you do not perform any focus operation for about three seconds, the indicator stops flashing.
• You can press / /MF RESIZE while the indica­tor is on the monitor screen to change to another focus mode, if you want.
E-61
BASIC IMAGE RECORDING
3.
Press SET/DISP to stop the indicator flash­ing and fix the image focus at its current level.
• After stops flashing, you can use [] and [] to adjust exposure compensation (EV).
• If stops flashing before you have a chance to fo­cus, press / /MF RESIZE to make it flash again.
4.
Press the shutter release button to record the image.
• The focus frame does not appear when you press the shutter release button half way down while in the Manual Focus Mode.
Using Focus Lock
Normally, Auto Focus automatically focuses on the object that is inside the focus frame. Focus lock is a technique you can use in the Auto Focus, Macro( ), and Infinity ( ) modes that lets you lock the focus on a subject and then move the camera so the focus frame is pointed at another subject when you record. This keeps the original subject in focus, even though a different object is within the focus frame.
NOTE
• Instead of using focus lock, you could also use the procedure under “Specifying the Focus Frame Loca­tion” on page E-63 to move the focus frame to a differ­ent location.
E-62
1.
Align the POWER/Function Switch with REC.
2.
Align the focus frame with the subject you want to lock on and press the shutter release button half way down.
• The focus frame turns green when the image is in fo­cus.
Focus frame
3.
While keeping the shutter release button de­pressed half way, move the camera and com­pose the image as you want.
BASIC IMAGE RECORDING
4.
Press the shutter release button the rest of the way down to record the image.
NOTE
• Locking the focus also locks the exposure setting.
Specifying the Focus Frame Location
Normally, the Auto Focus frame is located in the center of the screen. Use the following procedure when you need to change the location of the focus frame.
NOTE
• Instead of moving the focus frame, you could also use the procedure under “Using Focus Lock” on page E­62 to lock the focus on one subject and then move the camera so the focus frame is pointed at another sub­ject.
1.
Align the POWER/Function Switch with REC.
2.
Compose the image you want to record.
3.
Holding down SHIFT to display all of the avail­able Auto Focus frame positions, use [], [], [], and [] to move the [+] mark to the focus frame location you want to use.
• The currently selected Auto Focus frame is the one where the [+] mark is located.
4.
After selecting the focus frame you want to use, release SHIFT and then press the shutter release button about half way to perform auto focus.
• This causes the focus frame you selected to change green when proper focus is achieved (or red if there is a problem with the focus).
5.
Press the shutter release button the rest of the way to record the image.
E-63
BASIC IMAGE RECORDING

Specifying Image Size and Quality

You can specify the image size and image quality to suit the type of image you are recording.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select “FUNCTION” “Size/Quality”, and then press SET/DISP.
4.
Select the size and quality setting you want, and then press SET/DISP.
Size/Quality Setting and Image Capacity (JPEG images only)
Image
size
(pixels)
2048
x 1536 1024
x
768
Quality
FINE
NORMAL
ECONOMY
FINE
NORMAL
ECONOMY
File size
1.4MB 1MB
600KB 350KB 250KB 150KB
8MB
memory card
5
6 11 19 27 43
Number of images
64MB
memory card
43 60
99 167 229 365
340MB
Microdrive
245 342 562
943 1292 2054
IMPORTANT!
• The values in the table are all approximate, and are affected by the types of images you record and other factors.
• Saving two versions of an image in JPEG and TIFF formats creates a file that is very large, and greatly reduces storage capacity (page E-93).
• To determine the number of images that can be stored on a memory card of a different capacity, multiply the capacities in the table, by the appropriate value.
• Note that the maximum number of images that can be stored in a single folder is 250. Because of this, even if you are using a card that allows storage of more than 250 images, the camera’s monitor screen will show its capacity for up to 250 images only.
• The number of images that can be recorded may differ from the values shown above when you use Card Browser (page E-134).
E-64
BASIC IMAGE RECORDING

Using the Self-timer

You can set the self-timer to either one of two starting times.
1.
Align the POWER/Function Switch with REC.
2.
Press to select the self-timer time you want.
BEST SHOT
MF//
RESIZE
Self timer
Time
E-65
Self-timer Time Settings:
Each press of cycles through the available self­timer settings described below.
To do this Turn the self-timer off Record 10 seconds after the
shutter release button is pressed Record two seconds after the
shutter release button is pressed
3.
Press the shutter release button to start the
Select this setting
No display
10SEC
2SEC
self-timer countdown.
• The seconds are counted down on the monitor screen.
• To stop a countdown part way through, press the shut­ter release button.
NOTES
• The hand-shake limiter is enabled when you use a slow shutter speed and the two-second self-timer at the same time.
• You cannot use the self-timer in combination with the Continuous Shutter Mode.
BASIC IMAGE RECORDING

Exposure Compensation

Whenever program AE, shutter speed priority AE, or aper­ture priority AE is selected as the exposure mode, you can adjust the exposure compensation value (EV value) within the range shown below in order to compensate for current lighting conditions. This setting can be used to obtain better results when shooting with backlighting, indirect indoor light­ing, a dark background, etc.
EV Value Range: –2EV to +2EV Steps: 1/3EV
1.
Select program AE, shutter speed priority AE, or aperture priority AE as the exposure mode. See page E-79.
2.
Use [] and [] to change the exposure com­pensation value (EV shift).
• The current EV value is shown on the monitor screen.
EV value
[]:Increases the EV value. A higher EV value is best
for light colored subjects and backlit subjects.
E-66
BASIC IMAGE RECORDING
[]:Decreases the EV value. A lower EV value is best
for dark color subjects and for shooting outdoors on a clear day.
3.
After the EV value is the way you want, press the shutter release button to record the image.
IMPORTANT!
• When shooting under very dark or very bright condi­tions, you may not be able to obtain satisfactory re­sults even after performing exposure compensation.
• An EV value setting you make remains in effect until you change it. To reset the EV value to zero, use [왘] and [] to return the display value to zero, which is indicated when is not on the monitor screen. Note that turning off the camera also resets the EV value to zero.
• In the Panorama Mode, the exposure compensation setting you make for the first image of the panorama is fixed for all the other images.
E-67

OTHER RECORDING FUNCTIONS

OTHER RECORDING FUNCTIONS
This section describes more advanced recording operations that are also provided by this camera.
Use the monitor screen to compose images for shooting in the Best Shot Mode, Movie Mode, Panorama Mode, A Mode (aperture priority AE), S Mode (shutter priority AE), and M Mode (manual exposure).

Using the Continuous Shutter Mode

The Continuous Shutter Mode lets you record up to three images at intervals of about 0.5 second.
You can perform continuous shutter recording in the Por­trait Mode, Landscape Mode, Night Scene Mode, Best Shot Mode, P Mode (program AE), A Mode (aperture prior­ity AE), and S Mode (shutter priority AE) only.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Continuous, and then press SET/DISP.
4
Select the setting you want, and then press SET/DISP.
On: Continuous shutter enabled. Off: Single-shot enabled
E-68
5.
Press the shutter release button to record the image.
The flash does not fire in the Continuous Shutter Mode.
You may be able to record only two images in the Continuous Shutter Mode when using the Night Scene Mode, a fixed shutter speed, or a slow shutter speed.
You cannot use the self-timer in combination with the Continuous Shutter Mode.
The Continuous Shutter Mode is disabled while the TIFF Mode is turned on (page E-93).
Certain Best Shot Mode sample images also do not support the Continuous Shutter Mode.
Do not start a Continuous Shutter Mode operation when the low battery indicator is on the monitor screen.
Storage of images recorded in the Continuous Shutter Mode to a memory card can take about 14 seconds (for three images).
Never remove camera batteries, unplug the AC adap­tor from the camera, or remove the memory card while images are being saved.
OTHER RECORDING FUNCTIONS

Shooting Portraits

The Portrait Mode blurs the background slightly, which makes the foreground subject stand out better.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select PORTRAIT (Portrait Mode), and then press SET/DISP.
4.
Press the shutter release button to record the image.
NOTE
You can blur the background even more by using the zoom slider adjust to maximum telephoto.

Shooting Landscapes

The Landscape Mode brings everything from distant scenery to close foreground objects into focus.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select LANDSCAPE (Landscape Mode), and then press SET/DISP.
4.
Press the shutter release button to record the image.
E-69
OTHER RECORDING FUNCTIONS
NOTES
You can add more depth from the foreground to back­ground, and also create a greater feeling of horizontal expanse by using the zoom slider to adjust to maxi­mum wide-angle.
Using the Landscape Mode indoors, in a shaded loca­tion, or in any other areas where lighting is dim can result in distant objects being out of focus.

Shooting Night Scenes

The Night Scene Mode uses longer exposure to produce beautiful night scene images.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select NIGHT SCENE (Night Scene Mode), and then press SET/DISP.
4.
Press the shutter release button to record the image.
E-70
OTHER RECORDING FUNCTIONS
NOTE
You can use the Night Scene Mode in combination with flash for slow sync shooting of people against a twilight or night scene background.
IMPORTANT!
The shutter speed is quite slow in the Night Scene Mode, so be sure to use a tripod to hold the camera steady.
Auto Focus is difficult in the dark. If you experience problems, use manual focusing (page E-61). There may be some blurring of the image in cases where the subject is moving quickly.
Slow shutter speed also causes slow monitor screen refresh. Because of this, the image recorded may be slightly different from the image that was on the moni­tor screen when you pressed the shutter release but­ton.
The contrast of Night Scene Mode images is not af­fected by changes made in contrast settings (page E-
93).

Instant Setup Using the Best Shot Mode

The Best Shot Mode comes with a library of 28 different im­ages. Simply select the image whose effects are the one you want, and the settings of the camera automatically change to the same setup that was used to record the selected image.
Instant Setup Using the Best Shot Mode
Sunset
See the "Best Shot scene List" that comes with the camera for a list of scenes.
Night Scene
E-71
OTHER RECORDING FUNCTIONS
Composition Outline
With certain Best Shot Mode images, a composition outline appears on the monitor screen to aid you when composing your image. The Auto Focus Frame is also adjusted on the monitor screen, so it is in the appropriate location to suit the composition outline.
1.
Align the POWER/Function Switch with REC.
2.
Press BEST SHOT.
You can also display sample scenes by pressing MENU, selecting BEST SHOT, and then pressing SET/DISP.
Auto Focus Frame
Example: Face and Chest
Composition Outline
E-72
3.
Use [] and [] to display the sample scene you want, and then press SET/DISP.
You can also store your own setups. (page E-73)
4.
Press the shutter release button to record the image.
NOTES
Best Shot Mode images are not images recorded us­ing this camera. They are intended for reference pur­poses only.
The actual conditions that are present when you record your image may make it impossible to correctly obtain all of the effects of the Best Shot Mode image you select.
After selecting an image in the Best Shot Mode, you can adjust camera settings manually as you normally do.
Press BEST SHOT to display the last sample scene you selected.
OTHER RECORDING FUNCTIONS
Specifying the Location of Best Shot Mode Scene Images
You can use the following procedure to specify the location of the Best Shot Mode scene images.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Best Shot setting and then press SET/DISP.
4.
Select the setting you want, and then press
Registering Your Own Scene Setups
You can register the settings of any image recorded with a CASIO QV-3500EX camera as a user setup for the Best Shot Mode. After you register a user setup, you can recall it just as you do with other scenes in the Best Shot Mode.
User Setup Parameters
Focus mode, aperture (A and M only), shutter speed (S and M only), exposure compensation, sensitivity, filter set­ting, exposure mode, metering mode, white balance, en­hancement, flash intensity, sharpness, saturation, con­trast, flash mode
SET/DISP.
To have this appear when you scroll through sample scenes
28 built-in sample scenes, followed by sample scenes on the memory card
28 built-in sample scenes only Sample scenes on the memory card only
NOTES
If there are no Best Shot Mode sample images on the memory card, you will be able to select from among the 28 built-in sample images only, even when the Built-in+CF or CF option is selected.
See page E-74 for information about storing sample images on a memory card.
Select this
Built-in+CF
Built-in
CF
Supported Camera Models
You can use only images recorded with the CASIO QV­3500EX to register a user setup.
Number of User Setups
You can register up to 250 user setups (including images imported form the bundled CD-ROM to the memory card).
E-73
OTHER RECORDING FUNCTIONS
1.
Align the POWER/Function Switch with REC.
2.
Press BEST SHOT.
You can also display sample scenes by pressing MENU, selecting BEST SHOT, and then pressing SET/DISP.
3.
Press .
4.
Use [] and [] to select the image you want to import, and then press SET/DISP.
5.
The camera returns to the REC mode after reg­istration is complete. Now you can use the pro­cedure on page E-72 to select a scene and record an image.
NOTES
Press BEST SHOT to display the last sample scene you selected.
After you select a Best Shot Mode image, you can see the camera setup by displaying the various menus you normally use when setting up the camera manually.
To delete a user setup, use your computer to navigate to the memory card's SCENE folder, and then delete the user setup file (page E-75, E-131).
Importing a Scene from the Best Shot Li­brary on the CD-ROM
You can import sample scene images from the CD-ROM that comes bundled with the camera to the camera's memory card, and then use the imported scenes in the Best Shot Mode. There is a total of 64 scenes.
See the Best Shot Scene List that comes with the camera for a list of scenes.
1.
Set up to access the memory card contents from your computer.You can use either of the following two methods to setup for memory card access.
(1) Connect the camera to the USB port of your com-
puter (page E-127)
(2) Read the images directly from the memory card
(page E-129)
E-74
OTHER RECORDING FUNCTIONS
Sample images are stored in memory card folder named SCENE, so make sure that there is a folder named SCENE on the memory card.
To create a SCENE folder on a new memory card, load the card into the camera, and then select REC or PLAY with the POWER/Function Switch.
2.
Set the bundled CD-ROM into your computer's CD-ROM drive.
3.
If you are running Windows, Click My Com­puter and then open the CD-ROM drive's win­dow.
This step is not required if you are using a Macintosh.
4.
Click CASIO BestShot Library” “QV 3500EX English, and then copy the sample image files you want to import into the SCENE folder of the memory card.
If your camera is set up for German-language screen text, select German in place of English in the above step.
The sample image data is registered in file name sequence.
5.
Load the memory card into the camera.
6.
Specify either Built-in + CF or CF as the storage location of Best Shot Mode scene images on page E-73.
E-75
7.
Use the same procedure as that on page E-72 to select an imported sample image file and record the image you want.
IMPORTANT!
Sample images are arranged in the following se­quence on the memory card: camera sample images, images imported from the CD-ROM, user images.
Formatting a memory card deletes all Best Shot Mode scene sample images stored on it. After deleting the card, you have to import the scenes you want to the memory card (page E-41).
NOTE
To delete a sample scene imported to the memory card from the CD-ROM, use your computer to navi­gate to the memory card's SCENE folder, and then delete the sample scene file (page E-131).
OTHER RECORDING FUNCTIONS

Recording a Movie

You can record movies that are approximately 30 seconds long. There are two movie recording modes: past and nor­mal. The past mode lets you capture images of events that occurred before you pressed the shutter release button while the normal mode records what happens after you press the shutter release button.
File Format: AVI
AVI format is the Motion JPEG format standard advocated by the Open DML Consortium.
Size: 320 x 240 pixels
Movie Memory Requirements
Approximately 300KB/second
Maximum Movie Length
30 seconds
To record a movie using the normal mode
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select MOVIE (Movie Mode), and then press SET/DISP.
4.
Point the camera at the subject, and then press the shutter release button about half way down.
Auto Focus continues to adjust the focus as the sub­ject moves.
5.
Press the shutter release button all the way down to start recording.
Recording continues for 30 seconds.
To record a movie that is shorter than 30 seconds,
press the shutter release button again when you want to stop recording.
E-76
OTHER RECORDING FUNCTIONS
To record a movie using the past mode
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select MOVIE (PAST) (Movie Past Mode), and then press SET/DISP.
4.
When you are ready to record, press the shut­ter release button all the way down.
Auto Focus continues to adjust the focus as the sub­ject moves.
5.
Follow the subject with the camera, and press the shutter release button all the way down when you want to record.
Pressing the shutter release button the second time records everything that went on in front of the lens during the 30-second period before you pressed the shutter release button the first time in step 4.
Pressing the shutter button before 30 seconds have passed after you pressed the shutter release button the first time in step 4 records everything that went on in front of the lens during the period from when you pressed the shutter release button the first time, up to the point when you pressed it the second time.
IMPORTANT!
Flash is disabled during movie recording.
To view an AVI file on your computer, install
QuickTime from the CD-ROM that comes bundled with the camera.
E-77
OTHER RECORDING FUNCTIONS

Shooting Panoramas

The Panorama Mode lets you digitally stitch together mul­tiple images to create a sweeping panorama.
4.
Press the shutter release button to record the first image.
The right edge of the first image remains on the left side of the monitor screen to help you compose the second image of the panorama.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select PANORAMA (Panorama Mode), and then press SET/DISP.
E-78
Right edge of previous image
5.
Shoot the other images that will make up the panorama, each time using the right edge of the previous image to compose the next image correctly.
6.
After recording the images you want, press MENU.
You can group up to 10 images into a panorama.
OTHER RECORDING FUNCTIONS
NOTE
The camera uses the same exposure and white bal­ance settings in effect when the first image of the pan­orama is recorded for recording all of the other images of the panorama.

Specifying the Exposure Mode

You can select from among the four exposure modes listed below. You can change the shutter mode setting while in any of the record modes.
P Mode : Program AE A Mode : Aperture priority AE S Mode : Shutter speed priority AE M Mode: Manual
Program AE
In the P Mode (program AE), shutter speed and aperture settings are made automatically in accordance with the brightness of the subject.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Exposure Mode, and then press SET/DISP.
4.
Select “P” (Program), and then press SET/ DISP.
5.
Press the shutter release button to record the image.
E-79
OTHER RECORDING FUNCTIONS
Aperture Priority AE
The A Mode (aperture priority AE) is the opposite of the S Mode. It lets you specify an aperture setting and automati­cally adjusts shutter speed accordingly. A larger aperture decreases depth of field, which is the zone of sharp focus in a scene. Conversely, a smaller aperture increases depth of field.
Large Aperture Small Aperture
Note that a smaller number indicates a larger aperture, and a larger number indicates a smaller aperture.
Aperture Settings
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Exposure Mode, and then press SET/DISP.
4.
Select “A” (aperture priority), and then press SET/DISP.
5.
Use [] and [] to select the aperture value you want.
Aperture
Aperture
Larger Smaller
F2 F2.3 F2.8 F4 F5.6 F8
E-80
To do this Decrease aperture Increase aperture
Press this button
[] []
OTHER RECORDING FUNCTIONS
6.
Press the shutter release button to record the image.
IMPORTANT!
It is often difficult to obtain proper brightness when shooting a subject that is very dark or very light. In such a case, try different aperture settings to find the one that produces the best results.
Shutter Speed Priority AE
The S Mode (shutter speed priority AE) lets you specify a shutter speed and automatically adjusts aperture accord­ingly.
Slow (1/30)
Shutter Speed Settings
Fast (1/1000)
E-81
Shutter
Speed
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
BULB, 60 seconds to 1/1000 second
Slow Fast
OTHER RECORDING FUNCTIONS
3.
Select FUNCTION” “Exposure Mode, and then press SET/DISP.
4.
Select “S” (shutter speed priority), and then press SET/DISP.
5.
Use [] and [] to specify the shutter speed.
Shutter speed
To do this Increase shutter speed Decrease shutter speed
6.
Press the shutter release button to record the
Press this button
[] []
image.
IMPORTANT!
It is often difficult to obtain proper brightness when shooting a subject that is very dark or very light. In such a case, try different shutter speed settings to find the one that produces the best results.
When shutter speed is set to BULB, exposure con­tinues as long as you depress the shutter button. Be­cause of this, use of the wired remote controller (op­tion) is recommended whenever using the BULB set­ting.
The self-timer is disabled while shutter speed is set toBULB”.
The slowest shutter speed when BULB is selected is
60 seconds.
Note that using a slower shutter speed increases the chance of static being present in your image, and the amount of static visible in an image is inversely pro­portional to the shutter speed.
At shutter speeds of one second or slower, the cam­era automatically performs internal data processing intended to limit image static, so the image record op­eration takes longer at slow shutter speeds. At shutter speeds of one second or greater, doubling the shutter speed setting tells you about how long it takes for an image to be recorded. For example, image recording with a shutter speed of one second takes about two seconds.
E-82
OTHER RECORDING FUNCTIONS
A shutter speed slower than 1/8 second can cause the brightness of the image on the monitor screen to be different from the brightness of the image that is re­corded. Slower speeds can also cause exposure of the image to be outside the AE range, making it im­possible to achieve a proper aperture setting.
Manual Exposure
The M Mode (manual) lets you make the shutter speed and aperture settings you want.
The shutter speed settings you can make are the same as those for shutter speed priority AE (page E-81).
The aperture settings you can make are the same as those for aperture priority AE (page E-80).
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Exposure Mode, and then press SET/DISP.
E-83
4.
Select “M” (manual), and then press SET/DISP.
5.
Use [] and [] to specify the shutter speed, and use [] and [] to select the aperture value you want.
Aperture Shutter
Speed
To do this Increase shutter speed Decrease shutter speed Decrease aperture Increase aperture
Press this button
[] [] [] []
OTHER RECORDING FUNCTIONS
6.
Press the shutter release button to record the image.
IMPORTANT!
A shutter speed slower than 1/8 second can cause the brightness of the image on the monitor screen to be different from the brightness of the image that is re­corded.
Quick Exposure Mode Selection
You can also use the following procedure to change the ex­posure mode, without going through the menu.
1.
Align the POWER/Function Switch with REC.
2.
While holding down SHIFT, press to cycle through the exposure mode icons on the moni­tor screen in the sequence shown below.
(program AE) (aperture priority AE) (shutter speed priority AE) (manual)
E-84
OTHER RECORDING FUNCTIONS

Selecting the Metering Mode

Use the following procedure to specify multi metering, spot metering, or center-weighted metering as the metering mode.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION Metering, and then press SET/DISP.
4.
Select the metering mode you want and then press the SET/DISP.
Multi:
This mode takes readings across the entire image, and provides balanced exposure settings.
Center:
This mode takes readings at the center of the image.
Spot:
This mode takes readings of a very small part of the focus area. It is not af­fected by light around the outer periph­ery of the image, which means that ex­posure can be set according to the illu­mination of a particular subject.
E-85
OTHER RECORDING FUNCTIONS
Quick Metering Mode Selection
You can also use the following procedure to change the me­tering mode, without going through the menu.
1.
Align the POWER/Function Switch with REC.
2.
While holding down SHIFT, press / /MF RESIZE to cycle through the metering mode icons on the monitor screen in the sequence shown below.
(multi) (center) (spot)

Setting the Sensitivity Level

Use the following procedure to specify the sensitivity level.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Sensitivity, and then press SET/DISP.
4.
Select the setting you want, and then press SET/DISP.
If you want to set sensitivity at this level
ISO 100 equivalent ISO 180 equivalent ISO 300 equivalent ISO 500 equivalent
E-86
Select this
ISO 100 ISO 180 ISO 300 ISO 500
OTHER RECORDING FUNCTIONS
IMPORTANT!
Higher sensitivity can increase the chance of noise in the image.
Higher sensitivity can make it difficult to obtain proper focus using Auto Focus. It does not change the mini­mum brightness required for Auto Focus.
Regardless of the setting you make here, a sensitivity setting of ISO 100 is used automatically whenever you shoot with flash and whenever the S Mode (shutter speed priority AE) is selected.

Using the Filter Function

The cameras filter function lets you filter the image with one of a selection of different colors.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Filter, and then press SET/DISP.
4.
Select the setting you want, and then press SET/DISP.
Available filter settings are: Off, B/W, Sepia, Red, Green, Blue, Yellow, Pink, Purple
NOTES
The filter function produces the same effect as if a piece of colored cellophane paper were held in front of the lens of the camera. Color enhancement (page E-
90), on the other hand, alters the characteristics of the image to enhance specific color components.
If color enhancement (page E-90) and the filter func­tion are both turned on at the same time, the filter function is given priority (color enhancement is not performed).
E-87
OTHER RECORDING FUNCTIONS

Selecting White Balance

Selecting the right type of white balance can help to make the colors of a subject appear most natural under the type of lighting that is available.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION White Balance, and then press SET/DISP.
4.
Select the type of white balance you want, and then press SET/DISP.
To do this Let the camera adjust white balance automatically Shoot outdoors Shoot in shady conditions Shoot under incandescent (light bulb) lighting Shoot under fluorescent lighting Adjust white balance normally for a particular light source
Select this
Auto
Daylight
Shade
Tungsten
Fluorescent
Manual
NOTE
Use Daylight for shooting in the Night Scene Mode. You can also use manual white balance if the Day­light setting does not produce the desired results.
Adjusting White Balance Manually
Under some light sources, automatic white balance under the Auto setting can take a long time to complete. Also, the auto white balance range (color temperature range) is lim­ited. Manual white balance helps to ensure that colors are recorded correctly for a particular light source. Note that you must perform manual white balance under the same conditions you will be shooting under. You must also have a white piece of paper or other similar object on hand in order to perform manual white balance.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION White Balance, and then press SET/DISP.
4.
Select Manual, and then press SET/DISP.
E-88
OTHER RECORDING FUNCTIONS
5.
Point the camera at a piece of white paper or other similar object so it completely fills the monitor screen, and then press SET/DISP.
This performs white balance adjustment and returns to the REC mode screen.
Pressing without pressing SET/DISP first re- stores the setting obtained the last time you per­formed manual white balance.
Dark lighting or pointing the camera at a dark object can cause manual white balance to take a very long time to complete. Avoid such conditions when per­forming manual white balance adjustment.
NOTE
Even if you turn off the camera or change its white balance back to Auto or another white balance set­ting, the last value obtained by manual white balance is retained in memory and restored the next time you select Manual for the white balance. The last value obtained by manual white balance is retained, regard­less of the mode memory setting (page E-94).
Quick White Balance Selection
You can also use the following procedure to change the white balance, without going through the menu.
1.
Align the POWER/Function Switch with REC.
2.
While holding down SHIFT, press to cycle through the white balance icons on the moni­tor screen in the sequence noted below.
(Auto) (Daylight) (Shade) (Tungsten) (Fluorescent) (Manual)
For manual white balance, display the icon, point the camera at a white piece of paper, hold down SHIFT, and press the shutter release button.
E-89
OTHER RECORDING FUNCTIONS
Enhancing Certain Colors
Use the following procedure when you want to enhance a particular color in your recorded image.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION Enhancement, and then press SET/DISP.
4.
Select the setting you want, and then press SET/DISP.
To do this Turn off color enhancement Enhance reds Enhance greens Enhance blues Enhance flesh tones
Select this
Off
Red
Green
Blue
Flesh Tones
NOTES
The filter function (page E-87) produces the same ef­fect as if a piece of colored cellophane paper were held in front of the lens of the camera. Color enhance­ment, on the other hand, alters the characteristics of the image to enhance specific color components.
If color enhancement and the filter function (page E-
87) are both turned on at the same time, the filter func­tion is given priority (color enhancement is not per­formed).
E-90
OTHER RECORDING FUNCTIONS

Turning the On-screen Grid On and Off

You can display gridlines on the monitor screen to help you compose your images before recording them.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Grid, and then press SET/DISP.
4.
Select the setting you want, and then press SET/DISP.
To do this Turn the grid off Turn the grid on
Select this
Off On
E-91
OTHER RECORDING FUNCTIONS

Specifying Outline Sharpness

Use the following procedure to control the sharpness of im­age outlines.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Sharpness, and then press SET/DISP.
4.
Select the setting you want, and then press SET/DISP.
To do this Make outlines sharp Leave outlines as they are Make outlines soft
Select this
Hard
Normal
Soft

Specifying Color Saturation

Use the following procedure to control the saturation of im­age colors.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION” “Saturation, and then press SET/DISP.
4.
Select the setting you want, and then press SET/DISP.
To do this Make colors more intense Leave colors as they are Make colors less intense
Select this
Normal
E-92
High
Low
OTHER RECORDING FUNCTIONS

Specifying Contrast

Use the following procedure to control the difference be­tween the light areas and dark areas of the image.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION Contrast, and then press SET/DISP.
4.
Select the setting you want, and then press SET/DISP.
To do this Increase contrast Leave contrast as it is Decrease contrast
NOTE
The contrast setting you make is not used in the Night Scene Mode.
Select this
High
Normal
Low

Saving Uncompressed Images (TIFF Mode)

Normally, the camera stores images in JPEG format only. The TIFF Mode stores two versions of the same image: a JPEG (compressed) version and a TIFF (uncompressed) version. Compressing an image causes a slight loss of im­age quality, while saving an image in TIFF format retains all the quality of the image you record.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select "FUNCTION" "TIFF mode", and then press SET/DISP.
4.
Select the setting you want, and then press SET/DISP.
To do this
Store images in JPEG (com­pressed) format only
Save both JPEG (compressed) and TIFF (uncompressed) ver­sions of images
Select this
E-93
Off
On
OTHER RECORDING FUNCTIONS
IMPORTANT!
The TIFF format image save operation takes more time than the JPEG format save operation.
Turning on the TIFF Mode causes both JPEG and TIFF versions of the image to be saved. This causes image files to be very large, and greatly reduces stor­age capacity (page E-64).
TIFF Format File Sizes
Format
TIFF
Deleting the JPEG version of an image saved using the TIFF Mode also causes the TIFF version to be de­leted.
You cannot delete the TIFF version of an image alone. To delete the TIFF version, you must also delete the JPEG version.
TIFF images cannot be transferred to a computer us­ing the Photo Loader application (page E-129) that comes bundled with the camera.
The Continuous Shutter Mode is disabled while the TIFF Mode is turned on (page E-68).
Image size (pixels)
2048 x 1536 1024 x 768
File size
9MB
2.3MB

Specifying Power On Default Settings

Configuring the cameras mode memory controls power on default settings. Turning a mode memory item on specifies that the setting of the item when the camera is turned off should be restored when the camera is turned back on again. Turning a mode memory item off specifies that its fac­tory default setting should be used whenever the camera is turned on.
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Select FUNCTION Mode Memory, and then press SET/DISP.
4.
Select the item whose mode memory status you want to change, and then press SET/DISP.
5.
Select the setting you want, and then press SET/DISP.
E-94
OTHER RECORDING FUNCTIONS
To do this when the camera is turned on Restore the items last setting when power was turned off Restore the items factory default setting
Mode Memory Items and Settings
Memory Mode Status
On
Setting at power off.
Recording Mode Continuous TIFF Mode Sensitivity Exposure Mode Metering White Balance Flash Focus Digital Zoom Flash Intensity
6.
Press .
Item
Select this
On
Off (default)
Off Normal Normal Normal
ISO 100
P (Program AE)
Multi Auto Auto Auto Auto
Normal
Resetting the Camera
Use the following procedure to reset all of the cameras set­tings to their initial defaults as shown under Camera Menus on page E-140.
1.
Align the POWER/Function Switch with REC or PLAY.
2.
Press MENU.
3.
Select Restore using one of the following two key operations, and then press SET/DISP.
If you are here
REC mode
PLAY mode
4.
In response to the confirmation message that
Select this on the menu screen
“FUNCTION” “SET UP” “Restore” “SET UP” “Restore”
appears, use [] and [] to select Yes to re­set or No to exit, and then press SET/DISP.
E-95
OTHER RECORDING FUNCTIONS

Using the Cameras Shortcut Features

The shortcut features of the camera help to make it quicker and easier to obtain the REC mode setup you want. There are three shortcut procedures that you can use.
Changing specific REC mode FUNCTION menu set-
tings using the shortcut buttons
The shortcut buttons are the three buttons to the right of the viewfinder. You can cycle through REC mode FUNC­TION menu settings by holding down SHIFT and pressing the shortcut buttons. See page E-97.
Direct access to the FUNCTION menu
This shortcut lets you display the FUNCTION menu with the press of a button. See page E-99.
Cycling through settings on the FUNCTION menu
This shortcut lets you cycle through the settings of the cur­rently selected FUNCTION menu item, without advancing to the items setting screen.
RESIZE
Shortcut buttons
BEST SHOT
MF//
Changing REC mode FUNCTION Menu Settings Using the Shortcut Buttons
Changing REC mode FUNCTION Menu settings is normally a multi-step process: Press MENU, use [], [], [] and [왖] to select FUNCTION, press SET/DISP, use [] and [] to select the item, and then use [] and [] to change the set­ting. The shortcut buttons let you change the settings of spe­cific REC mode FUNCTION menu items without displaying the FUNCTION menu.
To change settings using the shortcut buttons
1.
Align the POWER/Function Switch with REC.
2.
Hold down SHIFT.
This causes icons that identify the FUNCTION menu items assigned to the shortcut buttons to appear on the monitor screen above each button.
E-96
OTHER RECORDING FUNCTIONS
3.
While holding down SHIFT, press one of the shortcut buttons to cycle through the settings of the item assigned to the button. The current setting of each button is indicated by an icon above the button.
Button
/ /MF
RESIZE
REC mode
FUNCTION
Menu Item
Exposure Mode (page E-79)
Metering (page E-85)
White Balance (page E-88)
Icon Setting
Program AE Aperture Priority AE Shutter Speed
Priority AE Manual Multi Center Spot Auto Daylight Shade Tungsten Fluorescent Manual
To assign REC mode FUNCTION menu items to shortcut buttons
1.
Align the POWER/Function Switch with REC.
2.
Press MENU.
3.
Use [], [], [] and [] to select FUNC­TION, and then press SET/DISP.
4.
Use [] and [] to select the item you want to assign to a shortcut button and then press SET/DISP to display its setting screen.
E-97
OTHER RECORDING FUNCTIONS
The following example shows the filter setting screen.
You can assign any of the items marked with in
the table under Camera Menus on page E-140 to a shortcut button.
5.
While holding down SHIFT, press the shortcut button to which you want to assign the item you selected in step 4.
This assigns the item and returns to the REC mode screen.
You can assign only one menu item to each of the three shortcut buttons.
E-98
Assigning a menu item to a shortcut button changes the icon that appears above the button when SHIFT is pressed in the REC mode as shown below.
Button
/ /MF
RESIZE
Default Setting
Icon
Icon After
Assignment
SET 1
SET 2
SET 3
Repeat the above procedure when you want to restore the default shortcut button assignments. You need to assign the following items to the shortcut buttons indi­cated to restore the default assignments.
Button
/ /MF
RESIZE
Assigned Item (Default)
Exposure Mode
Metering
White Balance
Default shortcut button assignments are also restored automatically by a Camera Reset (page E-95).
OTHER RECORDING FUNCTIONS
3.
Directly Accessing the REC mode FUNCTION Menu
When in the REC mode, you can hold down SHIFT and press MENU to display the FUNCTION menu.
Cycling through REC mode FUNCTION Menu
Use [] and [] to cycle through the settings of the currently selected item.
4.
Repeat steps 2 and 3 for other items.
5.
When everything is the way you want, press
Settings
You can use this shortcut to cycle through the settings of REC mode FUNCTION menu items without displaying the setting screen for the item.
1.
Align the POWER/Function Switch with REC.
2.
Display the FUNCTION menu and then use [왖] and [] to select the item whose setting you want to change.
to exit the FUNCTION menu.
E-99

PLAYBACK

PLAYBACK
You can use the camera’s built in monitor screen to play back recorded images.

Basic Playback Operation

Use the following procedure to scroll through recorded im­ages stored in the camera’s memory.
1.
Align the POWER/Function Switch with PLAY.
PLAY: PLAY mode for playing back images
2.
Use [] and [] to scroll through the images on the monitor screen.
[]
[]
To do this Scroll forward Scroll backward
[]
[]
Press this button
[] []
NOTES
• Holding down [] or [] scrolls images at high speed.
• In order to allow for faster playback image scrolling, the image that initially appears on the monitor screen is a preview image, which is of somewhat lower quality than the actual display image. The actual display im­age appears about three seconds after the preview image. This does not apply to images copied from an­other digital camera.
E-100
Loading...