Canon EOS Rebel T5 User Manual

Introduction

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RAW Image Processing, Viewing and Editing Software

Digital Photo Professional

Ver. 3.14

Instruction Manual

 Content of this Instruction Manual

 DPP stands for Digital Photo Professional.
 In this manual, the screens used in the basic

operation instructions are from Windows 7, with
some portions using screens from other
versions of Windows.

  indicates the selection procedure of the menu.

Example: [File] menu  [Exit].

 Square brackets are used to indicate items such

as menu names, button names and window
names that appear on the computer screen.

 Text inside < > indicates a key on the keyboard.
 p.** indicates a reference page.

Click to move to the relevant page.

 : Marks helpful information when a problem

arises.

 : Marks tips for using the software skillfully.
 : Marks information that should be read

before use.

 : Marks additional information you may find

helpful.

 Switching Between Pages

 Click on arrows on the bottom right of the screen.

: next page
: previous page
: return to a page you had previously

displayed

 Click on the chapter headings on the right side

of the screen to switch to the contents page of
that chapter. Also, click the item you want to
read about on the table of contents to move to
the relevant page.

 Help and Shortcut Keys

 For information about using DPP, refer to Help

from the [Help] menu.

 Refer to the [Troubleshooting]  [Shortcut Key

List] in the Help for a list of shortcut keys which
are helpful for quick operation.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

© CANON INC. 2014 CCS-M103DPPWE-000

READ CAREFULLY BEFORE USING!

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IMPORTANT - READ THIS AGREEMENT BEFORE USING THE SOFTWARE ON THE CD-ROM
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This is a license agreement (the [Agreement]) between you and Canon Inc. ([Canon]).
IF YOU DO NOT AGREE TO THE TERMS AND CONDITIONS OF THIS AGREEMENT, DO NOT

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(COLLECTIVELY, THE [SOFTWARE]) AND RETURN THE SOFTWARE WITHIN 30 DAYS FROM
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ICATIONS

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

1

Introduction

What is a RAW Image?

What is RAW Development?

When is RAW Development done?

What Advantages Does a RAW Image Have?

RAW image data

Image processing conditions information

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Digital Photo Professional (hereinafter, “DPP”) is a high-performance
RAW image processing, viewing and editing software for EOS DIGITAL
cameras. It is often thought that RAW images are difficult to handle
compared with ordinary JPEG images, but using DPP, you can perform
advanced edits and print RAW images with ease.

RAW Images and Their Features

A RAW image is image data that has recorded output data of imaging
sensor. As image processing is not performed inside the camera when a
photo is taken and the photo has been recorded in the special form of
“RAW image dat a + Image processing conditions information at the time
of shooting”, special software is needed to view or edit the image.
* “RAW” means “in a natural condition” or “not processed or refined”.

RAW images are recorded in the format “RAW image data + Image
processing conditions information at the time of shooting”. When you
open a RAW image in DPP, the image is automatically developed and
you can view the image as an image to which image processing
conditions at the time of shooting have been applied.

Even if you perform various adjustments to the image you have opened
(it undergoes automatic development processing each time), only the
image processing conditions (development conditions) change and the
“original image data itself” remains unaffected. Consequently, image
deterioration is not a problem and it is the perfect image data for users
who want to get creative with their images after they have been shot.

In DPP, the “Image processing conditions information” that can be
adjusted is called a “Recipe”.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

If described in terms of film, the concept of a RAW image is a shot
image not yet developed (latent image).

With film, the image appears for the first time when it is developed. In
the same way , for RA W images t oo, you cannot view them as images on
your computer unless you perform subsequent image signal processing.

Therefore, even though it is digital, this processing is called
“development”.

DPP automatically carries out this “development” processing when
RAW images are displayed in DPP.
As a result, RAW images displayed in DPP are images whose
development processing has been completed.
With DPP, you can view, edit and print RAW images without being
particularly conscious of the development processing.

Editing

JPEG/TIFF

5

Images

Reference

Index

2

Main Features of DPP

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Following are the main tasks you can perform with images you have
downloaded to your computer.

 View and organize RAW images
 Real-time adjustment of a RAW image

 Various image adjustments while maintaining the original image
 Freely apply a Picture Style
 View your image before and after adjustment in the same window

 Trim and adjust the angle of an image
 Change image size
 Correction of lens aberration
 Automatic/manual dust erasure processing
 Convert from a RAW image to a JPEG or

TIFF image and save

 Process large numbers of RAW images in batches
 Transfer the image to image editing software

 Print a RAW image
 View and organize JPEG and TIFF images
 Real-time adjustment of JPEG and TIFF

images

 Various image adjustments while maintaining the original image

 Print JPEG and TIFF images
 Color management compatibility

 CMYK simulation for commercial printing

System Requirements

1

OS

Computer
CPU 1.3GHz Pentium or higher*

RAM Minimum 1GB*
Display

*1Compatible with 32-bit/64-bit systems for all versions except Starter Edition
*2Compatible with 32-bit/64-bit systems for Service Pack 2 except

St arter Ed ition

3

*

Compatible with Service Pack 3

4

Core 2 Duo or higher is recommended

*
*5For Windows 8.1, Windows 8 or Windows 7 64-bit systems, minimum 2GB

Check the Canon Web site for the latest system requirement s, including
supported OS versions.

Windows 8.1, Windows 8, Windows 7*
Windows XP Professional/Home Edition*

PC with one of the above OS preinstalled
* Upgraded machines not supported

4

5

Screen resolution: 1024 × 768 pixels or more
Color quality : Medium (16 bit) or more

, Windows Vista*

3

Supported Images

This software supports the following image types.

Image type Extension

RAW images*1 shot with EOS DIGIT AL cameras,

RAW images

JPEG images

TIFF images Exif-compatible TIFF images .TIF, .TIFF

1

Compatible with RAW images shot with EOS D6000 or EOS D2000

*

that have been converted to RAW images using the CR2 Converter
and have the “.CR2” extension.
For information on CR2 Converter, refer to Canon Web site.

2

•

Only models where Digital Photo Professional is listed in the “Data Type”

*

item in the “Specifications” section near the end of the Camera User Guide.

• Use the dedicated CameraWindow application to download images from a
PowerShot camera to a computer. See the Software Starter Guide for details.

• Lens aberration correction can only be used w ith some ca mera and lens m odels.

•Automatic dust erasure processing and other EOS DIGIT AL specific
functions cannot be used.

•

RAW images shot with the PowerShot Pro1 are also supported, but
they cannot be edited with the DPP RAW image adjustment function.

excluding EOS DCS1 and EOS DCS3
RAW images*

Exif 2.2, 2.21 or 2.3-compatible JPEG
images

2

shot with PowerShot cameras

.CR2

.TIF

.CRW

.JPG, .JPEG

Introduction

2

Contents at

a Glance

Operation

Advanced
Operation

Advanced

Image Editing

and Printing

Processing

Large Nu mbers

of Images

JPEG/TIFF

Reference

Basic

1

2

3

4

Editing

5

Images

Index

3

Contents at a Glance

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Downloading Images to Your Computer

 Download images by connecting your camera and

computer

 Download images using a card reader  p.9

Viewing and Checking RAW Images

 Quickly enlarge parts of an image  p.11
 Sort images (check marks, rating)  p.18, p.19
 Display an image shot simultaneously as a RAW

image and JPEG image as a single image

 Display the images in the th umbnail list display at high

resolution

 Check shooting information such as the shooting date  p.10, p.23

Editing RAW Images (Adjusting)

 Adjust brightness/darkness
 Use automatic adjustment
 Change the Picture Style



Sharpen the modulation and contrast of colors (contrast)

 Make skin tone look healthier (color tone)  p.30
 Make the image colors more vivid (color saturation)  p.30
 Make an image sharp (sharpness)  p.31
 Adjust an image to make color tone more natural

(white balance)

 Change an image to black-and-white or sepia tones

(monochrome)

 Trim an image and adjust the angle of an image  p.38
 Specify an aspect ratio that matches the size of the

paper on which an image is to be printed

 Erase dust shot with the image  p.75, p.77
 Erase unwanted parts of an image  p.79

Auto correct RAW im ages with the Auto Lighting Optim izer



 p.7

 p.22

 p.23

 p.12, p.26
 p.33
 p.26

 p.29

 p.28

 p.30

 p.38

 p.61



Adjust brightness of shadows/highlights

 Reduce image noise  p.62
 Correct lens aberration  p.63
 Use the Digital Lens Optimizer  p.70
 Use a Picture Style file  p.59
 Edit efficiently  p.34
 Edit an image while comparing the image before and

after adjustment

 Synchronize multiple images  p.54
 Display an area beyond the set range as a warning

indicator (Highlight/Shadow warning)

 Restore an adjusted image to its condition at the time

of shooting

 Composite images  p.80
 Create HDR (High Dynamic Range) images  p.83

 p.57

 p.53

 p.55

 p.43

Printing

 Print well on a Canon printer
 Faithfully reproduce the color of the subject

when printing

 Print with the shooting information  p.87
 Print a thumbnail list of images  p.88
 Approximate the color seen on screen wit h your

printing results

 p.43, p.89,

p.90, p.91

 p.43, p.89,

p.90, p.91

 p.95

Conversion of Images

 Convert a RAW image to a JPEG image  p.42, p.102
 Edit in Photoshop  p.79, p.103
 Perform batch processing  p.102
 Edit (adjust) a JPEG image  p.106

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

4

1

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Basic Operation

The basic operational flow – from how to download to your computer
images shot with a camera to checking, editing, saving and printing a
downloaded RAW image – is explained here.

Introduction

Contents at

a Glance

Starting up DPP......................................................... 6

Main Window Display................................................... 6

Downloading Images to Your Computer.................... 7

Downloading Images Using Your Card Reader............ 9

Viewing an Image.................................................... 10

Viewing Images as Thumbnails in the Main Window

Changing the Size of Thumbnail Images................ 10

Enlarging and Viewing an Image in the Edit Window

Enlarging and Viewing a Specific Area................... 11

Adjusting an Image.................................................. 12

About the Tool Palette................................................ 12

About Recipes............................................................ 12

Saving an Image...................................................... 13

Saving......................................................................... 13

Printing an Image .................................................... 14

.............

..............

10

11

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Printing ....................................................................... 14

Exiting DPP ............................................................. 14

Index

5

Starting up DPP

Double-click

Main window ([Folder] window)

Main Window Display

[Folder] window

[Collection] window

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Double-click the desktop icon.

Introduction

 DPP starts up and the main window ([Folder] window) appears.

In the main window, you can use tabs to select either the [Folder]
window or the [Collection] window. The [Folder] window displays the
images in folders on your computer, wh ile the [Collection] window (p.36)
displays images selected randomly by the user from one or more folders
and gathered together.

Unless noted otherwise, the [Folder] window will be described as the
main window from this point on.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

6

Downloading Images to Your Computer

EOS Utility (Displayed items differ depending on connected
camera)

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Connect the camera and computer with the cable provided and
download the images saved on the memory card inserted in the camera.

For downloading images, start up the camera software “EOS Utility”
from DPP and use.

Select the save destination for the images.

1

 Select the save destination in the folder area on the left of the

main window.

 When creating a folder, see p.50.

Start up EOS Utility.

2

 Select the [Tools] menu  [Start EOS Utility].

Connect your camera and computer and turn the

3

camera on.

 Connect the camera and your computer with the interface cable

provided with the camera and turn the camera on.

 For detailed instructions on connecting your camera and

computer, refer to the “EOS Utility Instruction Manual” (PDF
electronic manual).

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

 EOS Utility starts up.

 The capture window for EOS Utility appears.

When an EOS M2 or
does not appear. Proceed to step 5 on the next page.

EOS M is connected, the capture window

Index

7

Click the [Main Window] button.

Click

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4

Advantages of using EOS Utility to download images

Using EOS Utility to download images makes it easier to organize your
images as they are downloaded, sorted and saved into folders by date.

Introduction

Contents at

a Glance

 The main window for EOS Utility appears.

Download images.

5

 You cannot start up EOS Utility in the [Collection] window

(p.6, p.36).

 When EOS Utility has been started up from DPP, you cannot use

the following functions.

•Quick check window view (p.16)

•Trimming and adjusting the angle of an image (p.38, p.114)

•Digital Lens Optimizer (p.70)

•Compositing images (p.80)

•Creating HDR (High Dynamic Range) images (p.83)

•Dust erasure processing (copy stamp function)

(p.75 to p.79, p.117 to p.121)

•Batch change file names (rename function) (p.104)

•Printing using Easy-PhotoPrint EX or Easy-PhotoPrint
(Plug-in printing) (p.43, p.46)

•Transferring images to Photoshop (p.79)

•Batch saving images (batch processing) (p.102)

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

 Downloading of images begins.
 The downloaded images are saved in the folder selected in step

1 and are displayed in the main window of DPP.

 The downloaded images are sorted by date into folders and

saved.

Index

8

You can also download images to the computer using a third-party card

Downloading Images Using Your Card Reader

By selecting the memory card folder directly in DPP, the images in the
folder are displayed in DPP and you can check the shot images.

Checking before downloading images

 Copying to your computer may take time when there is a large

number of shot images saved in the memory card.

 For details on the [DCIM] folder structure and the file names of

shot images, refer to “Folder Structure and File Names in the
Memory Card” in the “EOS Utility Instruction Manual” (PDF
electronic manual).

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reader.

Load the memory card into the card reader.

1

Open [My Computer]  [EOS_DIGITAL] and drag the

2

[DCIM] folder to the [Desktop].

Display the images downloaded to your computer.

3

 In the [DCIM] folder copied to your desktop, select the folder

where the shot images are saved.

 Images in the folder are displayed in the main window of DPP.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

 The [DCIM] folder is downloaded to your computer.
 All images are saved in folder units inside the [DCIM] folder.

Reference

Index

9

Viewing Images as Thumbnails in the Main Window

Main window

Rotate selected image

Click to select the image

Display thumbnails of all the images inside the
folder selected in the folder area on the left

 Images displayed with the [ ] icon are movie files and cannot

be played back in DPP.

 If the message [Insufficient memory.] appears, there are too

many images in one folder. Decrease the number of images in
one folder such as by dividing them into smaller folders.

 When aspect ratio information is attached to the shot image with the

EOS-1D X, EOS-1D C, EOS-1D Mark IV , EOS-1Ds Mark III, EOS-1D
Mark III, EOS 5D Mark III, EOS 6D, EOS 7D, EOS 70D, EOS 60D,
EOS REBEL T5i/700D, EOS REBEL SL1/100D, EOS REBEL T4i/
650D, EOS REBEL T3i/600D, EOS REBEL T5/1200D, EOS M2 or
EOS M, the image is displayed as a trimmed image (p.38, p.114).

 For a list of main window functions, see p.127.

Viewing an Image

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Images downloaded to your computer are displayed as a thumbnails list
in the main window. You can double-click an image to open the edit
window and display the image at large size.

Changing the Size of Thumbnail Images

You can change the size of the thumbnail images displayed in the main
window and display them with shooting information attached.

Select the [View] menu  desired item.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

 The display changes to the selected item.

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

10

 The edit window appears.

Enlarging and Viewing an Image in the Edit Window

Double-click

Edit window Tool palette



By selecting the [View] menu  [AF Point] in the edit window, you can
display the AF points selected in the camera at the time of shooting.
However, AF poin ts are not displayed for images whose image size
has been changed and then been converted and saved

(

p.42, p.137),

images for which you selected an effect other than [Shot settings] as
correction of fisheye lens distortion aberration, or images which have
had settings specified during RAW processing on the camera for
distortion correction and chromatic aberration correction.

 For a list of edit window functions, see p.130.

Double-click

Tool palette enlargement display position

Change the enlargement
display position by
dragging

Select the [View] menu  [200% view] or [50% view].

To display an image in an enlargement ratio other than 100%

You can change the enlargement ratio when you double-click (p.93).

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Enlarging and Viewing a Specific Area

Double-click the area you want to enlarge.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

 It may take time for the image to redraw itself.
 Click the [ ] in the upper right of the edit window to close the

edit window.

 The area you double-clicked is enlarged to 100% (actual pixel

size). If you wait for a while, it changes to a clearer display.

 Double-click again to revert to the full view.
 To change the display position, drag on the image or drag the

enlargement display position of the tool palette.

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

11

Adjusting an Image

Reverts the image to
the original settings

Drag the slider left or
right

Tool palette

Select the [View] menu  [Tool palette].

The tool palette does not display

About the Tool Palette

About Recipes

For a list of tool palette functions, see p.131.

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You can perform a variety of image adjustments, such as adjusting the
brightness or changing the Picture Style of an image using the tool
palette of the edit window . You can easily restore an image to its original
settings with the [ ] button even if you have made the wrong
adjustment. Try out the various adjustments.

As an example, the procedure to adjust the brightness of an image is
explained here.

You can adjust images with the tool palette by switching between the
[RAW], [RGB], [NR/ALO] and [LENS] tab sheets according to your
editing requirements.
Because adjustment made with the tool palette (it undergoes automatic
development processing each time) only changes the image processing
conditions, the “original image data itself” remains unaffected.
Therefore, there are no problems with image deterioration that arise with
editing and you can readjust your images any number of times.
See Chapter 2 onwards for more detailed information on the various
functions of the tool palette.

In DPP, all the adjustment contents (image processing conditions
information) made with the tool palette are saved to an image as data
called a “Recipe” (p.99).

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

 The image brightness changes in real time according to the

amount of adjustments.

Reference

Index

12

Saving an Image

Saving

COPY

If you perform the save operation described here, you can save all the
adjustment contents (recipe) made with the tool palette to the RAW
image.

Select the [File] menu  [Save].

 Your adjustment contents (recipe) are saved to the image.

With DPP, you can perform the following types of saving according to
your requirements. For deta iled information on each saving me thod, see
Chapter 2 onwards.

 Save (p.41)

Add adjustment contents (recipe) made with the tool p alette to a RA W
image and save.

 Save as (p.41)

Add adjustment contents (recipe) made with the tool p alette to a RA W
image and save as a separate RAW image. The original RAW image
remains unaffected.

 Add thumbnail to image and save* (p.23)

Create a new thumbnail image for the main window and save to each
image.
The quality of images in the main window improves and images
redraw themselves more quickly.

 Convert and save (p.42)

Convert adjusted RAW image to a JPEG or TIFF image and save.
The original RAW image remains unaffected.

 Batch process (p.102)

Convert in batches adjusted multiple RAW images to JPEG or TIFF
images and save.
The original RAW images remain unaffected.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

* Option available in the main window.

Reference

Index

13

Printing an Image

Printing

A confirmation dialog box for saving the images appears when you
try to exit DPP without saving the adjusted image. Click the [Yes to
all] button to save the adjustment contents (recipe) to all the images
adjusted.

COPY

You can print images with a printer. As an example, the procedure to
print one image on one sheet of paper is described here.

Exiting DPP

In the main window, select the [File] menu  [Exit].

Introduction

Select the [File] menu  [Print].

1

 The printer’s print settings dialog box appears.

Print.

2

 Specify the optimum settings for photograph printing in the

printer’s print settings dialog box and click the [OK] button.

 Printing begins.

 DPP exits.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

With DPP, you can perform the following types of printing according to
your requirements. For detailed information on each printing method,
see Chapter 2 onwards.

 Print one image (p.49)
 Print with a Canon inkjet printer (p.43, p.46)
 Print with a high-end Canon printer (p.89)
 Print with shooting information (p.87)
 Printing a thumbnail list (contact sheet printing) (p.88)

Reference

Index

14

2

COPY

Advanced Operation

Introduction

A more advanced operation – from efficiently checking images, to
various ways of editing an image, printing a RAW image using a Canon
printer and sorting images – is explained here.

Efficiently Checking/Sorting Images......................... 16

Sorting Images........................................................... 18

Attaching Check Marks.......................................... 18

Setting Ratings ...................................................... 18

Sorting Images in the Main Window.......................... 19

Attaching Check Marks in the Main Window ......... 19

Setting Ratings in the Main Window...................... 19

Arranging Images in the Main Window...................... 20

Arranging by Type ................................................. 20

Arranging Freely.................................................... 21

Displaying a RAW Image and JPEG Image as a Single

Image.........................................................................

Improving the Quality of an Image in the Main Window...

Checking Image Information...................................... 23

Editing an Image...................................................... 25

About the RAW Tool Palette...................................... 25

Editing with the Tool Palette in the Main Window.. 25

22
23

Detailed Setting of Image Sharpness..................... 32

Automatically Adjusting Brightness and Color (Tone

Curve Assist)..............................................................

Editing Efficiently..................................................... 34

Editing in the Edit Image Window............................... 34

Changing the Thumbnail Display Position to Horizontal
Gathering and Editing Images in the Collection Window...

Trimming and Adjusting the Angle of an Image....... 38

Applying Adjustment Contents to Other Images...... 41

Saving Editing Results............................................. 41

Saving Editing Contents to a RAW Image.................. 41

Saving as a JPEG or TIFF Image............................... 42

Re-Editing an Image................................................ 43

Printing an Image .................................................... 43

Printing Photographs with Canon Inkjet Printers

Compatible with Easy-PhotoPrint EX.........................

Printing Photographs with Canon Inkjet Printers

Compatible with Easy-PhotoPrint...............................

Printing Photographs with a Printer other than Canon

Inkjet Printers..............................................................

...............

33

36
36

43
46
49

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Adjusting Brightness.................................................. 26

Changing a Picture Style........................................... 26

Picture Style File.................................................... 27

Adjusting Color Tone by Changing White Balance.... 28

Adjusting Color Tone Using Click White Balance...... 28

Adjusting Contrast ..................................................... 29

Changing Color Tone and Color Saturation............... 30

Adjusting Monochrome.......................................... 30

Adjusting Image Sharpness....................................... 31

Organizing Images .................................................. 49

Deleting an Unwanted Image..................................... 49

Creating a Folder for Saving Images.......................... 50

Moving Images........................................................... 50

Moving Images in Folders .......................................... 51

Registering Frequent-Use Folders (Bookmark

Registration)...............................................................

Organizing Bookmarks........................................... 51

51

Index

15

Efficiently Checking/Sorting Images

Quick check window

Double-click

When [AF Point] is checkmarked, you can display the AF points
selected in the camera at the time of shooting.

However, AF points
are not displayed for images which have had their image size changed
and then been converted and saved (p.42, p.137), which have had
settings specified during RA W p roces sing on the camera for distortion
correction and chromatic aberration correction, which are com posited, or
which are created as HDR (High Dynamic Range) images.

COPY

You can enlarge images displayed as thumbnails in the main window
and efficiently check each image. You can attach check marks and sort
images into five groups.

Display the quick check window.

1

 Click the [Quick check] button.

 The quick check window appears.

Click the [Next] or [Previous] button to switch

2

between images to be checked.

Double-click the area you want to enlarge.

3

 The area you double-clicked is enlarged to 50% view.
 To change the display position, drag on the image.
 Double-click again to revert to the full view.
 To exit, click the [OK] button.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

 All the images displayed in the main window can be checked in

the quick check window.

Editing

JPEG/TIFF

5

Images

Reference

Index

16

Convenient functions of the quick check window

COPY

Introduction

 To check only selected images

You can use the quick check window to check only selected images
by selecting the desired images from those displayed in the main
window and then performing step 1.

 Switch between images using the keyboard

You can also switch between images by pressing the <
key.

 Switch between screens using the keyboard

You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys.

 Operate using the menu

Each operation can also be performed with the menu which appears
when you right-click with the mouse on an image.

 The enlargement ratio when an image is enlarged is half (50%)

of the 100% (actual pixel size).

 You can change the enlargement ratio to 100%, when an image

is enlarged (p.93).

 For a list of quick check window functions, see p.135.

> or <>



Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

17

Sorting Images

Click

 The selected check mark appears in the upper left of the window.

Check mark

 Click the [Clear] button to remove the check mark.

 The values of check marks atta ched to images in DPP version 3.8

or earlier are maintained as they are.

 You can also attach check marks from the menu that appears by

right-clicking with the mouse on an image in the main window.

Setting Ratings

Click (changes to [ ] after
clicking [ ])

 The rating is set and an icon corresponding to the selected [ ]

appears in the upper left of the window.
(Window shown with a rating of three [ ])

 To set [Reject], click the [Reject] button. Click the [Reject] button

again to cancel.

Rating icon

 To cancel the rating, click the same [ ] as when the setting was

made on the right of the window.

As the file structure of the image data is changed when a rating is
set to an image, it may not be possible to check the image
information in third-party software.

You can also set ratings (including [Reject] setting) from the menu
that appears by right-clicking with the mouse on an image in the
main window.

COPY

Introduction

You can sort images by attaching check marks or setting ratings
(indicated with [ ] marks) for each subject or theme.

Attaching Check Marks

Display the image you want to attach a check mark
to, and then click any one of [ ] to [ ].

Display the image you want to rate, and then click
any one of the [ ].

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

18

Sorting Images in the Main Window

Select

Click

 The selected check mark appears in the upper left of the image

frame.

Check mark

Setting Ratings in the Main Window

Select

Click (changes to [ ] after clicking [ ])

 The rating is set and an icon corresponding to the selected [ ]

appears in the image frame.
(Window shown with a rating of three [ ] as an example)

Rating icon

COPY

Introduction

You can also sort images in the main window by attaching check marks
or setting ratings (indicated with [ ] marks) for each subject or theme.

Attaching Check Marks in the Main Window

Select the images you want to attach a check mark
to, and then click any of [ ] to [ ] in the toolbar.

Select the images you want to rate, and then click
any of the [ ] in the toolbar.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

 Click the check mark in the toolbar again to remove the check

marks.

Reference

Index

 To cancel the rating, click the same [ ] as when the setting was

made in the toolbar.

 [Reject] cannot be set with the toolbar. Set [Reject] with the

[Label] menu or the quick check window (p.18).

19

Introduction

Click on desired images while holding down the <Ctrl> key. To select
multiple consecutive images, click on the first image, and then click on
the last image while holding down the <Shift> key.

Y ou can display a large number of images by setting the size of thumbnail
images to small (p.10). Then, by selecting the [View] menu



[Rating] and
removing check marks so that ratings no longer appear in the image
frame, you can display still more thumbnail images in the main window.

To select multiple images in the main window

To display more thumbnails in the main window

 The [Label] menu can also be used to att ach check marks and set

ratings.

 By selecting the [Edit] menu  [Check mark] or [Rating]  image

selection criteria, you can refine criteria for selecting
checkmarked or rated images.

 You can display and change the rating settings set in DPP with

other bundled software and on an EOS-1D X, EOS-1D C, EOS 5D
Mark III, EOS 6D, EOS 7D (firmware version 2.0.0 or later), EOS
70D, EOS 60D, EOS REBEL T5i/700D, EOS REBEL SL1/100D,
EOS REBEL T4i/650D, EOS REBEL T3i/600D, EOS REBEL T5/
1200D, EOS REBEL T3/1100D, EOS M2 or EOS M camera.

• EOS Utility version 2.9 or later:
Ratings set in DPP are displayed. However, [Reject] is not
displayed and you cannot change rating settings.

• On an EOS-1D X, EOS-1D C, EOS 5D Mark III, EOS 6D, EOS
7D (firmware version 2.0.0 or later), EOS 70D, EOS 60D, EOS
REBEL T5i/700D, EOS REBEL SL1/100D, EOS REBEL T4i/
650D, EOS REBEL T3i/600D, EOS REBEL T5/1200D, EOS
REBEL T3/1100D, EOS M2 or EOS M camera:
Ratings set in DPP are displayed in the playback screen. You
can also change rating settings. However , you cannot display or
change settings for [Reject].

 Reversely, you can also display and change with DPP the rating

settings set for still images on an EOS-1D X, EOS-1D C, EOS 5D
Mark III, EOS 6D, EOS 7D (firmware version 2.0.0 or later), EOS
70D, EOS 60D, EOS REBEL T5i/700D, EOS REBEL SL1/100D,
EOS REBEL T4i/650D, EOS REBEL T3i/600D, EOS REBEL T5/
1200D, EOS REBEL T3/1100D, EOS M2 or EOS M camera.

Arranging Images in the Main Window

COPY

You can arrange images in the order of the types of check marks you
have attached to images, or in the order of date and time at which the
images were shot. You can also freely arrange images by moving them
individually.

Arranging by Type

Select the [View] menu  [Sort]  desired item.

 The images are arranged in the order according to the selected

item.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

20

Sort item Description

When check marks from 1 to 5 have been set, the images are sorted as
follows:

Check mark1 selected: 12345
Check mark2 selected: 23451
Check mark3 selected: 34512
Check mark4 selected: 45123
Check mark5 selected: 51234

Check mark sorting order

You can maintain the order of rearranged images even if you exit DPP
or select another folder in the folder area.

 Maintain order without changing image file names

You can use the [View settings] tab sheet in the [Preferences] to
maintain the order of images without changing the image file names

(p.93).

 Maintain order and change image file names

You can use the rename function to maintain the order of images and
change the image file names all at once in the order they were
rearranged (p.104).

Maintaining the order of rearranged images

COPY

Rating: ascending
order

Rating: descending
order

File name Images are sorted by file name in alphanumeric

Sorted in order of fewest [ ].

Sorted in order of most [ ].

order (0 to 9  A to Z).

Arranging Freely

Drag and drop the image to the desired location.

Introduction

Contents at

a Glance

Basic

Operation

1

Shooting Date/Time Images are sorted by shooting date and time

from the earliest.

RAW priority Images are sorted in the following order: RAW

images  JPEG images  TIFF images.

Check mark1 ­Check mark5

Images with check marks take priority and are
sorted in number order.

 The image moves to the desired location.
 You can also select multiple images (p.20) and move them.
 The order of rearranged images is maintained until you exit DPP

or select another folder in the folder area.

 Select the [View] menu  [Sort]  [File name] to revert to the

order before the images were rearranged.

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

21

You can display and handle a RAW image and JPEG image shot

Displaying a RAW Image and JPEG Image as a Single Image

COPY

simultaneously as a single image. In particular, you can halve the
number of images displayed in the main window and you can streamline
the checking of a large number of images shot simultaneously.

Select the [Tools] menu  [Preferences].

1

RAW im ages with the extension “.CR2” can be displayed as a
single image

Images that can be displayed as a single image are images shot with a
camera that shoots RAW images with the extension “.CR2” and JPEG
images simultaneously . Images that have been simult aneously shot with
a camera that shoots RAW images with the extension “.CRW” or “.TIF”
cannot be displayed as a single image.

Introduction

Contents at

a Glance

Basic

Operation

1

Select the [View settings] tab sheet and checkmark

2

[Display only CR2 images for CR2 and JPEG files of
the same name].

When a single image is displayed

 Image displayed

The RAW image is displayed in all windows.

 Edited image

The content which has been adjusted with any of DPP’ s functions (the
tool palette etc.) will be applied to the RAW image only.
However, if you have used the following functions, the adjustments
will be applied to both the RAW image and the JPEG image.

• Deleting an image (p.49)

• Moving or copying an image (p.50)

• Checkmarking (p.18, p.19)

• Rating (p.18, p.19)

• Rotating an image (p.127, p.135, p.136)

• Attaching a thumbnail to an image and saving (p.23)

 Images added to the [Collection] window

When you add a RAW image and JPEG image displayed as a single
image to the [Collection] window , the single image is marked with the
[ ] mark. However, because the RAW and JPEG images are
actually added individually, the number of images shown on the
[Collection] tab sheet increases by 2 (p.128).

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

 The main window display updates and the simultaneously shot

RAW image and JPEG image are displayed as a single image
with the [ ] mark (p.129).

In step 2, if you uncheck [Display only CR2 images for CR2 and
JPEG files of the same name], the RAW image and JPEG image
are displayed as separate images.

22

Introduction

Improving the Quality of an Image in the Main Window

The quality is improved for any JPEG or TIFF image. While the image
quality improves regardless of the thumbnail size (p.10), selecting [Large
thumbnail], with its larger display size, shows the improvement more
clearly than [Medium thumbnail] and [Small thumbnail].

The extent of the improvement in quality

A large number of images may take some time to add.

Checking Image Information

COPY

Create a new thumbnail image for the main window and save to each
image.

The quality of images in the main window improves and images redraw
themselves more quickly.

With all the images selected, select the [File] menu 
[Add thumbnail to image and save].

Select the image for which you want to check the

1

image information.
Click the [Info] button.

2

 The image information window appears (p.24).

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

23

Select a tab sheet and check information.

[Shooting Information] tab sheet

[Metadata] tab sheet

 Switching displays

If a different image is selected in the main window when the image
information window is displayed, the image information for that image
will be displayed.

 Difference with the [Thumbnail with information]

Detailed shooting information for each image is displayed in the
image information window. However, if you want to only check the
main shooting information, you can check it for each image in [View]
menu  [Thumbnail with information] (p.10).

Convenient uses in the main window

COPY

3

 Shooting information is displayed in the [Shooting Information]

tab sheet, while IPTC* information appended to the image after
shooting is displayed in the [Metadata] tab sheet.
IPTC* information provides additional comments on images,
such as captions, credits and the shooting location. The
information is sorted into 5 different categories and can be
viewed by selecting [Description], [IPTC Contact], [IPTC Image],
[IPTC Content] or [IPTC S tatus] from th e list box in the [Metadata]
tab sheet.
IPTC* information can only be appended to JPEG/TIFF images
using Photoshop (CS3 or later).

* International Press Telecommunications Council (IPTC)

 The contents of the [Shooting Information] tab sheet will vary

depending on the camera model.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

24

Editing an Image

Edit window Tool palette

 You can rotate an image in the [Adjustment] menu.
 You can adjust an image while comparing the image before and

after adjustment (p.53).

 You can synchronize multiple images and edit while comparing

them (p.54).

 See p.130 for a list of edit window functions, and p.131 for a list of

tool palette functions.

About the RAW Tool Palette

COPY

This section explains how to adjust an image using the tool palette in the
edit window.

You can easily restore an image to its original condition with the [ ]
button even if you have made the wrong adjustment. T ry out the various
adjustments.

How to make adjustments using the [RAW] tool palette functions, and
how to adjust automatically with the [RGB] tool palette are explained in
this section.

You can adjust images with the tool palette by switching between the
[RAW], [RGB], [NR/ALO] and [LENS] tab sheets according to your
editing requirements.
Adjustments similar to those that can be performed with the funct ions of
your camera can be performed using the functions of the [RAW] tool
palette. When the camera settings were incorrect during shooting, or
when the shooting result is not what you visualized, you can get closer
to what you envisaged with the [RAW] tool p alette which is similar to the
camera.
All functions other than [RGB] tool palette automatic adjustment, and
each function of the [NR/ALO] and [LENS] tool palette are explained in
Chapter 3.

Editing with the Tool Palette in the Main Window

By clicking the [Tool Palette] button (p.127) in the toolbar on the main
window, the same tool palette that appears in the edit window is
displayed and you can edit images.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

 The image changes in real time according to adjustments

performed with the tool palette.

 To revert to the condition before the last operation performed on

the tool palette, select [Undo] in the [Edit] menu or press <Ctrl> +
<Z> keys.

Editing

JPEG/TIFF

5

Images

Reference

Index

25

Introduction

Adjusting Brightness

Reverts the image to
the original settings

Enter a numerical value

Drag the slider left or right

The adjustment range is –2.0 to +2.0 (in 0.01-stop increments when
entering a value).

Changing a Picture Style

Reverts the image to
the original settings
Select

 Even if the RAW image is from a camera that does not have

Picture Style settings, you can still set a Picture Style as long as
the RAW image is compatible with DPP (p.3).

 You can retain the [Color tone], [Color saturation], [Contrast],

[Unsharp mask] and [Sharpness] settings, even if you change the
Picture Style (p.94).



[Auto] is only applied to images shot with the EOS-1D X, EOS-1D
C, EOS 5D Mark III, EOS 6D, EOS 70D, EOS REBEL T5i/700D,
EOS REBEL SL1/100D, EOS REBEL T4i/650D, EOS REBEL T3i/
600D, EOS REBEL T5/1200D, EOS M2 or EOS M.
When changing a Picture Style with several images selected, you
can select [Auto] if images shot with the EOS-1D X, EOS-1D C,
EOS 5D Mark III, EOS 6D, EOS 70D, EOS REBEL T5i/700D, EOS
REBEL SL1/100D, EOS REBEL T4i/650D, EOS REBEL T3i/600D,
EOS REBEL T5/1200D, EOS M2 or EOS M are included. However ,
[Auto] is actually applied only to images shot with the EOS-1D X,
EOS-1D C, EOS 5D Mark III, EOS 6D, EOS 70D, EOS REBEL T5i/
700D, EOS REBEL SL1/100D, EOS REBEL T4i/650D, EOS
REBEL T3i/600D, EOS REBEL T5/1200D, EOS M2 or EOS M.

 You cannot select [Auto] with multiple-exposure RAW images

created on the camera.

COPY

The brightness of an image can be adjusted. Move the slider to the right
to make the image brighter and to the left to make the image darker.

If the image you shot is different to what you visualized, you can change
the Picture Style to get closer to what you envisaged.

Even if you have saved the image (p.41) with [Monochrome] (p.30)
selected, you can still change to another Picture Style at any point by
simply selecting a Picture Style other than [Monochrome].

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

26

Picture Style Description

COPY

Introduction

Picture Style Description

( )

Standard

Auto

Portrait

Landscape

Neutral

The Picture Style set on the camera when the
image was shot.

When a mode in the Creative Zone is selected on
the camera, the Picture Style set in ( ) is
displayed.

When a mode in the Basic Zone is selected on
the camera, [Shot settings] is displayed in ( ), and
image characteristics that are according to the
selected shooting mode are applied.

The image looks vivid.
Ordinarily, this setting is suitable for most images.

The color tone will be adjusted to suit the scene.
The colors will look vivid. Especially the colors of
blue skies, greenery , and sunset s will be vivid in a
shot of nature, outdoor, or sunset scenes.

For nice skin tones.
Effective for close-ups of women and children. By
changing the [Color tone], you can adjust the skin

tone (p.30).
For vivid blues and greens.

Effective for making images of landscapes
impressive.

For natural colors and subdued images.
Effective for base images which are to undergo

adjustment.

(Picture Style file

registered in the

camera)

[Picture Style file

applied in DPP]

Displayed when selecting an image shot with the
Picture Style file registered in the camera.

In the list, the name of the Picture Style file is
displayed in ( ).

The name of the Picture Style file applied in DPP
is displayed in [ ].

Picture Style File

A Picture Style file is an extende d function file of Pict ure Style. See p.59
for how to use Picture Style files.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Faithful

Monochrome

When the subject is photographed under a color
temperature of 5200K, the color is adjusted
colorimetrically to match the subject’s color.
Effective for base images which are to undergo
adjustment.

For black and white images.
You can also adjust with [Filter effect] or [Toning
effect] (p.30).

Index

27

Introduction

Adjusting Color Tone by Changing White Balance

Reverts the image to
the original settings

Select

If the color tone of the image doe s not appear natural after chan ging the
white balance, adjust the white balance using click white balanc e (this page).

To make further fine adjustments to color tone after adjusting the white
balance, you can use [Color tone] (p.30) to get closer to your requirements.

The color tone does not become more natural even when the
white balance is changed

Tune with color tone

 You cannot register the adjustment results as personal white

balance (p.101) when you have selected [ ( )] from the list box.

 You cannot change or adjust white balance with multiple-

exposure RAW images created on the camera.

Refer to your camera’s Instruction Manual for details on each white
balance setting.

Adjusting Color Tone Using Click White Balance

Click

The coordinates of the cursor position and
the RGB values (8-bit conversion)

Click

Reverts the
image to the
original settings

COPY

If the color tone of the photographed image does not appear natural,
change the white balance to make it appear natural. You can make the
color tone natural by setting the light source at the time of shooting an
image of, for example, pale-colored flowers.

 ( ) is the white balance set on the camera when the image

was shot.

• When a mode in the Creative Zone is selected on the camera,
the white balance set in ( ) is displayed.

• When a mode in the Basic Zone is selected on the camera,
[Shot settings] is displayed in ( ), and image characteristics that
are according to the selected shooting mode are applied.

• If you have corrected white balance, the correction value is
displayed in ( ).

You can adjust white balance using a selected part of an image as the
standard for white to make the image appear natural. Using click white
balance is effective when using it in part s of an imag e where white color
tone has changed under the influence of a light source.

1

Click on a point that is to be the standard for white.

2

Contents at

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1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

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4

of Images

Editing

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5

Images

Reference

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28

 The color of the image is adjusted with the point you selected as

When there are no white areas in your image, you can adjust the white
balance by clicking on a grey point of the image in step 2. This has the
same adjustment result as selecting a white point.

When there are no white areas in your image

 The image is adjusted based on the average value of 5 × 5 pixel

range from the clicked point.

 You cannot change or adjust white balance with multiple-

exposure RAW images created on the camera.

Adjusting Contrast

Reverts the image to
the original settings

Drag the slider left or
right (9 steps)

Displays the value of the setting

Use [Linear] when you will be adjusting separately using image editing
software that has advanced editing functions. Note that when [Linear] is
checkmarked, the image will become dim.

[Linear] - A function for advanced adjustment

The Auto Lighting Optimizer (p.61) will not function when [Linear] is
checkmarked.

COPY

the standard for white.

 If you click on another point in the image, the white balance is

adjusted again.

 To finish click white balance, right-click with the mouse or click

the [ ] button again.

Modulation and degree of contrast can be adjusted. Move the slider to
the right to make contrast stronger and to the left to make contrast
weaker.

Introduction

Contents at

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Basic

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1

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Operation

2

Advanced

Image Editing

3

and Printing

Processing

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4

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Editing

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5

Images

Reference

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29

Skin tone and overall color saturation can be adjusted.

Changing Color Tone and Color Saturation

Drag the sliders left or
right

Displays the values of the settings

Reverts the image to
the original settings

The adjustment range is –4 to +4 (in 1-stop increments).

Reverts the image to
the original settings

Drag the sliders left or
right

Displays the values of the settings

COPY

If Picture Style (p.26) is set to [Monochrome], [Color tone] and [Color
saturation] switch to [Filter effect] and [Toning effect]

(this page)

.

Adjusting Monochrome

When the Picture Style (p.26) is set to [Monochrome], you can create
monochrome photographs with effects similar to filtering and with the
look of a single-color photograph.

Select [Monochrome] in the [Picture Style] list box.

1
2

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

 Color tone: Mainly used for adjusting skin tones. Move the

slider to the right to make skin tones more
yellow, and to the left to make skin tones
redder.

 Color saturation:The overall color depth of the image is

adjusted with color saturation. Move the slider
to the right to make the color deeper, and to
the left to make the color weaker.

Reference

Index

30

 Filter effect:Creates an image where the white of clouds and the

To emphasize the filter effect, set the [Contrast] slider closer to the right.

Increase the [Contrast] to emphasize the filter effect

Adjusting Image Sharpness

COPY

green of trees are emphasized in the same
monochrome photograph.

Filter Example of effect

None Ordinary monochrome image without filter effect.

Yellow

Orange

Red

Green

 Toning effect: You can create a monochrome photograph to which a

Blue sky is reproduced more naturally and white
clouds emerge clearly.

Blue sky becomes somewhat darker. The
brightness of the setting sun increases further.

Blue sky becomes quite dark. Autumn leaves
become clear and bright.

Human skin tones and lips become softer. The
green leaves of trees become clear and bright.

single color has been added.
You can choose from [None], [Sepia], [Blue], [Purple]
and [Green].

You can make the overall atmosphere of an image sharper or softer.
Adjustment can be made by selecting from two modes, [Sharpness] and
[Unsharp mask].

[Sharpness]: Controls the sharpness of an image by adjusting the

level of emphasis for the outline of the image. The
further to the right the [Sharpness] slider is moved (the
larger the setting), the more the edges are
emphasized for a sharper image.

[Unsharp mask]: Adjusts the image’s sharpness more finely.

[Strength]: Shows the level of emphasis for the outline of the

image. The further to the right the slider is moved (the
larger the setting), the more the image’s edges are
emphasized for a sharper image.

[Fineness]: Shows the fineness of the emphasized outline. The

further to the left the slider is moved (the smaller the
setting), the more fine detail can be emphasized.

[Threshold]: Sets “how much contrast difference there should be

compared to surroundings before emphasizing
edges”.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

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4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

31

Select [Sharpness] from the list box and make the

Reverts the image to
the original settings

Drag the slider left or right

Displays the value of the setting

Select [Sharpness]

The adjustment range is 0 to 10 (in 1-stop increments).

Drag the slider left or right

Displays the values of the settings

Select [Unsharp mask]

Adjust image sharpness with the window view set to [200% view],
[100% view] or [50% view]. If the view is set to [Fit to window] (full view),
the effects of adjustment may seem unnatural.

The effects of sharpness adjustment appear unnatural

COPY

setting.

Detailed Setting of Image Sharpness

Select [Unsharp mask] from the list box and make
the setting.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

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4

of Images

Editing

JPEG/TIFF

5

Images

Reference

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32

In order to make the image a desirable standard image, automatically

Automatically Adjusting Brightness and Color (Tone Curve Assist)

Reverts the tone curve
to the original settings

High
Standard

COPY

adjust the image tone curve (p.146). You can select the degree of
automatic adjustment from “Standard” and “High”.

Click on the [RGB] tab sheet and click the desired
automatic adjustment button.

 Standard:Standard automatic adjustment. Suitable for most

images.

 High: Use when the effect achieved in standard automatic

adjustment is not strong enough.

Images not suitable for automatic adjustment (tone curve
assist)

The result of automatic adjustment (tone curve assist) may not be as
expected with the following images:

• Images which have been shot with the proper exposure

• Images where the brightness is unbalanced

• Images which are too dark

• Images which have extreme backlighting

If you click the [ ] button, the tone curve as well as the [Hue] and
[Saturation] revert to the default settings. Take care when adjusting
the [Hue] and [Saturation] individually (p.110).

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

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4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

 The tone curve changes as adjusted.

33

Editing Efficiently

Editing in the Edit Image Window

Click

Change the size

Edit image window

Select the image to be edited
The selected image is displayed as an enlargement
in the middle of the window

By selecting the [View] menu  [AF Point] in the edit window or edit
image window , you can display the AF points selected in the camera
at the time of shooting. However, AF points are not displayed for
images whose image size has been changed and then been
converted and saved (p.42, p.137), images for which you selected
an effect other than [Shot settings] as correction of fisheye lens
distortion aberration, or images which have had settings specified
during RAW processing on the camera for distortion correction and
chromatic aberration correction.

COPY

The thumbnail display and the edit window are combined and images can
be edited efficiently while quickly switching between images to be edited.
Images to be edited are selected beforehand in the main window.

Introduction

Edit the image.

3

Contents at

a Glance

In the main window, select the images you want to edit.

1

Switch to the edit image window.

2

 The main window switches to the edit image window.

 It may take time for the image to redraw itself.
 The same tool palette as in the edit window is displayed and you

can edit the image.

 To revert to the condition before the last operation performed on

the tool palette, select [Undo] in the [Edit] menu o r press <Ctrl> +
<Z> keys.

Basic

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2

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Image Editing

3

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Editing

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Reference

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34

Double-click the area you want to enlarge.

Double­click

COPY

4

To display an image in an enlargement ratio other than 100%

Click the [50% view] or [200% view] on the toolbar.

 You can change the way the tool palette is displayed (p.94).
 You can change the enlargement ratio when you double-click

(p.93).

 With the edit image window, you can only select images from one

folder. To gather images from several folders for editing, see
“Gathering and Editing Images in the Collection Window” (p.36).

 For a list of edit image window functions, see p.136.

Introduction

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Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

 The area you double-clicked is enlarged to 100% (actual pixel

size).

 To change the display position, drag on the image or drag the

enlargement display position (p.131) of the tool palette.

 Double-click again to revert to the full view ([Fit to window]).
 To return to the main window, click the [Main window] button on

the toolbar.

Processing

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Editing

JPEG/TIFF

5

Images

Reference

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35

Introduction

Changing the Thumbnail Display Position to Horizontal

Gathering and Editing Images in the Collection Window

COPY

Select the [View] menu  [Change thumbnail
position].

 If you select [Change thumbnail position] again, the thumbnail

display reverts to the vertical position.

You can gather any randomly selected images together in the
[Collection] window for viewing, comparison and editing. You can gather
images from several folders as well as from only one folder , allowing you
to work with them efficiently.

Select images from the [Folder] window in the main

1

window, and select the [File] menu



[Add to collection].

Contents at

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1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

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4

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Editing

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5

Images

 The selected images are added to the [Collection] window and the

number of selected images is shown on the [Collection] tab sheet.

 When you add RAW and JPEG images displayed as a single

image (p.22), the number of images shown on the [Collection]
tab sheet increases by 2.

 You can select several images and add them to the [Collection]

window.

 You can also add images to the [Collection] window by selecting

images, right-clicking with your mouse, and selecting [Add to
collection] from the menu that appears.

 You can add up to 1,000 images to the [Collection] window.

Reference

Index

36

Select the [Collection] tab sheet.

COPY

2

 The selected images are displayed in the [Collection] window.

Check displayed images in the [Collection] window.

3

To remove images from the [Collection] window

 Removing randomly selected images

Select the images to be removed in the [Collection] window and then
select [Remove from collection] in the [File] menu. (Y ou can also remove
images from the [Collection] window by selecting the images, right­clicking with the mouse, and selecting [Remove from collection] from the
menu that appears.)

Note that even if you remove an image from the [Collection] window, the
original image remains unaffected.

 Removing all images

Select [Clear collection] in the [File] menu. (You can also remove all
images from the [Collection] window by selecting one image, right­clicking with the mouse, and selecting [Clear collection] from the menu
that appears.)

Note that even if you remove all images from the [Collection] window,
the original images remain unaffected.

Modifications to the image are applied to the original image

Modifications made to images added to the [Collection] window are
all applied to the original image.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Edit the images.

4

 You can now edit the images displayed in the [Collection]

window.

 Images displayed in the [Collection] window are retained in the

[Collection] window even after exiting DPP.

 You can arrange images displayed in the [Collection] window the

same way as in the [Folder] window (p.20, p.21). You can
maintain the order of rearranged images even after exiting DPP
by checkmarking [Retain sort order] on the [View settings] tab
sheet in the [Preferences] (p.93).

 You cannot use the following functions in the [Collection] window.

• Starting of EOS Utility (p.7), or synchronizing of folders with
EOS Utility

• Batch change the file name of images (p.104)

Reference

Index

37

Trimming and Adjusting the Angle of an Image

Trimming/angle adjustment window

Use the mouse (click /) to adjust the angle or
directly enter the adjustment angle* (0.01-degree
increments; adjustable range: -45 to +45 degrees)

Click (rotate
image left
or right in
90-degree
increments)

Drag* (0.01-degree increments;
adjustment range: -45 to +45 degrees)

Largest
possible
trimming
range

* You cannot adjust the angle of images that exceed 9999 x 6666

pixels in size.

COPY

You can trim only the part of an image you need, or change the
composition of an image where an image shot horizontally becomes
vertical. You can also adjust the angle of an image before trimming. If
you select [Circle] for [Aspect ratio], the area outside the specified range
is only masked in black and the image will not be cropped.

Adjust the angle of the image as needed.

3

Introduction

Contents at

a Glance

Select the image to be trimmed.

1

Open the trimming/angle adjustment window.

2

 Click the [Trimming Angle] button.

 The trimming/angle adjustment window appears.
 Editing can be done once the image is displayed clearly in the

trimming/angle adjustment window.

 If you click [Center on Screen], you can display the trimming

range in the center of the window.

 When correcting lens aberrations, it is recommended to perform

lens aberration correction before adjusting the angle of the
image.

 If you click the [OK] button after adjusting only the angle of the

image, the image will be trimmed at the largest possible trimming
range.

When aspect ratio information is attached to an imag e sho t with t he
EOS-1D X, EOS-1D C, EOS-1D Ma r k IV, EOS - 1 Ds M a r k I I I , E O S - 1 D
Mark III, EOS 5D Mark III, EOS 6D, EOS 7D, EOS 70D, EOS 60D, EOS
REBEL T5i/700D, EOS REBEL SL1/100D, EOS REBEL T4i/650D, EOS
REBEL T3i/600D, EOS REBEL T5/1200D, EOS M2 or EOS M, the
trimming range based on the aspect ratio information is displayed.

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Reference

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38

Select a ratio and drag the trimming range.

Cancel
Select a

trimming
ratio

Drag the
trimming
range

[Free]: You can trim an image to any size, regardless of the

selectable ratio.

[Custom]:You can trim an image at the specified ratio.
[Circle]: The area outside the specified range is masked in

black. The image is not trimmed.

COPY

4

 The trimming range can be moved by dragging.
 You can enlarge or reduce the size of the trimming range by

dragging the four corners of the trimming range. (Not available
when [Circle] is selected.)

 List of aspect ratios (width : height)

Click the [OK] button to return to the main window.

5

 The trimming range frame is displayed in the trimmed image

(p.129).

 When the trimmed image is displayed in an edit window or the

edit image window, it is displayed in its trimmed form.

Introduction

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1

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Operation

2

Advanced

Image Editing

3

and Printing

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Editing

JPEG/TIFF

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Reference

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39

About trimmed images

For a list of the trimming/angle adjustment window functions, see

p.138.

For images shot with ISO speed range expansion set, noticeable
noise may make it difficult to view image details in the trimming/
angle adjustment window, so using this function is not
recommended.

COPY

 The trimmed range can be reverted to its original condition at

any time

A trimmed image is displayed or printed as a trimmed image.
However, since the image is not actually trimmed, you can always
revert to the original image by clicking the [Reset] button in the
trimming/angle adjustment window or performing the “Re-Editing an
Image” procedure (p.43).

 Display of the trimmed image in each window

• Main window: The frame showing the trimming range is
displayed on the image (p.129).

• Edit window: The image is displayed in its trimmed condition.

• Edit image window: The thumbnail image is the same as the main
window display, and the enlarged image is the
same as the edit window display.

 Printing a trimmed image

You can print as a trimmed image by printing it in DPP.

 The image becomes a trimmed image when converted and saved

The trimmed RAW image actually becomes a trimmed image when
converted to a JPEG or TIFF image and saved (p.42).

 Images that have aspect ratio set will be displayed as trimmed

images

When aspect ratio information is attached to a RAW image shot with
EOS-1D X, EOS-1D C, EOS-1D Mark IV, EOS-1Ds Mark III, EOS-1D
Mark III, EOS 5D Mark III, EOS 6D, EOS 7D, EOS 70D, EOS 60D,
EOS REBEL T5i/700D, EOS REBEL SL1/100D, EOS REBEL T4i/
650D, EOS REBEL T3i/600D, EOS REBEL T5/1200D, EOS M2 or
EOS M, the set trimming range based on the aspect ratio information
is displayed. Since the image is not actually trimmed, you can change
the trimming range or revert to the condition before trimming.
However, when a JPEG image is shot in a [4:3], [16:9] or [1:1] aspect
ratio set with the EOS 5D Mark III, EOS 6D, EOS 70D, EOS 60D,
EOS REBEL T5i/700D, EOS REBEL SL1/100D, EOS REBEL T4i/
650D, EOS REBEL T3i/600D, EOS REBEL T5/1200D, EOS M2 or
EOS M, its trimming range cannot be changed nor reverted to the
condition before trimming, since the image is actually trimmed and
saved in the set trimming ratio.*

When reverting to the condition before trimming is performed based
on the aspect ratio information at the time of shooting, click the
[Reset] button. Also, if you want to cancel all the trimming range, click
the [Clear] button (p.138).

* When shooting with EOS 5D Mark III and [Add cropping information]

is set in Custom Functions, aspect ratio information is only set and
the image is not actually trimmed, even for JPEG images.

Convenient functions of the trimming/angle adjustment
window

 Switch between screens using the keyboard

You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys or the <F11> key.

 Operate using the menu

Each operation can also be performed with the menu which appears
when you right-click with the mouse on the image.

 Apply the trimmed range to another image

You can apply the trimmed range to another image by clicking the
[Copy] button to copy the trimmed range, displaying another image
and then clicking the [Paste] button.
To batch apply a copied trimming range to multiple images, select the
trimmed image and the multiple images to which you want to apply
the trimmed range in the main window , and display the trimming/angle
adjustment window. With the trimmed image displayed, click the
[Copy] button and then click the [Apply All] button. This will apply the
trimming range to all the images selected when the trimming/angle
adjustment window is displayed.
To select multiple images in the main window, click the images while
holding down the <Ctrl> key. To select multiple consecutive images,
click on the first image, and then click on the last image while hold ing
down the <Shift> key.

Introduction

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1

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2

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Image Editing

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and Printing

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Editing

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Images

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Applying Adjustment Contents to Other Images

The recipe (p.99) can be saved as a separate file from the image
and loaded and applied to another image (p.100).

Saving Editing Contents to a RAW Image

COPY

You can copy the image adjustment contents (recipe) adjusted with the
tool palette and apply it to other images.

You can efficiently adjust multiple images by adjusting one image and
applying the results of this to multiple images shot in similar shooting
environment.

Select the adjusted image and then select the [Edit]

1

menu  [Copy recipe to clipboard].

 The recipe is copied.

Select the image to which the recipe is to be applied

2

and then select the [Edit] menu  [Paste recipe].

 The recipe is applied to the image.

Saving Editing Results

All the contents (recipe) adjusted with the tool palette as well as the
trimmed (p.38) range information can be saved to a RAW image or to a
separate RAW image.
The adjustments made with the tool palette (p.56 to p.69) and the dust
erase processing explained in Chapter 3 (p.75 to p.79) can also be
saved in a RAW image.

Select the [File] menu  desired item.

Introduction

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Image Editing

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and Printing

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 Your adjustments are saved to the image.

Editing

JPEG/TIFF

5

Images

Reference

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41

Introduction

Saving as a JPEG or TIFF Image

Click and save

Select the save
destination

Enter a file name and
select an image type

DPP’s RAW image development processing technology is continually
being improved upon so that you can perform the latest image
processing more appropriately.

Meaning that, between two differing versions of DPP, processing results may
differ very slightly even if with the same RAW image data, or the results of
significant editing of RAW image data with an attached recipe may be different.

When you want to save the developing or editing results of the version
you are currently using as it is, it is recommended that you convert and
save images as JPEG image or TIFF images.

T o save the developing/editing re sult s for the version you are
currently using

 By saving as explained on this page, a trimmed image (p.38) or

dust-erased image explained in Chapter 3 (p.75 to p.79) actually
becomes a trimmed image or dust-erased image.



You can reduce the noise characteristic of JPEG images which
occurs when you convert and save an image as a JPEG

(p.92, p.93)

.

 You can batch convert and save multiple images (p.102).
 For a list of [Convert and save] window functions, see p.137.

COPY

To view, edit and print a RAW image with software other than DPP,
convert to a more versatile JPEG or TIFF image and save.

The image is saved as a separate image, so the RAW image remains
unaffected.

Select the image to be converted.

1

Select the [File] menu  [Convert and save].

2

 The [Convert and save] window appears.

Specify the necessary settings, and then click the

3

[Save] button.

 By default, the image is converted and saved to a JPEG image

with the highest image quality, without changing the image size.
Change the settings according to your requirements.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

 The RAW image is converted to a JPEG or TIFF image which is

then saved as a new image in the specified save destination.

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

42

Re-Editing an Image

Printing Photographs with Canon Inkjet
Printers Compatible with Easy-PhotoPrint EX

COPY

Only the image processing conditions are changed in images adjusted
with the tool palette (p.25 to p.33), so the “original image data itself”
remains unaffected.

Also, the trimming range information of a trimmed image (p.38) is simply
saved to the image.

For this reason, you can undo any adjustments saved (p.41) to the
image, trimming information, and revert to the condition when last
saved, or when the image was shot.

Select the image that is to be re-edited.

1

Select the [Adjustment] menu  desired item.

2

Printing an Image

This section explains how to print high-resolution photographs easily
with Canon inkjet printers compatible with the Canon printing software,
Easy-PhotoPrint EX or Easy-PhotoPrint. It also explains how to print
photographs using other printers.

Proceed to the page for the printer you are using.

 Printing Photographs with Canon Inkjet Printers Compatible with

Easy-PhotoPrint EX (this page)

 Printing Photographs with Canon Inkjet Printers Compatible with

Easy-PhotoPrint (p.46)

 Printing Photographs with a Printer other than Canon Inkjet Printers

(p.49)

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

 The image reverts to the conditions of the selected item.

You can perform the following types of photograph printing with Canon
inkjet printers compatible with Easy-PhotoPrint EX (hereinafter, “EPP
EX”) :

 Simple printing of RAW images
 Printing with faithful colors

To perform this printing, it is necessary to first install EPP EX version 1.1
or later on your computer.

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

43

Select the image to be printed.

Select
Quality
Priority

Click and checkmark [Print with the best quality]

COPY

1

In the EPP EX window, select the [File] menu 

3

[Preferences].

Introduction

Start up EPP EX.

2

 Select the [File] menu  [Plug-in printing]  [Print with Easy-

PhotoPrint EX].

 The [Preferences] window appears.

In [Print Quality], select [Quality Priority], click the

4

[Option] button. In the dialog box that appears,
checkmark [Print with the best quality].

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

 EPP EX starts up.

Reference

Index

44

5

Click to
increase the
number of
sheets to be
printed

EPP EX

Click

Select the
paper size
and type

Click

Click to print

Select the
layout

COPY

6

Select the [Advanced] tab, checkmark [Enable ICC
profile], and then click the [OK] button.

 The [Preferences] window closes.

Specify the number of sheets to be printed, and then
click [Select Paper].

Select the paper type, and then click the [Layout/

7

Print] button.

Specify the layout, and then click the [Print] button.

8

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

 Printing begins.

45

Additional information

Printing Photographs with Canon Inkjet
Printers Compatible with Easy-PhotoPrint

COPY

Introduction

 Print up to 1000 images at a time

You can print up to 1000 images selected in DPP at a time. When
printing more than 1000 images, divide the printing into several jobs.

 The printed image’s color is not what you expected

In the EPP EX window, select [Preferences] in the [File] menu and
then click the [Advanced] tab in the [Preferences] window to display
the [Advanced] tab sheet.
In the [Advanced] tab sheet, select [Enable ICC profile] in [Color
correction for printing] and try printing using the [Perceptual] setting

(p.147).

Advantages of printing with EPP EX

 Printing with faithful colors

When the color space (p.147) is set to sRGB or Adobe RGB (p.79,

p.96), this color space is automatically transmitted from DPP to EPP

EX, allowing you to print with faithful colors.
When the color space is set to Apple RGB or ColorMatch RGB, the
image is printed with an sRGB color space, and when set to Wide
Gamut RGB, with an Adobe RGB color space.

 Printing with a wide color reproduction

When the color space setting (p.79, p.96) is set to Adobe RGB and
the image is printed with a Canon inkjet printer , the color reproduction
range is wider, and green and blue in particular are reproduced
vividly.

You can perform the following types of photograph printing with Canon
inkjet printers compatible with Easy-PhotoPrint (hereinafter, “EPP”):

 Simple printing of RAW images
 High quality printing using the color reproduction range of Adobe RGB

and a Canon inkjet printer

To perform this printing, it is necessary to first install EPP version 3.5 or
later on your computer. When using an Easy-PhotoPrint EX-compatible
inkjet printer , it is recommended that you print using Easy-PhotoPrint EX

(p.43).

Select the image to be printed.

1

Start up EPP.

2

 Select the [File] menu  [Plug-in printing]  [Print with Easy-

PhotoPrint].

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

DPP is also compatible for printing with Easy-PhotoPrint Pro (p.89).

Index

 EPP starts up.

46

In the EPP window, select the [File] menu 

Select
Quality
Priority

If checked,
click to
remove the
check mark

Click to
close the
window

Click

Click to
increase the
number of
sheets to be
printed

COPY

3

[Preferences].

Select the [Advanced] tab sheet and check that the

5

EPP image compensation function is disabled.

 If not disabled, the operation of the EPP image compensation

function may prevent images being printed with faithful color
reproduction.

Introduction

Contents at

a Glance

 The [Preferences] window appears.

In [Print Quality], select [Quality Priority].

4

Specify the number of sheets to be printed, and then

6

click [Next].

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

47

Check that the image compensation function is

If checked, click to remove the check marks

Select the
paper type

Click

Click to print

Select the layout

COPY

7

disabled, select the paper type and then click [Next].

Additional information

 Print up to 1000 images at a time

You can print up to 1000 images selected in DPP at a time. When
printing more than 1000 images, divide the printing into several jobs.

 The printed image’s color is not what you expected

Change the [Rendering intents when using Easy-PhotoPrint] (p.95) to
[Perceptual] (p.147) and print.

Introduction

Contents at

a Glance

Basic

Operation

1

Specify the layout, and then click [Print].

8

Printing with a wide color reproduction

When the color space (p.79, p.95) is set to Adobe RGB and the image is
printed with Canon inkjet printer, the color reproduction area widens,
and green and blue in particular are reproduced vividly.

When the color space is set to Apple RGB or ColorMatch RGB, the
image is printed with an sRGB color space, and when set to Wide
Gamut RGB, with an Adobe RGB color space.

DPP is also compatible for printing with Easy-PhotoPrint Pro (p.89).

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

 Printing begins.

48

You can print one image on one sheet of paper.

Printing Photographs with a Printer other than Canon Inkjet Printers

Deleting an Unwanted Image

COPY

Select the image to be printed.

1

Select the [File] menu  [Print].

2

Organizing Images

This section explains how to delete unwanted images, create folders for
saving images, move or copy images, etc., and organize your images.

Be aware that you cannot recover deleted images.

Select an unwanted image in the main window.

1

Introduction

Contents at

a Glance

Basic

Operation

1

 The [Print] dialog box appears.

Set to photograph printing and print.

3

 Specify the optimum settings for photograph printing in the

printer’s print settings dialog box and click the [OK] button.

 Printing begins.

Select the [File] menu  [Delete].

2

 The [Confirm File Delete] dialog box appears.

Click the [Yes] button.

3

 The image is moved to the [Recycle Bin] and is deleted from DPP.
 The images are deleted completely from your computer when the

[Empty Recycle Bin] operation is performed on the [Recycle Bin]
on the desktop.

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

49

Introduction

Creating a Folder for Saving Images

Moving Images

COPY

You can create a folder for sorting images.

In the folder area, select the location where the new

1

folder is to be created.

Select the [File] menu  [Create new folder].

2

You can move or copy images to a separate folder and sort by shooting
date or themes.

Drag the image to be moved or copied.

 To move: Drag the image and release when the image is in the

destination folder.

 To copy: Drag the image while holding down the <Ctrl> key and

release when the image is in the destination folder.

 The images are moved or copied to the destination folder.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

 The [Create new folder] dialog box appears.

Enter a folder name and click the [OK] button.

3

 The new folder is created in the folder selected in step 1.

Index

50

Introduction

Moving Images in Folders

Registering Frequent-Use Folders (Bookmark Registration)

Select

COPY

You can move or copy folders that contain images, and sort the images
by folders.

Drag the folder to be moved or copied.

 To move: Drag the folder and release when the folder is in the

destination folder.

 To copy: Drag the folder while holding down the <Ctrl> key and

release when the folder is in the destination folder.

 The folders are moved or copied to the destination folder.

You can register frequently used folders in bookmarks.
Registered folders appear by clicking the [Bookmark] menu.

Select the folder for which a bookmark is to be

1

registered.

Select the [Bookmark] menu  [Add].

2

 The folder selected in step 1 is registered in the [Bookmark]

menu.

 Select a registered folder from the [Bookmark] menu to display

images in the selected folder in the main window.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Organizing Bookmarks

You can change a folder name or delete a folder registered in
[Bookmark].

Select the [Bookmark] menu  [Organize].

 The [Sort bookmarks] window appears and you can change

folder names or delete folders.

Index

51

3

COPY

Advanced Image Editing and Printing

Introduction

Various preferences including advanced image adjustment, automatic
dust erasure processing, various printing functions for printing out work,
and color management are explained here, geared to the user who is
competent in the handling of third-party image editing software.

Adjusting While Comparing with the Original Image...

Changing How the Window is Split............................ 53

Adjusting by Comparing Multiple Images................. 54

Displaying an Area Beyond the Set Range as a

Warning Indicator (Highlight/Shadow Warning)....... 55

Performing Advanced Editing................................... 56

Adjusting White Balance with Color Temperature..... 56

Tuning White Balance with Color Wheel ................... 56

Adjusting Dynamic Range ......................................... 57

Adjusting Brightness of Shadows/Highlights ............. 57

Tone Curve Adjustment............................................. 58

Example of a Tone Curve Operation..................... 59

Using a Picture Style File........................................... 59

About the RGB Tool Palette ...................................... 60

Using the Auto Lighting Optimizer............................ 61

Reducing Noise........................................................ 62

Correcting Lens Aberration...................................... 63

Compatible Cameras................................................. 63

Compatible Lenses.................................................... 63

Making Corrections.................................................... 65

Effects of Distortion Aberration Correction for Fisheye

Lenses.....................................................................

About Shooting Distance Information Slider.............. 68

Correcting Multiple Images at a Time........................ 69

53

66

Using the Digital Lens Optimizer............................. 70

Compatible Cameras.................................................. 70

Compatible Lenses..................................................... 70

Using the Digital Lens Optimizer................................ 72

Performing Automatic Dust Erasure Processing..... 75

Compatible Cameras.................................................. 75

Automatic Dust Erasure Processing in the Main Window...

Manually Erasing Dust (Repair Function)................ 77

Erasing Unwanted Parts of an Image (Copy Stamp

Function).....................................................................

Transferring a RAW Image to Photoshop................ 79

Setting Work Color Space....................................... 79

Compositing Images................................................ 80

Compositing Methods................................................. 83

Creating HDR (High Dynamic Range) Images........ 83

Starting Up Map Utility............................................. 86

Printing with Shooting Information........................... 87

Printing a Thumbnail List (Contact Sheet Printing)......

Printing RAW Images on a High-End Canon Printer ...

Printing with a High-End Canon Inkjet Printer............ 89

Printing with DPP and Easy-PhotoPrint Pro........... 89

Printing with DPP and Print Studio Pro .................. 90

Printing with a Large-Format Canon Printer............... 91

Specifying Preferences............................................ 91

General Settings......................................................... 92

View Settings.............................................................. 93

Tool Palette ................................................................ 94

Color Management..................................................... 95

76

79

88
89

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

52

Adjusting While Comparing with the Original Image

Images can also be displayed in the edit image window by the same
operation.

Changing How the Window is Split

COPY

You can display before and after versions of an adjusted image in the
same window and adjust while checking the adjustment results.

You can change the display of the image to a single image split in two.

In the edit window, select the [View] menu  [Before/

1

after comparison].

 The image divides into a left and right window.
 The window on the right shows the image after editing.

Change the image display.

2

 Select the [View] menu  [Ch ange up/down/left/right]  [Up/

down].

In the edit window, select the [View] menu  [Display
mode]  [Split single image].

 One image is divided and displayed on the left and right or top

and bottom.

 To switch between top and bottom, and left and right, perform the

same operation as step 2 on the left page.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

 The layout of the two images changes to top and bottom.
 The bottom window shows the image after editing.

Reference

Index

53

Adjusting by Comparing Multiple Images

Synchronization only applies to the enlargement display position
and the enlargement ratio. Adjustments to the images are not
synchronized.

COPY

You can synchronize the display position of multiple edit windows and
adjust images while comparing them with each other.

In the edit window, display the multiple images to be

1

compared.
Align the images.

2

 Select the [Window] menu  [Arrange vertically] or [Arrange

horizontally].

 The edit windows are aligned.

Select the [Window] menu  [Synchronize].

Move the display position.

5

 If you move the enlargement display position in one of the edit

windows, the enlargement display position will also change in the
other edit windows.

 To cancel synchronization, select the [Window] menu 

[Synchronize] again.

3

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Enlarge the image.

4

 Enlarge and display any of the edit windows.

 The other edit windows will also be displayed in the same

position/enlargement ratio.

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

54

Displaying an Area Beyond the Set Range as a Warning Indicator (Highlight/Shadow Warning)

Y ou can also display the warning with the same operation in the edit
image window.

COPY

You can set up a warning indicator in both the highlighted part and the
shaded part, which is effective for checkin g the light and d ark areas and
preventing excessive adjustment of an image. Where the area on the
image has exceeded that set range, you can display the highlighted part
in red and the shaded part in blue.

Select the [Tools] menu  [Preferences].

1

Select the [View settings] tab sheet.

Display the edit window.

5

Select the [View] menu  [Highlight]. Similarly, select

6

[Shadow].

 On the opened image, if there is an area that exceeds the value

entered in step 3, the highlighted part of that area is displayed in
red and the shaded part is displayed in blue.

2

Enter the warning value for [Highlight] and [Shadow].

3

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Click the [OK] button to close the window.

4

Editing

JPEG/TIFF

5

Images

Reference

Index

55

Performing Advanced Editing

Adjusting White Balance with Color Temperature

Displays the value of the
setting

Drag the slider left or right

The adjustment range is 2500 to 10000K (in 100K increments).

Tuning White Balance with Color Wheel

Enter the values to set

Drag

 To register adjustment results as personal white balance (p.101),

select a setting other than [ ( )] from the [White balance
adjustment] list box, and then tune with the color wheel. You
cannot register the adjustment results as personal white balance
when you have selected [ ( )] from the list box and have done
any tuning.

 You cannot change or adjust white balance with multiple-

exposure RAW images created on the camera.

The adjustment range of color tone is 0 to 359 (1 increment in
numerical value input), and the adjustment range of color saturation
is 0 to 255 (1 increment in numerical value input).

COPY

This section explains how to use the advanced adjustment function on
the tool palette in the edit window.

Adjustments made using the high-level functions of the [RAW] and
[RGB] tool palettes, as well as the functions of the [NR/ALO] and [LENS]
tool palette are explained in this section.

White balance can be adjusted by setting a numerical value for color
temperature.

Select [Color temperature] from the [White balance

1

adjustment] list box.
Set the color temperature.

2

White balance can be tuned by moving a cursor in the color direction
shown in the color wheel.

In the [RAW] tool palette, click the [Tune] button.

1

Tune by dragging a point.

2

 You can also fine-tune your adjustment by directly entering the

adjustment values.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

56

Introduction

Adjusting Dynamic Range

Move to the left or rignt
Input highlight points

Move to the left or right
Input shadow points

Move downwards
Output highlight points

Move upwards
Output shadow points

Adjusting Brightness of Shadows/Highlights

Drag the sliders left or
right

COPY

Dynamic range (width of gradation expression) from dark points to bright
points in an image can be adjusted.

You can adjust the brightness of shadows and highlights in an image.
By adjusting shadows and highlights in an image with a restricted

brightness, you can reduce the effects of clipping in shadows and
highlights.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

 The horizontal axis shows the input level and the vertical axis

shows the output level.

Index

57

You can adjust the brightness, contrast and color of a specific area by

Tone Curve Adjustment

Right-click with the
mouse inside the graph
to display the menu

Click to add a [ ] (point)
Adjust by dragging [ ]

Adjusts each channel
Batch adjusts RGB

 The histogram display changes according to ad justment. You can

also fix the histogram display to the display before any
adjustments (p.94).

 The tone curve mode and interpolation method for a tone curve

can also be changed in [Preferences] (p.94).

COPY

changing the tone curve (p.146).

In the tool palette, select the [RGB] tab sheet.

1

Select the tone curve mode and interpolation

2

method.

Make adjustments.

3

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

 The horizontal axis shows the input level and the vertical axis

shows the output level.

 The maximum number of [ ] is 8.



To delete a [ ], either press the <Del> key or double-click on the [ ].

Editing

JPEG/TIFF

5

Images

Reference

Index

58

Example of a Tone Curve Operation

Makes medium tones brighter Makes medium tones darker

Makes tones sharper Makes tones softer

Using a Picture Style File

The Picture Style files that you can apply to the ca mera are files with
the “.PF2” or “.PF3” extension only. Furthermore, you cannot apply
Picture Style files with the extension “.PSE” to an image; however if
such a file is registered in the camera and the image is shot, the
image will display correctly.

COPY

Introduction

A Picture Style file is an extended function file of a Picture Style.
With DPP, you can apply to RAW images Picture Style files that you

have downloaded from Canon Web site effective for various scenes or
Picture Style files created with “Picture Style Editor”. When using a
Picture Style file, save it to your computer beforehand.

Display the image to which the Picture Style file is to

1

be applied in the edit window
Select the [RAW] tab sheet in the tool palette, and

2

click the [Browse] button.

 The [Open] dialog box appears.

(p.11).

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Select a Picture Style file saved on your computer,

3

and click the [Open] button.

 The Picture Style file you selected is applied to an image.
 To apply a different Picture Style file, follow the procedure from

step 2 again.

Reference

Index

59

Introduction

About the RGB Tool Palette

We recommend that as a general principle you edit RAW images using
the [RAW] tool palette. However, where the adjustment width with the
[RAW] tool palette is not wide enough and you wish to use the special
functions in the [RGB] tool palette, we recommend that you adjust your
images at the necessary lowest limit with the [RGB] tool palette after
having completed basic adjustment with the [RAW] tool palette.
Use the adjustment function of the [NR/ALO] and [LENS] tool palette

(p.132) when applying the Auto Lighting Optimizer (p.61), reducing

noise (p.62) or correcting aberration (p.63) after you have made any
required adjustments with the [RAW] and [RGB] tool palettes.

Using the tool palette

COPY

You can adjust images with the tool palette by switching between the
[RAW], [RGB], [NR/ALO] and [LENS] tab sheets according to your
editing requirements.
The [RGB] tool palette functions are the same as ordinary image editing
software, such as tone curve adjustment that is explained here, with
which you can adjust RAW images.
However, because the adjustment width of the functions in the [RGB]
tool palette is wider than the [RAW] tool p alette, the image color may be
saturated, or the image quality may deteriorate if you adjust too much.
Therefore we recommend for functions other than tone curve
adjustment (p.58) and automatic adjustment (p.33), that you adjust
images using the same functions available in the [RAW] tool palette.

See Chapter 5 for explanations on functions of the [RGB] tool palette
other than tone curve adjustment.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

60

Checkmark
Select from three levels:

Low/Standard/Strong

 When [Highlight tone priority] is set to [Enable] in EOS-1D X,

EOS-1D C, EOS 5D Mark III, EOS 6D, EOS 7D, EOS 70D, EOS
60D, EOS REBEL T5i/700D, EOS REBEL SL1/100D, EOS
REBEL T4i/650D, EOS REBEL T3i/600D, EOS REBEL T2i/550D,
EOS REBEL T5/1200D, EOS REBEL T3/1100D, EOS M2 and
EOS M, the Auto Lighting Optimizer function cannot be set.

 You cannot use the Auto Lighting Optimizer with multiple-

exposure RAW images created on the camera.

Using the Auto Lighting Optimizer

COPY

If the shooting result is dark or the contrast is low, you can use the Auto
Lighting Optimizer function to auto-correct the brightness and contrast,
and obtain a more pleasant image.

You can also change the settings of the image shot with the camera’s
Auto Lighting Optimizer function.

This function is compatible only with RAW images shot with EOS-1D X,
EOS-1D C, EOS-1D Mark IV, EOS 5D Mark III, EOS 5D Mark II, EOS
6D, EOS 7D, EOS 70D, EOS 60D, EOS 50D, EOS REBEL T5i/700D,
EOS REBEL SL1/100D, EOS REBEL T4i/650D, EOS REBEL T3i/600D,
EOS REBEL T2i/550D, EOS REBEL T1i/500D, EOS REBEL T5/1200D,
EOS REBEL T3/1100D, EOS M2 and EOS M.

* ALO stands for Auto Lighting Optimizer.

Checkmark the checkbox.

2

 For images shot with the camera’s Auto Lighting Optimizer

function, the checkbox is already checked.

Change the settings according to your preferences.

3

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Select the [NR/ALO] tab sheet from the tool p alette in

1

the edit window or edit image window.

 Auto correction is applied to the image to match the settings.
 For images shot with the camera’s Auto Lighting Optimizer

function, the settings at the time of shooting are applied as the
default values.

 To cancel the Auto Lighting Optimizer, remove the check mark

from the checkbox.

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

61

Navigator
window

Enlargement
display
position

NR check window

Drag the
sliders

Noise reduction cannot be applied when [Viewing and saving RAW
images] (p.92) is set to [High speed] in the [Preferences] window.
Select [High quality] to reduce noise.

After selecting multiple images in the main window, you can set the
same noise reduction level for the images without displaying the [NR
Preview] window , by adjusting the noise reduction level in th e [NR/ALO]
tool palette (p.132) using the [Luminance noise reduction] and
[Chrominance noise reduction] sliders, and then clicking the [Apply]
button.

The noise reduction function does not work

To set the same noise reduction level for several images

 You can set the default noise reduction beforehand, using

[Default noise reduction settings] in the [Tool palette] tab sheet in
the [Preferences] (p.94).

• When [Apply camera settings] is selected, you can pre-set a
noise reduction level that suits the camera settings beforehand
as the default.

• When [Set as defaults] is selected, you can pre-set a preferred
default setting for the noise reduction level beforehand. This is
particularly useful for applying noise reduction to all the images
in a folder at once, such as batch noise reduction for images
with high ISO speeds.

However, for images with recipes attached, the noise level
recorded in the recipe will be applied.

 If [Luminance noise reduction] has been set, resolution may be

reduced along with reduction of noise.

 If [Chrominance noise reduction] has been set, color bleeding

may occur along with reduction of noise.

 For a list of [NR Preview] window functions, see p.134.

Reducing Noise

COPY

You can reduce noise that arises in RAW images shot at night or with a
high ISO speed.

NR is an abbreviation for “noise reduction”.

Select the [NR/ALO] tab sheet from the tool p alette in

1

the edit window or edit image window.
Click the [NR Preview] button.

2

Click the [Apply] button.

4

 Noise reduction is applied to the image and the image is

redisplayed.

Introduction

Contents at

a Glance

Basic

Operation

1

 The [NR Preview] window appears.

Adjust an image.

3

 You can set a noise reduction level from within a range of 0 to 20.

The larger the setting, the larger the noise reduction effect.

 The noise reduction effect can be checked when an image is

displayed at 100% in the NR check window.

 You can change the display position of the NR check window by

dragging the enlargement display position in the navigator
window.

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

62

Correcting Lens Aberration

Compatible Cameras

Compatible Lenses

COPY

You can easily make corrections to drops in peripheral illumination,
distortions in the subject, and color blur which occur by the physical
characteristics of the lens or slightly remaining aberration.

Please note that you can only correct RAW images which have been
taken with the compatible cameras and lenses listed below. JPEG or
TIFF images cannot be corrected.

EOS-1D X EOS-1D C EOS-1D Mark IV
EOS-1Ds Mark III EOS-1D Mark III EOS-1D Mark II N
EOS-1Ds Mark II EOS-1D Mark II EOS-1Ds
EOS-1D EOS 5D Mark III EOS 5D Mark II
EOS 5D*
EOS 70D EOS 60D EOS 50D
EOS 40D EOS 30D*
EOS REBEL SL1/100D
EOS REBEL

T2i/550D
EOS DIGIT AL REBEL

XTi/400D DIGITAL
EOS DIGIT AL REBEL

XS/1000D

1

*

Requires firmware version 1.1.1

2

Requires firmware version 1.0.6

*

1

EOS 6D EOS 7D

2

EOS REBEL T4i/
EOS REBEL

T1i/500D
EOS REBEL

T5/1200D
EOS M2 EOS M

650D

EOS REBEL T5i/700D
EOS REBEL T3i/600D
EOS DIGIT AL REBEL

XSi/450D
EOS REBEL

T3/1100D

Fisheye, ultra wide, and wide angle lenses

EF 14mm f/2.8L USM EF 14mm f/2.8L II USM*
EF 8-15mm f/4L USM Fisheye*3 EF 15mm f/2.8 Fisheye*3
EF 20mm f/2.8 USM EF 24mm f/1.4L USM
EF 24mm f/1.4L II USM*
EF 24mm f/2.8 IS USM*
EF 28mm f/2.8 EF 28mm f/2.8 IS USM*
EF 35mm f/1.4L USM EF 35mm f/2
EF 35mm f/2 IS USM*

Standard and medium telephoto lenses

EF 40mm f/2.8 STM*
EF 50mm f/1.4 USM EF 50mm f/1.8
EF 50mm f/1.8 II EF 85mm f/1.2L USM
EF 85mm f/1.2L II USM*
EF 100mm f/2 USM

EF 135mm f/2L USM

EF 200mm f/2L IS USM*
EF 200mm f/2.8L II USM EF 300mm f/2.8L IS II USM*

3

3

3

3

5

Telephoto lenses

3

EF 24mm f/2.8
EF 28mm f/1.8 USM

_

EF 50mm f/1.2L USM*

EF 85mm f/1.8 USM

_

EF 135mm f/2.8
(with Softfocus mechanism)

EF 200mm f/2.8L USM

3

3

4

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

3

Index

EF 300mm f/2.8L IS USM EF 300mm f/4L IS USM
EF 400mm f/2.8L IS USM EF 400mm f/2.8L IS II USM*
EF 400mm f/4 DO IS USM EF 400mm f/5.6L USM
EF 500mm f/4L IS USM EF 500mm f/4L IS II USM*
EF 600mm f/4L IS USM EF 600mm f/4L IS II USM*3
EF 800mm f/5.6L IS USM*

3

_

3

3

63

Zoom lenses

 You can also correct RAW images taken with the comp atible lens

even when the extender is attached.

 You can also correct RAW images shot with EF 50mm f/2.5

Compact Macro fitted with Life Size Converter EF.

 The aberration correction function is not available for images sho t

with combinations of camera/lens other than those given under
“Compatible Cameras” and “Compatible Lenses”. They are
therefore not displayed and cannot be used.

 The lens aberration correction function is not available for

multiple-exposure RAW images created on the camera.

 EF cinema lenses (CN-E lenses) are not compatible.

COPY

EF 16-35mm f/2.8L USM EF 16-35mm f/2.8L II USM*
EF 17-35mm f/2.8L USM EF 17-40mm f/4L USM
EF 20-35mm f/3.5-4.5 USM EF 24-70mm f/2.8L USM
EF 24-70mm f/2.8L II USM*
EF 24-85mm f/3.5-4.5 USM EF 24-105mm f/4L IS USM
EF 28-70mm f/2.8L USM EF 28-90mm f/4-5.6 USM
EF 28-90mm f/4-5.6 II USM EF 28-90mm f/4-5.6
EF 28-90mm f/4-5.6 II EF 28-90mm f/4-5.6 III
EF 28-105mm f/3.5-4.5 USM EF 28-105mm f/3.5-4.5 II USM
EF 28-105mm f/4-5.6 USM EF 28-105mm f/4-5.6
EF 28-135mm f/3.5-5.6 IS USM EF 28-200mm f/3.5-5.6
EF 28-200mm f/3.5-5.6 USM EF 28-300mm f/3.5-5.6L IS USM
EF 55-200mm f/4.5-5.6 II USM EF 55-200mm f/4-5.6 USM
EF 70-200mm f/2.8L USM EF 70-200mm f/2.8L IS USM
EF 70-200mm f/2.8L IS II USM*
EF 70-200mm f/4L IS USM*
EF 70-300mm f/4-5.6 IS USM
EF 75-300mm f/4-5.6 II*
EF 75-300mm f/4-5.6 USM EF 75-300mm f/4-5.6 II USM
EF 75-300mm f/4-5.6 III USM EF 90-300mm f/4.5-5.6

3

EF 24-70mm f/4L IS USM*

3

EF 70-200mm f/4L USM

4

3

EF 70-300mm f/4-5.6L IS USM*3
EF 70-300mm f/4.5-5.6 DO IS USM
EF 75-300mm f/4-5.6 III*

3

3

3

EF-S lenses

EF-S 60mm f/2.8 Macro USM EF-S 10-22mm f/3.5-4.5 USM
EF-S 15-85mm f/3.5-5.6 IS USM
EF-S 17-85mm f/4-5.6 IS USM EF-S 18-55mm f/3.5-5.6 IS STM*
EF-S 18-55mm f/3.5-5.6 EF-S 18-55mm f/3.5-5.6 II
EF-S 18-55mm f/3.5-5.6 III*
EF-S 18-55mm f/3.5-5.6 II USM EF-S 18-55mm f/3.5-5.6 IS*
EF-S 18-55mm f/3.5-5.6 IS II*3 EF-S 18-135mm f/3.5-5.6 IS*
EF-S 18-135mm f/3.5-5.6 IS STM
EF-S 55-250mm f/4-5.6 IS*
EF-S 55-250mm f/4-5.6 IS STM*

EF-M 22mm f/2 STM EF-M 11-22mm f/4-5.6 IS STM
EF-M 18-55mm f/3.5-5.6 IS STM
Aberration correction will not apply to images shot w ith a combination of

lenses *
* You cannot attach an EF-S lens to EOS 5D.

3

*

4

*

5

*

3 *4 *5

and EOS 5D or EOS 30D with the firmware versions be low.

EOS 5D with firmware version 1.1.0 or earlier, EOS 30D with
firmware version 1.0.5 or earlier
EOS 5D with firmware version 1.1.0 or earlier, EOS 30D with
firmware version 1.0.4 or earlier
EOS 5D with firmware version 1.0.5 or earlier, EOS 30D with
firmware version 1.0.4 or earlier

*3EF-S 17-55mm f/2.8 IS USM

3

EF-S 18-55mm f/3.5-5.6 USM

*3EF-S 18-200mm f/3.5-5.6 IS*

3

EF-M lenses

EF-S 55-250mm f/4-5.6 IS II*

3

_

_

3

3
3
3

Introduction

Contents at

3

Operation

Advanced
Operation

Advanced

Image Editing

and Printing

Processing

Large Nu mbers

of Images

JPEG/TIFF

Reference

a Glance

Basic

1

2

3

4

Editing

5

Images

EF 90-300mm f/4.5-5.6 USM EF 100-300mm f/4.5-5.6 USM
EF 100-400mm f/4.5-5.6L IS USM

EF 50mm f/2.5 Compact Macro*
EF 100mm f/2.8L Macro IS USM
MP-E 65mm f/2.8 1-5x Macro

Photo*

3

Macro lenses

EF 200-400mm f/4L IS USM*

3

EF 100mm f/2.8 Macro USM

*3EF 180mm f/3.5L Macro USM

_

Index

3

64

You can make corrections to any of the four aberrations as below, either

Making Corrections

COPY

one at a time or simultaneously.

 Peripheral illumination
 Chromatic aberration (color fringing which occurs in the periphery of

an image)

 Color blur (blue or red color blur which sometimes occurs at the edge

of the highlighted area of an image)

 Distortions

In the tool palette, select the [LENS] tab sheet.

1

Click the [Tune] button.

2

Checkmark the items to be corrected.

3

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

 The [Lens aberration correction] window appears.

 The image is corrected and redisplayed.
 Check the results of corrections to peripheral illumination or

distortions in the full view.

 Check the results of corrections to chroma tic aberration and color

blur by clicking the area on the image you want to check. In the
top right of the window, the area is displayed at 200% in the
enlargement display section (p.139).

 You can lessen the degree of correction by moving the slider to

the left for the item you want to correct.

 You can respectively correct red chromatic aberration with the [R]

slider of the [Chromatic aberration] or blue chromatic aberration
with the [B] slider.

 To correct distortion aberration of images shot with a fisheye lens

(EF 8

–15mm f/4L USM Fisheye or EF 15mm f/2.8 Fisheye), four

effects can be selected from the [Effect] list box in addition to
[Shot settings] normally used for distortion correction.
The level of an effect can be adjusted with the adjustment slider
located below [Distortion].
For detailed information on each effect, see “Ef fect s of Distortion
Aberration Correction for Fisheye Lenses” (p.66).

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

65

 For images shot with EF 8–15mm f/4L USM Fisheye, a fine-tune

COPY

slider is also displayed when you select [Emphasize Linearity]
from the [Effect] list box.
Adjust the amount of correction for distortion aberration with the
adjustment slider, and th en adjust with the fine-tune slider if more
adjustment is required.

 When the list box for selecting an extender is displayed, select

the extender attached at the time of shooting from the list box.

Click the [OK] button.

4

 The [Lens aberration correction] window closes and the result of

the corrections is applied to the image in the edit window and the
image is redisplayed.

 The result of the settings of the [Lens aberration correction]

window is also displayed in the tool palette.

 In the main window, the [ ] mark is displayed on the image to

indicate the lens aberration corrections (p.129).

Effects of Distortion Aberration Correction for
Fisheye Lenses

 Shot settings

By selecting this option, only distortion aberration correction for
correcting optical distortion is performed.

 Emphasize Linearity

This converts the image to a “central projection” style image. This
projection method is used with general lenses.
Differing from fisheye lenses, central projection displays straight lines
as straight lines. By selecting this option, a wide-view panoramic
image can be obtained. However , the periphery is stretched, resulting
in decreased resolution.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

66

 Emphasize Distance

While selecting any of the options [Emphasize Linearity],
[Emphasize Distance], [Emphasize Periphery], or [Emphasize
Center] will yield results similar to each of the projection methods,
the conversion does not exactly apply each projection method in
their precise sense.
Accordingly, care should be taken since they are not suited to
scientific or other such purposes.

COPY

This converts the image to an “equidistant projection" style image.
This projection method preserves distance relationships.
Equidistant projection displays the same distances from the center to
the periphery as the same distances. In particular, when shooting a
celestial body such as the celestial sphere, any height above the
horizon (declination) is captured at an equal interval. This method is
therefore used in such photography as celestial photography (star
maps, solar path diagrams, etc.).

 Emphasize Center

This converts the image to an “orthogonal projection” style image.
With this projection method, the center is more emphasized.
Since an orthogonal projection allows a subject of the same
brightness to be displayed as occupying the same area in the image,
this method has typical uses in photography for celestial luminance
distributions and center-emphasized animal photography. By
selecting this option, the center is stretched and may result in
decreased resolution.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

 Emphasize Periphery

This converts the image to a “stereographic projection” style image.
This projection method emphasizes the periphery.
Stereographic projection allows position relationships on a spherical
surface, such as N, S, E, W on a map, to be displayed correctly. It is
therefore used for world maps and monitoring cameras.
By selecting this option, the periphery is stretched and may result in
decreased resolution.

Editing

JPEG/TIFF

5

Images

Reference

Index

67

 When correcting RA W images shot with the cameras in the table below,

About Shooting Distance Information Slider

COPY

if shooting distance information has been saved to the image, the slider
is set automatically according to this shooting distance information.
However , if no shooting dist a nce information is saved to the image, the
slider is set automatically to the right end at infinity position and a [<!>]
appears above the slider .
If the image’s shooting distance is not inf inite, you ca n minutely adjust
the distance by operating the slider while looking at the screen.
The distance cannot be minutely adjusted by using the slider for images
shot with an EF-M lens. (The slider is not displayed.)

EOS-1D X EOS-1D C EOS-1D Mark IV
EOS-1Ds Mark III EOS-1D Mark III EOS 5D Mark III
EOS 5D Mark II EOS 6D EOS 7D
EOS 70D EOS 60D EOS 50D
EOS 40D
EOS REBEL T4i/650D EOS REBEL T3i/600D EOS REBEL T2i/550D
EOS REBEL

T1i/500D
EOS REBEL

T3/1100D
EOS M

EOS REBEL T5i/700D

EOS DIGITAL REBEL
XSi/450D

EOS DIGITAL REBEL
XS/1000D

__

EOS REBEL SL1/100D

EOS REBEL
T5/1200D

EOS M2

 When correcting RAW images shot with the cameras in the table

below, it is set automatically to the right end at infinity position. You
can then minutely adjust the distance by operating the slider while
looking at the screen if the shooting distance is not infinite.

EOS-1D Mark II N EOS-1Ds Mark II EOS-1D Mark II
EOS-1Ds EOS-1D EOS 5D
EOS 30D EOS DIGITAL REBEL

XTi/400D DIGITAL

 For RA W images shot with MP-E 65mm f/2.8 1-5x Macro Photo or EF

50mm f/2.5 Compact Macro with Life Size Converter EF, the slider
indicator changes to [Magnification factor].

 [Shooting distance information] slider is applied to all the correction

items with check marks.

_

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

68

Introduction

Correcting Multiple Images at a Time

The periphery of the image may be truncated when [Distortion]
correction is made.

For a list of the [Lens aberration correction] window functions, see

p.139.

COPY

Select multiple images to correct in the main window. Display tool
palette by clicking the [Tool Palette] button (p.127) in the toolbar. If you
perform correction procedures (p.65) when tool palette is displayed, you
can apply the same corrections to all the images selected in the main
window.

Also, you can apply same corrections by copying the recipe of the
corrected image and pasting it onto the multiple images (p.41).

Additional information

 Some noise appeared in the periphery of an image after

correcting [Peripheral illumination]

You can reduce the noise by using luminance and/or chromatic noise
reduction of the noise reduction function (p.62). However, if you had
applied high amount of [Peripheral illumination] correction to the
images that have been shot at night or with a high ISO speed, the
noise might not be reduced.

 The image appears with less resolution after correcting

[Distortion]

You can make the image similar to the one before correction by
applying more sharpness with the sharpness adjusting function

(p.31).

 The colors of the image became weaker after correcting [Color

blur]

You can make the image similar to the one before correction by
adjusting the color tone (p.30) and/or the color saturation (p.110) to
make the color deeper.

 The result of [Color blur] correction cannot be detected

[Color blur] correction is effective for correcting blue or red color blur
which occurs at the edge of the highlighted area of an image. If
conditions do not match, correction cannot be made.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

69

Using the Digital Lens Optimizer

Compatible Cameras

Compatible Lenses

COPY

This function enables the resolution of images to be increased by
removing any remaining aberration related to image-forming capability
or any deterioration of resolution resulting from diffraction phenomena
that are unavoidable as long as light must pass through the lens. These
optical phenomena cannot be corrected under [Lens aberration
correction] (p.63). Correction is achieved using the designed value of
each lens. The images that can be corrected are RAW images shot
using any of the following “compatible cameras” and “compatible
lenses”. JPEG, TIFF, S-RAW, and M-RAW images cannot be corrected.
To use this function, [Lens data] for the lens used to shoot images first
needs to be downloaded to your computer.

Before using the Digital Lens Optimizer, it is recommended that you set
[Sharpness] or [Strength] for [Unsharp mask] for images to 0.

EOS-1D X EOS-1D C EOS-1D Mark IV
EOS-1Ds Mark III EOS-1D Mark III EOS-1D Mark II N
EOS-1Ds Mark II EOS-1D Mark II EOS-1Ds
EOS-1D EOS 5D Mark III EOS 5D Mark II
EOS 5D*
EOS 70D EOS 60D EOS 50D
EOS 40D EOS 30D*

EOS REBEL
SL1/100D

EOS REBEL
T2i/550D

EOS DIGIT AL REBEL
XTi/400D DIGITAL

EOS DIGIT AL REBEL
XS/1000D

1

Requires firmware version 1.1.1

*

2

*

Requires firmware version 1.0.6

1

EOS 6D EOS 7D

2

EOS REBEL

EOS REBEL
T4i/650D

EOS REBEL
T1i/500D

EOS REBEL
T5/1200D

EOS M2 EOS M

T5i/700D
EOS REBEL

T3i/600D
EOS DIGIT AL REBEL

XSi/450D
EOS REBEL

T3/1100D

Wide angle lenses

EF 14mm f/2.8L USM EF 14mm f/2.8L II USM
EF 20mm f/2.8 USM EF 24mm f/1.4L II USM
EF 24mm f/1.4L USM EF 24mm f/2.8 IS USM
EF 28mm f/1.8 USM EF 28mm f/2.8 IS USM
EF 35mm f/1.4L USM EF 35mm f/2 IS USM

Standard and medium telephoto lenses

EF 40mm f/2.8 STM EF 50mm f/1.4 USM
EF 50mm f/1.2L USM EF 85mm f/1.2L USM
EF 85mm f/1.2L II USM EF 85mm f/1.8 USM
EF 100mm f/2 USM

Telephoto lenses

EF 135mm f/2L USM EF 200mm f/2L IS USM
EF 200mm f/2.8L USM EF 200mm f/2.8L II USM
EF 300mm f/2.8L IS II USM EF 300mm f/4L IS USM
EF 400mm f/2.8L IS II USM EF 400mm f/4 DO IS USM
EF 400mm f/5.6L USM EF 500mm f/4L IS II USM
EF 600mm f/4L IS II USM

_

_

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

70

Introduction

 The Digital Lens Optimizer is also available for images shot with

an extender mounted on a compatible lens.

 You cannot use the Digital Lens Optimizer with multiple-exposure

RAW images created on the camera.

 EF cinema lenses (CN-E lenses) are not compatible.

COPY

Zoom lenses

EF 16-35mm f/2.8L USM EF 16-35mm f/2.8L II USM
EF 17-40mm f/4L USM EF 24-70mm f/2.8L USM
EF 24-70mm f/2.8L II USM EF 24-70mm f/4L IS USM
EF 24-105mm f/4L IS USM EF 28-70mm f/2.8L USM
EF 28-135mm f/3.5-5.6 IS USM EF 28-200mm f/3.5-5.6 USM
EF 28-200mm f/3.5-5.6 EF 28-300mm f/3.5-5.6L IS USM
EF 70-200mm f/2.8L USM EF 70-200mm f/2.8L IS USM
EF 70-200mm f/2.8L IS II USM EF 70-200mm f/4L USM
EF 70-200mm f/4L IS USM EF 70-300mm f/4-5.6L IS USM
EF 70-300mm f/4.5-5.6 DO IS USM
EF 100-400mm f/4.5-5.6L IS USM

Macro lenses

EF 50mm f/2.5 Compact Macro EF 100mm f/2.8 Macro USM
EF 100mm f/2.8L Macro IS USM EF 180mm f/3.5L Macro USM

EF 70-300mm f/4-5.6 IS USM
EF 200-400mm f/4L IS USM

EF-S lenses

EF-S 60mm f/2.8 Macro USM EF-S 10-22mm f/3.5-4.5 USM
EF-S 15-85mm f/3.5-5.6 IS USM EF-S 18-55mm f/3.5-5.6 II USM
EF-S 18-55mm f/3.5-5.6 USM EF-S 18-55mm f/3.5-5.6 III
EF-S 18-55mm f/3.5-5.6 II EF-S 18-55mm f/3.5-5.6
EF-S 18-55mm f/3.5-5.6 IS II EF-S 18-55mm f/3.5-5.6 IS
EF-S 17-55mm f/2.8 IS USM EF-S 17-85mm f/4-5.6 IS USM
EF-S 18-55mm f/3.5-5.6 IS STM EF-S 18-135mm f/3.5-5.6 IS
EF-S 18-135mm f/3.5-5.6 IS STM EF-S 18-200mm f/3.5-5.6 IS
EF-S 55-250mm f/4-5.6 IS EF-S 55-250mm f/4-5.6 IS II
EF-S 55-250mm f/4-5.6 IS STM

EF-M lenses

EF-M 11-22mm f/4-5.6 IS STM EF-M 22mm f/2 STM
EF-M 18-55mm f/3.5-5.6 IS STM

_

_

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

71

In the tool palette, select the [LENS] tab sheet, and

Using the Digital Lens Optimizer

 To use this function, an environment with Internet access

(subscription to a provider, browser software installed and an in­place line connection) is required.

 An administrator-level privilege is required for this operation.

COPY

1

check the status of [Lens data] for [Digital Lens
Optimizer].

Click the [Update] button.

2

Introduction

Contents at

a Glance

Basic

Operation

1

 [Not Available] is displayed for an image shot with a non-

compatible camera or lens, or for a non-compatible image such
as a JPEG, TIFF, S-RAW, or M-RAW image. The function cannot
be used for these images.

 If [No] is displayed, proceed to step 2. To use the function, you

need to download [Lens data] for the lens used when shooting
the image. It is recommended that you check the lens used when
shooting the image beforehand. The lens used can be checked
using the [Info] button in the toolbar on the main window (p.23).
You can also check it with the menu that appears when you right­click with the mouse on an image.

 If [Yes] is displayed, proceed to step 4.

Before you click the [Update] button in step 2, Lens data [No] may
be displayed instead of [Not Available] for non-compatible images.

 The [Add or Remove lens data] window appears.

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

72

Checkmark the checkbox for the lens used to shoot

Depending on the type, current state, etc. of software running on
your computer, the download of the lens data may fail. If it occurs,
wait for a while then try downloading the data again.

COPY

3

the image, and click the [Start] button.

Click the [Tune] button.

4

 The [Digital Lens Optimizer] window appears.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

 The lens data is downloaded to your computer.
 When the downloading of the lens data ends, the indication for

[Lens data] changes to [Yes].

 You can download the data for up to 30 lenses at the same time.
 If you remove the check mark from the checkbox for already-

downloaded lens names and click the [St art] button, the lens data
will be deleted from your computer.

Editing

JPEG/TIFF

5

Images

Reference

Index

73

Checkmark the [Setting] checkbox and adjust the

 The [Setting] checkbox will be checkmarked if the image has the

Digital Lens Optimizer already applied. Remove the checkmark
and click the [Save] button to cancel the Digital Lens Optimizer.

 Images displayed in the [Digital Lens Optimizer] window are with

[Sharpness] and [Unsharp mask] effects applied by default. If you
checkmark the [Do not sharpen previews] checkbox, images are
displayed without [Sharpness] or [Unsharp mask] effects applied,
allowing you to check only the Digital Lens Optimizer effect.

 When applying the Digital Lens Optimizer, the effect of

[Sharpness] or [Unsharp mask] may become excessive. It is
recommended that you set [Sharpness] or [S trength] for [Unsharp
mask] for images to 0 before using the Digital Lens Optimizer.
Adjust [Sharpness] or [Unsharp mask] again after applying the
Digital Lens Optimizer to images.

COPY

5

image.

 When the list box for selecting an extender is displayed, select

the extender attached at the time of shooting from the list box.

 Use the slider to adjust the Digital Lens Optimizer effect.
 When [MAX] is displayed for the Digit al Lens Optimizer le vel, the

effect will remain the same even if you move the slider further to
the right.

 You can change the display position of the check window by

dragging the enlargement display position in the navigator
window.

 Even if you set shooting distance for a lens in this window, the

value indicated for shooting distance in the [Lens aberration
correction] window will not change.

 If no shooting distance information is saved to the image, the

shooting distance slider is set automatically to the right end at
infinity position and a [<!>] appears above the shooting distance
slider. The distance cannot be minutely adjusted by using the
slider for images shot with an EF-M lens. (The slider is not
displayed.)

 Images cannot be corrected for [Chromatic aberration] in [Lens

aberration correction] if the Digital Lens Optimizer has been
applied.

Click the [Save] button.

6

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

 The [Digital Lens Optimizer] window closes and correction

results are applied to the image in the edit window.

 Corrections made in the [Digital Lens Optimizer] window are also

displayed in the tool palette.

 In the main window, the [ ] mark is displayed on the image to

indicate that the Digital Lens Optimizer is applied (p.129).

 After clicking the [Save ] bu tton, the app lication of the corrections

to the image may take some time.

 The size of the image file will be larger after applying the Digital

Lens Optimizer.

Reference

Index

74

Performing Automatic Dust Erasure Processing

Compatible Cameras

COPY

The Dust Delete Data that is appended to images shot with the camera
that can attach this data, can be used to automatically erase dust spots.

When the image has redrawn itself, click the [Apply

3

Dust Delete Data] button.

Introduction

Contents at

a Glance

EOS-1D X EOS-1D C EOS-1D Mark IV
EOS-1Ds Mark III EOS-1D Mark III EOS 5D Mark III
EOS 5D Mark II EOS 6D EOS 7D
EOS 70D EOS 60D EOS 50D
EOS 40D EOS REBEL

T5i/700D

EOS REBEL
T4i/650D

EOS REBEL
T1i/500D

EOS REBEL
T5/1200D

EOS M2 EOS M

EOS REBEL
T3i/600D

EOS DIGIT AL REBEL
XSi/450D

EOS REBEL
T3/1100D

EOS REBEL
SL1/100D

EOS REBEL
T2i/550D

EOS DIGIT AL REBEL
XTi/400D DIGITAL

EOS DIGIT AL REBEL
XS/1000D

_

In the main window, select an image appended with

1

Dust Delete Data.
Click the [Stamp] button.

2

 Dust spots are erased in a single operation.

Click the [OK] button to return to the main window.

4

 The [ ] mark (p.129) is displayed on an image from which dust

spots have been erased.

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

 The copy stamp window appears.

75

 The dust-erased image can be reverted to its original condition

at any time

A dust-erased image is displayed or printed as a dust-erased image.
However, since the dust on the image is not actually erased, you can
always revert to the original image by clicking the [Undo] button in the
copy stamp window or performing the “Re-Editing an Image”
procedure (p.43).

 Check dust erasure in the copy stamp window

Check dust erasure in the copy stamp window. Images before dust
erasure are displayed in other windows and you will be unable to
check them.

 Printing dust-erased images

You can print as a dust-erased image by printing it in DPP.

 The [Apply Dust Delete Data] button cannot be clicked

Even with an image that has Dust Delete Data attached to it in the
camera, if there is no dust to remove by DPP from the image, the
[Apply Dust Delete Data] button will be disabled.

 To erase dust spots that cannot be erased with the automatic

dust erasure processing

In automatic dust erasure processing, dust spots are erased based on
information relating to dust saved in the Dust Delete Data. However,
there may be cases where you will not be able to erase dust spots
depending on the type of dust. If this occurs, erase those dust spots
using the repair function (p.77) or the copy stamp function (p.79).

 The image becomes a dust-erased image when converted and

saved

The dust-erased RAW image actually becomes a dust-erased image
when converted to a JPEG or TIFF image and saved (p.42).

Additional information

Useful functions of the copy stamp window

Automatic Dust Erasure Processing in the Main Window

COPY

Introduction

 Checking the dust erased spots

After step 3, you can display and check in detail the erased dust spots
one by one by pressing the <Shift> + <F> keys. (Press the <Shift> +
<B> keys to return to the previous dust spot.)

 Canceling a specified erased dust spot only

After step 3, you can press the <Shift> + <F> keys or the <Shift> +
<B> keys to display the erased dust spot, and then press the <Shift>
+ <Del> keys to cancel only the erased dust spot displayed.

 Switch between full screen display/normal screen display using

shortcut keys

You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys.

 Applying the dust erasure result to another image

You can apply dust erasure to the same place in another image by
clicking the [Copy] button to copy the dust erasure results and then
displaying the other image to which you want to apply the results and
clicking the [Paste] button.

For a list of the copy stamp window functions, see p.143.

In the main window, you can also automatically erase dust spots in
multiple images appended with Dust Delete Data.

Select multiple images appended with Dust Delete
Data, and then select the [Adjustment] menu 
[Apply Dust Delete Data].

 Dust spots in all the selected images are erased in a single

operation.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

76

Manually Erasing Dust (Repair Function)

Double­click

Click

COPY

You can erase dust spots in an image by selecting them one by one.

In the main window, select the image you want to

1

erase dust spots.
Click the [Stamp] button.

2

 The copy stamp window appears.

Click the button that matches the dust spot to be

4

erased.

 If the dust spot is dark in color, click the [ ] button, and if

the dust spot is light in color, click the [ ] button.

 When you move the cursor over the image, the dust erasure

range appears as [ ].

Place the dust spot to be erased within the [ ] and

5

click.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

When the image has redrawn itself, double-click the

3

point from where dust is to be erased.

 The display changes to 100% view.
 The display position can be changed by dragging.

 The dust spot within the [ ] is erased.
 Click on another part of the image to co ntinue erasing dust spot s

in the image.

 To erase dust in another part of the image, either right-click with

the mouse, or click the button clicked in step 4 again to cancel dust
erasure processing and perform the operation again from step 3.

 When the dust spot cannot be erased, [ ] is displayed.

Click the [OK] button to return to the main window.

6

 The [ ] mark (p.129) is displayed on an image from which dust

spots have been erased.

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

77

Introduction

For a list of the copy stamp window functions, see p.143.

For images shot with ISO speed range expansion set, noticeable
noise may make it difficult to view dust spots in the copy stamp
window, so using this function is not recommended.

COPY

Additional information

 Click several times when dust spots are not erased completely

Where unwanted dust spots are not erased even after performing
step 5 once, they may be erased completely when you click several
times.

 Mainly spots of dust can be erased with the repair function

Spots of dust can be erased with the repair function. You may be
unable to erase lines of dust. In this case, use the copy stamp
function (p.79).

 The dust-erased image can be reverted to its original condition

at any time

A dust-erased image is displayed or printed as a dust-erased image.
However, since the dust on the image is not actually erased, you can
always revert to the original image by clicking the [Undo] button in the
copy stamp window or performing the “Re-Editing an Image”
procedure (p.43).

 Check dust erasure in the copy stamp window

Check dust erasure in the copy stamp window. Images before dust
erasure are displayed in other windows and you will be unable to
check them.

 Printing dust-erased images

You can print as a dust-erased image by printing it in DPP.

 The image becomes a dust-erased image when converted and

saved

The dust-erased RAW image actually becomes a dust-erased image
when converted to a JPEG or TIFF image and saved (p.42).

Useful functions of the copy stamp window

 Checking the dust erased spots

After step 5, you can display and check in detail the erased dust spots
one by one by pressing the <Shift> + <F> keys. (Press the <Shift> +
<B> keys to return to the previous dust spot.)

 Canceling a specified erased dust spot only

After step 5, you can press the <Shift> + <F> keys or the <Shift> +
<B> keys to display the erased dust spot, and then press the <Shift>
+ <Del> keys to cancel only the erased dust spot displayed.

 Switch between full screen display/normal screen display using

shortcut keys

You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys.

 Applying the dust erasure result to another image

You can apply dust erasure to the same place in another image by
clicking the [Copy] button to copy the dust erasure results and then
displaying the other image to which you want to apply the results and
clicking the [Paste] button.
To apply dust erasure to the same place in several other images, you
can efficiently erase dust spots by clicking the images while holding
down the <Ctrl> key in the main window, or, by selecting multiple
images by clicking the first image and then clicking the last image
while holding down the <Shift> key, and then displaying the copy
stamp window.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

78

Erasing Unwanted Parts of an Image (Copy Stamp Function)

Transferring a RAW Image to Photoshop

COPY

A RAW image can be converted to a TIFF image (16bit) a nd transferred
to Photoshop.

Introduction

You can correct an image by pasting a section copied from another part
of the image to an unwanted part of the image.

Follow steps 1 to 3 in “Manually Erasing Dust (Repair

1

Function)”
Specify the section to be copied.

2

 Click on the section that is to be the copy source while holding

down the <Alt> key.

 To change the section that is to be the copy source, perform the

operation above again.

 To fix the position of the copy source, checkmark [Fix Copy

Source position].

Correct the image.

3

 Click or drag on the section you want to correct on the ima ge. [+]

in the window indicates the copy source and [ ] indicates the
copy destination.

 The copied image is pasted in the position to which it was

dragged.

 For [Pen type], you can select from [Brush] (the pasted image’s

borders simulate a brush) and [Pencil] (the pasted image’s
borders are sharp).

(p.77).

Select the [Tools] menu  [Transfer to Photoshop].

 Photoshop starts up and the transferred image is displayed.

A single image can be transferred at a time

Only one image can be transferred at a time. To send multiple images at
a time, see p.103.

 Compatible versions of Photoshop are 7.0 or later.
 Transferred images are automatically converted to TIFF images

(16bit) to which an ICC profile (p.146) is added. The ICC profile
contains information about [Preferences] (p.95) or work color
space set for each image as described below and the appropriate
color information is relayed to Photoshop.

 When you exit Photoshop, only the original RAW image remains,

and the transferred image will disappear. Saving the transferred
image as a separate image in Photoshop is highly recommended.

 For CS4 or later versions of Photoshop, this function is not

available if a 32-bit version is not installed.

Setting Work Color Space

A different work color space (p.147) from the default settings (p.95) can
be set for each image.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Click the [OK] button to return to the main window.

4

 The [ ] mark (p.129) is displayed on a corrected image.

Select the [Adjustment] menu  [Work color space] 
color space to be set.

A color space set individually does not chang e even when the
default setting is changed

If you set an image with a color space different to the default setting and then
subsequently change the default color space setting (p.95), this default
setting will not be applied and the individually set color space will remain.

The color space of a RAW image can be changed freely as
many times as required

Since only the image processing conditions information changes, the
color space of a RAW image can be changed at any time.

Index

79

Compositing Images

COPY

You can combine two images into a single image. You can further
combine images by adding another image to the composited image.

Since the composited image is saved as a separate image, the original
images remain as they are.

Introduction

Select the [Tools] menu  [Start Compositing tool].

2

Contents at

a Glance

 This function can be used with all image types (p.3) supported by

DPP. However, images with more than 6666 × 4444 p ixels are not
supported.

 The color space of a composited image will be the color space of

the background image.

 Image information is not appended to a composited image.

Select a background image in the main window.

1

 The compositing tool window appears.

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

 You can also select a background image from the edit window,

edit image window, or [Collection] window.

Index

80

Select the image to combine.

COPY

3

 Select the image to combine from the [Foreground Image] list

box.

 The selected image is displayed in the [Foreground Image]

thumbnail display.

 A preview of the combined background image and foreground

image is displayed in the composite preview.

 The following images can be combined.

• When a background image is selected in the main window
([Folder] window) or edit window: image in same folder as
background image

• When a background image is selected in the [Collection]
window: image in the [Collection] window

• When a background image is selected in the edit image
window: image displayed in the thumbnail display area

 You can combine images of differing sizes.

Select a compositing method.

4

 Select a compositing method from the [Composite Method] list

box.

 The compositing method selected in the composite preview is

applied.

 The compositing method can be selected from five types: Add,

Average, Weighted, Lighten, and Darken. For details on each
compositing method, see “Compositing Methods” (p.83).

 If you select [Weighted], you can set the p roportion of brig htness

of the image to be combined. Use the [Weight] slider at the
bottom of the [Composite Method] list box or directly enter a
value to set the brightness proportionally.

 By clicking the [100% view] button, the image is displayed at

100% magnification (actual pixel size).

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

81

Position the images.

You can also directly enter the position
coordinates of the [Foreground Image]
to align it.

Shift large amount (50 pixels)
Shift small amount (1 pixel)

Align image centers

 By default, the background image and the [Foreground Image] are

displayed with their centers aligned.

 [Compose in RAW Format]

Checkmark the [Compose in RAW Format] checkbox as necessary.

 You can set [Compose in RAW Format] under the following

conditions.
Both the background image and [Foreground Image] are RAW
images, and, all the following conditions are met.

• The cameras used to shoot were of the same model

• The ISO speed setting at time of shooting was the same

• The highlight tone priority setting at time of shooting was the same

• The image sizes (original size) are the same

 The following functions are not available for images compo sited

with [Compose in RAW Format].

• Auto Lighting Optimizer (p.61)

• Picture Style Auto (automatically set to Standard) (p.59)

• Selecting [Circle] for the aspect ratio when trimming (p.39)

COPY

5

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

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Images

Reference

Index

82

Click the [Save As] button.

Compositing Methods

COPY

6

 By clicking the [Save As] button, the [Convert and save] window

(p.42) appears. Specify the required settings, and then click the

[Save] button.

 By clicking the [Continue] button, images are combined to create

a new background image, and you can continue by combining
another image.

 To finish, click the [Close] button.

Creating HDR (High Dynamic Range) Images

You can create images with a wide dynamic range where clipping in
highlights and shadows has been reduced, and images that appear like
paintings. This is suited for scenes such as still-lifes and landscapes.
This function is most effective when using three images with different
exposures of the same scene (negative exposure, standard exposure,
positive exposure) to create an HDR image. However, you can also
create an HDR image from two images, or even only one.

Since an HDR image is saved as a separate image, the original images
remain as they are.
* HDR stands for High Dynamic Range.

 This function can be used with all image types (p.3) supported by

DPP. However, images with more than 6666 × 4444 pixels are not
supported.

 Image information is not appended to an HDR image.

Select an image in the main window.

1

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

 Add

The brightnesses of the background image and [Foreground Image]
are added and images are overlaid.

 Average

Images are overlaid with negative exposure compensation being
applied automatically. If you want to change the amount of exposure
for individual images, select [Weighted].

 Weighted

Compositing method where brightness is set proportionally for the
[Foreground Image].

 Lighten

The background image and the [Foreground Image] are compared,
with only brighter portions being combined.

 Darken

The background image and the [Foreground Image] are compared,
with only darker portions being combined.

Editing

JPEG/TIFF

5

Images

Reference

Index

83

Select the [Tools] menu  [Start HDR tool].

After using auto image alignment, the periphery of the images is
partially deleted.

COPY

2

 The [Select Images] window appears.
 You can also display the [Select Images] window from the edit

window and edit image window.

Specify the required settings, then click the [Start

3

HDR] button.

 To change the selected image, or add another image, click the

[Browse] button and in the [Open] dialog box that appears, select
the image file and click the [Open] button.

 If you select two images of the same size, you can checkmark

the [Auto Align] checkbox for auto image alignment. However,
auto image alignment may not work properly with repetitive
patterns (lattice, stripes, etc.) or flat, single-tone images.

 By clicking the [Start HDR] button, the [Adjust Image] window

appears.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

84

Make required selections to adjust the image.

COPY

4

 Sliders in [Adjust Image]

[Tone/Color]

[Brightness]: Adjusts the overall b rightness of the image. Move

the slider to the right to brighten the image, and to
the left to darken the image.

[Saturation]: Adjusts the overall color saturation of the image.

Move the slider to the right to make the color
deeper, and to the left to make the color weaker.

[Contrast]: Adjusts the overall contrast of the image. Move

the slider to the right to make contrast stronger
and to the left to make contrast weaker.

[Detail Enhancement]

[Strength]: Adjusts the overall contrast and contrast of

details together . Move the slider to the rig ht for a
stronger effect.

[Smoothness]:Adjusts the overall smoothness of the image.

Move the slider to the right for a smooth and
natural impression.

[Fineness]: Adjusts the clearness of details. Move the slider

to the right for a sharper outline.

 [Presets] and finishing effects

With [Presets], you can select from the five preset finishing
effects below from a pulldown menu ([Natural] is selected by
default), instead of operating the sliders individually. By selecting
a finishing effect, each slider moves according to the setting. You
can also operate and adjust the sliders after selecting an effect.

[Natural]: In high-contrast scenes, rendering in areas

where highlights or shadows are usually clipped
is corrected, for a finish with reduced highlight
and shadow clipping.

[Art standard]: Gives a finish with painting-like tonality for an

impressive image.
[Art vivid] For a more vivid look than with [Art standard].
[Art bold]: For a more vivid look than with [Art standard],

that makes the subject pop out.
[Art embossed]: T ones down sharpness mo re than [Art standard],

for an old-fashioned feel.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

85

Click the [Save As] button.

Do not edit images with DPP and use Map Utility at the same time.
Editing results may not be saved properly.

 Version 1.1.0 or later versions of Map Utility are compatible.
 Map Utility is not included on the EOS DIGITAL Solution Disk.
 [Start Map Utility] will not appear in the [Tools] menu if Map Utility

is not installed to your computer.

COPY

5

Starting Up Map Utility

Map Utility is a software that allows you to view images shot on a GPS
function-compatible Canon camera, including the shooting location and
route travelled. After installing Map Utility to your computer, you can
start it up from DPP.

Select the [Tools] menu  [Start Map Utility].

 Map Utility starts up.
 For information about Map Utility, refer to the Map Utility

instructions, or to the Help for Map Utility.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

 By clicking the [Save As] button, the [Convert and save] (p.42)

window appears. Specify the required settings and click the
[Save] button.

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

86

Printing with Shooting Information

Print preview

Switches the settings tab sheet

COPY

You can freely layout one image on one sheet of paper and print
together with titles and shooting information, etc.

Select one image to be printed.

1

To maintain the settings

The settings of each tab sheet in step 3 are memorized when the [Apply]
button is clicked (excluding the contents of the [Text] tab sheet). The
settings can be applied to another image when printing.

Introduction

Contents at

a Glance

Select the [File] menu  [Print with detailed setting].

2

Specify the required settings for printing, and then

3

click the [Print] button.

 You can set printer profiles (p.95).
 If CMYK simulation has been set, the image is printed in the set

colors (p.95).

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

 The image can be moved by dragging.
 Drag the four corners of the image to change the size.
 For the shooting information, click [ ] on the [Text] tab sheet

and select the necessary items in the window that is displayed.

Index

87

Printing a Thumbnail List (Contact Sheet Printing)

Print preview

Switches the settings tab sheet

COPY

You can print rows of multiple images on one sheet of paper.

To maintain the settings

Introduction

Select images to be printed in a thumbnail list.

1

Select the [File] menu  [Contact Sheet Prints].

2

Specify the required settings for printing, and then

3

click the [Print] button.

The settings of each tab sheet in step 3 are memorized when the [Apply]
button is clicked (excluding the contents of the [Text] tab sheet). The
settings can be applied to another image when printing.

 You can set printer profiles (p.95).
 If CMYK simulation has been set, the image is printed in the set

colors (p.95).

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

88

Printing RAW Images on a High-End Canon Printer

Printing with a High-End Canon Inkjet Printer

COPY

Additional information

Introduction

For high-end Canon inkjet printers that are compatible with the printing
software Easy-PhotoPrint Pro and Print Studio Pro, you can print with
DPP by a simple operation that has the following features:

 Simple printing of RAW images
 Printing in faithful colors
 High quality printing using a wide color space of Adobe RGB, etc. and

the wide color reproduction range of a high-end Canon inkjet printer

To print with DPP and Easy-PhotoPrint Pro, first install Easy-PhotoPrint
Pro version 1.3 or later on your computer.

Printing with DPP and Easy-PhotoPrint Pro

Select the [File] menu  [Plug-in printing]  [Print

1

with Easy-PhotoPrint Pro].

 Easy-PhotoPrint Pro starts up.

Match on-screen image colors and printing result

2

colors.

 Select [Custom] in [Print Quality], click the [Set] button, and in the

window that appears, drag the slider to [1] at the right end, and
then click the [OK] button to close the window.
Next, click the [Color Adjustment] button to display the [Color
Adjustment] window and display the [Color Management] tab
sheet. Set [Color Mode] to [Enable ICC Profile] and [Printer
Profile] to [Auto], and then click the [OK] button to close the
[Color Adjustment] window .

Specify any other required settings for printing, and

3

then print.

 Print up to 1000 images at a time

You can print up to 1000 images selected in DPP at a time. When
printing more than 1000 images, divide the printing into several jobs.

 Function set in DPP that is not applied to printing

Specified CMYK simulation (p.95) is not applied.

 The printed image’s color is not what you expected

In the Easy-PhotoPrint Pro window, click the [Color Adjustment]
button to display the [Color Management] tab sheet, set [Rendering
Intent] to [Perceptual] (p.147), and try printing.

Advantages of printing with Easy-PhotoPrint Pro

 Printing with faithful colors

When a color space is set (p.79, p.95), it is automatically transmitted
from DPP to Easy-PhotoPrint Pro, allowing you to print with faithful
colors.

 Printing with a wide color reproduction

When the color space setting (p.79, p.95) is set to a color space wider
than sRGB (such as Adobe RGB), the image is printed with a wider
color gamut than an image that has an sRGB color space, with green
and blue in particular being reproduced vividly.

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

89

Printing with DPP and Print Studio Pro

COPY

Select the [File] menu  [Plug-in printing]  [Print

1

with Print Studio Pro].

 Print Studio Pro starts up.

Specify required settings for printing photographs,

2

and then print.

 Refer to Print Studio Pro's Instruction Manual for details on

settings.

Additional information

 Print up to 1000 images at a time

You can print up to 1000 images selected in DPP at a time. When
printing more than 1000 images, divide the printing into several jobs.

 Function set in DPP that is not applied to printing

Specified CMYK simulation (p.97) is not applied.

Advantages of printing with Print Studio Pro

 Printing with faithful colors

When a color space is set (p.79, p.95), it is automatically transmitted
from DPP to Print Studio Pro, allowing you to print with faithful colors.

 Printing with a wide color reproduction

When the color space setting (p.79, p.95) is set to a color space wider
than sRGB (such as Adobe RGB), the image is printed with a wider
color gamut than an image that has an sRGB color space, with green
and blue in particular being reproduced vividly.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

90

You can use DPP to print with the DPP-compatible Canon large-format

Printing with a Large-Format Canon Printer

COPY

imagePROGRAF printer. To print with DPP, first install imagePROGRAF
Print Plug-In for Digital Photo Professional on your computer.

Select the [File] menu  [Plug-in printing]  Plug-In

1

for the printer you use.

 The Plug-In starts up.

Specify the required printing photographs and then

2

print.

Additional information

 A single image can be printed at a time

You can print a single image selected in DPP at a time. When printing
multiple images, perform printing for each image individually.

 Functions set in DPP that are not applied to printing

Specified output resolution (p.92) and CMYK simulation (p.95) are not
applied.

Specifying Preferences

You can change the various functions of DPP in the [Preferences]
window. Check the contents of each window and set.

Also, depending on the item, a detailed explanation may be available,
so refer to each window.

Select the [Tools] menu  [Preferences].

1

 The [Preferences] window appears.

Select the tab sheet, specify the settings, and then

2

click the [OK] button.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Advantages of printing with imagePROGRAF Print Plug-In

 Printing with faithful colors

When a color space is set (p.79, p.95), it is automatically transmitted
from DPP to the Plug-In, allowing you to print with faithful colors.

 Printing with a wide color reproduction

When the color space setting (p.79, p.95) is set to a color space wider
than sRGB (such as Adobe RGB), the color reproduction range of the
imagePROGRAF printer is fully utilized and the image is printed with
a wider color gamut than an image that has an sRGB color space,
with green and blue in particular being reproduced vividly.

Reference

Index

91

You can specify the folder that opens when DPP is started up, image

General Settings

For images shot with ISO speed range exp ansion set, the difference
in image quality between [High quality] and [High speed] becomes
remarkable. To check the image quality of images shot with ISO
speed range expansion, make sure to set [High quality] and check
the images in the edit window or edit image window.

COPY

quality of displayed and saved RAW images, etc.

 Viewing and saving RAW images

You can select from two types of image quality for displaying/saving
RAW images: high image quality with false color reduction processing
and noise reduction function (p.62) used, or high speed without false
color processing and noise reduction function used.

Introduction

Contents at

a Glance

[High quality]

 False color reduction processing is automatically applied, and the

image can be displayed/saved as a false color reduced-high quality
image. Furthermore, you can use the noise reduction function (p.62)
to reduce the luminance noise and chrominance noise.

 Because the ef fects of the false color reduction processing and noise

reduction function are difficult to see in the [50% view] or [Fit to
window] display of the edit window and edit image window, use
[100% view] or [200% view] to check.

 We recommend that you normally set [High quality] for a balance

between image quality and display speed.

[View images at high speed (moiré reduction off)] of [High quality]

 If you checkmark [View images at high speed (moiré reduction off)],

when the image is displayed in the edit window or the edit image
window, false color reduction processing is not applied. However, you
can use the noise reduction function.

 As the setting is the same as [High quality] other than for image

display , the image undergoes false color reduction processing when it
is saved.

[High speed]

Since false color reduction processing is not applied, the display speed



of a RAW image in the edit window or the edit image window, and the
time it takes to save a R AW image is shorter than with [High qual ity].

 You cannot use the noise reduction function (p.62).
 Depending on the image, it may be displayed/saved with false color

or noise being noticeable.

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

92

 JPEG image quality

View Settings

COPY

[Remove block noise and mosquito noise]

 You can improve the quality of a JPEG image by reducing the noise

particular to JPEG images.
This setting is also effective when RAW images are converted to
JPEG images and saved (p.42, p.102) and for JPEG images that
have been saved with a different name.

The extent of the improvement in noise reduction

The higher the JPEG image’s compression rate, the more noise is
reduced. When the compression rate is low, the ef fect of noise reduction
is negligible.



Default value of output resolution

You can set the resolution for RAW images converted and saved as
JPEG or TIFF images (p.42, p.102).

You can specify settings relating to the display.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

93

 Sort order in main window

Tool Palette

COPY

You can set the order of images which have been rearranged in the
main window to be maintained or not maintained (p.21).
If you checkmark the checkbox, the order of the rearranged images is
maintained even if you exit DPP or select another folder in the folder
area.

If you remove the check mark, the order of the rearranged images is not
maintained and reverts to the previous order when you exit DPP or
select another folder in the folder area.



Highlight/shadow warning

Highlighted/shaded areas that exceed the set range can be displayed
on the image as warning indicators (p.55).

You can specify settings for the tool palette.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

 Default settings of RGB tool palette

You cannot apply changes to the settings until you re-open the folder.

Changes are not applied to the edited image

Even if the default setting is changed, the new default setting is not
applied to edited (i.e., adjusted using the tool palette, trimmed, dust­erased) images. Change each one individually.

Reference

Index

94

 Modified Picture Style settings

Color Management

COPY

You can select whether the [Color tone], [Color saturation], [Contrast],
[Unsharp mask] and [Sharpness] settings will be changed accordingly or
retained, when you change the Picture Style.

 If you checkmark the checkbox, the [Color tone], [Color saturation],

[Contrast] and [Sharpness] settings will be changed to match the
camera’s preset settings, when you change the Picture Style.

 If you remove the check mark, the [Color tone], [Color saturation],

[Contrast] and [Sharpness] settings will be retained, even if you
change the Picture Style.

Default noise reduction settings



You can set a default beforehand for the noise reduction level.

RAW Images

• When [Apply camera settings] is selected, you can pre-set a noise
reduction level that suits the camera settings beforehand as the
default.

• When [Set as defaults] is selected, you can pre-set a preferred
default setting for the noise reduction level beforehand.

JPEG/TIFF Images

• You can set a desired default noise reduction level beforehand.

For images not having a recipe attached, the default set here for noise
reduction level is applied. However, if you want to apply settings to
images in the opened folder, you need to re-o pen the folder after making
settings here. For images with a recipe attached, the noise level
recorded in the recipe remains as it is and the default for noise reduction
level set here is not applied.

You can specify settings relating to color management, such as settings
for work color space, conditions for color matching, etc.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Advantages of setting a noise reduction default

In instances where the same level of noise occurs in several images,
such as images shot with high ISO speed, setting an appropriate default
noise reduction setting enables you to apply a batch noise reduction
default to all the images displayed in DPP (excluding images with a
recipe attached). This eliminates the need to apply noise reduction to
each individual image. And, since you always shoot with the same
conditions, it is also useful when you want to set the same noise
reduction level for all shot images.

Index

95

 Default settings of Work color space

COPY

You can select from five types of color space (p.147) that is applied as a
default setting in RAW images. Color space th at has been set is applied
as the color space when a RAW image is converted and saved (p.42,

p.102) or printed (p.43, p.46, p.49, p.87 to p.91).

 If you have changed the setting, and you rest art DPP, the new setting

is applied as the default setting color space.

 You can check color space that has been set in an image in the main

window (p.127, p.128), the edit window (p.130), and the edit image
window (p.136).

Changes are not applied to the edited image

Even if the default setting is changed, the new default setting is not
applied to edited (i.e., adjusted using the tool palette, trimmed, dust­erased) images. Change each one individually.

You can set a color space that is different from the default settings
for each image (p.79).

Display setting (color setting of the monitor)



Where a profile (p.146) is attached to the monitor you are using, yo u can
display an image in more faithful colors by setting the profile.

 If you select [Use the OS settings], the color profile set in Windows

will also be applied in DPP.
If you are using multiple monitors, only the profile of the primary
monitor is applied to DPP.

 Select the [Monitor profile], click the [Browse] button and in the dialog

box that appears, select a profile for your monitor.

 Setting of printing profile (color setting of the printer)

Where a profile is not attached to the printer you are using to print
images, you can print an image and simulate the colors displayed on
screen by setting the profile in DPP. The profile that has been set is
applied to all printing (p.49, p.87, p.88) except for linked printing using a
Canon inkjet printer (p.43, p.46, p.89 to p.91).

If you specify a profile for printing in DPP, set the color adjustment
function of the printer driver to off. If it is left on, the image may be
printed in colors different from those displayed on screen.

Automatic settings for printing using EPP EX, EPP, and
linked printing

If you are printing using a Canon inkjet printer (p.43, p.46) or using
linked printing (p.89, p.91), a profile is set automatically even when the
[Printing profile] setting is not performed. This allows you to print faithful
colors easily.

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

Precise coloring with a third-party monitor color reader

If you use a profile created using a third-party monitor color reader,
images can be displayed in even more precise colors.

96

 Setting of CMYK simulation profile

COPY

You can select the color when printing in the CMYK environment of a
printing machine, etc. from four types of profiles (p.147) and perform
simulation on screen.

 When CMYK simulation has been set, [CMYK] appears (p.127, p.128,

p.130, p.136) at the bottom of the main window, edit window and edit

image window, and colors can be checked.

 To temporarily cancel CMYK simulation, press the <Ctrl> + <Y> keys.



Rendering intents when using Easy-PhotoPrint

You can set a rendering intent (matching method) (p.147) for printing
using Easy-PhotoPrint (p.46).

 The rendering intent is ordinarily set to [Relative Colorimetric].
 When colors with [Relative Colorimetric] are not satisfactory, set to

[Perceptual].

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

97

4

COPY

Useful Functions for Processing Large Numbers of RAW Images

Introduction

For users shooting a large amount of RAW images, the convenient
function of batch processing large amounts of RAW images is explained
here.

Contents at

a Glance

Utilizing Adjustment Contents (Recipe)................... 99

Saving Recipes as a File.......................................... 100

Loading and Pasting Recipes................................... 100

Copying a Recipe and Applying to Another Image... 100

Batch Apply White Balance to Images (Personal White

Balance) ................................................................ 101

Registering Personal White Balance........................ 101

Applying Personal White Balance ............................ 101

Batch Save as JPEG or TIFF Images (Batch

Processing)............................................................ 102

Batch Transfer Images to Image Editing Software......

Batch Change the File Name of Images................ 104

Changing the File Name of Images in the Order in the

Main Window............................................................

103

104

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

98

Utilizing Adjustment Contents (Recipe)

Contents adjusted using the tool
palette can be handled
individually as a recipe file
(extension “.vrd”).

RAW image data

Image processing conditions information

The adjustment contents of JPEG or TIFF images (p.106) can be
saved as a recipe file (extension “.vrd”) and loaded and applied to
another image in the same way as with RAW images.

COPY

All the adjustment contents (recipe) made using the tool palette can be
saved as an individual recipe file (extension “.vrd”) and loaded and
applied to another image.

You can edit images efficiently by selecting and adjusting one image
from images shot with the same shooting environment and batch
applying the adjustment results to a large number of images.

 Recipe data includes tool palette contents

Recipe data includes adjustments made with the tool palette ([RAW],
[RGB], [NR/ALO] and [LENS]). For this reason, other editing content
such as trimming or dust-erasure (copy stamp) is not included in the
recipe data.

 Recipes adjusted with the [RA W] tool p al ette can only be applied

to RAW images

Adjustments in the [RAW] tool palette, which can only be made for
RAW images, are not applied to a JPEG or TIFF image even if they
are pasted.

Additional information

Introduction

Contents at

a Glance

Basic

Operation

1

Advanced
Operation

2

Advanced

Image Editing

3

and Printing

Processing

Large Nu mbers

4

of Images

Editing

JPEG/TIFF

5

Images

Reference

Index

99