Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
This guide shows how to use the DUAL CUBE LX Editor.
* Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.
* The names of the respective companies and products are used in this guide to appropriately explain about the various sounds that are emulated with DSP
technology.
Preparing to Use the DUAL CUBE LX Editor
Installing the USB Driver
Before you use DUAL CUBE LX Editor, the appropriate USB driver for the
product you’re using must be installed on your computer.
1. From the product support page, download the DUAL CUBE
Driver.
To obtain the latest USB driver, access the following URL, and
download and install the appropriate driver for the product you’re
using.
https://www.boss.info/support/
2. Double-click the downloaded DUAL CUBE driver.
Installation begins.
Follow the onscreen instructions to install.
When the screen indicates “Installation has been completed.”, click
the [Close] button.
The DUAL CUBE Driver has been installed on your computer.
Installing the DUAL CUBE LX Editor
MEMO
Before you install the DUAL CUBE LX Editor, you must follow the steps
described in “Installing the USB Driver” (p. 1) to install the USB driver on
your computer.
Windows users
Launching the DUAL CUBE LX Editor
1. Use a USB cable to connect the DUAL CUBE LX to
your computer, and then turn on the power of the
DUAL CUBE LX.
MEMO
You can still edit livesets even when the DUAL CUBE LX is not
connected to a computer via USB cable.
However, you can’t save the resulting patches you edit. To save this
data, the unit must be connected to your computer.
To use the Editor, you must set the USB driver used by this unit to the
dedicated USB driver. For details, refer to “Owner’s Manual”.
2. From the [Start] menu, select [All Programs]
Editor] Ø [DUAL CUBE LX Editor].
The rst time you launch the software, the dialog box “Choose a
device to connect with” appears.
MEMO
On the second and subsequent startups, the device is selected
automatically.
macOS users
From the Finder, in the application/BOSS/DUAL CUBE LX folder,
double-click [DUAL CUBE LX Editor (.app)].
3. Choose “DUAL CUBE”, and click the [OK] button.
Ø
[DUAL CUBE LX
1. Unpack the ZIP le.
2. Double-click “BOSS TONE STUDIO for DUAL CUBE LX
Installer.exe”.
Installation begins.
3. Follow the onscreen instructions to install.
4. When you see the message “Completing the DUAL CUBE LX
Editor Setup Wizard”, click the [Finish] button.
Mac users
1. Unpack the ZIP le.
2. Double-click “DUAL CUBE LX Editor Installer.pkg”.
Installation begins.
3. Follow the onscreen instructions to install.
4. When the screen indicates “The installation was successful.
The software was installed”, click the [Close] button.
Launch the DUAL CUBE LX Editor.
MEMO
It may take some time before you can use the DUAL CUBE LX Editor,
as data needs to be loaded from the DUAL CUBE LX.
© 2022 Roland Corporation
1
01
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
EDITOR Basic Screen
2 3
1
4
5
1. Patch select area
Here you can select the PANEL patch as well as 27 other patches by combining the AMP TYPE knob setting on the DUAL CUBE LX with the MEMORY
button colors (green, red, orange).
2. Function select area
3. [CLEAR]/[WRITE] buttons
Click the [CLEAR] button to reset all settings to the original settings of the DUAL CUBE LX. Press the [WRITE] button to save the edited settings to the
patch select area (p. 3).
4. Amp setting edit area
You can set the AMP TYPE for each patch to a dierent amp type name than the one listed in the patch select area.
5. Eect edit area
Here’s where you use the [EFFECTS] and [DELAY/REVERB] knobs, congure other eects and so on.
2
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
Editing a Patch
1. At the top of DUAL CUBE LX Editor screen, click the
[EDITOR] button.
2. Click the patch that you want to edit.
3. Operate the knobs and buttons onscreen with your mouse
to edit the values.
Saving Your Edited Settings (WRITE)
Here’s how to save the settings you’ve edited.
1. In the upper right of the DUAL CUBE LX Editor screen, click
the [WRITE] button.
The “WRITE” dialog box appears.
2. If you want to change the name of the patch, click the
PATCH NAME eld and use your computer keyboard to
enter a patch name.
3. Select the save destination.
NOTE
When you save, the patch of the selected number is overwritten; the
original settings cannot be recovered. Select a patch that you don’t
mind overwriting.
3
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
4. Click [WRITE].
The patch you edited is saved in the specied destination.
MEMO
To discard your edited settings, click the [CLEAR] button in the top
right-hand part of the screen.
Default Eects Assigned to Each Knob
The factory default eects that are pre-assigned to each knob are as
follows.
AMP TYPE VARIATION
ACOUSTIC SIM –
JC CLEAN –
US COMBO A
BRIT COMBO A
HI-GAIN STACK A
METAL STACK A
EXTREME A
MIC –
STEREO IN –
* VARIATION button: selects between two types of sound (A/B) for
each amp type. This works with the amp types from US COMBO to
EXTREME.
Function Setting
STEREO PRE AMP OFF
* STEREO PRE AMP button: this button works when the AMP TYPE is
set to STEREO IN. When this is ON, the JC CLEAN sound is used.
Eect TYPE
CHORUS STEREO 1
PHASER 4STAGE
DELAY ANALOG
REVERB PLATE
PEDAL WAH CRY WAH
4
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
LIBRARIAN Basic Screen
1
2
3
5
6
4
1. [CREATE LIVESET] button
Press this button to create a new empty liveset.
2. Liveset name
Shows the name of the liveset and the number of patches.
3. Liveset name edit button
Click this to edit the name of the liveset. You can click the trash can symbol to delete the liveset.
4. PATCH name edit button
Click this to edit the name of the patch. You can click the trash can symbol to delete the patch.
5. [Import] button
This lets you import all of the DUAL CUBE LX unit’s patches into the LIBRARIAN, or import a LIBRARIAN le from your computer into the LIBRARIAN.
6. [Export] button
Use this to export a liveset to the DUAL CUBE LX, or to export a liveset and save it on your computer.
5
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
Importing All User Patches into the LIBRARIAN
(IMPORT FROM DUAL CUBE LX)
Here’s how you can import all of the DUAL CUBE LX’s user patches into the
LIBRARIAN.
All user patches are saved as a liveset.
1. In the DUAL CUBE LX Editor screen, click the [LIBRARIAN]
button.
2. At the top of the DUAL CUBE LX Editor screen, click the
[Import] button.
5. Click the [OK] button.
The patches are saved as a liveset in the LIBRARIAN.
Exporting a LIBRARIAN Liveset (EXPORT TO
DUAL CUBE LX)
Here’s how a liveset that you saved can be restored to the DUAL CUBE LX.
3. Click the [DUAL CUBE LX] button.
The CREATE LIVESET screen appears.
1. At the top of the DUAL CUBE LX Editor screen, click the
[Export] button.
2. From SELECT LIVESET, select the liveset that you want to
export.
4. Enter the liveset name, and click the [OK] button.
Import begins. If you decide to cancel during the operation, click the
[CANCEL] button.
It will take some time to import all of the DUAL CUBE LX’s patches.
When import is nished, the message “Completed.” appears.
3. Click the [DUAL CUBE LX] button.
Export begins. If you decide to cancel during the operation, click the
[CANCEL] button.
When export is nished, the message “Completed.” appears.
4. Click the [OK] button.
The selected liveset is written back into the DUAL CUBE LX.
6
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
Restoring a Patch to the DUAL CUBE LX
Here’s how to select a patch from a liveset that you saved, and restore it
back to the DUAL CUBE LX.
1. Drag the patch that you want to restore and drop it onto
the desired patch number of the DUAL CUBE LX.
NOTE
When you drop a patch, it overwrites the patch of the selected
number; the original settings cannot be recovered. Select a patch
that you don’t mind overwriting.
Saving a Liveset to a Computer (EXPORT TO FILE)
Livesets that you backed up can be exported to your computer.
1. At the top of the DUAL CUBE LX Editor screen, click the
[Export] button.
2. From SELECT LIVESET, select the liveset that you want to
export.
3. Click the [FILE] button.
The “Save As” dialog box appears.
4. Enter a name and the save destination, and click the [Save]
button.
A liveset le (.tsl) is created at the save-destination.
What you can do with an exported liveset
¹ Use a USB ash drive or other media to copy your livesets to a dierent
device.
¹ Send your livesets via e-mail or other means to another DUAL CUBE LX
user.
MEMO
You can also select multiple patches as described in “Selecting
multiple patches” (p. 9).
7
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
Importing a Liveset from a Computer into the
LIBRARIAN (IMPORT FROM FILE)
Livesets that you exported to a computer can be imported into a DUAL CUBE LX
Editor library.
1. At the top of the DUAL CUBE LX Editor screen, click the
[Import] button.
2. Click the [FILE] button.
The “Open” dialog box appears.
3. Select the liveset le (extension: .tsl) that you want to
import into the library, and click the [Open] button.
The liveset is imported into the LIBRARIAN.
Creating an Original Liveset
You can collect your favorite patches to create an original liveset.
1. At the top of the DUAL CUBE LX Editor screen, click the
[CREATE LIVESET] button.
2. Input a name for the liveset.
3. Click the [OK] button.
An empty liveset containing no patches is created.
4. From the patch list at the left of the DUAL CUBE LX Editor
screen, drag and drop your favorite patches into the new
liveset.
The selected patches are registered in the new liveset.
MEMO
¹ A maximum of 30 patches can be registered in one liveset. If
inserting patches would cause the liveset to exceed 30 patches, the
patches that exceed 30 are not inserted (a message is displayed).
¹ Patches that are registered in another liveset can also be dragged
and dropped into the new liveset.
¹ You can drag and drop the patches in the liveset to change their
order.
¹ The DUAL CUBE LX Editor lets you create up to 50 livesets. If you
want to create and save more than 50 livesets, use the EXPORT TO
FILE function to save existing livesets on your computer.
8
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
Copying Patches
Here’s how to copy a patch to another liveset or to an DUAL CUBE LX patch.
1. Click the patch that you want to copy.
MEMO
You can also select and copy multiple patches as described in
“Selecting multiple patches” (p. 9).
2. Drag and drop the selected patches onto the desired copy-
destination.
NOTE
When you drop the patches, they are overwritten onto the patches of
the selected red area, and the original settings cannot be recovered.
Select a patch that you don’t mind overwriting.
Selecting multiple patches
By using your computer’s mouse and keyboard together, you can select
multiple patches.
Selecting a range of patches
Here’s how to select a range of consecutive patches.
1. Click the rst patch that you want to select.
2. While holding down your computer keyboard’s Shift key,
click the last patch that you want to select.
The rst through last patches that you click are selected.
Selecting patches individually
Here’s how to select just the individual patches that you click.
1. While holding down your computer keyboard’s Ctrl key,
click a patch that you want to select.
The patch you click is selected. The selected patch is highlighted.
macOS users
While holding down your computer keyboard’s command key, click a
patch that you want to select.
2. If you want to select other patches, repeat step 1.
If you hold down the Ctrl key and click a selected (highlighted)
patch once again, the selection is cleared (that patch is no longer
highlighted).
MEMO
¹ If you select non-consecutive patches and copy them, they are
copied as successive patches.
¹ A maximum of 30 patches can be registered in one liveset. If
inserting patches would cause the liveset to exceed 30 patches, the
patches that exceed 30 are not inserted (a message is displayed).
¹ Patches that are registered in a liveset can be copied to your own
liveset or to a new liveset.
9
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
The dierence between operations when
selecting and copying multiple patches
When you drag and drop the selected patches, the copy result will
dier depending on your mouse operation.
Drag and drop when a red area is shown at the copy
destination (overwrite copy)
The patches are copied to the area indicated by the red color.
Moving Patches
Here’s how to move a patch to another liveset or to an DUAL CUBE LX
patch. When you move a patch, it disappears from its previous location.
1. Click the patch that you want to move.
MEMO
You can also select and move multiple patches as described in
“Selecting multiple patches” (p. 9).
2. While holding down your computer keyboard’s Alt key,
drag and drop the selected patch to the desired copydestination.
macOS users
While holding down your computer keyboard’s option key, drag and
drop.
Deleting Patches
Here’s how to delete an unwanted patch.
1. Click the patch that you want to delete.
MEMO
You can also select and delete multiple patches as described in
“Selecting multiple patches” (p. 9).
Drag and drop between copy-destination patches (insert)
The patches are inserted at the position of the red line. Subsequent
patches are moved backward.
2. Press the Delete key on your computer’s keyboard.
The “DELETE PATCH” message appears.
NOTE
Deleted patches cannot be recovered. If you decide not to delete,
click the [CANCEL] button.
3. Click the [OK] button.
The selected patches are deleted.
10
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
Editing a Liveset Name
1. Click the [ ] button to the right of the name of the liveset
that you want to edit.
Rearranging Livesets
Here’s how to rearrange (sort) the livesets that are shown.
Deleting a Liveset
Here’s how to delete a liveset that you no longer need.
1. Click the [ ] button to the right of the name of the liveset
that you want to delete.
2. Click the [ ] button.
The “Delete liveset” message appears.
1. Click the liveset that you want to rearrange.
2. Drag and drop the liveset name.
The liveset moves to the position indicated by the red line.
NOTE
Deleted livesets cannot be recovered. If you decide not to delete,
click the [CANCEL] button.
3. Click the [OK] button.
The selected liveset is deleted.
Using the Tuner
A tuner is available for tuning your guitar that’s connected to the
DUAL CUBE LX.
1. In the DUAL CUBE LX Editor screen, click the [TUNER]
button.
Parameter Value Explanation
PITCH 435Hz–445Hz Species the reference pitch.
11
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
Selecting the Device Controlled by DUAL CUBE LX Editor
Here’s how to select the device controlled by the DUAL CUBE LX Editor.
1. At the top of the DUAL CUBE LX Editor screen, click the
[SYSTEM] button.
The MENU screen appears.
2. Click [DEVICE SETTING].
The “DEVICE SETTING” screen appears.
3. Click SELECT DEVICE, and from the list choose
[DUAL CUBE].
Adjusting the Overall Tonal Character of the DUAL CUBE LX (GLOBAL EQ)
Here you can place the global equalizer before (INPUT) or after (OUTPUT)
the eect chain. The global equalizer is applied in common to all patches.
1. At the top of the DUAL CUBE LX Editor screen, click the
[SYSTEM] button.
2. Click [GLOBAL EQ].
The GLOBAL EQ screen appears.
Click the [Ā] button to switch the eect on/o.
3. Congure the global equalizer settings.
One equalizer type can be set.
4. Click the [CLOSE] button.
This exits the settings.
12
Using the DUAL CUBE LX Editor/EV-1-WL Connection Guide
Other System Settings
1. At the top of the DUAL CUBE LX Editor screen, click the
[SYSTEM] button.
The MENU screen appears.
2. Select the parameter to set.
AMP BATTERY CHECK
Here you can check the remaining battery power of the DUAL CUBE LX.
FOOT SW / PEDAL SETTING
This selects the parameters controlled by a footswitch or wireless MIDI
expression pedal (sold separately).
See “EV-1-WL Connection Guide” (p. 17) for how to connect the EV-1-WL
wireless MIDI expression pedal.
MIXER
Use this to adjust the levels for i-CUBE LINK, AUX IN, Bluetooth audio and
a headset mic.
* The Bluetooth Audio MIDI Dual Adaptor (BT-DUAL, sold separately) is
needed when using Bluetooth audio.
Setting Target signal Parameter Explanation
Outputs the signal
before it reaches the
PRE AMP.
Outputs the signal
before it reaches the
MASTER.
Adjusts the input
level.
Adjusts the signal
level sent to i-CUBE
LINK OUT.
Adjusts the signal
level sent to USB
OUT.
Adjusts the output
level for i-CUBE LINK
OUT/LINE OUT.
i-CUBE LINK /
LINE OUT
POSITION
AUX / Bluetooth
/ MIC
i-CUBE LINK /
LINE OUT
i-CUBE LINK OUT/LINE
OUT
i-CUBE LINK, AUX IN,
Bluetooth audio,
headset mic
i-CUBE LINK OUT / LINE
OUT
DIRECT OUT
MIX OUT
IN LEVEL
TO i-CUBE LINK
OUT LEVEL
TO USB OUT LEVEL
OUT LEVEL
STEREO WIDE SETTING
Use this setting for a “stereo wide” eect that has an even more massive
presence in the stereo speakers of the DUAL CUBE LX, when AMP TYPE is
set to “STEREO IN”. You can adjust the depth of the stereo wide eect, and
select which signal the eect is to be applied.
Position Parameter Explanation
MASTER
POSITION
LEVEL 0–100
GUITAR
i-CUBE LINK/AUX IN
The stereo wide eect is applied to both
GUITAR and i-CUBE LINK/AUX IN.
The stereo wide eect is applied to
GUITAR only.
The stereo wide eect is applied to only
i-CUBE LINK/AUX IN.
Adjusts the depth of the stereo wide
eect.
FOOT SW CTRL ASSIGN
TIP/RING
This selects the functions controlled by TIP/RING on the FOOT SW jack.
Parameter Value Explanation
Alternately switches between two patches
that you set in MEMORY 1/2 ASSIGN.
Controls the looper REC, PLAY, DUB, STOP
and ERASE operations.
Switches the DELAY and REVERB on/o.
TIP, RING
MEMORY
LOOPER
EFFECTS: OFF/ON Switches the eects on/o.
DELAY/REVERB:
OFF/ON
PEQ: OFF/ON Switches the PEQ on/o.
TAP Sets the delay to a tap delay.
OFF Nothing is set.
MEMORY 1 ASSIGN/MEMORY 2 ASSIGN
This selects the applicable memories used when MEMORY is assigned with
TIP/RING.
Press the footswitch to switch between MEMORY 1 and MEMORY 2.
Position Parameter Explanation
MEMORY 1 ASSIGN,
MEMORY 2 ASSIGN
PANEL Species the panel of the DUAL CUBE LX.
AC-GRN–ST-ORG Species each patch.
LOOPER SETTING
You can select the recording time.
USB SETTING
You can set the USB audio volume used when your computer is connected
to the DUAL CUBE LX.
Position Parameter Explanation
MIX LEVEL
PRIMARY
EFFECT OUT LEVEL
TO EFFECT LEVEL
SECONDARY
DRY OUT LEVEL
Adjusts the level of input just before
the signal from the computer reaches
MASTER.
Adjusts the level of audio output to the
computer, just before the signal from the
computer reaches MASTER.
Adjusts the level of input just before the
signal from the computer reaches PRE
A MP.
Adjusts the level of audio output to the
computer, just before the signal from the
computer reaches PRE AMP.
OWNER’S MANUAL
Here you can view the Owner’s Manual for the unit, and view the pages of
this manual.
* Your mobile device must be connected to the Internet to view this
content.
VERSION
Here you can view the version and license information for the DUAL CUBE LX
Editor software.
13
DUAL CUBE LX Eect Parameter List
CHORUS
Chorus is an eect that creates a beautiful tonal spaciousness and depth
by adding a slightly modulated sound.
Type Explanation
MONO
STEREO 1
STEREO 2
2x2 CHORUS
MONO, STEREO 1, STEREO 2 parameters
Parameter Value Explanation
RAT E 0–100 Adjusts the rate of the chorus eect.
DEPTH 0–100 Adjusts the depth of the chorus eect.
PRE DELAY 0–10ms
WAVE FORM
LOW CUT
HIGH CUT
EFFECT LEVEL 0–100 Adjusts the volume of the eect sound.
DIRECT MIX 0–100
2x2 CHORUS parameters
Parameter Value Explanation
LOW RATE 0–100
LOW DEPTH 0–100
LOW PRE DELAY 0.0–40.0ms
LOW LEVEL 0–100
XOVER FREQ
This chorus eect outputs the same sound from both the L and R
channels.
This stereo chorus uses spatial synthesis, with the direct sound
output to the L channel and the eect sound output to the R
channel.
This is a two-phase stereo chorus eect that adds dierent chorus
sounds to the L and R channels.
The frequency bands are divided to produce two dierent choruses,
one for low frequencies and one for higher frequencies. This makes
the chorus sound more natural.
Adjusts the time needed for the eect sound
to be output after the direct sound has been
output.
Produces a deeper sense of modulation.
SIN
Produces a typical chorus eect.
TRI
FLAT, 20.0Hz–
20.0kHz
20.0Hz–
20.0kHz, FLAT
100Hz–
4.00kHz
Sets the frequency at which the low cut lter
begins to take eect. When “FLAT” is selected,
the low cut lter has no eect.
Sets the frequency at which the high cut lter
begins to take eect. When “FLAT” is selected,
the high cut lter has no eect.
Adjusts the volume of the direct sound.
Setting this to 0 cuts the direct sound.
Adjusts the speed of the chorus eect for the
low frequency range.
Adjusts the depth of the chorus eect for the
low frequency range. To use this as a doubling
eect, set this to “0”.
Adjusts the delay of the eect sound in the
low-frequency range. Extend the pre-delay
to produce the sensation of multiple sounds
(doubling eect).
Adjusts the volume of the chorus sound in
the low-frequency range.
This sets the frequency dividing the low- and
high-frequency ranges.
FLANGER
The anger eect gives a twisting, jet-airplane-like character to the
sound.
Parameter Value Explanation
RAT E 0–100 Sets the rate of the anging eect.
DEPTH 0–100 Determines the depth of the anging eect.
RESONANCE 0–100
MANUAL 0–100
LOW CUT
EFFECT LEVEL 0–100 Adjusts the volume of the anger.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
FLAT,
55Hz–800Hz
Determines the amount of resonance
(feedback). Increasing the value emphasizes the
eect, for a more unusual sound.
Adjusts the center frequency at which to apply
the eect.
Sets the frequency at which the low cut lter
begins to take eect. When “FLAT” is selected,
the low cut lter has no eect.
PHASER
Gives a whooshing, swirling character to the sound by adding variedphase portions to the direct sound.
Parameter Value Explanation
TYPE
RAT E 0–100 Sets the rate of the phaser eect.
DEPTH 0–100 Determines the depth of the phaser eect.
RESONANCE 0–100
MANUAL 0–100 Adjusts the center frequency of the phaser eect.
STEP RATE
EFFECT LEVEL 0–100 Adjusts the volume of the phaser.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
Select the number of stages for the phaser eect.
4STAGE
8 STAGE
12STAGE
BiPHASE
OFF,
0–100
This is a four-phase eect. A light phaser eect is
obtained.
This is an eight-phase eect. Oers a popular
phaser eect sound.
This is a twelve-phase eect. A deep phase eect
is obtained.
This is a phaser with two phase shift circuits
connected in series.
Determines the amount of resonance (feedback).
Increasing the value emphasizes the eect, for a
more unusual sound.
This sets the cycle of the step function that
changes the rate and depth. When it is set to a
higher value, the change will be ner. Set this to
“OFF” when not using the Step function.
TREMOLO
This eect creates a cyclic change in volume.
Parameter Value Explanation
WAVE SHAPE 0–100
RAT E 0–100
DEPTH 0–100 Adjusts the depth of the volume change.
LEVEL 0–100 Adjusts the volume.
Adjusts how the volume level changes
(the curve). Higher values create steeper wave
shapes (more abrupt changes).
Adjusts the frequency (speed) of the volume
change.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
HIGH RATE 0–100
HIGH DEPTH 0–100
HIGH PRE DELAY 0.0–40.0ms
HIGH LEVEL 0–100
Adjusts the speed of the chorus eect for the
high frequency range.
Adjusts the depth of the chorus eect for
the high frequency range. To use this as a
doubling eect, set this to “0”.
Adjusts the delay of the eect sound in the
high-frequency range. Extend the pre-delay
to produce the sensation of multiple sounds
(doubling eect).
Adjusts the volume of the chorus sound in
the high-frequency range.
14
DUAL CUBE LX Eect Parameter List
HEAVY OCTAVE
Adds a pitch that’s one octave lower than the original sound. This also
applies when you play chords, adding thickness to the chords you play.
Parameter Value Explanation
1OCT LEVEL 0–100
2OCT LEVEL 0–100
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
Adjusts the volume of the sound that’s one
octave below.
Adjusts the volume of the sound that’s two
octaves below.
DELAY
This eect adds delayed sound to the direct sound, to give more body to
the sound or create special eects.
Type Explanation
DIGITAL A simple delay.
ANALOG Gives a mild analog delay sound.
TAPE ECHO Creates the characteristic wavering sound of a tape echo.
REVERSE Produces a reverse playback eect.
MODULATE This delay adds a pleasant wavering eect to the sound.
SDE-3000 This models the sound of the Roland SDE-3000.
DELAY parameters
Parameter Value Explanation
TYPE Refer to the delay types.
DELAY TIME 1–2000ms Adjusts the delay time.
FEEDBACK 0–100
HIGH CUT
EFFECT LEVEL 0–120 Adjusts the volume of the delay sound.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
MOD RATE
(TYPE = MODULATE or
SDE-3000 only)
MOD DEPTH
MODULATE or SDE-3000
only)
TAP TIME - - -
FILTER
(TYPE = SDE-3000 only)
RANGE
(TYPE = SDE-3000 only)
DELAY PHASE
(TYPE = SDE-3000 only)
FEEDBACK PHASE
(TYPE = SDE-3000 only)
MOD SW
(TYPE = SDE-3000 only)
630Hz–12.5kHz,
FLAT
0–100
(TYPE =
0–100
OFF, ON
8kHz, 17kHz
NORMAL, INVERSE
NORMAL, INVERSE
OFF, ON
Adjusts the volume of delay that is returned
to the input. Higher values increase the
number of delay repeats.
Sets the frequency at which the high cut
lter begins to take eect. When “FLAT” is
selected, the high cut lter has no eect.
Adjusts the modulation rate of the delay
sound.
* Only when TYPE is MODULATE or SDE-
3000.
Adjusts the modulation depth of the delay
sound
* Only when TYPE is MODULATE or SDE-
3000.
Sets the delay time. When you press this
button two or more times, the delay time is
set to the interval between presses.
Turns the lter on/o. If this is on, a naturalsounding eect is obtained when you’re
using the delay as an echo.
* Only when TYPE is SDE-3000.
Models the way in which the SDE-3000’s
frequency response is aected by the delay
range.
* Only when TYPE is SDE-3000.
Species the phase of the delay sound.
Selecting INV inverts the phase.
* Only when TYPE is SDE-3000.
Species the phase of the delay sound
feedback. Selecting INV inverts the phase.
* Only when TYPE is SDE-3000.
Turns the modulation on/o.
* Only when TYPE is SDE-3000.
REVERB
This eect adds reverberation to the sound.
Type Explanation
PLATE
ROOM
HALL
SPRING This simulates the sound of a guitar amp’s built-in spring reverb.
MODULATE
Simulates plate reverberation (a reverb unit that uses the vibration
of a metallic plate). Provides a metallic sound with a distinct upper
range.
Simulates the reverberation in a small room. Provides warm
reverberations.
Simulates the reverberation in a concert hall. Provides clear and
spacious reverberations.
This reverb adds the wavering sound found in hall reverb to provide
an extremely pleasant reverb sound.
* This is disabled when using types other than SPRING and the DELAY/
REVERB knob is set to “SPRING”.
REVERB parameters
Parameter Value Explanation
REVERB TIME 0.1–10.0s Adjusts the length (time) of reverberation.
PRE DELAY 0–500ms
LOW CUT
HIGH CUT
DENSITY 0–10 Adjusts the density of the reverb sound.
EFFECT LEVEL 0–100 Adjusts the volume of the reverb sound.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
COLOR
(TYPE = SPRING
only)
FLAT,
20Hz–800Hz
630Hz–12.5kHz,
FLAT
0–100 Adjusts the unique spring reverb sound.
Adjusts the time until the reverb sound
starts to output.
Sets the frequency at which the low cut
lter begins to take eect. When “FLAT” is
selected, the low cut lter has no eect.
Sets the frequency at which the high cut
lter begins to take eect. When “FLAT” is
selected, the high cut lter has no eect.
PARAMETRIC EQ (PEQ)
Adjusts the tone. You can adjust the sound character in four bands.
Parameter Value Explanation
POSITION AMP IN, AMP OUT
LOW GAIN -20–+20dB Adjusts the low frequency range tone.
LOW-MID GAIN -20–+20dB
HIGH-MID GAIN -20–+20dB
HIGH GAIN -20–+20dB Adjusts the high frequency range tone.
LEVEL -20–+20dB
LOW CUT FLAT, 20 Hz–800 Hz
LOW-MID
FREQUENCY
LOW-MID Q 0.5–16
HIGH-MID
FREQUENCY
HIGH-MID Q 0.5–16
HIGH CUT
20Hz–10.0kHz
20.0Hz–10.0kHz
630Hz–12.5kHz,
FLAT
15
The PEQ can be placed before (AMP IN)
or after (AMP OUT) the AMP TYPE block.
Adjusts the low-middle frequency range
tone.
Adjusts the high-middle frequency
range tone.
Adjusts the overall volume level of the
equalizer.
Sets the frequency at which the low
cut lter begins to take eect. When
“FLAT” is selected, the low cut lter has
no eect.
Species the center of the frequency
range that will be adjusted by the LOWMID GAIN.
Adjusts the width of the area aected by
the EQ centered at the LOW-MID FREQ.
Higher values will narrow the area.
Species the center of the frequency
range to be adjusted by the HIGH-MID
GAIN.
Adjusts the width of the area aected by
the EQ centered at the HIGH-MID FREQ.
Higher values will narrow the area.
Sets the frequency at which the high
cut lter begins to take eect. When
“FLAT” is selected, the high cut lter has
no eect.
DUAL CUBE LX Eect Parameter List
NS (NOISE SUPPRESSOR)
This eect reduces the noise and hum picked up by guitar pickups. Since
it suppresses the noise in synchronization with the envelope of the guitar
sound (the way in which the guitar sound decays over time), it has very
little eect on the guitar sound, and does not harm the natural character
of the sound.
Parameter Value Explanation
ON/OFF OFF, ON Turns this eect on/o.
Adjust this parameter as appropriate for the
volume of the noise. If the noise level is high, a
higher setting is appropriate. If the noise level is
THRESHOLD 0–100
RELEASE 0–100
low, a lower setting is appropriate.
* High settings for the threshold parameter may
result in there being no sound when you play
with your guitar volume turned down.
Adjusts the time from when the noise suppressor
begins to function until the noise level reaches “0”.
PEDAL WAH
Use an EV-1-WL wireless MIDI expression pedal (sold separately) to control
the wah eect in real time.
Parameter Value Explanation
Selects the wah mode.
CRY WAH
VO WAH This models the sound of the VOX V846.
FAT WAH This is a wah sound featuring a bold tone.
TYPE
PEDAL POS
(PEDAL POSITION)
PEDAL MIN 0–100
PEDAL MAX 0–100
EFFECT LEVEL 0–100 Adjusts the volume of the eect sound.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.
LIGHT WAH
7STRING
WAH
RESO WAH
0–100
This models the sound of the CRY BABY wah
pedal popular in the ’70s.
This wah has a rened sound with no unusual
characteristics.
This expanded wah features a variable range
compatible with seven-string and baritone
guitars.
This completely original eect enhances the
characteristic resonances produced by analog
synth lters.
Adjusts the position of the wah pedal.
* This parameter is used after it’s been assigned
to an EXP pedal or similar controller.
Selects the tone produced when the heel of the
pedal is depressed.
Selects the tone produced when the toe of the
pedal is depressed.
FOOT VOLUME
This is a volume control eect.
Parameter Value Explanation
VOLUME MIN 0–100
VOLUME MAX 0–100
LEVEL 0–100 Sets the volume.
* Use the EV-1-WL (sold separately) to control the LEVEL.
Sets the volume when the heel of the EXP Pedal is
depressed.
Sets the volume when the toe of the EXP Pedal is
depressed.
16
EV-1-WL Connection Guide
This guide explains how you can use BLE MIDI to wirelessly pair (connect) the EV-1-WL and DUAL CUBE LX.
* The Bluetooth Audio MIDI Dual Adaptor (BT-DUAL, sold separately) is needed when wirelessly pairing the EV-1-WL with the DUAL CUBE LX.
See the Owner’s Manual for how to attach the adaptor.
What is “BLE MIDI”?
“BLE MIDI” is the technology used to transmit and receive MIDI
messages wirelessly via Bluetooth® LE.
This is ocially known as “MIDI over Bluetooth Low Energy”.
Connecting the DUAL CUBE LX, EV-1-WL and
DUAL CUBE LX Editor at the Same Time
Connect the units in the order shown below.
Connection 1: Connect the DUAL CUBE LX and the EV-1-WL
Ò
Connection 2: Connecting
Bluetooth indicator
Connection 1
(BLE MIDI)
the DUAL CUBE LX and DUAL CUBE LX Editor
Lit white
Connection 2
(USB)
4. Press the EV-1-WL’s [Bluetooth] button.
The Bluetooth indicator on the EV-1-WL rapidly blinks white, and
pairing begins.
The Bluetooth indicator on the EV-1-WL stops blinking and remains
lit white when pairing is nished, and the DUAL CUBE LX and EV-1-WL
are now connected.
When the devices are correctly connected, their respective statuses
are as follows.
BT-DUAL Bluetooth indicator Lit blue
EV-1-WL Bluetooth indicator (*1) Lit white
*1 To check the indicator status, quickly press the Bluetooth button on the EV-1-WL
twice. The color switches between white (lit up) and blue (blinking).
Connection 2: Connecting the DUAL CUBE LX and
DUAL CUBE LX Editor
Connect the DUAL CUBE LX to the DUAL CUBE LX Editor. Follow the steps
in “Launching the DUAL CUBE LX Editor” (p. 1) to connect.
1. Connect the DUAL CUBE LX to your computer with a USB
cable.
2. From the “Start” menu, select [All Programs] Ó [DUAL CUBE LX
Editor] Ó [DUAL CUBE LX Editor].
macOS users
From the Finder, in the Applications/BOSS/DUAL CUBE LX folder,
double-click [DUAL CUBE LX Editor Editor (.app)].
Connection 1: Connect the DUAL CUBE LX and the EV-1-WL
1. Turn the DUAL CUBE LX on.
The Bluetooth indicator on the BT-DUAL blinks. If the indicator is
unlit, press the BT-DUAL pairing button to make it blink.
2. With the EV-1-WL turned on, place it nearby.
3. Make sure that the Bluetooth indicator on the EV-1-WL is
blinking white.
If the indicator is blinking blue or is lit up white, operate the device
as shown below to make the indicator blink white.
Blink blue Quickly press the EV-1-WL’s [ Bluetooth] button twice.
Lit white
The device is connected to a dierent device (product).
Long-press the [Bluetooth] button on the EV-1-WL to
disconnect the unit from that device (product).
3. Congure the parameters to be controlled by the EV-1-WL
(p. 18).
NOTE
¹ The DUAL CUBE LX and EV-1-WL automatically connect next time
they are restarted. To connect the DUAL CUBE LX Editor, you must
follow the steps in “Connection 2” each time.
¹ The EV-1-WL remembers the information for the last Bluetooth
device to which it was connected. When connecting to a dierent
device after connecting to the DUAL CUBE LX, or when turning
o the power while the Bluetooth indicator is blinking white
(not connected), or when doing a factory reset of the EV-1-WL,
the device does not pair automatically. In this case, go back to
“Connection 1” to congure the settings.
¹ When using Bluetooth audio from a mobile device, rst connect the
DUAL CUBE LX and the mobile device via Bluetooth audio, and then
connect the EV-1-WL to the DUAL CUBE LX.
17
EV-1-WL Connection Guide
Conguring the Parameters to be
Controlled by the EV-1-WL
1. From SYSTEM in the DUAL CUBE LX Editor, display the
FOOT SW/PEDAL SETTING screen.
2. Congure the parameters to be controlled by the EV-1-WL.
EXP PEDAL, EXP SW
This sets how the EV-1-WL pedal and the EXP SW work.
Value Explanation
PEDAL WAH:
OFF/ON
FOOT VOLUME:
OFF/ON
FOOT VOLUME /
PEDAL WAH
Assigns the PEDAL WAH.
The EXP SW turns PEDAL WAH on/o.
Assigns the foot volume.
The EXP SW turns the foot volume on/o.
Assigns the foot volume and the PEDAL WAH.
When the EXP SW is ON, PEDAL WAH is assigned; and
when the EXP SW is OFF, foot volume is assigned.
CTL1 SW, CTL2 SW
These are the settings for operating the footswitch (FS-5U, FS-6 or
FS-7, sold separately) connected to the EV-1-WL.
Value Explanation
MEMORY
EFFECTS: OFF/ON
DELAY/REVERB:
OFF/ON
PEQ: OFF/ON Switches the PEQ on/o.
TAP Sets the delay to a tap delay.
OFF Nothing is set.
MEMO
* Even if the EV-1-WL is set to PEDAL WAH ON (the indicator lights up
white), PEDAL WAH turns o when you select a patch in which PEDAL
WAH (p. 16) is set to OFF. PEDAL WAH turns on when you strongly
depress the EV-1-WL twice with your toes.
* The EXP PEDAL, EXP SW, CTL1 SW and CTL2 SW MIDI data that’s
received by the DUAL CUBE LX are the factory settings for the
EV-1-WL. See the EV-1-WL Editor for the MIDI settings.
Alternately switches between two patches that you set
in MEMORY 1/2 ASSIGN of FOOT SW CTRL ASSIGN (p. 13).
Switches the eects on/o.
Switches the DELAY/REVERB on and o.
18
Loading...