INSTRUCTION MANUAL
ENGLISH
INSTRUCTION
MANUAL
Thank you for purchasing a Canon product.
The EOS-1D Mark II is a high-performance, digital AF SLR camera with
a large, fine-detail, 8.20-megapixel CMOS sensor. The camera is
compatible with all Canon EF lenses (except the EF-S lens) and
designed for quick shooting at will. Besides high-precision Area AF, the
camera has many features for all types of photography, from fully
automatic snapshooting to professional-level, creative work.
Read this Instruction Manual to familiarize yourself with the proper
operation of this camera.
Test the Camera Before Using
Before using the camera, take a few test shots and check that the images are
properly recorded on the memory card.
If the camera or memory card is faulty and the images cannot be recorded or read
by a personal computer, Canon cannot be held liable for any loss or
inconvenience caused.
Copyrights
Copyright laws in your country may prohibit the use of images of people and
certain subjects for anything but private enjoyment. Also be aware that certain
public performances, exhibitions, etc. , may prohibit photography.
¡ Canon and EOS are trademarks of Canon Inc.
¡ Adobe is a trademark of Adobe Systems Incorporated.
¡ CompactFlash is a trademark of SanDisk Corporation.
¡ Windows is a trademark or registered trademark of Microsoft Corporation in the
United States and other countries.
¡ Macintosh is a registered trademark of Apple Corporation in the United States
and other countries.
¡ SD is a trademark.
¡ All other corporate names and trademarks mentioned in this manual are the
property of their respective owners.
* This digital camera supports DCF 2.0 and Exif 2.21 (also called “Exif Print”).
Exif Print is a standard that enhances compatibility between digital cameras
and printers. By connecting to an Exif Print-compliant printer, the camera
setting information is incorporated and optimized to obtain better print output
quality.
2
Equipment Check List
Check that all the following items have been included with your camera.
If anything is missing, contact your dealer.
The accessories included can also be checked in the System Map (p.170 ).
¢ EOS-1D Mark II / Camera body (
cap attached. Built-in lithium battery for date/time.
¢ Ni-MH Pack NP-E3 (protective cover and instructions included)
¢ Ni-MH Charger NC-E2 (Instructions included)
¢ DC Coupler Kit DCK-E1 (Instructions included)
¢ Wide Strap L5
¢ Interface Cable IFC-200D4
¢ Interface Cable IFC-400PCU
¢ Video Cable VC-100
¢ EOS DIGITAL Solution Disk
¢ Digital Photo Professional Disk
¢ Pocket Guide
Quick start guide to shooting.
¢ EOS-1D Mark II Instruction Manual (this booklet)
¢ EOS-1D Mark II Software Instruction Manual
Explains the procedure for transferring images to a personal computer and for
RAW image processing.
¢ Warranty card
* Be careful not to misplace any of the above items.
* Using Canon memory cards is recommended.
Eyecup, body cap, and battery compartment
)
3
Contents
Introduction
Equipment Check List .......................................................................... 3
Handling Precautions .......................................................................... 8
Nomenclature .................................................................................... 10
Conventions Used in this Manual ...................................................... 16
1 Getting Started ......................................................................... 17
Recharging the Battery ...................................................................... 18
Installing and Removing the Battery .................................................. 20
Using a Household Power Outlet ...................................................... 22
Mounting and Detaching a Lens ........................................................ 23
Installing and Removing the Memory Card ....................................... 24
Basic Operation ................................................................................. 27
Menu Operations ............................................................................... 32
Restoring the Default Settings ........................................................ 36
Dioptric Adjustment ........................................................................... 37
Setting the Date and Time ................................................................. 38
Replacing the Date/Time Battery ....................................................... 39
Cleaning the CMOS sensor ............................................................... 40
Attaching the Strap ............................................................................ 42
2 Image Settings .......................................................................... 43
Setting the Image-recording Quality .................................................. 44
Setting the ISO Speed ....................................................................... 47
Selecting the White Balance .............................................................. 48
Custom White Balance ...................................................................... 49
Setting the Color Temperature .......................................................... 51
White Balance Correction .................................................................. 52
White Balance Auto Bracketing ......................................................... 53
Selecting the Color Matrix ................................................................. 55
Creating Custom Color Matrix Settings ............................................. 56
Setting the Processing Parameters ................................................... 58
Setting the Folder and Memory Card ................................................ 60
Creating a new folder...................................................................... 60
Selecting a Folder ........................................................................... 61
Selecting the Memory Card ............................................................ 61
Using Both Memory Cards for Image Recording (Backup)............. 62
File Numbering Methods ................................................................... 63
3 Autofocus and Drive Modes .................................................... 65
Selecting the AF Mode ...................................................................... 66
Selecting the AF Point ....................................................................... 68
4
Registering and Switching the AF Point .............................................70
AF Point Activation Area
AF Sensitivity and Lens’ Maximum Aperture .....................................73
When Autofocus Fails (Manual Focusing) .........................................75
Selecting the Drive Mode ...................................................................77
Self-timer Operation ...........................................................................78
...................................................................72
4 Exposure Control ..................................................................... 79
Selecting a Metering Mode ................................................................80
Program AE .......................................................................................84
Shutter-Priority AE .............................................................................86
Aperture-Priority AE ...........................................................................88
Depth-of-field Preview .....................................................................89
Manual Exposure ...............................................................................90
Setting Exposure Compensation .......................................................92
Auto Exposure Bracketing .................................................................93
AE Lock ..............................................................................................95
Bulb Exposures ..................................................................................96
LCD Panel Illumination ....................................................................96
Mirror Lockup .....................................................................................97
Eyepiece Shutter .............................................................................97
Flash Photography .............................................................................98
5 Image Playback ...................................................................... 101
Reviewing Images ............................................................................102
Auto Image Rotation ........................................................................104
Image Playback ...............................................................................105
Changing the Image Display Format .............................................106
Magnified View ..............................................................................109
Rotating an Image .........................................................................110
Viewing the Images on TV ...............................................................111
Image Protection ..............................................................................112
Sound Recording for an Image ........................................................114
Erasing Images ................................................................................115
Formatting a Memory Card ..............................................................118
6 Camera Direct Printing .......................................................... 121
7 DPOF: Digital Print Order Format ......................................... 137
8Customizingthe Camera ........................................................ 145
9 Reference ................................................................................ 161
1
2
3
4
5
6
7
8
9
5
Safety Warnings
Follow these safeguards and use the equipment properly to prevent
injury, death, and material damage.
Preventing Serious Injury or Death
•To prevent fire, excessive heat, chemical leakage, and explosions, follow the
safeguards below:
- Do not use any batteries, power sources, and accessories not specified in this
booklet. Do not use any home-made or modified batteries.
- Do not short-circuit, disassemble, or modify the battery pack or back-up battery. Do
not apply heat or apply solder to the battery pack or back-up battery. Do not expose
the battery pack or back-up battery to fire or water. And do not subject the battery
pack or back-up battery to strong physical shock.
- Do not install the battery pack or back-up battery in reversed polarity (+ –). Do not
mix new and old or different types of batteries.
- Do not recharge the battery pack outside the allowable ambient temperature range
of 0°C - 40°C (32°F - 104°F). Also, do not exceed the recharging time.
- Do not insert any foreign metallic objects into the electrical contacts of the camera,
accessories, connecting cables, etc.
•Keep the back-up battery away from children. If a child swallows the battery, consult a
physician immediately. (Battery chemicals may harm the stomach and intestines.)
• When disposing of a battery pack or back-up battery, insulate the electrical contacts
with tape to prevent contact with other metallic objects or batteries. This is to prevent
fire or an explosion.
• If excessive heat, smoke, or fumes are emitted during battery pack recharging,
immediately unplug the battery charger from the power outlet to stop the recharging
and prevent a fire.
• If the battery pack or back-up battery leaks, changes color, deforms, or emits smoke or
fumes, remove it immediately. Be careful not to get burned in the process.
• Prevent any battery leakage from contacting your eyes, skin, and clothing. It can cause
blindness or skin problems. If the battery leakage contacts your eyes, skin, or clothing,
flush the affected area with lots of clean water without rubbing it. See a physician
immediately.
• During the recharging, keep the equipment away from the reach of children. The cord
can accidentally choke the child or give an electrical shock.
• Do not leave any cords near a heat source. It can deform the cord or melt the
insulation and cause a fire or electrical shock.
• Do not fire the flash at someone driving a car. It may cause an accident.
• Do not fire the flash near a person’s eyes. It may impair the person’s vision. When
using flash to photograph an infant, keep at least 1 meter away.
• Before storing the camera or accessory when not in use, remove the battery pack and
disconnect the power plug. This is to prevent electrical shock, heat generation, and
fire.
• Do not use the equipment where there is flammable gas. This is to prevent an
explosion or fire.
6
• If you drop the equipment and the casing breaks open to expose the internal parts, do
not touch the internal parts due to the possibility of electrical shock.
• Do not disassemble or modify the equipment. High-voltage internal parts can cause
electrical shock.
• Do not look at the sun or an extremely bright light source through the camera or lens.
Doing so may damage your vision.
•Keep the camera from the reach of small children. The neck strap can accidentally
choke the child.
• Do not store the equipment in dusty or humid places. This is to prevent fire and
electrical shock.
• Before using the camera inside an airplane or hospital, check if it is allowed.
Electromagnetic waves emitted by the camera may interfere with the plane’s
instruments or the hospital’s medical equipment.
•To prevent fire and electrical shock, follow the safeguards below:
- Always insert the power plug all the way in.
- Do not handle a power plug with wet hands.
- When unplugging a power plug, grasp and pull the plug instead of the cord.
- Do not scratch, cut, or excessively bend the cord or put a heavy object on the cord.
Also do not twist or tie the cords.
- Do not connect too many power plugs to the same power outlet.
- Do not use a cord whose insulation has been damaged.
• Occasionally unplug the power plug and use a dry cloth to clean off the dust around
the power outlet. If the surrounding is dusty, humid, or oily, the dust on the power outlet
may become moist and short-circuit the outlet to cause a fire.
Preventing Injury or Equipment Damage
• Do not leave equipment inside a car under the hot sun or near a heat source. The
equipment may become hot and cause skin burns.
• Do not carry the camera around while it is attached to a tripod. Doing so may cause
injury. Also make sure the tripod is sturdy enough to support the camera and lens.
• Do not leave a lens or lens-attached camera under the sun without the lens cap
attached. Otherwise, the lens may concentrate the sun’s rays and cause a fire.
• Do not cover or wrap the battery-recharging apparatus with a cloth. Doing so may trap
heat within and cause the casing to deform or catch fire.
• If you drop the camera in water or if water or metal fragments enter inside the camera,
promptly remove the battery pack and back-up battery. This is to prevent fire and
electrical shock.
• Do not use or leave the battery pack or back-up battery in a hot environment. Doing so
may cause battery leakage or a shorter battery life. The battery pack or back-up
battery can also become hot and cause skin burns.
• Do not use paint thinner, benzene, or other organic solvents to clean the equipment.
Doing so may cause fire or a health hazard.
If the product does not work properly or requires repair, contact your dealer
or your nearest Canon Service Center.
7
Handling Precautions
Camera Care
¡ This camera is a precision instrument. Do not drop it or subject it to physical
shock.
¡ The camera is not waterproof and cannot be used underwater. If the camera
gets wet, remove the battery and promptly take it to the nearest Canon
dealer. Wipe off any water droplets with a dry cloth. If the camera has been
exposed to salty air, wipe with a well-wrung wet cloth.
¡ Never leave the camera near anything having a strong magnetic field such
as a magnet or electric motor. Also avoid using or leaving the camera near
anything emitting strong radio waves such as a large antenna. Strong
magnetic fields and radio waves can cause camera misoperation or destroy
image data.
¡ Do not leave the camera in excessive heat such as in a car in direct sunlight.
High temperatures can cause the camera to malfunction.
¡ The camera contains precision electronic circuitry. Never attempt to
disassemble the camera yourself.
¡ Use a blower to blow away dust on the lens, viewfinder, mirror, and focusing
screen. Do not use cleaners that contain organic solvents to clean the
camera body or lens. For stubborn dirt, consult your nearest Canon dealer.
¡ Do not touch the camera’s electrical contacts with your fingers. This is to
prevent the contacts from corroding. Corroded contacts can cause camera
misoperation.
¡ If the camera is suddenly brought in from the cold into a warm room,
condensation may form on the camera and internal parts. To prevent
condensation, first put the camera in a sealed plastic bag and let it adjust to
the warmer temperature before taking it out of the bag.
¡ If condensation forms on the camera, do not use the camera. This is to avoid
damaging the camera. Remove the lens, memory card, and battery and wait
until the condensation evaporates.
¡ If the camera will not be used for an extended period, remove the battery
and store the camera in a cool, dry, well-ventilated location. Even while the
camera is in storage, press the shutter button a few times once in a while to
check that the camera is still working.
¡ Avoid storing the camera where there are corrosive chemicals such as a
darkroom or chemical lab.
¡ If the camera has not been used for an extended period, test all its functions
before using the camera. If you have not used the camera for some time or if
there is an important shoot coming up, have the camera checked by your
Canon dealer or check the camera yourself and make sure it is working
properly.
8
LCD Panels and LCD Monitor
¡ Although the LCD monitor is manufactured with very high precision
technology with over 99. 99% active pixels, there might be a few dead pixels
among the remaining 0. 01% or less pixels. Dead pixels displaying only black
or red, etc. , are not a malfunction. They do not affect the images recorded.
¡ At low temperatures, the liquid-crystal display response may become slower.
And at high temperatures, the display may blacken. In either case, the
display will return to normal at room temperature.
Memory Cards
¡ Memory cards are precision devices. Do not drop the memory card or
subject it to vibration. Physical shock or vibration may destroy the images
recorded in the card.
¡ Do not store or use a memory card near anything having a strong magnetic
field such as a TV set, speakers, or magnet or in places prone to having
static electricity. Such environments may destroy the images recorded on
the card.
¡ Do not leave memory cards in direct sunlight or near a heat source. Heat
can deform the cards and render them unusable.
¡ Do not spill any liquids on the memory card.
¡ To protect the recorded image data, always store the memory card in a case.
¡ Some non-Canon memory cards may not be able to record and playback
images. In such a case, use a memory card made by Canon.
¡ Do not bend the card or subject it to any excessive force or physical shock.
¡ Do not store memory cards in hot, dusty, or humid locations.
Lens Electrical Contacts
After detaching the lens from the camera, attach the
lens caps or put down the lens with the rear end up
to avoid scratching the lens surface and electrical
contacts.
Contacts
Cautions for Prolonged Use
qIf the <4> switch is left <1> for a prolonged period, the camera may
become hot. Although this is not a malfunction, holding the hot camera for a
long period can cause slight skin burns.
9
Nomenclature
For detailed information, reference page numbers are provided in
parentheses (p.**).
Lens mount index (p.23) Mirror (p. 97)
Self-timer lamp
(p.78)
Shutter button
(p.28)
Strap
eyelet
(p.42)
Grip
Depth-of-field
preview button
(p.89)
Ver tical-grip on/off
switch (p.31)
〈I〉
Ver tical-grip
FE lock/ Multi-spot metering
button (p.31, 151/82)
Ver tical-grip Main Dial
(p.31, 29)
Ver tical-grip shutter button
(p.31, 28)
Hand strap eyelet
Lens lock pin
Lens release
button (p.23)
Tr ipod socket
Body number
Body cap (p.23)
Lens mount
Contacts
(p.9)
10
Flash-sync contacts Hot shoe
Image plane mark
〈Q〉
Metering mode
selection/Flash exposure
compensation button (p.80/81)
〈W〉 Shooting
mode selection button
(p.84)
〈E〉 AF mode
button (p.66)
〈R〉 Drive mode
button (p.77)
〈i〉 ISO speed
button (p.47)
〈Y〉 AEB button
(p.93)
Strap eyelet
(p.42)
〈D〉
PC terminal
(p.100)
〈F〉
Remote control
terminal
(N3 type)
Battery
release
button (p.21)
Battery
release handle
(p.21)
Battery (p.18)
Dioptric adjustment knob
(p.37)
Viewfinder eyepiece
〈U〉 LCD panel illumination
button (p.96)
〈I〉 Ver tical-grip FE lock/
Multi-spot metering button
(p.151/82)
Exposure compensation/
〈O〉
Aperture button (p.92/90)
〈6〉 Main Dial
(p.29)
Top LCD panel (p.13)
〈P/a〉
Assist/White
balance correction
(simultaneous pressing)
button (p.70/52)
〈A/y〉 AE lock/
Reduce button
(p.95/109)
〈S/u〉
point selection/
Magnify button
(p.68/109)
Eyepiece
shutter lever
(p.97)
〈7〉
Quick Control
Dial switch (p.16)
〈5〉
Quick Control
Dial (p.30)
〈A/y〉
AE lock/Reduce
button (p.31, 95/109)
〈S/u〉
Ver tical-grip
AF point selection/
Magnify button
(p.31, 68/109)
〈P/a〉
Ver tical-grip
Assist/White balance
correction (simultaneous
pressing) button (p.31, 70/52)
〈4〉 Power switch (p.27)
AF
Ver tical-grip
11
〈H〉
Protect /Sound
recording button
(p.112/114)
〈M〉 Menu
button (p.33)
〈X〉
Select button
(p.33)
〈q〉
Digital OUT
terminal
(p.111)
〈C〉
DIGITAL
terminal
Direct
printing terminal
〈V〉
Display button
(p.60, 105)
〈e〉 Memory card
selection/Magnify
button (p.61, 109)
〈L〉 Erase button
(p.115)
Rear LCD Panel (p.14)
〈N〉 Image size selection button
(p.44)
LCD Monitor (p.32, 36)
Eyecup (p.37)
SD card slot*
(p.24)
Memory card
slot cover
(p.24)
CF card
slot (p.24)
CF card eject
button (p.25)
Access lamp (p.25)
Memory card slot cover
handle (p.24)
Recording microphone (p.114)
White balance bracketing button (p.53)
〈G〉 Clear button (p.36)
〈B〉 White balance selection button (p.48)
Battery compartment cap (p.20)
* In this manual, “SD card” refers to the SD memory card.
12
Top LCD Panel
Aperture
AEB amount
AF point selection mode
Memory card No.
Shooting mode
d : Program AE
a : Manual exposure
s : Shutter-priority AE
f : Aperture-priority AE
Metering mode
qEvaluative Metering
wPartial Metering
rSpot Metering
eCenterweighted
Averaged Metering
Battery
check icon
zx
mPersonal Function icon
(1, 2)
bn
yFlash exposure
compensation
(AF, [ ], HP)
hAEB
Shutter speeds
Bulb
Bulb exposure time (min.:sec.)
AF point selection mode ([ ], SEL)
FE lock (FEL)
Busy (buSY, PC)
Error (Err)
ISO speed
Shots remaining
ISO speed
Self-timer countdown
Bulb exposure time (Hours)
Error code
Remaining images to record
AF mode
X:
One-Shot AF
Z:
AI Servo AF
Exposure level
increments
Drive modes
u Single shooting
p Low-speed continuous
shooting
o High-speed continuous
shooting
k Self-timer (10 sec.)
l Self-timer (2 sec.)
Exposure compensation amount
AEB range
Flash exposure compensation amount
The actual display will show only the applicable items.
13
Rear LCD Panel
White balance
Q Auto
W Daylight
E Shade
R Cloudy
Y Tungsten light
U White fluorescent light
I Flash
O Custom
P Color temperature
Image size
3 Large
4 Medium1
5 Medium2
6 Small
1 RAW
123 RAW+Large
124 RAW+Medium1
125 RAW+Medium2
126 RAW+Small
Data transfer icon
CF card
selection icon
SD card
selection icon
Memory card
indicator
White balance
bracketing level
Folder Number
File No.
Color temperature
Personal white balance
The actual display will show only the applicable items.
14
Blue/amber
White balance
correction
Green/magenta
White balance
correction
Viewfinder Information
Spot metering circle
Laser-matte screen
q Manual exposure
wAE lock
AEB in progress
Multi-spot metering
r Flash-ready
Improper FE lock warning
e High-speed sync
(p.FP flash)
Shutter speeds
Bulb
AF point selection mode ([ ], SEL)
FE lock
Busy (buSY)
Aperture
AF point selection mode (AF, [ ], HP)
Memory card No. (1, 2)
y Exposure compensation
Flash exposure compensation
uWhite balance correction
ISO speed
Area AF ellipse
AF point
oFocus confirmation light
Shots remaining
ISO speed
Self-timer countdown
Standard exposure index
Exposure level increments
Exposure level
indicator
Max. burst for
continuous
shooting
p
JPEG icon
: 1 stop
: 1/3 stop
Overexposure
Flash
overexposure
Exposure level
Flash exposure
level
Flash underexposure
Underexposure
15
Conventions Used in this Manual
¡In the text, the <4> icon indicates the main switch.
All operations described in this manual assume that
the <4> switch is set to <1> or <d>.
¡The <
6> icon indicates the Main Dial.
¡The <
5> icon indicates the Quick Control Dial.
¡The <7> icon indicates the Quick Control Dial switch.
Operations with the <5> dial assume that the <7>
switch is already set to <1>. Be sure it is set to
<1>.
¡In this manual, the icons and markings indicating the camera’s
buttons, dials, and settings correspond to the icons and markings on
the camera.
¡For more information, reference page numbers are provided in
parentheses (p.**).
¡The Canon EF50mm f/1.4 USM lens is used as the demonstration
lens in this Instruction Manual.
¡
The procedures assume that the Menu and Custom Functions are set to
the default settings.
¡The 3 icon indicates that the setting can be changed with the
menu.
¡(9) or (8) indicates that the relevant function remains active for 6
sec. or 16 sec. respectively after you let go of the button.
¡This manual uses the following alert symbols:
: The Caution symbol indicates a warning to prevent shooting
problems.
: The Note symbol gives supplemental information.
16
1
Getting Started
This chapter explains a few preparatory steps and basic
operations with the EOS-1D Mark II.
17
Recharging the Battery
For details on using the battery, refer to the instructions for the Ni-MH
Pack NP-E3 or Ni-MH Charger NC-E2.
Connect the power cord.
1
s The <POWER> lamp will light.
Detach the protective cover and
2
connect the battery.
¡Attach the cover to the battery
compartment cap and store it.
¡Whenever the battery is out of the
camera, be sure to attach the
protective cover to prevent a short
circuit.
18
Recharge the battery.
3
s When you connect the battery, the
recharging will start automatically and
the <CHARGE> lamp will light.
s When the battery is fully recharged,
the lamp will blink quickly (twice per
sec.).
s It takes about 120 minutes to fully
recharge a completely exhausted
battery.
¡After recharging the battery,
disconnect it and unplug the power
cord from the power outlet.
19
Installing and Removing the Battery
Installing the Battery
Detach the battery compartment
1
cap.
¡Grasp both sides of the cap and pull it
off.
Insert the battery.
2
¡Insert the battery and while pushing it
in, turn the release handle as shown
by the arrow.
If the battery’s rubber lining (to repel water) is not clean, use
a moist cotton swab to wipe it clean.
Rubber lining
Checking the Battery Level
When the <4> switch is set to <1> (p.27), the battery level will be
indicated as follows:
z : Battery level OK.
x : Battery level is low.
b : Battery will be exhausted soon.
n : Battery must be recharged.
20
Battery Life
¡ The actual number of shots may be fewer than indicated above
depending on the shooting conditions.
¡ The number of possible shots will decrease with more frequent use of the
LCD monitor.
¡ The number of possible shots will also decrease if you hold down the
shutter button halfway for prolonged periods or only activate the
autofocus without taking a picture.
¡ If you keep recharging the Ni-MH battery without fully exhausting it first,
the battery’s capacity will decrease. To learn how to avoid a decrease in
the battery capacity, refer to the Ni-MH Charger NC-E2’s instructions.
Temperature Shots remaining
At 20˚C / 68˚F Approx. 1200
At 0˚C / 32˚F Approx. 800
The figures above are based on Canon’s testing standards.
Removing the Battery
Flip out the battery release
1
handle and turn it as shown by
the arrow.
Press the battery release button
2
and take out the battery.
21
Using a Household Power Outlet
With DC Coupler Kit DCK-E1, you can connect the camera to a
household power outlet and not worry about the battery level.
Insert the DC Coupler.
1
¡Insert the coupler and while pushing it
in, turn the release handle as shown
by the arrow.
Connect the DC plug.
2
Connect the power cord.
3
¡After you finish using the camera, set
the <4> switch to <2> and
disconnect the plug from the power
outlet.
¡ The DC Coupler is not water-resistant, so do not get it wet when using it
outdoors.
¡ When the <
AC adapter’s power cord from the power outlet. Otherwise, the camera
may stop operating. If the camera stops operating, remove the DC
Coupler from the camera and reinstall it.
22
4> switch is set to <1>, do not disconnect the DC plug or
Mounting and Detaching a Lens
When attaching or detaching the lens, take care to prevent dust from
entering the camera through the lens mount.
Mounting a Lens
Remove the caps.
1
¡Remove the rear lens cap and the
body cap by turning them as shown by
the arrow.
Attach the lens.
2
¡Align the red dots on the lens and
camera and turn the lens as shown by
the arrow until it snaps in place.
On the lens, set the focus mode
3
Detaching the Lens
switch to <
¡If it is set to <g>, autofocus will not
be possible.
Remove the front lens cap.
4
While pressing the lens release
button, turn the lens as shown by
the arrow.
¡Tu rn the lens until the red dot is at the
top, then detach the lens.
f>.
23
Installing and Removing the Memory Card
The camera can use both a CF card and SD card. There must be at
least one card installed to enable shooting.
If both cards are installed, you can select which card to record the
images. (p.61)
If you use an SD card, be sure the write protect switch is set
upward to enable writing/erasing.
Installing the Card
Open the cover.
1
¡Flip up and turn the cover release
handle as shown by the arrow.
Insert the memory card into the
2
camera.
¡The left slot is for the CF card, and the
right slot is for the SD card.
¡Make sure the label side of the card is
on the left, then push in the card in the
direction of the <
Close the cover.
3
¡Push in the cover until the cover
release handle returns to its original
position.
q> arrow.
24
Removing the Card
The camera is compatible with Type I and Type II CF cards.
Turn the <4> switch to <1>.
4
s The number of possible shots will be
displayed on the top LCD panel and in
the viewfinder.
s The folder No. and file No. will be
displayed on the rear LCD panel. The
icon for the memory card in use will
also be displayed.
Before opening the cover.
1
¡Tu rn the <4> switch to <2>.
¡Make sure the access lamp is off and
“buSY” is not displayed on the top LCD
panel. Then open the cover.
Take out the memory card.
2
¡To remove the CF card, press the
Eject button.
¡To remove the SD card, push it in and
release it.
25
¡ The access lamp lights or blinks while the picture is taken, when
data is being transferred to the memory card and when data is being
recorded, read, or erased on the memory card. Never do the
following while the access lamp is lit or blinking. Such actions may
destroy the image data.
It may also damage the memory card or camera.
· Shaking or banging the camera around.
· Opening the memory card slot cover.
· Removing the battery.
¡ After image capture, you cannot do any menu operation while the image
is processed and recorded onto the memory card (lit or blinking access
lamp).
¡ When the memory card becomes full, the “Card Full” warning will appear
on the LCD panel and in the viewfinder. Shooting will be
disabled.Replace the memory card with one that is not full.
Card Err (Card error)” is displayed on the LCD panel, see page 119.
¡ If “
Card-full display
Memory card No.
¡ If you use a low-capacity memory card, it might not be able to record
large images.
¡ Microdrive cards are more vulnerable to vibration and physical shock. If
you use a microdrive, be careful not to subject the camera to vibration or
physical shock while recording or playing images.
¡ Do not touch the SD card’s contacts with your fingers or metal objects.
Card error display
26
Basic Operation
¡ To save battery power, the camera turns off automatically after 1 minute
of non-operation. (p.35) To turn on the camera again, just press the
shutter button halfway.
¡ If you turn the <
4> switch to <2> while the captured images are
being recorded onto the memory card, the remaining number of captured
images to be recorded will be displayed on the top LCD panel. When all
the images are finished recording, the display will turn off and the camera
will turn off.
Power Switch
The camera can operate only after the <4> switch is turned on.
<
2>: The camera is turned off and
does not operate.
<1>: To turn on the camera, set to
this position.
<d>: This is the same as <1>
except that the beeper sounds
when focus is achieved in the
One-Shot AF mode or with
manual focus.
27
Shutter Button
The shutter button has two stages. You can press the shutter button
halfway. Then you can further press the shutter button completely.
Pressing halfway (9)
This activates autofocusing (AF) and
automatic exposure (AE) that sets the
shutter speed and aperture.
The exposure setting (shutter speed and
aperture) is displayed on the top LCD
panel and in the viewfinder.
Pressing completely
This releases the shutter and takes the
picture.
¡ If you press the shutter button halfway and (9) elapse, you must press it
halfway again and wait a moment before pressing it completely to take a
picture. If you press the shutter button completely without pressing it
halfway first or if you press the shutter button halfway and then press it
completely immediately, the camera will take a moment before it takes
the picture.
¡ No matter what state the camera is in (image playback, menu operation,
image recording, etc.), you can return to shooting instantly just by
pressing the shutter button halfway.
28
Using the <6> Dial
The <6> dial is mainly used for shooting-related settings. There are
three ways to use this dial:
(1)
While pressing a button, turn the
<
6> dial until the desired
setting appears on the top LCD
panel.
When you release the button, the
selected setting takes effect and the
camera will be ready to shoot.
¡In this way, you can set the shooting
mode, AF mode, metering mode, drive
mode, etc.
(2)
After pressing a button, turn the
<
6> dial.
When you press a button, its function
remains selected for 6 seconds (9).
During this time, you can turn the <6>
dial to set the desired setting. After the
button turns off or if you press the shutter
button halfway, the camera will be ready
to shoot.
¡In this way, you can select the AF point
or press the <O> button to set the
exposure compensation amount.
(3)
Turn the <6> dial only.
While referring to the top LCD panel, turn
the <6> dial.
¡In this way, you can set the shutter
speed, aperture, etc.
29
Using the <5> Dial
The <5> dial is used for AF point selection and selecting the desired
setting on the LCD monitor. This <5> dial works only when the <7>
switch is set to <1>.
There are three ways to use this <5> dial:
(1)
While pressing a button, turn the
<
5> dial.
¡In this way, you can select and set
various menu settings or set flash
exposure compensation. When you let
go of the button, the selected setting
takes effect.
¡You can also review and select images
on the LCD monitor with this dial.
(2)
After pressing a button, turn the
<
5> dial.
When you press a button, its function
remains on for 6 seconds (
this time, you can turn the <5> dial to
set the desired setting.
After the button turns off or if you press
the shutter button halfway, the camera
will be ready to shoot.
¡In this way, you can select the AF point
or set the exposure compensation.
(3)
Turn the <
While turning the <5> dial, look at the
setting in the viewfinder or on the top
LCD panel.
¡In this way, you can set the aperture in
the camera’s manual exposure mode.
5> dial only.
9). During
30
Vertical Shooting
For vertical shooting, the vertical grip (camera bottom) has a shutter
button, Main Dial, AF point selection button, AE lock button, Assist
button, and FE lock/multi-spot metering button.
¡Before using the vertical grip controls,
turn on the vertical grip operation on/
off switch.
¡When you are not using the vertical
grip, be sure to turn off the vertical grip
operation on/off switch to prevent
inadvertent operation of the vertical
grip controls.
31
Menu Operations
By setting various optional settings with the menus, you can set
processing parameters, the date/time, Custom Functions, etc. While
looking at the LCD monitor, you use the <M> button, <X>
button, and <5> dial on the camera back to proceed to the next step.
<M> button
<X> button
LCD Monitor
<5>
Playback menu
Shooting menu
Ta b
Menu items
¡ Even while the menu is displayed, you can instantly go back to shooting
by pressing the shutter button halfway.
¡ The explanation of menu functions hereinafter assumes that the menu
items or settings are displayed.
Set-up 1 menu
Set-up 2 menu
Custom/
Personal Functions
Menu categories
32
Menu Setting Procedure
1
2
3
4
Display the menu.
¡Press the <M> button to display
the menu. To turn off the menu, press
the button again.
¡With the menu displayed, follow the
procedure below.
Select a menu tab
(
zxcbn).
¡Hold down the <M> button and
turn the <5> dial to select a tab, then
let go of the button.
Select a menu item.
¡Hold down the <X> button and
turn the <5> dial to select a menu
item, then let go of the button.
Select the desired menu setting.
¡Hold down the <X> button and
turn the <5> dial to select the
desired setting, then let go of the
button. The setting will take effect
immediately.
33
Menu Settings
<z> Shooting menu
Custom WB
JPEG Quality
Parameters
Color matrix
Review
Manual setting of
white balance
Compression rate for
3, 4, 5, 6.
Standard
Set 1
Set 2
Set 3
Set up
1 Standard
2 Portrait
3 High saturation
4 Adobe RGB
5 Low saturation
6 CM set 1
7 CM set 2
Set up
Off
On
On (Info)
Exit the menu.
5
¡Press the <M> button to exit.
2 sec.
Review time
Noise reduction
ISO expansion
4 sec.
8 sec.
Hold
Off
On
Off
On
<x> Playback menu
Protect images
Rotate Rotate image
Erase all on
card
Print Order
Highlight
alert
Display
AF points
Histogram
display
Erase protected
Erase all data
Specifies images to
be printed
Off
On
Off
On
Bright.
RGB
34
<c> Set-up 1 menu
Auto power off
1 min.
2 min.
4 min.
8 min.
15 min.
30 min.
Off
File numbering
Auto Reset
Continuous
Manual Reset
BackUp mode
Off
CF card main
SD card main
Auto rotate
On
Off
Save camera
settings
Save settings to
memory card
Loading
camera setting
Read settings saved
in memory card
Format
Initializes and erases
card
<b> Set-up 2 menu
LCD
Brightness
5 levels
Date/Time Date/time setting
Language 12 languages
Video system
NTSC
PA L
Firmware
Select when
updating firmware
Sensor
cleaning
Select to clean
sensor
<n> Custom / Personal
Functions menu
Custom
Functions
(C.Fn)
Customize the
camera
Personal
Functions
(P.Fn)
Register Custom
Function Groups
Clear all
Custom
Functions
This clears all the
Custom Function
settings to the default
settings.
Clear all
Personal
Functions
This clears all the
Personal Function
settings.
Languages provided:
English, German, French, Dutch,
Danish, Finnish, Italian,
Norwegian, Swedish, Spanish,
Simplified Chinese, Japanese
35
About the LCD Monitor
¡When using the LCD monitor, you can use the <5> dial even while
the <7> switch is <2>.
¡The LCD monitor cannot be used as a viewfinder to shoot.
¡To adjust the LCD monitor’s brightness, select the <b> menu tab
and select [LCD Brightness].
Restoring the Default Settings
Press the <N> button and <B>
button simultaneously for 2 sec.
s The camera’s default settings will be
as shown below.
Shooting Settings
Shooting mode <d> Program AE
AF Mode One-Shot AF
Metering mode Evaluative metering
Drive modes Single
AF point selection Automatic
Exposure
compensation
Flash exposure
compensation
AE lock Canceled
FE lock Canceled
AEB Canceled
Custom Functions
AF point
registration
0 (Zero)
0 (Zero)
Current settings
retained
Center AF point
36
Image-Recording Settings
Image size 3 (Large)
White balance
White balance
bracketing
White balance
compensation
Parameters Standard
Color matrix 1 Standard
Q
Off
0 (Zero)
Dioptric Adjustment
If the camera’s dioptric adjustment still cannot provide a clear viewfinder
image, using Dioptric Adjustment Lens E (10 types) is recommended. (p.169)
Ver tical shooting
Horizontal shooting
Remove the eyecup.
1
¡While grasping both sides of the
eyecup, slide it upward to remove.
Turn the dioptric adjustment
2
knob.
¡
Tu rn the knob to the right or left until the
AF point or the center spot metering
circle looks sharp in the viewfinder.
Reattach the eyecup.
3
Holding the Camera
To obtain sharp images, hold the camera still to minimize camera
shake.
¡Firmly grasp the camera grip with your right hand, and press your
both elbows lightly against your body.
¡Hold the lens at the bottom with your left hand.
¡Press the camera against your face and look through the viewfinder.
¡To maintain a stable stance, place one foot in front of the other
instead of lining up both feet.
37
3Setting the Date and Time
Select [Date/Time].
1
¡Select the <b> tab.
¡Hold down the <X> button and
turn the <5> dial to select [Date/
Time]. Then let go of the <X>
button.
Set the date and time.
2
¡The selection shifts each time you
press the <X> button.
¡Hold down the <X> button and
turn the <5> dial to select the correct
number. Then let go of the <X>
button.
Set the date display format.
3
¡Hold down the <X> button and
turn the <5> dial to select one of the
following display formats: [dd/mm/yy],
[mm/dd/yy], [yy/mm/dd]. Then let go
of the button.
Press the <M> button.
4
s The date and time will be set and the
menu will reappear.
Each captured image is recorded with the date and time it was taken. If the
date and time are not properly set, the wrong date/time will be recorded.
Make sure you set the date and time correctly.
38
Replacing the Date/Time Battery
The date/time (back-up) battery’s service life is about 10 years. If the
date/time is reset, replace the back-up battery with a new CR2025
lithium battery as described below.
Set the <4> switch to <2>
1
and remove the battery pack.
¡The back-up battery is on the ceiling of
the battery compartment.
Remove the back-up battery
2
cover.
¡As shown in the diagram, loosen the
screw to remove the cover.
Remove the battery.
3
(+)
Install a new back-up battery.
4
¡The plus side of the battery must face
up.
Attach the cover.
5
¡Install the battery and turn the <4>
switch to <1>. The date/time will be
displayed on the LCD monitor. Set the
the date/time.
39
3Cleaning the CMOS sensor
The CMOS sensor is like the film in a film camera. If any dust or other
foreign matter adheres to the CMOS sensor, it may show up as a dark
speck in the pictures you take. To avoid this, follow the procedure below
to clean the CMOS sensor. Note that the CMOS sensor is very delicate.
If possible, you should have it cleaned by a Canon Service Center.
When you want to clean the CMOS sensor, use the DC Coupler Kit to
power the camera with a household power outlet. If you use the battery,
make sure it is fully charged.
Before cleaning the sensor, detach the lens from the camera.
Install the DC Coupler battery and
1
turn the <
Select [Sensor cleaning].
2
¡Select the <b> tab.
¡Hold down the <X> button and
turn the <5> dial to select [Sensor
cleaning]. Then let go of the <X>
button.
Select [OK].
3
¡Hold down the <X> button and
turn the <5> dial to select [OK]. Then
let go of the <X> button.
s The LCD monitor will turn off.
4> switch to <1>.
40
Press the shutter button
¡ Be sure not to turn off the camera while cleaning the CMOS sensor. If the
power is turned off, the shutter will close and the shutter curtains might
be damaged.
¡ Use a blower not attached with a brush. The brush can scratch the
CMOS sensor.
¡ Do not insert the blower tip inside the camera beyond the lens mount. If
the power goes out, the shutter curtains will close and the blower tip may
damage then.
¡ Never use canned air or gas to clean the sensor. The blowing force can
damage the sensor or the spray gas can freeze on the sensor.
4
completely.
s The mirror will lock up and the shutter
will open.
Cleaning the CMOS Sensor
5
¡Use a rubber blower to carefully blow
away any dust on the surface of the
CMOS sensor.
Exit the sensor cleaning.
6
¡Tu rn the <4> switch to <2>.
s The camera will turn off, the shutter
will close, and the mirror will go back
down.
¡Set the <4> switch to <1>. The
camera will be ready to shoot.
41
Attaching the Strap
Pass the end of the strap through the camera’s strap eyelet and the
strap’s clasp on the under side.
After attaching the strap, pull it to make sure it does not loosen at the buckle.
42
2
Image Settings
This chapter explains the settings for shooting digital
images: Image-recording quality, ISO speed, white
balance, color matrix, and processing parameters.
43
3Setting the Image-recording Quality
You can select the image size (recorded pixels) and JPEG quality
(compression rate). The simultaneous recording of RAW and JPEG
images can be selected when you select the image size.
Select the image size
Except for <
images will require processing with the software provided. 126/
5/4/3 modes record RAW and JPEG images simultaneously.
1>, high-quality JPEGs will be recorded. <1>
Selecting the Image Size
¡Hold down the <N> button and turn
the <5> dial to select the desired
image size. Then let go of the <N>
button.
Image Size Guide
Image Size (Approx. megapixels recorded) Print size
3 (Large) 3504 x 2336 (8.2) A3 or larger
4 (Medium1) 3104 x 2072 (6.4) A4 or larger
5 (Medium2) 2544 x 1696 (4.3) A5 - A4
6 (Small) 1728 x 1152 (2.0)
1 (Raw) 3504 x 2336 (8.2) A3 or larger
A5 or smaller
¡ JPEG image files will have the “jpg” extension, and RAW image files will
have the “cr2” extension.
¡ RAW and JPEG images recorded simultaneously will be stored in the
same folder as two types of data (cr2 and jpg) bearing the same file No.
With JPEG images, direct printing and print ordering are possible.
¡ If you select
on the right. (Except for RAW and JPEG simultaneous recordings. )
3, 4, 5, or 6, <p> will be displayed in the viewfinder
44
About the RAW Format
The RAW format assumes that the image will be processed by a
personal computer. Special knowledge is required, but you can use the
bundled software to obtain the desired effect.
<1> images are processed according to the color matrix, white
balance and processing parameters set at the time of shooting.
Image processing refers to adjusting the RAW image’s white balance,
contrast, etc. , to create the final image.
Note that direct printing and print ordering will not work with RAW
images.
Image File Size and Memory Card Capacity
Image Size
3
4
5
6
1
123
124
125
126
¡The number of possible shots applies to a 250MB memory card.
¡The file size and number of possible shots are based on Canon’s
testing criteria (JPEG quality: 8, processing parameters: Normal,
ISO 100, etc. ). The actual file size and number of possible shots will
depend on the subject, JPEG quality, shooting mode, ISO speed,
processing parameters, etc.
¡On the top LCD panel, you can check the remaining number of shots
the memory card can record.
File Size
(Approx. MB)
2.8 79 40
2.2 84 50
1.7 112 53
1.0 195 53
8.3 21 20
–1618
– 16 18
– 17 18
–1918
Possible Shots Max. Burst
45
Setting the JPEG Quality (Compression rate)
You can set the recording quality for the 3/4/5/6 modes.
Select [JPEG quality].
1
¡Select the <z> tab.
¡Hold down the <X> button and
turn the <5> dial to select the desired
[JPEG quality]. Then let go of the
<X> button.
Select the image size.
2
¡Hold down the <X> button and
turn the <5> dial to select the desired
image size (3/4/5/6). Then let
go of the button.
Set the desired recording quality.
3
¡Hold down the <X> button and
turn the <5> dial to select the desired
[JPEG quality]. Then let go of the
button.
¡The larger the number, the higher the
quality will be (lower compression).
¡ The higher the recording quality, the fewer the number of possible shots
will be. On the other hand, the lower the recording quality, the higher the
number of possible shots will be.
¡ JPEG quality levels 1 to 5 are indicated by <
indicated by <
i>.
o>, and levels 6 to 10 are
46
Setting the ISO Speed
¡ At higher ISO speeds and higher ambient temperatures, the image will
have more noise.
¡ High temperatures, high ISO speeds, or long exposures may cause
irregular colors in the image.
The ISO speed is a numeric indication of the sensitivity to light. A higher
ISO speed number indicates a higher sensitivity to light. Therefore, a
high ISO speed is suited for low light and moving subjects. However, the
image may look more coarse with noise, etc. On the other hand, a low
ISO speed is not suited for low light or action shots, but the image will
look finer.
The camera can be set between ISO 100 and 1600 in 1/3-stop
increments.
Hold down the <E> and <Q>
1
buttons simultaneously.
s The current ISO speed will be
displayed on the LCD panel.
Turn the <6> dial.
2
¡Tu rn the <6> dial until the desired
ISO speed is displayed on the LCD
panel, then let go of the buttons.
s The ISO speed will be set.
ISO speed extension
Under the <
expansion] to <On> to enable ISO 50 or
3200 to be set. When set, ISO 50 is
indicated by L and ISO 3200 by H.
z> tab, set [ISO
47
3Selecting the White Balance
Normally, the <Q> setting will set the optimum white balance
automatically. If natural-looking colors cannot be obtained with <Q>,
you can set the white balance manually to suit the respective light
source.
Select the white balance setting.
¡
Hold down the <B> button and turn
the <5> dial to select the desired white
balance. Then let go of the button
Q :Auto (Approx. 3000K-7000K)
W :Daylight (Approx. 5200K)
E : Shade (Approx. 7000K)
R : Cloudy, twilight, sunset (Approx. 6000K)
Y :Tungsten light (Approx. 3200K)
U : White fluorescent light (Approx. 4000K)
I : Flash (Approx. 6000K)
O : Custom (Approx. 2000K-10000K)
Set the optimum white balance manually to suit the lighting. (p.49)
P : Color temperature (Approx. 2800K-10000K)
PC-1, PC-2, PC-3 Personal white balance
Use the provided software to register personal white balance settings.
Not displayed if no personal white balance settings have been registered.
About White Balance
The three RGB (red, green, and blue) primary colors exist in the light
source in varying proportions depending on the color temperature.
When the color temperature is high, there is more blue. And when the
color temperature is low, there is more red.
To the human eye, a white object looks white regardless of the type of
lighting. With a digital camera, the color temperature can be adjusted
with software so that the colors in the image look more natural. The
subject’s white color is used as the criteria for adjusting the other colors.
The camera’s <Q> setting uses the CMOS sensor for auto white
balance.
48
.
3Custom White Balance
With custom white balance, you shoot a white object that will serve as
the basis for the white balance setting. By selecting this image, you
import its white balance data for the white balance setting.
Photograph a white object.
1
¡Make sure the plain, white subject fills
the entire center spot metering circle.
¡Set the lens focus mode switch to
<g>, then focus manually. (p.76)
¡Set any white balance setting. (p.48)
¡Shoot the white object so that a
standard exposure is obtained. If it is
underexposed or overexposed, a
correct white balance setting might not
be obtained.
Select [Custom WB].
2
¡Select the <z> tab.
¡Hold down the <X> button and
turn the <5> dial to select [Custom
WB]. Then let go of the button.
s The 9-image index display will appear.
Select the image.
3
¡Hold down the <X> button and
turn the <5> dial to select the image
you shot in step 1. Then let go of the
button.
49
Import the white balance data.
4
¡Hold down the <X> button and
turn the <5> dial to select [OK]. Then
let go of the <X> button.
s The image’s white balance data will be
imported.
Select <O>.
5
¡Hold down the <B> button and turn
the <5> dial to select <O>. Then let
go of the <B> button.
s The custom white balance will be set.
Instead of a white object, an 18% gray card (commercially available) can
produce a more accurate white balance.
50
Setting the Color Temperature
¡ When setting the color temperature for an artificial light source, set white
balance correction (magenta or green) as necessary.
¡ If you want to set <
P> to the reading taken with a color temperature
meter, take test shots and adjust the setting to compensate for the
difference between the color temperature meter’s reading and the
camera’s color temperature reading.
You can numerically set the white balance’s color temperature.
Select <P> for the white
1
balance.
¡Hold down the <B> button and turn
the <5> dial to select <P>.
Set the color temperature.
2
¡Hold down the <B> button and turn
the <6> dial to set the desired color
temperature. Then let go of the button.
¡The color temperature can be set from
2800K to 10000K in 100K increments.
51
White Balance Correction
You can correct the standard color temperature for the white balance
setting. This adjustment will have the same effect as using a color
temperature conversion or color compensating filter. Each color can be
corrected to one of nine levels.
Users familiar with using color temperature conversion or color
compensating filters will find this feature handy.
Hold down the <B> button and
1
press the <
¡Hold down the <B> button. You
can let go of the <u> button.
Hold down the <B> and turn
2
the <
¡The <6> dial adjusts blue (B) and
amber (A), and the <5> dial adjusts
magenta (M) and green (G).
¡You can adjust both blue (B)/amber
(A) and magenta (M)/green (G).
¡To cancel white balance correction,
return the setting to “0”.
u> button.
6> or <5> dial.
¡ During the adjustment, <a> will be displayed in the viewfinder.
¡ One level of the blue/amber correction is equivalent to 5 mireds of a color
temperature conversion filter. (Mired: measuring unit indicating the
density of a color temperature conversion filter. )
¡ You can also set white balance bracketing and AEB shooting in addition
to the white balance correction.
52
White Balance Auto Bracketing
With just one shot, three images having a different color tone can be
recorded simultaneously. Based on the white balance mode’s standard
color temperature, the image will be bracketed with a blue/amber bias
or magenta/green bias. This is called white balance bracketing. It can
be set up to ±3 levels in single-level increments.
Hold down the <B> button and
1
press the <
s The rear LCD panel will be as follows:
¡Hold down the <V> button.
You can let go of the <B> button.
Hold down the <V> and turn
2
the <
¡The <6> dial adjusts blue (B) and
amber (A), and the <5> dial adjusts
magenta (M) and green (G).
¡You can only set either the blue (B)/
amber (A) bias or magenta (M)/green
(G) bias.
s The number of remaining shots
displayed on the LCD panel will be
one-third the normal count.
V> button.
6> or <5> dial.
: OFF
: ±1 level
: ±2 levels
: ±3 levels
53
Take the picture.
3
s Three bracketed images will be
recorded in the memory card in the
following sequence: standard color
temperature, decreased color
temperature, and increased color
temperature.
¡To cancel white balance bracketing,
return the setting to < >.
¡ One level of the blue/amber correction is equivalent to 5 mireds of a color
temperature conversion filter.
¡ You can also set white balance correction and AEB shooting in addition
to the white balance bracketing. If you set AEB in combination with white
balance bracketing, a total of nine images will be recorded for a single
shot.
¡ During continuous shooting, the number of images recorded will be three
times the number of shots taken.
¡ Since three images are recorded for one shot, the memory card will take
longer to record the shot.
54
3
Selecting the Color Matrix
The color matrix enables you to select the preferred color shade, color
tone, and color space (range of reproducible colors). These are
equivalent to color film characteristics.
Select [Color matrix].
1
¡Select the <z> tab.
¡Hold down the <X> button and
turn the <5> dial to select [Color
matrix]. Then let go of the button.
Select [Color matrix].
2
¡Hold down the <X> button and
turn the <5> dial to select the desired
color matrix. Then let go of the button.
Standard
Por trait
H-saturat.
Adobe RGB
L-saturat. Makes color shades lighter. Makes the colors more subdued.
CM set 1 & 2 First set the parameters with [Set up].
Set up For setting CM set 1 or 2.
Provides natural-looking color shades and tones. Effective
for bringing out the subject’s natural colors.
Provides ideal color tones for portraits. Effective for
rendering nice skin tones.
Makes the color shades look similar to high-saturation slide
film. Effective for making the colors look crisp.
This is mainly used for commercial printing and other
industrial uses.
This setting is not recommended if you do not know about
image processing and Adobe RGB, DCF 2.0 (Exif 2.21).
Since the image will look very subdued with sRGB personal
computers and printers not compatible with DCF 2.0 (Exif
2.21), post-processing of the image will be required.
55
Creating Custom Color Matrix Settings
You can customize the following color matrix settings: ([Color space],
[Saturation] and [Color tone])
Select [Color matrix].
1
¡Select the <z> tab.
¡Hold down the <X> button and
turn the <5> dial to select [Color
matrix]. Then let go of the button.
Select [Set up].
2
¡Hold down the <X> button and
turn the <5> dial to select [Set up].
Then let go of the button.
Select the CM Set No.
3
¡Hold down the <X> button and
turn the <5> dial to select [CMSet 1]
or [CMSet 2]. Then let go of the
button.
Select the item to be set.
4
¡Hold down the <X> button and
turn the <5> dial to select the desired
item. Then let go of the button.
56
Set the desired setting.
¡ When [Color tone] is a negative value, it will be more reddish. A positive
value makes it more yellowish.
¡ In accordance with the DCF 2.0 (Exif 2.21) standard, the file number of
images captured in the Adobe RGB color matrix will start with an
underbar (_).
5
¡Hold down the <X> button and
turn the <5> dial to select the desired
setting. Then let go of the button.
¡Press the <M> button to return to
step 2.
Select the CM Set No.
6
¡Hold down the <X> button and
turn the <5> dial to select the CM Set
No. that was set. Then let go of the
button.
Color Matrix Settings
Color matrix Color space Saturation Color tone
1 Standard sRGB Standard 0
2 Portrait sRGB Standard -2
3 H-saturat. sRGB High 0
4 Adobe RGB Adobe RGB Standard 0
5 L-saturat. sRGB Low 0
57
3Setting the Processing Parameters
The image you capture can be processed automatically by the camera
according to one of three sets of processing parameters ([Tone Curve],
[Sharpness], and [Contrast]) you set.
To register the tone curve, use the provided software.
Parameter Effect
Tone Curve Change the image brightness, color tone, etc.
Sharpness The higher the setting, the sharper the image.
Contrast The higher the setting, the higher the contrast.
Select [Parameters].
1
¡Select the <z> tab.
¡Hold down the <X> button and
turn the <5> dial to select
[Parameters]. Then let go of the
button.
Select [Set up].
2
¡Hold down the <X> button and
turn the <5> dial to select [Set up].
Then let go of the button.
s The set up screen will appear.
Select the Set No. to be set.
3
¡Hold down the <X> button and
turn the <5> dial to select [Set 1],
[Set 2], or [Set 3]. Then let go of the
button.
58
Select the item to be set.
¡ The [Standard] parameter setting cannot be modified.
¡ For the tone curve setting, [TCD * ] stands for Tone Curve Data.
4
¡Hold down the <X> button and
turn the <5> dial to select the
parameter. Then let go of the button.
Select the desired setting.
5
¡Hold down the <X> button and
turn the <5> dial to select the desired
setting. Then let go of the button.
¡Pressing the <M> button will
return you to step 2.
Select the Set No. that was set.
6
¡Hold down the <X> button and
turn the <5> dial to select [Set 1],
[Set 2], or [Set 3]. Then let go of the
button.
59
Setting the Folder and Memory Card
You can create and select folders.
When using both a CF card and SD card in the camera, you can select
which memory card to use. Or you can have the same images recorded
onto both cards for backup purposes.
Set the camera to the folder
mode.
¡
Creating a new folder
Hold down the <
turn the <5> dial to select <n> on the
LCD monitor. Then let go of the button.
¡Hold down the <X> button and
turn the <5> dial to select [Create
folder]. Then let go of the button.
s
The “
Create folder
¡
Hold down the <
the <
5
> dial to select [OK]. Then let go of
the button. A new folder will be created.
V
> button and
” screen will appear.
X
> button and turn
¡ The left <f> tab shows the folders in the CF card, and the right <g> tab
shows the folders in the SD card.
¡ The number next to the <
remaining capacity.
¡ “100EOS1D” is the folder No. and the number on the right is the number
of images contained in the folder.
f> and <g> tabs indicate the respective card’s
60
Selecting a Folder
A folder cannot be created beyond folder No. 999.
Creating Folders with a Personal Computer
With the memory card open on the screen, create a new folder named
“Dcim.”
Open the Dcim folder and create as many folders as necessary to save and
organize your images.
The folder names must start with three digits from 100 to 999 followed by
five letters, like 100ABC_D. The five letters can be a combination of upper
or lower case letters from A to Z and an underbar. There can be no spaces
in the folder name. Also, if there are folder numbers with the same threedigit number (regardless of the letters) such as “100ABC_C” and
“100ABC_D”, the camera will not recognize the folders.
¡Hold down the <X> button and
turn the <5> dial to select a folder.
Then let go of the button.
s The folder will be selected.
Selecting the Memory Card
Select the memory card to be used for image recording, playback, and
erasing.
¡Hold down the <er> button and turn
the <5> dial to select the memory
card. Then let go of the button.
¡The left [f] tab is the CF card, and
the right [g] tab is the SD card.
61
Using Both Memory Cards for Image Recording (Backup)
The image is recorded with the same file No., pixel count, and recording
quality in the same-numbered folder in both the CF card and SD card.
Select [BackUp].
1
¡Select the <c> tab.
¡Hold down the <X> button and
turn the <5> dial to select [BackUp].
Then let go of the button.
Select the desired setting.
2
¡Hold down the <X> button and
turn the <5> dial to select the setting.
Then let go of the button.
¡Either selection, h or j, will
record the same image onto both
cards.
Difference between h and j
After image capture, you can have the image displayed from the CF
card or SD card. Selecting h will display the image in the CF card,
and j will display the image in the SD card.
¡ To make it easier to find back-up images, create a new folder and select
it.
¡ The number of remaining shots displayed on the top LCD panel will be
based on the memory card having less remaining capacity.
¡ In the back-up mode, a folder with the same number will be created
automatically in the CF card and SD card.
¡ If either one of the memory cards becomes full, shooting will not be
possible.
¡ You cannot move or copy images between the two cards.
62
3File Numbering Methods
100
XXXX0001
101
XXXX0001
Memory card 1
XXXX0001
Memory card 1
XXXX0001
Memory card 2
File numbering after
changing the folder
File numbering after replacing
the memory card
The file number is like the frame number on film. There are two file
numbering methods: [A-Reset] and [Continuous]. The captured
pictures are automatically assigned a file number from 0001 to 9999.
The images are saved in the selected folder.
Select [File numbering].
1
¡Select the <c> tab.
¡Hold down the <X> button and
turn the <5> dial to select [File
numbering]. Then let go of the button.
Select the desired setting
2
¡Hold down the <X> button and
turn the <5> dial to select the desired
setting. Then let go of the button.
Auto Reset (A-Reset)
Each time you replace the memory card, the file numbering will be reset
to the first file number (XXXX0001). Since the file number starts from
0001 in each memory card, you can organize images according to
memory cards.
63
Continuous Numbering
The file numbering continues in sequence even after you replace the
memory card. This prevents images from having the same file number,
so image management with a personal computer is easier.
File numbering after
changing the folder
Memory card 1
100
XXXX0001
101
XXXX0002
¡ Even if the memory card still has space, shooting is not possible beyond
file number 9999. If this happens, follow the instructions on the LCD
monitor and hold down the <
select [OK]. A new folder will be created and you can continue shooting.
To prevent any interruption in shooting, set the file numbering method to
[M-Reset] beforehand.
¡ If the memory card in use has a DCIM folder, the file numbering might
continue from the last image saved in the folder.
File numbering after replacing
the memory card
Memory card 1
XXXX0001
X> button and turn the <5> dial to
Memory card 2
XXXX0002
File names
A file name is assigned automatically to each
image you capture. The file name consists of a
unique, four-character camera code preset at
the factory and a file number assigned
(Example)
5F9Z0001.jpg
automatically. The camera code cannot be
changed.
Forced reset (M-Reset)
This creates a new folder automatically and starts the file numbering
from XXXX0001. Subsequent images you capture are stored in this new
folder. The file numbering method (auto reset or continuous numbering)
will be the one that was set before forced reset.
64
3
Autofocus and
Drive Modes
The Area AF ellipse has 45 AF
points. By selecting a suitable AF
point, you can shoot with
autofocus while maintaining the
desired subject framing. You can
also set the AF mode to suit the
subject or obtain the desired
effect.
First set the <4> switch and <7> switch
to <
1>.
65
Selecting the AF Mode
Set the lens focus mode switch to
1
<
f>.
Set the AF mode.
2
¡Hold down the <f> button and turn
the <6> dial to select the desired AF
mode on the top LCD panel. Then let
go of the button.
One-Shot AF for Still Subjects
Pressing the shutter button halfway activates the autofocus and
achieves focus once.
s The AF point which achieves focus flashes briefly and the focus
confirmation light <o> in the viewfinder lights at the same time. The
exposure is also set.
AI Servo AF for Moving Subjects
While you press the shutter button halfway, the camera continues
to focus the subject approaching or moving away from the camera.
¡This AF mode is for moving subjects when the focusing distance
keeps changing.
¡The exposure is set at the moment the picture is taken.
66
Focusing an Off-Center Subject
¡ If focus cannot be achieved, the focus confirmation light <o> in the
viewfinder will blink. If this occurs in the One-Shot AF mode, the picture
cannot be taken even if the shutter button is pressed fully. Recompose
the picture and try and focus again. Or see “When Autofocus Fails
(Manual Focusing)” (p.75).
¡ In the AI Servo AF mode when the AF point selection is automatic, the
camera first uses the center AF point to focus. During autofocusing, if the
subject moves away from the center AF point, focus tracking continues as
long as the subject is covered by the Area AF ellipse. The active AF point
does not light.
¡ In the AI Servo AF mode, when focus is achieved, the viewfinder’s focus
confirmation light does not light and the beeper does not sound.
To focus a peripheral subject not covered by the Area AF ellipse, follow
the procedure below. This technique is called focus lock.
Focus lock works only in the One-Shot AF mode.
1 Aim the Area AF or AF point over the subject and press
the shutter button halfway to focus.
2 Keep pressing the shutter button halfway and
recompose the picture as desired.
3 Take the picture.
67
SSelecting the AF Point
Automatic selection
From among the 45 AF points, the camera selects the AF point
automatically to suit the subject.
Manual AF Point Selection
(One of three groups of selectable AF points can be used)
1. You can select one of the 45 AF points manually.
2. You can select one of 11 AF points manually. (C.Fn-13-1, 2)
3. You can select one of 9 AF points manually. (C.Fn-13-3)
* Selection methods 2 and 3 are enabled by setting C.Fn-13. (p.151)
Set Custom Functions with 3 <n>.
Press the <S> button. (9)
1
Manual selection with 45
AF points
68
Select an AF point.
2
¡To select a horizontal AF point, turn
the <6> dial.
¡To select a vertical AF point, turn the
<5> dial.
¡If all the peripheral AF points light up,
automatic AF point selection will take
effect.
¡When you press the shutter button
halfway, the camera will be ready to
shoot.
Manual selection limited to 11 AF points
¡ To select a vertical AF point, you can also press the <S> button, then
hold down the <
P> button and turn the <6> dial.
¡ If two AF points (hh) light up, both AF points will be used for autofocusing.
If you then select the left or right AF point, only that AF point will be
active.
C.Fn-13-3
With C.Fn-13-1/2/3, all 45 AF points will be available for automatic selection.
C.Fn-13-1, 2
(p.151)
¡Since the selectable AF points are
limited to 11, you can better
concentrate on framing the subject.
¡
The AF point selection procedure is the
same as explained in steps 1 and 2.
Manual selection limited to 9 AF points (p.151)
¡The center AF point and 8 peripheral
AF points are selectable.
¡Selecting a horizontal AF point is the
same as explained in steps 1 and 2.
Selecting an AF point beyond a
peripheral AF point will set the
automatic selection mode.
¡To select a peripheral AF point, press
the <
S> button and turn the <5>
dial.
69
Registering and Switching the AF Point
By registering the AF point you often use, you can switch to it instantly.
Any of the 45 AF points can be registered. Only one AF point can be
registered.
Registering an AF Point
Select the AF point to be
1
registered.
¡Press the <S> and turn the <6> or
<5> dial.
Register the selected AF point.
2
¡Hold down the <P> button and press
the <I> button.
s The AF point will be registered.
¡During AF point registration and
switching, the LCD panel will display
the following:
Automatic AF point selection
Off-center AF point Center AF point
¡ When using a Speedlite and spot metering, first press the <P> button. If
you press the <
¡ An AF point cannot be registered if C.Fn-13-3 has been set to limit the
selectable AF points to 9.
I> button first, the AF point selection will be canceled.
70
Switching to the Registered AF Point
¡ If you set or cancel C.Fn-13, the center AF point will become the
registered AF point. This does not apply if you change C.Fn-13-1 to C.Fn13-2 or vice versa.
¡ If C.Fn-18-1/2 and C.Fn-04-1/3 are also set, you can just press the <
P>
button to switch to the registered AF point and activate the autofocus at
the same time.
Normally, you press the <P> button and <S> button simultaneously
to switch to the registered AF point. However, with C.Fn-18-1/2 (p.153),
you can just press the <P> button to switch to the registered AF point.
Set Custom Functions with 3 <n>.
(1)
Press the <P> button and <S>
button simultaneously.
¡This is the default method.
(2)
Press only the <P> button to
switch to the registered AF point.
C.Fn-18-1
(p.153)
(3) Switch to the registered AF point
only while pressing the <
P>
button.
C.Fn-18-2
¡When you release the <
the camera will return to the original
AF point.
(p.153)
P> button,
71
AF Point Activation Area
C.Fn-17-1
C.Fn-17
C.Fn-17 can be set to expand the AF point’s activation area to include
the surrounding AF points. (C.Fn-17) (p.152)
Set Custom Functions with 3 <n>.
•
Expanding the activation area to 7 points
(p.152)
This larger activation area makes it easier to focus subjects moving
erratically.
¡The expanded AF point activation area
is not displayed in the viewfinder.
¡When focus is achieved in the One-
Shot AF mode, the selected AF point
and AF point(s) achieving focus will
light.
:Selected AF point
:AF points in expanded
activation area
•
Expanding the activation area to 7 or 13 AF points automatically
C.Fn-17-2
(p.152)
As shown below, the AF point activation area expands automatically to
suit the lens focal length and AF mode. This is effective when the
subject’s movement is unpredictable.
AF
Mode
Shorter than 200mm 200mm or longer
Lens Focal Length
OneShot
AF
The AF activation area does not expand
automatically.
The activation area expands by 1 AF point
AI
Servo
AF
72
AF Sensitivity and Lens’ Maximum Aperture
The EOS-1D Mark II’s AF points are all horizontal-line sensitive.
However, bright lenses with a large maximum aperture enable certain
AF points to work as cross-type sensors for higher AF precision.
(1)
With lenses whose maximum aperture is f/2.8 or
larger, the AF points highlighted in the diagram will
work as cross-type sensors sensitive to both vertical
and horizontal lines. The remaining 38 AF points will
only be horizontal-line sensitive. The cross-type
sensor’s vertical-line sensitivity is about three times
higher than its horizontal-line sensitivity.
(2) With the following L-series lenses whose
maximum aperture is f/4 or brighter, the center
AF point will be a cross-type sensor with or
without an Extender attached. The remaining 44
AF points will only be horizontal-line sensitive
(except with EF 70-200mm f/2.8L USM +
Extender EF 1.4x).
· EF 28-80mm f/2.8-4L USM
· EF 300mm f/4L USM
· EF 300mm f/4L IS USM
· EF 400mm f/4 DO IS USM
· EF 500mm f/4L IS USM
· EF 600mm f/4L USM
· EF 600mm f/4L IS USM
· EF 70-200mm f/4 L USM
¡With Extender EF 1.4x or EF 1.4x II:
· EF 200mm f/2.8L USM
· EF 200mm f/2.8L II USM
· EF 300mm f/2.8L USM
· EF 300mm f/2.8L IS USM
· EF 400mm f/2.8L USM
· EF 400mm f/2.8L II USM
· EF 400mm f/2.8L IS USM
· EF 70-200mm f/2.8L IS USM
¡ With Extender EF 2x or EF 2x II:
· EF 135mm f/2L USM
· EF 200mm f/1.8L USM
73
(3) With the following L-series lenses whose
maximum aperture is f/8 or brighter and attached
with an Extender, AF will work with the center AF
point (horizontal-line sensitive) only. AF will not
work with the other AF points.
¡ With Extender EF 1.4x or EF 1.4x II:
· EF 400mm f/5.6L USM
· EF 500mm f/4.5L USM
· EF 100-400mm f/4.5-5.6L IS USM
¡ With Extender EF 2x or EF 2x II:
· EF 300mm f/4L USM
· EF 300mm f/4L IS USM
· EF 400mm f/4 DO IS USM
· EF 500mm f/4L IS USM
· EF 600mm f/4L USM
· EF 600mm f/4L IS USM
· EF 70-200mm f/4 L USM
¡ When you press the <S> button, the top
LCD panel will show the display on the
right.
With the EF 70-200mm f/2.8L USM lens (without IS) attached with
Extender EF 1.4x or EF 1.4x II, the center AF point will work as a cross-type
sensor. Do not use autofocus with the other AF points because they may
cause a focusing error.
74
When Autofocus Fails (Manual Focusing)
If focus cannot be achieved with the AF-assist light of a Speedlite or ST-E2,
select the center AF point. An off-center AF point may not be able to achieve
focus.
Autofocus can fail to achieve focus (the focus confirmation light <o>
blinks) with certain subjects such as the following:
Subjects difficult to focus
(a) Low-contrast subjects
Example: Blue sky, solid-color walls, etc.
(b) Subjects in low light.
(c) Extremely backlit and reflective subjects
Example: Car with a reflective body, etc.
(d) Overlapping near and far objects
Example: Animal in a cage, etc.
(e) Repetitive patterns
Example: Skyscraper windows, computer keyboards, etc.
In such cases, do one of the following:
(1) Focus an object at the same distance as the subject and lock the
focus before recomposing.
(2) Set the lens focus mode switch to <
g> and focus manually.
75
Manual Focusing
Set the lens focus mode switch to <g>
and turn the lens focusing ring to focus.
¡ If you select an AF point and press the shutter button halfway while
manual focusing, the AF point will flash and the focus confirmation light
will light when focus is achieved.
¡ During automatic AF point selection, when the center AF point achieves
focus, it will flash in red and the focus confirmation light will light.
¡ With USM (Ultrasonic Motor) lenses:
After the lens focuses in the One-Shot AF mode, you can turn the
focusing ring for touch-up focusing (full-time manual focusing). (Not
applicable to USM lenses with no focusing distance scale.)
76
Selecting the Drive Mode
¡ When you shoot, the images are first stored in the camera’s internal
memory and then transferred to the memory card. When the internal
memory becomes full during continuous shooting, the camera cannot
continue to take more pictures until the images are transferred to the
memory card. As the images are transferred to the memory card, you will
be able to take more pictures. Press the shutter button halfway to see the
maximum burst for continuous shooting in the viewfinder’s lower right.
The maximum burst is displayed even when there is no memory card in
the camera. Make sure a memory card has been installed before
shooting.
¡ If “Card Full” is displayed in the viewfinder and on the LCD panel, wait
until the access lamp turns off or stops blinking, then replace the memory
card.
Select the drive mode.
¡Hold down the <W> and <Q>
buttons and turn the <6> dial to
select the drive mode. Then let go of
the buttons.
u Single shooting
p Low-speed continuous: Max. 3
shots per sec.
o High-speed continuous: Max. 8.5
shots per sec.
77
Self-timer Operation
Select the self-timer mode.
1
¡Hold down the <W> and <Q>
buttons and turn the <6> dial to
select the desired self-timer mode.
Then let go of the buttons.
k: 10-sec.
self-timer
l: 2-sec.
self-timer
Focus the subject.
2
¡Look in the viewfinder and press the
shutter button halfway to check that
the focus confirmation light is on and
the exposure setting is displayed.
Take the picture.
3
¡Press the shutter button completely.
s The self-timer lamp will start blinking
to indicate that it is counting down.
The lamp’s blinking will become faster
two seconds before the picture is
taken.
Do not stand in front of the camera when you press the shutter button to
start the self-timer. Doing so will throw off the focus.
¡ Use a tripod when you use the self-timer.
¡ To cancel the self-timer after it starts, set the <
¡ When using the self-timer to shoot only yourself, use focus lock (p.67) for
an object at about the same distance as where you will be.
¡ The 2-second self-timer is effective for close-ups or photo duplicating
work to prevent camera shake (camera movement while the shutter
button is pressed).
4> switch to <2>.
78
4
Exposure Control
You can set the optimum metering mode, drive mode,
and shooting mode (
subject. Other easy-to-use features are also provided
for diverse shooting.
d/s/f/a) to suit the particular
First set the <4> switch to <1>. If
necessary, also set the <
<
1>.
7> switch to
79
qSelecting a Metering Mode
Select the metering mode.
¡Hold down the <Q> button and
turn the <6> dial to select the
desired metering mode. Then let go of
the button.
q Evaluative Metering
This is the camera’s standard metering
mode suited for most subjects even
under backlit conditions. After detecting
the subject’s position in the viewfinder;
the brightness, background, front and
back lighting conditions; and camera
orientation (horizontal or vertical), the
camera sets the proper exposure.
w Partial Metering
Effective when the background is much
brighter than the subject due to
backlighting, etc. The metering is
weighted at the center covering about
13.5% of the viewfinder area.
r Spot Metering
This is for metering a specific part of the
subject or scene. The metering is
weighted at the center covering about
3.8% of the viewfinder area.
80
e Centerweighted Averaged
If you use flash, you can set flash exposure compensation by holding down
the <
Q> button and turning the <5> dial.
Metering
The metering is weighted at the center
and then averaged for the entire scene.
AF Point-Linked Spot Metering
To make AF point selection faster, the
selectable AF points can be limited to 11
(C.Fn-13-1) or 9 (C.Fn-13-3). The AF
point manually selected among the 11 or
9 will be linked to spot metering (3.8% of
viewfinder). (p.69, 151)
81
Multi-Spot Metering
With multiple spot meter readings, you can see the relative exposure
levels of multiple areas in the picture and set the exposure to obtain the
desired result.
Set the metering mode to spot
1
metering.
Press the <I> button.
2
¡Aim the spot metering point over the
area where you want a relative
exposure reading, then press the
<I> button.
s On the right of the viewfinder, the
relative exposure level will be
displayed for the spot meter reading
taken.
The exposure setting displayed is the
result of averaging the multiple spot
meter readings.
(p.80)
¡While referring to the exposure level indicator’s three spot metering
marks, you can set the exposure compensation to obtain the desired
result.
82
¡ You can take up to eight spot meter readings for one picture. If you press
the <
I> button to try and take a ninth spot meter reading, no spot
meter reading will register.
¡ The exposure setting obtained with multi-spot meter readings will be
canceled in the following cases:
(1) After taking the last spot meter reading, 16 seconds elapse.
(2) You press the <
Q>, <W>, or <E> button.
(3) After taking the picture, you let go of the shutter button.
¡ Multi-spot metering can be fixed at the center or linked to the active AF
point.
83
dProgram AE
Select <d> on the LCD panel.
1
¡Hold down the <W> button and
turn the <6> dial to select <d>.
Then let go of the button.
Focus the subject.
2
¡Look through the viewfinder and aim
the Area AF ellipse over the subject.
Then press the shutter button halfway.
s The AF point which achieves focus
flashes briefly and the focus
confirmation light <o> in the
viewfinder lights at the same time.
At the same time, the green focus
confirmation light <o> in the
viewfinder is displayed.
s The exposure setting will be displayed
on the LCD panel and in the
viewfinder.
Check the display.
3
s The shutter speed and aperture value
will be set automatically and displayed
in the viewfinder and on the LCD
panel.
¡As long as the shutter speed is not
blinking, the exposure will be correct.
Take the picture.
4
¡Compose the shot and press the
shutter button completely.
84
¡ If “30” and the maximum aperture blink, it indicates
underexposure. Increase the ISO speed. Or use
flash.
¡ If “
8000” and the minimum aperture blink, it indicates
overexposure. Decrease the ISO speed. Or attach a
neutral density filter to the lens.
¡ If automatic AF point selection (p.68) has been set, all the AF points that
achieve focus will light.
¡
d stands for Program.
¡ AE stands for Auto Exposure.
¡ If the focus confirmation light <
o> blinks, the shutter will lock and a
picture cannot be taken.
¡ You can freely change the shutter speed and aperture combination
(program) while retaining the same exposure. This is called program shift.
To shift the program, press the shutter button halfway and turn the <
6>
dial until the desired shutter speed or aperture is displayed.
After you take the picture, the program shift will be canceled.
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sShutter-Priority AE
In this mode, you set the shutter speed and the camera automatically
sets the aperture value to suit the brightness of the subject. This is
called Shutter-Priority AE.
A fast shutter speed can freeze the motion of a fast-moving subject and a
slow shutter speed can blur the subject to give the impression of motion.
*s stands for Time value.
Fast shutter speed Slow shutter speed
Select <s> on the LCD panel.
1
¡Hold down the <W> button and
turn the <6> dial to select <s>.
Then let go of the button.
Set the desired shutter speed.
2
¡Look at the top LCD panel and turn
the <6> dial.
Focus the subject.
3
¡Press the shutter button halfway.
s The aperture value is set
automatically.
Check the viewfinder display and
4
shoot.
¡As long as the aperture value is not
blinking, the exposure will be correct.
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¡ If the maximum aperture blinks, it indicates
underexposure. Turn the <
6> dial to set a
slower shutter speed until the aperture
value stops blinking. Or increase the ISO
speed.
¡ If the minimum aperture blinks, it indicates
overexposure. Turn the <
6> dial to set a
faster shutter speed until the blinking stops.
Or decrease the ISO speed.
Shutter Speed Display
The shutter speeds from “
8000” to “4” indicate the denominator of the
fractional shutter speed. For example, “
125” indicates 1/125 sec. Also, “0"5”
indicates 0.5 sec. and “
15"” is 15 sec.
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fAperture-Priority AE
In this mode, you set the desired aperture and the camera sets the
shutter speed automatically to suit the subject brightness. This is called
aperture-priority AE.
A larger aperture (lower f/number) will result in a blurred background
ideal for portraits. The lower the f/number, the more blurred the
background will become. If a smaller aperture (larger f/number) is used,
the foreground and background will be in focus. The higher the f/
number, the clearer the focus will be for both near and far subjects.
*f stands for Aperture value.
With a large aperture With a small aperture
Select <f> on the LCD panel.
1
¡Hold down the <W> button and
turn the <6> dial to select <f>.
Then let go of the button.
Set the desired aperture value.
2
¡Look at the top LCD panel and turn
the <6> dial.
Focus the subject.
3
¡Press the shutter button halfway.
s The shutter speed is set automatically.
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Depth-of-field Preview
¡ If the “30"” shutter speed blinks, it indicates
underexposure. Turn the <
6> dial to set a
larger aperture (smaller f/number) until the
shutter speed stops blinking. Or increase
the ISO speed.
¡ If the “
8000” shutter speed blinks, it indicates
overexposure. Turn the <
6> dial to set a
smaller aperture (larger f/number) until the
aperture stops blinking. Or decrease the
ISO speed.
Aperture Value Display
The larger the f/number, the smaller the aperture opening will be. The
aperture values displayed will differ depending on the lens. If no lens is
attached to the camera, “
00” will be displayed for the aperture value.
The exposure will be locked (AE lock) while you press the depth-of-field
preview button.
Check the viewfinder display and
4
shoot.
¡As long as the shutter speed is not
blinking, the exposure will be correct.
Press the depth-of-field preview button to
stop down the aperture and see the
range of acceptable focus in the
viewfinder.
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aManual Exposure
In this mode, you set both the shutter speed and aperture value as
desired. To determine the exposure, refer to the exposure level indicator
in the viewfinder or use a handheld exposure meter. This method is
called manual exposure.
*a stands for Manual.
Select <a> on the LCD panel.
1
¡Hold down the <W> button and
turn the <6> dial to select <a>.
Then let go of the button.
Turn the <7> switch to <1>.
2
Turn the <6> dial to set the
3
shutter speed and turn the <
dial to set the aperture.
¡To set the aperture, you can also
press the <
<6> dial.
Focus the subject.
4
¡Press the shutter button halfway.
s The exposure setting will be displayed.
¡On the right of the viewfinder, the
exposure level indicator <s> indicates
the current exposure level relative to
the standard exposure index <a>.
O> button and turn the
5>
90
Exposure level indicator
If the top or bottom of the exposure level blinks, it indicates that the
exposure exceeds ±3 stops.
Set the exposure.
5
¡Check the exposure level and set the
desired shutter speed and aperture
value.
Take the picture.
6
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OO
OO
Setting Exposure Compensation
Exposure compensation is used to alter the camera’s standard
exposure setting. You can make the image look lighter (increased
exposure) or darker (decreased exposure). The exposure
compensation amount can be set up to ±3 stops in 1/3-stop increments.
First set the <7> switch to <1>.
Press the shutter button halfway.
1
(9)
¡Check the exposure level.
Turn the <5> dial to set the
2
desired exposure compensation
amount.
s The exposure level indicator <N> is
displayed on the LCD panel, and the
exposure compensation icon <y> and
the exposure level indicator <s> are
displayed in the viewfinder.
¡To cancel exposure compensation, set
the exposure level indicator to the
standard exposure index (<C> or
<a>).
Take the picture.
3
¡ You can also set exposure compensation by pressing the <O> button
(9) and turning the <6> dial.
¡ The exposure compensation amount will remain in effect even after the
4> switch is set to <2>.
<
¡ Ta ke care not to turn the <
compensation inadvertently. To prevent this, turn the <
2>.
<
5> dial and change the exposure
7> switch to
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hAuto Exposure Bracketing
The camera brackets the exposure automatically up to ±3 stops in 1/3stop increments for three successive shots. This is called Auto
Exposure Bracketing (AEB). AEB is possible by automatically changing
the shutter speed or aperture or by changing the ISO speed and
keeping the shutter speed and aperture fixed.
AEB with the Shutter Speed or Aperture
Set the AEB amount.
1
¡Press the <W> and <E>
buttons simultaneously and turn the
<6>.
¡The diagram on the left shows an AEB
amount of ±1 stop centering on the
standard exposure level. The AEB
amount (1.0), the AEB range <N>,
and the <h> icon will be displayed.
Take the picture.
2
s The viewfinder’s exposure level
indicator will indicate the respective
bracketing amount as each shot is
Standard
exposure
Decreased
exposure
Increased
exposure
taken.
¡The current drive mode will be used
for the AEB shooting.
¡After the three bracketed shots are
taken, AEB will not be canceled. To
cancel AEB, set the AEB amount to
“0.0”.
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AEB with the ISO Speed
Set the ISO speed that is to be the standard AEB exposure. For
example, if you want AEB with ±1 stop and ISO 200, 400, and 800, set
the ISO speed to 400.
Set the AEB amount.
¡Hold down the <E> and <Q>
buttons simultaneously and turn the
<5> dial.
¡The diagram on the left shows an AEB
amount of ±1 stop centering on the
standard exposure level. The AEB
amount (1.0), the AEB range <N>,
and the <i> icon will be displayed.
¡The shooting operation will be the
same as AEB shooting while changing
the shutter speed or aperture.
¡ AEB shooting (by changing the shutter speed/aperture or ISO speed)
cannot be used with flash photography and bulb exposures.
¡ AEB shooting is possible only within the settable shutter speed range
(1/8000 - 30 sec.), aperture range, and ISO speed range (100 - 1600).
It is not possible with ISO 50 and 3200 even if the ISO speed extension
is [On].
¡ If you use C.Fn-06-2 to set the exposure setting increment to 1/2 stop,
AEB shooting with the ISO speed will not be possible.
¡ In the continuous shooting mode, holding down the shutter button will
take all three bracketed shots continuously, then the shooting will stop
automatically (except during mirror lockup).
¡ When AEB is used with the self-timer, the three bracketed shots will be
taken in succession after the 2- or 10-second self-timer delay.
¡ If the drive mode is set to single shooting, press the shutter button three
times to take the three AEB shots.
¡ AEB can be combined with exposure compensation.
¡ During AEB shooting, the <
g> icon on the LCD panel will blink.
<
w> icon in the viewfinder and the <h> or
94
AA
Partial or spot metering is recommended for AE lock over a specific point.
(p.80)
AA
AE Lock
AE lock enables you to lock the exposure at a different place from the
point of focus. After locking the exposure, you can recompose the shot
while maintaining the desired exposure level. This feature is useful for
backlit and spotlighted subjects.
Focus the subject.
1
Press the <w> button. (9)
2
¡Aim the viewfinder center over the
subject where you want to lock the
exposure, then press the <
s The <w> icon will light in the
viewfinder and the exposure setting
will be locked (AE lock).
¡Each time you press the <A> button,
it locks the current exposure setting.
Recompose and take the picture.
3
¡The exposure level indicator will show
the AE lock exposure level and the
current exposure level in real-time.
¡If you want to maintain the AE lock
while taking more shots, hold down
the <A> button and press the shutter
button to take another shot.
A> button.
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Bulb Exposures
qew
When bulb is set, the shutter stays open while you hold down the
shutter button fully. This method is called bulb exposure. Use bulb
exposures for night scenes, fireworks, etc., and other subjects requiring
long exposures.
Display “buLb” on the LCD panel.
1
¡Hold down the <W> button and
turn the <6> dial to select “buLb”.
Then let go of the button.
Turn the <6> dial to set the
2
aperture.
Take the picture.
3
¡Press the shutter button completely.
s The elapsed exposure time will be
displayed on the LCD panel.
q: sec. , w: min. , e: hour
¡ Bulb exposures may result in grainy images due to picture noise. Under
the menu’s <
¡ For bulb exposures, using Remote Switch RS-80N3 or Timer Remote
Controller TC-80N3 (both sold separately) is recommended.
ULCD Panel Illumination
The <U> button on the upper right of the camera toggles the LCD
panel illumination on and off. To end the bulb exposure, release the
shutter button completely.
96
z> tab, set [Noise reduction] to reduce the noise.
Mirror Lockup
¡ In very bright light such as at the beach or ski ground on a sunny day,
take the picture promptly after mirror lockup.
¡ During mirror lockup, do not point the camera lens at the sun. The sun’s
heat can scorch and damage the shutter curtains.
¡ Bulb exposures cannot be used with the self-timer. During the self-timer
countdown, if you let go of the shutter button, there will be a shutterrelease sound. This is not the shutter release (no picture is taken).
¡ During mirror lockup, the drive mode will be single shooting (u) to
override the current drive mode (single or continuous).
¡ After 30 seconds, the mirror lockup will be canceled automatically.
Pressing the shutter button completely again locks up the mirror again.
¡ For mirror lockup, using Remote Switch RS-80N3 or Timer Remote
Controller TC-80N3 (both sold separately) is recommended.
Mirror lockup is enabled with C.Fn-12. (p.151) This prevents mirror
vibrations which may blur the image during close-ups or when a super
telephoto lens is used. Set Custom Functions with 3 <n>.
Press the shutter button
1
completely.
s The mirror will lock in the up position.
Again press the shutter button
2
completely.
s The picture is taken and the mirror
goes back down.
Eyepiece Shutter
If you take a picture without looking
through the viewfinder, stray light may
enter the eyepiece and affect the
exposure. To prevent this, turn the
eyepiece shutter lever as shown by the
arrow to shutter the eyepiece.
97
Flash Photography
With EX-series Speedlites
An EOS-dedicated, EX-series Speedlite makes flash photography as
easy as any AE mode. For details on using the EX-series Speedlite,
refer to the Speedlite’s instruction manual. The EOS-1D Mark II is a
Type-A camera compatible with all EX-series Speedlites providing the
features below.
• E-TTL II Autoflash
E-TTL II is a new autoflash exposure system incorporating improved
flash exposure control and lens focusing distance information,
making it more precise than the previous E-TTL (evaluative flash
metering with preflash) system.The camera can execute E-TTL II
autoflash with any EX-series Speedlite.
• High-Speed Sync (FP Flash)
High-speed sync (FP or focal-plane flash) enables flash
synchronization with all shutter speeds from 30 sec. to 1/8000 sec.
• FE (Flash Exposure) Lock
Press the camera’s <I> button to lock the flash exposure at the
desired part of the subject. This is the flash equivalent of AE lock.
• Flash exposure compensation
In the same way as normal exposure compensation, you can set
exposure compensation for flash. Set flash exposure compensation
up to ±3 stops in 1/3-stop increments.
• FEB (Flash Exposure Bracketing)
FEB is the flash version of AEB. (Only with FEB-compatible
Speedlites.) Set flash exposure bracketing up to ±3 stops in 1/3-stop
increments.
• E-TTL II wireless autoflash with multiple Speedlites
Like with wired, multiple Speedlites, E-TTL II wireless autoflash with
multiple Speedlites provides all the above features. Since connection
cords are unnecessary, flexible and sophisticated lighting setups are
possible. (Only with wireless-compatible Speedlites.)
98
Metered Manual Flash Exposure
For closeup flash photography, you can set the flash exposure
manually. With an EX-series Speedlite having a manual flash mode,
follow the procedure below:
1 Set the camera and Speedlite settings.
¡ Set the camera’s shooting mode to <a> or <f>.
¡ Set the Speedlite to manual flash.
2 Focus the subject.
¡ Focus manually.
3 Aim the spot metering circle over the subject, then
press the <FEL> button
s The Speedlite will fire a preflash and the required flash output
is retained in memory.
s In the viewfinder, the exposure level indicator will indicate the
currently-set flash exposure level relative to the standard
exposure index.
(8).
4 Set the flash exposure level.
¡
Adjust the Speedlite’s manual flash level and the
camera aperture so that the flash exposure level
indicator is aligned with the standard exposure index.
5 Take the picture.
TTL and A-TTL Autoflash Speedlites
¡With TTL and A-TTL autoflash Speedlites (EZ-, E-, EG-, ML-, TL-
series) set in the TTL or A-TTL autoflash mode, the flash will be fired
only at full output. If you set the camera’s shooting mode to manual or
aperture-priority AE, you can adjust the aperture and fire the flash at
full output. Meanwhile, the Speedlite will remain in the TTL or A-TTL
autoflash mode.
¡When the 550EX is set to C.Fn-03-1, the flash will be fired at full
output even in the TTL autoflash mode.
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Non-Canon Flash Units
Sync Speed
The EOS-1D Mark II can synchronize with compact, non-Canon flash
units at 1/250 sec. or slower shutter speeds. With large studio flash, the
sync speed is 1/125 sec. or slower. Be sure to test the flash to see if it
synchronizes properly with the camera.
PC Terminal
¡The camera’s PC terminal is provided for flash units having a sync
cord. The PC terminal is threaded to prevent inadvertent
disconnection.
¡The camera’s PC terminal has no polarity so you can connect any
sync cord regardless of its polarity.
¡ If the camera is used with a flash unit (with dedicated flash contacts) or
flash accessory dedicated to another camera brand, the camera may not
operate properly and camera malfunction may result. Also, do not
connect to the camera’s PC terminal any flash unit requiring 250 V or
higher voltage.
¡ Do not attach a high voltage flash unit on the camera’s hot shoe. It might
not work.
A Speedlite attached to the camera’s hot shoe and a flash unit connected to
the PC terminal can be used at the same time.
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