Casio EXILIM EX-ZR700, EXILIM EX-ZR710, EXILIM EX-ZR750 User Guide

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Digital Camera

User’s Guide

Thank you for purchasing this CASIO product.

• Before using it, be sure to read the precautions contained in this User’s Guide.

• Keep the User’s Guide in a safe place for future reference.

• For the most up-to-date information about this product, visit the official EXILIM Website at http://www.exilim.com/

Accessories

As you unpack your camera, check to make sure that all accessories shown below are included. If anything is missing, contact your original retailer.

Rechargeable lithium ion

battery (NP-130)

Power cord

To attach the strap to the camera

USB-AC adaptor*

(AD-C54UG/AD-C53U)

Micro USB cable Basic Reference

Attach strap here.

Strap

*1 The type of USB-AC adaptor included varies according to the country or

geographic area where the camera is sold.

*2 A power cord is included with the AD-C53U USB-AC adapter. The shape of the

power cord plug varies according to the country or geographic area where the camera is sold.

Read this first!

• The contents of this manual are subject to change without notice.

• The contents of this manual have been checked at each step of the production process. Feel free to contact us if you notice anything that is questionable, erroneous, etc.

• Any copying of the contents of this User’s Guide, either in part or its entirety, is forbidden. Except for your own personal use, any other use of the contents of this manual without the permission of CASIO COMPUTER CO., LTD. is forbidden under copyright laws.

• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or lost profits suffered by you or any third party due to the use or malfunction of this product.

• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or lost profits caused by loss of memory contents due to malfunction, repair, or any other reason.

• Note that the example screens and product illustrations shown in this User’s Guide may differ somewhat from the screens and configuration of the actual camera.

LCD Panel

The liquid crystal panel of the monitor screen uses high-precision technology that provides a pixel yield in excess of 99.99%. This means that some very small number of pixels may not light or may remain lit at all times. This is due to the characteristics of the liquid crystal panel, and does not indicate malfunction.

Take test shots

Before shooting your final image, shoot a test shot to ensure that the camera is recording correctly.

Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Read this first! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

General Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Monitor Screen Contents and How to Change Them . . . . . . . . . . . . . . . . . . . 10

Quick Start Basics 14

What you can do with your CASIO camera . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

First, charge the battery prior to use.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

] To load the battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

] Charge the Battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Configuring Basic Settings the First Time You Turn On the Camera. . . . . . . . 21

Preparing a Memory Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

] Supported Memory Cards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

] To load a memory card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

] To format (initialize) a new memory card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Turning the Camera On and Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Holding the Camera Correctly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

To shoot a snapshot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

] Selecting an Auto Recording Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

] To shoot a snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Viewing Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Deleting Snapshots and Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Snapshot Shooting Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Snapshot Tutorial 36

Selecting the Recording Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Using the Control Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Using the Self-timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Self-timer) . . 39

Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance) . . 40

Selecting a Focus Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Focus) . . 42

Specifying ISO Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (ISO) . . 44

Recording Beautiful Portraits . . . . . . . . . . . . . . . . . . . . . .(Make-up Level) . . 45

Correcting Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (EV Shift) . . 46

Using Flash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Flash) . . 47

Specifying the Metering Mode . . . . . . . . . . . . . . . . . . . . . . . . . (Metering) . . 49

Shooting with Zoom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

] Monitor Screen Information when Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

] Zooming with Super Resolution . . . . . . . . . . . . . . . . . . . . . . . . (Zoom (SR)) . . . 53

] Expanding the Zoom Range to

Shoot Clearer Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . .(Multi SR Zoom). . . 54

Shooting a Burst of Images . . . . . . . . . . . . . . . . . . . . . . (High Speed CS) . . 54

Using Focus Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

] Shooting with a Blurred Background . . . . . . . . . . . . .(Blurred Background). . . 58

] Shooting with Full Focus Macro . . . . . . . . . . . . . . . . . .(All-In-Focus Macro). . . 59

Contents

Shooting with Artistic Effects . . . . . . . . . . . . . . . . . . . . . . . . (ART SHOT) . . 60

] Saving a Second Normal Image When

Shooting With HDR Art . . . . . . . . . . . . . . . . . . . . . . . . .(Double (HDR Art)). . . 62

Shooting with Triple Shot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Recording Movies 64

To record a movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

] Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Recording a High-definition Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Recording a High Speed Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Using Prerecord Movie . . . . . . . . . . . . . . . . . . . . . . . . (Prerecord (Movie)) . . 69

Recording a Movie for YouTube . . . . . . . . . . . . . . . . . . . . . (For YouTube) . . 71

Shooting a Snapshot while Shooting a Movie . . . . . (Snapshot In Movie) . . 72

Using BEST SHOT 73

To shoot with BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Creating and Using Your Own Setups . . . . . . . . . . . . . (CUSTOM SHOT) . . 75

Digitally Correcting for Overexposure and Underexposure . . . . . . (HDR) . . 76

Shooting Bright Images in the Dark

without Flash . . . . . . . . . . . . . . . . . . . . . . . . . . . . (High Speed Night Shot) . . 77

Shooting with a Super Wide Angle of View . . . . . . . . . . . . . . (Wide Shot) . . 78

Shooting a Panorama Image . . . . . . . . . . . . . . . . . . . . .(Slide Panorama) . . 81

Shooting with Priority on Subject Faces . . . . (High Speed Best Selection) . . 83

Configuring the Camera to

Help You Better Time Your Shots . . . . . . . . . . . . . . . . . . .(Lag Correction) . . 84

Using Continuous Shutter with Auto Focus . . . . . . . . . . . . . . . . . (AF-CS) . . 86

Shooting RAW Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Raw Image) . . 87

Shooting with High Speed Anti Shake . . . . . . . . (High Speed Anti Shake) . . 87

Shooting Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Snapshot) . . 88

Using a TV Screen to Shoot Snapshots . . . . . . . . . . . . (HDMI TV Output) . . 89

Advanced Settings (REC MENU) 91

Configuring Recording Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Assigning Functions to the Control Dial . . . . . . . . . . . . . . . . (Control Dial) . . 92

Assigning Functions to the [4] and [6] Keys . . . . . . . . . . . . . . . (L/R Key) . . 93

Saving a Second Normal Image When

Shooting With HDR Art . . . . . . . . . . . . . . . . . . . . . . . (Double (HDR ART)) . . 93

To select the snapshot image size . . . . . . . . . . . . . . . . . . . . (Image Size) . . 94

Specifying Snapshot Image Quality . . . . . . . . . . . . . . . . . (Image Quality) . . 96

Movie Image Quality Settings . . . . . . . . . . . . . . . . . . . . . . (Movie Quality) . . 96

Specifying ISO Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (ISO) . . 97

Specifying the ISO Sensitivity Upper Limit . . . . . . . . . . . . (ISO High Limit) . . 98

Zooming with Super Resolution . . . . . . . . . . . . . . . . . . . . . . .(Zoom (SR)) . . 98

Specifying the Auto Focus Area . . . . . . . . . . . . . . . . . . . . . . . . . (AF Area) . . 99

Contents

Reducing the Effects of Camera and Subject Movement . . . . (Anti Shake) . 100

Optimizing Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (Lighting) . 101

Shooting with Continuous Auto Focus . . . . . . . . . . . . . . (Continuous AF) . 101

Shooting with Face Detection . . . . . . . . . . . . . . . . . . . . . (Face Detection) . 102

Turning Digital Zoom On or Off . . . . . . . . . . . . . . . . . . . . . . (Digital Zoom) . 103

Reducing Wind Noise during Movie Recording . . . . . . . (Wind Noise Cut) . 103

Recording Beautiful Portraits . . . . . . . . . . . . . . . . . . . . . .(Make-up Level) . 103

Correcting Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (EV Shift) . 104

Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance) . 104

Selecting a Focus Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Focus) . 104

Using the Self-timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Self-timer) . 104

Specifying the Metering Mode . . . . . . . . . . . . . . . . . . . . . . . . . (Metering) . 104

Specifying Flash Intensity . . . . . . . . . . . . . . . . . . . . . . . . . (Flash Intensity) . 105

Controlling Image Sharpness . . . . . . . . . . . . . . . . . . . . . . . . . (Sharpness) . 105

Controlling Color Saturation . . . . . . . . . . . . . . . . . . . . . . . . . . (Saturation) . 105

Adjusting Image Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Contrast) . 105

Using the Auto Focus Assist Light . . . . . . . . . . . . . . . . . (AF Assist Light) . 106

Displaying the On-screen Grid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Grid) . 106

Turning on Image Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Review) . 107

Using Icon Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Icon Help) . 107

Configuring Power On Default Settings . . . . . . . . . . . . . . . . . . . (Memory) . 108

Viewing Snapshots and Movies 109

Viewing Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Viewing a Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Viewing a Panorama Image. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Viewing Continuous Shutter Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111

] Deleting Continuous Shutter Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

] Dividing Up a CS Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

] Copying a CS Group Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Zooming an On-screen Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Displaying the Image Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Viewing Snapshots and Movies on a TV Screen. . . . . . . . . . . . . . . . . . . . . . 116

Other Playback Functions (PLAY MENU) 119

Playing a Slideshow on the Camera . . . . . . . . . . . . . . . . . . . . (Slideshow) . 119

] Transferring Music from Your Computer to Camera Memory . . . . . . . . . . . . . . 120

Creating a Snapshot of Movie Frames . . . . . . . . . . . . . (MOTION PRINT) . 121

Editing a Movie on the Camera . . . . . . . . . . . . . . . . . . . . .(Movie Editing) . 122

Optimizing Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (Lighting) . 123

Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance) . 124

Adjusting the Brightness of an Existing Snapshot . . . . . . . . . (Brightness) . 124

Selecting Images for Printing . . . . . . . . . . . . . . . . . . . . . . (DPOF Printing) . 125

Protecting a File Against Deletion . . . . . . . . . . . . . . . . . . . . . . . . . (Protect) . 125

Contents

Editing the Date and Time of an Image . . . . . . . . . . . . . . . . . (Date/Time) . 127

Rotating an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Rotation) . 127

Resizing a Snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Resize) . 128

Cropping a Snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Trimming) . 128

Copying Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Copy) . 129

Dividing Up a Continuous Shutter Group . . . . . . . . . . . . . . (Divide Group) . 129

Combining CS Images into a Single Still Image . . . . . . . . (CS Multi Print) . 130

Editing a CS Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(CS Frame Edit) . 130

Printing 131

Printing Snapshots. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Connecting Directly to a PictBridge Compatible Printer . . . . . . . . . . . . . . . . 131

Using DPOF to Specify Images to be Printed and

the Number of Copies . . . . . . . . . . . . . . . . . . . . . . . . . . . . (DPOF Printing) . 133

Using the Camera with a Computer 138

Things you can do using a computer... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Using the Camera with a Windows Computer . . . . . . . . . . . . . . . . . . . . . . . . 139

] Viewing and Storing Images on a Computer. . . . . . . . . . . . . . . . . . . . . . . . . . . 139

] Playing Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Using the Camera with a Macintosh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

] Connecting the Camera to Your Computer and Saving Files . . . . . . . . . . . . . . 143

] Playing a Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Using an SD Memory Card with Built-in LAN . . . . . . . . . . . . . . . . . . . . . . . . 146

] Transferring Images with an Eye-Fi Card . . . . . . . . . . . . . . . . . . . (Eye-Fi). . 146

] Using a Smartphone to

Play Back Images Stored on a FlashAir Card . . . . . . . . . . . . . . . (FlashAir). . 148

Files and Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Memory Card Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

Other Settings (SETTING) 153

Enabling Power Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (ECO Mode) . 153

Adjusting Monitor Screen Brightness . . . . . . . . . . . . . . . . . . . . . . (Screen) . 153

Turning off Eye-Fi Card Communication . . . . . . . . . . . . . . . . . . . . (Eye-Fi) . 154

Configuring FlashAir Card Communication Settings . . . . . . . . . (FlashAir) . 154

Configuring Camera Sound Settings . . . . . . . . . . . . . . . . . . . . . (Sounds) . 154

Creating an Image Storage Folder . . . . . . . . . . . . . . . . . . (Create Folder) . 155

Time Stamping Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . .(Timestamp) . 155

Auto Image Orientation Detection and Rotation . . . . . . . . . . (Auto Rotate) . 156

Specifying the File Name Serial Number Generation Rule . . . . . (File No.) . 156

Configuring Sleep State Settings . . . . . . . . . . . . . . . . . . . . . . . . . . (Sleep) . 157

Configuring Auto Power Off Settings . . . . . . . . . . . . . . . (Auto Power Off) . 157

Configuring [r] Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(REC) . 158

Configuring [p] Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (PLAY) . 158

Contents

Disabling File Deletion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Delete Key) . 158

Configuring World Time Settings . . . . . . . . . . . . . . . . . . . . . (World Time) . 159

Setting the Camera’s Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Adjust) . 160

Specifying the Date Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Date Style) . 160

Specifying the Display Language . . . . . . . . . . . . . . . . . . . . . . (Language) . 161

Configuring USB Protocol Settings . . . . . . . . . . . . . . . . . . . . . . . . . .(USB) . 161

Selecting the HDMI Terminal Output Method . . . . . . . . . . . (HDMI Output) . 161

Formatting Built-in Memory or a Memory Card . . . . . . . . . . . . . . . (Format) . 162

Resetting the Camera to Factory Defaults . . . . . . . . . . . . . . . . . . . (Reset) . 162

Appendix 163

Safety Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Precautions During Use. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Power Supply. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

] Charging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

] Battery Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

] Using the Camera in another Country . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Using a Memory Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Reset Initial Default Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

Using the On-screen Histogram to Check Exposure . . . . . . (+Histogram) . 179

When things don’t go right... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

] Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

] Display Messages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Number of Snapshots/Movie Recording Time . . . . . . . . . . . . . . . . . . . . . . . . 188

Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192

Contents

General Guide

The numbers in parentheses indicate the pages where each item is explained.

Front Back

1234675

bl bn bo bp

bk 89

Mode dial

(pages 28, 36, 64) Zoom controller

(pages 29, 50, 115) Shutter button

(pages 26, 28) [Õ] (Continuous

Shutter) button (page 54) [ON/OFF] (Power)

(pages 21, 26) Flash (page 47)

Flash switch (page 47)

Front lamp

(pages 39, 106) Lens

Bottom

cp cncq co

ckcl bt bs

Microphones (page 65)

Back lamp

(pages 18, 20, 26, 29,

48) [0] (Movie) button

(page 64) [r] (REC) button

(page 26) Strap hole (page 2)

Terminal cover

[USB] port

(pages 17, 19) [HDMI OUT]

HDMI output (micro) (pages 89, 117)

Battery/memory card slots (pages 16, 24)

Battery cover

Speaker

Tripod hole

Use this hole when attaching to a tripod.

[MENU] button

(pages 64, 91) [p] (PLAY) button

(pages 26, 32) [SET] button

(pages 38, 64, 91) Control dial

([8][2][4][6]) (pages 10, 38, 64, 73, 91, 92) Monitor screen

(pages 10, 28)

. Control Dial

In addition to using the up, down, left, and right buttons, you can also use the control dial to perform operations.

• Depending on the function, certain operations cannot be performed using the control dial.

Control dial

[8] [2] [4] [6] : Press the applicable button (up, down, left, right).

Monitor Screen Contents and How to Change Them

The monitor screen uses various indicators, icons, and values to keep you informed of the camera’s status.

• The sample screens in this section are intended to show you the locations of all the indicators and figures that can appear on the monitor screen in various modes. They do not represent screens that actually appear on the camera.

. Snapshot Recording (1 Shot)

Remaining snapshot memory capacity

13567

cn cm cl ck bt bs br

Self-timer mode (page 39)

Face Detection (page 102)

Recording mode (page 28)

Image deterioration indicator/

Zoom (SR) indicator (page 52) Remaining movie memory

capacity (page 64)

(page 188)

Snapshot image size/Quality (pages 94, 96)

Movie quality (FHD/STD movie)

(pages 64, 67)/

Recording speed (high speed movie) (page 67)

Focal distance

(Converted to 35 mm film format.) (page 51)

Anti Shake (page 100)

Timestamp indicator (page 155)

Histogram (page 179)

AF Area (page 99)

Date/Time (pages 21, 160)

Focus frame (pages 29, 99)

Battery level indicator (page 21)

Metering mode (page 49)

Flash (page 47)

Exposure compensation (page 46)

Make-up level (page 45)

ISO sensitivity (page 44)

Focus mode (page 42)

White balance (page 40)

NOTE

• The semi-transparent gray frame on the monitor screen indicates the area that is recorded when shooting a movie. The area within the frame is recorded for a movie.

• Depending on recording settings, the aperture, shutter speed, and ISO sensitivity values may not appear on the monitor screen. These values will be red if the Auto Exposure (AE) is not correct for some reason.

. Snapshot Recording (Burst Shooting)

Continuous Shutter (CS) speed (page 55)

123

6 5

Recording mode (page 28)

Allowable CS time/number of CS images

(page 55) Continuous Shutter mode (page 54)

Prerecord CS shots (page 56)

Maximum CS shots (page 55)

. Movie Recording

Snapshot recording mode (Snapshot In Movie)

6 7

(page 72) Audio recording disabled (page 67)

Recording mode (page 64)

Movie recording time (page 64)

Remaining movie memory capacity (page 64)

Movie recording in progress (page 64)

Movie quality (FHD/STD movie)

(pages 64, 67)/ Recording speed (high speed movie) (page 67) Remaining snapshot memory capacity

(page 188)

. Snapshot Viewing

2413

br bq bp bo bn bm

bk 9bl

File type

Protect indicator (page 125)

Snapshot image size (page 94)

. CS Image Viewing

. Movie Playback

1 2

5 6

3 4

Folder name/file name (page 150)

Snapshot image quality (page 96)

Recording mode (page 28)

Histogram (page 179)

Date/time (page 160)

Metering mode (page 104)

White balance (page 124)

Battery level indicator (page 21)

Flash (page 47)

Exposure compensation (page 46)

Shutter speed

Aperture value

ISO sensitivity (page 44)

Focal distance

(Converted to 35 mm film format.)

Number of images in the group (page 111)

CS group icon (page 111)

No audio data available

Movie recording time (page 109)

Recording mode/Movie quality/speed

(pages 64, 67, 67) YouTube (page 71)

. Configuring Monitor Screen Settings

Each press of [8] (DISP) will cycle through display settings that display or hide on-screen information. You can configure separate settings for the REC mode and PLAY mode.

[8] (DISP)

REC mode

Information on Displays setting information.

Information on, histogram on

Information off Hides setting information.

Displays setting information and a histogram (page 179) on the right side of the display.

Histogram

PLAY mode

Information display onDisplays settings when shooting, current date and time,

Information on, histogram on

Information display off

and other information.

Displays settings when shooting, current date and time, histogram (page 179), and other information.

No information displayed when shooting.

Quick Start Basics

What you can do with your CASIO camera

Your CASIO camera is packed with a powerful selection of features and functions to make recording of digital images easier, including the following main functions.

ART SHOT

A variety of artistic effects help to make even common, ordinary subjects become more novel and exciting. “ART SHOT” provides the following effects: HDR Art, Toy Camera, Soft Focus, Light Tone, Pop, Sepia, Monochrome, Miniature, Fisheye.

*See page 60 for more information.

High Speed Night Shot

The camera shoots a series of images and then merges them into a final image. The result is a bright image, even if shot in the dark without a flash.

*See page 77 for more information.

Triple Shot

Pressing the shutter button shoots a burst of three images and stores them in memory. This feature is great for making sure you don’t miss those special moments when kids are around.

*See page 63 for more information.

Blurred Background/All-In-Focus Macro (Focus Control)

Focus Control shoots and analyzes a burst of multiple images and combines them in a way that produces either image in which the background is blurred or everything is in focus: from nearby objects to distant objects.

*See page 58 for more information.

Quick Start Basics

Premium Auto Pro

Select Premium Auto Pro recording and the camera automatically determines whether you are shooting a subject or scenery, and other conditions. Premium Auto Pro delivers higher image quality than standard Auto.

*See page 28 for more information.

Wide Shot

With this feature, a number of images are shot and then combined to produce an image with a super-wide angle of view that exceeds the widest angle of view possible with the lens. Converted to 35 mm equivalents, the focal distances available with this feature enable shooting with approximate angles of view of 15 mm and 19 mm.

*See page 78 for more information.

High Speed Movie

Movies can be recorded at up to 1000 frames per second. This makes it possible to clearly view phenomena that are invisible to the human eye, in slow motion.

*See page 67 for more information.

FHD Movie Recording

You can record movies in high-quality FHD.

1080 pixels 30 fps)

(1920

*See page 67 for more information.

Quick Start Basics

First, charge the battery prior to use.

Note that the battery of a newly purchased camera is not charged. Perform the steps below to load the battery into the camera and charge it.

• Your camera requires a special CASIO rechargeable lithium ion battery (NP-130) for power. Never try to use any other type of battery.

To load the battery

1. Open the battery cover.

2. Load the battery.

With the EXILIM logo on the battery facing downwards (in the direction of the lens), hold the stopper next to the battery in the direction indicated by the arrow as you slide the battery into the camera. Press the battery in until the stopper secures it in place.

3. Close the battery cover.

Battery

Stopper

EXILIM logo

Quick Start Basics

To replace the battery

1. Open the battery cover and

remove the current battery.

Stopper

2. Load a new battery.

Charge the Battery

You can use either of the two following methods to charge the camera’s battery.

• USB-AC adaptor

• USB connection to a computer (Using the included micro USB cable.)

. To charge with the USB-AC adaptor

The adaptor lets you charge the battery while it is loaded in the camera. While the camera is turned off, connect in the sequence shown below. Charging time: Approximately 240 minutes

[USB] port

USB-AC adaptor

(AD-C54UG)

Micro USB cable (included with camera)

u mark of the small (micro USB) connector facing the lens side of the camera.

USB-AC adaptor

(AD-C53U)

Power cord

Quick Start Basics

IMPORTANT!

• A battery that has not been used for a long time, or ambient temperature extremes can cause charging to take longer than normal. If charging takes longer than about five hours, a timer will terminate it automatically, even if the battery is not fully charged. This is indicated by the back lamp flashing red. If the battery has not been used for a very long time, charging may be terminated automatically and the back lamp may start flashing red after only about 60 minutes. In either case, disconnect the USB cable from the camera and then reconnect it to resume charging.

• Make sure that you insert the cable connector into the [USB] port until you feel it click securely into place. Failure to insert the connector fully can result in poor communication or malfunction.

• Note that even while the connector is fully inserted, you still will be able to see the metal part of the connector as shown in the illustration.

• The USB-AC adaptor will become warm during charging. This is normal and does not indicate malfunction.

• The shape of the power plug depends on each country or geographic area.

Back Lamp Operation

Lamp Status Description

Back lamp

Lit Red Charging

Abnormal ambient temperature,

Flashing Red

USB-AC adaptor problem, or battery problem (page 173)

Off Charging complete

Quick Start Basics

. To charge using a USB connection to a computer

USB connection lets you charge the battery while it is loaded in the camera. While the camera is turned off, connect in the sequence shown below (

[USB] port

1, 2

Computer

(power turned on)

USB port

Micro USB cable

(included with camera)

u mark of the small (micro USB) connector facing the lens side of the camera.

USB

• If the camera is on, press [ON/OFF] (Power) to turn it off before connecting it to your computer.

IMPORTANT!

• The first time you connect the camera to your computer with the USB cable, an error message may appear on your computer. If this happens, disconnect and then reconnect the USB cable.

• A battery that has not been used for a long time, certain types of computers, and connection conditions can cause charging to take more than approximately five hours, which will trigger a timer that terminates charging automatically, even if the battery is not fully charged. If this happens, disconnect and then reconnect the USB cable to restart charging. To complete charging faster, use of the included USB-AC adaptor is recommended.

• If the battery has not been used for a very long time, charging may terminate automatically and the back lamp may start flashing red or go out after only about 60 minutes. In either case, use of the USB-AC adaptor that comes with the camera is recommended.

• If you turn on the camera while charging over a USB connection to a computer is in progress, the camera will establish a USB connection with the computer. Though charging normally should continue at this time, certain types of computers or connection environments may stop charging if supply power is low. This will be indicated by the camera’s back lamp lighting green.

• Charging is not performed while the connected computer is in the hibernate mode.

Quick Start Basics

Back Lamp Operation

Lamp Status Description

Lit Red, (Lit/Flashing Amber)

Charging

Back lamp

Abnormal ambient temperature,

Flashing Red

charging taking abnormally long, or battery problem (page 173)

Off, (Lit Green) Charging complete

• The information in parentheses in the above table shows the lamp status while the camera is turned on during charging.

Other Charging Precautions

• With the two charging methods described above, you can charge the camera’s battery (NP-130) without removing it from the camera. You also can charge the battery using an optionally available charger unit (BC-130L). Never use any other type of charger device. Attempting to use a different charger can result in unexpected accident.

• This model can be charged only via from USB 2.0 specification USB port only.

• USB charging devices and power supply devices are subject to fixed standards. Use of an inferior device or a device that is not up to standard can cause malfunction and/or failure of your camera.

• Operation is not guaranteed in the case of a computer built or modified by you. Even in the case of a commercially available computer, certain USB port specifications may make it impossible to charge via the USB cable.

• A battery that is still warm immediately after normal use may not charge fully. Give the battery time to cool before charging it.

• A battery discharges slightly even when it is not loaded in the camera. Because of this, it is recommended that you charge the battery immediately before you need to use it.

• Charging the camera’s battery may cause interference with TV and radio reception. If this happens, plug the USB-AC adaptor into an outlet that is further away from the TV or radio.

• Actual charging time depends on current battery capacity and charging conditions.

• Do not use the USB-AC adaptor with any other device.

• Never use the power cord with another device.

• Use only the USB-AC adaptor and USB cable specified in this manual for charging. Use of any other type of devices may result in improper charging.

Quick Start Basics

Checking Remaining Battery Power

As battery power is consumed, a battery indicator on the monitor screen indicates remaining power as shown below.

Remaining Power High Low

Battery Indicator ***

Indicator Color White * White * Red * Red

indicates battery power is low. Charge the battery as soon as possible.

Recording is not possible when is indicated. Charge the battery immediately.

• The level shown by the battery indicator may change when you switch between the REC mode and PLAY mode.

• Leaving the camera for about 30 days with no power supplied while the battery is dead will cause its date and time settings to be cleared. A message telling you to configure time and date settings will appear the next time you turn on the camera after restoring power. When this happens, configure date and time settings (page

160).

• See page 194 for information about battery life and number of shots.

Battery Power Conservation Tips

• Entering the “ECO Mode” enables low-power operation (page 153).

• When you do not need to use the flash, select ? (Flash Off) for the flash setting (page 47).

• Enable the Auto Power Off and the Sleep features to protect against wasting battery power when you forget to turn off the camera (pages 157, 157).

• Select “Off” for “Continuous AF” (page 101).

Configuring Basic Settings the First Time You Turn On the Camera

The first time you load a battery into the camera, a screen appears for configuring the display language, date, and time settings. Failure to set the date and time correctly will cause the wrong date and time data to be recorded with images.

IMPORTANT!

• A screen for language selection will not appear in step 2 of the procedure below if you purchased a camera intended for the Japanese market. To change the display language from Japanese in this case, use the procedure under “Specifying the Display Language (Language)” (page 161). Note that a version of this manual in the language you select may not be included with a camera intended for the Japanese market.

• Camera models sold in certain geographic areas may not support display language selection.

Quick Start Basics

1. Press [ON/OFF] (Power) to turn on the

[ON/OFF] (Power)

camera.

2. Use [8], [2], [4], and [6] to select the

language you want and then press [SET].

3. Use [8] and [2] to select a date style and then press [SET].

Example: July 10, 2015 YY/MM/DD DD/MM/YY MM/DD/YY

* 15/7/10 * 10/7/15 * 7/10/15

4. Set the date and the time.

Use [4] and [6] to select the setting you want to change and then use [8] and [2] to change it. To switch between 12-hour and 24-hour format, select “24h” and then use [8] and [2] to change the setting.

5. After setting the date and time, use [4] and [6]

to select “Apply” and then press [SET].

If you make a mistake configuring display language, date, or time settings with the above procedure, refer to the following pages for information about how to correct the settings.

– Display language: page 161 – Date and time: page 160

NOTE

• Each country controls its local time offset and the use of summer time, and so they are subject to change.

• Removing the battery from the camera too soon after configuring time and date settings for the first time can cause the settings to be reset to their factory defaults. Do not remove the battery for at least 24 hours after configuring settings.

Quick Start Basics

Preparing a Memory Card

Though the camera has built-in memory that can be used to store images and movies, you probably will want to purchase a commercially available memory card for greater capacity. The camera does not come with a memory card. Images recorded while a memory card is loaded are saved to the memory card. When no memory card is loaded, images are saved to built-in memory.

• For information about memory card capacities, see page 188.

Supported Memory Cards

– SD Memory Card – SDHC Memory Card – SDXC Memory Card

Use one of the above types of memory card.

• The above are supported memory card types as of January 2013.

• This camera supports use of SD memory cards of the following types and capacities: SD memory cards up to 2GB, SDHC memory cards from 2GB up to 32GB, SDXC memory cards from 32GB up to 2TB. Note that the ability to use any particular card with this camera, even if it satisfies the above capacity and type requirements, is not guaranteed.

• This camera supports use of Eye-Fi cards and FlashAir cards.

. Memory Card Handling Precautions

Certain types of cards can slow down processing speeds, and even can make it impossible to store High Quality movies correctly. Also, use of certain types of memory cards slows down data transfer and increases the time it takes to record movie data, which can result in movie frames being dropped. The Y indicator on the monitor screen turns yellow to indicate that frames are being dropped. In order to avoid problems such as these, use of an Ultra High Speed Type SD memory card is recommended. Note, however that CASIO makes no guarantees about the operation of any Ultra High Speed Type SD memory card used with this camera.

Quick Start Basics

To load a memory card

1. Press [ON/OFF] (Power) to turn off

the camera and then open the battery cover.

2. Load a memory card.

Positioning the memory card so its front is facing upwards (towards the monitor screen side of the camera), slide it into the card slot all the way in until you hear it click securely into place.

Front

Front Back

3. Close the battery cover.

IMPORTANT!

• Never insert anything besides a supported memory card (page 23) into the memory card slot.

• Should water or any foreign object ever get into the card slot, immediately turn off the camera, remove the battery, and contact your retailer or nearest CASIO authorized service center.

Quick Start Basics

To replace the memory card

Press the memory card and then release it. This will cause it to pop out of the memory card slot slightly. Pull the card out the rest of the way and then insert another one.

• Never remove a card from the camera while the back lamp is flashing green. Doing so can cause the image save operation to fail and even damage the memory card.

To format (initialize) a new memory card

Format a memory card on the camera before using it for the first time.

IMPORTANT!

• Formatting a memory card that already has snapshots or other files on it, will delete its contents. Normally you do not need to format a memory card again. However, if storing to a card has slowed down or if you notice any other abnormality, re-format the card.

• Be sure to use the camera to format a memory card. Formatting a card on a computer will result in a non-SD standard format, which can greatly slow down processing time and cause compatibility, performance, and other problems.

• Before formatting a new Eye-Fi card to use it for the first time, copy the Eye-Fi install file from the card to your computer.

• Formatting a FlashAir card with the camera will delete files on the card that are required for communication. For details about formatting, see the instructions that come with the FlashAir card.

1. Turn on the camera and press [MENU].

2. Press [4], use [8] and [2] to select the “

SETTING” tab, and then

press [6].

3. Use [8] and [2] to select “Format” and then press [SET].

4. Use [8] and [2] to select “Format” and then press [SET].

5. Use [8] and [2] to select “Yes” and then press [SET].

Quick Start Basics

Turning the Camera On and Off

. To turn power on

Pressing [ON/OFF] (Power) enters the REC mode so you can record images. Pressing [p] (PLAY) while in the REC mode enters the PLAY mode, which you can use to view snapshots and movies (pages 32,

109).

• You also can turn on the camera by pressing [p] (PLAY).

•Pressing [r] (REC) or the shutter button while in the PLAY mode returns to the REC mode.

• Take care to ensure that nothing is restricting or coming into contact with the lens as it extends. Holding the lens with your hand so it cannot extend creates the risk of malfunction.

• About 10 seconds after you press [p] (PLAY) to enter the PLAY mode, the lens will retract into the camera.

• The Sleep function or Auto Power Off (pages 157,

157) will turn off power automatically if you do not perform any operation for a preset amount of time.

. To turn off the camera

Press [ON/OFF] (Power).

NOTE

• You also can configure the camera to turn on or off when you press [r] (REC) (page 158).

• The camera can be configured so power turns off when [p] (PLAY) is pressed (page 158).

[ON/OFF] (Power)

Shutter button

Back lamp

[p] (PLAY)

[r] (REC)

Quick Start Basics

Holding the Camera Correctly

Your images will not come out clearly if you move the camera when you press the shutter button. When pressing the shutter button, be sure to hold the camera as shown in the illustration, and keep it still by pressing your arms firmly against your sides as you shoot. Holding the camera still, carefully press the shutter button and take care to avoid all movement as the shutter releases and for a few moments after it releases. This is especially important when available lighting is low, which slows down the shutter speed.

NOTE

• Take care that your fingers and the strap do not cover any of the areas indicated in the illustration.

• To protect against accidentally dropping the camera, attach the wrist strap and make sure it is around your fingers or wrist while you are operating the camera.

• Never swing the camera around by its strap.

• The supplied strap is intended for use with this camera only. Never use it for any other purpose.

• When the “Auto Rotate” setting is turned on, the camera will detect whether it is being held vertically or horizontally when a snapshot image is shot. When you display an image shot with the camera held vertically, the image is rotated automatically 90 degrees when displayed on the monitor screen (page

156).

Horizontal Vertical

Hold the camera so the flash is above the lens.

Flash

Front lamp

Lens

Quick Start Basics

To shoot a snapshot

Selecting an Auto Recording Mode

You can select one of two auto recording modes (Program Auto or Premium Auto Pro) according to your digital imaging needs.

Setting

Program

Auto

Premium

Auto Pro

REC Screen Icon Display

Description

This is the standard Auto recording mode.

With Premium Auto Pro recording, the camera automatically determines whether you are shooting a subject or scenery, and other conditions. Premium Auto Pro recording delivers higher image quality than Program Auto recording.

• It also requires more power (and runs down the battery quicker) than Program Auto.

1. Press [ON/OFF] (Power) to turn on the camera.

The camera will enter the REC mode.

• If the camera is in the PLAY mode, press the shutter button.

2. Align the mode dial with [P] (Program Auto) or [Ÿ] (Premium Auto

Pro) to select Auto recording mode.

Remaining Snapshot Memory

Capacity (page 188)

Auto recording mode icon

Monitor screen

[ON/OFF] (Power)

Shutter button

Mode dial

Quick Start Basics

To shoot a snapshot

1. Point the camera at the subject.

If you are shooting with Premium Auto Pro, text will appear at the bottom of the monitor screen describing the type of shot the camera has detected.

• You can zoom the image, if you want.

Appears when the camera detects it is stationary on a tripod.

Zoom controller

If the camera decides that it needs to shoot a series of images with Continuous Shutter (CS), it will display “Š”. Take care to avoid any camera and subject movement until shooting of all of the CS images is complete.

w Wide Angle z Telephoto

2. Half-press the shutter button to

focus the image.

When focus is complete, the camera will beep, the back lamp will light green, and the focus frame will turn green.

Half-press

Press lightly until the button stops.

Beep, beep (Image is in focus.)

When you half-press the shutter button, the camera automatically adjusts exposure and focuses on the subject it is currently pointed at. Mastering how much pressure is required for a half-press and a full-press of the shutter button is an important technique for good-looking images.

Back lamp

Focus frame

Quick Start Basics

3. Continuing to keep the camera still,

press the shutter button the rest of the way down.

This records the snapshot.

Full-press

Snap (Image is recorded.)

Recording a Movie

Press [0] (Movie) to start movie recording. Press [0] (Movie) again to stop movie recording. See the following pages for details. Standard movie (STD movie): page 64 High-definition movie (FHD movie): page 67 High speed movie (HS movie): page 67

[0] (Movie)

. If the image does not focus...

If the focus frame stays red and the back lamp is flashing green, it means that the image is not in focus (because the subject is too close, etc.). Re-point the camera at the subject and try to focus again.

. Shooting with Auto

If the subject is not in the center of the frame...

“Focus lock” (page 43) is the name of a technique you can use when you want to shoot an image in which the subject to be focused on is not within the focus frame in the center of the screen.

To track the movement of a moving subject

Half-press the shutter button to follow and focus automatically on a moving subject. See “O Tracking” (page 99) for more information.

Quick Start Basics

. Shooting with Premium Auto Pro

• In addition to shutter speed, aperture, and ISO sensitivity, the camera automatically executes the following operation as required when shooting with Premium Auto Pro. – Continuous AF (page 101) – Intelligent AF (page 99) – Face Detection (page 102) – High Speed Anti Shake (page 87)

• Shooting with Premium Auto Pro can cause vibration and noise to occur due to lens operation. This does not indicate malfunction.

• When Shooting with Premium Auto Pro, the message “Processing Premium Auto.” may appear on the monitor screen. If you feel the camera is taking too long to process data, try shooting with standard Auto instead.

• In some cases, Premium Auto Pro may not be able to interpret the shooting environment correctly. If this happens, shoot with standard Auto.

• If “Š” is displayed, the camera will shoot a series of CS images and merge them into a final image. Take care to avoid any camera and subject movement until shooting of all of the CS images is complete. If you do not want to shoot CS images, select “Off” for the Control Panel (page 38) “HS Scene Shooting” item.

• Certain flash settings (page 47) can limit environmental factors detectable by Premium Auto Pro.

Quick Start Basics

Viewing Snapshots

Use the following procedure to view snapshots on the camera’s monitor screen.

• For information about how to play back movies, see page 109.

• For information about images recorded using continuous shutter (CS), see page

111.

1. Turn on the camera and press

[p] (PLAY) to enter the PLAY mode.

• This will display one of the snapshots currently stored in memory.

• Information about the displayed snapshot also is included (page 12).

• You also can clear the information to view only the snapshot (page 13).

• You can zoom in on the image by rotating the zoom controller towards z (page 115). If you are recording a snapshot that is very important to you, it is recommended that you zoom the image and check its details after recording it.

[p] (PLAY)

2. Use [4] and [6] to scroll between images.

• Holding down either button scrolls at high speed.

[6]

[4]

NOTE

• Half-pressing the shutter button while in the PLAY mode or while a menu screen is displayed will switch directly to the REC mode.

[4]

Quick Start Basics

Deleting Snapshots and Movies

If memory becomes full, you can delete snapshots and movies you no longer need in order to free up storage and record more images.

IMPORTANT!

• Remember that a file (image) delete operation cannot be undone.

• For information about images recorded using continuous shutter (CS), see page

112.

• If you select “Disabled” for the “Delete Key” setting on the “¥ SETTING” menu (page 158), the delete menu will not appear when you press [2] ( ) (Delete). You can delete files only while “Enabled” is selected for “Delete Key”.

. To delete a single file

1. Press [p] (PLAY) to enter the PLAY mode and then

press [2] ( ).

2. Use [4] and [6] to scroll through the files until the one

you want to delete is displayed.

3. Use [8] and [2] to select “Delete” and then press [SET].

• To delete other files, repeat steps 2 and 3.

• To exit the delete operation, press [MENU].

• If a CS group (page 111) is displayed when you perform the above procedure, all of the images in the currently displayed CS group will be deleted.

. To delete specific files

1. Press [p] (PLAY) to enter the PLAY mode and then press [2] ( ).

2. Use [8] and [2] to select “Delete Files” and then press [SET].

• This displays a file selection screen.

3. Use [8], [2], [4], and [6] to move the selection boundary to the file

you want to delete, and then press [SET].

• This will select the check box in the lower left corner of the selected file’s image and move the blue boundary to the next image.

• You can enlarge the selected image before deleting it by rotating the zoom controller towards z ([).

4. Repeat step 3 to select other files, if you want. After you are finished

selecting files, press [MENU].

5. Use [8] and [2] to select “Yes” and then press [SET].

• This deletes the files you selected.

• To cancel the delete operation, select “No” in step 5 and then press [SET].

Quick Start Basics

. To delete all files

1. Press [p] (PLAY) to enter the PLAY mode and then press [2] ( ).

2. Use [8] and [2] to select “Delete All Files” and then press [SET].

3. Use [8] and [2] to select “Yes” and then press [SET] to delete all files.

This will cause the message “There are no files.” to appear.

Snapshot Shooting Precautions

Operation

• Never open the battery cover while the back lamp is flashing green. Doing so can result in the image you just shot being saved incorrectly, damage to other images stored in memory, malfunction of the camera, etc.

• If unwanted light is shining onto the lens, shade the lens with your hand when shooting an image.

Monitor Screen when Shooting Snapshots

• Subject brightness conditions can cause monitor screen response to slow and can cause digital noise in the monitor screen image.

• The image that appears on the monitor screen is for image composition. The actual image will be recorded at the quality set for the image quality setting (page 96).

Shooting Indoors under Fluorescent Lighting

• Minute flickering of fluorescent lighting can affect the brightness or color of an image.

Other Precautions

• The slower the shutter speed, the greater the possibility that noticeable noise will be generated in an image. Because of this, the camera automatically performs a noise reduction at slow shutter speeds. The noise reduction process causes it to take longer to record images at lower shutter speeds. The shutter speeds for which noise reduction is performed depend on the camera setup and shooting conditions.

• A noise reduction process is performed when ISO sensitivity is set to a high value. This can cause the camera to take relatively longer to be ready to shoot again after you press the shutter button. Do not perform any key operation while the image recording operation is in progress.

• Due to the characteristics of the imaging element used by the camera, very fast moving objects in an image may appear distorted.

Quick Start Basics

. Auto Focus Restrictions

• Any of the following can make proper focus impossible. – Solid color wall or other very low contrast subject – Strongly back lit subject – Very shiny subject – Blinds or other subject with a repeating horizontal pattern – Multiple subjects at varying distances from the camera – Subject in a dark location – Subject that is too far away for light from the AF assist light to reach – Camera movement while shooting – Fast-moving subject – Subjects outside the focus range of the camera

• If you cannot focus properly, try using focus lock (page 43) or Manual Focus (page

42).

Quick Start Basics

Snapshot Tutorial

Selecting the Recording Mode

Your camera has a variety of different recording modes. Before recording an image, rotate the mode dial to select the recording mode that suits the type of image you are trying to record.

PProgram Auto

Standard Auto recording mode. This is the mode you normally should use (page 28).

Ÿ Premium Auto Pro

BEST SHOT

Simply select one of a collection of built-in sample scenes and the camera sets up automatically for beautiful images every time (page 73).

E Focus Control

You can use Focus Control to configure the camera so the background is blurred and only the foreground subject is in focus (Blurred Background), or so everything is in focus (All-In-Focus Macro) (page 58).

ART SHOT

A variety of artistic effects help to make even common, ordinary subjects become more novel and exciting.

Multi SR Zoom

This feature uses super resolution technology and multiple Continuous Shutter (CS) images to expand the zoom range for overall images of higher quality and clarity (page 54).

D Triple Shot

Shoots a burst of three images, making this feature is great for capturing all those special moments when kids are around (page 63).

Mode dial

Snapshot Tutorial

M M (Manual Exposure) mode

This mode gives you total control over aperture and shutter speed settings.

Press [SET] to open the Control Panel.

Use [8] and [2] to select A (Aperture), and then press [SET].

Use [8] and [2] to change the aperture setting, and then press [SET].

Use [8] and [2] to select S (Shutter Speed), and then press [SET].

Use [8] and [2] to change the shutter speed setting, and then press [SET].

S S (Shutter Speed Priority) mode

In this mode, you select the shutter speed and other settings are adjusted accordingly.

Press [SET] to open the Control Panel.

Use [8] and [2] to select S (Shutter Speed), and then press [SET].

Use [8] and [2] to change the shutter speed setting, and then press [SET].

• You also can select the EV shift setting located under the shutter speed setting and then specify an exposure value (EV shift), if you want.

A A (Aperture Priority) mode

In this mode, you select the aperture and other settings are adjusted accordingly.

Press [SET] to open the Control Panel.

Use [8] and [2] to select A (Aperture), and then press [SET].

Use [8] and [2] to change the aperture setting, and then press [SET].

• You also can select the EV shift setting located under the aperture setting and then specify an exposure value (EV shift), if you want.

IMPORTANT!

• In the S mode, ISO sensitivity (page 44) always operates according to its “Auto” setting. The ISO sensitivity setting cannot be changed while in the S mode.

• The flash > (Auto Flash) and ¥ (Red Eye Reduction) flash modes are not supported while A, S, or M is selected for the recording mode. If you want the flash to fire, select < (Flash On) as the flash mode.

• The displayed ISO sensitivity, shutter speed or aperture value will turn red when you half-press the shutter button if the image is overexposed or underexposed.

Snapshot Tutorial

Using the Control Panel

The Control Panel can be used to configure camera settings.

1. In the REC mode, press [SET].

• You can also display the Control Panel by

pressing [2].

[8] [2] [4] [6]

[SET]

2. Use [8] and [2] to select the setting you want to change, and then

press [SET].

This will select one of the Control Panel icons and display its settings.*

Self-timer (page 39)

White balance (page 40)

Focus (page 42)

ISO sensitivity (page 44)

Make-up Level (page 45)

EV shift (page 46)

Flash (page 47)

Metering (page 49)

* Items displayed in the Control Panel depend on the recording mode.

Control Panel

1 2 3 4 5 6 7 8

3. Use [8] and [2] to change the setting.

4. After the setting is the way you want, press

[SET].

This will apply the setting and return to the REC mode.

NOTE

• You also can use on-screen menus to configure settings other than those listed above (page 91).

Snapshot Tutorial

Using the Self-timer (Self-timer)

„

‚”•

With the Self-timer, pressing the shutter button starts a timer. The shutter is released and the image is shot after a fixed amount of time.

1. In the REC mode, press [SET].

2. Use [8] and [2] to select the (Self-timer) Control Panel option, and

then press [SET].

3. Use [8] and [2] to select the setting you want and then press [SET].

Setting

10 sec 10-second Self-timer

2 sec

×3 (Triple Selftimer)

REC Screen Icon Display

Description

2-second Self-timer

• When shooting under conditions that slow down the shutter speed, you can use this setting to prevent image blur due to camera movement.

Shoots three images: one image 10 seconds after the shutter button is pressed, and the next two images as soon as the camera is ready after shooting the previous image. How long it takes for the camera to get ready to shoot depends on the image size and quality settings, whether or not a memory card is loaded in the camera, and the flash charge condition.

Off None Turns off the Self-timer.

• The front lamp flashes while the Self-timer countdown is in progress.

• You can interrupt an ongoing Self-timer countdown by pressing [SET].

Front lamp

Snapshot Tutorial

NOTE

• The Self-timer cannot be used together with the following features. High Speed CS with Prerecord CS, Prerecord (Movie), Lag Correction, Slide Panorama, Wide Shot, Triple Shot

• The Triple Self-timer cannot be used together with the following features. Movie, High Speed CS, Multi SR Zoom, High Speed Night Shot, High Speed Best Selection, For YouTube, Blurred Background, All-In-Focus Macro

Adjusting White Balance (White Balance)

You can adjust white balance to match the source of light available where you are shooting and avoid the blue cast that results when shooting outdoors when it is cloudy, and the green cast that results when shooting under fluorescent lighting.

1. In the REC mode, press [SET].

2. Use [8] and [2] to select the (White Balance) Control Panel option,

and then press [SET].

3. Use [8] and [2] to select the shooting condition you want and then

press [SET].

Setting

Auto WB None

Daylight For shooting outdoors on a clear day

REC Screen Icon Display

Description

Configures the camera to adjust white balance automatically.

Overcast

Shade

DayWhite

Fluorescent

Daylight

Fluorescent

Tungsten For shooting under light bulb lighting

For shooting outdoors on an overcast rainy day, in the shade, etc.

For shooting on a clear day in the shade of trees or buildings

For shooting under white or day white fluorescent lighting

For shooting under daylight fluorescent lighting

Snapshot Tutorial

Setting

Manual

• When “‡ Auto WB” is selected for the white balance setting, the camera automatically determines the white point of the subject. Certain subject colors and light source conditions can cause problems when the camera tries to determine the white point, which makes proper white balance adjustment impossible. If this happens, select the white balance setting that matches your shooting conditions (Daylight, Overcast, etc.).

REC Screen Icon Display

Description

For configuring the camera manually to suit a particular light source

Select “Manual WB”.

Under the lighting

conditions you plan to use when shooting, point the camera at a blank white piece of paper so it fills the entire monitor screen and then press the shutter button. Press [SET].

The white balance setting is retained even if you turn off the camera.

Blank white paper

Snapshot Tutorial

Selecting a Focus Mode (Focus)

1. In the REC mode, press [SET].

2. Use [8] and [2] to select the (Focus) Control Panel option, and

then press [SET].

3. Use [8] and [2] to select the setting you want and then press [SET].

Settings

AF (Auto Focus)

Macro

MF (Manual Focus)

The focus range is the distance from the lens surface.

REC Screen Icon Display

None

Type of Shot

General recording

Close ups

When you want to focus manually

*2 The focus range depends on the current optical zoom position. *3 During High Speed Movie recording, focus is fixed at the position where it was

when recording started. To focus an image, half-press the shutter button for Auto

Focus or focus manually before you press [0] (Movie) to start recording.

To focus with manual focus

Focus Mode Approximate Focus Range

Snapshot Movies Snapshot Movies

4 cm to 9 (infinity)

) (Wide Angle)

Automatic Automatic

Manual

(1.6" to

4 cm to 50 cm (1.6" to 19.7") (Wide Angle)

4 cm to 9 (infinity) (1.6" to

1. On the monitor screen, compose the image so

the subject you want to focus on is within the yellow boundary.

2. Watching the image on the monitor screen use

[4] (nearer) and [6] (further) to adjust focus.

• At this time the image that is within the boundary will enlarge and fill the monitor screen, which aids in focusing. If you do not perform any operation for two seconds while the enlarged image is displayed, the screen in step 1 will re-appear.

• When the “Control Dial” (page 92) is set to “MF” (Manual Focus), you can use the control dial for focusing.

Yellow boundary

Snapshot Tutorial

NOTE

• An Auto Macro feature detects how far the subject is from the lens and automatically selects either Macro Focus or Auto Focus accordingly.

• Use of the flash together with Macro Focus can cause the light of the flash to become blocked, which may result in unwanted lens shadows in your image.

• Whenever you perform an optical zoom operation while shooting with Auto Focus, Macro Focus, or Manual Focus, a value will appear on the monitor screen to tell you the focus range, as shown below. Note that the focus range is displayed including the Auto Macro range only when shooting with Auto Focus. Example: oo

* cm - 9

* oo is the actual focusing range value.

• The operations assigned to the [4] and [6] keys with the “L/R Key” setting (page

93) are disabled while Manual Focus is selected as the focus mode.

• The “Focus” setting is always fixed at “AF” (Auto Focus) whenever “Face Detection” is being used. If you want to change the “Focus” setting, first select “Off” for “Face Detection”.

Using Focus Lock

“Focus lock” is a technique you can use when you want to compose an image in which the subject you want to focus on is not within the focus frame in the center of the screen.

• To use focus lock, select “U Spot” or “O Tracking” for the Auto Focus area (page 99).

Subject to be focused on

1. Align the monitor screen’s focus frame with

the subject you want to focus on and then half-

Focus frame

press the shutter button.

2. Keeping the shutter button half-pressed

(which maintains the focus setting), move the camera to compose the image.

• When “O Tracking” is selected as the Auto Focus

area, the focus frame will move automatically and follow the subject.

3. When you are ready to shoot the image, press the shutter button the

rest of the way down.

NOTE

• Focus lock also locks exposure (AE).

Snapshot Tutorial

Specifying ISO Sensitivity (ISO)

ISO sensitivity is a measure of sensitivity to light.

1. In the REC mode, press [SET].

2. Use [8] and [2] to select the (ISO Sensitivity) Control Panel option,

and then press [SET].

3. Use [8] and [2] to select the setting you want and then press [SET].

Setting

Auto None

ISO80

ISO100

ISO200

ISO400

ISO800

REC Screen Icon Display

Description

Adjusts sensitivity automatically according to conditions.

Lower

sensitivity

Slow shutter speed

Less noise

ISO1600

ISO3200

• While “Auto” is selected, Anti Shake corrects for subject movement only (page

100).

• Since higher ISO sensitivity values tend to result in digital noise in images, the camera performs a noise filtering process. Because of this, it may take relatively longer for the camera to finish recording an image after it is shot. You will not be able to perform any key operation while image recording is in progress.

Higher

sensitivity

Fast shutter speed

(Set for shooting in

dimly lit areas.)

Some coarseness

(increased digital

noise)

Snapshot Tutorial

Recording Beautiful Portraits (Make-up Level)

The Make-up Function smoothes the skin texture of the subject and softens facial shadows caused by harsh sunlight for better looking portraits. You can select a makeup level within the range of “0 (Off)” to “+12 (Max.)”.

1. Enter the REC mode, and then press [SET].

2. Use [8] and [2] to select the (Make-up Level) Control Panel option,

and then press [SET].

3. Use [8] and [2] to select the Make-up Level setting you want, and then

press [SET].

• You can select a make-up level within the range of “0 (Off)” to “+12 (Max.)”.

4. Shoot the image.

NOTE

• Selecting any Make-up Level setting from +1 (Min.) to +12 (Max.) causes the settings below to be configured automatically. – Face Detection: On – Focus Mode: AF (Auto Focus)

• Make-up cannot be used with the following functions. Some BEST SHOT scenes, ART SHOT, Multi SR Zoom, High Speed CS

Snapshot Tutorial

Correcting Image Brightness (EV Shift)

You can manually adjust an image’s exposure value (EV value) before shooting it.

• Exposure Compensation Range: –2.0 EV to +2.0 EV

• Unit: 1/3EV

1. In the REC mode, press [SET].

2. Use [8] and [2] to select the (EV Shift) Control Panel option, and

then press [SET].

3. Use [8] and [2] to adjust the exposure compensation value.

[8], clockwise: Increases the EV value. A higher EV value is best for light-colored subjects and backlit subjects.

[2], counterclockwise: Decreases the EV value. A lower EV value is best for dark-color subjects and for shooting outdoors on a clear day.

To cancel exposure compensation, change the EV value to 0.0.

Exposure compensation value

4. Press [SET].

This applies the exposure compensation value. The exposure compensation value you set remains in effect until you change it or turn off the camera (which causes it to revert to “0.0”).

NOTE

• When shooting under very dark or very bright conditions, you may not be able to obtain satisfactory results even after performing exposure compensation.

Snapshot Tutorial

Using Flash (Flash)

If you plan to use flash, you need to slide the flash switch to open the flash unit.

1. In the REC mode, press [2] ( ) once.

Flash switch

Flash

2. Use [8] and [2] to select the flash setting

you want and then press [SET].

Setting

Auto Flash None

Flash Off Flash does not fire.

Flash On

Red Eye

Reduction

REC Screen Icon Display

Description

Flash fires automatically in accordance with exposure (amount of light and brightness) conditions.

Flash always fires. This setting can be used to brighten a subject that normally comes out dark due to daylight or backlight (daylight synchro flash).

Flash fires automatically. This type of flash can be used to reduce the chance of redness in the subject’s eyes.

3. Slide the flash switch to open the flash unit.

• If you half-press the shutter button while the flash unit is not open when surrounding light requires flash, the message “Open the flash unit.” will appear on the monitor screen. The flash will not fire if you go on and fully press the shutter button. Slide the flash switch to open the flash unit before shooting.

[2] ( )

Snapshot Tutorial

4. Press the shutter button to shoot.

Back lamp

Flashes orange while the flash is charging to indicate that image recording is disabled.

• You will not be able to take another flash snapshot until the lamp stops flashing orange, which indicates that charging is complete.

< indicates the flash will fire.

• For information about Flash Range, see page 193.

IMPORTANT!

• Even if you have the Control Panel setting configure for flash, the flash will not fire unless the flash unit is open.

• When not using flash, press down on the flash unit until it locks into place with a click.

• Foreign matter on the flash window can react with the light of the flash, producing some smoke and abnormal odor. Though this does not indicate malfunction, oil from your fingers and other foreign matter when left on the flash window can become difficult to clean off later. Because of this, you should make it a regular habit to wipe the window clean regularly with a soft, dry cloth.

NOTE

• Take care so your fingers and the strap do not block the flash.

• The desired effect may not be obtained when the subject is too far away or too close.

• Flash charging time (page 193) depends on operating conditions (battery condition, ambient temperature, etc.).

• Shooting with flash turned off when lighting is dim results in a slow shutter speed, which can cause image blur due to camera movement. Under such conditions, secure the camera with a tripod, etc.

• With red eye reduction, the flash is fired automatically in accordance with exposure. It does not fire in areas where lighting is bright.

• The presence of outdoor sunlight, fluorescent lighting, or some other light source can cause abnormal image colors.

• Select ? (Flash Off) for the flash setting when shooting in areas where flash photography is prohibited.

Snapshot Tutorial

Red-eye Reduction

Using the flash to shoot at night or in a dimly lit room can cause red spots inside the eyes of people who are in the image. This is caused when the light from the flash reflects off of the retina of the eye. When red-eye reduction is selected as the flash mode, the camera fires a pre-flash to cause the irises in the eyes of any people in the image to close, which reduces the chance of red eye. Note the following important points when using red-eye reduction.

• Red-eye reduction does not work unless the people in the image are looking directly at the camera (flash).

• Red-eye reduction may not work very well if the subjects are located far away from the camera.

Specifying the Metering Mode (Metering)

The metering mode determines what part of the subject is metered for exposure.

1. In the REC mode, press [SET].

2. Use [8] and [2] to select the (Metering) Control Panel option, and

then press [SET].

3. Use [8] and [2] to select the setting you want and then press [SET].

Setting

Multi None

Center

Weighted

Spot

REC Screen Icon Display

Description

Multi-pattern metering divides the image into sections and measures the light in each section for a balanced exposure reading. This type of metering provides error-free exposure settings for a wide range of shooting conditions.

Center weighted metering concentrates on the center of the focus area to measure light. This type of metering is best when you want some level of control over contrast.

Spot metering takes readings at a very small area. Use this metering method when you want exposure to be set according to the brightness of a particular subject, without being affected by surrounding conditions.

Snapshot Tutorial

Shooting with Zoom

Your camera is equipped with various types of zoom: optical zoom, HD Zoom, Single SR Zoom, Multi SR Zoom, and digital zoom. The maximum zoom factor depends on the image size setting and the digital zoom on/off settings.

Optical zoom

HD Zoom

Single SR Zoom

Multi SR Zoom

Digital zoom

Zooming is performed by changing the lens focal distance, so there is no deterioration of image quality.

Allows greater zoom capabilities by cutting out a portion of the original image and enlarging it, without deterioration of image quality.

Applies super resolution technology to suppress image deterioration (page 53).

Shoots a burst of high-speed images, which are then combined into a final image in a way that lessens deterioration of image quality. Multi SR Zoom is enabled only when the “Multi SR Zoom” recording mode is selected. (page 54)

A digital process is used to enlarge the center of the image, so there is deterioration of image quality.

1. In the REC mode, rotate the zoom controller to zoom.

w Wide Angle z Telephoto

w (Wide Angle): Reduces the size of the subject and broadens the range. z (Telephoto) : Enlarges the subject and narrows the range.

Zoom controller

2. Press the shutter button to shoot.

NOTE

• Use of a tripod is recommended to protect against image blur due to camera movement when shooting with telephoto.

• Performing a zoom operation changes the lens aperture.

• Zoom operations are supported during movie recording. Zoom operations are disabled during high speed movie recording. To use zoom, perform the zoom operation before you press [0] (Movie) to start recording.

• Zoom operations are not supported while shooting with the following feature. The zoom setting is fixed at full wide angle. Slide Panorama, Wide Shot, All-In-Focus Macro

Snapshot Tutorial

Monitor Screen Information when Zooming

A variety of information is shown on the monitor screen while a zoom operation is in progress.

. Zoom Mode Icons

Zoom mode

Focal distance

Focusing Range (Displayed for Auto Focus, Macro Focus, and Manual Focus.)

Zoom bar

The table below shows what appears on the monitor screen based on the zoom mode.

Zoom mode REC Screen Icon Display

Optical zoom None

HD Zoom None

Single SR Zoom ¨ (White)

Multi SR Zoom ¸ (Black)

Digital zoom ê

(Converted to 35 mm film format.)

Image quality limit (Deterioration starts from here.)

Snapshot Tutorial

. Interpreting the Zoom Bar

During a zoom operation, a zoom bar appears on the monitor screen to show the current zoom setting.

Range where image deterioration is

suppressed.

Wide Angle Telephoto

Optical zoom limit point

Point from which image deteriorates

• The location of this point depends on the image size, the “Zoom (SR)” setting, and whether Multi SR Zoom is enabled.

Deteriorated image range

Zoom pointer (Indicates current zoom.)

. Zoom Factor

The digital zoom factor depends on the image size (page 94), the super resolution zoom setting, and on whether or not “Multi SR Zoom” is selected (page 54).

• Multi SR Zoom is enabled only when the “Multi SR Zoom” recording mode is selected.

Maximum zoom factor where image

Image size

Optical

zoom

deterioration can be suppressed

Zoom (SR): Off

(HD Zoom)

Multi SR Zoom

Zoom (SR): Single

16M 18.0X 18.0X 36.0X 72.0X

3:2 18.0X 18.0X 36.0X 72.0X

16:9 18.0X 18.0X 36.0X 72.0X

10M 18.0X 22.7X 45.5X 90.9X

5M 18.0X 32.4X 64.8X 129.6X

3M 18.0X 40.5X 81.0X 161.6X

VGA 18.0X 129.6X 258.7X 286.9X

Total maximum

zoom factor

(In combination

with digital zoom)

Snapshot Tutorial

Zooming with Super Resolution (Zoom (SR))

There are two types of Super Resolution Zoom: Single SR Zoom and Multi SR Zoom. Single SR Zoom uses super resolution to expand the zoom range in which image quality deterioration is minimized. Multi SR Zoom shoots a series of High Speed CS images, which are then combined into an image that enables shooting at higher zoom ratios without loss of image quality. For information about the effective zoom factor ranges in which Super Resolution Zoom is effective, see page 52. The procedure below shows how to configure Single SR Zoom settings. For information about Multi SR Zoom, see page 54.

1. In the REC mode, press [MENU].

2. Press [4], use [8] and [2] to select the “

press [6].

REC MENU” tab, and then

3. Use [8] and [2] to select “Zoom (SR)” and then press [SET].

4. Use [8] and [2] to select “Single” and then press [SET].

NOTE

• Single SR Zoom is effective when you want to capture delicate textures.

• Single SR Zoom does not work during movie recording.

• The following functions are disabled when shooting with Single SR Zoom. Triple Self-timer, ART SHOT, Multi SR Zoom, Triple Shot, some BEST SHOT scenes

Snapshot Tutorial

Expanding the Zoom Range to Shoot Clearer Snapshots (Multi SR Zoom)

This feature uses super resolution technology and multiple Continuous Shutter (CS) images to expand the zoom range for overall images of higher quality and clarity (page 53).

1. Align the mode dial with [j] (Multi SR Zoom).

2. Press the shutter button to shoot.

NOTE

• Multi SR Zoom is effective when you want to capture delicate textures.

• The following functions are disabled when shooting with Multi SR Zoom. Single SR Zoom, Triple Self-time, Sharpness, Contrast

• With Multi SR Zoom, the flash setting automatically becomes ? (Flash Off).

• Shooting with this function automatically sets Anti Shake to “Standard” (page 100), but large movement of the camera or subject make it impossible to achieve the desired shot.

• Depending on shooting conditions and image composition, Multi SR Zoom may not be able to produce the desired result.

• When shooting with this feature, “ISO 3200” cannot be selected for “ISO Sensitivity” (page 44).

Shooting a Burst of Images (High Speed CS)

Pressing [Õ] (Continuous Shutter) toggles between the Continuous Shutter mode and the Single Shot mode (page 28).

[Õ] (Continuous Shutter)

Snapshot Tutorial

. Shooting with High Speed CS

With High Speed CS, recording continues as long as you keep the shutter button depressed. The table below shows the settings that can be specified for the CS speed and the number of images per High Speed CS operation.

CS Speed (High Speed CS (fps))

Maximum CS Shots

3 fps, 5 fps, 10 fps, 15 fps, 30 fps fps = frames per second

5, 10, 20, 30

CS speed

High Speed CS icon

Maximum CS shots

1. Align the mode dial with [P] (Program Auto).

2. Press [Õ] (Continuous Shutter).

• This will display Š (High Speed CS). If this does not happen, press [Õ]

again.

3. Press [SET].

4. Use [8] and [2] to select the (High Speed CS fps) Control Panel

option, and then press [SET].

5. Use [8] and [2] to select the continuous shutter (CS) speed you want,

and then press [4].

• Use a higher “High Speed CS fps” setting when shooting a fast-moving subject.

6. Use [8] and [2] to select the (Maximum CS Shots) Control Panel

option, and then press [SET].

7. Use [8] and [2] to select the maximum number of shots and then

press [SET].

8. Press the shutter button the rest of the way and hold it down.

Shooting of images will continue as long as you depress the shutter button or until the maximum number of images specified by “High Speed CS fps” is reached.

Snapshot Tutorial

. Shooting with Prerecord CS

Half-pressing and holding the shutter button causes a pre-record buffer to be continually updated with images. When the shutter button is fully pressed, buffer contents are recorded along with a series of real-time images. Use Prerecord CS when you want to make sure you do not miss fast-moving action.

Shutter button half-press

Pre-recorded images

Shutter button full-press

Recorded images (up to 30 images)

Continuous recording of images until shutter

button released

Shutter button

release

1. Align the mode dial with [P] (Program Auto).

2. Press [Õ] (Continuous Shutter).

3. Press [SET].

4. Use [8] and [2] to select the (High Speed CS fps) Control Panel

option, and then press [SET].

5. Use [8] and [2] to select the continuous shutter (CS) speed you want,

and then press [4].

• Use a higher “High Speed CS fps” setting when shooting a fast-moving subject.

6. Use [8] and [2] to select the (Maximum CS Shots) Control Panel

option, and then press [SET].

7. Use [8] and [2] to select the maximum number of shots, and then

press [4].

8. Use [8] and [2] to select the (Pre-record CS Shots) Control Panel

option, and then press [SET].

9. Use [8] and [2] to select the number of Prerecord (Still) images and

then press [SET].

• Settings: 0 shots, 3 shots, 5 shots, 10 shots, 15 shots, 20 shots, 25 shots

• If you select “0 shots”, no pre-record images will be stored when you half-press the shutter button.

Snapshot Tutorial

10.

Half-press and hold the shutter button to start pre-recording.

A pre-record buffer is continually updated with images as long as the shutter button is pressed.

• The camera will not emit shutter sounds as it pre-records images.

• Releasing the half-pressed shutter button will cause the contents of the prerecord buffer to be deleted.

11.

Full press and hold down the shutter button.

This will record the images in the pre-record buffer followed by real-time recorded images. Shooting of images will continue as long as you depress the shutter or until the maximum number of images specified by “High Speed CS fps” is reached.

. Continuous Shutter Precautions

• You can use the Manual Mode while a continuous shutter mode is selected. To do so, set the mode dial to [A], [S], or [M].

• The greater the number of shots, the longer it takes to save them after shooting is complete.

• When using a continuous shutter mode, keep the camera still until shooting is finished.

• Zoom is disabled during continuous shutter operations.

• When shooting with this function, the snapshot image quality automatically changes to “Normal”.

• When shooting with this function, exposure and focus for the first image are applied for successive images as well.

• When shooting with this function, the flash setting automatically becomes ? (Flash Off).

• The following image sizes cannot be selected while shooting with this function: “3:2”, “16:9”. Entering the High Speed CS mode while any one of these image sizes is selected will cause the image size setting to change to “16M” automatically.

• The Triple Self-time cannot be used when shooting with this function.

• The Self-timer cannot be used in the Prerecord CS mode.

• Single SR Zoom and Multi SR Zoom cannot be used when shooting with this function.

Snapshot Tutorial

Using Focus Control

You can use Focus Control to configure the camera so the background is blurred and only the foreground subject is in focus (Blurred Background), or so everything is in focus (All-In-Focus Macro).

Shooting with a Blurred Background (Blurred Background)

This function analyzes a burst of consecutive images and then blurs the background behind the main subject. This creates an effect that really makes the subject stand out, just like photographs taken with a single-lens reflex camera. The blur effect can be set to one of three levels.

Shot with “Program Auto”. Shot with “Blurred Background”.

1. Align the mode dial with [E] (Focus Control).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Use [4] and [6] to select “Blurred Background” and then press [SET].

5. Press [SET] and then use [8] and [2] to select the (Blur Effect)

Control Panel option, and then press [SET].

6. Use [8] and [2] to select the Image Blur level you want, and then

press [SET].

• The Image Blur level can be set to Level 1, Level 2, or Level 3.

7. Press the shutter button to shoot.

• Get as close as possible to the subject. Also, the background should be as far away as possible from the subject. The required distances depend on the zoom factor being used. Example: When zoom is set to full wide (W), the distance between the camera

• This will cause the message “Busy... Please wait...” to appear. Do not move the camera while this message is displayed. The recording process takes some time to complete after the message appears.

and subject should be 30cm, while the distance between the subject and background should be at least 1 meter.

Snapshot Tutorial

NOTE

• The current “Zoom (SR)” (page 53) setting is ignored when shooting with this function.

• With this function, the flash setting automatically becomes ? (Flash Off).

• Shooting with this function automatically sets Anti Shake to “Standard” (page 100), but large movement of the camera or subject make it impossible to achieve the desired shot.

• Depending on the shooting environment, image composition, and subject, this scene may not be able to produce the desired result.

• If the camera determines that it is unable to blur the background of an image for some reason, it will display the message “Blurring failed. Normal background recorded.”. Note, however, that the image will be saved, even if background blurring is not possible.

Shooting with Full Focus Macro (All-In-Focus Macro)

All-In-Focus Macro shoots and analyzes a burst of multiple images and combines them in a way that produces an image in which everything is in focus: from nearby objects to distant objects.

“Program Auto” image All-In-Focus Macro

1. Align the mode dial with [E] (Focus Control).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Use [4] and [6] to select “All-In-Focus Macro” and then press [SET].

5. Press the shutter button to shoot.

• Move the camera as close to the subject as possible, and take care to avoid camera movement and subject movement as you shoot.

• After you press the shutter button, the message “Busy... Please wait...” will appear on the monitor screen to let you know that shooting is in progress. Do not move the camera while this message is displayed. The recording process takes some time to complete after the message appears. Image shooting is disabled while the message is displayed.

Snapshot Tutorial

NOTE

• When shooting with this function, zoom is fixed at wide angle.

• When shooting with this function, the flash setting automatically becomes

? (Flash Off).

• Shooting with this function automatically sets Anti Shake to “Standard” (page 100), but large movement of the camera or subject make it impossible to achieve the desired shot.

• Depending on shooting conditions, image composition, and the subject you are shooting, this scene may not be able to produce the desired result.

• The message “Image merging failed.” will appear if the All-In-Focus Macro process cannot be performed for some reason. The images shot by the camera will be saved even if they cannot be merged.

Shooting with Artistic Effects (ART SHOT)

A variety of artistic effects help to make even common, ordinary subjects become more novel and exciting.

Scene Description

Applies HDR (High Dynamic Range, page 76) photography

HDR Art

Toy Camera

Soft Focus Blurs overall focus for a mysteriously soft effect.

Light Tone Weakens contrast to create an elegantly subdued effect.

Pop Strengthens saturation for richer colors.

Sepia Sepia colors are used to create a retro effect.

Monochrome Enhances contrast to create a grainy print effect.

Miniature

Fisheye

to transform snapshots and movies into works of art that provide a greater degree of expression than conventional imaging.

Darkens the periphery and changes hues for a toy camera effect.

Blurs some of the focus to make the image look like a miniature.

Humorous effect that looks like it was shot with a fisheye lens.

Snapshot Tutorial

1. Align the mode dial with [C] (ART SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select the ART SHOT scene you want to use and then press [SET].

Select from among: HDR Art, Toy Camera, Soft Focus, Light Tone, Pop, Sepia,

Monochrome, Miniature, Fisheye

5. Press [SET], use [8] and [2] to select the fifth Control Panel option

from the top, and then press [SET].

The intensity of the selected effect can be adjusted as described below.

Scene Adjustment

HDR Art Effect level

Toy Camera Hue

Soft Focus Effect level

Light Tone Hue

Pop Effect level

Sepia Effect level

Monochrome Effect level

Miniature Focus area

Fisheye Effect level

6. Use [8] and [2] to change the setting.

7. Press [SET].

8. Press the shutter button to shoot.

Snapshot Tutorial

. Using the Scene Information Screen

To find out more about a scene, select it with the boundary on the scene menu and then rotate the zoom controller in either direction.

• To return to the scene menu, rotate the zoom controller again.

• To scroll between scenes, use [4] and [6].

• To configure the camera with the settings for the currently selected scene, press [SET].

NOTE

• Depending on the “ART SHOT” scenes, some of the items on the menu that appears may not be usable.

• With this “ART SHOT” scene, the flash setting automatically becomes ? (Flash Off).

• With HDR Art Movie, the “Movie Quality” setting can be either “HD” or “STD” only (page 96). When any “Movie Quality” setting other than “STD” is selected in another mode, the “HD” setting is used when shooting with HDR Art Movie.

• When using “HDR Art” for movie recording, the intensity of the art effect is fixed in accordance with movie settings.

Saving a Second Normal Image When Shooting With HDR Art (Double (HDR Art))

You can configure the camera to save two images when shooting with HDR Art: one image with HDR Art effects applied in accordance with the scene you selected plus another normal (Program Auto) image without any effects applied.

1. Align the mode dial with [C] and then press [MENU].

2. Press [4], use [8] and [2] to select the “

press [6].

REC MENU” tab, and then

3. Use [8] and [2] to select “Double (HDR Art)” and then press [SET].

4. Use [8] and [2] to select “On” and then press [SET].

While “Off” is selected for the above step, only a single HDR Art image is saved (normal image not saved).

5. Press the shutter button to shoot.

Snapshot Tutorial

Shooting with Triple Shot

Triple Shot shoots a burst of three images and stores them in memory. This feature is great for making sure you don’t miss those special moments when kids are around.

1. Align the mode dial with [D] (Triple Shot).

2. Point the camera at the subject and then half-press the shutter button.

The camera will start pre-recording images at this time.

• If you release the half-pressed shutter button before pressing it the rest of the way down, all of the images currently in the pre-record buffer will be deleted.

3. Press the shutter button all the way down to record.

This will record three images: one of the action before the shutter button is fully pressed plus two real-time images.

• Pressing the shutter button all the way without first half-pressing it will result in only two images being recorded.

NOTE

• The settings in the table below are fixed while shooting with this function.

Self-timer Off

Flash Flash Off

Image Quality Normal

Single SR Zoom Off

Face Detection On

Focus Mode AF

AF Area “Intelligent” or “Spot”*

* If you select “I Multi” or “O Tracking” for this setting in another mode and then

shoot with Triple Shot, shooting is performed using the “U Spot” setting.

Snapshot Tutorial

Recording Movies

To record a movie

The following procedure explains how to record a standard (STD) movie. This camera supports Premium Auto Pro movie recording (page 65). See the pages indicated below for more information about movies. High-definition movie (FHD movie): page 67 High speed movie (HS movie): page 67

1. Align the mode dial with [P] (Program

Auto) or [Ÿ] (Premium Auto Pro).

Mode dial

2. Press [MENU].

3. Press [4], use [8] and [2] to select the

“r REC MENU” tab, and then press [SET].

4. Use [8] and [2] to select “Movie

Quality” and then press [6].

5. Use [8] and [2] to select “STD” (Standard),

and then press [SET].

• Recording is performed with an aspect ratio of 4:3, an image size of 640 frame rate of 30 frames per second (STD Movie). Image size setting cannot be changed.

• The semi-transparent gray frame on the monitor screen indicates the area that is recorded when shooting a movie. The area within the frame is recorded for a movie.

480 pixels, and a

6. Press [0] (Movie).

This will start recording and display Y on the monitor screen. Movie recording includes stereo audio.

7. Press [0] (Movie) again to stop recording.

• Each movie can be up to 29 minutes long. Movie recording stops automatically after 29 minutes of recording. Movie recording also will stop automatically if memory becomes full before you stop movie recording by pressing [0] (Movie) again.

[0] (Movie)

[SET]

[MENU]

[8][2][4][6]

Semi-transparent gray frame

Recording time

Remaining recording time

(page 189)

Recording Movies

Recording Movies with Premium Auto Pro

When Premium Auto Pro is enabled (page 28), the camera automatically make judgments about the subject, shooting conditions, and other parameters. The result is higher quality images than those produced by Program Auto recording. The shooting environment detected by the camera is displayed at the bottom of the REC mode screen.

• Premium Auto Pro is enabled for FHD movies and STD movies only.

• Using Premium Auto Pro uses up the battery charge more quickly than using Program Auto recording.

Shooting with BEST SHOT

With BEST SHOT (page 73), you can select the sample scene that matches the type of movie you are trying to shoot and the camera will change its setup accordingly, for beautiful movies every time.

Minimizing the Effects of Camera Movement during Movie Recording

You can use Anti Shake (page 100) to configure the camera to minimize the effects of camera movement during FHD and STD movie recording. Note that Anti Shake cannot be used with HDR Art Movie and that Anti Shake does not prevent image blur due to subject movement.

Audio

Your camera has built-in microphones that can be used to record audio (stereo) during movie recording.

• Your camera has a function to reduce wind noise (Wind Noise Cut) when recording movies (page 103).

. Recording Precautions

• The camera also records audio. Note the following points when shooting a movie. – Take care that the microphones are not blocked by your

fingers, etc.

– Good audio recording results are not possible when the

camera is too far away from what you are trying to record.

– Performing a zoom operation while shooting can cause zoom and/or auto focus

noise to be in the audio recording.

– Operating camera buttons while shooting can cause button noise to be picked

up in the audio.

• When shooting with the “HS” movie mode at a frame rate setting of “30-120 fps” or “30-240 fps”, audio is recorded only while the camera is shooting at 30 fps. Audio is not recorded at any other frame rates.

Microphones

Recording Movies

IMPORTANT!

• Spending a long time using movie recording will cause the camera to become slightly warm to the touch. This is normal and does not indicate malfunction.

• Shooting movies for long periods in areas where temperature is relatively high can cause digital noise (dots of light) to appear in the movie image. A rise in the camera’s internal temperature also may force movie recording to stop automatically. If this happens, stop recording and allow the camera to cool down, which should cause normal operation to resume.

• Using the camera’s built-in memory or certain types of memory cards can slow down processing speed. Whenever possible use an Ultra High-Speed Type memory card. Note, however, that not all operations can be guaranteed even if an Ultra High-Speed Type memory card is used. Certain movie quality settings can result in too much time being required to record data, which can result in breaks in the image and/or audio during playback. If this happens, the Y will turn yellow on the monitor screen.

NOTE

• Zoom operations are supported during movie recording (page 50). Zoom is disabled during high speed movie recording. To use zoom for high speed movie recording, perform the zoom operation before you press [0] (Movie) to start recording.

• Both Single SR Zoom (page 53) and Multi SR Zoom (page 54) are disabled during movie recording.

• The effects of camera movement in an image become more pronounced when you shoot close up or with a large zoom factor. Because of this, use of a tripod is recommended under these conditions.

• Except for High Speed Movie, Continuous AF (page 101) is performed during movie recording while “AF” (Auto Focus) or “Macro” is selected for the “Focus” setting.

• Face Detection is disabled during normal FHD and STD, and high speed movie recording. Face Detection is enabled when shooting movies with Premium Auto Pro (FHD and STD).

• The following functions do not support movie recording. Blurred Background, All-In-Focus Macro, Triple Shot, Multi SR Zoom, some BEST SHOT scenes

• The A, S, and M recording modes are not supported when shooting a movie, or when using the “Prerecord (Movie)” and “For YouTube” BEST SHOT scenes. In these cases, the recording mode is always P (Program Auto).

Recording Movies

Recording a High-definition Movie

This camera supports recording of high-definition (FHD) movies. The aspect ratio of an FHD movie is 16:9, the image size is 1920 30 fps. Image quality and image size settings cannot be changed.

1080 pixels, and the frame rate is

1. Align the mode dial with [P] (Program Auto) or [Ÿ] (Premium Auto

Pro).

2. Press [MENU].

3. Press [4], use [8] and [2] to select the “

press [SET].

REC MENU” tab, and then

4. Use [8] and [2] to select “Movie Quality” and then press [6].

5. Use [8] and [2] to select “FHD”, and then press [SET].

6. Record the movie the same way as you would a normal movie (page

64).

Press [0] (Movie) to start and stop recording.

Recording a High Speed Movie

This camera supports recording of high speed movies at a maximum speed of 1000 fps. The aspect ratio of movies recorded with this mode depends on the frame rate (recording speed).

• When recording with the frame rate setting of “30-120 fps” or “30-240 fps” frame rate setting, audio recording is supported during 30 fps recording only. Audio is not recorded at any other frame rates.

1. Align the mode dial with [P] (Program Auto).

2. Press [MENU].

3. Press [4], use [8] and [2] to select the “

press [SET].

REC MENU” tab, and then

Recording Movies

4. Use [8] and [2] to select “Movie Quality” and then press [6].

5. Use [8] and [2] to select the frame rate (recording speed) you want

and then press [SET].

A fast frame rate (such as 1000 fps) will result in a smaller image size.

Movie

Quality

HS1000 1000 fps 224

REC Screen Icon Display

Frame Rate

Image Size

(Pixels)

HS480 480 fps 224x160

HS240 240 fps 512

HS120 120 fps 640

HS30-240 30-240 fps 512

HS30-120 30-120 fps 640

384

480

384

480

• fps (frames per second) is a unit of measurement indicating the number of images recorded or played back per second.

6. Record the movie the same way as you would a normal movie (page

64).

Press [0] (Movie) to start and stop recording.

• During High Speed Movie recording (HS120, HS240, HS480, HS1000), focus is fixed at the position where it was when recording started. To focus an image, half-press the shutter button for Auto Focus or focus manually before you press [0] (Movie) to start recording.

• Continuous AF is operational when recording at 30 fps with “HS30-120” or “HS30-240”. However, focus becomes fixed whenever you switch to 120 fps or 240 fps.

• When “HS30-120” or “HS30-240” is selected as the frame rate, recording always starts with a frame rate of 30 fps. You can switch the frame rate between 30 fps and 120 fps or between 30 fps and 240 fps only while recording is in progress. Press [4], [6], or [SET] to switch speeds. Audio is recorded only while shooting at a 30 fps.

Recording Movies

NOTE

• The higher the frame rate (speed), the more lighting is required when shooting. When shooting a high speed movie, shoot in a well-lit environment.

• When recording certain types of movies, the image that appears on the monitor screen may be smaller than normal. When recording a high speed movie, there are black bands along the top, bottom, left, and right of the screen.

• When recording a high speed movie, light source flicker can cause horizontal bands to appear in the image. This does not indicate malfunction of the camera.

• Monitor screen content switching is disabled during high speed movie recording.

Using Prerecord Movie (Prerecord (Movie))

Prerecord (Movie) maintains a pre-recording of approximately five seconds of action (approximately two seconds for High Speed Movie). When you start real-time recording, the pre-recorded content is stored followed by the real-time recording, to help make sure you do not miss anything by being late pressing the record button.

[0] (Movie)[0] (Movie)

Movie

Real-time recording start

Approximately 5-second prerecorded part (from the buffer)

• Approximately two seconds for high speed movie

Real-time recording end

. To set up the camera to shoot with Prerecord Movie

1. Align the mode dial with [b] (BEST SHOT).

2. Press [MENU].

3. Press [4], use [8] and [2] to select the “

press [SET].

REC MENU” tab, and then

4. Use [8] and [2] to select “Movie Quality” and then press [6].

5. Use [8] and [2] to select the movie mode you want to use for shooting

and then press [SET].

Recording Movies

6. Press [SET].

7. Use [8] and [2] to select , and then press [SET].

8. Use [8], [2], [4], and [6] to select the “Prerecord (Movie)” scene and

then press [SET].

This causes ‰ (Prerecord (Movie)) to appear on the monitor screen, indicating that the camera is prerecording to its buffer.

. To shoot a Prerecord Movie

1. After using the above procedure to set up the camera for Prerecord

Movie, point the camera at the subject.

2. When you are ready to record, press [0] (Movie).

This will save the approximately five seconds of action that was prerecorded in the buffer before you pressed [0] (Movie) (two seconds if you are using high speed movie) and start real-time recording.

3. Press [0] (Movie) again to stop recording.

• To turn off Prerecord Movie recording, align the mode dial with [P] (Program

Auto) or [Ÿ] (Premium Auto Pro).

• When shooting with the high speed movie “HS30-120” and “HS30-240” setting, you cannot change the speed (fps) setting while the camera is pre-recording to the buffer in step 1 of the above procedure. You can change the speed (fps) setting after you press [0] (Movie) to start real-time recording.

NOTE

• While the camera is set up for shooting with Prerecord Movie, pressing the shutter button will not shoot a snapshot unless movie recording is in progress. With highdefinition (FHD) and standard (STD) movie, you can shoot still images while realtime movie recording is in progress.

• When shooting with Prerecord Movie in combination with high speed movie, rotating the control dial will not change the EV shift or white balance setting, even if “EV Shift” or “White Balance” is assigned for the “Control Dial” function. To change the EV shift or white balance setting in this case, use the Control Panel.

Recording Movies

Recording a Movie for YouTube (For YouTube)

The “For YouTube” scene records movies in a format that is optimal for uploading to the YouTube movie site, which is operated by YouTube, LLC. “For YouTube” can be used when shooting a standard (STD) movie, a high-definition (FHD) movie, or a high speed (HS) movie.

1. Align the mode dial with [b] (BEST SHOT).

2. Press [MENU].

3. Press [4], use [8] and [2] to select the “

press [SET].

REC MENU” tab, and then

4. Use [8] and [2] to select “Movie Quality” and then press [6].

5. Use [8] and [2] to select the movie mode you want to use for shooting

and then press [SET].

6. Press [SET].

7. Use [8] and [2] to select , and then press [SET].

8. Use [8], [2], [4], and [6] to select the “For YouTube” scene and then

press [SET].

This causes Ê to appear on the monitor screen.

9. Record the movie.

The movie file will be stored in a camera folder named “100YOUTB”.

• Installing YouTube Uploader for CASIO simplifies uploading of movie files you recorded with the “For YouTube” scene to YouTube.

• To exit “For YouTube”, align the mode dial with [P] (Program Auto) or [Ÿ] (Premium Auto Pro).

NOTE

• Movies recorded with the “For YouTube” scene are stored in a special folder to make them easy to locate for uploading (page 151). “For YouTube” movies are shot using the image size, recording speed, and quality settings configured in the Movie Mode (page 64).

• Snapshots cannot be shot (regardless of whether you are recording or not) while the “For YouTube” scene is selected.

• A single movie can have a maximum file size of 2,048MB or a playback time of 15 minutes. The actual maximum recording time depends on the movie mode used for recording (page 190).

Recording Movies

Shooting a Snapshot while Shooting a Movie (Snapshot In Movie)

You can shoot snapshots while movie recording is in progress. When the camera is in the Single Shot mode, you can shoot snapshots one-by-one. In the CS mode, holding down the shutter button will record up to seven consecutive images at a speed of approximately 10 images per second (fps). You can shoot a maximum total of 28 images during a single movie recording operation.

1. While a movie is being recorded, press the

shutter button.

• In the CS mode, images continue to be shot as long as you keep the shutter button depressed.

• Movie recording is not interrupted while snapshots are being shot.

• While movie recording is in progress, you can toggle between the Single Shot Mode and the CS mode by pressing [Õ] (Continuous Shutter), [4], [6], or [SET]. Note that this method for mode switching is possible only during movie recording. The CS mode is indicated when is white (on the monitor screen), and the Single Shot mode is selected when t is white.

NOTE

• Note that the flash cannot be used when shooting a Snapshot In Movie.

• Note that shooting a snapshot while shooting a movie is supported during FHD movie and STD movie recording only. It is not supported during other types of movie recording.

• Snapshots shot with Snapshot In Movie cannot be focused individually. The focus will be the same as the movie being recorded.

• The field of view of a snapshot shot while FHD movie recording is in progress will be wider than the field of view of the FHD movie.

• The snapshot image quality automatically changes to “Normal”.

• The P (Program Auto) recording mode is used when you shoot a snapshot during movie recording.

Snapshot recording mode

Number of recordable snapshots

Recording Movies

Using BEST SHOT

BEST SHOT provides you with a collection of sample “scenes” that show a variety of different types of shooting conditions. When you need to change the setup of the camera, simply find the scene that matches what you are trying to achieve, and the camera sets up for it automatically. This helps to minimize the chance of ruined images due to poor exposure and shutter speed settings.

. Some Sample Scenes

Portrait Scenery

High Speed Night

To shoot with BEST SHOT

1. Align the mode dial with [b] (BEST

SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then

press [SET].

This will display a menu of BEST SHOT scenes.

4. Use [8], [2], [4], and [6] to move the

boundary to the scene you want to select.

• You can scroll to another page of scenes

by pressing [8] or [2].

• To return to normal snapshot recording, align the mode dial with [P] (Program Auto).

Scene

[b][SET]

High Speed Night

Scene and Portrait

[8] [2] [4] [6]

Currently selected scene (with boundary)

Scene name

Scene number

Using BEST SHOT

5. Press [SET] to configure the camera with the settings for the currently

selected scene.

This returns to the REC mode.

• To select a different BEST SHOT scene, repeat the above procedure from step 1.

6. Press the shutter button (if you are shooting a snapshot) or [0] (Movie)

(if you are shooting a movie).

. Using the Scene Information Screen

To find out more about a scene, select it with the boundary on the scene menu and then rotate the zoom controller in either direction.

• To return to the scene menu, rotate the zoom controller again.

• To scroll between scenes, use [4] and [6].

• To configure the camera with the settings for the currently selected scene, press [SET].

. BEST SHOT Precautions

• Sample images shown on BEST SHOT scene screens were not shot with this camera. There are provided to illustrate the effects and merits of each scene.

• Images shot using a BEST SHOT scene may not produce the results you expected due to shooting conditions and other factors.

• You can modify the camera settings that are configured after you select a BEST SHOT scene. Note, however, that the BEST SHOT settings revert to their defaults when you select another BEST SHOT scene or turn off the camera.

• Snapshot shooting is disabled while the following BEST SHOT scenes are being used. Prerecord (Movie), For YouTube

• Movie recording is disabled while the following BEST SHOT scenes are being used. High Speed Best Selection, Lag Correction, High Speed Anti Shake, Wide Shot, High Speed Night Shot, Slide Panorama, Snapshot, HDMI TV Output

• When the movie mode is FHD/STD, movies are recorded using the settings of the selected BEST SHOT scene. For high speed movie recording, BEST SHOT scene settings are ignored and movie recording is performed as it normally is.

• BEST SHOT scenes that use High Speed CS ignore the “Zoom (SR)” setting.

• With the BEST SHOT scenes below, certain shooting conditions can cause the image area to become narrower than normal. High Speed Night Scene and Portrait, High Speed Night Scene

• The maximum zoom factor is 2.0X when using the BEST SHOT scenes below. Fireworks, Sundown

Using BEST SHOT

Creating and Using Your Own Setups (CUSTOM SHOT)

You can register up to 999 setups, based on snapshots shot with the camera, as “CUSTOM SHOT” scenes. Selecting a registered “CUSTOM SHOT” scene configures the camera with its settings. The setups of snapshots recorded with the following modes and features can be registered as “CUSTOM SHOT” scenes.

• Program Auto

• A Mode

• S Mode

• M Mode

• BEST SHOT (Excluding “Prerecord (Movie)”, “For YouTube”, and “HDMI TV Output”)

. To register a “CUSTOM SHOT” scene

1. On the BEST SHOT scene menu, select the scene named “CUSTOM

SHOT (Register User Scene)” and then press [SET].

2. Use [4] and [6] to select the snapshot whose setup you want to save.

3. Use [8] and [2] to select “Save”, and then press [SET].

Your scene will be assigned the name “Custom Scene”, along with a scene number.

NOTE

• A movie setup cannot be registered as a “CUSTOM SHOT” scene.

• You can check the settings of the currently selected “CUSTOM SHOT” scene by displaying the camera’s setting menus and looking at its settings.

• “CUSTOM SHOT” scenes are assigned numbers in the sequence: U1, U2, and so on.

• The following are the settings that are saved for each “CUSTOM SHOT” scene. Face Detection, Focus, EV Shift, White Balance, Flash, ISO, Metering, Lighting, Flash Intensity, Sharpness, Saturation, Contrast

• “CUSTOM SHOT” scenes are stored in built-in memory (page 151) in the SCENE folder (snapshots).

• Formatting the camera’s built-in memory (page 162) deletes all user “CUSTOM SHOT” scenes.

• Use the following procedure when you want to delete a “CUSTOM SHOT” scene.

Display the information screen (page 74) of the user BEST SHOT scene you

want to delete.

Press [2] ( ), select “Clear”, and then press [SET].

Using BEST SHOT

. To record with a registered CUSTOM SHOT scene

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select the registered “Custom Scene”, and then press [SET].

5. Press the shutter button to shoot.

Digitally Correcting for Overexposure and Underexposure (HDR)

With HDR (High Dynamic Range), the camera shoots a series of CS images using different exposure settings and combines them into a final image to correct for overexposure or underexposure of subjects of different brightness levels.

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select “HDR” and then press [SET].

5. Press [SET] and then use [8] and [2] to select the (HDR Level)

Control Panel option, and then press [SET].

6. Use [8] and [2] to select the HDR Level setting you want, and then

press [SET].

• The HDR Level can be set to Level 1, Level 2, or Level 3.

7. Press the shutter button to shoot.

NOTE

• HDR works best when shooting with the camera mounted on a tripod.

• Shooting with this function causes the flash setting to change automatically to

(Flash Off).

• Anti Shake correction performed to compensate for camera movement while shooting with this function results in an image area that is narrower than normal.

• The desired HDR effect may not be attained if the camera or subject moves during shooting.

• Depending on shooting conditions and image composition, this function may not be able to produce the desired result.

Using BEST SHOT

Shooting Bright Images in the Dark without Flash (High Speed Night Shot)

The camera shoots a series of images and then merges them into a final image. The result is a bright image, even if shot in the dark without a flash.

Shot with “Program Auto”, without flash Shot with “High Speed Night Shot”

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select “High Speed Night Shot” and then press [SET].

5. Press the shutter button to shoot.

• Take care to avoid camera movement and subject movement as you shoot.

• You should be able to see the subject(s) on the monitor screen when composing the image.

NOTE

• When shooting with this function, the “ISO Sensitivity” (page 44) becomes “Auto” (fixed).

• If camera movement occurs when shooting with this function, the anti-shake process will result in an image range that is narrower than normal.

• When shooting with this function, the 16M, 3:2, and 16:9 image size settings cannot be selected. If one of these sizes is selected in another mode, the image size will change to 10M when this function is selected.

Using BEST SHOT

Shooting with a Super Wide Angle of View (Wide Shot)

25 mm (lens widest angle) 19 mm 15 mm

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select “Wide Shot” and then press [SET].

5. Press [SET] and then use [8] and [2] to select the (Wide Level)

Control Panel option, and then press [SET].

6. Use [8] and [2] to select the width setting (angle of view) you want

and then press [SET].

There are two settings available: “19 mm” and “15 mm”. “15 mm” shoots a wider area than “19 mm”.

7. Hold the camera so it is

upright, with the shutter button and other controls at the bottom.

• Do not point the camera straight down at the ground at this time. If you do, the camera’s built-in vertical/ horizontal position sensor will not operate properly and may make it impossible to start shooting.

Control dial

Shutter button

Using BEST SHOT

8. Point the camera at the

subject you want in the center of the image and then half-press the shutter button to focus.

• The outer blue boundary on the screen indicates the recordable range of the image.

Desired image

Blue boundary

Center part at the start of the

shooting operation

9. Press the shutter button the rest of the way

down and slowly move the camera in accordance with the instructions and arrow that appear on the monitor screen.

• Holding the camera firmly with both hands, follow the instructions that appear on the monitor screen to slowly slide the camera horizontally or vertically at a constant speed in an arc centered on your body. – When sliding the camera horizontally, do not allow

your body to move left or right. A vertical line running through your body should serve as the axis.

– When sliding the camera vertically, do not allow your body to move upwards

or downwards. A horizontal line between your shoulders should serve as the axis.

– Take care not to slide the camera diagonally and be sure to maintain a firm

grip on it.

• The camera will start composing the super-wide image internally when the slide cursor reached the other end of the movement range.

• Image composing also will start automatically if you stop moving the camera during super-wide shooting. After you stop moving the camera, the message “Busy... Please wait...” appears as the camera processes the image. Wait until this message disappears before using the camera. Image shooting is disabled while the message is displayed.

Instructions

Arrow

Using BEST SHOT

NOTE

• The “15 mm” and “19 mm” angle of view values are approximate and are provided for reference only. Actual angle of view values are not guaranteed.

• Zoom operations are not supported during Wide Shot shooting. The zoom setting is fixed at full wide angle.

• This function makes it possible to shoot images with a maximum angle of view of 15 mm or 19 mm. Note, however, that shooting conditions can result in a smaller angle of view.

• The following conditions are not compatible with Wide Shot shooting. – Subject whose brightness is very different from that of its surroundings due to

artificial light, sunlight, etc. – Rivers, waves, waterfalls, or other subject with constantly changing patterns – Sky, beach, or other subject with continuous patterns – Camera too close to the main subject – Moving subject – Panning upwards on a skyscraper or some other very tall structure or object – Dark surroundings

• Any of the following can cause Wide Shot operation to stop part way through. – Subject or camera movement – Camera movement that is too fast or too slow – Camera movement outside of the required route – Camera movement in the wrong direction

• Shooting a Wide Shot image after half-pressing the shutter button to perform Auto Focus may not produce the desired results if there are considerable differences in the brightness, color, and/or focus of the individual images. If this happens, try changing the focus position by focusing on a different subject, etc.

• Since a Wide Shot image is created by joining multiple images together, there may be some roughness at the point where two images are joined.

• Shooting under a flickering light source (such as fluorescent lighting) may result in uneven brightness and/or coloring in the final Wide Shot image.

• The exposure and white balance when shooting Wide Shot images are fixed at the levels measured when you half-press the shutter button at the beginning of the operation.

• With this BEST SHOT scene, the flash setting automatically becomes ? (Flash Off).

Using BEST SHOT

Shooting a Panorama Image (Slide Panorama)

With Slide Panorama, you move the camera to compose and record multiple images, which are then combined to a panorama. This feature lets you shoot a panorama of up to 360 degrees, which is dramatically greater than the physical capabilities of the lens.

• The final panorama image can be one of the two sizes shown below. Slide Direction is Right or Left: Maximum 11520 Slide Direction is Up or Down: Maximum 1920

• Zoom operations are not supporting during Slide Panorama shooting. The zoom setting is fixed at full wide angle.

• You can use Slide Panorama to shoot a horizontal image up to approximately 360 degrees and a vertical image up to approximately 180 degrees. If you shoot a horizontal Slide Panorama image that is less than 360 degrees, the image size will become 60, 120, 180, 240, or 300 degrees.

1080 pixels

7296 pixels

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select “Slide Panorama” and then press [SET].

5. Press [SET] and then use [8] and [2] to select the (Slide Direction)

Control Panel option, and then press [SET].

6. Use [8] and [2] to select the direction you are planning to move the

camera while shooting, and then press [SET].

You can select one of four directions: Right, Left, Up, or Down.

7. Point the camera at the start of the panorama and half-press the

shutter button to allow the camera to focus automatically.

Using BEST SHOT

8. Press the shutter button the rest of the way down

and a slide cursor will appear on the monitor screen. Slowly move the camera in the direction indicated by the arrow on the screen until the slide cursor reaches the other end of its movement range (i.e. all the way to the right when moving the camera to the right).

• The camera will start composing the panorama image internally when the slide cursor reached the other end of the movement range.

• Image composing also will start automatically if you stop moving the camera during panorama shooting. After you stop moving the camera, the message “Busy... Please wait...” appears as the camera processes the image. Wait until this message disappears before using the camera. Image shooting is disabled while the message is displayed.

NOTE

• The following conditions are not compatible with Slide Panorama shooting. – Subject whose brightness is very different from that of its surroundings due to

• Slide Panorama may stop part way through in the following cases. – Subject or camera movement – Camera movement that is too fast or too slow

• Shooting a Slide Panorama image after half-pressing the shutter button to perform Auto Focus may not produce the desired results if there are considerable differences in the brightness, color, and/or focus of the individual images. If this happens, try changing the focus position by focusing on a different subject, etc.

• Since a Slide Panorama image is created by joining multiple images together, there may be some roughness at the point where two images are joined.

• Shooting under a flickering light source (such as fluorescent lighting) may result in uneven brightness and/or coloring in the final Slide Panorama image.

• The exposure and white balance when shooting Slide Panorama images are fixed at the levels measured when you half-press the shutter button at the beginning of the operation.

• Shooting with this function causes the flash setting to change automatically to ? (Flash Off).

Slide cursor

Using BEST SHOT

Shooting with Priority on Subject Faces (High Speed Best Selection)

With High Speed Best Selection, the camera automatically shoots a series of images, and selects the best one based on facial image blur, and facial expression (whether the subject is smiling or blinking).

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select “High Speed Best Selection” and then press [SET].

5. Press the shutter button to shoot.

NOTE

• Shooting with this function causes the flash setting to change automatically to

(Flash Off).

• If one or more of the faces are blurred in all of the images that are shot, they will be blurred in the final image as well.

• The following conditions may make it impossible for the camera to determine if the subject is blinking or smiling. This may result in a final image in which the subject is blinking or not smiling. – Faces that are partially or completely darkened by shadows, etc. – Hair that is hiding or near the eyes – Eye glasses – Small faces – Faces that are not looking directly at the camera

• Shooting a large group of people will cause processing of the image after shooting to take longer.

Using BEST SHOT

Configuring the Camera to Help You Better Time Your Shots (Lag Correction)

There always is some unavoidable time lag between the point you press the shutter button and the point that the image is actually recorded. The “Lag Correction” feature lets you configure the camera to lessen or even eliminate this lag to help you better time your shots and get exactly the moment you want. With “Lag Correction”, you half-press the shutter button and compose the image you want to shoot. Then when you full-press the shutter button, the camera pre-records a total of 5 images, including four images of action that happened before you fully pressed the shutter button. After that, you can view the images on the monitor screen and select the one you want to keep.

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select “Lag Correction” and then press [SET].

5. With the camera pointed at the subject, half-press and hold the shutter

button.

The camera will start pre-recording images at this time.

• If you release the half-pressed shutter button before pressing it the rest of the way down, all of the pre-recorded images currently in the buffer will be deleted.

6. When you are ready to shoot, press the shutter button all the way

down.

After pre-recording is complete, one of the five images will appear on the monitor screen for about three seconds.

7. If you want to view all five of the pre-recorded images, press [SET]

within about three seconds after a recorded image appears on the monitor screen.

If you do not press [SET] within three seconds, the image displayed in step 6 will be saved automatically as the final image.

Using BEST SHOT

8. Use [4] and [6] to scroll through the pre-recorded images on the

monitor screen.

Use [4] and [6] to scroll through the pre-recorded images. Each image appears, along with an indication of the timing when it was pre-recorded.

–0.4 sec. –0.3 sec. –0.2 sec. –0.1 sec. SHUTTER

(0.4*)(0.3*)(0.2*)(0.1*)(Full-press)

* Seconds prior to full-press of shutter button.

• The timing of the image you select here will be the timing of the image displayed first in step 6 the next time you perform the above procedure. If you select the image that was pre-recorded 0.3 seconds prior to full-press of the shutter button, for example, the –0.3-second image will be displayed in step 6 the next time you perform the above procedure.

9. To save the currently displayed image as the final images, press [SET].

NOTE

• With this BEST SHOT scene, the flash setting automatically becomes ? (Flash Off).

• The Self-timer cannot be used with this BEST SHOT scene.

• With this BEST SHOT scene, half-pressing the shutter button fixes focus and exposure at their current levels.

• With this BEST SHOT scene, image recording will not be successful if you fullpress the shutter button without allowing enough time (at least 0.4 seconds) after half-pressing it.

• Pay close attention to the subject when shooting. Failure to do so can cause considerable lag from the instant you want to shoot until you actually full-press the shutter button. This can cause image recording to be too late, even if you use this function.

• The current “Review” setting (page 107) is ignored when shooting with this function. Immediately after you full-press the shutter button, one of the five prerecorded images will appear on the display as in step 4 of the above procedure.

Using BEST SHOT

Using Continuous Shutter with Auto Focus (AF-CS)

AF-CS shoots up to 30 CS images while keeping the subject in focus. This feature comes in handy when shooting children and other fast-moving subjects. The CS speed is automatically adjusted in accordance with shooting conditions within the range of three to five frames per second.

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select “AF-CS” and then press [SET].

5. Press the shutter button the rest of the way down.

Hold down the shutter button to shoot up to 30 images at high speed.

NOTE

• Zoom is disabled during continuous shutter operations.

• The following image sizes cannot be selected while shooting with Auto Focus CS: 3:2, 16:9. If select AF-CS while either of these image sizes is selected, the camera will automatically switch the images size setting to 16M.

• The following camera features cannot be used while shooting with Auto Focus CS: Triple Self-timer, Single SR Zoom.

• The settings in the table below are fixed while shooting with AF-CS.

Image Quality Normal

Flash Flash Off

Focus Mode AF

AF Area Spot

Using BEST SHOT

Shooting RAW Images (Raw Image)

You can configure the camera to save a RAW image* along with a standard JPEG image when shooting snapshots. RAW image data is stored in a camera folder named “RAW” (page 151).

* A RAW image is image data (file name extension .DNG) that is unprocessed

internally by the camera. Since there is no image deterioration, RAW files provide more creative freedom when used with software that supports general-purpose DNG format files.

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select “Raw Image” and then press [SET].

5. Press the shutter button to shoot.

NOTE

• The image size is fixed at 16M when shooting with this function.

• Single SR Zoom and Digital Zoom cannot be used with this function. Only optical zoom can be used, up to a maximum zoom factor of 1.3X (34mm when converted to 35mm film).

• Shooting of RAW image data is not supported for movie recording.

Shooting with High Speed Anti Shake (High Speed Anti Shake)

When you press the shutter button while High Speed Anti Shake is enabled, the camera records multiple images and automatically combines them in a way that produces a final image with minimal blur. You can shoot with this feature to minimize the effects of camera movement when shooting with optical Anti Shake does not produce the desired results.

1. In the REC mode, set the mode dial to [b] (BEST SHOT).

2. Press [SET].

3. Select “High Speed Anti Shake” and then press [SET].

4. When you are ready to shoot, press the shutter button.

Using BEST SHOT

NOTE

• With this BEST SHOT scene, the flash setting automatically becomes ? (Flash Off).

• High Speed Anti Shake may not operate properly resulting in blurred images if the camera is moved more than the allowable range or if the subject moves during shooting.

• When shooting with these BEST SHOT scenes, the “ISO Sensitivity” (page 44) and “ISO High Limit” (page 98) are fixed at “Auto”.

Shooting Snapshots (Snapshot)

This function adjusts exposure and shoots whenever the shutter button is halfpressed. This helps to ensure that you don’t miss the shots you want. This feature comes in handy for daily shooting and when shooting natural scenery.

1. Align the mode dial with [b] (BEST SHOT).

2. Press [SET].

3. Use [8] and [2] to select , and then press [SET].

4. Select “Snapshot” and then press [SET].

5. Half-press the shutter button.

This will adjust exposure and shoot the snapshot.

• This will cause a pan focus distance value (PF –o.om–) to appear in the

upper left corner of the display. Everything from this distance and further will be in focus.

NOTE

• The focus frame will not appear for this type of shot.

• The settings below are fixed while shooting with this function.

Focus Mode Pan Focus

ISO Sensitivity Auto

Make-up Level 0 (Off)

Flash Flash Off

• An image shot with this function can be zoomed up to 1.3X.

• Proper focusing may not be possible if the camera is too close to the subject, or if the camera is subjected to vibration or impact.

Using BEST SHOT

Using a TV Screen to Shoot Snapshots (HDMI TV Output)

Use the procedure below to configure the camera for shooting snapshots with an aspect ratio of 16:9, as you compose them on a TV screen.

1. Turn off the camera and use a commercially available HDMI cable to

connect the camera to a TV.

HDMI connector

HDMI input

HDMI output (micro)

HDMI micro connector

HDMI cable (commercially available)

2. Turn on the camera.

3. Align the Mode Dial with [b] (BEST SHOT).

4. Press [SET].

5. Use [8] and [2] to select and then press [SET].

6. Select “HDMI TV Output” and then press [SET].

This will turn off the camera’s monitor screen and display an image composition screen on the connected TV.

7. Compose the image on the TV screen and press the shutter button to

shoot.

Using BEST SHOT

NOTE

• For details about connecting to the camera and precautions when connecting, see page 116.

• If you want to change the digital video signal format, first unplug the HDMI cable from the camera (page 118).

• The settings in the table below are fixed while shooting with this function.

Image Size 16:9

AF Area Spot

Continuous AF Off

Face Detection Off

Make-up Level 0 (Off)

White Balance Auto WB

Metering Multi

Using BEST SHOT

Advanced Settings (REC MENU)

The following are menu operations you can use to configure various camera settings.

• You also can use the Control Panel (page 38) to configure some of the settings that appear on the menu screen. Refer to the page references provided in this section for information about configuring settings using the Control Panel.

Configuring Recording Settings

. Example Menu Screen Operation

1. In the REC mode, press [MENU].

This will display the menu screen (r REC MENU).

• Menu contents are different in the REC mode

(r REC MENU) and PLAY mode (p PLAY MENU).

2. Press [4], use [8] and [2] to select the tab

where the menu item you want to configure

[8] [2] [4] [6]

[MENU]

is located, and then press [6].

3. Use [8] and [2] to select the menu item

you want, and then press [6].

• Operating the zoom controller displays the next page of menu items.

Example: When “Self-timer” is selected on the “r REC MENU” tab

Tabs

4. Use [8] and [2] to change the setting of

the selected menu item.

5. After the setting is the way you want, press

[SET] to apply the setting and return to the viewfinder screen.

• Pressing [MENU] cancels the current selections and returns to the menu screen.

• To display a different tab, press [MENU] to move the blue boundary to the menu item and then press [4]. Next use [8] and [2] to select the tab you want, and then press [6].

• Pressing [Õ] (Continuous Shutter) interrupts the menu operation and exits the menu screen.

Items

[SET]

NOTE

• Depending on the recording mode, some of the items on the menu that appears may not be usable.

Advanced Settings (REC MENU)

. Menu Operations in This Manual

Menu operations are represented in this manual as shown below. The following operation is the same as the one described under “Example Menu Screen Operation” on page 91.

Press [4] and then use [8] and [2] to select the “r REC MENU” tab, and then press [SET].

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab *

Self-timer

Use [8] and [2] to select “Self-timer” and then press [6].

Press [MENU].

Assigning Functions to the Control Dial (Control Dial)

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * Control Dial

You can assign any one of the four functions below to the control dial. After you do, you can change the setting of the function by rotating the control dial.

Setting Description

EV Shift Brightness compensation (page 46)

White Balance Hue adjustment (page 40)

Self-timer Self-timer time setting (page 39)

* Focus adjustment (page 42)

Off No setting assigned to the control dial

* Configure the settings below in order to directly adjust focus with the control dial.

Face Detection: Off Make-up Level: 0 (Off) Focus Mode: MF (Manual Focus)

NOTE

• Depending on the recording mode, some functions may not be assignable to the control dial.

Advanced Settings (REC MENU)

Assigning Functions to the [4] and [6] Keys (L/R Key)

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * L/R Key

You can select from among the functions described below and assign one to the [4] and [6] keys (Key Customize). After you do, you can select either of the functions by pressing the [4] or [6] key.

Setting [4]/[6] key operation

AF Area Specifying the Auto Focus Area (page 99)

Metering Changes the Metering Mode (page 104)

Face Detection Turns face detection on and off (page 102)

ISO Changes the ISO Sensitivity setting (page 44)

ISO High Limit Specifying ISO Sensitivity Upper Limit (page 98)

Off Cancels [4] and [6] key assignments

Saving a Second Normal Image When Shooting With HDR Art (Double (HDR ART))

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * Double (HDR Art)

See page 62 for details.

Advanced Settings (REC MENU)

To select the snapshot image size (Image Size)

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * Image Size

Image Size (Pixels)

16M

3456)

(4608

3:2

3072)

(4608

16:9

2592)

(4608

REC Screen Icon Display

Suggested Print Size and Application

Poster Print

HDTV

Description

Good detail for better clarity even for images cropped (page 128) from the original

10M (3648

2736)

Poster Print

Good detail 5M (2560

3M (2048

1920)

1536)

A4 Print

3.5"×5" Print

Best when preserving memory

capacity is relatively more important

than image quality.

Image files are smaller, which is VGA (640

480)

E-Mail

better when attaching images to

e-mail. However, images are

relatively coarser.

• The initial factory default image size setting is “16M”.

• Selecting “3:2” records images with an aspect ratio of 3:2, which matches the standard aspect ratio of print paper.

• The letters “HDTV” stand for “High Definition Television”. An HDTV screen has an aspect ratio of 16:9, which makes them wider than the usual 4:3 aspect ratio of television screens of the past. Your camera can record images that are compatible with the aspect ratio an HDTV screen.

• You should regard the print paper sizes suggested here as guidelines only (200 dpi print resolution).

Advanced Settings (REC MENU)

• Available image sizes are limited for some functions as noted below.

This image size cannot be selected when using “High Speed Night

16M

Shot”. Selecting “16M” in another mode and then switching to “High Speed Night Shot” will cause the image size to change to “10M” automatically.

These image sizes cannot be selected when using “High Speed CS” or

3:2, 16:9

“High Speed Night Shot”. Selecting “3:2” or “16:9” in another mode and then switching to “High Speed CS” will cause the image size to change to “16M” automatically. In the case of “High Speed Night Shot”, the image size will change to “10M” automatically.

. Pixels and image size

A digital camera image is a collection of small dots called “pixels”. The more pixels there are in an image, the more detail there will be. However, you generally can do with fewer pixels when printing an image (L size) through a print service, attaching an image to e-mail, when viewing the image on a computer, etc. The size of an image indicates how many pixels it contains, and is expressed as

horizontal pixels

vertical pixels.

Pixel

Example:

Image size Pixels

16M 4608

3M 2048

3456 (Approximately 16 million pixels)

1536 (Approximately 3 million pixels)

• Note that larger images have more pixels, so they take up more memory space.

• For information about image size, image quality, and number of images that can be stored, see page 188.

• For information about movie image size, see page 96.

• For information about resizing existing snapshots, see page 128.

Advanced Settings (REC MENU)

Specifying Snapshot Image Quality (Image Quality)

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * Image Quality

Setting

Fine Gives image quality priority.

Normal Normal

• The “Fine” setting helps to bring out details when shooting a finely detailed image of nature that includes dense tree branches or leaves, or an image of a complex pattern.

• Memory capacity (the number of images you can record) will be affected by the quality settings you configure (page 188).

REC Screen Icon Display

Description

Movie Image Quality Settings (Movie Quality)

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * Movie Quality

This setting can be used to configure movie image quality settings and to select either normal movie recording or High Speed Movie recording.

Settings (Quality (pixels))

FHD

REC Screen Icon Display

Approximate Data Rate (Frame Rate)

14.2 Megabits/second (30 frames/second)

10.9 Megabits/second

(15, 20, 30 frames/

second)

Description

Select this setting record highdefinition (FHD) movies (page 67). The aspect ratio of movies recorded with this setting is 16:9.

Select this setting record highdefinition (HD) movies. The aspect ratio of movies recorded with this setting is 16:9.

• “HD” appears in place of “FHD” only when you are shooting with ART SHOT (page 60). The frame rate depends on the ART SHOT scene type.

Advanced Settings (REC MENU)

Settings (Quality (pixels))

STD

HS1000

HS480

HS240

HS120

HS30-240

HS30-120

REC Screen Icon Display

Approximate Data Rate (Frame Rate)

3.9 Megabits/second (30 frames/second)

40.0 Megabits/second (1000 frames/second)

40.0 Megabits/second (480 frames/second)

40.0 Megabits/second (240 frames/second)

40.0 Megabits/second (120 frames/second)

5.4 Megabits/second

(30 frames/second)

40.4 Megabits/second (240 frames/second)

10.4 Megabits/second

(30 frames/second)

40.4 Megabits/second (120 frames/second)

Specifying ISO Sensitivity (ISO)

Description

Use this setting for standard movie recording. Recording with this setting is performed using an aspect ratio of 4:3.

The image size of movies recorded with this mode depends on the frame rate (recording speed (page 67)).

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * ISO

For details, see the Control Panel procedure on page 44.

Advanced Settings (REC MENU)

Specifying the ISO Sensitivity Upper Limit (ISO High Limit)

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * ISO High Limit

Settings

Auto None

ISO 200

ISO 400

ISO 800

ISO 1600

ISO 3200

NOTE

• When the “ISO Sensitivity” setting (page 44) is something other than “Auto”, the “ISO High Limit” setting is ignored, and shooting is performed using the option selected for the “ISO Sensitivity” setting.

• The settings available for “ISO High Limit” become as shown below when shooting with “High Speed Night Scene” (page 77). Auto, ISO 1600, ISO 3200, ISO 6400, ISO 12800, ISO 25600

• The “ISO High Limit” setting cannot be configured while any one of the BEST SHOT scenes below is in use. Premium Auto Pro, M mode, some BEST SHOT scenes

• The “ISO 3200” setting cannot be selected while the Multi SR Zoom REC mode is selected. If “ISO 3200” is selected in another REC mode, switching to Multi SR Zoom causes the REC mode to change to “ISO 1600”.

REC Screen Icon Display

Description

Shoots using the ISO sensitivity setting specified by the “ISO Sensitivity” setting (page 44).

The setting selected here becomes the ISO sensitivity upper limit when “Auto” is selected for the “ISO Sensitivity” setting (page 44).

Zooming with Super Resolution (Zoom (SR))

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * Zoom (SR)

See page 53 for details.

Advanced Settings (REC MENU)

Specifying the Auto Focus Area (AF Area)

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * AF Area

You can use the following procedure to change the Auto Focus metering area for shooting snapshots.

• When recording movies, the AF metering area is always “U Spot”.

Settings Description

š Intelligent

U Spot

I Multi

O Tracking

The camera automatically determines the focus point on the screen and focuses there (intelligent AF).

• Face detection (page 102) operates automatically.

This mode takes readings of a small area in the center of the image. This setting works well with focus lock (page 43).

When you half-press the shutter button while this setting selected, the camera will select the optimum Auto Focus area from among nine possible areas. The focus frame of the area where the camera focuses will be displayed in green.

When you half-press the shutter button while this setting is selected, the focus frame will follow the movement of the subject.

“š Intelligent”

Focus frame

“U Spot” or “O Tracking”

Focus frame

“I Multi”

Focus frame

• Auto Focus is disabled when “MF” (Manual Focus) is selected for the focus mode (page 42), even if you select an AF area.

• With some BEST SHOT scenes, there are restrictions on the use of AF area settings. Because of this, you may not be able to use certain settings or you may not be able to specify any AF Area setting.

• While Face Detection (page 102) is turned on, regardless of the current AF Area setting, “U Spot” (center) focusing will be used automatically whenever a face cannot be detected for some reason.

Advanced Settings (REC MENU)

Reducing the Effects of Camera and Subject Movement (Anti Shake)

Procedure

Enter the REC Mode * [MENU] * “r REC MENU” Tab * Anti Shake

You can turn on the camera’s Anti Shake feature to reduce image blur due to subject movement or camera movement when shooting a moving subject using telephoto, when shooting a fast-moving subject, or when shooting under dim lighting conditions.

Settings

Strong

Standard

Off None Turns off Anti Shake settings.

REC Screen Icon Display

Description

High-level Anti Shake processing that, depending on the recording mode you are using, can minimize the effects of hand and subject movement. This setting can be used while the recording mode is Program Auto (except for High Speed CS), Premium Auto Pro or High Speed Anti Shake.

Dramatically reduces the effects of hand and subject movement.

DEMO

NOTE

• Only camera shake correction can be used during FHD and STD movie recording.

• Anti Shake correction is not supported during High Speed Movie or HDR Art Movie recording.

• When Anti Shake is enabled and “Auto” is selected for “ISO” (page 44), ISO sensitivity, aperture, and shutter speed will not appear on the monitor screen when you half-press the shutter button. These values will appear in the display of the image immediately after it is shot.

• Shooting with Anti Shake enabled can cause an image to appear somewhat coarser than normal and can cause slight deterioration of image resolution.

• Anti Shake may not be able to eliminate the effects of camera or subject movement when movement is severe.

• Anti Shake may not work properly when the camera is mounted on a tripod. Turn off Anti Shake.

• Even if “Strong” is selected for the Anti Shake setting, some shooting conditions may make it impossible to achieve the desired Anti Shake results.

Half-pressing the shutter button demonstrates the effect of Anti Shake. However, the image is not recorded.

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Advanced Settings (REC MENU)

Casio EXILIM EX-ZR700, EXILIM EX-ZR710, EXILIM EX-ZR750 User Guide

Specifications and Main Features

Frequently Asked Questions

User Manual

Accessories

Read this first!

Contents

General Guide

Monitor Screen Contents and How to Change Them

Quick Start Basics

What you can do with your CASIO camera

First, charge the battery prior to use.

To load the battery

Charge the Battery

Configuring Basic Settings the First Time You Turn On the Camera

Preparing a Memory Card

Supported Memory Cards

To load a memory card

To format (initialize) a new memory card

Turning the Camera On and Off

Holding the Camera Correctly

To shoot a snapshot

Selecting an Auto Recording Mode

To shoot a snapshot

Viewing Snapshots

Deleting Snapshots and Movies

Snapshot Shooting Precautions

Snapshot Tutorial

Selecting the Recording Mode

Using the Control Panel

Using the Self-timer (Self-timer)

Adjusting White Balance (White Balance)

Selecting a Focus Mode (Focus)

Specifying ISO Sensitivity (ISO)

Recording Beautiful Portraits (Make-up Level)

Correcting Image Brightness (EV Shift)

Using Flash (Flash)

Specifying the Metering Mode (Metering)

Shooting with Zoom

Monitor Screen Information when Zooming

Zooming with Super Resolution (Zoom (SR))

Expanding the Zoom Range to Shoot Clearer Snapshots (Multi SR Zoom)

Shooting a Burst of Images (High Speed CS)

Using Focus Control

Shooting with a Blurred Background (Blurred Background)

Shooting with Full Focus Macro (All-In-Focus Macro)

Shooting with Artistic Effects (ART SHOT)

Saving a Second Normal Image When Shooting With HDR Art (Double (HDR Art))

Shooting with Triple Shot

Recording Movies

To record a movie

Audio

Recording a High-definition Movie

Recording a High Speed Movie

Using Prerecord Movie (Prerecord (Movie))

Recording a Movie for YouTube (For YouTube)

Shooting a Snapshot while Shooting a Movie (Snapshot In Movie)

Using BEST SHOT

To shoot with BEST SHOT

Creating and Using Your Own Setups (CUSTOM SHOT)

Digitally Correcting for Overexposure and Underexposure (HDR)

Shooting Bright Images in the Dark without Flash (High Speed Night Shot)

Shooting with a Super Wide Angle of View (Wide Shot)

Shooting a Panorama Image (Slide Panorama)

Shooting with Priority on Subject Faces (High Speed Best Selection)

Configuring the Camera to Help You Better Time Your Shots (Lag Correction)

Using Continuous Shutter with Auto Focus (AF-CS)

Shooting RAW Images (Raw Image)

Shooting with High Speed Anti Shake (High Speed Anti Shake)

Shooting Snapshots (Snapshot)

Using a TV Screen to Shoot Snapshots (HDMI TV Output)

Advanced Settings (REC MENU)

Configuring Recording Settings

Assigning Functions to the Control Dial (Control Dial)

Saving a Second Normal Image When Shooting With HDR Art (Double (HDR ART))

To select the snapshot image size (Image Size)

Specifying Snapshot Image Quality (Image Quality)

Movie Image Quality Settings (Movie Quality)

Specifying ISO Sensitivity (ISO)

Specifying the ISO Sensitivity Upper Limit (ISO High Limit)