Blizzard Laser Blade G Users Manual

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Blizzard Lighting, LLC

www.blizzardlighting.com

TABLE OF CONTENTS

Laser Blade™ G 1

1. Getting Started 3

What’s In The Box? 3 Getting It Out Of The Box 3 Powering Up! 3 Getting A Hold Of Us 3 Safety Instructions (Don’t Stick Your Hand In The Toaster!) 4

2. Meet The Laser Blade™ G 5

Main Features 5 DMX Quick Reference 5 The Laser Blade™ G Pin-up Picture 6

3. Setup 7

Fuse Replacement 7 Connecting A Bunch Of Laser Blade™ G Fixtures 7 Data/DMX Cables 7 Cable Connectors 8 3-Pin??? 5-Pin??? Huh? 8 Take It To The Next Level: Setting up DMX Control 8 Fixture Linking (Master/Slave Mode) 9 Mounting/Rigging 9

4. Operating Adjustments 10

Navigating The Control Panel 10 Control Panel Menu Structure 11 DMX Mode 11 Set The Starting DMX Address 11 Working Mode Settings 11 DMX, Auto, & Sound Active Mode 11 Slave Mode 11 Mirror Symmetry Mode 12 Running Mode Settings 12 Graphic Mode Settings 12 Speed Settings 12 DMX Channel Values In-Depth 13 Troubleshooting 14

5. Appendix 15

A Quick DMX Lesson 15 Keeping Your Laser Blade™ G As Good As New 16 Returns (Gasp!) 16 Shipping Issues 16 Tech Specs 17

Page 2

1. GETTING STARTED

What’s In The Box?

• 1 x Laser Blade™ G Moving Head Fixture

• 1 x Ever-So-Handy Power Cord

• This Lovely User Manual

Getting It Out Of The Box

Congratulations! You are ready to put on a totally stellar green laser light show with your way cool, super-sharp moving head Laser Blade™ G! So now that you’ve got your new Laser Blade™ G (or hopefully, GEEZ!), you should carefully unpack the box and check the contents to ensure that all parts are present and in good condition. If anything looks as if it has been damaged in transit, notify the shipper immediately and keep the packing material

for inspection. Again, please save the carton and all packing materials. If a xture must be returned to the factory, it is important that the xture be returned in the original factory

box and packing.

Powering Up!

All xtures must be powered directly off a switched circuit and cannot be run off a rheostat (variable resistor) or dimmer circuit, even if the rheostat or dimmer channel is used solely for a 0% to 100% switch.

AC Voltage Switch - Not all xtures have a voltage select switch, so please verify that the xture you receive is suitable for your local power supply. See the label on the xture or refer to the xture’s specications chart for more information. A xture’s listed current rating is its average current draw under normal conditions. Check the xture or device

carefully to make sure that if a voltage selection switch exists that it is set to the correct line voltage you will use.

Warning! Verify that the voltage select switch on your unit matches the line

voltage applied. Damage to your xture may result if the line voltage applied does not match the voltage indicated on the voltage selector switch. All xtures must

be connected to circuits with a suitable Ground (Earthing).

Getting A Hold Of Us

If something happens goes wrong, please visit www.blizzardlighting.com/ support and open a support ticket. We’ll be happy to help, honest.

Blizzard Lighting N24 W23750 Watertown Rd. Suite B Waukesha, WI 53188 USA www.blizzardlighting.com

Disclaimer: The information and specications contained in this document are subject

to change without notice. Blizzard Lighting™ assumes no responsibility or liability for any errors or omissions that may appear in this user manual. Blizzard Lighting™ reserves the right to update the existing document or to create a new document to correct any errors or omissions at any time. You can download the latest version of this document from www. blizzardlighting.com.

Author: Date: Last Edited: Date:

J. Thomas 11/16/2015 J. Thomas 11/16/2015

Page 3

LASER SAFETY REQUIREMENTS

Lasers are one of the coolest effects available, and when they are used appropriately, they will be fun, legal and harmless. To make sure that is the case...

• Always set up and install all laser effects so that all laser light is at least 3 me-

ters (9.8 feet) above the oor on which people can stand.

• After setting up, and before public use, test laser to ensure proper function. Do not use if any defect is detected. Do not use if laser emits only one or two laser beams rather than dozens/hundreds, as this could indicate damage to the diffraction grating optic, and could allow emission of higher laser levels above Class 3R.

• NEVER point lasers at people or animals. Never look into the laser aperture or laser beams.

• NEVER point lasers in areas in which people can potentially get exposed, such as uncontrolled balconies, etc.

• NEVER point lasers at highly reective surfaces, such as windows, mirrors and

shiny metal. Even laser reections can be hazardous.

• NEVER point a laser at aircraft, this is a federal offense!

• NEVER point un-terminated laser beams into the sky.

• NEVER expose the output optic (aperture) to cleaning chemicals.

• NEVER use laser if the laser appears to emit only one or two beams.

• NEVER use the laser if the housing is damaged, the housing is open, or if the optics appear damaged in any way.

• NEVER open the laser housing. The high laser power levels inside of the pro-

tective housing can start res, burn skin and will cause instant eye injury.

• NEVER leave this device running unattended.

The operation of a class 3R laser show is only allowed if the show is controlled by a skilled and well-trained operator, familiar with the data from this manual. The legal requirements for using laser entertainment products vary from country to country. The user is responsible for the legal requirements at the location/ country of use.

Page 4

2. MEET THE LASER BLADE™ G

MAIN FEATURES

• 50mW, 532nm green DPSS CLASS 3R fat beam laser

• 15KPPS galvo scanners

• Moving head features 540º pan & 270º tilt

• 133 built-in geometric gures, 14 animations, & 76 beam patterns

• Easy-to-use 4-button LCD control panel menu

• Built-in auto-beam, auto-animation and sound-activate programs

• 2 animations in one frame can be operated separately via DMX

• Perfect for venues, large and small

• Ready to use right out of the box

ADDITIONAL FEATURES

• Rugged and well-built (It hits the gym regularly)

• Lightweight and easily portable

• Clamp mounting bracket included

• IEC power input connector

• Easy-to-use 4-button LCD control panel

• 3-pin DMX input and output

DMX Quick Reference

Channel 18-Channel

1 Mode Selection, DMX/Auto/Sound

2 Pan

3 Tilt

4 Vertical Speed (Slow <--> Fast)

5 Group 1, Pattern Selection

6 Group 1, OFF/ON

7 Group 2, Pattern Selection

8 Group 2, OFF/ON

9 2 Groups Animation

10 Moving-X

11 Moving-Y

12 X-Axis Rotation

13 Y-Axis Rotation

14 Rotation

15 Zoom In/Out

16 Sine Wave Fluctuation

17 Fluctuation Speed

18 Auto Dot (Slow <--> Fast)

Page 5

Figure 1: The Laser Blade™ G Pin-Up Picture

Head/Arms

Base

4-Button

LCD Control

Panel

Figure 2: The Rear Connections

Laser Output

(Aperture)

DMX Signal

Indicator

Microphone

Mic Sensitivity

Adjustment

DMX Input

AC Power

Input

DMX Output

Power

Switch

Page 6

3. SETUP

Fuse Replacement

With a at head screwdriver, wedge the

fuse holder out of its housing. Remove the damaged fuse from its holder and replace with exact same type fuse (2A, 250V). Insert the fuse holder back in its place and reconnect power.

Connecting A Bunch of Laser Blade™ G Fixtures

You will need a serial data link to run light shows using a DMX-512 controller or to run shows on two or more xtures set to sync in master/slave operating mode. The combined number of channels required by all the xtures on a serial data link determines the number of xtures the data link can support.

Fixtures on a serial data link must be daisy chained in one single line.

Also, connecting more than 32 xtures on one serial data link without

the use of a DMX optically-isolated splitter may result in deterioration of the digital DMX signal. The maximum recommended cable-run distance is 500 meters (1640

ft). The maximum recommended number of xtures on a serial data link is 32 xtures.

Data/DMX Cabling

To link xtures together you’ll need data cables. You should use data-

grade cables that can carry a high quality signal and are less prone to electromagnetic interference.

For instance, Belden© 9841 meets the specications for EIA RS-485

applications. Standard microphone cables will “probably” be OK, but note that they cannot transmit DMX data as reliably over long distances. In any event, the cable should have the following characteristics:

2-conductor twisted pair plus a shield

Maximum capacitance between conductors – 30 pF/ft. Maximum capacitance between conductor & shield – 55 pF/ft. Maximum resistance of 20 ohms / 1000 ft. Nominal impedance 100 – 140 ohms

Page 7

Cable Connectors

Cables must have a male XLR connector on one end and a female XLR connector on the other end. (Duh!)

CAUTION: Do not allow contact between the common and the x- ture’s chassis ground. Grounding the common can cause a ground

loop, and your xture may perform erratically. Test cables with an

ohm meter to verify correct polarity and to make sure the pins are not grounded or shorted to the shield or each other.

3-Pin??? 5-Pin??? Huh?!?

If you use a controller with a 5 pin DMX output connector, you will need to use a 5 pin to 3 pin adapter. They are widely available over the internet and from specialty retailers If you’d like to build your own, the chart below details a proper cable conversion:

Conductor 3-Pin Female

(Output)

5-Pin Male (Input)

Ground/Shield Pin 1 Pin 1

DMX Data (-) Pin 2 Pin 2

DMX Data (+) Pin 3 Pin 3

Not Used. No Connection. No Connection.

Take It To The Next Level: Setting Up DMX Control

Step 1: Connect the male connector of the

DMX cable to the female connector (output) on the controller.

Step 2: Connect the female connector of the DMX cable to the rst xture’s male connector (input). Note: It doesn’t matter which

xture address is the rst one connected. We recommend connecting the xtures in

terms of their proximity to the controller,

rather than connecting the lowest xture number rst, and so on.

Step 3: Connect other xtures in the chain

from output to input as above. Place a DMX

terminator on the output of the nal xture

to ensure best communication.

Page 8

Fixture Linking (Master/Slave Mode)

1. Connect the (male) 3 pin connector side of the DMX cable to the output (female) 3 pin connector of

the rst xture.

2. Connect the end of the cable coming from the

rst xture which will have a (female) 3 pin connector to the input connector of the next xture con-

sisting of a (male) 3 pin connector. Then, proceed to connect from the output as stated above to the

input of the following xture and so on.

A quick note: Often, the setup for MasterSlave and Standalone operation requires that

the rst xture in the

chain be initialized for this purpose via either settings in the control panel or DIP-switches.

Secondarily, the xtures

that follow may also require a slave setting.

Check the “Operating Adjustments” section in this manual for com-

plete instructions for this type of setup and conguration.

Mounting & Rigging

This xture may be mounted in any SAFE position provided there is

enough room for ventilation.

It is important never to obstruct the fan or vents pathway. Mount the

xture using a suitable “C” or “O” type clamp. The clamp should be rated to hold at least 10x the xture’s weight to ensure structural sta-

bility. Do not mount to surfaces with unknown strength, and ensure

properly “rated” rigging is used when mounting xtures overhead.

Adjust the angle of the xture by loosening both knobs and tilting the xture. After nding the desired position, retighten both knobs.

• When selecting installation location, take into consideration lamp replacement access (if applicable) and routine maintenance.

• Safety cables MUST ALWAYS be used.

Page 9

4. OPERATING ADJUSTMENTS

The Control Panel

All the goodies and different modes possible with the Laser Blade™

G are accessed by using the control panel on the front of the xture.

There are 4 control buttons below the LED display which allow you to navigate through the various control panel menus.

<MENU>

Is used to navigate to the previous higher-level menu item.

<UP>

Scrolls through menu items and numbers in ascending order.

<DOWN>

Scrolls through menu items and numbers in descending order.

<ENTER>

Is used to select and conrm/store the current selection.

The Control Panel LED Display shows the menu items you select from the menu map on page #11. When a menu function is selected, the

display will show immediately the rst available option for the selected

menu function. To select a menu item, press <ENTER>.

Use the <UP> and <DOWN> buttons to navigate the menu options. Press the <ENTER> button to select the menu function currently displayed, or to enable a menu option. To return to the previous option or menu, press the <MENU> button.

Page 10

Control Panel Menu Structure

Address <ENTER> To choose a DMX address from 001-512

Work Mode Set Auto Auto run mode

Sound Sound active mode

DMX DMX mode

Slave Slave mode

X Mirror Set Yes/No X mirror symmetry (reverse) on/off

Y Mirror Set Yes/No Y mirror symmetry (reverse) on/off

X Run Set Run <ENTER>

Stop X Position (+/-) 1 <ENTER>

Y Run Set Run <ENTER>

Stop X Position (+/-) 1 <ENTER>

Graph Mode Set <ENTER> <UP/DOWN> to choose beams/animations

Speed Set <ENTER> <UP/DOWN> to increase/decrease speed

DMX Mode

Allows the unit to be controlled by any universal DMX controller.

Set the Starting DMX Address:

The default mode for the xture is DMX, so the rst menu item that you can edit is

the starting DMX address.

1.) Navigate the menu using the <UP/DOWN> buttons until you reach Address.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to select a DMX channel from 001-512.

4.) Press the <ENTER> button to conrm.

Working Mode Settings:

Set the xture to run in DMX, Auto, Sound Active, and Slave Modes

1.) Navigate the menu using the <UP/DOWN> buttons until you reach Work Mode Set.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to select either DMX, Auto, or Sound. Then press the <ENTER> button to conrm.

Slave Mode

1.) Daisy chain the xtures DMX in/out. The 1st xture will be the master xture.

2.) On xtures you want to set as slave xtures, navigate the menu(s) using the

<UP/DOWN> buttons until you reach Work Mode Set.

3.) Push the <ENTER> button.

4.) Use the <UP/DOWN> buttons to reach Slave. Then press <ENTER>.

Page 11

Mirror Symmetry Mode:

Reverse/ip the output of either X, Y, or both.

1.) Navigate the menu using the <UP/DOWN> buttons until you reach either X Mirror Set or Y Mirror Set.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to select Yes to enable, or No to disable.

4.) Press the <ENTER> button to conrm.

Running Mode Settings:

Fine tune the position of either X, Y, or both.

1.) Navigate the menu using the <UP/DOWN> buttons until you reach either X Run Set or Y Run Set.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to select Run for default, or Stop to adjust incremental positioning.

4.) Press the <ENTER> button to conrm.

Graphic Mode Settings:

Set the xture to display graphic beams or animations.

1.) Navigate the menu using the <UP/DOWN> buttons until you reach Graph Mode Set.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to select Beam Show, or Animal Show to

adjust incremental positioning.

4.) Press the <ENTER> button to conrm.

Speed Settings:

Used to adjust the speed settings.

1.) Navigate the menu using the <UP/DOWN> buttons until you reach Speed Set.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to adjust incremental speed settings.

4.) Press the <ENTER> button to conrm.

Page 12

DMX Values In-Depth (19-Channel Mode)

Channel Value What It Does

2 000 <--> 255 Pan (0 <--> 540°)

3 000 <--> 255 Tilt (0 <--> 270°)

4 000 <--> 255 Vertical Speed (slow <--> fast)

000 <--> 063 064 <--> 127 128 <--> 191 192 <--> 255

000 <--> 001 002 <--> 220 221 <--> 227 228 <--> 229 230 <--> 231 232 <--> 233 234 <--> 235 236 <--> 237 238 <--> 239 240 <--> 241 242 <--> 243 244 <--> 245 246 <--> 247 248 <--> 249 250 <--> 251 252 <--> 255

000 <--> 015 016 <--> 255

000 <--> 028 029 <--> 255

000 <--> 015 016 <--> 255

000 <--> 020 021 <--> 041 042 <--> 062 063 <--> 083 084 <--> 104 105 <--> 125 126 <--> 146 147 <--> 167 168 <--> 188 189 <--> 209 210 <--> 230 231 <--> 251 252 <--> 255

000 <--> 127 128 <--> 160 162 <--> 192 193 <--> 224 225 <--> 239 240 <--> 247 248 <--> 255

Run Mode

No function (laser is off) Sound active mode Auto mode DMX mode

Group 1, Pattern Selection

No function (laser is off) 133 geometric animations Screen theme animation

Wedding y wing to wing animation

Halloween theme animation 1 Halloween theme animation 2 Congratulations theme animation Christmas theme animation Happy birthday theme animation Lightning Pole dance Dancing Musical notes Fish big splash Trees Drum beating

Group 1 On/Off

Laser off Laser on

Group 2, Pattern Selection

No function (laser is off) 76 kinds of beam patterns

Group 2 On/Off

Laser off Laser on

Dual Group Animations

Single animation (group 1) X mirror symmetry Y mirror symmetry X/Y mirror symmetry, simultaneously Zoom In/Out, mirror symmetry Group 2 pattern left/right moving, group 1 stationary Group 2 pattern zoom in/out, group 1 stationary Group 2 pattern rotate, group 1 stationary Rotation mirror symmetry Group 1 no Y moving, group 2 no X moving Group 1 no X/Y moving, but group 2 X/Y moving Group 1 no Y dimmer, group 2 no X dimmer Group 1 no X moving, group 2 no Y moving

Moving X

Manual to left/right moving Auto to left moving Auto to right moving Auto to left/right moving Jumping Rhombus shape moving Top left/right moving

Page 13

DMX Values In-Depth (19-Channel Mode), Continued

Channel Value What It Does

000 <--> 127 128 <--> 160 162 <--> 192 193 <--> 224 225 <--> 231 232 <--> 239 240 <--> 247 248 <--> 255

000 <-> 127 128 <-> 255

000 <--> 127 128 <--> 159 160 <--> 191 192 <--> 223 224 <--> 255

000 <--> 063 064 <--> 127 128 <--> 191 192 <--> 255

000 <--> 255

000 <-> 063 064 <-> 255

Moving Y

Manual to up/down moving Auto to down moving Auto to up moving Auto to up/down moving Circle shape moving Sine shape moving Square shape moving Bottom corner up/down moving

X-Axis Rotation

Manual Position Auto Position Spin

X-Axis Rotation

Manual Position Auto Position Spin

Rotation

Manually rotation Auto clockwise rotation Auto counter clockwise rotation Clock pendulum effect Ellipse shape rotation

Zoom

No Function Manual zoom(+/-) Auto zoom(+) Auto zoom(-) Auto zoom(+/-)

Sine Wave Fluctuation

No Function

X uctuation Y uctuation X/Y uctuation

Fluctuation Speed

Speed adjustment (slow <-- fast)

Drawing

Manual Draw Auto Draw (slow <--> fast)

Troubleshooting

Symptom Solution

Fixture Auto-Shut Off

No Light Output Check to ensure xture is operating under correct mode, IE DMX/Etc., if ap-

No Power Check fuse, AC cord and circuit for malfunction.

Fixture Not Responding / Responding Erratically

please open a support ticket at www.blizzardlighting.com/support.

Please check the power supply, the input voltage and the fuse.

plicable.

Make sure all connectors are seated properly and securely. Use Only DMX cables and/or check cables for defects. Install a Terminator.

Reset xture(s).

If your problem isn’t listed, or if problems persist,

Page 14

5. APPENDIX

A Quick Lesson On DMX

DMX (aka DMX-512) was created in 1986 by the United States Institute for Theatre Technology (USITT) as a standardized method for connecting lighting consoles to lighting

dimmer modules. It was revised in 1990 and again in 2000 to allow more exibility. The

Entertainment Services and Technology Association (ESTA) has since assumed control over the DMX512 standard. It has also been approved and recognized for ANSI standard clas-

sication.

DMX covers (and is an abbreviation for) Digital MultipleXed signals. It is the most common communications standard used by lighting and related stage equipment.

DMX provides up to 512 control “channels” per data link. Each of these channels was originally intended to control lamp dimmer levels. You can think of it as 512 faders on a lighting console, connected to 512 light bulbs. Each slider’s position is sent over the data link as an 8-bit number having a value between 0 and 255. The value 0 corresponds to the light bulb being completely off while 255 corresponds to the light bulb being fully on.

DMX data is transmitted at 250,000 bits per second using the RS-485 transmission standard over two wires. As with microphone cables, a grounded cable shield is used to prevent interference with other signals.

There are ve pins on a DMX connector: a wire for ground (cable shield), two wires for

“Primary” communication which goes from a DMX source to a DMX receiver, and two wires for a “Secondary” communication which goes from a DMX receiver back to a DMX source. Generally, the “Secondary” channel is not used so data ows only from sources to receivers. Hence, most of us are most familiar with DMX-512 as being employer over typical

3-pin “mic cables,” although this does not conform to the dened standard.

DMX is connected using a daisy-chain conguration where the source connects to the input of the rst device, the output of the rst device connects to the input of the next device,

and so on. The standard allows for up to 32 devices on a single DMX link.

Each receiving device typically has a means for setting the “starting channel number” that

it will respond to. For example, if two 6-channel xtures are used, the rst xture might

be set to start at channel 1 so it would respond to DMX channels 1 through 6, and the next

xture would be set to start at channel 7 so it would respond to channels 7 through 12.

The greatest strength of the DMX communications protocol is that it is very simple and robust. It involves transmitting a reset condition (indicating the start of a new “packet”), a start code, and up to 512 bytes of data. Data packets are transmitted continuously. As

soon as one packet is nished, another can begin with no delay if desired (usually another

follows within 1 ms). If nothing is changing (i.e. no lamp levels change) the same data will be sent out over and over again. This is a great feature of DMX -- if for some reason the

data is not interpreted the rst time around, it will be re-sent shortly.

Not all 512 channels need to be output per packet, and in fact, it is very uncommon to nd

all 512 used. The fewer channels are used, the higher the “refresh” rate. It is possible to get DMX refreshes at around 1000 times per second if only 24 channels are being transmitted. If all 512 channels are being transmitted, the refresh rate is around 44 times per second.

In summary, since its design and evolution in the 1980’s DMX has become the standard

for lighting control. It is exible, robust, and scalable, and its ability to control everything

from dimmer packs to moving lights to foggers to lasers makes it an indispensable tool for any lighting designer or lighting performer.

Page 15

Keeping Your Laser Blade™ G As Good As New

The xture you’ve received is a rugged, tough piece of pro lighting equipment, and as long as you take care of it, it will take care of you. That said, like anything, you’ll need to take care of it if you want it to operate as designed.

You should absolutely keep the xture clean, especially if you are using it in an

environment with a lot of dust, fog, haze, wild animals, wild teenagers or spilled drinks.

Cleaning the optics routinely with a suitable glass cleaner will greatly improve the quality of light output. Keeping the fans free of dust and debris will keep

the xture running cool and prevent damage from overheating.

In transit, keep the xtures in cases. You wouldn’t throw a prized guitar,

drumset, or other piece of expensive gear into a gear trailer without a case, and similarly, you shouldn’t even think about doing it with your shiny new light

xtures.

Common sense and taking care of your xtures will be the single biggest thing

you can do to keep them running at peak performance and let you worry about designing a great light show, putting on a great concert, or maximizing your client’s satisfaction and “wow factor.” That’s what it’s all about, after all!

Returns (Gasp!)

We’ve taken a lot of precautions to make sure you never even have to worry about sending a defective unit back, or sending a unit in for service. But, like any complex piece of equipment designed and built by humans, once in a while,

something doesn’t go as planned. If you nd yourself with a xture that isn’t behaving like a good little xture should, you’ll need to obtain a Return Authori-

zation (RA).

Don’t worry, this is easy. Just go to our website and open a support ticket at www.blizzardlighting.com/support, and we’ll issue you an RA. Then, you’ll need to send the unit to us using a trackable, pre-paid freight method. We suggest

using USPS Priority or UPS. Make sure you carefully pack the xture for transit,

and whenever possible, use the original box & packing for shipping.

When returning your xture for service, be sure to include the following:

1.) Your contact information (Name, Address, Phone Number, Email address).

2.) The RA# issued to you

3.) A brief description of the problem/symptoms.

We will, at our discretion, repair or replace the xture. Please remember that

any shipping damage which occurs in transit to us is the customer’s responsibility, so pack it well!

Shipping Issues

Damage incurred in shipping is the responsibility of the shipper, and must be reported to the carrier immediately upon receipt of the items. Claims must be made within seven (7) days of receipt.

Page 16

Tech Specs!

Weight & Dimensions

Length 7.1 inches (180 mm)

Width 5.5 inches (140 mm)

Height 10.6 inches (270 mm)

Weight 6.7 lbs (3 kg)

Power

Operating Voltage 110-250VAC, 50-60 Hertz

Fuse 2A 250V

Power Consumption 20W

Light Source

Laser Fat beam 50mW 532nm green DPSS

Scanner 15kpss high-speed optical scanner

Laser Class Class 3R

Thermal

Max. Operating Temp. 104 degrees F (40 degrees C) ambient

Control

Protocol USITT DMX-512

DMX Channels 18-channel

Input 3-pin XLR Male

Output 3-pin XLR Female

Other Operating Modes

Sound Active, Auto-Beam, Auto-Animation, DMX512, Master/Slave

Other Information

Frowny wink wins for most confusing emoji ;(

Warranty 2-year limited warranty

Page 17

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Enjoy your product!

Our sincerest thanks for your purchase!

--The team @ Blizzard Lighting

Blizzard Laser Blade G Users Manual

Specifications and Main Features

Frequently Asked Questions

User Manual