Carvin XP1000L Owner's Manual

The XP1000L

mixer is Carvin’s new design to eliminate the plastic case and to offer more
efficient power amps with greater tonal quality. The 3 Class D power amps are 95% efficient
conserving power so they are more environmentally friendly allowing the use of small portable
generators.

SUPERB SOUND

is derived from the extremely low distortion, “high headroom” design.
State-of-the art, low noise, balanced XLR preamps from our Concert Series mixers provide
common mode rejection better than 78 dB, which means that any noise that may come over
your cables is virtually eliminated. Distortion is nearly non-existent with THD below 0.1% from
input to output, guaranteeing the purity of your sound. Hear the difference.

LIGHTWEIGHT and EASY TO USE

Controls are logically laid out making the XP
Series simple to use reducing errors during setup and performance. Its compact size and
weight of only 15 lbs. makes it the lightest, most powerful mixer in its class.

3 HIGH CURRENT “GREEN” CLASS-D AMPLIFIERS

produce total of 1200w
RMS, 1600w peak. Class D amps not only run cooler, but their power capabilities are out­standing. The main L and R delivers 800w RMS (400w/400w) and the Monitor output deliv­ers another 400w RMS - this kind of power maintains sonic purity while eliminating outboard
power amps. Speaker outputs accept either standard 1/4” or Speakon™ connectors for secure
connections with maximum power transfer to your speakers. Output meters and clip LED’s
give you a visual indicator for each amp.

HIGH CURRENT “GREEN” SWITCHMODE POWER SUPPLY

conserves power
by operating at higher efficiency. The DC voltage supply is recharged 100,000 times per sec­ond, delivering continuous high current to the power amps.

2 INDEPENDENT 24-Bit STEREO DSP EFFECTS

allow you to assign each chan­nel to your choice of effects. You can dedicate chorus/reverb to the acoustic guitar channel
and a lush reverb to the vocals, etc. Both effects are adjustable to your stage monitors so you
can hear yourself with full effects. The effects processors with 256 effects each include
reverbs, choruses, flanging and echoes with fully adjustable parameters for damping, decay,
depth, speed, regeneration and time.

ACTIVE 3 BAND CHANNEL EQ

provides easy adjustment for the tone you want. The
80Hz LO frequency control delivers a solid non-flabby bass. A simple adjustment with the MID
band control brings out the best sound for vocals or guitar by affecting the very important
750Hz frequency range. The 11.5k Hz HI treble control adds sparkle to your top-end without
adding harshness. Both the LO and HI controls are "shelving", which means they are effective
from 20Hz to 20kHz.

THREE 7-BAND EQUALIZERS

provide precise adjustments to fine tune your overall
sound and to help control feedback. A stereo (dual) graphic equalizer controls the main L and
R outputs and a mono equalizer controls the monitor output.

ENGINEERED TO LAST

Every XP Series mixer incorporates a rugged steel chassis with
protective side panels. Continuous full power is assured from high-grade 6063-T5-aluminum
heat sinks cooled by a variable speed fan. Sealed controls and switches guard against the out­side elements while heavy-duty connectors provide a positive connection to your cables.
Hidden deep in the heart of these mixers is the “SMT” Surface Mount Technology that utilizes
surface mounted components to prevent parts from shaking or vibrating loose. Precision 1%
tolerances guarantee your settings will be accurate every time. Fire retardant FR-4 military
spec circuit cards feature double-sided copper to guard against noise and radio frequencies
(RF). The XP Series is made in the USA for years of dependable service!

THREE BAND 

TONE 

CONTROLS

PAD

HI LOW

MIC
PRE

LEVEL

RIGHT

MON

EFF1

LEFT

SUMMING AMP

STEREO
GRAPHIC 

EQUALIZER

MONITOR

CHANNELS 1-6

MONITOR
LEVEL and

SUMMING AMP

MID

LEFT

RIGHT

SUMMING AMP

MAIN R

BALANCED OUT

GRAPHIC 

EQUALIZER

MONITOR

BALANCED OUT

TO INTERNAL 

POWER AMP

MIC

LINE

PAN

TO INTERNAL 
POWER AMPS

MAIN L

BALANCED OUT

EFFECTS

SUMMING AMP x 2

INTERNAL

DSP INPUTS

EXTERNAL

SEND

EFF 2 ONLY

STEREO
EFFECTS 
TO MAIN

RETURNS FROM

INTERNAL DSP

EFFECTS TO

MONITOR

GAIN

TAPE OUT

L

R

TAPE OUT

LEVEL

MAIN

LEVEL

EFF
1/2

MUSIC
BREAK
SWITCH

TAPE IN

STEREO

THREE BAND 

TONE 

CONTROLS

HI LOW

MIC
PRE

LEVEL

CHANNEL 9/10

MID

MIC

PAN

L

LINE

INPUTS

R

EFF
1/2

MON

STEREO

THREE BAND 

TONE 

CONTROLS

HI LOW

MIC
PRE

LEVEL

CHANNEL 7/8

MID

MIC

PAN

L

LINE

INPUTS

R

EFF
1/2

MON

EFF2

12340 World Trade Drive, San Diego, CA 92128

www.carvin.com

76-88010 1009

MODEL XP1000L SPECIFICATIONS:

Frequency Response: Mic or Line Inputs: 20Hz-20kHz ±1dB
Total Harmonic Distortion: Less than .1% at nominal levels
Equivalent Input Noise: 150 ohm source: -117dBu
Output Noise: -90dBu Master Line Out

(All Levels Minimum)
Output Headroom: +20dB
Maximum Gain: Mic in to Master Line Out: 70dB
Crosstalk: Adjacent ch’s: -60db at 1KHz
Common Mode Rejection: -78db at 1KHz
Phantom Power: 48 volt @ XLR Mic channels
USB Power port: 5 volt, 200mA for LED lighting or MP3 charging
Channel EQ 3-band active:

LOW: 80Hz ±12dB

MID: 750Hz ±12dB

HI: 11.5KHz ±12dB
Power Output: 1200w (3x400w@4ohms)
Power Req.: 100-140VAC or 200-250VAC, 50-60Hz
Size and Weight: 10.3”H x 17”W x 10”D, 15 lbs
Remote Effects Controller:

Optional FS22 footswitch for effects on/off
Vinyl Cover: CV1000

XP1000L

BLOCK DIAGRAM

CARVIN ENGINEERING DATA OPERATING MANUAL

XP1000L POWERED MIXER

RECEIVING INSPECTION—read before getting started

INSPECT YOUR MIXER FOR DAMAGE which may have occurred during shipping. If

damage is found, please notify the shipping company and CARVIN immediately.

SAVE THE CARTON & ALL PACKING MATERIALS. In the event you have to re-ship your
unit, always use the original carton and packing material. This will provide the best pos­sible protection during shipment. CARVIN and the shipping company are not liable for
any damage caused by improper packing.

SAVE YOUR INVOICE. It will be required for warranty service if needed in the future.
SHIPMENT SHORTAGE. If you find items missing, they may have been shipped sep-

arately. Please allow several days for the rest of your order to arrive before inquiring.

RECORD THE SERIAL NUMBER on the enclosed warranty card or below on this man­ual for your records. Keep your portion of the card and return the portion with your
name and comments to us.

USA customers register online at: www.carvin.com/registration
All other countries register online at: www

.carvinworld.com/registration

For your records, you may wish to record the following information.
Serial No._____________________ Invoice Date_______________

MADE IN THE USA

USB 5v Power

Quick Start Up

If you’re like most new owners, you’re probably in a hurry
to plug your mixer in and use it. Here are some brief instruc­tions to get you going quickly. With the mixer unplugged and
the unit turned off, complete the following procedures:

A. CONNECTING AC POWER TO YOUR MIXER

• Start by plugging in your mixer. It will automatically select

120V-60Hz or 240V-50Hz.

• Use only a grounded (3 prong) power outlet to prevent a

shock hazard (do not bypass). This gives the quietest ground-

ing for your mixer.

B. CONNECTING INPUTS TO YOUR MIXER

• For microphones, use a XLR shielded cable and plug into

the XLR MIC inputs.

• For high output devices like instruments & keyboards, plug

into the LINE input jacks using a shielded cable. Adjust the

channel GAIN control for mic or for instrument.

C. TURNING YOUR MIXER ON

• Set all Channel and Master LEVEL controls to their OFF

positions.

• Set all HI, MID, and LOW controls and the GRAPHIC

EQUALIZERS to the center “flat - no boost or cut” position.

• Adjust all “BAL” controls to their center

position.

• Connect your speakers and monitors at the rear panel.

• Turn the mixer on by the rear POWER SWITCH and watch

for the front POWER LED to come on. Your mixer is now

ready to operate by gradually turning up the levels.

MIC CHANNEL FEATURES

1. XLR MICROPHONE INPUT

The XLR MIC input is designed for balanced low impedance
microphones. The high performance, low noise preamps do
a superb job of noise reduction. The XLR connector is wired
as per the industry standard, pin 1 is ground, pin 2 is non­inverting (positive), and pin 3 is inverting (negative). Note:
Make sure the +48v phantom power is switched off before
connecting or disconnecting microphones to the mixer.

2. LINE INPUT JACKS

The LINE input is a 1/4” phone jack designed for balanced or
unbalanced line or instruments. Examples of these inputs
would be guitar, keyboard or effect returns. The line input
can be used at the same time the mic input is being used.
Channels 7/8 and 9/10 feature stereo LINE INPUTS for
stereo (use the top jack for mono input).

3. GAIN CONTROL (CHANNELS 1-6)

The GAIN control adjusts the input sensitivity on both the
LINE and MIC input jacks over a range of 40dB. For quietest

operation, set the GAIN control just below the point where
the PK LED flashes. If the PK LED lights or if distortion is
heard, reduce the GAIN slightly until the PK LED is off.

4. CHANNEL “PK” LED

The PK LED indicates when the channel is nearing its clip­ping level, causing distortion. Reduce the GAIN slightly to
prevent distortion. On channels 7/8 and 9/10, reduce the
level from your external souce. To get more volume, increase
the master MAIN control and re-adjust your main mix.

5. CHANNEL LEVEL CONTROL

The LEVEL control adjusts the volume of the channel before
going to the BALANCE control. Here is where the individual
channel volumes are adjusted to make up the desired mix at
the main outputs.

6. CHANNEL BALANCE CONTROL

The BAL control places the channel between Left and Right in
the main stereo outputs. At the “0” center setting, the channel
will be heard equally from the Left and Right outputs.

When both 1/4” jacks are used on channels 7/8 or 9/10, the
BAL adjusts the L-R levels, sending signals from LINE 7/9 to
the LEFT, and signals from LINE 8/10 to the RIGHT.

7. CHANNEL EFFECTS 1&2 LEVEL

The EFF 1&2 adjusts the level sent to the dual effects proces-
sor and to the front EFF SND 2 jack. The effects control is

post-channel level, which automatically tracks the channel’s
LEVEL & TONE controls. Turning this control to the left will
send to the internal effects processor EFF1. Turning to the
right will send to the internal effects processor EFF2 (and the
external EFF 2 SND jack). Center “0” is off. Reduce these
levels if the PK LEDs are flashing on the effects processors.

8. CHANNEL MONITOR CONTROL

The MON control adjusts the volume of the channel going to
the master MONITOR control. The MON control is a pre-LEVEL
control. This means it is unaffected by the channel LEVEL.

9-11. CHANNEL TONE CONTROLS

Each channel features active 3-band EQ tone controls LOW,
MID, and HI. All three function as boost (clockwise) & cut

(counter-clockwise) controls. The center 0 is the “flat” or no
effect position. The LOW and HI controls are shelving type
with corner frequencies at 80Hz and 11.5k Hz respectively.
The MID control is a band pass type centered at 750Hz.
Your settings will vary with the type of voice or instrument.
Try reducing the MID to add clarity and turn up the LOW and

HI for a fuller sound. Channels 7/8 and 9/10 feature stereo
TONE controls.

12. TAPE IN JACKS (CHANNEL 9/10)

The L-R TAPE IN inputs on CHANNEL 9/10 are for connecting
an iPod/MP3 or CD. These TAPE IN jacks can be used for
returning another stereo effects processor or instrument (key­board). Channel 9/10 inputs are NOT muted by the MUSIC
BREAK switch allowing you to have background music while
everything else is turned off.

MASTER SECTION FEATURES

13. MAIN LEVEL (L & R AMPS)

The MAIN control is the master volume control for all chan-
nels. The MAIN signal is sent through the MAIN L-R GRAPHIC
EQ to the L and R amps and the front L/R output jacks which
can be used for additional power amps, etc.

14. MONITOR LEVEL (MONITOR AMP)

The MONITOR master level is sent through the MONITOR
GRAPHIC EQ to the MONITOR amp and front output jack.

15. TAPE OUT LEVEL

The TAPE OUT LEVEL sends the MAIN signal mix to the
TAPE OUT jacks for recording. The TAPE OUT level is unaf-

fected by the MAIN level control so a recording level can be set
independently of the MAIN speaker volume.

16. TAPE OUT JACKS

Use the TAPE OUT L/R jacks for recording or to send to
external power amps. If the TAPE OUT is being used to
record, make sure the TAPE IN jacks are not connected to
the recorder output or turn the channel 9/10 LEVEL to “0” or
feedback will result.

17. EFF 2 SEND JACK

The EFF 2 SEND jack can send a signal to an external processor.
This is the same signal sent to the internal EFF 2 processor.
Effect returns can be connected to any input channel.

Make
sure the EFF control for the return channel is set to “OFF” or
“EFF1” or feedback will occur.

18. MAIN L-R OUTPUTS

The MAIN L/R outputs are the same signals that feed the

internal LEFT and RIGHT amps. Use these balanced 1/4”
outputs to feed additional power amps, etc..

19. MONITOR OUTPUT

The MONITOR output is the same signal that feeds the
internal MONITOR amp. Use this balanced output to feed
additional power amps, etc..

20. DUAL EFFECT PROCESSORS

Two 24-BIT processors provide a host of great sounding
effects including Flange, Reverb, Echo, & Chorus.
The channel EFF 1 & 2 send control delivers the signals to
the processors. Note: Reduce these levels if the red PEAK
LEDs are flashing at the processors.

Turn up the MAIN EFFECTS control to add your effects to the

L-R outputs. Adjust the SELECT and the PARAMETER to get
the desired effect. Note: An audible noise will be heard while
adjusting the effects.
A) ECHO: Turn SELECT for the amount of regeneration
(repeats). Now turn the PARAMETER control for a shorter or
longer delay time between the original signal and the echo.

XP1000L CONTROLS

1

4

5

6

3

2

7

8

9

10

11