CAUTION: THE AMPLUS 100 AND AMPLUS 50 AMPLIFIERS CONTAIN
NO USER SERVICEABLE PARTS. TO PREVENT WARRANTY INFRACTIONS,
REFER SERVICING TO WARRANTY SERVICE STATIONS OR FACTORY
SERVICE.
PROPRIETARY INFORMATION
THIS DOCUMENT CONTAINS PROPRIETARY INFORMATION OF
®
BOSE
CORPORATION WHICH IS BEING FURNISHED ONLY
FOR THE PURPOSE OF SERVICING THE IDENTIFIED BOSE
PRODUCT BY AN AUTHORIZED BOSE SERVICE CENTER OR
OWNER OF THE BOSE PRODUCT, AND SHALL NOT BE
REPRODUCED OR USED FOR ANY OTHER PURPOSE.
2
SAFETY INFORMATION
1. Parts that have special safety characteristics are identified by the symbol on
schematics or by special notes on the parts list. Use only replacement parts that have
critical characteristics recommended by the manufacturer.
2. Make leakage current or resistance measurements to determine that exposed
parts are acceptably insulated from the supply circuit before returning the unit
to the customer. Use the following checks to perform these measurements:
A. Leakage Current Hot Check
(1) With the unit completely reassembled, plug the AC line cord directly into a 120V
AC outlet. Do not use an isolation transformer during this test. Use a leakage
current tester or a metering system that complies with American National
Standards Institute (ANSI) C101. "Leakage Current for Appliances" and
Underwriters Laboratories (UL) 1492 (71).
(2) With the unit AC switch first in the ON position and then in the OFF position,
measure from a known earth ground (metal water pipe, conduit, etc.) to all
exposed metal parts of the unit (antennas, handle bracket, metal cabinet,
screwheads, metallic overlays, control shafts, etc.), especially any exposed
metal parts that offer an electrical return path to the chassis.
(3) Any current measured must not exceed 0.5 milliamp.
(4) Reverse the unit power cord plug in the outlet and repeat test.
ANY MEASUREMENTS NOT WITHIN THE LIMITS SPECIFIED HEREIN
INDICATE A POTENTIAL SHOCK HAZARD THAT MUST BE ELIMINATED
BEFORE RETURNING THE UNIT TO THE CUSTOMER.
B.Insulation Resistance Test Cold Check
(1) Unplug the power supply and connect a jumper wire between the two prongs
of the plug.
(2) Turn on the power switch of the unit.
(3) Measure the resistance with an ohmmeter between the jumpered AC plug
and each exposed metallic cabinet part on the unit. When the exposed
metallic part has a return path to the chassis, the reading should be
between 1 and 5.2 Megohms. When there is no return path to the chassis, the
reading must be "infinite". If it is not within the limits specified, there is the
possibility of a shock hazard, and the unit must be repaired and rechecked
before it is returned to the customer.
3
ELECTROSTATIC DISCHARGE SENSITIVE
(ESDS) DEVICE HANDLING
This unit contains ESDS devices. We recommend the following procedures when repairing,
replacing, or transporting ESDS devices.
• Perform work at an electrically grounded work station.
• Wear wrist straps that connect to the station, or heel straps that connect to conductive floor
mats.
• Avoid touching the leads or contacts of ESDS devices or PC boards even if properly
grounded. Handle boards by the edges only.
• Transport or store ESDS devices in ESD protective bags, bins, or totes. Do not insert
unprotected devices into materials such as plastic, polystyrene foam, clear plastic bags,
bubble wrap, or plastic trays.
WARRANTY INFORMATION
The following products are covered by a 5-year transferable limited warranty.
• Bose
• Equalizer Card
• Optional Opti-Voice
• Optional Source Input expansion card
®
AmPlus™ 100 and AmPlus 50
®
Page card
Table 1. Amplifier Comparison Chart
FeaturesAmPlus 100AmPlus 50
Inputs (balanced)22
Line Outputs (balanced)2None
Outputs
-Channel 1
-Channel 2
-70V
Option Cards
-Opti-Voice® Page Card
-Opti-Source™ Card
-EQ Cards (various)
65 Watts
65 Watts
100 Watts
Yes
Yes
Yes, 2
70 Watts
None
50 Watts
Yes, 1
No
No
4
AMPLUS™ 100 AMPLIFIER SPECIFICATIONS
Power Output
Stereo: 65W per channel into 4Ω
50W per channel into 8Ω
70V bridged mono: 100W into 98Ω
Ω: 50W @ 70V output into 98Ω
70V/4
65W @ Ch2 output into 4Ω
Input Sensitivity
315mV required to drive both channels
to full power in any mode.
Remote volume control
Turn on/off muting
Clip detection and limiter
Short circuit protection
DC offset protection
Thermal limiting
Stable into reactive loads
RFI protection
UL and TUV approvals
Terminations
Inputs and outputs are quick-connect
terminal blocks
Power amplifier output: 80dB below rated
output with 4Ω load
Controls
Inputs 1 and 2, input attenuation, remote
volume, bass adjust affects bandwidth of
50Hz - 150Hz by 0 - 10dB, Amplifier Mode
switches.
Special Features
Remote volume control
Turn on/off muting
Clip detection and limiter
Short circuit protection
DC offset protection
Thermal limiting
Stable into reactive loads
RFI protection
UL and TUV approvals
Terminations
Inputs and outputs are quick-connect
terminal blocks
The AmPlus 100 Business Music Amplifier is a two channel amplifier intended for business
music and other installed sound systems. Its two inputs pass through the Opti-Voice
Opti-Source™ Option Cards and Equalizer cards, if they are installed. These cards expand the
number of inputs and outputs of the basic AmPlus 100, adding special features of paging, source
selection, and priority override.
Sheet 1 of 3
Refer to the AmPlus 100 schematic diagram, sheet 1 of 3 for the following information.
Note: The designators inside the brackets “[ ]” are the schematic grid coordinates which
are provided in order to make it easier to locate components on the schematic sheet
indicated in the description.
The Channel 1 and Channel 2 Inputs at J1 [D8] are the "A" inputs on the AmPlus 100
and accept line level sources. U100A [D7] and U101B [C7] are unity gain, differential input
amplifiers, with inputs well protected against RF and ESD. Ch 2 coming from U101B can
pass through S1 [D7], the Mono/Dual Mono/2-Ch switch, in the 2-Ch position. In other
positions of S1, Ch 2 is ignored unless S7 [C7], the 2-Ch/Mixer switch, is in the Mixer
position, in which case Ch 2 and Ch 1 are mixed in the proportion set by R1 and R2, the
Ch 1 and Ch 2 gain trim switches. After buffers U106A/B, the Ch 1 and Ch 2 signals are
presented to one of the two inputs of U102 [D6] and U103 [C6], op amps with a pair of
input stages and a selector mechanism, acting as a selector switch. If no option card is in
the #1 position at J2 [C7], U102/103 pass the Ch 1 and Ch 2 A input signals straight
through; if either a source or a page option card is in the #1 slot at J2, its output will be
selected to pass forward into the AmPlus 100 signal path.
If an option card is installed in the #1 slot at J2, then the Ch 1 and Ch 2 A input signals
are sent to the option card, and will be processed on that option card and returned to the
AmPlus 100 along with the other signals contributed by the option card. The switching
action of U102/103 is controlled by the DC level on pin 1. Normally, with no option card in
the #1 slot at J2, this pin is pulled high, but when an option card is in place it shorts J2-5,
pulling U102/103 pin 1 toward ground.
®
Page and
Continuing forward on Sheet 1, [coordinates 5D and 5C], the Ch 1 and Ch 2 signals
encounter another pair of switched op amps, U104/105 and the option card #2 connector
at J3 [C6]. Signal flow here is handled in the same manner as around option card #1: if no
option card is installed in slot #2 at J3, the signals pass through; otherwise, they enter the
option card and are processed along with that card's sources before being returned to the
main AmPlus 100 signal path.
Equalizer cards can be placed in J9 [D5] (for Ch 1) and in J10 [C5] (for Ch 2). If there is
no EQ card in J9, the output from U104 passes through the unity gain buffer U100B, but
if there is an EQ card, it "overrides" the signal from U104, substituting equalized audio from
the EQ card. A similar arrangement for Ch 2 uses U101C. Special switching in the Ch 2
path after U101C allows the use of a single EQ card in the J9 slot in the cases where the
source is being handled in mono or dual mono (in dual mono, R3, the Zone 2 Trim, is
engaged). When the switch S1 is in the Mono or Dual Mono position, the Ch 1 signal is
taken through an inverting stage (U101A) and passed to the Ch 2 path. Inverting the
signal phase for the CH2 output compensates for the fact that the connector for the Ch 1
output results in the Ch 1 speaker signal also being inverted. U105 provides this phase
inversion for Ch 2 signals when S1 is in the two channel mode.
7
AMPLUS™ 100 THEORY OF OPERATION
Sheet 1 of 3 (continued)
Note that the U104/105 output is also taken directly, before the EQ card, to two of the
volume control VCAs (U204A, D), for use as Line Outputs. U204B, C implement the
volume control for the main CH1 and CH2 paths that will move forward in the AmPlus 100
itself.
U204 [C2] is a quad, current in /current out, voltage controlled amplifier. Sections U204A,
D, pins 4 and 13, (line output) are controlled only by the remote volume control action,
whereas sections U204B, C, pins 5 and 12, (main path) are also controlled, in an OR'd
fashion, by the signals CLIP / SC1 [D1] and CLIP / SC2 [A1]. The CLIP / SC signals
become active when the power amplifier is clipping and/or attempting to drive a short
circuit. This reduces the volume control setting, preventing distortion when a user plays
the system too loud, as well as reducing power dissipation when there is a short circuited
load.
Connector J4 [A8] ties one or two 10K rheostat-connected remote volume control
potentiometers into Q201/221, whose outputs are steered by S5 [B4] (1 Remote / 2
Remotes) into U200 A, B, C, D, [B, C3] which inverts and scales the voltages to the
appropriate range needed to control the VCAs. U203A, B [B4] buffer the CLIP / SC
signals and OR them into the appropriate sections of U204 via diodes D200, 203. J12
[A8] is reserved for a possible future level control option.
U201A, U202B [B / C1] are the line output buffers, whose outputs are passed through
series R/shunt C elements for RFI management. At the junction of the resistors, FETs
Q401, 403 [A, B6] provide a power-up/power-down mute so that equipment connected to
the line outputs will not experience thumps or pops.
Sheet 2 of 3
Refer to the AmPlus 100 schematic diagram, sheet 2 of 3 for the following information.
Sheet 2 concludes the processing of the Ch 1 and Ch 2 signals, preparing them for the
power amplifiers. Circuits on this sheet deal largely with dynamic EQ and switchable EQ,
all directed toward the bass region. The CH1 signal (DYNEQ1) entering Sheet 2 [C8] is
sent in parallel to five points. Two paths pass through S4 [D6], which selects HP Out
(150Hz high pass filter off) or HP In (150Hz high pass filter in). Another path, through R4
[D8], Ch 1 Bass Boost Adjust (50-150Hz) and a bandpass filter, U300B [D5], determines
how much bass boost will be present. The signals out of S4 and the bandpass filter are
summed in U300A [C4], along with yet another equalized signal.
To develop Dynamic EQ (an equalization where the amount of bass boost applied
varies inversely with the signal level), the DYNEQ1 signal [C8] is fed to circuits
composed of U300D, Q300, Q301, Q302, U303, U300C, U302A, and U304. U300C,
Q300, Q301, Q302 develop a current proportional to the rectified signal level. This current
enters the control pin of U302A, a transconductance amplifier, whose output current is
multiplied by its control current. U302A is in the negative feedback loop of U300D, which
now passes the signal DYNEQ1 with a gain controlled inversely by its own level. At
small signals, the gain is the highest. Next, the output of U300D passes through one of
two bandpass filters, shaping the signal into a bass boost signal. U304 [C4] selects
between two bandpass filters, one centered at 55Hz and appropriate for the Free Space
Model 1B Acoustimass® Module, the other at 90Hz, appropriate for full range systems,
such as the Model 8, Model 25 and Model 32 Loudspeakers.
®
Switching to the 55Hz bandpass filter is automatically handled by sensing when a
Model 1B EQ card has been inserted in the Ch 1 EQ card socket [J9 on sheet 1 at
coordinates D5] (signal EQGND [D1, sheet 1, and B8, sheet 2] is shorted to ground by
the Model 1B EQ card when it is plugged in).
8
AMPLUS™ 100 THEORY OF OPERATION
Sheet 2 of 3 (continued)
Finally, the bass boost signal from the dynamic EQ path rejoins the other signals, (the
full range signal, high pass filtered if S4 is in the HP IN position, via S4 and R381, and the
manually adjusted bass boost signal via R4 and U300B) in the summing stage U300A
[C4]. Now, at last, the Ch 1 and Ch 2 signals are ready to enter the power amplifiers, via
connectors J7B [D1] and J8B [B1]. Note that Ch 2 is handled identically by the
companion circuits shown below Ch 1's circuits.
Connectors J7B / J8B send the power amplifier power rails (±20V and ±40V) as well as
±12V power and various grounds. The CLIP / SC signals are returned from the power
amplifiers via these connectors as well.
DC Offset detection circuits
Circuits that watch for excessive DC offsets of the power amplifier outputs are seen at
coordinates C1. Ultimately, these circuits control the operation of relay K600 [sheet 3, B4]
whose contacts enable the ±40V supply relays when K600 is energized. The op amp
circuits U700 and U701 [sheet 2, C2] watch the Ch 1 and Ch 2 power amplifier outputs
for DC offsets greater than about 2.4V. However, in order to keep the relay energized,
other conditions must also be met. The ±40V rails and the ±12V rails must each be within a
certain degree of symmetry. The Ch 1 power amplifier output is low pass filtered to pass
only the DC offset component and is full wave rectified in U700B [C1] and U701A [C2]. A
derived center tap from the ±40V supplies is also brought into the full wave rectifier B600
[sheet 3, B4]. The rectifier output is then compared to -2.4V in U701A [sheet 2, C2] (an op
amp used as a comparator). If the absolute value of the offset is less than 2.4V, U701A's
output is high, which holds Q700 off. Q700 off ensures that Q600 / 601 [sheet 3, B2] can
be on, which allows current to flow through the K600 relay coil, energizing it, and thus
allowing ±40V to be applied to the power amplifiers.
At coordinates [A, B 1, 2] on Sheet 2 of 3, the power amplifier output wiring is detailed.
The power amplifier outputs are always tied to the Ch 1, 2 ± output connector pins,
whether the amplifier mode switch S6 [A2] is in the Bridged or the 2 Channel position.
However, if S6 is in the Bridged position and if a jumper has been placed between the
two XFR CT pins, then the Ch 1 signal and the Ch 2 signals drive the output transformer
primary in concert, potentially delivering in excess of 100 watts to the 70 / 100V output
pins. Jumpers J409, 410 [sheet 2, A1] select between 70V and 100V operation.
Sheet 3 of 3
Refer to the AmPlus 100 schematic diagram, sheet 3 of 3 for the following information.
Sheet 3 outlines the power amplifier and power supply circuits. Channel 1 circuitry is
explained below, Channel 2 operation is identical. The Ch 1 amplifier is built around a
power amplifier IC, U500 [C6], augmented by class G transistors. For U500 audio output
levels between about ±20V, U500 acts on its own, with its power coming from the ±20V
rails via D502 / 509 [C, D5]. When the input signal rises, demanding an output in excess
of about ±20V, transistors Q500, 501, 502 (positive rail) and Q503, 504, 505 (negative
rail) come into play. Each of these transistor trios is driven by the input signal, via steering
diodes D501, 507, and turn on as the higher signal peaks dictate. When Q502 is on, it
handles part of the power dissipation by passing the loudspeaker current through power
devices in series with the U500 rails. This allows U500 to deliver higher voltage, higher
current power to its load while still staying within acceptable IC power dissipation limits.
For those portions of the audio output waveform greater than about ±20V, the class G
power transistors Q502, Q505 dissipate part of the power.
9
AMPLUS™ 100 THEORY OF OPERATION
Sheet 3 of 3 (continued)
The power amplifier is equipped with a clip detector circuit, implemented with U503 [D7],
an LM311 comparator, and associated parts. The comparator watches the differential input
voltage at the power amplifier input pins and compares it to 120mV. If the power amplifier,
a feedback amplifier, is for any reason unable to deliver the output voltage requested by
the source, linear operation ceases and an error voltage develops across its input pins.
Inability to deliver the requested output voltage can occur if there is a short circuit on the
amplifier output, a DC offset from some kinds of failures, or from overdriving the amplifier.
Whatever the cause, if the input error voltage exceeds the threshold, the LM311 output
will go low, toward the -12V supply. Active (low-going) CLIP / SC signals are fed through
J7 pin 12 back to the VCA volume control IC, U204 on Sheet 1 [C2], where they turn the
gain down to eliminate the stress of the overload situation. If the power amplifier starts to
clip, the feedback signal acts as a limiter to keep the amplifier out of the distorted clipping
region.
The AmPlus 100 power supply can be configured for either 120V (60Hz) or 230V (50 or
60Hz) AC mains by the appropriate placement of jumpers J603, J605, J606. This is
shown on Sheet 3 at coordinates A6, 7, and 8. The AC mains voltage is stepped down
and rectified, creating unregulated ±40V and ±20V rail pairs for use by the power amplifier.
Regulators U600, 601 [A3] derive ±12V from the ±20V supplies for use by the op amp
circuits. The bridge rectifiers B600, and B601 are fused against overload, while the ±12V
supply is fused by 1/4 watt resistors R602, and R603. Also on Sheet 3, [B2], are Q600
and Q601, the relay drive transistors controlled by RELAY, from Sheet 2.
10
AMPLUS™ 50 THEORY OF OPERATION
Introduction:
The AmPlus 50 Business Music Amplifier is a single channel amplifier in most ways
identical to the AmPlus 100. Both amplifiers are built in similar chassis using the same
PCBs, but most of the Ch 2 parts are omitted in AmpPlus 50.
Note: Refer to the appropriate AmPlus 50 Schematic diagram sheet as indicated below
for the following information.
Note: The designators inside the brackets “[ ]” are the schematic grid coordinates which
are provided to make it easier to locate components on the schematic sheet indicated in
the description.
Note: The components not used in the AmPlus 50 Amplifier are indicated on the schematic
diagram as optional (opt).
Sheet 1 of 3
The discussion for the AmPlus 100 applies to the AmPlus 50, with a few
exceptions. The Ch 1 and Ch 2 at J1[D8] inputs are summed after their input buffers
U100 and U101 [C/D7] and are passed through the Ch 1 path. There are no connectors
or slots for the #1 [J2] or #2 [J3] option cards, nor for the Ch 2 EQ card [J10]. There are no
line outputs, and only one remote volume control input [J4]. Only the DYNEQ 1 output
signal from Sheet 1 passes to Sheet 2. Only the CLIP / SC1 signal is passed into
Sheet 1.
Sheet 2 of 3
The discussion for the AmPlus 100 applies to the AmPlus 50, with a few exceptions.
Only the Ch 1 path of dynamic and fixed EQ circuits is populated, and only the Ch 1
power amplifier connector is provided. The output connector provides either 4 ohm or
70/100V CV, (Constant Voltage) outputs, as selected by S6 for Ch 1.
Sheet 3 of 3
The AmPlus 50 version is identical except that only the Ch 1 power amplifier module is
installed.
11
(R5)
Gain
Ch. 2
Bass
(R4)
Gain
Ch. 1
Bass
(S4)
Filter
Switch
Pass
High-
Channel 2
Input
J1
section1 of 2
Switch (S1)
Input Mode
Mono
Channel 1
Input
Bass Boost
+ -
70V
Figure 1. AmPlus™ 100 Amplifier Block Diagram
+ -
CH. 1
Amplifier
Outputs
J6
CH. 2
CT
Power
+ -
XFMR
Dynamic
EQ
2 Ch.
Bass Boost
Power Amp 2
70V Bridged
Switch
(S6)
EQ
Mode
Amp.
Dynamic
Power Amp 1
2 Ch.
High Pass
Filter
70V Bridged
Level (R2)
Ch. 2
2 Ch.
(S7)
2-Ch.
Option Card 1
Channel 2
Option Card 2
Channel 2
EQ Card 2
Mono
Dual
Switch
Mix
Mixer
Trim (R3)
Zone 2
Option Card 1
Channel 1
Option Card 2
Channel 1
EQ Card 1
Level (R1)
Ch. 1
Remote
Zone 2
Control 2
VCA
2 Remotes
Remote
Zone 1
Assign Switch (S5)
Control 1
Remote Zone
VCA
1 Remote
12
VCA 2
2 Ch.
Switch (S1)
Section 2 of 2
Ch. 2
Mono
Dual
Mono
Input Mode
Ch. 1
J5
VCA 1
Line Outputs
(R4)
Ch.1
Gain
Bass
(S4)
Filter
Switch
Pass
High
Channel 2
Input
J1
Channel 1
Input
Power
Amplifier
Outputs
Figure 2. AmPlus™ 50 Amplifier Block Diagram
+ -
70V
J6
+ -
Ch. 1
70V
Bass Boost
4 Ohm
(S6)
Switch
Mode
Dynamic
EQ
Amp
High Pass
Filter
Power Amp 1
70V
4 Ohm
Level (R2)
Ch. 2
Level (R1)
Ch. 1
EQ Card
13
Remote
Zone 1
Control 1
VCA
VCA
AMPLUS™ 100 AMPLIFIER CONTROLS
INPUTS A
Ch1Ch2
+- +-
2Ch
INPUT
MODE
dual
mono mono
LEVEL
Zone 2Ch2Ch1
-6-6-6
-10-10-10
000-40 dB -40 dB -40 dB
BASS
LEVEL
Ch2Ch1
+10
OFF
OFF
+10
REMOTE
VOLUME
ZONE 1ZONE 2
LINE OUTPUT
ZONE 1ZONE 2
+-+-
POWER AMPLIFIER
70VZONE1
4-16
ZONE 2
4-16
Ω
Ω
+-+-+-
XFR
CT
Inputs - The amplifier comes with two balanced inputs. They can be left and right channels
from a stereo source or two distinct monophonic (mono) sources for 2 - zone applications.
Two mono sources can also be mixed for single zone applications.
Input Mode - This switch determines how the Channel 1 and Channel 2 inputs are presented
to the power amplifier section of the AmPlus 100. There are 3 possible modes.
1. 2 - Channel/Mixer - the inputs remain separate, not summed. Channel 1 and
Channel 2 level potentiometers are active in this mode. Use this mode for:
a. Stereo (2 - channel).
b. Two distinct sources in a two zone application (2 - channel), 1 source per zone.
c. Two distinct sources in a single bridged mono zone (Mix).
MODE
70/100V 2 Ch
BRIDGED
Note: In Mix mode both sources, Channel 1 and Channel 2, are presented to the amplifier
simultaneously. When the internal source mix switch is in the MIX position, the Channel 1
attenuation controls the source connected to the Channel 1 input. The Channel 2 attenuation
controls the source connected to the Channel 2 input.
2. Dual Mono - The Channel 1 and Channel 2 inputs are summed to mono and presented to
the power amplifiers as two mono signals. This mode may also be used when driving a 70V
®
load from the Channel 1 amplifier outputs and a Bose
Model 1B Acoustimass® Bass Module
from the 4Ω Channel 2 outputs - see zone 2 level adjust.
3. Mono Mode - Both inputs, Channel 1 and Channel 2, are summed to mono. Only the
Channel 1 level pot is active.
Level - Channel 1 level adjust - In 2 - channel (stereo) mode, this pot affects the signal level
at the channel 1 low impedance (4Ω) outputs. In dual mono mode, it controls the zone 1 level.
In mono mode, it controls the level of all inputs.
Channel 2 level adjust - In 2-Channel (stereo) mode, this pot controls the signal level at the
channel 2 low impedance (4Ω) outputs. This pot is not active in dual mono or mono modes.
Zone 2 level adjust - This pot is only active when the input mode is dual mono. In this mode,
this pot controls the signal level at the channel 2 low impedance outputs. This pot is a slave to
the channel 1 pot; that is, the channel 1 pot controls the level of both zones in a 2-zone
system. However, the zone 2 pot can be used to fine-tune the bass level when using the
AmPlus 100 to drive a 70V load connected to the 70V output and a Model 1B Acoustimass
Bass Module connected to the channel 2 output. This pot may also be used to fine-tune the
bass level when using the AmPlus 100 to drive a 70V load connected to the 70V output and a
Model 1B Acoustimass Module connected to the channel 2 output.
14
AMPLUS™ 100 AMPLIFIER CONTROLS
INPUTS A
Ch1Ch2
+- +-
2Ch
INPUT
MODE
dual
mono mono
LEVEL
Zone 2Ch2Ch1
-6-6-6
-10-10-10
000-40 dB -40 dB -40 dB
BASS
LEVEL
Ch2Ch1
+10
OFF
OFF
+10
REMOTE
VOLUME
ZONE 1ZONE 2
LINE OUTPUT
ZONE 1ZONE 2
+-+-
POWER AMPLIFIER
70VZONE1
4-16
ZONE 2
4-16
ΩΩ
+-+-+-
XFR
CT
70/100V 2 Ch
BRIDGED
Bass Level - Use the bass level pots to increase the output level between 50 Hz and 150 Hz.
This is useful for compensating for poor bass cabinet loading or high levels of low-frequency
ambient noise. The channel 1 and channel 2 pots are active in all modes of operation.
Remote Volume - When using the amplifier to power one listening zone, connect the remote
control unit to the zone 1 (+) pin and the ground pin and set the internal remote volume switch
(see figure below) to 1 REMOTE. When using the AmPlus 100 for 2 - zone applications,
connect a second remote to the zone 2 (+) pin and the ground pin and set the internal remote
volume switch to 2 REMOTES.
High Pass
Mix
EQ 1
Filter
MODE
EQ 2
1 Remote
C
2 Remote
Line Outputs - Both line output responses are flat (regardless of whether or not you have
installed active equalizer cards). The remote volume control affects the line output levels. Both
outputs are active in stereo mode. Only zone 1 is active in dual mono and mono modes.
Power Amplifier Outputs - The 70V output becomes active when the amp mode switch is in
the 70V position. In this setup, both AmPlus 100 channels are bridged and provide up to 100
Watts to the 70V speakers.
- When the amp mode switch is in the 2-Channel position and a jumper is placed across the
Xfr. ct. pins, 50 Watts is available at the 70V output and 65 Watts is available at the channel
2 output. (see illustration at top of page)
- With the amp mode switch in the 2-Channel position, both channel 1 and channel 2 supply
65 Watts into a minimum load of 4Ω.
Internal High Pass Switch - When this switch is in the HPF ON position, frequencies below
150Hz are attenuated at 18dB/Oct. This low frequency roll-off occurs on Channel 1 only. Use
this switch for bandlimiting high frequency speakers connected to channel 1 in a bi-amplified
system. For example, the 70V/Model 1B system in Figure 7.
Internal Remote Volume Switch - For one zone applications, this switch should be in the 1
REMOTE position. For two zone applications, this switch should be in the 2 REMOTES
position.
15
AMPLUS™ 50 AMPLIFIER CONTROLS
INPUTS A
Ch1
Ch2
+- +-
LEVEL
-6-6
-10-10
00-40 dB -40 dB
BASS
OFF
GAIN
+10
Ch2Ch1
REMOTE
VOLUME
POWER AMPLIFIER
70V
4-16
Ω
+-+-
Inputs - The AmPlus 50 amplifier comes with two balanced inputs. They can be left or right.
Two mono sources can also be mixed. Since the AmPlus 50 is a single channel amplifier, a
stereo source is internally summed to mono.
Level - Channel 1 level adjust - This potentiometer controls the signal level of the channel 1
input source.
Channel 2 level adjust - This potentiometer controls the signal level of the channel 2
input source.
Bass Gain - Use the bass gain pot to increase the output level between 50 Hz and 150 Hz.
This is useful for compensating for poor bass cabinet loading or high levels of low frequency
ambient noise.
Remote Volume - Connect the remote volume control unit to the zone 1 (+) pin and the
ground pin to control the overall level of the amplifier remotely.
MODE
70/100V 4-16
High Pass
Filter
EQ 1
C
Power Amplifier Outputs - The 70V output is active when the amplifier Mode Switch is in the
70V position. The 4Ω output is active when the amplifier Mode Switch is in the 4Ω position.
Internal High Pass Filter Switch - When this switch is in the HPF ON position, frequencies
below 150 Hz are attenuated at 18dB/Oct. Use this switch for bandlimiting high frequency
speakers in a bi-amplified system.
16
DISASSEMBLY/ASSEMBLY PROCEDURES
1. Top Cover Removal
Note: Refer to Figures 3 and 4, as
applicable, for the following procedures.
Note: The numbers in the parentheses
correspond to the callouts in Figures 3
and 4.
1.1 Unplug the power cable from IEC
connector on the rear of the amplifier.
1.2 Using a phillips-head screwdriver,
remove the five screws (1) that secure the
top cover (2) to the amplifier chassis (16).
1.3 Lift the top cover straight off.
2. Top Cover Replacement
2.1 Observing orientation, place the top
cover (2) straight down onto the amplifier
chassis (16).
2.2 Using a phillips-head screwdriver,
secure the top cover to the amplifier
chassis using the five screws (1) that
were removed in procedure 1.
3. Main PCB Removal
4. Main PCB Replacement
4.1 Orient the main PCB (8) so that the
connectors are aligned with the rear panel
of the amplifier chassis (16), and slide the
main PCB into place.
4.2 Secure the main PCB to the amplifier
chassis using the six screws (9) removed
in procedure 3.4.
4.3 Reconnect all connectors unplugged
in procedures 3.2 and 3.3.
4.4 Replace the top cover (2) using
procedure 2.
5. Amplifier Module Removal
5.1 Remove the top cover (2) using
procedure 1.
5.2 Unplug the appropriate cable
connector, (J7B or J8B), for the amplifier
module that you wish to remove.
5.3 Remove the two screws (12) that
secure the amplifier module to the amplifier
chassis (16) and lift the amplifier module
straight out.
3.1 Remove the top cover (2) using
procedure 1.
3.2 Unplug all of the cable connectors from
the rear panel of the amplifier.
3.3 On the main PCB (8), unplug the
connectors at J2, J7B, J3, J8B, J602, J601,
J400, J401, and J600.
3.4 Using a phillips-head screwdriver,
remove the six screws (9) that secure the
main PCB to the amplifier chassis (16).
3.5 Lift the main PCB at the edge nearest
the amplifier heatsinks, and slide the PCB
forward, until the main PCB connectors
clear the amplifier rear panel, then lift the
PCB straight up.
6. Amplifier Module Replacement
6.1 Place the amplifier module into the
appropriate spot in the amplifier chassis
(16) and secure it using the two screws
(12) removed in procedure 5.3.
6.2 Plug the amplifier module cable into the
appropriate connector (J7B or J8B) on the
main PCB (8).
6.3 Replace the top cover (2) using
procedure 2.
17
DISASSEMBLY/ASSEMBLY PROCEDURES
7. Power Transformer Removal
7.1 Remove the top cover (2) using
procedure 1.
7.2 Unplug the transformer cables at J601
and J602 on the main PCB (8).
7.3 Remove the four nuts (5) that secure
the power transformer (7) to the amplifier
chassis (16).
7.4 Lift the power transformer straight out
of the amplifier chassis.
8. Power Transformer Replacement
8.1 Place the power transformer (7) into the
amplifier chassis (16), aligning it over the
chassis studs.
8.2 Secure the power transformer to the
amplifier chassis using the four nuts (5)
removed in procedure 7.3.
10. Audio Transformer Replacement
10.1 Place the audio transformer (3) into
the amplifier chassis (16) with the wires
facing toward the main PCB (8), aligning it
over the amplifier chassis studs.
10.2 Secure the audio transformer to the
amplifier chassis using the two nuts (5)
removed in procedure 9.3.
10.3 Plug the audio transformer cables
into the main PCB at J400 and J401.
10.4 Replace the top cover (2) using
procedure 2.
8.3 Plug the power transformer cables into
J601 and J602 on the main PCB (8).
8.4 Replace the top cover (2) using
procedure 2.
9. Audio Transformer Removal
9.1 Remove the top cover (2) using
procedure 1.
9.2 Unplug the audio transformer (3) cables
from the main PCB (8) at J400 and J401.
9.3 Remove the two nuts (5) that secure
the audio transformer to the amplifier
chassis (16).
9.4 Lift the audio transformer straight out of
the amplifier chassis.
18
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