REC Modes30
PLAY Mode34
Changing the Contents of the Monitor Screen35
Attaching the Strap .................................................... 37
Power Requirements .................................................. 37
To load batteries38
To replace the batteries41
Battery Precautions41
Using AC Power44
Turning the Camera On and Off46
Configuring Power Saving Settings48
Using the On-screen Menus ...................................... 49
Configuring Display Language and Clock Settings ... 52
To configure display language and clock settings53
3
INTRODUCTION
55BASIC IMAGE RECORDING
Recording an Image ................................................... 55
Specifying the Recording Mode55
Aiming the Camera56
Recording an Image (Snapshot Mode)57
Using the easy Mode61
Recording Precautions62
Using the Optical Viewfinder ...................................... 64
Using Zoom ................................................................ 65
Optical Zoom65
Digital Zoom67
Using the Flash .......................................................... 69
Flash Unit Status71
Changing the Flash Intensity Setting72
Using Flash Assist72
Using the Self-timer ................................................... 74
Adding Audio to a Snapshot111
Recording Your Voice113
Using the Histogram ................................................. 115
4
INTRODUCTION
REC Mode Camera Settings ................................... 118
Assigning Functions to the [왗] and [왘] Keys119
Turning the On-screen Grid On and Off120
Turning Image Review On and Off120
Specifying Power On Default Settings121
Specifying ISO Sensitivity123
Selecting the Metering Mode124
Using the Filter Function126
Specifying Outline Sharpness126
Specifying Color Saturation127
Specifying Contrast127
Resetting the Camera128
To protect a single file160
To protect all files in memory161
Using the FAVORITE Folder .................................... 161
To copy a file to the FAVORITE folder161
To display a file in the FAVORITE folder163
To delete a file from the FAVORITE folder164
To delete all files from the FAVORITE folder164
Memory Data ............................................................ 205
DCF Protocol205
Memory Folder Structure206
Image Files Supported by the Camera207
209 USING THE CAMERA WITH A COMPUTER
Using the Camera with a Windows Computer ......... 209
About the bundled CD-ROM209
Computer System Requirements211
Managing Images on a PC212
Retouching, Reorienting, and Printing a Snapshot215
Playing a Movie217
Viewing User Documentation (PDF Files)218
User Registration218
Exiting the Menu Application218
Using the Camera with a Macintosh Computer ....... 219
About the bundled CD-ROM219
Computer System Requirements220
Managing Images on a Macintosh221
Playing a Movie222
Viewing User Documentation (PDF Files)222
To register as a camera user223
224 APPENDIX
Menu Reference ....................................................... 224
• The contents of this manual are subject to change
without notice.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss resulting from
the use of this manual.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any loss or claims by third parties
which may arise due to the use or malfunction of the
EX-Z10.
• CASIO COMPUTER CO., LTD. shall not be held
liable for any damages or losses suffered by you or
any third party due to the use of Photo Loader and/or
Photohands.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss caused by
deletion of data as a result of malfunction, repairs, or
battery replacement. Be sure to back up all important
data on other media to protect against its loss.
• Note that the example screens and product
illustrations shown in this User’s Guide may differ
somewhat by the screens and configuration of the
actual camera.
• The SD logo is a registered trademark.
• Windows, Internet Explorer, Windows Media, and
DirectX are registered trademarks of Microsoft
Corporation.
• Macintosh and QuickTime are trademarks of Apple
Computer, Inc.
•
MultiMediaCard is a trademark of Infineon
Technologies AG of Germany, and licensed to the
MultiMediaCard Association (MMCA).
• Adobe and Reader are either registered trademarks
or trademarks of Adobe Systems Incorporated in the
United States and/or other countries.
• Other company, product and service names used
herein may also be trademarks or service marks of
others.
• Photo Loader and Photohands are the property of
CASIO COMPUTER CO., LTD. Except as stipulated
above, all copyrights and other related rights to these
applications revert to CASIO COMPUTER CO., LTD.
8
INTRODUCTION
■ LCD Panel
The LCD panel is a product of the latest LCD
manufacturing technology that provides a pixel yield of
99.99%. This means that less than 0.01% of the total pixels
are defective (they do not turn on or always remain turned
on).
■ Copyright Restrictions
Except for the purposes of your own personal enjoyment,
unauthorized copying of snapshot files, movie files, and
audio files violates copyright laws and international
contracts.
Distribution to third parties of such files over the Internet
without permission of the copyright holder, whether for
profit or for free, violates copyright laws and international
contracts.
Features
• REC mode or PLAY mode power up (page 46)
Press [] (REC) or [] (PLAY) to turn on the camera
and enter the mode you want to use.
• Mode dial (page 55)
A turn of the mode dial selects from among eight different
recording modes.
• 12X zoom (page 65)
3X optical zoom, 4X digital zoom
• Triple Self-timer (page 74)
The self-timer can be set up to repeat three times,
automatically.
• Quick Shutter (page 81)
When you press the shutter button all the way down
without pausing, the camera immediately records the
image without waiting for Auto Focus to be performed.
This helps to avoid missing a special moment while you
wait for the camera to Auto Focus.
• Auto Focus Area Selection (page 82)
When “ Multi” is selected for the Auto Focus area, the
camera takes simultaneous meter readings at nine
different points and automatically selects the best one.
9
INTRODUCTION
• Three exposure modes (pages 92, 94, 95)
Three exposure modes control aperture and shutter
speed: aperture priority AE (A Mode), shutter speed
priority AE (S Mode), and manual exposure (M Mode).
• BEST SHOT (page 98)
Simply select the sample scene that matches the type of
image you are trying to record and the camera performs
troublesome setups automatically for beautiful images
every time.
• Business Shot (page 105)
Business Shot automatically corrects rectangular shapes
when recording the image of a business card, document,
whiteboard, or similar subjects from an angle.
• easy mode (page 61)
This feature eliminates troublesome setups.
• Movie recording with audio (page 107)
VGA size, 30 fps, Motion JPEG AVI format
• MOTION PRINT (page 141)
Capture frames from a movie and create still images that
are suitable for printing.
• Audio Snapshot mode (page 111)
Use this mode to record snapshots that also include
audio.
• Voice Recording (page 113)
Quick and easy recording of voice input.
• Calendar screen (page 145)
A simple operation displays a full-month calendar on the
camera’s monitor screen. Each day of the full-month
calendar shows a thumbnail of the first file recorded for
that date, which helps to make searching for a particular
file quicker and easier.
• Slideshow (page 146)
A slideshow automatically plays back images in sequence
at a fixed interval.
• Connect the camera to a TV with the AV cable and
use the TV screen for image recording and viewing
(page 154)
• Selectable Sound Settings (page 165)
You can configure different sounds to play whenever you
turn on the camera, press the shutter button half-way or
all the way, or perform a key operation.
• World Time (page 170)
A simple operation sets the current time for your current
location. You can select from among 162 cities in 32 time
zones.
• Support for SD memory cards and MMC (MultiMedia
Cards) for memory expansion (page 175)
10
INTRODUCTION
• Digital Print Order Format (DPOF) (page 183)
Images can be printed easily in the sequence you want
using a DPOF compatible printer. DPOF can also be used
when specifying images and quantities for printing by
professional print services.
• PictBridge and USB DIRECT-PRINT support
(page 186)
Connect directly to a PictBridge or USB DIRECT-PRINT
compatible printer and you can print images without going
through a computer.
• PRINT Image Matching III Compatible (page 191)
Images include PRINT Image Matching
setting and other camera setup information). A printer that
supports PRINT Image Matching
adjusts the printed image accordingly, so your images
come out just the way you intended when you recorded
them.
• Transfer images to a computer simply by connecting
the camera with a USB cable (pages 193, 200)
• DCF Data Storage (page 205)
DCF (Design rule for Camera File system) data storage
protocol provides image compatibility between the digital
camera and printers.
III
data (mode
III
reads this data and
• Bundled with Photo Loader and Photohands
(pages 212, 215, 221)
Your camera comes bundled with Photo Loader, the
popular application that automatically loads images from
your camera to your PC. It also comes with Photohands,
and application that makes image retouching quick and
easy.
11
INTRODUCTION
Precautions
General Precautions
Be sure to observe the following important precautions
whenever using the EX-Z10. All references in this manual
to “camera” refer to the CASIO EX-Z10 Digital Camera.
■ Test for proper operation before using the
camera!
• Before using the camera to record important images,
make sure you first record a number of test images and
check the results to ensure that the camera is
configured correctly and operating properly (page 57).
■ Avoid Use While In Motion
• Never use the camera to record or play back images
while operating an automobile or other vehicle, or while
walking. Looking at the monitor while in motion creates
the risk of serious accident.
■ Directly Viewing the Sun or Bright Light
• Never look at the sun or any other bright light through
the camera’s viewfinder. Doing so can damage your
eyesight.
■ Flash
• Never use the flash unit in areas where flammable or
explosive gas may be present. Such conditions create
the risk of fire and explosion.
• Never fire the flash in the direction of a person
operating a motor vehicle. Doing so can interfere with
the driver’s vision and creates the risk of accident.
• Never fire the flash too close to the eyes of the subject.
Doing so creates the risk of loss of eyesight.
12
INTRODUCTION
■ Display Panel
• Do not apply strong pressure to the LCD panel surface
or subject it to strong impact. Doing so can cause the
display panel glass to crack.
• Should the display panel ever become cracked, never
touch any of the liquid inside the panel. Doing so
creates the risk of skin inflammation.
• Should display panel liquid ever get into your mouth,
immediately rinse your mouth out and contact your
physician.
• Should display panel liquid ever get into your eyes or
onto your skin, immediately rinse with clean water for at
least 15 minutes and contact your physician.
■ Connections
• Never plug any devices that are not specified for use
with this camera into connectors. Connecting a nonspecified device creates the risk of fire and electric
shock.
■ Transport
• Never operate the camera inside of an aircraft or
anywhere else where operation of such devices is
restricted. Improper use creates the risk of serious
accident.
■ Smoke, abnormal odor, overheating, and
other abnormalities
• Continued use of the camera while it is emitting smoke
or strange odor, or overheating creates the risk of fire
and electric shock. Immediately perform the following
steps whenever any of the above symptoms are
present.
1. Turn off the camera.
2. If you are using the AC adaptor to power the
camera, unplug it from the wall outlet. If you are
using battery power, remove the batteries from the
camera, taking care to protect yourself against burn
injury.
3. Contact your dealer or nearest CASIO authorized
service center.
13
INTRODUCTION
■ Water and Foreign Matter
• Water, other liquids, or foreign matter (especially metal)
getting inside the camera creates the risk of fire and
electric shock. Immediately perform the following steps
whenever any of the above symptoms are present.
Particular care is required when using the camera
where it is raining or snowing, near the ocean or other
body of water, or in a bathroom.
1. Turn off the camera.
2. If you are using the AC adaptor to power the
camera, unplug it from the wall outlet. If you are
using battery power, remove the batteries from the
camera.
3. Contact your dealer or nearest CASIO authorized
service center.
■ Dropping and Rough Treatment
• Continued use of the camera after it is damaged by
dropping or other rough treatment creates the risk of
fire and electric shock. Immediately perform the
following steps whenever any of the above symptoms
are present.
1. Turn off the camera.
2. If you are using the AC adaptor to power the
camera, unplug it from the wall outlet. If you are
using battery power, remove the batteries from the
camera.
3. Contact your dealer or nearest CASIO authorized
service center.
■ Keep Away From Fire
• Never expose the camera to fire, which can cause it to
explode and creates the risk of fire and electric shock.
14
INTRODUCTION
■ Disassembly and Modification
• Never try to take the camera apart or modify it in any
way. Doing so creates the risk of electric shock, burn
injury, and other personal injury. Be sure to leave all
internal inspection, maintenance, and repair up to your
dealer or nearest CASIO authorized service center.
■ Locations To Be Avoided
• Never leave the camera in any of the following types of
locations. Doing so creates the risk of fire and electric
shock.
— Areas subject to large amounts of humidity or dust
— Food preparation areas or other locations where oil
smoke is present
— Near heaters, on a heated carpet, in areas exposed
to direct sunlight, in a closed vehicle parked in the
sun, or other areas subject to very high
temperatures
• Never place the camera on an unstable surface, on a
high shelf, etc. Doing so can cause the camera to fall,
creating the risk of personal injury.
■ Backing Up Important Data
• Always keep backup copies of important data in
camera memory by transferring it to a computer or
other storage device. Note that data can be deleted in
the case of camera malfunction, repair, etc.
■ Memory Protection
• Whenever replacing batteries, be sure to follow the
correct procedure as described in the documentation
that comes with the camera. Incorrectly replacing
batteries can result in corruption or loss of data in
camera memory.
15
INTRODUCTION
■ Batteries
• Misuse of batteries can cause them to leak, which
damages and corrodes the area around the batteries
and creates the risk of fire and personal injury. Make
sure you observe the following precautions when using
batteries.
— Never try to take batteries apart and never allow
them to become shorted.
— Do not expose batteries to heat or fire.
— Never mix new batteries with old ones.
— Never mix batteries of different types.
— Do not charge non-rechargeable batteries.
— When loading batteries, make sure their positive (+)
and negative (–) ends are facing correctly.
— When using rechargeable batteries, be sure to read
the Safety Precautions section of the user
documentation that comes with them.
— Use only the batteries that are specified for this
camera.
— If you do not plan to use the camera for a long time,
remove its batteries.
■ Alkaline Batteries
• Should liquid from an alkaline battery ever get into your
eyes, take the following steps.
1. Immediately rinse your eyes with clean water. Do not
rub!
2. See a physician as soon as possible.
Failure to clean alkaline battery fluid from the eyes
creates the risk of loss of sight.
■ Rechargeable Batteries
• Should you ever notice any of the following conditions
while using, charging, or storing batteries, immediately
remove them from the camera, and keep them away
from open flame:
— Fluid leaking
— Emission of a strange odor
— Heat emission
— Battery discoloration
— Battery deformation
— Any other battery abnormality
16
INTRODUCTION
• Failure to observe any of the following precautions
while using batteries creates the risk of overheating,
fire, and explosion.
— Never use or leave batteries near open flame.
— Never place batteries in a microwave oven, throw
them into fire, or otherwise expose them to intense
heat.
— Make sure batteries are oriented correctly when you
load them into the camera.
— Never carry or store batteries together with items
that can conduct electricity (necklaces, pencil lead,
etc.).
— Never try to take batteries apart, modify them in any
way, or expose them to strong impact.
— Do not immerse batteries in fresh water or salt
water.
— Do not use or leave batteries under direct sunlight,
in an automobile parked in the sun, or in any other
area subject to high temperatures.
• Battery fluid can damage your eyes. Should battery
fluid get into your eyes accidentally, immediately rinse
them with clean tap water and then consult a physician.
• If batteries are to be used by young children, make
sure that a responsible adult makes them aware of the
precautions and proper handling instructions, and make
sure that they handle batteries correctly.
• Should fluid from batteries accidentally get onto
clothing or your skin, immediately rinse it off with clean
tap water. Prolonged contact with battery fluid can
cause skin irritation.
17
INTRODUCTION
■ AC Adaptor (Option)
• Misuse of the optional AC adaptor creates the risk of
fire and electric shock. Make sure you observe the
following precautions when using the AC adaptor.
— Use only the optional AC adaptor specified for this
camera.
— Use a 100 to 240V AC (50/60Hz) wall outlet as a
power source.
— Never plug the power cord into a wall outlet that is
shared by other devices, or into a shared extension
cord.
• Misuse of the AC adaptor can cause it to become
damaged, creating the risk of fire and electric shock.
Make sure you observe the following precautions when
using the AC adaptor.
— Never place heavy objects on the AC adaptor or
subject it to direct heat.
— Never try to modify the AC adaptor or subject it to
bending.
— Do not twist or pull on the power cord.
— Should the power cord or plug ever become
damaged, contact your dealer or nearest CASIO
authorized service center.
• Use the AC adaptor where it will not be splashed with
water. Water creates the risk of fire and electric shock.
• Do not place a vase or any other container filled with
liquid on top of the AC adaptor. Water creates the risk
of fire and electric shock.
• Never touch the AC adaptor while your hands are wet.
Doing so creates the risk of electric shock.
• Misuse of the optional AC adaptor creates the risk of
fire and electric shock. Make sure you observe the
following precautions when using the AC adaptor.
— Never locate the power cord near a stove or other
heating device.
— When unplugging from the wall outlet, grasp the
plug on the AC adaptor power cord. Never pull on
the power cord.
— Insert the plug into the wall outlet as far as it will go.
— Unplug the AC adaptor from the wall outlet before
leaving the camera unattended for long periods,
such as when leaving on a trip, etc.
— At least once a year, unplug the AC adaptor from
the wall outlet and clean off any dust built up around
the prongs.
18
INTRODUCTION
■ Battery Life
• The battery lives noted in the User’s Guide are
approximate values until power fails, based on use of
batteries of recommended brands at temperature 23°C
(73°F), and do not guarantee you will be able to
achieve operation for the life noted. Actual battery life is
greatly affected by the battery brand, battery production
date, and ambient temperature.
• Leaving the camera on can run down batteries and
cause the low battery warning to appear. Turn off the
camera whenever you are not using it.
• Sometimes, the camera may shutdown after the low
battery warning appears. If this happens, immediately
replace both of the batteries. Leaving low or dead
batteries in the camera can lead to battery leakage and
data corruption.
• Though you could use alkaline batteries when there are
no other types of batteries available, note that the life of
alkaline batteries will be very short. Use of
rechargeable nickel-metal hydride batteries or lithium
batteries is recommended.
Data Error Precautions
• Your digital camera is manufactured using precision
digital components. Any of the following creates the risk
of corruption of data in file memory.
— Removing the batteries or memory card from the
camera, or connecting the USB cable to the camera
while the camera is performing a record or memory
access operation
— Removing the batteries or memory card from the
camera, or connecting the USB cable to the camera
while the operation lamp is still flashing after you turn
off the camera
— Disconnecting the USB cable or disconnecting the AC
adaptor from the camera while a USB data
communication operation is being performed
— Low battery power
* Note that continued use of weak batteries can lead to
malfunction of the camera. Replace the batteries with
new ones as soon as possible after signs of low
power appear.
— Other abnormal operations
Any of the above conditions can cause an error message to
appear on the monitor screen (page 236). Follow the
instructions provided by the message to eliminate the
cause of the error.
19
INTRODUCTION
Operating conditions
• This camera is designed for use in temperatures ranging
from 0°C to 40°C (32°F to 104°F). When using the
alkaline batteries that come bundled with the camera,
certain conditions (the amount of time the batteries spent
in storage before being used, operating temperature,
recording conditions) can cause failure of the camera to
operate at temperatures below 5°C (41°F). Because of
this, use of rechargeable nickel metal hydride batteries is
recommended.
• Do not use or keep the camera in the following areas.
— In areas subject to direct sunlight
— In areas subject to high humidity or dust
— Near air conditioners, heaters, or other areas subject
to temperature extremes
— Inside of a closed vehicle, especially one parked in the
sun
— In areas subject to strong vibration
Condensation
• When you bring the camera indoors on a cold day or
otherwise expose it to a sudden change of temperature,
there is the possibility that condensation can form on the
exterior or on interior components. Condensation can
cause malfunction of the camera, so you should avoid
exposing it to conditions that might cause condensation.
• To keep condensation from forming, place the camera
into a plastic bag before moving it into a location that is
much warmer or colder than your current location. Leave
it in the plastic bag until the air inside the bag has a
chance to reach the same temperature as the new
location. If condensation does form, remove the batteries
from the camera and leave the battery cover open for a
few hours.
20
INTRODUCTION
Power Supply
• SANYO Electric Co., Ltd. brand type HR-3UA, HR-3UB,or
HR-3UF batteries are recommended when using
rechargeable nickel metal hydride batteries to power this
camera.
• This camera does not have separate batteries for the
clock. The date and time settings of the camera are
cleared whenever power is totally cut off (from both the
batteries and AC adaptor). Be sure to reconfigure these
settings after power is interrupted (page 168).
Lens
• Never apply too much force when cleaning the surface of
the lens. Doing so can scratch the lens surface and cause
malfunction.
• You may sometimes notice some distortion in certain
types of images, such as a slight bend in lines that should
be straight. This is due to the characteristics of lens, and
does not indicate malfunction of the camera.
Caring for your camera
• Fingerprints, dust, or any other soiling of the lens can
interfere with proper image recording. Never touch the
lens with your fingers. You can remove dust particles
from the lens surface by using a lens blower to blow them
off. Next, wipe the surface of the lens with a soft lens
cloth.
• Fingerprints, dirt, and other foreign matter on the flash
can interfere with proper operation of the camera. Avoid
touching the flash. If the flash becomes dirty, wipe it clean
with a soft, dry cloth.
• If the exterior of the camera needs cleaning, wipe it with a
soft, dry cloth.
Other
• The camera may become slightly warm during use. This
does not indicate malfunction.
21
QUICK START GUIDE
QUICK START GUIDE
Load the batteries into the camera
1.
Load the bundled AA-size batteries (LR6) into the camera (page 38).
• You can also use commercially available AA-size rechargeable nickel metal hydride batteries and AA-size lithium
batteries (FR6) to power the camera.
• SANYO Electric Co., Ltd. brand type HR-3UA, HR-3UB,or HR-3UF batteries are recommended when using
rechargeable nickel metal hydride batteries to power this camera.
• Be sure to specify the type of battery you are using to power the camera (page 40).
13
Stopper
2
22
QUICK START GUIDE
To configure display language and clock settings
• Be sure to configure the following settings
before using the camera to record images.
See page 52 for details.
1
2, 3, 4, 5, 6, 7, 8, 9
[왖]
[왗][왘]
[왔]
[SET]
1.
Press the power button to turn on the camera.
2.
Use [왖], [왔], [왗], and [왘] to select the language you
want.
3.
Press [SET] to register the language setting.
4.
Use [왖], [왔], [왗], and [왘] to select the geographical area
you want, and then press [SET].
5.
Use [왖] and [왔] to select the city you want, and then
press [SET].
6.
Use [왖] and [왔] to select the summer time (DST) setting
you want, and then press [SET].
7.
Use [왖] and [왔] to select the date format setting you
want, and then press [SET].
8.
Set the date and the time.
9.
Press [SET] to register the clock settings and exit the
setting screen.
23
QUICK START GUIDE
4
To record an image
See page 55 for details.
Snapshot mode icon
Focus frame
2
Green operation lamp
3
1
3
Before using a commercially available memory card, be
sure to first format it using the camera’s formatting
procedure. For details about formatting a memory card, see
page 178.
1.
Press [] (REC).
• This enters the REC (recording) mode.
2.
Align the mode dial with “” (Snapshot mode).
3.
Point the camera at the subject, use the monitor
screen or viewfinder to compose the image, and
then press the shutter button half way.
• When the camera finishes its Auto Focus operation, the
focus frame will turn green and the green operation lamp
lights.
4.
Holding the camera still, gently press the shutter
button all the way down.
24
QUICK START GUIDE
To view a recorded image
See page 129 for details.
1
2
1.
Press [] (PLAY).
• This enters the PLAY (playback) mode.
2.
Use [왗] and [왘] to scroll through the
images.
To delete an image
See page 157 for details.
1
2, 3, 4, 5
1.
Press [] (PLAY).
2.
Press [왔] ( ).
3.
Use [왗] and [왘] to display the image you want to
delete.
4.
Use [왖] and [왔] to select “Delete”.
• To exit the image delete operation without deleting anything,
select “Cancel”.
5.
Press [SET] to delete the image.
25
GETTING READY
GETTING READY
This section contains information about things you need to
know about and do before trying to use the camera.
About This Manual
This section contains information about the conventions
used in this manual.
■ Terminology
The following table defines the terminology used in this
manual.
This term as used in this
manual:
“camera”
“file memory”
“batteries”
“a REC mode”
Means this:
The CASIO EX-Z10 Digital
Camera
The location where the
camera is currently storing
images you record (page 57)
The AA-size alkaline batteries
The currently selected
recording mode (Snapshot,
BEST SHOT, easy, Aperture
Priority AE, Shutter Speed
Priority AE, Manual Exposure,
Voice Recording, movie)
This term as used in this
manual:
“digital noise”
Means this:
Tiny flecks or “snow” in a
recorded image or on the
monitor screen, which makes
the image look grainy.
■ Button Operations
Button operations are indicated by the button name inside
of brackets ([ ]).
■ On-screen Text
On-screen text is always enclosed by double quotation
marks (“ ”).
■ Supplementary Information
• IMPORTANT! indicates very important
information you need to know in order to use the camera
correctly.
• NOTE indicates information that is useful when
operating the camera.
26
GETTING READY
7
■ File Memory
The term “file memory” in this manual is a general term that
refers to the location where your camera is currently storing
the images you record. File memory can be any one of the
following three locations.
• The camera’s built-in memory
• An SD memory card loaded in the camera
• A MultiMediaCard loaded in the camera
For more information about how the camera stores images,
see page 206.
General Guide
The following illustrations show the names of each
component, button, and switch on the camera.
Camera
■ Front
1
1 Zoom controller
2 Shutter button
3 Power button
4 Flash
5 Finder
6 Microphone
7 Lens
8 Self-timer lamp
27
8
2
3
4
5
6
GETTING READY
■ Back
9
0
A
B
C
I
H
G
F
9 Finder
0 Operation lamp
A [] (PLAY mode) button
B [] (REC mode) button
C Mode dial
D Strap ring
E [DISP] button
F [왖][왔][왗][왘]
G [SET] button
H [MENU] button
I Monitor Screen
D
E
[왖]
[왗][왘]
[왔]
[SET]
28
■ Side
M
N
J
K
L
J [DC IN 3V]
(AC adaptor
connector)
K [USB/AV]
(USB/AV port)
L Terminal panel cover
M Memory card slot
N Memory card cover
Open Terminal Panel Cover/
Memory Card Cover
GETTING READY
OPSRQ
■ Bottom
O Battery compartment
P Battery cover
Q Stopper
R Tripod screw hole
* Use this hole when attaching to a tripod.
S Speaker
29
GETTING READY
Monitor Screen Contents
The monitor screen uses various indicators and icons to keep you informed of the camera’s status.
• Note that the example screens in this chapter are for illustrative purposes only. They do not exactly match the screen
contents actually produced on the camera.
REC Modes
■ Screen Indicators• appears momentarily
35
92467
81
F
E
D
C
1 Flash mode indicator
(page 69)
Auto
Flash Off
0
A
B
Flash On
Red-eye reduction
• appears momentarily
when you select Auto as the
flash mode, and then
disappears.
• If the camera detects that
flash is required while auto
flash is selected, the flash on
indicator will appear when the
shutter button is pressed half
way.
2 Focus mode indicator
(page 79)
Auto Focus
Macro
Pan Focus
Infinity
Manual Focus
when you select auto focus,
and then disappears.
3 White balance indicator
(page 89)
Auto
AWB
Daylight
Cloudy
Shade
Day White
Daylight
Tungsten
Manual
•
appears momentarily
AWB
when you select auto white
balance, and then
disappears.
4 Continuous Shutter
mode (page 97)
None Single shot
Continuous shutter
5 Self-timer (page 74)
None 1-Image
Self-timer 10 sec
10
s
Self-timer 2 sec
2
s
Triple self-timer
x3
6 REC modes (page 55)
Snapshot
BEST SHOT
easy
Aperture Priority AE
Shutter Speed Priority
AE
Manual Exposure
Movie
Voice Recording
30
GETTING READY
7 Metering mode indicator
(page 124)
Multi
Center Weighted
Spot
8 • Snapshots: Image size
(page 77)
9 • Snapshots: Memory capacity
(pages 59, 238)
• Movies: Remaining recording
time (page 109)
0 • Snapshots: Image quality
(page 78)
F : Fine
N : Normal
E : Economy
• Movies: Image quality
(page 108)
HQ: High Quality
NORMAL : Normal
LP: Long Play
A EV value (page 87)
B Date and time
(page 168)
C Battery capacity
(page 39)
D Histogram (page 115)
E Anti Shake indicator
(page 103)
F Focus frame
(page 58)
• Focusing complete: Green
• Focusing failed: Red
NOTE
• Changing the setting of any one of the following
functions will cause Icon Help text to appear on the
monitor screen.
Flash mode, Focus mode, White balance, Self-timer,
REC modes, EV shift
31
GETTING READY
G
■ Exposure Panel
The exposure panel is an area in the lower right corner of
the REC modes monitor screen that shows various
adjustable parameters. You can also use the exposure
panel to adjust exposure settings.
H
I
J
K
G Digital zoom indicator (page 67)
H ISO sensitivity (page 123)
I Aperture value (pages 33, 59, 92, 95)
J Shutter speed value (pages 33, 59, 94, 95)
K Zoom indicator (page 67)
• Left side indicates optical zoom.
• Right side indicates digital zoom.
NOTE
• An out of range aperture, shutter speed, or ISO
sensitivity setting causes the corresponding monitor
screen value to turn amber.
Exposure
Panel
• The following explains the items that appear on the
exposure panel. Note that the current REC mode
determines which items appear.
32
GETTING READY
1 Aperture value (pages 92, 95)
Use this item to adjust the aperture.
• The aperture value is displayed in the
exposure panel when the mode dial is
set to “A” (aperture priority AE) or “M”
(manual exposure).
2 Shutter speed (pages 94, 95)
Use this item to adjust the shutter
speed.
• The shutter speed is displayed in the
exposure panel when the mode dial is
set to “S” (shutter speed priority AE) or
“M” (manual exposure).
Aperture value
Shutter speed
3 EV shift (exposure compensation value)
(page 87)
Use this item to adjust the exposure
compensation (EV shift) value.
• The EV shift value appears in the
exposure panel when the mode dial is
set to “A” (aperture priority AE) or “S”
(shutter speed priority AE). The EV
shift value also appears when the
mode dial is set to any setting other
than “M” (manual exposure) when “EV
Shift” is assigned as the “L/R Key”
function (page 119).
4 Manual Focus (MF) setting (page 85)
Use this item for adjust focus
manually.
• The manual focus setting item is
displayed in the exposure panel
when manual focus is selected
(indicated by “” on the monitor
screen) using [왖] ( ).
33
EV shift
MF setting
GETTING READY
PLAY Mode
F
E
D C
1 PLAY mode file type
Snapshot
Movie
Audio Snapshot
Voice Recording
2 Image protection
indicator (page 160)
12 3
4
5
6
7
8
9
0AB
3 Folder name/File name
(page 159)
Example : When a file named
CIMG0023.JPG is stored in a folder
named 100CASIO
100-0023
Folder name File name
4 • Snapshots: Image quality
(page 78)
F : Fine
N : Normal
E : Economy
• Movies: Recording time (page 109)
5 • Snapshots: Image Size
(page 77)
• Movies: Image quality
(page 108)
HQ: High Quality
NORMAL : Normal
LP: Long Play
6 ISO sensitivity (page 123)
7 Aperture value
(pages 59, 92, 95)
8 Shutter speed value
(pages 59, 94, 95)
9 Date and time
(page 168)
0 Metering mode indicator
(page 124)
Multi
Center Weighted
Spot
34
A White balance indicator
(page 89)
Auto
AWB
Daylight
Cloudy
Shade
Day White
Daylight
Tungsten
Manual
B Flash mode indicator
(page 69)
Flash On
Flash Off
Red-eye reduction
C REC modes (page 55)
Snapshot ,easy
BEST SHOT
Aperture Priority AE
Shutter Speed Priority AE
Manual Exposure
D Battery capacity
(page 39)
E Histogram (page 115)
F EV value (page 87)
GETTING READY
IMPORTANT!
• Some information may not display properly if you
display an image that was recorded using a different
digital camera model.
Changing the Contents of the Monitor
Screen
Each press of [DISP] changes the contents of the monitor
screen as shown below.
■ REC Modes
Indicators onHistogram on
Monitor screen off
Indicators off
35
GETTING READY
■ PLAY Mode
Indicators onHistogram/Details on
Indicators off
IMPORTANT!
• Pressing [DISP] will not change monitor screen
contents during standby or recording of an audio
snapshot.
• You can use [DISP] to turn off the monitor screen
only when voice recording in a REC mode. You
cannot turn off the monitor screen for any other
recording function.
• Pressing [DISP] in the Voice Recording REC mode
toggles the monitor screen on (“indicators on”) and
off. While a Voice Recording file is displayed in the
PLAY mode, pressing [DISP] toggles between
“indicators on” and “indicators off”.
• When playing back the content of a Voice Recording
file while “indicators off” is selected (Voice Recording
file icon only on the monitor screen), the monitor
screen will go black about two seconds after you
press [SET] to start playback. The Voice Recording
file icon (indicators off) will reappear after playback is
complete.
36
GETTING READY
Attaching the Strap
Attach the strap to the strap ring as shown in the
illustration.
Strap ring
IMPORTANT!
• Be sure to keep the strap around your wrist when
using the camera to protect against accidentally
dropping it.
• The supplied strap is intended for use with this
camera only. Do not use it for any other purpose.
• Never swing the camera around by the strap.
Power Requirements
Your camera features a two-way power supply that lets you
use either AA-size batteries or household AC current. A set
of AA-size alkaline batteries is supplied with the camera.
The other items listed below are available separately.
■ Batteries
• Two AA-size alkaline batteries: LR6 (bundled)
• Two AA-size rechargeable nickel-metal hydride batteries
• Proper operation cannot be guaranteed if you use any
other type of battery other than that noted above.
• When being powered by AA-size alkaline batteries (LR6),
the camera may not operate at all at temperatures of 5°C
(41°F) or lower.
37
GETTING READY
SANYO Electric Co., Ltd. brand type HR-3UA, HR3UB,or HR-3UF batteries are recommended when using
rechargeable nickel metal hydride batteries to power
this camera. For charging, use only a charger
specifically recommended for HR-3UA , HR-3UB, or HR3UF batteries.
■ Household Current
• AC Adaptor: AD-C30
To load batteries
1.
Turn off the camera.
2.
Slide the stopper on the bottom of the camera
in the direction indicated by the arrow, and
then slide the battery cover in the direction
indicated by the arrow.
38
Stopper
GETTING READY
3.
Load batteries as
shown in the
illustration.
4.
While pressing down
at the point indicated
by the arrow in the
illustration, slide the
battery cover closed.
■ Low Battery Indicator
The following shows how the battery capacity indicator on
the monitor screen changes as battery power is used. The
indicator means that remaining battery power is low.
Note that you will not be able to record images while the
battery indicator is . Immediately replace the batteries
whenever either of these indicators appears.
Battery LevelHighLow
Indicator
• Note that how the battery level indicator changes from
one level to the next depends on the characteristics of the
particular battery being used.
IMPORTANT!
• Use only AA-size alkaline batteries (LR6), AA-size
lithium batteries (FR6), or AA-size rechargeable
nickel metal hydride batteries to power this camera.
• SANYO Electric Co., Ltd. brand type HR-3UA, HR3UB,or HR-3UF batteries are recommended when
using rechargeable nickel metal hydride batteries to
power this camera.
IMPORTANT!
• See page 241 for information about battery life.
39
GETTING READY
■ Tips to Make the Batteries Last Longer
• If you do not need the flash while recording, select
(flash off) for the flash mode (page 69).
• Enable the Auto Power Off and the Sleep features (page
48) to protect against wasting battery power when you
forget to turn off the camera.
• You can also conserve battery power by using [DISP] to
turn off the monitor screen.
■ Specifying the Battery Type
The camera optimizes operation for the type of battery you
are using, which helps to maximize battery life.
1.
Turn on the camera.
2.
Press [MENU].
• See “Using the On-screen Menus” (page 49) for
information about how to use menus.
3.
Use [왗] and [왘] to select the “Set Up” tab.
4.
Use [왖] and [왔] to select “Battery Type”, and
then press [왘].
5.
Use [왖] and [왔] to select the type of battery
you are using, and then press [SET].
When using this type of battery:
AA-size alkaline (LR6)
AA-size rechargeable nickel metal
hydride (HR-3UA, HR-3UB, or
HR-3UF SANYO Electric Co., Ltd.)
AA-size lithium (FR6)
Select this setting:
Alkaline
Nickel Metal
Hydride
Lithium
40
GETTING READY
IMPORTANT!
• Proper camera operation is not guaranteed when this
setting does not match the type of battery you are
using to power the camera. Specifying the wrong
type of battery can cause power to suddenly turn off
without retracting the lens, improper display of
remaining battery power, etc.
To replace the batteries
1.
Open the battery cover.
2.
Carefully tilt the
camera until the
batteries slide out.
• Take care to avoid
dropping the
batteries.
3.
Load a new set of batteries into the camera
(page 38).
Battery Precautions
■ Battery Handling Precautions
Misuse of batteries can cause them to leak or explode,
which damages and corrodes the area around the batteries
and creates the risk of fire and personal injury. Make sure
you observe the following precautions when using
batteries.
• When loading batteries, make sure their positive (+) and
negative (–) ends are facing correctly.
• Never mix new batteries with old ones.
• Never mix batteries of different brands.
• Use only the batteries that are specified for this camera.
• Never try to take batteries apart and always take care to
avoid conditions where their two ends can become
connected to each other (shorting). Never expose
batteries to heat or throw them into fire.
• Dead batteries are susceptible to leakage, which can
cause serious damage to your camera. Remove batteries
from the camera as soon as you notice they are dead.
• Remove batteries from the camera if you do not plan to
use it for more than two weeks.
• The batteries that power the camera normally become
warm as you use them.
41
GETTING READY
■ Alkaline Battery Life
The actual life of alkaline batteries is affected by a variety
of factors, including the battery manufacturer, the amount
of time the batteries spend in storage before you use them,
temperature while you are recording, and photographic
conditions. As a rule, we recommend the use of
rechargeable nickel-metal hydride batteries, which have
longer lives than alkaline batteries.
• When using alkaline batteries, intermittent use of the
camera can shorten the life of the batteries.
• When using alkaline batteries, use of the camera in cold
temperatures as described below can shorten the life of
the batteries.
Example1 : Approximately 70 shots when shooting at a
temperature of 0°C (32°F).
Matsushita Battery Industrial Co., Ltd. alkaline
batteries, monitor on, zoom operation
between full wide and full telephoto every 30
seconds, during which two images are
recorded with flash; power turned off and
back on every time 10 images are recorded.
Example2 : Approximately 70 shots when shooting at a
temperature of 0°C (32°F).
MX1500 DURACELL ULTRA alkaline
batteries, monitor on, zoom operation
between full wide and full telephoto every 30
seconds, during which two images are
recorded with flash; power turned off and
back on every time 10 images are recorded.
• Note that the above number of shots is approximate and
is provided for reference only. They in no way guarantee
that you will be able to achieve a certain level of
performance under the conditions described above. The
characteristics of the alkaline batteries being used and
certain recording conditions may cause the camera to fail
to operate at temperatures of 5°C (41°F) and lower.
• The PLAY mode requires less power than the REC mode.
If you experience a problem turning on the camera in a
REC mode, try switching to the PLAY mode.
42
GETTING READY
■ Using Rechargeable Batteries
SANYO Electric Co., Ltd. brand type HR-3UA, HR-3UB, or
HR-3UF batteries are recommended when using
rechargeable nickel metal hydride batteries to power this
camera.
IMPORTANT!
• Never mix two batteries of different brands, ages, or
charge levels. Doing so creates the risk of shortened
battery life and can even damage the camera.
• Batteries cannot be recharged while they are loaded
in the camera.
■ Refreshing Rechargeable Batteries
Batteries can start to lose their ability to retain a charge if
you do not use them for a long time or when you charge
them repeatedly without allowing their current charge to be
used up completely. If this happens, you may be able to
restore battery capacity by performing the following “battery
refresh” operation to fully discharge the batteries.
1. Load the chargeable batteries into the camera.
2. While holding down [MENU], press the power button.
This should cause the firmware version screen to flash
on the monitor screen.
3. Leave the camera on until the batteries run out of power
and the camera turns off.
• The battery refresh operation can take as long as 10
hours. The actual amount of time required depends on
battery conditions.
4. After the camera turns off, remove the batteries and
charge them.
43
GETTING READY
IMPORTANT!
• Performing the battery refresh operation reduces the
battery charge level to almost zero. Never load
refreshed batteries into the camera without charging
them first. Though you may be able to momentarily
turn on the camera while refreshed uncharged
batteries are loaded, power may suddenly fail,
leaving the lens extended, or some other misoperation may occur.
• You do not need to perform the above operation
each time you charge the batteries. Only use it if you
notice that you are getting less operation between
charges. Note that you may eventually reach the
point when even the above operation will not refresh
batteries. If this happens, it means that the
rechargeable batteries have reached the end of their
service life and that you will need to purchase new
rechargeable batteries.
• The above procedure and notes are all based upon
use of SANYO Electric Co., Ltd, type HR-3UA, HR3UB, or HR-3UF rechargeable nickel metal hydride
batteries.
Using AC Power
You need to purchase the optionally available AC adaptor
(AD-C30) in order to be able to power the camera using AC
power.
1.
Connect the AC power cord to the AC
adaptor.
2.
Open the camera’s terminal panel cover and
connect the AC adaptor to the port marked
[DC IN 3V].
44
GETTING READY
3.
Plug the AC power cord into an electrical
outlet.
AC adaptor
Terminal panel cover
AC power cord
Plug
[DC IN 3V]
■ Using AC Adaptor In Another Geographic
Area
• The AC adaptor can be used with any power source rated
from 100V to 240V AC. If you plan to use the AC adaptor
in another country, it is up to you to purchase the
applicable AC power cord that matches the configuration
of power receptacles in that country.
• Never use the AC adaptor with a voltage converter.
45
GETTING READY
■ AC Adaptor Precautions
• Be sure to turn off power before connecting or
disconnecting the AC adaptor.
• Always turn camera power off before disconnecting the
AC adaptor, even if the camera has batteries installed. If
you don’t, the camera will turn off automatically when you
disconnect the AC adaptor. You also run the risk of
damaging the camera whenever you disconnect the AC
adaptor without first turning power off.
• The AC adaptor may become warm to touch after
extended periods of use. This is normal and is not cause
for alarm.
• After using the camera, turn it off and unplug the AC
adaptor from the AC outlet.
• The camera automatically switches over to AC adaptor
powered operation whenever the AC adaptor is plugged
into the camera.
• Always use the AC adaptor to power the camera
whenever it is connected to a computer.
• Never place a blanket or any other cover on the AC
adaptor. Doing so creates the risk of fire.
Turning the Camera On and Off
■ To turn on the camera
Press the power button, [] (REC) or [] (PLAY). The
green operation lamp will light momentarily, and then
power will turn on. The mode the camera enters depends
on which button you pressed to turn it on.
To enter this mode at
startup:
REC
PLAY
Power buttonGreen operation lamp
Press this button to turn on the camera:
Power button or [] (REC)
] (PLAY)
[
[] (PLAY)
46
[] (REC)
GETTING READY
NOTE
• Pressing [] (REC) to turn on the camera enters
the REC mode, while pressing [] (PLAY) enters
the PLAY mode.
• Pressing [] (PLAY) while in a REC mode switches
to the PLAY mode. The lens retracts about 10
seconds after switching modes.
IMPORTANT!
• If camera power is turned off by the Auto Power Off
feature, press the power button, [] (REC) or []
(PLAY) to turn it back on again.
• Pressing the power button or [] (REC) to turn on
the camera also causes the lens to extend. Take
care to avoid any interference with the lens operation
or allowing anything to strike the lens when it is
extended.
■ To turn off the camera
Press the power button to turn off the camera.
NOTE
• You can setup the camera so it does not turn on
when you press [] (REC) or [] (PLAY), or to
turn off when you press [] (REC) or [] (PLAY).
For details, see “Configuring [] (REC) and []
(PLAY) Power On/Off Functions” on page 173.
47
GETTING READY
Configuring Power Saving Settings
You can configure the settings described below to
conserve battery power.
Sleep: Automatically turns off the monitor
Auto Power Off : Turns off power if you do not perform
1.
Turn on the camera.
2.
Press [MENU].
3.
Use [왗] and [왘] to select the “Set Up” tab.
4.
Use [왖] and [왔] to select the feature whose
setting you want to configure, and then press
[왘].
screen if no operation is performed for a
specified amount of time in a REC
mode. Performing any button operation
causes the monitor screen to turn back
on.
any operation for a specified amount of
time.
● See “Using the On-screen Menus” (page 49) for
information about how to use menus.
To configure this feature:Select this setting:
SleepSleep
Auto Power OffAuto Power Off
5.
Use [왖] and [왔] to change the currently
selected setting, and then press [SET].
• Available Sleep settings are: “30 sec”, “1 min”, “2 min”,
and “Off”.
• Available Auto Power Off settings are: “2 min” and
“5 min”.
• Note that the Sleep feature does not operate in the
PLAY mode.
• Pressing any button while the camera is in the Sleep
state immediately turns the monitor screen back on.
48
GETTING READY
• The Auto Power Off and Sleep features are disabled
in the following cases.
— When the camera is connected to a computer or
some other device
— While a slideshow is in progress
— While playing back a voice recording file
— While a movie is being recorded
— While playing back a movie
Using the On-screen Menus
Pressing [MENU] displays menus on the monitor screen
that you can use to perform various operations. The menu
that appears depends on whether you are in a REC mode
or the PLAY mode. The following shows an example menu
procedure in a REC mode.
1.
Press the power
Power button
button or [] (REC).
• If you want to enter the
PLAY mode instead,
press [] (PLAY).
[][]
49
GETTING READY
2.
Press [MENU].
[MENU]
[왗]
[왔]
[SET ]
[왖]
[왘]
Selection cursor (indicates
the currently selected item)
Tab
Settings
● Menu Screen Operations
When you want to do this:
Move between tabs
Move from the tab to the
settings
Move from the settings to
the tab
Move between the settings
Display the options
available for a setting
Select an option
Apply the setting and exit
the menu screen
Apply the setting and
return to tab selection
Exit the menu screen
Do this:
Press [왗] and [왘].
Press [왔].
Press [왖].
Press [왖] and [왔].
Press [왘] or press [SET].
Press [왖] and [왔].
Press [SET].
Press [왗].
Press [MENU].
50
GETTING READY
3.
Press [왗] or [왘] to select the tab you want,
and then press [SET] to move the selection
cursor from the tab to the settings.
4.
Use [왖] and [왔] to
select the feature
whose setting you
want to configure,
and then press [왘].
• Instead of pressing [왘],
you could also press
[SET].
5.
Use [왖] and [왔] to change the currently
Example: To select the
“Continuous”
item.
selected setting.
6.
Perform one of the following operations to
apply the setting you configured.
To do this:
Apply the setting and exit
the menu screen.
Apply the setting and
return to feature selection
in step 4.
Apply the setting and
return to tab selection in
step 3.
IMPORTANT!
• See “Menu Reference” on page 224 for more
information about menus.
• Entering the easy mode (page 61) changes display
contents to three menu items each, using larger size
characters. The easy mode also displays simple onscreen help.
Perform this key operation:
Press [SET].
Press [왗].
1. Press [왗].
2. Use [왖] to move back up to
tab selection.
51
GETTING READY
Configuring Display Language and Clock
Settings
Be sure to configure the following settings before using the
camera to record images.
• Display language
• Home city
• Date Style
• Date and time
Note that the current date and time settings are used by
the camera to generate the date and time that are stored
along with image data, etc.
IMPORTANT!
• Recording images without configuring the clock
settings causes incorrect time information to be
registered. Be sure to configure the clock settings
before using the camera.
• A built-in backup battery retains the date and time
settings of the camera for about 48 hours if the
camera is not supplied with power. Date and time
settings will be cleared when the backup battery
goes dead. The following are the conditions when
power is not being supplied to the camera.
— When the batteries are dead or removed from the
camera
— Disconnecting the AC adaptor while it is being
used to power the camera (without batteries
loaded)
• The date and time setting screen will appear on the
monitor screen the next time you turn on the camera
after the date and time settings have been cleared. If
this happens, reconfigure the date and time settings.
• If you make a mistake when setting the language or
clock with the following procedure, you will need to
use the camera’s menu to individually change the
language (page 171) or clock (page 168) settings.
• You will not be able to edit time data stored with
images that are recorded while the camera’s time
setting is wrong.
• Even if you configure date and time settings, the
date and time are not stamped into the images
themselves. Note, however, that you can specify
inclusion of the date inside of an image when printing
(page 190).
52
GETTING READY
To configure display language and clock
settings
1.
Press the power button, [] (REC) or
[] (PLAY) to turn on the camera.
2.
Use [왖], [왔], [왗], and
[왘] to select the
language you want,
and then press [SET].
: Japanese
English: English
Français : French
Deutsch : German
Español : Spanish
Italiano: Italian
Português : Portuguese
: Chinese (Complex)
: Chinese (Simplified)
: Korean
3.
Use [왖], [왔], [왗], and
[왘] to select the
geographical area
where you live, and
then press [SET].
4.
Use [왖] and [왔] to
select the name of the
city where you live,
and then press [SET].
5.
Use [왖] and [왔] to select the summer time
(DST) setting you want, and then press [SET].
When you want to do this:
Keep time using summer time
(Daylight Saving Time)
Keep time using standard time
Select this setting:
On
Off
53
GETTING READY
6.
Use [왖] and [왔] to
select the date format
setting you want, and
then press [SET].
7.
Set the current date
and the time.
Example: December 24, 2005
To display the date like this:
05/12/24
24/12/05
12/24/05
Select this format:
YY/MM/DD
DD/MM/YY
MM/DD/YY
54
To do this:
Change the setting at the current
cursor location
Move the cursor between settings
Toggle between 12-hour and 24hour timekeeping
8.
Press [SET] to register the settings and exit
Do this:
Press [왖] and [왔].
Press [왗] and [왘].
Press [DISP].
the setting screen.
BASIC IMAGE RECORDING
BASIC IMAGE RECORDING
This section describes the basic procedure for recording an
image.
Recording an Image
Specifying the Recording Mode
Your CASIO digital camera has eight recording modes,
each of which is described below. Before recording an
image, use the mode dial to select the recording mode that
suits the type of image you are trying to record.
Snapshot mode
BEST SHOT mode
easy mode
Aperture Priority AE mode
Shutter Speed Priority AE
mode
Manual Exposure mode
Mode dial
Voice Recording mode
Movie mode
• (Snapshot mode)
Use this mode to record still images. This is the mode you
should normally use for image recording.
• (BEST SHOT mode)
This mode makes camera setup as easy as selecting the
applicable sample scene. Select one of the BEST SHOT
scenes and the camera automatically configures itself
with the setup for that scene (page 98).
• (Aperture Priority AE mode)
In this mode, you select the aperture, and other settings
are adjusted accordingly (page 92).
• (Shutter Speed Priority AE mode)
In this mode, you select the shutter speed, and other
settings are adjusted accordingly (page 94).
• (Manual Exposure mode)
This mode gives you total control over aperture and
shutter speed settings (page 95).
• (Voice Recording mode)
Use this mode to record audio only (page 114).
• (Movie mode)
Use this mode to record movies (page 109).
55
BASIC IMAGE RECORDING
NOTE
• The icon of the currently
selected recording mode
(like for the Snapshot
mode) is displayed on the
monitor screen.
Snapshot mode icon
Aiming the Camera
Use both hands to hold the camera still when shooting an
image. Holding the camera with one hand increases the
chance of movement, which can blur your images.
• HorizontalHold the camera
still in both
hands, with your
arms firmly
against your
sides.
• VerticalWhen holding
the camera
vertically, make
sure that the
flash is above
the lens. Hold
the camera still
with both hands.
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BASIC IMAGE RECORDING
IMPORTANT!
• Make sure your fingers and the strap do not block
the flash, microphone, self-timer lamp or lens.
Self-timer lamp
Lens
NOTE
• Moving the camera as you press the shutter button
or while the Auto Focus operation is being performed
(when you press the shutter button half way) can
cause blurring of the image. Press the shutter button
carefully, taking care to avoid camera movement.
This is especially important when available lighting is
low, which slows down the shutter speed.
Flash
Microphone
Recording an Image (Snapshot Mode)
Your camera automatically adjusts shutter speed in
accordance with the brightness of the subject. Images you
record are stored in the camera’s built-in memory, or to a
memory card if you have one loaded in the camera.
• When an optionally available SD memory card or
MultiMediaCard (MMC) is loaded in the camera, images
are stored on the card (page 175).
After purchasing a memory card, be sure to load it into
the camera and format it before trying to use it (page
178).
57
BASIC IMAGE RECORDING
1.
Press the power button or [] (REC) to turn
on the camera.
Power button[]
• This causes an image or a message to appear on
the monitor screen, and then enters the currently
selected recording mode.
• If the camera is in the PLAY mode when it turns on,
the message “There are no files.” will appear if you
do not have any images stored in memory yet. In
addition, the icon will be visible at the top of the
display. If this happens, press [] (REC) to enter
the currently selected recording mode.
58
2.
Align the mode dial
Snapshot mode icon
with “” (Snapshot
mode) (page 55).
• The (Snapshot
mode) icon is displayed
on the monitor screen
while the Snapshot
mode is selected.
Focus frame
3.
Compose the image on the monitor screen so
the main subject is within the focus frame.
• The focusing range of the camera depends on focus
mode you are using (page 79).
• You can compose images using either the monitor
screen or the optical viewfinder (page 64).
• When using the optical viewfinder to compose
images, you can use [DISP] to turn off the monitor
screen and conserve battery power.
BASIC IMAGE RECORDING
4.
Press the shutter button half
way to focus the image.
• When you press the shutter
button half way, the camera’s
Auto Focus feature automatically
focuses the image, and displays
the shutter speed value, the
aperture value, and the ISO
sensitivity.
• You can tell whether
the image is focused
by observing the
focus frame and the
green operation
lamp.
Shutter button
Green operation lamp
● Green Operation Lamp and Focus Frame Operation
When you see this:
Green focus frame
Green operation lamp
Red focus frame
Flashing green operation lamp
It means this:
The image is in focus.
The image is not in focus.
• The monitor screen uses various indicators and
icons to keep you informed of the camera’s status.
Continuous
Shutter mode
White balance
Focus mode
Flash
mode
Self-timer
REC modes
Metering mode indicator
Memory capacity
(Snapshots)
Image quality
(Snapshots)
Image size
(Snapshots)
EV shift
Date and time
ISO sensitivity
Aperture value
Shutter speed value
1
*
2
*
59
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BASIC IMAGE RECORDING
*1 The size of the opening (aperture) that allows light
passing through the lens to reach the CCD. A larger
aperture value indicates a smaller opening for light to
pass through. The camera adjusts this setting
automatically.
*2 The amount of time the shutter remains open, allowing
light passing through the lens to reach the CCD. A
larger shutter speed value indicates that the shutter
remains open longer, which means more light reaches
the CCD. The camera adjusts this setting automatically.
5.
After making sure that the
image is focused properly,
press the shutter button the
rest of the way down to
record.
• The number of images you can
record depends on the image
size and the image quality setting
you are using
(pages 77, 78, 238).
Shutter button
IMPORTANT!
• When the “REC” tab’s “Quick Shutter” setting is
turned on (page 81), the camera immediately records
the image without waiting for Auto Focus to be
performed when you press the shutter release all the
way down without pausing. This helps to ensure that
you are able to capture exactly the moment you
want.
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BASIC IMAGE RECORDING
Using the easy Mode
The easy mode eliminates troublesome setups. This mode
is recommended for those who are new to digital imaging.
1.
In a REC mode, align the mode dial with “ ”
(page 55).
• This enters the easy mode and causes “” to
appear on the monitor screen.
2.
Compose the image on the monitor screen so
the subject is within the focus frame.
3.
Press the shutter button half way to focus the
image.
• The focus frame will turn green and green operation
lamp will light when focusing is complete.
4.
After making sure that the image is focused
properly, press the shutter button the rest of
the way down to record.
■ Using the easy Mode Menu
In the easy mode, menu display is limited to flash, selftimer, and image size settings. All other settings are fixed
automatically at preset optimum values.
1.
Press [MENU].
• The easy menu
displays larger text than
other mode menus.
2.
Use [왖] and [왔] to select the menu item you
want, and then press [SET].
• On-screen pop-up help text provides a brief
explanation of each setting.
3.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
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BASIC IMAGE RECORDING
Menu Item:
Flash
Self-timer
Image Size
• Underlined settings indicate initial defaults.
4.
After making the menu settings you want,
Available Settings:
(Auto Flash) / (Flash On) /
(Flash Off)
(10-second self-timer) / Off
5M / 3M / VGA
select “Exit Menu” and then press [SET].
• See the following sections for full details about each
setting.
— Using the Flash (page 69)
— Using the Self-timer (page 74)
— Specifying Image Size (page 77)
Recording Precautions
■ Recording Precautions
• Never open the battery cover while the green operation
lamp is flashing. Doing so not only causes the current
image to be lost, it can also corrupt images already stored
in file memory and even lead to malfunction of the
camera.
• Never remove the memory card while an image is being
recorded to the memory card.
• Fluorescent lighting actually flickers at a frequency that
cannot be detected by the human eye. When using the
camera indoors under such lighting, you may experience
some brightness or color problems with recorded images.
• When “Auto” is selected for the ISO sensitivity setting
(page 123), the camera automatically adjusts its
sensitivity in accordance with the brightness of the
subject. This can cause some digital noise (graininess) to
appear in images of relatively dark subjects.
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BASIC IMAGE RECORDING
• When recording a dimly lit subject while “Auto” is selected
for the ISO sensitivity setting (page 123), the camera
increases sensitivity and uses a faster shutter speed.
Because of this, you need to guard against camera
movement if you have flash turned off (page 69).
• Bright light shining on the lens can cause images to
appear “washed out”. This tends to happen when
recording images outdoors in bright sunlight. To protect
against this, use your free hand to shade the lens from
the light.
■ About Auto Focus
• Proper focus may be difficult or even impossible when
shooting the following types of subjects.
— Solid color walls or subjects with little contrast
— Strongly backlit subjects
— Very shiny objects
— Venetian blinds or other horizontally repeating patterns
— Multiple subjects that are varying distances from the
camera
— Subjects in poorly lit areas
— Moving subjects
— Subjects outside the shooting range of the camera
• Proper focus may also be difficult or impossible if the
camera is moving.
• Note that a green operation lamp and focus frame do not
necessarily guarantee that the resulting image will be in
focus.
• If Auto Focus does not produce the results you want for
some reason, try using focus lock (page 86) or manual
focus (page 85).
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BASIC IMAGE RECORDING
■ About the REC Mode Monitor Screen
• The image shown on the monitor screen in a REC mode
is a simplified image for composing purposes. The actual
image is recorded in accordance with the image quality
setting currently selected on your camera. The image
saved in file memory has much better resolution and
detail than the REC mode monitor screen image.
• Certain levels of subject brightness can cause the
response of the REC mode monitor screen to slow down,
which causes some digital noise (graininess) in the
monitor screen image.
• Very bright light inside of an image can cause a vertical
band to appear in the monitor screen image. This is a
CCD phenomenon known as “vertical smear”, and does
not indicate malfunction of the camera. Note that vertical
smear is not recorded with the image in the case of a
snapshot, but it is recorded in the case of a movie (page
107).
Using the Optical Viewfinder
You can conserve battery power by turning off the
camera’s monitor screen (page 35) and using the optical
viewfinder to compose images. The optical viewfinder also
comes in handy when shooting in areas where the monitor
screen is difficult to view because available lighting is dim,
etc.
IMPORTANT!
• The visible area framed by the viewfinder shows the
image that would be recorded at a distance of about
one meter (3.3˝). When recording a subject that is
closer to you than one meter, the recorded image will
be lower than what you can see inside the viewfinder
area.
Optical viewfinder
Area recorded at
distances less than
one meter (3.3˝)
Area visible in
the viewfinder
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BASIC IMAGE RECORDING
• Since the monitor screen shows exactly what will be
recorded, always use it for composing images in the
Macro and Manual Focus modes.
Using Zoom
Your camera is equipped with two types of zoom: optical
zoom and digital zoom. Normally, the camera automatically
switches over to digital zoom after you reach the maximum
limit for optical zoom. You can, however, configure the
camera to disable digital zoom, if you want.
Optical Zoom
The optical zoom range is 1X to 3X.
1.
In a REC mode, move
Zoom controller
the zoom controller left
or right to zoom.
• Moving the zoom
controller as far as it
goes in either direction
will zoom at high speed.
Move the zoom
To do this:
Zoom out for a wider view
(main subject becomes smaller)
Zoom in for a closer view (main
subject becomes larger)
controller in this
direction:
(Wide Angle)
(Telephoto)
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BASIC IMAGE RECORDING
Zoom outZoom in
2.
Compose the image, and then press the
shutter button.
NOTE
• The optical zoom factor also affects the lens
aperture.
• Use of a tripod is recommended to protect against
hand movement when using the telephoto setting
(zoom in).
• Whenever you perform an optical zoom operation
while recording with the Auto Focus mode, Macro
mode, or manual focus, a value will appear on the
monitor screen to tell you the focusing range (pages
80, 83, 85).
• Optical zoom is disabled during movie recording.
Digital zoom only is available. Make sure you select
the optical zoom setting you want to use before you
press the shutter button to start movie recording
(page 107).
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BASIC IMAGE RECORDING
Digital Zoom
Digital zoom digitally enlarges the part of the image at the
center of the image screen. The range of digital zoom is 3X
to 12X (in combination with optical zoom).
IMPORTANT!
• When you perform a digital zoom operation, the
camera manipulates the image data to enlarge the
center of the image. Unlike optical zoom, an image
enlarged with digital zoom appears coarser than the
original.
■ To record an image using digital zoom
1.
In a REC mode, hold
the zoom controller
towards
(telephoto) side.
• This causes the zoom
indicator to appear on
the display.
2.
When the zoom pointer reaches the optical/
digital zoom switch over point, it will stop.
Optical Zoom range
1X3X12X
Optical/digital zoom switch over point
• The above shows what the zoom indicator looks like
when digital zoom is turned on (page 68). The digital
zoom range is not displayed when digital zoom is
turned off.
Zoom range
Zoom pointer
67
Digital zoom indicator
Zoom indicator
Digital
BASIC IMAGE RECORDING
3.
Release the zoom controller momentarily, and
then slide it towards (telephoto) side again
to move the zoom pointer into the digital
zoom range.
• The zoom pointer will also stop when you move the
pointer back to the switch over point to re-enter the
optical zoom range. Release the zoom controller and
then slide it towards (wide angle) side again to
move into the optical zoom range.
4.
Compose the image, and then press the
shutter button.
■ To turn digital zoom on and off
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “REC” tab.
3.
Use [왖] and [왔] to select “Digital Zoom”, and
then press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
To do this:
Turn on digital zoom
Turn off digital zoom
• Only the optical zoom range is displayed in the zoom
indicator when digital zoom is turned off.
Select this setting:
On
Off
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BASIC IMAGE RECORDING
Using the Flash
Perform the following steps to select the flash mode you
want to use.
• The approximate effective range of the flash is shown
below.
Wide Angle Optical Zoom:
Approximately 0.4 to 3.1 meters
(1.3´ to 10.2´) (ISO Sensitivity: Auto)
Telephoto Optical Zoom:
Approximately 0.4 to 1.8 meters
(1.3´ to 5.9´) (ISO Sensitivity: Auto)
* Depends on zoom factor.
1.
In a REC mode, press [왔] ( ).
• Each press of [왔] ( ) cycles through the flash
mode settings described below on the monitor
screen.
Flash mode indicator
[
왔
] ( )
69
To do this:
Have the flash fire automatically when
required (Auto Flash)*
Turn off the flash (Flash Off)
Always fire the flash (Flash On)
Fire a pre-flash followed by image
recording with flash, reducing the
chance of red-eye in the image (Redeye reduction)
In this case, the flash fires automatically
when required
Select this setting:
* appears momentarily when you select Auto as
the flash mode, and then disappears.
2.
Press the shutter button to record the image.
BASIC IMAGE RECORDING
IMPORTANT!
• The flash unit of this camera fires a number of times
when you record an image. The initial flashes are
pre-flashes, which the camera uses to obtain
information that it uses for exposure settings. The
final flash is for recording. Make sure that you keep
the camera still until the shutter releases.
• Using the flash while “Auto” is selected for the ISO
Sensitivity setting increases sensitivity, which can
cause large amounts of digital noise to appear in the
image. You can reduce digital noise by using a lower
ISO Sensitivity setting. Note, however, that this also
has the effect of shortening the flash range (the
range that is covered by the light from the flash)
(page 123).
■ Flash On
Select (Flash On) as the flash mode when backlighting
causes your subject to appear dark, even though there is
enough light to keep the flash from firing automatically.
This will cause the flash to fire and illuminate your subject
whenever you press the shutter button (daylight synchro
flash).
■ About Red-eye Reduction
Using the flash to record at night or in a dimly lit room can
cause red spots inside the eyes of people who are in the
image. This happens because the light from the flash
reflects off of the retina of the eye.
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BASIC IMAGE RECORDING
IMPORTANT!
Note the following important points when using redeye reduction.
• Red-eye reduction does not work unless the people
in the image are looking directly at the camera during
the pre-flash. Before pressing the shutter button, call
out to the subjects so they all look at the camera
while the pre-flash operation is performed.
• Red-eye reduction may not work very well if the
subjects are located far away from the camera.
Flash Unit Status
You can find out the current flash unit status by pressing
the shutter button half way and checking the monitor
screen and red operation lamp.
Red operation lamp
The indicator is also shown
on the monitor screen when the
flash unit is ready to fire.
*
* Red operation lamp
When the red operation
lamp is this:
Flashing
Lit
It means this:
Flash unit is charging
Flash unit is ready to fire
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BASIC IMAGE RECORDING
Changing the Flash Intensity Setting
Perform the following steps to change the flash intensity
setting.
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “Quality” tab.
3.
Use [왖] and [왔] to select “Flash Intensity”,
and then press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
To make flash intensity:
Stronger
Normal
Weaker
IMPORTANT!
• Flash intensity may not change if the subject is too
far or too close to the camera.
Select this setting:
+2
+1
0
–1
–2
Using Flash Assist
Recording a subject that is outside the flash range can
cause the subject to appear dark in the resulting image,
because not enough of the flash reaches the subject. When
this happens, you can use flash assist to correct the
brightness of the recorded subject, so it appears as if the
flash illumination was sufficient.
Flash assist usedFlash assist not used
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “Quality” tab.
3.
Use [왖] and [왔] to select “Flash Assist”, and
then press [왘].
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BASIC IMAGE RECORDING
4.
Use [왖] and [왔] to select “Auto”, and then
press [SET].
• Selecting “Off” disables flash assist.
IMPORTANT!
• Flash assist may not produce the desired result for
some types of subjects.
• Flash assist may have little effect on your image if
you changed any of the following settings when you
recorded it.
— Flash intensity (page 72)
— Exposure compensation (EV shift) (page 87)
— ISO sensitivity (page 123)
— Contrast (page 127)
• Using flash assist can cause an increase of digital
noise in recorded images.
■ Flash Precautions
• Take care that your fingers
do not block the flash when
you hold the camera.
Covering the flash with your
finger can greatly reduce its
effectiveness.
• You may not be able to achieve the desired results using
the flash if the subject is too close or too far away.
• The flash takes anywhere from a few seconds to as long
as 10 seconds to attain full charge after being fired. The
actual time required depends on the battery level,
temperature, and other conditions.
• The flash does not fire during movie recording.
• The flash unit may not be able to charge when camera
battery power is low. If this happens, the flash will not fire
properly and you will not be able to obtain the desired
exposure. Be sure to replace the camera’s batteries as
soon as possible when power goes low.
Flash
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BASIC IMAGE RECORDING
• When the flash is turned off (), mount the camera on a
tripod to record images in an area where available lighting
is dim. Recording images under dim lighting without the
flash can cause digital noise, which makes images
appear coarse.
• When red-eye reduction () is selected, flash intensity
is adjusted automatically in accordance with the
exposure. The flash may not fire at all when the subject is
brightly lit.
• Using flash in combination with another light source
(daylight, fluorescent light, etc.) can result in abnormal
image colors.
Using the Self-timer
The self-timer lets you select either a 2-second or 10second delay of the shutter release after you press the
shutter button. A Triple Self-timer feature lets you perform
three consecutive self-timer operations to record three
images.
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “REC” tab.
3.
Use [왖] and [왔] to select “Self-timer”, and
then press [왘].
4.
Use [왖] and [왔] to select the self-timer type
you want to use, and then press [SET].
• Selecting “Off” in step 4 disables the self-timer.
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BASIC IMAGE RECORDING
To do this:
Specify a 10-second self-timer
Specify a 2-second self-timer
Specify Triple Self-timer
Disable the self-timer
• This causes an
indicator identifying the
selected self-timer type
to appear on the
monitor screen.
• With the Triple Self-timer,
the camera records a
series of three images in
the sequence described
below.
Select this setting:
10 sec
10
s
2 sec
2
s
X3
x3
Off
1. The camera performs a 10-second countdown
and then records the first image.
2. The camera prepares to record the next image.
The amount of time required for preparation
depends on the camera’s current “Size” and
“Quality” settings, the type of memory (built-in or
card) you are using for image storage, and
whether or not the flash is charging.
3. After preparation is complete, the indicator “1sec”
appears on the monitor screen, and another
image is recorded one second later.
4. Steps 2 and 3 are repeated once more to record
the third image.
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BASIC IMAGE RECORDING
5.
Press the shutter
Self-timer lamp
button to record the
image.
• When you press the
shutter button, the selftimer lamp flashes and
the shutter releases
after the self-timer
reaches the end of its
countdown (about 10
seconds or two
seconds).
• You can interrupt an ongoing self-timer countdown
by pressing the shutter button while the self-timer
lamp is flashing.
NOTE
• The “2 sec” self-timer setting is best when shooting
with a slow shutter speed, because it helps to avoid
blurring of images due to hand movement.
• The following functions are not available for use in
combination with the Triple Self-timer.
Business Shot, movie recording functions
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BASIC IMAGE RECORDING
Specifying Image Size
“Image size” is the size of the image, expressed as the
number of vertical and horizontal pixels. A “pixel” is one of
the many tiny dots that make up the image. More pixels
provide finer detail when an image is printed, but a higher
pixel count also causes the image’s file size to be larger.
You can select an image size to suit your needs for greater
detail or smaller file size.
• Note that this setting is valid for snapshots only. For
information about movie image size, see page 108.
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “Quality” tab.
3.
Use [왖] and [왔] to select “Size”, and then
press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
• When selecting the image size, the image size value
(pixels) will alternate on the display with a
corresponding print size. The print size indicates the
optimum paper size when you print an image that is
the image size you select.
Image Size
2560 × 1920
5M*
2560 × 1712
5M
(3:2)
(3:2)
2304 × 1728
4M
2048 × 1536
3M
1600 × 1200
2M
640 × 480
VGA
* “M” stands for “Mega.”
Print Size
A3 Print
A3 Print (3:2 horizontal-tovertical ratio)
A4 Print
A4 Print
3.5˝ × 5˝ Print
E-mail (optimum size when
attaching image to e-mail)
• The above print sizes are all approximate values when
printing at a resolution of 200 dpi (dots per inch). Use a
larger setting when you want to print at a higher
resolution or when you plan to produce a larger size print.
• In order to obtain the level of resolution for which your
camera is designed, recording at a maximum image size
(5M) is recommended. Use a smaller image size when
you want to conserve memory capacity.
• Selecting the “2560 × 1712 (3:2)” image size records
images with a 3:2 (horizontal:vertical) aspect ratio, which
is optimal for printing on photographic paper with an
aspect ratio of 3:2.
77
Larger
Smaller
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BASIC IMAGE RECORDING
Specifying Image Quality
Compressing an image before storage can cause a
deterioration of its quality. The more an image is
compressed, the greater the loss of quality. The image
quality setting specifies the compression ratio to be used
when an image is stored in memory. You can select an
image quality setting to suit your needs for higher quality or
smaller file size.
• Note that this setting is valid for snapshots only. For
information about movie image quality, see page 108.
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “Quality” tab.
3.
Use [왖] and [왔] to select “ Quality”, and
then press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
78
To get this:
High image quality, large file
size
Normal image quality and
normal file size
Low image quality, small file
size
IMPORTANT!
• Actual file size depends on the type of image you
record. This means that the remaining image
capacity noted on the monitor screen may not be
exactly accurate (pages 31, 238).
Select this setting:
Fine
Normal
Economy
Higher
Quality
Lower
Quality
OTHER RECORDING FUNCTIONS
OTHER RECORDING FUNCTIONS
Selecting the Focus Mode
You can select one of five different focus modes: Auto
Focus, Macro, Pan Focus, Infinity, and Manual Focus.
1.
In a REC mode, press [왖]
( ).
• Each press of [왖] ( )
cycles thorough the focus
mode settings in the
sequence shown below.
Focus mode indicator
[왖] ( )
79
To set up the camera to do this:
Focus automatically (Auto Focus)
Perform close-up focus (Macro)
Fix the focal distance (Pan Focus)
Perform infinity focus (Infinity)
Focus manually (Manual Focus)
Select this setting:
OTHER RECORDING FUNCTIONS
Using Auto Focus
As its name suggests, Auto Focus focuses the image
automatically. The automatic focus operation starts when
you press the shutter button down half way. The following
is the Auto Focus range.
Range: 40cm to ∞ (1.3´ to ∞)
• Using optical zoom causes the above range to change.
1.
Press [왖] ( ) to cycle through the focus
mode settings until “” is shown as the
focus mode indicator.
•“ ” appears momentarily when you select auto
focus, and then disappears.
2.
Compose the image so the main subject is
within the focus frame, and then press the
shutter button half way.
• You can tell whether the image is focused by
observing the focus frame and the green operation
lamp.
80
Green operation lamp
Focus frame
When you see this:
Green focus frame
Green operation lamp
Red focus frame
Flashing green operation lamp
3.
Press the shutter button the rest of the way to
It means this:
The image is focused.
The image is not
focused.
record the image.
OTHER RECORDING FUNCTIONS
NOTE
• When proper focusing is not possible because the
subject is closer than the Auto Focus range, the
camera automatically switches to the Macro mode
range (page 83).
• Whenever you perform an optical zoom operation
(page 65) while recording with Auto Focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
Example: AF 앪앪cm - ∞
* 앪앪 will be replaced by the actual focusing range value.
■ Quick Shutter
When Quick Shutter is turned on, the camera immediately
records the image without waiting for Auto Focus to be
performed when you press the shutter release all the way
down. This helps to avoid missing a special moment while
you wait for the camera to Auto Focus.
1.
In a REC mode, press [MENU].
2.
Select the “REC” tab, select “Quick Shutter”,
and then press [왘].
3.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
To do this:
Turn on Quick Shutter
Turn off Quick Shutter
Select this setting:
On
Off
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OTHER RECORDING FUNCTIONS
■ Specifying the Auto Focus Area
You can use the following procedure to change the Auto
Focus area used in the Auto Focus mode and the Macro
mode. Note that the configuration of the focus frame
changes in accordance with the Auto Focus area you
select.
1.
In a REC mode, press [MENU].
2.
On the “REC” tab, select “AF Area”, and then
press [왘].
3.
Use [왖] and [왔] to select the Auto Focus area
you want, and then press [SET].
For this type of Auto Focus area:
Very limited range in the center of the
screen
• This setting works well with focus lock
(page 86).
Automatic selection of the focus area where
the subject closest to the camera is located
• With this setting, a wide focus frame,
which contains nine focus points, appears
on the monitor screen first. When you
press the shutter button half way, the
camera automatically selects the focus
point where the subject closest to the
camera is located, and a focus frame
appears at that point.
• This setting works well for group photos.
• Spot• Multi
82
Select this:
Spot
Multi
Focus frameFocus frame
OTHER RECORDING FUNCTIONS
Using the Macro Mode
Use the Macro mode when you need to focus on close up
subjects. The following shows the approximate focus range
in the Macro mode.
Range: 6cm to 50cm (2.4˝ to 19.7˝)
• Using optical zoom causes the above range to change.
1.
Press [왖] ( ) to cycle through the focus
mode settings until “” is shown as the
focus mode indicator.
2.
Press the shutter button to record the image.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
NOTE
• When the Macro mode cannot focus properly
because the subject is too far away, the camera
automatically switches to the Auto Focus range
(page 80).
• Whenever you perform an optical zoom operation
(page 65) while recording with the Macro mode, a
value will appear on the monitor screen as shown
below to tell you the focusing range.
Example: 앪앪cm - 앪앪cm
* 앪앪 will be replaced by the actual focusing range value.
IMPORTANT!
• Use of the flash along with the Macro mode can
cause the light of the flash to become blocked, which
can produce unwanted lens shadows in your image.
83
OTHER RECORDING FUNCTIONS
Using Pan Focus
Pan Focus comes in handy when recording under
conditions where Auto Focus is difficult for some reason, or
in cases where Auto Focus operation noise is too
noticeable in the movie audio.
1.
Press [왖] ( ) to cycle through the focus
mode settings until “” is shown as the
focus mode indicator.
2.
Press the shutter button to record the image.
NOTE
• If you press the shutter button half way, the focus
distance will appear on the monitor screen.
Example: 앪앪m - 앪앪m
* 앪앪 will be replaced by the actual focusing range value.
Using the Infinity Mode
The Infinity mode fixes focus at infinity (∞). Use this mode
when recording scenery and other faraway images.
1.
Press [왖] ( ) to cycle through the focus
mode settings until “” is shown as the
focus mode indicator.
2.
Press the shutter button to record the image.
84
OTHER RECORDING FUNCTIONS
Using Manual Focus
With the Manual Focus mode, you can adjust the focus of
an image manually. The following shows focus range in the
Manual Focus mode.
2.
While watching the
image on the monitor
screen, use [왗] and
[왘] to focus.
Optical Zoom Factor
1X
3X
• Using optical zoom causes the above range to change.
1.
Press [왖] ( ) to
Approximate Focus Range
6cm (2.4˝) to infinity (∞)
40cm (15.7˝) to infinity (∞)
cycle through the
focus mode settings
until “” is shown
as the focus mode
indicator.
• At this point, a
boundary also appears
on the display,
indicating the part of the
image that will be used
for manual focus.
Boundary
85
Manual focus position
To do this:
Focus in on the subject
Focus out on the subject
• Pressing [왗] or [왘] causes the area inside of the
boundary displayed in step 1 to fill the monitor
screen momentarily to aid in focus. The normal
image will reappear a short while later.
3.
Press the shutter button to record the image.
Do this:
Press [왗].
Press [왘].
OTHER RECORDING FUNCTIONS
NOTE
• Whenever you perform an optical zoom operation
(page 65) while recording with manual focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
Example: MF 앪앪cm - ∞
* 앪앪 will be replaced by the actual focusing range value.
Using Focus Lock
Focus lock is a technique you can use to focus on a subject
that is not located within the focus frame when you record
an image. You can use focus lock in the Auto Focus mode
and the Macro mode ().
1.
Using the monitor
Main subject
screen, compose the
image so the main
subject is within the
focus frame, and then
press the shutter
button half way.
• This locks the focus on
the subject that is
currently within the
focus frame.
Focus frame
86
OTHER RECORDING FUNCTIONS
2.
Keeping the shutter
button pressed half
way down, recompose the image
as you like.
Main subject
3.
When the image is composed the way you
want, press the shutter button the rest of the
way to record it.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
NOTE
• Locking the focus also locks the exposure.
Exposure Compensation (EV Shift)
Exposure compensation lets you change the exposure
setting (EV value) manually to adjust for the lighting of your
subject. This feature helps to achieve better results when
recording a backlit subject, a strongly lit subject indoors, or
a subject that is against a dark background.
EV Shift Range: –2.0EV to +2.0EV
Steps: 1/3EV
1.
In a REC mode, press [MENU].
2.
Select the “Quality”
tab, select “EV Shift”,
and then press [왘].
Exposure compensation
value
87
OTHER RECORDING FUNCTIONS
3.
Use [왖] and [왔] to change the exposure
compensation value, and then press [SET].
• Pressing [SET] registers the displayed value.
[왖] : Increases the EV value. A higher EV value is best
used for light-colored subjects and backlight
subjects.
[왔] : Decreases the EV value. A lower EV value is best
for dark-color subjects and for shooting outdoors
on a clear day.
• To cancel EV Shift, adjust the value until it becomes
0.0.
4.
Press the shutter button to record the image.
IMPORTANT!
• When shooting under very dark or very bright
conditions, you may not be able to obtain satisfactory
results even after performing exposure
compensation.
NOTE
• Performing an EV shift operation while using multipattern metering (page 124) will cause the metering
mode to switch automatically to center weighted
metering. Returning the EV shift value to 0.0 causes
the metering mode to change back to multi-pattern
metering.
• You can use key customization (page 119) to
configure the camera to perform exposure
compensation whenever you press [왗] or [왘] while in
a REC mode. This comes in handy when adjusting
exposure compensation while viewing the on-screen
histogram (page 115).
88
OTHER RECORDING FUNCTIONS
Adjusting White Balance
The wavelengths of the light produced by various light
sources (daylight, light bulb, etc.) can affect the color of a
subject when it is recorded. White balance lets you make
adjustments to compensate for different lighting types, so
the colors of an image appear more natural.
1.
In a REC mode, press [MENU].
2.
Select the “Quality”
tab, select “White
Balance”, and then
press [왘].
3.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
When shooting under these conditions:
Normal conditions
Outdoor daylight on a clear day
Outdoor daylight on an overcast or
rainy day, in the shade of a tree, etc.
In the shade of a building or any other
area where the color temperature is
high
Under white or daylight white
fluorescent light
(suppresses color fogging)
Under daylight fluorescent light
(suppresses color fogging)
Under incandescent lighting
Difficult lighting that requires manual
control (See “Configuring the White
Balance Setting Manually” (page 90).)
Select this setting:
Auto
N
D
Manual
89
B
OTHER RECORDING FUNCTIONS
NOTE
• When “Auto” is selected for the white balance
setting, the camera automatically determines the
white point of the subject. Certain subject colors and
light source conditions can cause problems when the
camera tries to determine the white point, which
makes proper white balance adjustment impossible.
When this happens, use daylight, cloudy, or one of
the other fixed white balance settings to specify the
type of lighting available.
• You can use the key customization feature (page
119) to configure the camera so the white balance
setting changes whenever you press [왗] or [왘] while
in a REC mode.
• If you have key customization configured to control
white balance, select “
white balance mode to auto.
Auto WB” to change the
AWB
Configuring the White Balance Setting
Manually
Certain complex light sources or other environmental
conditions can make it impossible to obtain good results
when “Auto” or one of the fixed light source settings is
selected for white balance. Manual white balance lets you
configure the camera for a particular light source and other
conditions.
Note that you must perform manual white balance under
the same conditions you will be shooting under. Have a
sheet of white paper on hand before starting the following
procedure.
1.
In a REC mode, press [MENU].
2.
Select a “Quality” tab, select “White
Balance”, and then press [왘].
90
OTHER RECORDING FUNCTIONS
3.
Use [왖] and [왔] to
select “Manual”.
• This causes the object
you last used to adjust
manual white balance to
appear on the monitor
screen. If you want to use
the same settings you
configured during a
previous manual white
balance setting
operation, skip step 4
and perform step 5.
4.
Point the camera at a white paper or similar
object under the lighting conditions for which
you want to set the white balance, and then
press the shutter button.
White paper
91
• This starts the white balance adjustment procedure.
The message “Complete” appears on the monitor
screen after white balance adjustment is complete.
5.
Press [SET].
• This registers the white balance settings and returns
to the currently selected recording mode.
NOTE
• After you adjust white balance manually, the setting
remains in effect until you change it or until you turn
off the camera.
OTHER RECORDING FUNCTIONS
Specifying the Exposure Mode
You can use the mode dial to select the exposure mode,
which controls the aperture and shutter speed settings
used during image recording.
A mode : Aperture Priority AE
S mode : Shutter Speed Priority AE
M mode : Manual Exposure
Using Aperture Priority AE
When A mode (aperture priority AE) is selected as the
exposure mode, the camera adjusts the shutter speed
automatically in accordance with a fixed aperture value
specified by you. A wider aperture (a lower aperture value)
provides a shallow depth of field, while a small aperture (a
higher aperture value) provides a greater depth of field.
The shutter speed range in this mode is 1/2000 to 1
second.
92
Wide ApertureSmall Aperture
1.
Align the mode dial
with “A” (Aperture
Priority).
EV shiftAperture value
B
OTHER RECORDING FUNCTIONS
2.
Use [왖] and [왔] to select the aperture value
(page 33) in the exposure panel, and then use
[왗] and [왘] to change the setting.
Aperture value
Depth of Field
* The above values are full wide angle optical zoom.
Aperture values are different at other optical zoom
settings.
• You could also use [왖] and [왔] to select “EV Shift”
here, and then use [왗] and [왘] to specify an
exposure compensation value (pages 33, 87).
•
If you are using manual focus
also use [왖] and [왔] to select “FOCUS” (manual focus
adjustment), and then use [왗] and [왘] to focus
manually.
*
Wide Small
F3.1 ‚ 4.4
Shallow
(pages 33, 85)
Deep
, you can
3.
Press the shutter button half way.
• This causes the camera to configure shutter speed
automatically in accordance with the aperture value
you selected. Then it focuses the image.
• The shutter speed and aperture values on the
monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed
or under-exposed.
4.
When the image is focused, press the shutter
button all the way down to record.
93
OTHER RECORDING FUNCTIONS
Using Shutter Speed Priority AE
When S mode (shutter speed priority AE) is selected as the
exposure mode, the camera adjusts the aperture
automatically in accordance with a fixed shutter speed
specified by you. You should specify a shutter speed in
accordance with how much your subject is moving.
1.
Align the mode dial
with “S” (Shutter
Speed Priority).
SlowFast
94
2.
Use [왖] and [왔] to select the shutter speed
value (page 33) in the exposure panel, and
then use [왗] and [왘] to change the setting.
Shutter speed
Movement
• You could also use [왖] and [왔] to select “EV Shift”
here, and then use [왗] and [왘] to specify an
exposure compensation value (pages 33, 87).
• If you are using manual focus (pages 33, 85), you
can also use [왖] and [왔] to select “FOCUS” (manual
focus adjustment), and then use [왗] and [왘] to focus
manually.
SlowFast
60 seconds1/2000 second
Blurred
Stopped
EV shiftShutter speed
OTHER RECORDING FUNCTIONS
3.
Press the shutter button half way.
• This causes the camera to configure the aperture
value automatically in accordance with the shutter
speed you selected. Then it focuses the image.
• The shutter speed and aperture values on the
monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed
or under-exposed.
4.
When the image is focused, press the shutter
button all the way down to record.
Setting Exposure Settings Manually
In the M mode (manual exposure), you can adjust shutter
speed and aperture manually.
1.
Align the mode dial
with “M” (Manual).
Aperture valueISO sensitivity
Shutter speed
2.
Use [왖] and [왔] to select the aperture value
(page 33) in the exposure panel, and then use
[왗] and [왘] to change the setting.
95
Aperture value*
Depth of Field
* The above values are full wide angle optical zoom.
Aperture values are different at other optical zoom
settings.
WideSmall
F3.1 ‚ 4.4
Shallow
Deep
OTHER RECORDING FUNCTIONS
3.
Use [왖] and [왔] to select the shutter speed
value (page 33) in the exposure panel, and
then use [왗] and [왘] to change the setting.
Shutter speed
Movement
• If you are using manual focus (pages 33, 85), you
can also use [왖] and [왔] to select “FOCUS” (manual
focus adjustment), and then use [왗] and [왘] to focus
manually.
4.
Press the shutter button half way.
•
This causes the camera to adjust focus automatically.
5.
When the image is focused, press the shutter
SlowFast
60 seconds1/2000 second
Blurred
Stopped
button all the way down to record.
Exposure Mode Recording Precautions
• You may not be able to achieve the brightness you want
when recording an image that is very dark or very bright.
If this happens, use the M mode (manual exposure) to
adjust the aperture or shutter speed manually.
• Using slow shutter speeds can cause digital noise
(graininess) to appear in the image. Because of this, the
camera automatically performs a digital noise reduction
process whenever the shutter speed is 1/8 second or
slower. The slower the shutter speed, the greater the
possibility that digital noise will be generated in an image.
Also note that the digital noise reduction process can
cause it to take longer to record each image.
• At shutter speeds slower than 1/8 second, the brightness
of the recorded image may not be the same as the
brightness of the image that appears on the monitor
screen.
You can configure the camera to record only a single
snapshot each time the shutter button is pressed, or to
keep recording as long as the shutter button remains
depressed (and there is enough memory available to store
the images).
1.
In a REC mode, press [MENU].
2.
Select the “REC” tab, select “Continuous”,
and then press [왘].
3.
Use [왖] and [왔] to select “On”, and then
press [SET].
• This causes “” to appear on the monitor screen.
• With “Off”, the snapshots are recorded one at a time.
4.
Press the shutter button to record.
• Recording continues as long as you keep the shutter
button depressed. Release the shutter button to stop
recording.
97
IMPORTANT!
• The speed of continuous shutter recording depends
on the type of memory card loaded in the camera.
When recording to built-in memory, continuous
shutter recording is relatively slow.
• Turning off the camera automatically turns off the
Continuous Shutter mode.
C
OTHER RECORDING FUNCTIONS
Using the BEST SHOT Mode
Selecting one of the BEST SHOT sample scenes
automatically sets up the camera for recording a similar
type of image.
■ Example Sample Scene
• Portrait• Scenery
• Night Scene• Night Scene Portrait
1.
In a REC mode, align
the mode dial with
“”, and then press
[SET].
• This enters the BEST
SHOT mode and displays
all 12 of the BEST SHOT
scenes.
• Sample scenes are arranged in sequence, starting
from the upper left corner.
2.
Use [왖], [왔], [왗], and [왘] to select the sample
scene you want, and then press [SET].
• Use [왖], [왔], [왗], and [왘] to move the selection
boundary around the display. Scrolling past the last
or the first scene scrolls to the next screen of 12sample scenes.
• Pressing [MENU] causes the selection boundary to
jump to the first sample scene.
• If you want to check which sample scene is currently
selected or if you want to change to a different
scene, press [SET].
3.
Press the shutter button to record the image.
98
OTHER RECORDING FUNCTIONS
IMPORTANT!
• BEST SHOT scenes were not recorded using this
camera. They are provided as samples only.
• Due to shooting conditions and other factors, an
image recorded using the setup of a BEST SHOT
scene may not produce exactly the results you
expect.
• You can change the camera settings that are made
when you select a BEST SHOT scene. Note,
however, that the BEST SHOT settings revert to their
defaults when you select another BEST SHOT scene
or turn off the camera. If you want to save your
settings for later use, save them as a BEST SHOT
user setup.
• Digital noise reduction processing is performed
automatically when you are recording a night scene,
fireworks, or other image that requires slow shutter
speeds. Because of this, it takes longer to record
images at lower shutter speeds. Make sure that you
do not perform any camera button operations until
the image recording operation is complete.
• When recording the image of a night scene,
fireworks, or some other image using a slow shutter
speed, use of a tripod is recommended to prevent
hand movement.
NOTE
• Operation guidance and the currently selected BEST
SHOT scene appear on the display for about two
seconds if the camera is in the BEST SHOT mode
when you turn it on.
99
OTHER RECORDING FUNCTIONS
Displaying Sample Scenes Individually
You can use the following procedure to display BEST
SHOT sample scenes individually, so you can view the
explanation about each scene’s settings.
1.
In a REC mode, align the mode dial with “”,
and then press [SET].
2.
Move the zoom
controller.
• This displays the
sample scene that was
selected on the 12scene screen.
• To return to the 12sample scene screen,
move the zoom
controller again.
3.
Use [왗] and [왘] to select the sample scene
you want, and then press [SET].
• Pressing [MENU] jumps to the first sample scene.
4.
Press the shutter button to record the image.
100
C
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