Behringer Q1202USB, Q802USB User Manual

User Manual

XENYX
Q1202 /Q1002 /Q802 /Q502

Premium 12/10/8/5-Input 2-Bus Mixer with XENYX Mic Preamp
andCompressor, British EQ and USB/Audio Interface

2 XENY X Q1202USB/Q1002USB/Q802USB/Q502USB User Manual

Table of Contents

Thank you .......................................................................2

Important Safety Instructions ...................................... 3

Legal Disclaimer ............................................................. 3

Limited warranty ............................................................ 3

1. Introduction ............................................................... 4

1.1 General mixing console functions ................................ 4

1.2 Before you get started ...................................................... 4

2. Control Elements and Connectors ........................... 5

2.1 Mono channels .................................................................... 5

2.2 Stereo channels ................................................................... 6

2.3 Connector panel and main section ............................. 7

2.4 USB Connector .................................................................... 8

3. Installation ................................................................. 8

3.1 Mains connection ............................................................... 8

3.2 Audio connections ............................................................. 9

4. Specications ........................................................... 10

Thank you

Congratulations! In purchasing our XENYX Q1202USB/Q1002USB/Q802USB/Q502USB
you have acquired a mixing console whose small size belies its incredible versatility
and audio performance.

The XENYX Series represents a milestone in the development of mixing console
technology. With the new XENYX microphone preamps including phantom
power as an option, balanced line inputs and a powerful eec ts section, the
mixing consoles in the XENY X Series are optimally equipped for live and studio
applications. Owing to state-of-the-art circuitry, your XENYX console produces
a warm analog sound that is unrivalled. With the addition of the latest digital
technology, these best-in-class consoles combine the advantages of both analog
and digital technology.

3 XENY X Q1202USB/Q1002USB/Q802USB/Q502USB User Manual

9. Do not defeat the safety purpose of the polarized

TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED

Important Safety Instructions

Terminals marked with this symbol carry
electrical current of su cient magnitude

to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.

This symbol, wherever it appears,

alertsyou to the presence of uninsulated

dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.

This symbol, wherever it appears,

alertsyou to important operating and

maintenance instructions in the
accompanying literature. Please read the manual.

Caution

To reduce the risk of electric shock, donot

remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.

Caution

To reduce the risk of  re or electric shock,

do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects  lled with liquids,
suchas vases, shall be placed on the apparatus.

Caution

These service instructions are for use

by quali ed service personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.

or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not  t into your outlet, consult an
electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.

11. Use only attachments/accessories speci ed by
themanufacturer.

12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid

injury from tip-over.

13. Unplug this apparatus during lightning storms or
when unused for long periods of time.

14. Refer all servicing to quali ed ser vice personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.

15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.

16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.

UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.

ALL RIGHTS RESERVED.
© 2013 MUSICGroupIPLtd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tor tola, British Virgin Islands

LIMITED WARRANTY

For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
www.music-group.com/warranty.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.

LEGAL DISCLAIMER

TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER,
KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND
ARE PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY

4 XENY X Q1202USB/Q1002USB/Q802USB/Q502USB User Manual

1. Introduction

XENYX Mic Preamps

The microphone channels feature high-end XENYX Mic Preamps that
compare well with costly outboard preamps in terms of sound quality
and dynamics and boast the following features:

• 130 dB dynamic range for an incredible amount of headroom

• A bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear

reproduction of even the nest nuances

• The extremely low-noise and distortion-free circuitry guarantees absolutely

natural and transparent signal reproduction

• They are perfectly matched to every conceivable microphone with up to

60dB gain and +48 volt phantom power supply

• They enable you to use the greatly extended dynamic range of your

24-bit/192-kHz HD recorder to the fullest, thereby maintaining optimal
audioquality

“British EQ”

The equalizers used for the XENYX Series are based on the legendary circuitry of
top-notch consoles made in Britain, which are renowned throughout the world
for their incredibly warm and musical sound character. Even with extreme gain
settings these equalizers ensure outstanding audio properties.

1.2 Before you get started

1.2.1 Shipment

Your mixing console was carefully packed in the factory to guarantee safe
transport. Nevertheless, we recommend that you carefully examine the
packaging and its contents for any signs of physical damage, which may have
occurred during transit.

◊ If the unit is damaged, please do NOT return it to us, but notify your

dealer and the shipping company immediately, otherwise claims for
damage or replacement may not be granted.

1.2.2 Initial operation

Be sure that there is enough space around the unit for cooling purposes and to
avoid over-heating please do not place your mixing console on high-temperature
devices such as radiators or power amps. The console is connected to the
mains via the supplied cable. The console meets the required safety standards.
Blownfuses must only be replaced by fuses of the same type and rating.

◊ Never connect the XENYX to the power supply unit when the latter is

connected to the mains! First connect the power supply unit to the
console, then connect the power supply unit to the mains.

◊ Please note that all units must be properly grounded. For your own

safety, you should never remove any ground connectors from electrical
devices or power cables, or render them inoperative.

 Caution!

◊ We should like to draw your attention to the fac t that extreme volumes

may damage your hearing and/or your headphones or loudspeakers.
Turn the MAIN MIX control and PHONES control in the main section fully
counter-clockwise before you switch on the unit. Always be careful to
set appropriate volume levels.

Important notes concerning installation

◊ The sound quality may diminish within the range of powerful

broadcasting stations and high-frequency sources. Increase the
distance between the transmitter and the device and use shielded
cables for all connections.

1.1 General mixing console functions

A mixing console fulls three main functions:

• Signal processing: Preamplication, level adjustment, mixing of eects,

frequency equalization.

• Signal distribution: Summing of signals to the aux sends for eects

processing and monitor mix, distribution to one or several recording tracks,
power amp(s), control room and 2-track outputs.

• Mix: Setting the volume level, frequency distribution and positioning of the

individual signals in the stereo eld, level control of the total mix to match
the recording devices/crossover/power amplier(s). All other mixer functions
can be included in this main function.

◊ Please ensure that only qualified people install and operate the

mixing console. During installation and operation, the user must have
sufficient electrical contact to earth, otherwise electrostatic discharges
might affect the operation of the unit.

1.2 .3 Online registration

Please register your new BEHRINGER equipment right after your purchase
by visiting http://behringer.com and read the terms and conditions of our
warrantycarefully.

Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contact
the BEHRINGER retailer from whom the equipment was purchased. Shouldyour
BEHRINGER dealer not be located in your vicinity, you may directly contact
one of our subsidiaries. Corresponding contact information is included in the
original equipment packaging (Global Contact Information/European Contact
Information). Should your country not be listed, please contact the distributor
nearest you. A list of distributors can be found in the support area of our website
(http://behringer.com).

Registering your purchase and equipment with us helps us process your repair
claims more quickly and eciently.

Thank you for your cooperation!

The interface of BEHRINGER mixing consoles is optimized for these tasks enabling
you to easily keep track of the signal path.

5 XENY X Q1202USB/Q1002USB/Q802USB/Q502USB User Manual

2. Control Elements and Connectors

This chapter describes the various control elements of your mixing console.
Allcontrols, switches and connectors will be discussed in detail.

2.1 Mono channels

2.1.1 Microphone and line inputs

Fig. 2.1: Connector s and controls of mic /line inputs

MIC

Each mono input channel oers a balanced microphone input via the XLR
connector and also features switchable +48/+15 V phantom power supply for
condenser microphones. The XENYX preamps provide undistorted and noise-free
gain as is typically known only from costly outboard preamps.

2.1.2 Equalizer

All mono input channels include a 3-band equalizer, except for the Q502USB,
which is equipped with a 2-band EQ. All bands provide boost or cut of up to 15 dB.
In the central position, the equalizer is inactive.

The circuitry of the British EQs is based on the technology used in the best-known
top-of-the-line consoles and providing a warm sound without any unwanted
side eects. The result are extremely musical equalizers which, unlike simple
equalizers, cause no side eects such as phase shifting or bandwidth limitation,
even with extreme gain settings of ±15 dB.

Fig. 2.2: The equalizer of the mono input channels

EQ

The upper (HI) and the lower band (LO) are shelving lters that increase or
decrease all frequencies above or below their cut-o frequency. The cut-o
frequencies of the upper and lower band are 12 kHz and 80 Hz respectively.
The mid band (Q802/1002/1202USB) is congured as a peak lter with a center
frequency of 2.5 kHz.

LOW CUT

In addition, the mono channels (Q1002USB and Q1202USB) are equipped with a
steep LOW CUT lter at 80 Hz designed to eliminate unwanted low-frequency
signal components.

◊ Please mute your playback system before you activate the phantom

power supply to prevent switch-on thumps being directed to
your loudspeakers. Please also note the instructions in chapter

2.3.5 “Phantom power and LED displays”.

LINE IN

Each mono input also features a balanced line input on a ¼" connector.
Unbalanced devices (mono jacks) can also be connected to these inputs.

◊ Please remember that you can only use either the microphone

or the line input of a channel at any one time. You can never use
both simultaneously!

GAIN

Use the GAIN control to adjust the input gain. This control should always be
turned fully counterclockwise whenever you connec t or disconnect a signal
source to one of the inputs.

COMP

Use the COMP knob to adjust the amount of compression eect on the channel.
Compression limits the dynamic range of the audio source, which can help vocals
cut through a mix bet ter, for example. Turn the COMP knob clockwise until the
adjacent LED occasionally lights during speech/singing.

2.1.3 FX sends, panorama and level adjustment

Fig. 2.3: The FX send/panorama/level controls

6 XENY X Q1202USB/Q1002USB/Q802USB/Q502USB User Manual

FX (Q802/1002/1202USB only)

FX sends (or AUX sends) enable you to feed signals via a variable control from
one or more channels and sum these signals to a bus. The bus appears at the
console’s FX send output and can be fed from there to an external eects device.
The return from the eects unit is then brought back into the console on the aux
return connectors (Q802USB) or normal channel inputs. Each FX send is mono and
features up to +15 dB gain.

As the name suggests, the FX sends of the XENYX mixing consoles are intended to
drive eects devices (reverb, delay, etc) and are therefore congured post-fader.
This means that the mix between dry signal and eect remains at the level
determined by the channel’s aux send, irrespective of the channel fader setting.
If this were not the case, the eects signal of the channel would remain audible
even when the level knob is lowered to -∞.

PAN

The PAN control determines the position of the channel signal within the stereo
image. This control features a constant-power characteristic, which means the
signal is always maintained at a constant level, irrespective of position in the
stereo panorama.

LEVEL

The LEVEL control determines the level of the channel signal in the main mix.

CLIP

2.2.2 Equalizer stereo channels (Q802USB)

The XENYX 802 features a stereo 3-band EQ in each stereo channel. Thelter
characteristics and cut-o frequencies are the same as those in the
monochannels.

Fig. 2.5: The equalizer of the stereo input channels

A stereo EQ is highly preferable to two mono equalizers. when working on a
stereo signal, as two separate EQ’s will usually produce an unwanted discrepancy
between the lef t and right channels.

2.2.3 FX sends, balance and level adjustment

The CLIP LED’s of the mono channels illuminate when the input signal is driven
too high, which could cause distortion. If this happens, use the GAIN control to
reduce the preamp level until the LED does not light anymore.

2.2 Stereo channels

2.2.1 Stereo line inputs

Fig. 2.4: Stereo line inputs

LINE IN

Each stereo channel has two balanced line level inputs on ¼" jacks for left and
right channels. If only the jack marked “L” (left) is used, the channel operates in
mono. The stereo channels are designed to handle typical line level signals.

Both inputs will also accept unbalanced jacks.

Fig. 2.6: The F X send/balance/ level controls

FX

The FX sends of the stereo channels function similar to those of the mono
channels. However, since the FX send buses are both mono, a mono sum is rst
taken from the stereo input before it is sent to the FX bus. The Q502USB is not
equipped with FX sends.

BAL

The BAL(ANCE) control determines the levels of left and right input signals
relative to each other before both signals are then routed to the main stereo mix
bus. If a channel is operated in mono via the left line input, this control has the
same function as the PAN control used in the mono channels.

LEVEL

The LEVEL control determines the volume of the channel being sent to the
mainmix.

+4/-10

The stereo inputs of the XENYX Q1002USB and Q1202USB have an input sensitivity
switch which selects between +4 dBu and -10 dBV. At -10 dBV (home-recording
level), the input is more sensitive (requires less level to drive it) than at +4 dBu
(studio level).

7 XENY X Q1202USB/Q1002USB/Q802USB/Q502USB User Manual

2.3 Connector panel and main section

2.3 .1 Send/return eects path

Fig. 2.7: FX send /return connec tors

Fig. 2.8: FX s end/return cont rols

STEREO AUX RETURN

Q802USB only: the STEREO AUX RETURN connectors are used to bring the
output of the external eects device (whose input is derived from the aux sends)
back into the console. You can instead use these connectors as additional inputs,
butany eects device will then have to be brought back into the console via a
normal stereo channel. This does, however, give you the ability to use the channel
EQ on the eects return signal if you wish.

◊ When using a stereo channel as effects return path, the FX control of

the relevant channel should generally be turned fully down to avoid
undesirable feedback.

If only the left connector is used, the AUX RETURN automatically operates in
mono. Use the AUX RETURN control to determine how much of the eects signal
is sent to the main mix.

FX SEND

Fig. 2.10: Monitor cont rol and main mix fad er

PHONES/CONTROL ROOM

The stereo PHONES jack (at the top of the connector panel) is where you connect
headphones. The unbalanced CTRL ROOM OUT jacks carry the summed eec ts
and main mix signals. The PHONES/CONTROL ROOM control adjusts the level of
both headphones and main monitor outputs. The Q502USB is not equipped with
control room outputs.

MAIN MIX

The MAIN OUT connectors are unbalanced mono jacks. The main mix signal
appears here at a level of 0 dBu. The MAIN MIX fader adjusts the volume of these
outputs. The XENY X Q802USB and Q502USB mixing consoles feature a rotary
control for this purpose.

The FX SEND output (does not apply for Q502USB) should be connected to the
input of an external eects unit. The post-fader FX signal you created using
the input channel FX controls is sent to the eects unit via the FX SEND ouput.
Use the FX SEND control of the main section to adjust the overall send level
(Q1002USB and Q1202USB only).

2.3.2 Monitor and main mix

Fig. 2.9: Moni tor/main mix connecto rs

2.3.3 2-Track connectors

2-TRACK INPUT

The 2-TRACK INPUT s are used to bring an external signal source (e.g. CD player,
tape deck, etc.) into the console. They can also be used as a standard stereo line
input, so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can
be connected.

Fig. 2.11: 2-TRACK input/output

Alternatively the line or tape output of a hi- amplier with source selection
switch could also be hooked up here, allowing you to easily listen to
additionalsources.

2-TRACK OUTPUT

These connectors are wired in parallel with the MAIN OUT and carry the main mix
signal (unbalanced). Connect the 2-TRACK OUTPUT to the inputs of your recording
device. The output level is adjusted via the high-precision MAIN MIX fader or
rotary control (Q802USB and Q502USB).

8 XENY X Q1202USB/Q1002USB/Q802USB/Q502USB User Manual

2.3.4 Signal assignment

Fig. 2.12: Assignment switches of the main section

USB/2-TR TO MAIN MIX

When the USB/2-TR TO MAIN switch is depressed, the USB/2-Track input is
assigned to the main mix, providing an additional input for tape machines,
computers, MIDI instruments or other signal sources that do not require any
processing. The 2-Track Out/USB recording signal are muted to avoid feedback.

USB/2-TR TO PHONES/CTRL RM
(Q502: USB/2-TR TO PHONES)

Press the USB/2-TR TO PHONES/CTRL RM switch if you want to monitor
the 2-Track or USB input via the CTRL ROOM OUT. This provides an easy
way to monitor signals coming back from tape to ensure that they are
recordingcorrec tly.

POWER

The POWER LED indicates that the console is powered on.

Level indicator

The high-precision 4-segment display accurately displays the relevant
signallevel.

LEVEL SETTING: To correctly set the gains of the channels, rst set the LEVEL
controls of the input channels to their center positions (0 dB). Then use the GAIN
controls to increase the input amplication until signal peaks show 0 dB on the
level m eter.

When recording to digital recorders, the recorder’s peak meter should not go into
overload. While analog recorders can be overloaded to some extent, creating
only a certain amount of distortion (which is common and of ten desirable),
digitalrecorders distort quickly when overloaded. In addition, digital distortion is
not only undesirable, but also renders your recording completely useless.

◊ The peak meters of your XENYX display the level virtually independent

of frequency. A recording level of 0 dB is recommended for all
signal types.

2.4 USB Connector

FX TO CTRL ROOM

If you want to monitor only the FX send signal in your headphones or monitor
speaker(s), press the FX TO CTRL switch. This mutes the main mix signal while
routing the FX SEND output to the monitor(s). The XENYX Q802USB and Q502USB
do not feature this switch.

2.3.5 Phantom power and LED displays

Fig. 2.13: Phantom power and con trol LEDs

+48 V

The red +48 V LED lights up when phantom power is on. The PHANTOM switch
activates the phantom power supply on the XLR connectors of all mono channels.

◊ Please do not connect microphones to the mixer (or the stagebox/

wallbox) as long as the phantom power supply is switched on.
Connect the microphones before you switch on the power supply.
In addition, the monitor/PA loudspeakers should be muted before you
activate the phantom power supply. After switching on, wait approx.
one minute in order to allow system stabilization.

Fig 2.14: USB connector" ]

USB CONNECTOR

Connect your mixer to a computer using a standard USB cable. This enables a
stereo signal to be sent to and from your mixer and computer. The signal sent
from the mixer to the computer is the same as the main bus. The audio returning
from the computer into the mixer appears directly in the main and/or control
room bus (depending on USB/2TR to MAIN and PHONES/CTRL RM but tons).

NOTE: The mixer cannot be bus-powered via USB! Always use the included power
adaptor to supply power to the mixer.

3. Installation

3.1 Mains connection

AC POWER IN

Connect the power supply to the 3-pin mains connector on the rear of the
console. Use the AC adapter supplied to connec t the console to the mains.
Theadapter complies with all applicable safety standards.

◊ Please use only the power supply unit provided with the console.

◊ Never connect the XENYX to the power supply unit while the latter is

connected to the mains! First connect the console to the power supply
unit, then connect the power supply unit to the mains.

◊ Please note that both the power supply unit and the mixing console

heat up considerably during operation. This is completely normal.

9 XENY X Q1202USB/Q1002USB/Q802USB/Q502USB User Manual

3.2 Audio connections

You will need a large number of cables for dierent applications. The illustrations
below show how the connectors should be wired. Be sure to use only
high-grade cables.

Please use commercial RCA cables to connect the 2-track inputs and outputs.

You can, of course, also connect unbalanced devices to the balanced inputs/
outputs. To do this, use either mono plugs or stereo plugs with the ring and
sleeve bridged (pins 1 and 3 in the case of XLR connectors).

◊ Caution! Never use unbalanced XLR connectors (PIN 1 and 3 connected)

on the MIC input connectors when using the phantom power supply.

Balanced use with XLR connectors

12

3

input

1 = ground/shield
2 = hot (+ve)
3 = cold (-ve)

1

2

3

output

For unbalanced use, pin 1 and pin 3
have to be bridged

Fig. 3.1: XLR connections

Unbalanced ¼" TS connector

strain relief clamp

sleeve

Balanced ¼" TRS connector

strain relief clamp

sleeve
ring
tip

sleeve

ground/shield

ring

cold (-ve)

tip

hot (+ve)

For connection of balanced and unbalanced plugs,
ring and sleeve have to be bridged at the stereo plug.

Fig. 3.3: ¼" stereo plu g

¼" TRS headphones connector

strain relief clamp

sleeve

ring

tip

sleeve

ground/shield

ring

right signal

tip

left signal

Fig. 3.4: Stereo plug for headphones connection

Fig. 3.2: ¼" mono plug

tip

sleeve

(ground/shield)

tip

(signal)

10 XENY X Q1202USB/Q1002USB/Q802USB/Q502USB User Manual

4. Specications

Q1202USB Q1002US B Q8 02USB Q502USB

Mono Inputs

Microphone Inputs

Type XLR connector, balanced, discrete input circuit

Mic E.I.N. (20 Hz - 20 kHz)

@ 0Ω Source
resistance

@ 50Ω Source
resistance

@ 150Ω Source
resistance

Frequency Response

Max. input level +12dBu @ +10dB Gain

Impedance 1.9kΩ balanced 1.9kΩ balanced 1.9kΩ balanced 1.4kΩ balance d

Signal-to-noise ratio 110 dB A-weighted (0 dBu In @ +22 dB Gain)

Distortion (THD+N) 0.005% / 0.004% A- weighted

Line Inputs

Type ¼" TRS connec tor, balanced

Impedance 20kΩ balanc ed, 10kΩ unbalanced

Gain range -10dB to +40dB

Max. input level +22dBu @ 0dB Gain

Stereo Inputs

Type 2 x ¼" TRS connec tors, balanced

Impedance 20kΩ balanc ed, 10kΩ unbalanced

Gain range -20dB to + 20dB

Max. input level +22dBu

CD/Tape Inputs

Type RCA connector

Impedance 18 kΩ

Max. input level +22dBu

Equalizer

Low 80Hz / ±15dB

Mid 2.5kHz / ±15dB

High 12kHz / ±15dB

Aux Sends

Type ¼" TRS connec tor, balanced

Impedance 120Ω

Max. output level +22dBu

Aux Returns

Type ¼" TRS connec tor, balanced

Impedance 20kΩ balanc ed / 10kΩ unbalanced

Max. input level +22dBu

Main Outputs

Type ¼" TRS connec tor, balanced

Impedance 120Ω balanced

Max. output level +22dBu

Control Room Outputs

Type ¼" TRS connec tor, balanced

Impedance ap prox. 120Ω

Max. output level +22dBu

-134dB / 136dB A-weighted

-131dB / 133dB A-weighte d

-129dB / 131dB A-weighte d

<10Hz - 150kHz (-1 dB)

<10Hz - 200kHz (-3 dB)

Q1202USB Q1002US B Q8 02USB Q502USB

Phones Output

Type ¼" TRS connector, unbalanced

Max. output level +21dBu / 150Ω (+25dBm)

CD/Tape Outputs

Type RCA connec tor, unbalanced

Impedance 1 kΩ

Max. output level +22 dBu

Main Mix Sy stem Data (Noise)

Main mix @ -∞,
channel f ader @ -∞

Main mix @ 0dB,
channel f ader @ -∞

Main mix @ 0dB,
channel f ader @ 0dB

Power Supply

Power consumption 20W 13W 13W 13W

USA/Canada 120 V~, 60 Hz

Adapter MXUL5 MXUL3 MXUL3 MXUL3

Europe/U.K./Australia 230 V~, 50 Hz

Adapter MXEU5 MXEU3 MX EU3 MXEU3

China 220 V~, 50 Hz

Adapter MXCCC5 M XCCC3 MXCCC3 MXCCC 3

Korea 220 V~, 60 Hz

Adapter MXKR5 MXKR3 MXKR3 MXKR3

Japan 100V~, 50/60Hz

Adapter M XJP5 MXJP3 MXJP3 MXJP3

USB

Connector Typ e B

Sample Rate 48 kHz

Physical/Weight

Dimensio ns (W x D x H)

Weight (Net) 1.5kg (3.3lbs) 1.1kg (2.4lbs) 1.1kg (2.4lbs) 0.6kg (1.3lbs)

-93 dB / -96 dB
A-weighted

250 x 248 x 50 mm

(9.8 x 9.8 x 2.0" )

-106dB / -109dB A-wei ghted

-93 dB / -96 dB
A-weighted

-84dB / -87dB A- weighted

195 x 248 x 50 mm

(7.7 x 9.8 x 2.0" )

-92 dB / -95 dB
A-weighted

195 x 248 x 50 mm

(7.7 x 9.8 x 2.0" )

-95 dB / -98 dB
A-weighted

138 x 184 x 46 mm

(5.4 x 7.2 x 1.8")

11 XENY X Q1202USB/Q1002USB/Q802USB/Q502USB User Manual

FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION

XENYX Q1202USB/Q1002USB/
Q802USB/Q502USB

Responsible Party Name: MUSIC Group Services US Inc.

Address: 18912 North Creek Parkway,

Suite 200 Bothell, WA 98011,
USA

Phone/Fax No.: Phone: [phone]

Fax: [phone]

XENYX Q1202USB/Q1002USB/Q802USB/Q502USB

complies with the FCC rules as mentioned in the followingparagraph:

This equipment has been tested and found to comply with the limits for a ClassB
digital device, pur suant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined
by turning the equipment o and on, the user is encouraged to try to correct the
interference by one or more of the followingmeasures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit dierent from that to which the

receiver is connected.

• Consult the dealer or an experienced radio/TV technician forhelp.

This device complies with Part 15 of the FCC rules. Operation is subject to the
following two conditions:

(1) this device may not cause harmful interference, and
(2) this device must accept any inter ference received, including inter ference that may
cause undesired operation.

Important information:

Changes or modications to the equipment not expressly approved by MUSIC Group
can void the user’s authority to use the equipment.

We Hear You