Carvin PROMIX 7 Owner's Manual

The PRO-MIX-7 is designed for the DJ who requires professional mixing with the flexibility of 7 channels plus sound effects. High-end electronics feature ultra low noise circuitry and SMT construction giving a crystal clear transparent sound that rivals our larger consoles offering a notch of performance above the typical DJ mixer.

FEATURES:

• 4 stereo channels with transform switches for any combination of 3 vinyl and 5 CD/line inputs

• 3 Mic channels for vocals and other sources with TALKOVER feature

• Active LO, MID and HI EQs on each channel are set at 80, 750 and 11.5 k Hz

• 25 dB EQ cuts on the 4 main channels

• Input GAIN controls on each channel prevent overloading

• 4 segment metering for each main channel, plus 10 segment MASTER metering

• Each of the four main channels are assignable to either side of the A/B CROSSFADER

• 24-BIT effects with Reverb, Echo, Chorus and Flange are assignable to either side of the

A/B CROSSFADER or 3 MIC channels, with bypass switch. All parameters are easily changed for rate, damping, decay, depth, time and regeneration.

AUX OUTPUTS include a separate ZONE for MASTER or MONITOR mix, and a MONO output which can be switched into a SUBWOOFER output utilizing an internal 150 Hz, 18 dB per octave crossover. Both outputs have separate level controls.

The MONITOR control center takes it’s input from the MONITOR MIX control for critical listening of the MASTER output and CUE monitoring from of any of the 4 MAIN or 3 MIC channels. The MONITOR LEVEL control drives the powerful built in headphone amp, delivering high vol- ume levels to all 3 headphone outputs.

SUPERB SOUND is derived from the extremely low distortion, high "Headroom" design. A state-of-the art, low noise, balanced XLR mic preamp for each channel features a common mode rejection of better than 78 dB, which means that any possible noise that may come over your cables is virtually eliminated. Even the balanced XLR output connectors guard your system from cable noise. Distortion is nearly non-existent with THD below .01%, which guarantees the purity of your sound. Hear the difference - your sound will not seem "sterile" or "processed". It will be dynamically open and transparent just like it was meant to be!

EASY TO USE Everything is logically laid out making the PRO-MIX 7 simple to use, which helps to eliminate operator error.

24-Bit STEREO DSP EFFECTS The effects processor with 256 EFFECTS, include reverbs, choruses, flanging and echoes, with parameters fully adjustable for; damping, decay, depth, speed, regeneration and time.

ACTIVE 3 BAND CHANNEL EQ Provides easy adjustment for the tone you want. The LO frequency controls starts at 20 Hz and continues through 80 Hz for adding solid non-flabby bass. A simple adjustment with the MID band, gives you the best sound for vocals or guitar in the very important 750Hz frequency range. The 11.5k Hz HI treble control adds sparkle to your top-end without adding harshness. Both the LOW and HI are "shelving", which means they are effective from 20Hz up to 20k Hz.

ENGINEERED TO LAST Every PRO-MIX 7 mixer incorporates a rugged reinforced steel chassis. Hidden deep in the heart of these mixers is the “SMT” Surface Mount Technology construction that utilizes surface mounted components to prevent parts from shaking or vibrating loose. Sealed controls and switches guard against the outside elements while heavyduty connectors provide a positive connection to your cables. Fire retardant FR-4 military spec. circuit cards feature double-sided copper construction to guard against noise and radio frequencies (RF). Precision 1% tolerances guarantee that your settings will be accurate every time. The PRO-MIX 7 is professionally made in the USA for years of service!

76-27001 021004

PRO-MIX 7 SPECIFICATIONS:

FREQUENCY RESPONSE: Mic or Line Inputs: 20 to 20k Hz, OUTPUT: +26dB XLR bal, +20dB RCA unbal TOTAL HARMONIC DISTORTION: Less than .01% at nominal levels EQUIVALENT INPUT NOISE: 150 ohm source: -117dBu INPUTS:3 equalized RIAA PHONO RCA inputs,

with ground terminal 5 LINE RCA inputs 3 MIC inputs: balanced XLR and 1/4” jacks

MASTER: balanced XLR, 2 pair RCA jacks MONO/SUB: balanced XLR ZONE: balanced 1/4” jack PHONES: 1/4” jack, stereo MONITOR: 1/4” jacks, 1 stereo, 1 mono OUTPUT NOISE: -90dBu Master Out CROSSTALK: Adjacent ch’s: -60db at 1KHz COMMON MODE REJECTION: -78db at 1KHz CHANNEL EQ 3-BAND ACTIVE:

LOW: 80Hz MID: 750Hz HI: 11.5KHz

POWER REQ.: 90 to 250 VAC 50-60Hz, internal switching

power supply

SIZE AND WEIGHT: 19” x 8.5” x 3.5” D. (5U rack mount) Wt. 15 lbs.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

SAFETY INSTRUCTIONS (EUROPEAN)

The conductors in the AC power cord are colored in accordance with the following code.

GREEN & YELLOW—Earth BLUE—Neutral BROWN—Live

U.K. MAIN PLUG WARNING: A molded main plug that has been cut off from the cord is unsafe. NEVER UNDER ANY CIRCUMSTANCES SHOULD YOU INSERT A DAMAGED OR CUT MAIN PLUG INTO A POWER SOCKET.

IMPORTANT! FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING: WATER AND MOISTURE: Appliance should not be used near water (near a bathtub, washbowl,

kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc). Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.

POWER SOURCES: The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance.

GROUNDING OR POLARIZATION: Precautions should be taken so that the grounding or polarization means of an appliance is not defeated.

POWER CORD PROTECTION: Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance.

SERVICING: The user should not attempt to service the appliance beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel.

FUSING: If your unit is equipped with a fuse receptacle, replace only with the same type fuse. Refer to replacement text on the unit for correct fuse type.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL! THIS UNIT CONTAINS HIGH VOLTAGE INSIDE!

CAUTION

RISK OF ELECTRIC SHOCK

This symbol is intended to alert the user to the presence of uninsulated “dangerous voltage” within the

product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

LIMITED WARRANTY

Your Carvin product is guaranteed against failure for 1 YEAR unless otherwise stated. Carvin will service and supply all parts at no charge to the customer providing the unit is under warranty. Shipping costs are the responsibility of the customer. CARVIN DOES NOT PAY FOR PARTS OR SERVICING OTHER THAN OUR OWN. A COPY OF THE ORIGINAL INVOICE IS REQUIRED TO VERIFY YOUR WARRANTY. Carvin assumes no responsibility for horn drivers or speakers damaged by this unit. This warranty does not cover, and no liability is assumed, for damage due to: natural disasters, accidents, abuse, loss of parts, lack of reasonable care, incorrect use, or failure to follow instructions. This warranty is in lieu of all other warranties, expressed or implied. No representative or person is authorized to represent or assume for Carvin any liability in connection with the sale or servicing of Carvin products.

CARVIN SHALL NOT BE LIABLE FOR INCIDENTAL OR CONSEQUENTIAL

DAMAGES.

When RETURNING merchandise to the factory, you may call for a return authorization number. Describe in writing each problem. If your unit is out of warranty, you will be charged the current FLAT RATE for parts and labor to bring your unit up to factory specifications.

MAINTAINING YOUR EQUIPMENT

Avoid spilling liquids or allowing any other foreign matter inside the unit. The panel of your unit can be wiped from time to time with a dry or slightly damp cloth in order to remove dust and bring back the new look.

As with all pro gear, avoid prolonged use in caustic environments (salt air). When used in such an environment, be sure the mixer is adequately protected by a cover.

CARVIN ENGINEERING DATA OPERATING MANUAL

PRO-MIX 7 DJ MIXER

PHONOLINEOUT

LEFTMONO/SUB

MASTER OUTPUTS

RIGHT

321

MONITOR

(PHONES)

MONITOR

(MONO)

MASTER

OUT

REC

PHONO PHONOLINE

ZONE

(MONO)

MIC 2 MIC 1MIC 3

PRO-MIX 7PRO-MIX 7

AUS

MADE IN THE

S/N XXXXXXX

www.carvin.com

90 - 250 VAC 50/60Hz 30VA

1-800-854-2235

LINE

INTERNAL FUSE

LINE

PROTECT

6 5 4

3 2 1

0 dB

DCM2000

1000 Watt Power Amp

CLIP

SIGNAL

6 5 4

3 2 1

0 dB

POWER

CHANNEL ONE CHANNEL TWO

CLIP

SIGNAL

PROTECT

6 5 4

3 2 1

0 dB

DCM2000

1000 Watt Power Amp

CLIP

SIGNAL

6 5 4

3 2

0 dB

POWER

CHANNEL ONE CHANNEL TWO

CLIP

SIGNAL

PROTECT

6 5 4

3 2 1

0 dB

DCM2000

1000 Watt Power Amp

CLIP

SIGNAL

6 5 4

3 2 1

0 dB

POWER

CHANNEL ONE CHANNEL TWO

CLIP

SIGNAL

PROTECT

6 5 4

3 2 1

0 dB

DCM2000

1000 Watt Power Amp

CLIP

SIGNAL

6 5 4

3 2 1

0 dB

POWER

CHANNEL ONE CHANNEL TWO

CLIP

SIGNAL

DIRECT DRIVE

TURNTABLE SYSTEM

33 45

DIRECT DRIVE

TURNTABLE SYSTEM

33 45

DUAL CD PLAYER

POWER

OPEN/CLOSE

CD2020

CD 1

DUAL CD PLAYER

OPEN/CLOSE

REV FWD

PITCH CONTROL

8%,12%,16%

-SEAMLESS LOOP-

PLAY/PAUSE

TRACK SKIP

RELAY

SHUTTLEJOG

CD1

CD 2

OPEN/CLOSE

REV FWD

PITCH CONTROL

8%,12%,16%

-SEAMLESS LOOP-

PLAY/PAUSE

TRACK SKIP

RELAY

SHUTTLEJOG

CD1

CD2020

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION - TO PREVENT ELECTRICAL SHOCK DO NOT DEFEAT THE SAFETY GROUND ON THE POWER CORD - DO NOT REMOVE COVER . WARNING - TO PREVENT FIRE OR SHOCK HAZARD DO NOT EXPOSE TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFED PERSONNEL.

PRO-MIX 7 DJ MIXER

SETUP

RECEIVING INSPECTION—read before getting started

INSPECT YOUR UNIT FOR ANY DAMAGE which may have occurred during shipping.

If any damage is found, please notify the shipping company and CARVIN immediately.

SAVE THE CARTON & ALL PACKING MATERIALS. In the event you have to re-ship your unit, always use the original carton and packing material. This will provide the best possible protection during shipment. CARVIN and the shipping company are not liable for any damage caused by improper packing.

SAVE YOUR INVOICE. It will be required for warranty service if needed in the future.

SHIPMENT SHORTAGE. If you find items missing, they may have been shipped sep-

arately. Please allow several days for the rest of your order to arrive before inquiring.

RECORD THE SERIAL NUMBER on the enclosed warranty card for your records. Keep

your portion of the card and return the portion with your name and comments to us.

USA customers register online at: www.car

vin.com/registration

All other countries register online at: www.carvinworld.com/registration

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QUICK START UP

If you’re like most new owners, you’re probably in a hurry to plug your mixer in and use it. Here are some brief instructions to get you going quickly. With the mixer unplugged and the unit turned off, complete the following procedures:

A. CONNECTING AC POWER TO YOUR MIXER

• Be sure to plug your mixer into the proper voltage for your country, either 120V-60Hz or 240V-50Hz. The Pro-Mix 7 accepts both voltages listed.

• Use only a grounded (3 prong) power outlet to prevent a shock hazard. This gives the quietest grounding for your mixer.

B. CONNECTING INPUTS TO YOUR MIXER

• The RCA Phono inputs are for turntables ONLY!

• For CD players and similar devices, use the RCA LINE inputs. Connecting other inputs will sound distorted.

• For balanced microphones, use a shielded cable and plug into the XLR MIC inputs.

C. TURNING YOUR MIXER ON

• Set all channel and master LEVEL controls to their OFF positions

• Set all HI, MID, and LOW controls to their center “flat no boost or cut” position.

• Turn the mixer on by the rear POWER SWITCH and watch for the front POWER LED to come on. Your mixer is now ready to operate by turning the levels up.

MIC CHANNEL

1. MIC GAIN CONTROL: The mic GAIN control

adjusts the level of the signal from the XLR and 1/4” MIC input jacks. With the MIC LEVEL and MASTER controls at “5” and the MIC switch “IN”, turn the GAIN control clockwise until the master METERS read about “0dB”. For an average microphone, start with the GAIN at “5” and increase. For other inputs such as a keyboard or sampler, start with the GAIN at “2”. If the sound becomes distorted or fuzzy, reduce this level until a clear signal is heard. When this control is adjusted properly, it usually won’t need to be adjusted for the remainder of the performance.

2. MIC TONE CONTROLS: Each MIC channel is

equipped with three tone controls: HI, MID, and LOW. These are active EQ circuits that will boost or cut certain frequencies of the MIC input by +or -15dB. The HI control effects treble frequencies, peaking at 11.5kHz. The MID control effects mid-band frequencies, centered at 750Hz. The LOW control adjusts bass frequencies, peaking at 80Hz.

3. MIC LEVEL CONTROL: This control adjusts the

level of the mic for mixing to the main output.

4. MIC ON SWITCH and LED: Pushing this switch

to the “IN” position will activate the MIC channel, allowing it to be heard at the MASTER outputs. A lit LED shows the channel is active.

5. TALKOVER SWITCH and LED: Pushing this

switch to the “IN” position lowers the level of music from main channels 1-4, but leaves the microphone levels at normal. This will allow the MICS to be heard over the music while making announcements, etc. A lit LED shows that TALKOVER is active.

MAIN CHANNELS

6. LINE/PHONO SWITCH: This switch selects one

of two RCA inputs for the channel. It is also known as a “TRANSFORM” switch. The “OUT” position selects the cor- responding LINE input on channels 1-4. The “IN” position selects the corresponding PHONO input on channels 1-3, and LINE 5 input on channel 4.

7. GAIN CONTROL: For main channels 1-4

The channel GAIN control adjusts the level of the signal from the selected LINE or PHONO input. If the sound becomes distorted or fuzzy, reduce this level until a clear signal is heard. When this control is adjusted properly, it usually won’t need to be adjusted for the remainder of the performance. (see also #11)

8. CHANNEL TONE CONTROLS: Each of the main channels are equipped with specialized tone controls: HI, MID, and LOW. These are active EQ circuits that will boost +15dB or cut -25dB. The accelerated cut of -25dB allows you to “TURN DOWN” certain elements of a music track until they are nearly inaudible. The HI control peaks

11.5kHz, affecting elements such as cymbals and bells. The MID control is centered at 750Hz and affects elements such as vocals and guitars. The LOW control peaks at 80Hz and affects the BASS elements of the music track. If unusual distortion is heard while adjusting the tone controls, check the channel LED METER, and reduce the GAIN level until the sound is clear and the PK LED does not light.

9. A/B CROSSFADER ASSIGNMENT SWITCHES AND LEDS: These switches

select on which side of the CROSSFADER a channel will be active. To hear a channel at the MAIN OUT- PUT, select A or B and slide the CROSSFADER to the appropriate side. The “A” and “B” LEDs indicate a channel has been assigned. (see also #12.)

10. CHANNEL FADER:

These faders allow a mix level to be set for a channel before the signal goes to the CROSSFADER.

11. CHANNEL METER:

A Four LED meter measures the signal level of the channel before the CROSSFADER and after the CHANNEL FADER.

• -12 dB indicates a signal is present

• 0 dB indicates a

good signal level

• +12 dB indicates a very strong signal

• PK indicates distor-

tion is present

If the red PK LED lights up, reduce the level at the GAIN control.

12. CROSSFADER: The CROSSFADER: adjusts the mix of signal levels between “A” assigned channels and “B” assigned channels, before they go to the MASTER fader. (see #9) It can be used to transition from one song to the next, or to blend sources during a performance. When the crossfader is pushed all the way to the left “A” side, only channels with a lit “A” LED will be heard. Moving the CROSSFADER toward the center gradually blends together both “A” and “B” channels. When the CROSSFADER is pushed all the way to the right “B” side, only channels with a lit “B” LED will be heard. The CROSSFADER also adjusts signals going to the DIGITAL EFFECTS inputs A and B (see #30). The CROSSFADER does not affect the level of the MIC channels.

13. MASTER FADER: The MASTER fader adjusts the overall output level of the mixer. The level is changed at the following output jacks:

• RCA MASTER OUT

• RCA REC OUT

• XLR MASTER OUTPUTS L/R

• XLR MASTER OUTPUT MONO/SUB (before MONO/SUB level control)

• 1/4” ZONE output -(MASTER selected as SOURCE, before ZONE level)

• MONITOR and PHONES output (MASTER mix only, before MONITOR LEVEL)

14. MONO SWITCH: The MONO switch combines the right and left elements of the stereo signal. All LEFT and RIGHT output signals will be identical. This feature is useful when filling larger areas with music or when a stereo image is not necessary.

15. MASTER METER LEDs: This group of LEDs is a 10 segment, 6dB resolution meter that monitors the LEFT and RIGHT MASTER OUTPUT levels. Be aware that some power amp/speaker systems, depending on how they are set, will be at FULL VOLUME when a “0dB” level is reached. To prevent an accidental overload of such a system, you may want to reduce all input GAIN controls to compensate.

MONIT

OR SECTION

16. MONITOR MIX CONTROL: The mix control adjusts the blend of what is heard at the monitor outputs. When turned fully to the left, only the MASTER mix is heard. When turned fully to the right, only the CUEs from the chan-

nels are heard. (see 17. & 18.) Any ratio of MASTER output and CUE listening can be set by using this control.

17. CUE (1-4) SWITCHES: When pressed IN , these switches allow you to listen to a source in the MONITOR outputs without hearing it at the MAIN OUTPUTS. This will allow you to set levels or find tracks before a channel is assigned to the A or B side of the CROSSFADER.

18. CUE MICS SWITCH: Allows you to listen to the MIC CHANNELS in the MONITOR outputs.

19. MONITOR LEVEL CONTROL: Adjusts the volume of the MONITOR mix heard at all MONITOR outputs: PHONES (#20), MONITOR (PHONES)(#43) and MONITOR (MONO)(#42).

20. PHONES JACK: Plug in your stereo headphones here. A high output headphone amplifier will drive most any headphone set.

AUX OUTPUT SECTION

21. MONO/SUB LEVEL CONTROL: Adjusts the

output level of the MONO/SUB XLR connector. Set this level to where it sounds best with the MASTER OUTPUT speakers. Then adjust the volume to all the speakers with the MASTER FADER.

22. X-OVER SWITCH: When pressed IN, this switch inserts a 3rd order crossover filter on the MONO/SUB XLR

output (#40), allowing only frequencies below 150 Hz to pass through for subwoofer applications. When used to run a SUBWOOFER (with power amp), this allows more efficient use of power, resulting in a “tighter” sounding bass response from the SUBWOOFER.

23. ZONE SOURCE SWITCH: When in the OUT position, the ZONE output is the same as the MASTER out-

put. This is useful when you need to control the volume of music in a separate area. Set the ZONE LEVEL to a desired volume and further control with the MASTER FADER. When pressed IN, the ZONE jack becomes a separate output from the MONITOR section. The output level is NOT affected by the MONITOR LEVEL control. Ideal when an independent level control is needed for driving a control room amp and speaker.

24. ZONE LEVEL CONTROL: Adjusts the

output level going to the balanced ZONE 1/4” jack (#41).

DIGITAL EFFECTS

25. INPUT LEVEL CONTROL: Adjusts the

level of signal going to the processor.

26. PK / BYPASS LED: If the LED consis-

tently flashes, it means the INPUT LEVEL to the processor is set too high, causing distorted effects. Reduce the INPUT LEVEL until the LED lights only occasionally or not at all. A solid LED indicates the processor is in bypass mode and no effects will be heard.

27. OUTPUT LEVEL:

Adjusts the volume of the effects heard.

28. EFFECT SELEC-

TOR: To set the effects, turn the SELECT control to one of

four effect categories: ECHO, REVERB, CHORUS or FLANGE. Turning the SELECT control within one of the four effects regions will vary the intensity of each effect by changing the: Regeneration of the DELAY, the high-frequency DAMPING of the REVERB, the REVERB LEVEL in the CHORUS, or the SPEED of the FLANGE.

29. PARAMETER ADJUSTS: The PARAMETER con- trol changes the following on each effect: TIME of DELAY,

DECAY length of the REVERB, DEPTH of the CHORUS, or DEPTH of the FLANGE.

30. PROCESS SWITCHES ( A, B, MICS 1-3 ): These switches select which sources will be effected by the processor. Pressing the A (or B) switch IN allows only signals from the A (or B) side of the CROSSFADER to be processed. Pressing the MICS 1-3 switch allows MIC inputs to be processed. Stunning effects can be produced when manipulating the CROSSFADER or PROCESS switches. A momentary burst

of sound will allow echo repeats or reverb tails to continue after the original signal is removed.

31. BYPASS SWITCH: Turns off all effects as soon as the switch is pressed in. The PK/BY LED lights when in bypass mode.

32. POWER LED: Indicates the mixer is ON.

REAR PANEL

33. XLR MIC INPUT CONNECTORS: These bal-

anced Mic inputs are for connecting microphones that use XLR connections. An additional MIC 1 input XLR is located on the top panel for easy access and gooseneck mics.

34. 1/4" MIC INPUT JACKS: These input are for connecting balanced and unbalanced microphones and other sources such as drum machines etc.

35. GROUND LUG: Connect the ground wire from your turntables here.

36. RCA LINE INPUTS (1-5): Use these inputs for stereo sources such CD, MP3, MiniDisc, DAT, or other mixers.

37. RCA PHONO INPUTS (1-3): Use these inputs for TURNTABLES ONLY. Other inputs will sound distorted and may cause damage. These inputs feature RIAA equalization filters, which is a standard for turntables.

38.MASTER OUT & REC OUT: Two RCA outputs for connecting to power amps, other mixers or recorders using RCA connectors.

39. RIGHT & LEFT MASTER OUTPUT BALANCED XLR CONNECTORS: Use these connectors

whenever possible to connect to power amps or other mixers. The result is a 6dB hotter signal with the noise cancellation of a balanced connection. Adjust output level at the MASTER fader. (see #13.)

40. MONO/SUB BALANCED XLR CONNECTOR: For connecting to Mono systems or to a SUB-

WOOFER AMP (see #22). Level is set at the MONO/SUB level control and further adjusted at the MASTER FADER.

41. ZONE 1/4" OUTPUT JACK: A mono balanced (or unbalanced ) output from the ZONE source. Using a balanced (stereo) 1/4" cable will take advantage of the noise cancellation of balanced 1/4" inputs on the power amp. Recommended for long cable runs between the mixer and amp.

42. MONITOR 1/4" OUTPUT JACK (MONO):

Featuring a high output headphone amp, this jack is typically used for Mono headphones. It may also be used to drive a power amp for the control room speaker.

43. MONITOR 1/4" OUTPUT JACK (PHONES):

Connect STEREO headphones here on the top panel or both. Features a high output stereo headphone amp.

44. POWER SWITCH: Flip to the ON (up) position to power up the mixer.

45. AC POWER RECEPTACLE: A detachable AC cable is included. This mixer features a low-noise switching power supply that will run on any AC voltage from 90 to 255 VAC, 50-60Hz.

MIC MIC MIC

-15

+15

0510

-15

+15

-150+15

0510

-15

+15

-150+15

0510

-15

+15

-150+15

MIC 1

LEVEL

LOW

MID

LEVEL

LOW

MID

GAIN

MIC 2

GAIN

MIC 3

GAIN GAIN GAIN GAIN

MID

LOW

MID

LOW

MID

LOW

MID

LOW

BABABABA

1234

+12

-12

+12

-12

+12

-12

+12

-12

1234

1064208

10 6 4 2 08

MIC 1

PEAK

+18

0DB

-18

-24

+12

-30

-6

-12

POWER

101

4567

100

456

100

456

0510 0510

MONO / SUB ZONE

AUX OUTPUTS

X OVER

1-3

MIC

123 4

CUE

MONITOR

EFFECTS

0510

LEVEL

PROCESS

MONITOR

MASTER

OUTPUTINPUT PARAMETER LEVELLEVEL ADJUST

SELECT TO CUE

24-BIT DIGITAL EFFECTS

MASTER

LINE 1 LINE 2 LINE 3

LINE 5

BYPASS

TAL KOV ER

MICS

SOURCE

PRO-MIX 7PRO-MIX 7

MASTER

MIX

CUE

ADJUST

ECHO

REGEN

TIME

REVERB

DAMPING

DECAY

FLANGE

SPEED

DEPTH

CHORUS

REV LEVEL

DEPTH

EFFECT

CROSSFADER

PHONO PHONO PHONO

LINE 4

PHONES

-25

+15

-25

+15

-25

+15

-25

+15

-25

+15

-25

+15

-25

+15

-25

+15

-25

+15

-25

+15

-25

+15

-25

+15

MONO

PHONOLINEOUT

LEFTMONO/SUB

MASTER OUTPUTS

RIGHT

321

MONITOR

(PHONES)

MONITOR

(MONO)

MASTER

OUT

REC

PHONO PHONOLINE

ZONE

(MONO)

MIC 2 MIC 1MIC 3

PRO-MIX 7PRO-MIX 7

MADE

AUS

IN THE

S/N XXXXXXX

www.carvin.com

90 - 250 VAC 50/60Hz 30VA

1-800-854-2235

DO NOT OPEN

CAUTION

RISK OF ELECTRIC SHOCK

CAUTION - TO PREVENT ELECTRICAL SHOCK DO NOT DEFEAT

THE SAFETY GROUND ON THE POWER CORD. DO NOT REMOVE

COVER. NO USER SERVICABLE PARTS INSIDE. WARNING - TO PREVENT FIRE OR SOCK HAZARD DO NOT EXPOSE TO RAIN

OR MOISTURE. REFER SERVICING TO QUALIFIED PERSONNEL.

LINE

INTERNAL FUSE

LINE

PRO-MIX 7 DJ MIXER

CONTROLS

8 32

27 28

171614

1211109

40 39 35 33

3738

Promix7-manual.qxd 11/2/04 4:31 PM Page 4