The EOS M2 is a high-performance, interchangeable-lens digital camera
featuring a fine-detail CMOS sensor with approx. 18.0 effective megapixels,
DIGIC 5, Hybrid CMOS AF II, approx. 4.6 fps continuous shooting, Full HighDefinition (Full HD) movie shooting, and Wi-Fi functions.
The camera is highly responsive to any shooting situation, and provides
many features for demanding shots.
Refer to This Manual while Using the Camera to Further
Familiarize Yourself with the Camera
With a digital camera, you can immediately view the image you have
captured. While reading this manual, take a few test shots and see how they
come out. You can then better understand the camera.
To avoid botched pictures and accidents, first read the “Safety Warnings”
(p.345-346) and “Handling Precautions” (p.20-22).
Testing the Camera Before Use and Liability
After shooting, play images back and check whether they have been properly
recorded. If the camera or memory card is faulty and the images cannot be
recorded or downloaded to a computer, Canon cannot be held liable for any
loss or inconvenience caused.
Copyrights
Copyright laws in your country may prohibit the use of your recorded images
or copyrighted music and images with music in the memory card for anything
other than private enjoyment. Also be aware that certain public performances,
exhibitions, etc., may prohibit photography even for private enjoyment.
2
Compatible Cards
In this manual, “card” refers to SD memory cards, SDHC memory cards,
and SDXC memory cards.
* The camera does not come with any cards for recording images/
movies. Please purchase these cards separately.
The camera can use the following cards regardless of capacity. If the card is
new or was previously formatted by another camera or computer,
formatting the card with this camera is recommended (p.57).
• SD memory cards
• SDHC memory cards*
• SDXC memory cards*
* UHS-I cards supported.
Cards that Can Record Movies
When shooting movies, use a large-capacity SD card rated SD Speed
Class 6 “” or higher.
If you use a slow-writing card when shooting movies, the movie may not
be recorded properly. Also, if you play back a movie on a card with a slow
reading speed, the movie may not play back properly.
If you want to shoot still photos while shooting a movie, you will need an
even faster card.
To check a card’s reading/writing speed, refer to the card manufacturer’s
Web site.
3
Item Check List
Battery Pack
LP-E12
(with protective cover)
Battery Charger
LC-E12/LC-E12E*
Neck Strap
EM-100DB
Camera
(with body cap)
Interface Cable
Before starting, check that all the following items have been included with
your camera. If anything is missing, contact your dealer.
* Battery Charger LC-E12 or LC-E12E is provided. (The LC-E12E comes with a power
cord.)
Software is not provided with the camera. Download it from the Canon Web
site at the following URL.
http://www.canon.com/icpd/
For information on how to download or install the software and Software Instruction
Manual PDFs, see “Software Start Guide” (p.350) in this manual.
The Instruction Manuals provided are listed on the next page.
Depending on the Lens Kit type, Lens Instruction Manuals may also be included.
Check that all the bundled accessories are included in the camera’s package.
Be careful not to lose any of the above items.
4
Instruction Manuals
Camera Basic
Instruction Manual
Wi-Fi Cautions
Wi-Fi Function
Basic Instruction
Manual
The Instruction Manuals consist of the provided booklets and more detailed
Instruction Manual PDFs available for download from the Canon Web site.
Instructions for downloading and viewing the Instruction Manual PDFs are shown
below.
Downloading and Viewing the Instruction Manual PDFs
1 Download the Instruction Manual PDFs.
Connect to the Internet from a computer and access the Canon Web
site at the following URL.
http://www.canon.com/icpd/
Select your country or region of residence and download the Instruction
Manual PDFs.
Instruction Manual PDFs Available for Download
• Camera Instruction Manual
• Wi-Fi Function Instruction Manual
• Software Instruction Manuals
2 View the Instruction Manual PDFs.
Double-click a downloaded Instruction Manual PDF to open it.
To view the Instruction Manual PDFs, Adobe Reader must be installed
on your computer.
Adobe Reader can be downloaded free from the Internet.
5
Quick Start Guide
1
2
3
4
Insert the battery (p.34).
To charge the battery, see page 32.
Insert a card (p.34).
With the card’s label facing toward the
front of the camera, insert it into the
card slot.
Attach a lens (p.44).
Align the lens’ mount index with the
camera’s mount index.
Press the power button to turn on
the camera
When the LCD monitor displays the
date/time/zone setting screens, see
page 41.
(p.37).
6
Quick Start Guide
5
6
7
8
Set the Mode Dial to <A> (Scene
Intelligent Auto)
All the necessary camera settings will
be set automatically.
Focus the subject (p.49).
Aim the LCD monitor’s center over the
subject.
Press the shutter button halfway. The
camera will focus the subject.
Take the picture (p.49).
Press the shutter button completely to
take the picture.
Review the picture (p.209).
The captured image will be displayed
for 2 sec. on the LCD monitor.
To display the image again, press the
<x> button (p.92).
(p.64).
To view the images captured so far, see “Image Playback” (p.92).
To delete an image, see “Erasing Images” (p.254).
After you finish shooting, attach the lens cap to protect the lens.
7
Conventions Used in this Manual
Icons in this Manual
<5>: Indicates the Main Dial.
<W><X><Y><Z><S> : Indicates the Main Dial’s top, bottom, left, and
right keys.
<Q>/<0>: Indicates the Main Dial’s center button.
0, 9, I, 7, 8 : Indicates that the corresponding function
remains active for 4 sec., 6 sec., 8 sec., 10
sec., or 16 sec. respectively after you let go of
the button.
* In this manual, the icons and markings indicating the camera’s buttons, dials, and
settings correspond to the icons and markings on the camera and on the LCD
monitor.
3: Indicates a function that can be changed by pressing the
<M> button and changing the setting.
w: When shown on the upper right of a page, indicates that the
function is available only in the Creative Zone modes (p.27).
(p.**): Reference page numbers for more information.
: Warning to prevent shooting problems.
: Supplemental information.
: Tips or advice for better shooting.
: Problem-solving advice.
Basic Assumptions
All operations explained in this manual assume that the power is <1>
(p.37).
It is assumed that all the menu settings and Custom Functions are set
to their defaults.
The illustrations in this manual show the camera with the EF-M
18-55mm f/3.5-5.6 IS STM lens attached as an example.
8
Chapters
For first-time digital single-lens non-reflex camera users, Chapters 1
and 2 explain the camera’s basic operations and shooting procedures.
Introduction
Getting Started
1
Basic Shooting and Image Playback
2
Creative Shooting
3
Advanced Shooting
4
Shooting Movies
5
Handy Features
6
Image Playback
7
Post-Processing Images
8
Printing Images
9
Customizing the Camera
10
2
31
63
93
135
175
207
229
259
267
285
Reference
11
Software Start Guide /
12
Downloading Images to Your Computer
293
349
9
Contents at a Glance
Shooting
Shoot automatically p.63-85 (A / Basic Zone modes)
Blur the background p.71 (C Creative Auto)
Keep the background in sharp focusp.139 (f Aperture-priority AE)
Shoot continuously p.124 (i Continuous shooting)
Include yourself in a picture p.126 (j Self-timer)
Freeze the action p.136 (s Shutter-prior ity AE)
Blur the action
Shoot with image effects p.128 (U Creative filters)
Adjust the image brightness p.148 (O
(exposure)
Shoot in low light p.296 (D Flash photography)
p.102 (ISO speed setting)
Shoot fireworks at night p.145 (Bulb exposures)
Shoot movies p.175 (k Movie shooting)
Exposure compensation
Image Quality
Shoot with image effects matching p.106 (A
the subject
Make a large-size print of a picture p.97 (73, 83, 1)
Shoot a large number of pictures p.97 (7a, 8a, b, c)
Picture Style selection
10
)
)
Focusing
Change the focusing method p.108 (Focus modes)
Shoot a moving subject p.79, 80, 111 (Servo AF)
Playback
View the images on the camera p.92 (x Playback)
Search for pictures quickly p.231 (Index display)
Downloading and Viewing the Software Instruction Manual PDFs...... 352
Downloading Images to a Computer.................................................... 353
Index .................................................................................................... 357
Contents
19
Handling Precautions
Camera Care
This camera is a precision instrument. Do not drop it or subject it to
physical shock.
Do not point the camera toward an intense light source, such as the sun
on a sunny day or an intense artificial light source. Doing so may
damage the image sensor or the camera’s internal components.
The camera is not waterproof and cannot be used underwater. If you
accidentally drop the camera into water, promptly consult the nearest
Canon Service Center. Wipe off any water droplets with a dry and clean
cloth. If the camera has been exposed to salty air, wipe it with a wellwrung wet cloth.
Never leave the camera near anything that has a strong magnetic field
such as a magnet or electric motor. Also avoid using or leaving the
camera near anything emitting strong radio waves such as a large
antenna. Strong magnetic fields can cause camera misoperation or
destroy image data.
Do not leave the camera in excessive heat, such as in a car in direct
sunlight. High temperatures can cause the camera to malfunction.
The camera contains precision electronic circuitry. Never attempt to
disassemble the camera yourself.
Do not block the shutter operation with your finger, etc. Doing so may
cause a malfunction.
Use a blower to blow away any dust on the lens. Do not use cleaners
that contain organic solvents to clean the camera body or lens. For
stubborn dirt, take the camera to the nearest Canon Service Center.
Do not touch the camera’s electrical contacts with your fingers. This is
to prevent the contacts fro m corroding. Corroded contacts can cause
camera misoperation.
If the camera is suddenly brought in from the cold into a warm room,
condensation may form on the camera and internal parts. T o prevent
condensation, first put the camera in a sealed plastic bag and let it
adjust to the warmer temperature before taking it out of the bag.
If condensation forms on the camera, do not use the camera. This is to
avoid damaging the camera. If there is condensation, remove the lens,
card and battery from the camera, and wait until condensation has
evaporated before using the camera.
If the camera will not be used for an extended period, remove the
battery and store the camera in a cool, dry, well-ventilated location.
Even while the camera is in storage, press the shutter button a few
times once in a while to check that the camera is still working.
20
Handling Precautions
Avoid storing the camera where there are chemicals that result in rust
and corrosion such as in a chemical lab.
If the camera has not been used for an extended period, test all its
functions before using it. If you have not used the camera for some time
or if there is an important shoot such as a foreign trip coming up, have
the camera checked by the nearest Canon Service Center or check the
camera yourself and make sure it is working properly.
When you detach the lens, the image sensor will be exposed. To
prevent scratching the image sensor, do not touch the image sensor.
If you use continuous shooting or movie shooting for a prolonged
period, the camera may become hot. This is not a malfunction.
LCD Monitor
Although the LCD monitor is manufactured with very high precision
technology with over 99.99% effective pixels, there may be a few dead
pixels displaying only black or red, etc. among the remaining 0.01% or
less pixels. Dead pixels are not a malfunction. They do not affect the
images recorded.
If the LCD monitor is left on for a prolonged period with the same screen
displayed, screen burn-in may occur where you see remnants of what
was displayed. However, this is only temporary and will disappear when
the camera is left unused for a few days.
The LCD monitor display may seem slow in low temperatures, or look
black in high temperatures. It will return to normal at room temperature.
After changing the LCD monitor’s brightness settings, the display may
look a little coarse, depending on the subject. This is not a malfunction
and will not affect the recorded image.
21
Handling Precautions
Contacts
Cards
To protect the card and its recorded data, note the following:
Do not drop, bend, or wet the card. Do not subject it to excessive force,
physical shock, or vibration.
Do not touch the card’s electronic contacts with your fingers or anything
metallic.
Do not affix any stickers, etc., on the card.
Do not store or use the card near anything that has a strong magnetic
field, such as a TV set, speakers, or magnet. Also avoid places prone to
having static electricity.
Do not leave the card in direct sunlight or near a heat source.
Store the card in a case.
Do not store the card in hot, dusty, or humid locations.
Lens
After detaching the lens from the camera, put down
the lens with the rear end up and attach the lens caps
to avoid scratching the lens surface and electrical
contacts.
Smudges Adhering to the Front of the Sensor
Besides dust entering the camera from outside, in rare
cases lubricant from the camera’s internal parts may
adhere to the front of the sensor. If visible spots still
remain after the automatic sensor cleaning, having the
sensor cleaned by a Canon Service Center is
recommended.
Lens Mount
Periodically cleaning the camera’s body and lens mount with a soft lens
cleaning cloth is recommended.
Number of possible shots
Number of possible shots
during WB bracketing
Self-timer countdown
Shooting mode
AE lock
Shutter speed
Main Dial pointerExposure level indicator
Exposure compensation
amount (p.148)
AEB range (p.150)
Highlight tone priority (p.289)
ISO speed (p.102)
Magnified view
QQuick Control
Battery check (p.39)
zxcn
AF point
(FlexiZone - Single)
(p.113)
Touch shutter
(p.122)
Maximum burst
Aperture
Information Display 1: Basic Information (in Creative Zone modes, p.27)
The display will show only the settings currently applied.
25
Nomenclature
Creative filters (p.128)
AF method (p.113)
d FlexiZone - Single
c u+Tracking
o FlexiZone - Multi
AF operation (p.110)
X
One-Shot AF
4 Servo AF
MF Manual Focus
Image-recording
quality (p.97)
73 Large/Fine
83 Large/Normal
74 Medium/Fine
84 Medium/Normal
7a Small 1/Fine
8a Small 1/Normal
b Small 2 (Fine)
c Small 3 (Fine)
1+73
RAW+Large/Fine
1 RAW
Drive mode (p.75, 124, 126)
u Single shooting
i Continuous shooting
Q Self-timer:10 sec/
remote control
l Self-timer:2 sec
q Self-timer:Continuous
Image Stabilizer: OFF
(
only when a lens with IS function is attached
)
Digital compass
GPS connection indicator
AEB/FEB
White balance
(p.168)
Q Auto
W Daylight
E Shade
R Cloudy
Y Tungsten light
U
White
fluorescent light
IFlash
O Custom
Metering mode
(p.146)
q Evaluative
metering
w Partial metering
r Spot metering
e
Center-weighted
average metering
Auto Lighting
Optimizer (p.153)
Picture Style (p.106)
Eye-Fi transmission status
(p.305)
e High-speed sync
d FE lock/FEB in-progress
Exposure simulation
Flash exposure compensation
If you use the <F> or <G> shooting mode, use flash, or set a bulb exposure,
the <g> icon and histogram will be grayed out (for your reference). The
histogram may not be properly displayed in low- or bright-light conditions.
Information Display 2: Det ailed information (in Creative Zone modes, p.27)
The display will show only the settings currently applied.
26
Mode Dial
A
: Scene Intelligent Auto
w: Creative Zone Modes
This is a fully automatic
mode.
The camera analyzes the
scene and sets the optimum
settings automatically (p.64).
v: Basic Zone Modes
All you do is press the shutter button.
The camera sets everything to suit t he
subject or scene.
C : Creative Auto (p.71)
2 : Portrait (p.76)
3 : Landscape (p.77)
4 : Close-up (p.78)
5 : Sports (p.79)
C : Kids (p.80)
P : Food (p.81)
6 : Night Portrait (p.82)
F : Handheld Night Scene (p.83)
G : HDR Backlight Control (p.84)
These modes give you
more control for shooting
various subjects.
a : Manual exposure
(p.143)
f:
Aperture-priority AE
(p.139)
s : Shutter-priority AE
(p.136)
d : Program AE
(p.94)
k
: Movie Shooting Modes
You can shoot movies
(p.176).
k : Movie auto
exposure
M : Movie manual
exposure
Nomenclature
27
Nomenclature
Focusing ring
(p.108, 120)
Hood mount
Zoom ring (p.45)
Zoom position index (p.45)
Filter thread
(front of lens)
Lens mount index (p.44)Contacts (p.22)
Lens
EF-M Lens
(Lens with no focus mode switch and no Image Stabilizer switch.)
28
Battery Charger LC-E12
Battery pack slot
Power plug
Charge lamp
Full-charge lamp
IMPORTANT SAFETY INSTRUCTIONS-SAVE THESE INSTRUCTIONS.
DANGER-TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
CAREFULLY FOLLOW THESE INSTRUCTIONS.
For connection to a supply not in the U.S.A., use an attachment plug adapter of the
proper configuration for the power outlet, if needed.
Full-charge lamp
Power cord
Power cord socket
Battery pack slot
Charge lamp
Charger for Battery Pack LP-E12 (p.32).
Battery Charger LC-E12E
Charger for Battery Pack LP-E12 (p.32).
Nomenclature
29
Nomenclature
Attaching the Strap
Threading the Strap
Attach the strap’ s met allic ring to th e
1
camera.
Fit the strap’s metallic ring over the
camera’s strap mount.
Lock the strap’s metallic ring.
2
Use a coin or similar tool to turn the
stopper clockwise until it stops (the index
marks are aligned).
Make sure the strap’s metallic ring is not
loose.
Thread the strap as shown in the
illustration and adjust the strap length.
30
1
Getting Started
This chapter explains preparatory steps before you start
shooting and basic camera operations.
31
Charging the Battery
LC-E12
LC-E12E
Full-charge lamp
Charge lamp
Remove the protective cover.
1
Detach the protective cover provided with
the battery.
Attach the battery.
2
Align the battery’s h mark with the
battery charger’s g mark, then attach the
battery securely.
To detach the battery, follow the above
procedure in reverse.
Recharge the battery.
3
For LC-E12
As shown by the arrow, flip out the
battery charger’s prongs and insert the
prongs into a power outlet.
For LC-E12E
Connect the power cord to the charger
and insert the plug into a power outlet.
Recharging starts automatically and the
charge lamp lights up in orange.
When the battery is fully recharged, the
full-charge lamp will light up in green.
It takes approx. 2 hours to fully recharge a completely exhausted battery at
room temperature (23°C / 73°F). The time required to recharge the battery will
vary greatly depending on the ambient temperature and the battery’s
remaining capacity.
For safety reasons, recharging in low temperatures (5°C - 10°C / 41°F - 50°F) will
take longer (up to approx. 4 hours).
32
Charging the Battery
After disconnecting the charger’s power plug, do not touch the prongs for at
least 3 sec.
Do not charge any battery other than a Battery Pack LP-E12.
Battery Pack LP-E12 is dedicated to Canon products only. Using it with an
incompatible battery charger or product may result in malfunction or accidents
for which Canon cannot be held liable.
Tips for Using the Battery and Charger
Upon purchase, the battery is not fully charged.
Charge the battery before use.
Recharge the battery on the day before or on the day it is to be used.
Even during storage, a charged battery will gradually drain and lose its
capacity.
After recharging the battery, detach it and disconnect the charger
from the power outlet.
When not using the camera, remove the battery.
If the battery is left in the camera for a prolonged period, a small amount of
power current is released, resulting in excess discharge and shorter
battery life. Store the battery with the protective cover (provided) attached.
Storing the battery when it is fully charged may lower the battery’s
performance.
The battery charger can also be used in foreign countries.
The battery charger is compatible with a 100 V AC to 240 V AC 50/60 Hz
household power outlet. If necessary, attach a commercially-available plug
adapter for the respective country or region. Do not attach any portable
voltage transformer to the battery charger. Doing so can damage the
battery charger.
If the battery becomes exhausted quickly even after being fully
charged, the battery has reached the end of its service life.
Purchase a new battery.
33
Installing and Removing the Battery and Card
Write-protect switch
Load a fully charged Battery Pack LP-E12 into the camera. The camera can
use an SD, SDHC, or SDXC memory card (sold separately). UHS-I Speed
Class SDHC and SDXC memory cards can also be used. The captured
images are recorded onto the card.
Make sure the card’s write-protect switch is set upward to enable
writing/erasing.
Installing the Battery and Card
Open the cover.
1
Slide the cover as shown by the arrows
and open it.
Insert the battery.
2
The battery’s “Canon” logo must be
toward the camera’s front side as you
insert the battery with the battery
contacts in first.
Insert the battery until it clicks and locks
in place.
Insert the card.
3
The card’s la be l si de must be towa rd
the front of the camera.
Insert it straight down until it stops.
34
Close the cover.
4
Press the cover until it snaps shut.
Check the number of possible shots.
Possible shots
5
When you set the power to <1>, the
remaining number of images you can
record to the card will be displayed on the
LCD monitor.
Removing the Battery and Card
Set the power to <2>.
1
Open the cover.
2
Make sure the LCD monitor and
access lamp are off, then open the
cover.
If [Recording...] is displayed, close the
cover.
Remove the battery.
3
Press the battery lock lever as shown by
the arrow and remove the battery.
To prevent short circuiting of the battery
contacts, be sure to attach the provided
protective cover (p.32) to the battery.
Remove the card.
4
Gently push in the card, then let go to
eject it.
Pull the card straight out.
Installing and Removing the Battery and Ca rd
Close the cover.
5
Press the cover until it snaps shut.
35
Installing and Removing the Batte ry and Card
After opening the card slot/battery compartment cover, be careful not to swing
it back further. Otherwise, the hinge may break.
When the access lamp is blinking in orange, it indicates that images are
being written to or read by the card, being erased, or data is being
transferred. Do not open the card slot/battery compartment cover. Also,
never do any of the following while the access lamp is blinking in
orange. Otherwise, the image data, card, or camera may be damaged.
• Removing the card.
• Removing the battery.
• Shaking or banging the camera around.
If the card already contains recorded images, the image number may not start
from 0001 (p.214).
If a card-related error message is displayed on the LCD monitor, remove and
reinsert the card. If the error persists, use a different card.
If you can transfer all the images on the card to a computer, transfer all the
images and then format the card with the camera (p.57). The card may then
return to normal.
Do not touch the card’s contacts with your fingers or metal objects.
Multimedia cards (MMC) cannot be used (card error will be displayed).
The number of possible shots depends on the remaining capacity of the card,
image-recording quality, ISO speed, etc.
Setting [A1: Release shutter without card] to [Disable] will prevent you
from forgetting to insert a card (p.208).
36
Turning on the Power
If you set the power to <2> while an image is being recorded to the card,
[Recording...] will be displayed and the power will turn off after the card finishes
recording the image.
If you set the power to <1> and the date/time/zone setting screen
appears, see page 41 to set the date/time/zone.
Pressing the power button toggles between
<1> and <2>.
With the power <2>, holding down the
<x> button for 2 sec. or longer will start the
playback mode.
When an EF-M lens is attached to the
camera and the power is off, the aperture
stops down to reduce the amount of light
entering the camera and protect the
internal components of the camera.
When you set the power to <1> or
<2>, the aperture makes a small
noise as it opens or closes.
Automatic Self-Cleaning Sensor
When you set the power to <1>/<2> or if the time set with [Camera
auto off] under [52: Power saving] elapses and the camera turns off,
sensor cleaning will be executed automatically. (A small sound may be
heard.) During the sensor cleaning after intentionally turning the camera
<2>, the LCD monitor will display the <f> icon.
If you repeatedly switch the power to <1>/<2> at a short interval,
the <f> icon may not be displayed. This is normal and not a
malfunction.
37
Turning on the Power
3 Power-saving Features
To save power, the LCD monitor turns off automatically if you do not
operate the camera. If you continue to not operate the camera, the power
will turn off automatically. While the LCD monitor is off, operation such as
pressing a button will turn on the LCD monitor again. If the power turns off,
either press the power button or press the <x> for at least approx. 2 sec.
to turn on the power again.
You can change the LCD monitor auto off time and camera auto off time
with [LCD auto off] and [Camera auto off] under [52: Power saving]
(p.210).
38
Turning on the Power
The battery power will be consumed faster with any of the following
operations:
• Pressing the shutter button halfway for a prolonged period.
• Using Continuous AF (p.109).
• Using the lens Image Stabilizer.
• Shooting movies for a prolonged period.
• Using Movie Servo AF (p.203).
The number of possible shots may decrease depending on the actual
shooting conditions.
The lens operation is powered by the camera’s battery. Depending on the lens
used, the battery power may be consumed faster.
z Checking the Battery Level
When the power is turned on, the battery level will be indicated in one of four
levels.
z : Battery level is sufficient.
x : Battery level is low, but the ca mera
can still be used.
c : Battery will be exhausted soon.
(Blinks)
n : Recharge the battery.
Number of Possible Shots[Approx. number of shots]
Temperature
Possible shots230200
The figures above are based on a fully-charged Battery Pack LP-E1 2 and CIPA
The Main Dial can be operated in two ways: by turning it or pressing the top,
bottom, left, or right edge.
Turn the Main Dial <5>.
When a function can be set (after pressing
a button or tapping an icon on the screen),
you can mainly make a horizontal
selection by turning the <5> dial.
You can set the shutter speed, aperture,
etc. by turning the <5> dial.
Press the top, bottom, left, or right of
the Main Dial <5>.
When a function can be set (after
pressing a button or tapping an icon on
the screen), you can select or adjust an
item by pressing the top, bottom, left, or
right of the <5> dial.
When shooting, you can select a drive
mode by pressing the <j/i> button, set
exposure compensation by pressing the
<O> button, or apply AE lock by pressing
the <A> button. (May not be available
depending on the shooting mode.)
During playback, you can erase an image
by pressing the <L> Erase button.
<Q/0> Button
The <Q/0> button has two features: <Q> Quick Control and <0> Set.
<Q> Quick Control
You can display the Quick Control screen
by pressing the <Q> button while an
image is displayed during shooting or
playback (p.50, 236).
<0> Set
Press <0> to accept your selection in
menus, Quick Control functions, etc.
40
3 Setting the Date, Time, and Zone
The menu setting procedure is explained on pages 54-56.
In step 3, the time displayed on the upper right of the screen is the time
difference compared with Coordinated Universal Time (UTC). If you do not
see your time zone, set the time zone while referring to the difference with
UTC.
When you turn on the camera for the first time or if the date/time/zone has
been reset, the date/time/zone setting screen will appear. Follow the steps
below to set the time zone first. If you set the camera to the correct time zone
for where you currently live, when you travel to another time zone you can
simply set the camera to the correct time zone for your destination to update
the camera’s date/time automatically.
Note that the date/time appended to recorded images will be based on
this date/time setting. Be sure to set the correct date/time.
Display the menu screen.
1
Press the <M> button.
Under the [52] tab, select [Date/
2
Time/Zone].
Press the <Y> <Z> keys to select the
[52] tab.
Press the <W> <X> keys to select [Date/
Time/Zone], then press <0>.
Set the time zone.
3
[London] is set by default.
Press the <Y> <Z> keys to select the
time zone box.
Press <0> so <a> is displayed.
Press the <W> <X> keys to select the
time zone, then press <0>. (Returns
to <b>.)
41
3 Setting the Date, Time, and Zone
The date/time/zone settings may be reset in the following cases. If this happens,
set the date/time/zone again.
• When the camera is stored without the battery.
• When the camera’s battery becomes exhausted.
• When the camera is exposed to below freezing temperatures for a prolonged
period.
The date/time that was set will start from when you press <0> in step 6.
After changing the time zone, check that the correct date/time has been set.
4
5
6
Set the date and time.
Press the <Y> <Z> keys to select the
number.
Press <0> so <a> is displayed.
Press the <W> <X> keys to set the
number, then press <0>. (Returns to
<b>.)
Set the daylight saving time.
Set it if necessary.
Press the <Y> <Z> keys to select [Y].
Press <0> so <a> is displayed.
Press the <W> <X> keys to select [Z],
then press <0>.
When the daylight saving time is set to
[Z], the time set in step 4 will advance
by 1 hour. If [Y] is set, the daylight
saving time will be canceled and the time
will go back by 1 hour.
Exit the setting.
Press the <Y> <Z> keys to select [OK],
then press <0>.
The date/time/zone and daylight saving
time will be set and the menu will
reappear.
42
3 Selecting the Interface Language
Display the menu screen.
1
Press the <M> button.
Under the [52] tab, select
2
[LanguageK].
Press the <Y> <Z> keys to select the
[52] tab.
Press the <W> <X> keys to select
[LanguageK], then press <0>.
Set the desired language.
3
Press the <W> <X> keys to select the
language, then press <0>.
The interface language will change.
43
Attaching and Detaching a Lens
Index
Minimizing Dust
When changing lenses, do it quickly in a place with minimal dust.
When storing the camera without a lens attached, be sure to attach the body cap
to the camera.
Remove dust on the body cap before attaching it.
The camera is compatible with EF-M lenses. If you use Mount Adapter EFEOS M, you can also use EF and EF-S lenses.
Attaching a Lens
Remove the caps.
1
Remove the rear lens cap and the body
cap by turning them as shown by the
arrows.
Attach the lens.
2
Align the lens’ white mount index with the
camera’s white mount index. Turn the
lens as shown by the arrow until it clicks
in place.
Remove the front lens cap.
3
44
Detaching the Lens
Do not look at the sun directly through any lens. Doing so may cause loss of
vision.
When attaching or detaching a lens, set the camera’s power to <2>.
If the front part (focusing ring) of the lens rotates during autofocusing, do not
touch the rotating part.
The focus preset function of some super telephoto lenses cannot be used
with this camera. Also, Power Zoom cannot be used even if you attach a lens
featuring the Power Zoom function, such as the EF35-80mm f/4-5.6 POWER
ZOOM.
Lens Focal Length (Image Conversion Factor)
Since the image sensor size is
smaller than the 35mm film format,
it will look like the lens focal length
is increased by approx. 1.6x.
Example: An 18-55mm focal length would be equivalent to an approx. 29-88mm
focal length on a 35mm camera.
Image sensor size (Approx.)
(22.3 x 14.9 mm / 0.88 x 0.59 in.)
35mm image size
(36 x 24 mm / 1.42 x 0.94 in.)
Zooming
Attaching and Detaching a Lens
While pressing the lens release
button, turn the lens as shown by the
arrow.
Turn the lens until it stops, then detach it.
Attach the rear lens cap to the detached
lens.
T o zoom, turn the zoom ring on the lens with
your fingers.
If you want to zoom, do it before
focusing. Turning the zoom ring after
achieving focus may throw off the focus
slightly.
45
Image Stabilizer
IS stands for Image Stabilizer.
When you use a lens with built-in Image Stabilizer, camera shake is corrected
to obtain a sharper shot. With <A>, the Image Stabilizer is automatically set
to [Enable]. (It does not appear in the menu.)
* Lenses with built-in Image Stabilizer have “IS” in their names.
With an EF-M Lens
Set it with the menu. The default setting is [Enable].
Display the menu screen.
1
Press the <M> button.
Under the [A2] tab, select [Image
2
Stabilizer].
[Image Stabilizer] is displayed when an
EF-M lens with IS function is attached.
Press the <Y> <Z> keys to select the
[A2] tab.
Press the <W> <X> keys to select
[Image Stabilizer], then press <0>.
Select [Enable].
3
Press the <W> <X> keys to select
[Enable], then press <0>.
Press the <M> button.
46
With a Non-EF-M Lens
The Image Stabilizer cannot correct “subject blur”, when the subject moves at
the time of exposure.
For bulb exposures, set the IS to <2>. If <1> is set, Image Stabilizer
misoperation may occur.
The Image Stabilizer may not be effective for excessive shaking such as on a
rocking boat.
The Image Stabilizer works in all focus modes.
When the IS is set to <2>, H will appear on the screen.
When using a tripod, you can still shoot with the IS set to <1> with no
problem. However, to save battery power, setting the IS to <2> is
recommended.
The Image Stabilizer is effective even when the camera is mounted on a
monopod.
Use the Image Stabilizer switch on the lens.
Set the ST ABILIZER swit ch to <1>.
Using the Image Stabilizer when Shooting
Press the shutter button halfway.
1
The Image Stabilizer will operate.
Take the picture.
2
When the picture looks steady on the
LCD monitor, press the shutter button
completely to take the picture.
Image Stabilizer
47
Basic Operation
Vertical shootingHorizontal shooting
Microphones
Holding the Camera
To obtain sharp images, hold the camera still to minimize camera shake.
1.Wrap your right hand around the camera grip firmly.
2.Hold the lens bottom with your left hand.
3.Rest your hand’s right index finger lightly on the shutter button.
4.Press your arms and elbows lightly against the front of your body.
5.To maintain a stable stance, place one foot slightly ahead of the other.
When shooting movies, be careful not to
cover the microphones.
48
Basic Operation
If you press the shutter button completely without pressing it halfway first, or if
you press the shutter button halfway and then press it completely
immediately, the camera will take a moment before it takes the picture.
Even during menu display, image playback, or image recording, you can
instantly go back to shooting-ready by pressing the shutter button halfway.
Shutter Button
The shutter button has two steps. You can press the shutter button halfway.
Then you can further press the shutter button completely.
Pressing Halfway
The camera will focus and adjust the
exposure automatically (shutter speed and
aperture set automatically).
The exposure setting (shutter speed and
aperture) is displayed (I).
Pressing Completely
This releases the shutter and takes the
picture.
Preventing Camera Shake
Hand-held camera movement during the moment of exposure is called
camera shake. It can cause blurred pictures. To prevent camera shake, note
the following:
• Hold and steady the camera as shown on the preceding page.
• Press the shutter button halfway to autofocus, then slowly press the shutter
button completely.
49
Quick Control
You can directly select and set the shooting functions displayed on the LCD
monitor. This is called Quick Control.
There are two types of Quick Control screens: Q Quick Control and B
Quick Control.
Hereafter, “Quick Control” refers to Q Quick Control.
Q Quick Control
With Q Quick Control, you can set functions while looking at the shooting
screen.
Display the Q Quick Control screen
1
(7).
Press the <Q> button.
You can also display the Quick Control
screen by tapping [Q] on the upper right
of the screen.
Select the desired function.
2
Tap the function to be set.
The selected function and Feature guide
will appear.
50
Quick Control
White balance
(p.168)
Picture Style
(p.106)
Auto Lighting
Optimizer (p.153)
Metering mode
(p.146)
AF method (p.113)
AF operation
(p.110)
Image-recording
quality (p.97)
Creative filters
(p.260)
You can also perform the setting procedure with the Main Dial’s <S> or
<5> and <0>.
The settable functions differ depending on the shooting mode.
Set the desired function setting.
3
Select the function setting by tapping an
icon displayed at the bottom of the
screen.
There are also functions with more
settings when you tap [ze].
To return to the shooting screen, tap [2]
or press <0>.
51
Quick Control
Basic information
BQuick Control
Detailed information
No information
B Quick Control
With B Quick Control, you can select a shooting function from a list and
set it.
Press the <B> button.
1
Each time you press the button, the
displayed information will change.
Display the B Quick Control screen.
52
Select the desired function.
2
Tap the function to be set.
The Feature guide will appear.
Tap it again to display the function setting
screen.
Set the desired function setting.
Shutter speed (p.136)
White balance
(p.168)
Highlight tone priority* (p.289)
Auto Lighting
Optimizer (p.153)
Metering mode (p.146)
Picture Style (p.106)
Exposure
compensation/
AEB setting
(p.148, 150)
Flash exposure
compensation
(p.302)
ISO speed (p.102)
Aperture (p.139)
White balance
bracketing (p.172)
Drive mode (p.75, 124, 126)
White balance
correction (p.171)
Possible shots*
(p.98)
Shooting mode (p.27)
AF method (p.113)
AF operation (p.110)
Image quality (p.97)
Battery check* (p.39)
Image Stabilizer: OFF* (p.46)
Eye-Fi card* (p.305)
GPS connection indicator*
You can also perform the setting procedure with the Main Dial’s <S> or
<5> and <0>.
* These functions cannot be set with the B Quick Control screen.
The settable functions differ depending on the shooting mode.
3
On the screen that appears, tap a
function setting to set it.
There are also functions with more
settings when you tap [zDetail set.].
Quick Control
53
3 Menu Operations
Main Dial
LCD monitor
<0> button
<M> button
Scene Intelligent Auto
Basic Zone Modes
Creative Zone Modes
Tabs
Menu items
A Shooting
5 Set-up
9 My Menu
3 Playback
Menu settings
Movie Shooting Modes
You can set various settings with the menus such as the image-recording
quality, date/time, etc. Operate the menu functions with the <M> button,
Main Dial, and <0> button.
Menu Screen
The menu tabs and items displayed will differ d epending on the shooting mode.
54
Menu Setting Procedure
3 Menu Operations
Display the menu screen.
1
Press the <M> button.
Select a tab.
2
Press the Main Dial’s <Y> <Z> keys to
select a tab (group of functions).
For example, in this manual, “the [A3]
tab” refers to the screen displayed when
the third A (Shooting) tab from the left
[S] is selected.
Select the desired item.
3
Press the Main Dial’s <W> <X> keys to
select the item, then press <0>.
Select the setting.
4
Press the Main Dial’s <W> <X> or <Y>
<Z> keys to select the desired setting.
(Some settings require you to press
either the <W> <X> or <Y> <Z> keys
to select them.)
The current setting is indicated in blue.
55
3 Menu Operations
Even when the menu screen or captured image is displayed, pressing the
shutter button will enable you to shoot immediately.
In step 2, you can also turn the <5> dial to select a menu tab.
In steps 2 to 5, you can also use the LCD monitor’s touch screen (p.59).
The explanation of menu functions hereinafter assumes that you have
pressed the <M> button to display the menu screen.
To cancel, press the <M> button.
For details about each menu item, see pages 314-322.
Set the desired setting.
5
Press <0> to set it.
Exit the setting.
6
Press the <M> button to return to the
shooting function settings screen.
56
3 Formatting the Card
If the card is new or was previously formatted by another camera or
computer, formatting the card with the camera is recommended.
When the card is formatted, all images and data in the card will be
erased. Even protected images will be erased, so make sure there is
nothing you need to keep. If necessary, transfer the images and data
to a computer, etc., before formatting the card.
Select [Format card].
1
Under the [51] tab, select [Format card],
then press <0>.
Format the card.
2
Select [OK], then press <0>.
When the formatting is completed, the
menu will reappear.
For low-level formatting, press the
<B> button to append [Low level
format] with a checkmark [X], then
select [OK].
57
3 Formatting the Card
What is low-level formatting?
Perform low-level formatting if the card’s recording or reading speed seems slow
or if you want to totally erase all data in the card.
Since low-level formatting will format all recordable sectors in the card, the
formatting will take slightly longer than normal formatting.
You can stop the low-level formatting by selecting [Cancel]. Even in this case,
normal formatting will be completed and you can use the card as usual.
When the card is formatted or data is erased, only the file management
information is changed. The actual data is not completely erased. Be aware of
this when selling or discarding the card. When discarding the card, execute
low-level formatting or destroy the card physically to prevent the personal
data from being leaked.
Before using a new Eye-Fi card, the software in the card must be
installed in your computer. Then format the card with the camera.
The card capacity displayed on the card format screen may be smaller than
the capacity indicated on the card.
This device incorporates exFAT technology licensed from Microsoft.
Execute [Format card] in the following c ases:
The card is new.
The card was formatted by a different camera or a computer.
The card is full with images or data.
A card error is displayed (p.335).
58
d Using the Touch Screen
The LCD monitor is a touch-sensitive panel that you can operate with your
fingers.
Tap
Quick Control (Sample display)
Use your finger to tap (touch briefly and
then remove your finger from) the LCD
monitor.
By tapping, you ca n select menus, ic ons,
etc., displayed on the LCD monitor.
When touch-screen operation is possible,
a frame will appear around the icon
(except on menu screens).
Tap [2] to return to the previous screen.
Operations possible by tapping the screen
Setting menu functions after pressing the <M> button
Quick Control
Setting a function after you press the <j/i> button
Touch shutter
Playback operations
59
d Using the Touch Screen
Drag
Menu screen (Sample display)
Slide your finger while touching the LCD
monitor.
Scale display (Sample display)
Operations possible by dragging your finger on the screen
Selecting a menu tab or item after pressing the <M> button
Setting a scale control
Quick Control
Playback operations
60
d Using the Touch Screen
Cautions for Touch Screen Operations
Since the LCD monitor is not pressure sensitive, do not use any sharp objects
such as your fingernail or a ballpoint pen, for touch operations.
Do not use wet fingers for touch screen operations.
If the LCD monitor has any moisture or if your fingers are wet, the touch
screen may not respond or misoperation may occur. In such a case, turn off
the power and wipe the LCD monitor with a cloth.
Do not attach any protective sheet (commercially available) or sticker on the
LCD monitor. It may make the touch operation response slow.
If you perform touch operations quickly when [Sensitive] is set, the touch
response may be slower.
3 Silencing the Beep during Touch Operations
If [53: Beep] is set to [Touch to h] or
[Disable], the beep will not sound during
touch operations.
3 Setting the Touch Control
Select [Touch control].
1
Under the [53] tab, select [Touch
control], then press <0>.
Set the Touch control.
2
[Standard] is the normal setting.
[Sensitive] provides a better touch
response than [Standard]. Try using both
settings and select the one you prefer.
61
Feature Guide
Q Quick ControlB Quick ControlPlayback
The Feature guide is a simple description of the respective shooting mode,
function, or option. It is displayed when you change the shooting mode or use
the Quick Control screen during still photo shooting, movie shooting, or
playback. When you select a function or option on the Quick Control screen,
the Feature guide description is displayed. When you proceed with the
operation, the Feature guide will disappear.
Shooting mode (Sample)
Quick Control (Sample)
3 Disabling the Feature Guide
Select [Feature guide].
Under the [53] tab, select [Feature
guide], then press <0>.
Select [Disable], then press <0>.
62
2
Scene Intelligent AutoBasic Zone Modes
Checking the Shooting Mode Set for <v>
There are 10 Basic Zone modes (shooting modes). Select [A1:
Shooting mode] on the menu to check the current shooting mode
(p.55).
Flash Firing of Speedlite 90EX
If you use the Speedlite 90EX in a Basic Zone mode, the flash will
fire automatically depending on the shooting mode (p.86).
Basic Shooting and
Image Playback
This chapter explains how to shoot with Scene Intelligent
Auto and Basic Zone modes and how to play back images .
With <A>, you can shoot just by pressing the shutter button.
With <v>, you can also blur the background (p.74), change the
ambience (p.87), and match the lighting or scene (p.90).
63
A
AF point
Fully Automatic Shooting (Scene Intelligent Auto)
<A> is a fully automatic mode. The camera analyzes the scene and
sets the optimum settings automatically.
Set the Mode Dial to <A>.
1
Move the AF point.
2
Tap the screen to move the AF point to
where you want to focus. (It cannot go to
the edges of the picture.)
To return the AF point to the center,
press the <XL> button.
Focus the subject.
3
Press the shutter button halfway to focus.
When focus is achieved, the AF point will
turn green and the beeper will sound.
64
Take the picture.
4
Press the shutter button completely.
The captured image will be displayed for
2 sec. on the LCD monitor.
A Fully Automatic Shooting (Scene Intelligent Auto)
The <A> mode makes the colors look more impressive in nature, outdoor,
and sunset scenes. If the desired color tone is not obtained, use a Creative
Zone mode and select a Picture Style other than <D> and shoot (p.106).
The image’s coverage is approx. 100% (with the image-recording quality set
to JPEG 73).
During continuous shooting, the exposure set for the first shot will also be
applied to subsequent shots.
With the stereo AV cable AVC-DC400ST (sold separately) or HDMI cable
HTC-100 (sold separately), you can display the image being shot on a TV set
(p.247, 251).
FAQ
The AF point turns orange and focus is not achieved.
Try again, aiming the AF point at an area with a good bright/dark contrast,
then press the shutter button halfway. Also, focus may not be achieved if
you are too close to the subject. Move away from the subject and shoot.
Multiple AF points appear in green.
Focus has been achieved at all the green AF points. When the AF point
covering the desired subject turns green, take the picture.
Pressing the shutter button halfway does not focus the subject.
When an EF or EF-S lens is used, if the focus mode switch on the lens is
set to <MF> (manual focus), manual focusing will be in effect. Set the
focus mode switch to <AF> (autofocus).
65
A Fully Automatic Shooting (Scene Intelligent Auto)
ISO speed
Magnified view
Exposure
simulation
Image-recording quality
Q Quick Control
AF method
• d : FlexiZone - Single
• c :u+Tracking
• o : FlexiZone - Multi
Shooting mode/
Scene icons
Touch shutter
Drive mode
Possible shots
Battery check
Flash
When <g> is displayed in white, it indicates that the image brightness is
close to what the captured image will look like.
If <g> is blinking, it indicates that the image is not being displayed at the
suitable brightness due to low- or bright-light conditions. However, the actual
image recorded will reflect the exposure setting. Note that noise may be more
noticeable than the actual image recorded.
When [A1: zHistogram disp] is set to a setting other than [Disable], you
can press the <B> button to display the histogram. However, the
histogram will not be displayed while the shutter button is pressed completely.
Information Display
Each time you press the <B> button, the information display will
change.
66
A
Full Auto Techniques (Scene Intelligent Auto)
Recomposing the Shot
Depending on the scene, instead of having the subject at the center, you can
put the subject toward the right or left and include some background. This
gives the picture more balance and depth.
While you press the shutter button halfway to focus a still subject, the focus
will be locked at the subject’s distance. Then move the camera slightly to the
right or left and press the shutter button completely. This is called “focus
lock”. Focus lock is also possible in Basic Zone modes (except <5> and
<C>).
67
A Full Auto Techniques (Scene Intelligen t Au to )
Scene Icons
When you shoot in the <A> mode, an icon representing the scene detected
by the camera will be displayed on the upper left of the screen (at the position
of the shooting mode icon).
SubjectPortrait
Background
Bright
Backlit
Blue sky
included
Backlit
*1
Movement
Nature and
Outdoor
Scene
Non-Portrait
Movement
Close
Background
*2
Light blue
Color
Gray
Sunset
*3*3
Orange
Spotlight
Dark blueDark
With tripod
*1:Displayed only when the AF method is set to [u+Tracking]. If another AF method
is set, the “Non-Portrait” icon will be displayed even if a person is detected.
*2:Displayed when the attached lens has distance information. With an Extension
Tube or Close-up Lens, the icon displayed may not match the actual scene.
*3:The icon suiting the scene detected will be displayed.
*4:Displayed when you use a tripod for a low-light or night scene.
*5:Displayed with any of the lenses below:
• EF-S18-55mm f/3.5-5.6 IS II• EF-S55-250mm f/4-5.6 IS II
• EF300mm f/2.8L IS II USM• EF400mm f/2.8L IS II USM
• IS lenses marketed in 2012 or later.
*4+*5:If the conditions in both *4 and *5 are met, the shutter speed will slow down.
* For certain scenes, the icon displayed may not match the actual scene.
*4*5
*3
*4*5
*3
68
Selecting a Shooting Mode (Basic Zone Mode)
Set the Mode Dial to <v>.
1
Tap the shooting mode icon on the
2
screen’s upper left corner.
The shooting mode selection screen will
appear.
If this screen is not displayed, press the
<B> button a few times.
Tap the screen to select a shooting
3
mode.
Available Shooting Modes
The Basic Zone mode selection screen has three pages.
Tap [L] and [N] on the left and right
sides of the screen to go to another
page.
To return to the shooting screen, tap [2]
or press <0>.
Shooting ModePageShooting ModePage
C
Creative Auto
2Portraitp.76PFoodp.81
3Landscapep.776Night Portraitp.82
4Close-upp.78F
5Sportsp.79G
p.71CKidsp.80
Handheld Night Scene
HDR Backlight Control
p.83
p.84
69
Selecting a Shooting Mode (Basic Z one Mode)
Using final image simulation you can check the effects of various settings on the
image, but the image displayed on the screen will not fully match the recorded
image.
Final Image Simulation
The final image simulation reflects the settings of the Picture Style, white
balance and other functions in the image so you can see what the captured
image will look like.
The following settings will be automatically reflected.
Picture Style
* All settings such as sharpness, contrast, color saturation, and color tone will be
reflected.
White balance
White balance corr ect ion
Extra Effect Shot (in <C> mode)
Ambience-based shots
Light/scene-based shots
Background blur (in <C> mode)
Color tone
Creative filters (when using [Soft focus] and [Miniature effect], with
depth-of-field preview button ON)*
Metering mode
Exposure
Depth of field*
Auto Lighting Optimizer
Peripheral illumination correction
* While shooting, the result of the peripheral illumination correction may temporarily
not be reflected.
Highlight tone priority
Aspect ratio (image area confirmation)
*With [6: XL button function] under [54: Custom Functions (C.Fn)] set to
[1: Depth-of-field preview].
70
C Creative Auto Shooting
In the <C> mode, you can set the following functions before shooting:
(1) Ambience-based shots, (2) Extra Effect Shot, (3) Flash firing, (4)
Background blur, and (5) Drive/self-timer mode. The default settings are the
same as the <A> mode.
* CA stands for Creative Auto.
Set the Mode Dial to <v>.
1
Tap the shooting mode icon on the
2
screen’s upper left corner.
The shooting mode selection screen will
appear.
Tap the screen to select [C].
3
Display the Quick Control screen.
4
Press the <Q> button to display it.
Select the desired function.
5
Extra Effect Shot, Ambience-based
shots, and flash firing can be set with
Quick Control.
Background blur can be set by tapping
the icon on the shooting screen.
Drive/self-timer mode can be set by
pressing the <j/i> button.
71
C Creative Auto Shooting
If you change the shooting mode or set the power to <2>, the functions you
have set on this screen will revert to their default settings. However, the AF
method, Creative filter, image-recording quality, and self-timer settings will be
retained.
(1)
(2)
(3)
6
7
Setting from Quick Control
Tap the desired setting to select it.
The selected function and Feature guide
(p.62) will appear.
For setting procedure and details on each
function, see pages 72-75.
Select the function, then tap [2].
Take the picture.
Press the shutter button.
(1)Ambience-based shots
• You can choose the ambience you want to convey in your images. For
details, see page 87.
72
C Creative Auto Shooting
You cannot set Extra Effect Shot and Ambience-based shots, or Extra Effect
Shot and Background blur, at the same time.
(2)Extra Effect Shot
• You can select any of the following effects before shooting: Creative
filters (p.128), Picture Styles (p.106), and Ambience-based shots (p.87).
•Select [c: Enable], then tap [2].
•Tap [e] and [f] to select a shooting effect.
• When you take a picture, two images will be recorded. One with the
effect applied and one without. Immediately after you take a picture, both
images will be displayed together. The image without the effect is
displayed on the left and the one with the effect will be on the right.
* If you are using an Eye-Fi card and have set it to erase images after their
transfer, the image without the effect will not be displayed during the playback
immediately after shooting.
Registering your favorite shooting effects
• During the image review immediately after shooting and during
playback, the image applied with the effect will have the [d] icon. You
can check which shooting effect was applied by tapping the icon.
• You can register up to two shooting effects under [9: Favorite effect].
• When you select the registered [9: Favorite effect], you can shoot with
that shooting effect applied. You can also overwrite the [9: Favorite
effect].
(3)Attached Speedlite 90EX flash firing
[a] Auto flash : The flash fires automatically when necessary.
[I] Flash on: The flash fires at all times.
[b] Flash off: The flash is disabled.
* When a flash other than the Speedlite 90EX is attached, the flash mode will be
set to Flash on.
73
C Creative Auto Shooting
(4)
If [g] blinks while [Simulating blur] is displayed, the image may have more
noise or look darker than the actual image.
Setting by Tapping the Screen
(4)Background blur
• On the shooting screen, tap Background blur and set it.
• If [2] is set, the degree of background blur will change depending on
the brightness.
• If it is set to other than [2], [Simulating blur] will appear on the
screen and you can adjust the background blur regardless of brightness.
• Set by tapping the screen. Move the index mark toward the right to make
the background look more in focus, or move it toward the left to make
the background look more blurred. Note that depending on the lens’
maximum aperture (f/number), some positions may not be selectable.
• If you want to blur the background, see “Shooting Portraits” on page 76.
• Depending on the lens and shooting conditions, the background may not
look so blurred.
• Cannot be used with flash.
• When using a Speedlite, Background blur will change to [2] when
the Speedlite is fully recharged.
74
Setting by Pressing <j/i>
(5)
When using the self-timer, see the notes on page 127.
If you have set Extra Effect Shot, [i] [q] cannot be set.
(5)Drive/self-timer mode
Set by pressing <j/i>.
[u] Single shooting:
Shoot one image at a time.
[i] Continuous shooting:
While you hold down the shutter button completely, shots will be
taken continuously. You can shoot up to approx. 4.6 shots per
second.
[Q] Self-timer: 10sec./remote control:
The picture is taken 10 seconds after you press the shutter button. A
remote controller can also be used.
[l] Self-timer: 2 sec.:
The picture is taken 2 seconds after you press the shutter button.
[q] Self-timer: Continuous:
Tap [d]/[f] to set the number of multiple shots (2 to 10) to be taken
with the self-timer. 10 seconds after you press the shutter button,
the set number of multiple shots will be taken.
C Creative Auto Shooting
75
2 Shooting Portraits (Portrait)
The default setting is [i] (continuous shooting). If you hold down the shutter
button, you can shoot continuously to capture subtle changes in the subject’s
pose and facial expression (max. approx. 4.6 shots/sec.).
The <2> (Portrait) mode blurs the background to make the person stand out
better. It also makes skin tones and the hair look softer.
Shooting Tips
The further the distance between the subject and background, the
better.
The further the distance between the subject and background, the more
blurred the background will look. The subject will also stand out better
against an uncluttered dark background.
Use a telephoto lens.
If you have a zoom lens, use the telephoto end to fill the frame with the
subject from the waist up. Move in closer if necessary.
Focus the face.
Check that the AF point covering the face turns green. For close-ups of the
face, focus on the eyes.
76
3 Shooting Landscapes (Landscape)
With <3>, the flash does not fire even if the Speedlite 90EX is attached.
Use the <3> (Landscape) mode for wide scenes when you want everything
to be in focus from near to far. For vivid blues and greens, and very sharp and
crisp images.
Shooting Tips
With a zoom lens, use the wide-angle end.
When using the wide-angle end of a zoom lens, objects near and far will
be in focus better than at the telephoto end. It also adds breadth to
landscapes.
Shooting night scenes.
Use a tripod to prevent camera shake.
77
4 Shooting Close-ups (Close-up)
When you want to shoot flowers or small objects up close, use the <4>
(Close-up) mode. To make small things appear much larger, use a macro
lens (sold separately).
Shooting Tips
Use a simple background.
A simple background with no other flowers or leaves, etc., makes small
objects such as flowers stand out better.
Move as close as possible to the subject.
Check the lens for its minimum focusing distance. Some lenses have
indications such as <MACRO 0.25/0.8ft>. (This example indicates a
minimum focusing distance of 25 cm/0.8 ft.) The lens minimum focusing
distance is measured from the <V> (focal plane) mark on the top of the
camera to the subject. If you are too close to the subject, focus cannot be
achieved.
With a zoom lens, use the tele ph oto end.
If you have a zoom lens, using the telephoto end will make the subject look
larger.
78
5 Shooting Moving Subjects (Sports)
When using a lens with “STM” in its name, such as the EF-M18-55mm f/3.5-
5.6 IS STM, the continuous shooting speed becomes slower since the camera
keeps focusing and shooting continuously.
Setting the [AF method] to [FlexiZone - Single] is recommended.
Depending on the shooting conditions, it may take a moment until the shutter
is released.
Under low light, when camera shake is prone to occur, the LCD monitor’s shutter
speed display on the bottom left will blink. Hold the camera steady and shoot.
When
[FlexiZone - Multi]
is set, press the shutter button halfw ay to fix the AF p oints.
When
[u (face)+Tracking]
is set, the AF point is fixed durin g continu ous sho oting.
With <5>, the flash does not fire even if the Speedlite 90EX is attached.
Use the <5> (Sports) mode to shoot a moving subject.
Shooting Tips
Shoot continuously.
When focus is achieved, the AF point will turn blue.
While the camera focuses, the beeper will sound. If focus cannot be
achieved, the AF point will turn orange.
When you want to take the picture, press the shutter button completely. If
you hold down the shutter button completely, the camera will shoot
continuously so you can capture the changing movement.
When using a lens with “STM” in its name, such as the EF-M18-55mm
f/3.5-5.6 IS STM, the camera can keep focusing and shooting
continuously. With other lenses, the focus will be locked for the second
and subsequent frames during continuous shooting.
79
C Shooting Children (Kids)
When using a lens with “STM” in its name, such as the EF-M18-55mm f/3.5-
5.6 IS STM, the continuous shooting speed becomes slower since the camera
keeps focusing and shooting continuously.
Setting the [AF method] to [FlexiZone - Single] is recommended.
Depending on the shooting conditions, it may take a moment until the shutter
is released.
When [FlexiZone - Multi] is set, press the shutter button halfway to fix the AF
points.
When [u (face)+Tracking] is set, the AF point is fixed during continuous
shooting.
When you want to continuously focus and shoot children moving around, use
<C> (Kids). Skin tones will look healthy.
Shooting Tips
Shoot continuously.
When focus is achieved, the AF point will turn blue.
While the camera focuses, the beeper will sound. If focus cannot be
achieved, the AF point will turn orange.
When you want to take the picture, press the shutter button completely. If
you hold down the shutter button completely, the camera will shoot
continuously so you can capture the changing movement.
When using a lens with “STM” in its name, such as the EF-M18-55mm
f/3.5-5.6 IS STM, the camera can keep focusing and shooting
continuously. With other lenses, the focus will be locked for the second
and subsequent frames during continuous shooting.
80
P Shooting Food (Food)
Since this mode sets the color tone to make food look vivid, human subjects
may be shot in an unsuitable skin tone.
If you use flash, the [Color tone] setting will switch to the default setting.
When shooting food, use <P> (Food). The photo will look bright and vivid.
Shooting Tips
Change the color tone.
You can change [Color tone]. Food
photos with a reddish tinge usually make
the food look more vivid. To increase the
food’s reddish tinge, set it toward
[Warm]. Set it toward [Cool] if it looks too
red.
Shoot the subject in close-up.
If you have a zoom lens, use the telephoto end to shoot the food in closeup.
Light the subject diagonally from behind.
Lighting the food diagonally from behind will make it look more threedimensional in the photo.
Avoid using flash.
If you use flash, the light may reflect off the dish or food and results in
unnatural shadows.
81
6 Shooting Night Portraits (With a Tripod)
See the cautions on page 85.
Tell the subject to keep still even after the flash fires.
If you use the self-timer together with flash, the self-timer lamp will light up
briefly after the picture is taken.
To shoot people at night and obtain a natural-looking night scene in the
background, use the <6> (Night Portrait) mode. A flash is required for
shooting.
Using a tripod is also recommended.
Shooting Tips
Use a wide-angle lens and a tripod.
When using a zoom lens, use the wide-angle end to obtain a wide night
view. Also, use a tripod to prevent camera shake.
Check the subject’s brightness.
When the Spee d lite 90EX’s power is <1>, the flash will fire
automatically under low-light conditions to obtain a nice portrait. It is
recommended to play back the image after the shooting to check the
image brightness. If the subject looks dark, move nearer and shoot again.
82
F Shooting Night Scenes (Handheld)
See the cautions on page 85.
Using a tripod when shooting a night scene gives the best results. However,
the <F> (Handheld Night Scene) mode enables you to shoot night scenes
even while handholding the camera. Four shots are taken continuously for
each picture, and the resulting image with reduced camera shake is
recorded.
Shooting Tips
Hold the camera firmly.
While shooting, hold the camera firmly and steadily. In this mode, four
shots are aligned and merged into a single image. However, if there is
significant misalignment in any of the four shots due to camera shake, they
may not align properly in the final image.
For shots of people, turn on the flash.
When you use flash, you can shoot portraits with a night scene in the
background. To take a nice portrait, the first shot will use flash. Tell the
subject not to move until all four continuous shots are taken.
83
G
Flash shooting is not possible. In low light, the AF-assist beam may be
emitted (p.112).
See the cautions on page 85.
HDR stands for High Dynamic Range.
Shooting Backlit Scenes (HDR Backlight Control)
When shooting a scene having both bright and dark areas, use the <G>
(HDR Backlight Control) mode. When you take one picture in this mode,
three continuous shots are taken at different exposures. This results in one
image, with a wide tonal range, that has minimized the blocked-up shadows
caused by backlighting.
Shooting Tips
Hold the camera firmly.
While shooting, hold the camera firmly and steadily. In this mode, three
shots are aligned and merged into a single image. However, if there is
significant misalignment in any of the three shots due to camera shake,
they may not align properly in the final image.
84
Cautions for <6> Night Portrait and <F> Handheld Night Scene
It may be difficult to focus dots of light such as in a night scene. In such a
case, set the lens’s focus mode to [MF] and focus manually.
Cautions for <F> Handheld Night Scene and <G> HDR Backlight
Control
Compared with other shooting modes, the shooting area will be smaller.
1+73 or 1 cannot be selected. If 1+73 or 1 has been set, 73
will be set.
If you shoot a moving subject, the subject’s movement may leave afterimages
or the surrounding area of the subject may become dark.
The image alignment may not function properly with repetitive patterns
(lattice, stripes, etc.), flat or single-tone images, or images significantly
misaligned due to camera shake.
Recording the image to the card will take longer than with normal shooting.
During the processing of the images, “BUSY” will be displayed and you
cannot take another picture until the processing is completed.
You cannot use Creative filters when shooting.
Final image simulation is not available.
If the shooting mode is set to <F> or <G>, direct printing is not possible.
Cautions for <F> Handheld Night Scene
When shooting flash photography, if the subject is too close to the camera,
the picture may come out extremely bright (overexposure).
If you use flash to shoot a night scene with few lights, the shots may not align
correctly. This can result in a blurry photo.
If you use flash and the human subject is close to the background that is also
illuminated by the flash, the shots may not align correctly. This can result in a
blurry photo. Unnatural shadows and unsuitable colors may also appear.
Regarding flash coverage:
• When using a Speedlite with automatic flash coverage setting, the zoom
position will be fixed to the wide end, regardless of the lens’ zoom position.
• If you have to set the flash coverage manually, set it to the wide-angle end.
Cautions for <G> HDR Backlight Control
Note that the image may not be rendered with a smooth gradation and may
look irregular or have significant noise.
HDR Backlight Control may not be effective for excessively backlit scenes or
extremely high-contrast scenes.
When shooting subjects that are sufficiently bright, for example for normally lit
scenes, the image may look unnatural because of the applied HDR effect.
85
Functions that Can Be Set with Quick Control
If you change the shooting mode or set the power to <2>, it will revert to the
default settings (except the AF method, image-recording quality and self-timer).
With <A> and in Basic Zone modes, you
can set the following functions with Q
Quick Control (p.50) and B Quick
Control (p.52).
Functions that Can Be Set with <A> and in Basic Zone Modes
o: Default setting k: User selectable : Not selectable
FunctionA
AF method
(p.113) Q
Image-recording quality
Drive mode
(p.124)
Self-timer
(p.126)
Speedlite
90EX
Ambience-based shots
Light/scene-based shots
Background blur (p.74)k
Color tone Qk
Extra Effect Shot (p.73) Qk
Creative filters (p.128) Qk k k k k k k k
* Functions with Q can be set with the Q Quick Control screen.
FlexiZone - Single
FlexiZone - Multi
(p.97) Q k k k k k k k k k k k
u:
Single shooting
i:
Continuous shooting
Q (10 sec.)
l (2 sec.)k k k k k k k k k k kq (Continuous)
a:
Automatic firing
D : Flash on
Q
(Fires at all times)
b: Flash offk k k o k o ko
(p.87) Qk k k k k k k k k
(p.90) Qk k k k k
C 2 3 4 5 C P 6 F G
k k k k k k k k k k ku+Tracking
o o k o o k k o o o o
k k o k k o o k k k k
k k k k k k k k k k k
k k k k k k k k k k k
o o oooo
k k kkkoo
Basic Zone Modesv
86
Shoot by Ambience Selection
In Basic Zone modes (except <G>), you can select the ambience for
shooting.
Low / Standard / S trong
Low / Standard / S trong
Low / Standard / S trong
Low / Standard / S trong
Low / Standard / S trong
Low / Medium / High
Low / Medium / High
87
Shoot by Ambience Selection
The image shown on the LCD monitor with the ambience setting applied will
not look exactly the same as the actual photo.
Using flash may minimize the ambience effect.
In bright outdoors, the LCD monitor image you see may not have exactly the
same brightness or ambience as the actual photo. Set [52: LCD brightness]
to [4] and look at the LCD monitor image while the screen is unaffected by
stray light.
Set the ambience effect.
4
Tap on the item so that [Effect] appears
on the bottom of the screen.
Tap [L] to select the level of the
effect while checking the results on the
LCD monitor.
Take the picture.
5
Press the shutter button.
If you change the shooting mode or set
the power to <2>, the setting will
revert back to [0 Standard setting].
88
Shoot by Ambience Selection
Ambience Settings
0 Standard se tting
Standard settings for the respective shooting mode. Note that <2> has
image characteristics geared for portraits and <3> is geared for
landscapes. Each ambience is a modification of the respective shooting
mode’s image settings.
1 Vivid
Makes the image more vivid and impressive than with [0 Standard
setting].
2 Soft
Suited for portraits, pets, flowers, etc., when you want a soft look.
4 Warm
For portraits, pets, etc., when you want a warm-tone ambience.
6 Intense
The overall brightness is slightly suppressed while the subject is
emphasized. Gives the human or living subject more presence.
7 Cool
The overall brightness is slightly suppressed while a cool-tone ambience
is set. Makes a subject in the shade look more calm and impressive.
8 Brighter
The picture will look brighter.
J Darker
The picture will look darker.
K Monochrome
You can select the monochrome color to be black and white, sepia, or
blue.
89
Shoot by Lighting or Scene Type
In the <2>, <3>, <4>, <5>, and <C> Basic Zone modes, you can
shoot while the settings match the lighting or scene type. Normally, [r Default setting] is adequate, but if the settings match the lighting condition or
scene, the picture will look more accurate to your eye.
Lighting or Scene2 3 4 5 C
r Default setting
t Daylight
u Shade
v Cloudy
w Tungsten light
x Fluorescent light
y Sunset
kk kk k
kk kk k
kk kk k
kk kk k
kkk k
kkk k
kk kk k
Select <2>, <3>, <4>, <5>, or
1
<C>.
Display the Quick Control screen.
2
Press the <Q> button to display it.
90
Select [r].
3
Tap on [r] so that [Light/scene-based
shots] appears on the screen.
Tap [h]/[g] to select the lighting or scene
type.
You can check how the image will look
with the selected lighting or scene type.
Shoot by Lighting or Scene Type
When using a flash, the setting will switch to [r Default setting]. (However ,
the shooting information will display the lighting or scene type that was set.)
If you want to set this together with [Ambience-based shots], set the [Light/
scene-based shots] that best matches the ambience you have set. In the
case of [Sunset] for example, warm colors will become prominent so the
ambience you set may not work well.
Take the picture.
4
Press the shutter button.
If you change the shooting mode or set
the power to <2>, the setting will
revert back to [r Default setting].
Lighting or Scene Type Settings
r Default setting
Default setting suited for most subjects.
t Daylight
For subjects under sunlight. Gives more natural-looking blue skies and
greenery and reproduces light-colored flowers better.
u Shade
For subjects in the shade. Suitable for skin tones, which may look too
bluish, and for light-colored flowers.
v Cloudy
For subjects under overcast skies. Makes skin tones and landscapes,
which may otherwise look dull on a cloudy day, look warmer. Also
effective for light-colored flowers.
w Tungsten light
For subjects under tungsten lighting. Reduces the reddish-orange color
cast caused by tungsten lighting.
x Fluorescent light
For subjects under fluorescent lighting. Suited for all types of fluorescent
lighting.
y Sunset
Suitable when you want to capture the sunset’s impressive colors.
91
x Image Playback
No information
Histograms
With basic information
Shooting information
The easiest way to play back images is explained below. For more details on
playback procedures, see page 229.
Play back the image.
1
Press the <x> button.
The last captured image or last image
played back will appear.
When the power is <2> and you hold
down the <x> button for 2 seconds or
longer, the power will turn <1> and the
playback screen will appear.
Select an image.
2
When you press the <Y> key, the last
image captured will be displayed first.
When you press the <Z> key, the first
image captured will be displayed first.
Each time you press the <B> button,
the information display will change.
92
Exit the image playback.
3
Press the <x> button to exit the image
playback and return to the shooting
screen.
3
Creative Shooting
With <A> and in Basic Zone modes, you can easily take
pictures, but cannot change advanced function settings. In
the <d> (Program AE) mode, you can set various functions
for more creative shooting.
In the <d> mode, the camera sets the shutter speed and
aperture automatically to obtain a standard exposure.
The difference between the Basic Zone modes and <d> is
explained on page 308.
The functions explained in this chapter can also be used in the
<s>, <f>, and <a> modes explained in Chapter 4.
The w mark shown on the right of the page title indicates that
the function is available only in Creative Zone modes (p.27).
*<d> stands for Program.
* AE stands for Auto Exposure.
93
d: Program AE
The camera automatically sets the shutter speed and aperture to suit the
subject’s brightness. This is called Program AE.
Set the Mode Dial to <w>.
1
Tap the shooting mode icon on the
2
screen’s upper left corner.
The shooting mode selection screen will
appear.
Tap the screen to select [d].
3
Focus the subject.
4
Aim the AF point over the subject. Then
press the shutter button halfway.
The AF point achieving focus will turn
green (in One-Shot AF mode).
The shutter speed and aperture will be
set automatically and displayed.
94
d: Program AE
Check the display.
5
A standard exposure will be obtained as
long as the shutter speed and aperture
display do not blink.
Take the picture.
6
Compose the shot and press the shutter
button completely.
Shooting Tips
Change the ISO speed or use flash.
To match the subject and ambient lighting level, you can change the ISO
speed (p.102) or use flash. When using Speedlite 90EX, turn on the
Speedlite 90EX and set [A2: External Speedlite control]’s [Flash firing] to [Enable].
Change the program using Program shift.
After pressing the shutter button halfway , turn the <5> dial to change the
shutter speed and aperture setting combination (program). Program shift
is canceled automatically after the picture is taken. Program shift is not
possible with flash.
95
d: Program AE
If the “30"” shutter speed and the lower f/number blink, it
indicates underexposure. Increase the ISO speed or use
flash.
If the “4000” shutter speed and the higher f/number blink, it
indicates overexposure. Decrease the ISO speed.
Differences Between <d> and <A>
In the <A> mode, many functions such as the AF operation are set
automatically. The functions you can change are limited. Whereas with the <d>
mode, only the shutter speed and aperture are set automatically. You can freely
set the AF operation and other functions (p.308).
96
Setting the Image-recording Quality
Possible shots
Recorded pixels
You can select the pixel count and the image quality. Ten image-recording
quality settings are provided: 73, 83, 74, 84, 7a, 8a, b, c, 1+73, 1.
Display the Quick Control screen.
1
Press the <Q> button to display it.
Tap the image quality.
2
Tap the desired setting to select it.
3
The respective quality’s pixel count and
number of possible shots will be
displayed to help you select the desired
quality.
Tap the desired setting to select it, then
tap [2].
97
Setting the Image-recording Quality
Guide to Image-recording Quality Settings (Approx.)
Image-recording
Quality
73
833.22240
74
841.74240
7a
High
quality
Medium
quality
JPEG
Recorded
Pixels
(
megapixels
Approx.
17.9
(18M)
Approx.
8.0
(8M)
Approx.
File Size
(MB)
)
6.41130
3.42150
2.23380
Possible
Shots
(8 GB)
4.5
8a1.16630
Low
quality
b
(4.5M)
Approx.
2.5
1.35760
(2.5M)
Approx.
c
0.35
0.321060
(0.3M)
1+73
123.5300
High
quality
Approx.
17.9
(18M)
23.5+6.4230
Maximum
Burst
13
(17)
2240
(2240)
208
(2150)
4240
(4240)
3380
(3380)
6630
(6630)
5760
(5760)
21060
(21060)
3
(3)
5
(5)
* Figures for the file size, number of possible shots, and maximum burst during
continuous shooting are based on Canon’s testing standards (3:2 aspect ratio, ISO
100, and Standard Picture Style) using an 8 GB card. These figures will vary
depending on the subject, card brand, aspect ratio, ISO speed, Picture Style,
Custom Functions, and other settings.
* Figures in parentheses apply to a UHS-I compatible 8 GB card based on Canon’s
testing standards.
* Figures for the number of possible shots shown in the table are only approximates
based on an 8 GB card.
98
Setting the Image-recording Quality
Paper size
A2 (59.4x42 cm/23.4x16.5 in.)
A4 (29.7x21 cm/11.7x8.3 in.)
12.7x8.9 cm/5.0x3.5 in.
73
83
1+73
1
A3 (42x29.7 cm/
16.5x11.7 in.)
74
84
7a
8a
b
FAQ
I want to select the image-recording quality matching the paper size
for printing.
Refer to the diagram on the left when
choosing the image-recording quality. If you
want to crop the image, selecting a higher
quality (more pixels) such as 73, 83, 1+73, or 1 is recommended.
b is suitable for playing the images on a
digital photo frame. c is suitable for
emailing the image or using it on a Web site.
What’s the difference between 7 and 8?
These settings indicate the different levels of image quality caused by
different compression rates. The 7 setting produces a higher image
quality with the same number of pixels. Although 8 produces a slightly
lower image quality, this allows more images to be saved to the card. Both
b and c have 7 (Fine) quality.
I was able to take more shots than the number of possible shots
indicated.
The number of possible shots indicated is only approximate. Depending on
the shooting conditions, you may be able to take more shots than was
indicated. It may also be fewer than indicated.
Does the camera display the maximum burst?
The maximum burst (1-9) is displayed to the right of the number of
possible shots. (When the maximum burst is 10 or larger, it is not
displayed.)
When should I use 1?
1 images must be processed on a computer. For details, see “1
Images” and “1+73 Images” on the next page.
99
Setting the Image-recording Quality
1 image
73 image
0001 . CR2
0001 . JPG
File numberFile extension
RAW Image Processing Software
The use of “Digital Photo Professional” (EOS software, p.350) is
recommended when viewing RAW images on a computer.
RAW images taken with this camera may not be processed on previous
versions of Digital Photo Professional. If a previous version of Digital Photo
Professional is installed on your computer, update (overwrite) it as follows.
• When the software CD-ROM (EOS DIGITAL Solution Disk) is provided with
the camera:
9 Install Digital Photo Professional included on the CD-ROM.
• When the software CD-ROM (EOS DIGITAL Solution Disk) is not provided
with the camera:
9 Download Digital Photo Professional compatible with this camera from the
Canon Web site.
Commercially-available software may not be able to display RAW images
taken with this camera. For compatibility information, contact the software
manufacturer.
1 Images
1 is the raw image data before it is made into 73 or other images. 1
images cannot be viewed on a computer without the use of EOS software,
such as Digital Photo Professional (p.350). However, you can perform various
adjustments on them that are not possible with other image types such as
73. 1 is effective when you want to precisely adjust the image yourself or
shoot an important subject.
1+73 Images
1+73 records a 1 image and a 73 image with a single shot. The two
images are saved to the card simultaneously. The two images will be saved in
the same folder with the same file numbers (file extension .JPG for JPEG and
.CR2 for RAW). 73 images can also be viewed or printed from computers on
which EOS software is not installed.
100
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