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FLM R20+ Perf ormer
Users manual
R9004430
R5976921/00
08/03/2006
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Barco nv Events
aan 5, B-8520 Kuurne
Noordl
Phone: +32 56.36.89.70
Fax: +32 56.36.88.24
sales.events@barco.com
E-mail:
Visit us at the web: www.barco.com
PrintedinBelgium
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Changes
Barco provides this manual ’as is’ without warranty of any kind, either expressed or implied, including but not limited to the implied warranties or merchantability and fitness for a particular purpose. Barco may make improvements and/or changes to the product(s) and/or the
program(s) described in this publication at any time without notice.
This publication could contain technical inaccuracies or typographical errors. Changes are periodically made to the information in this
publication; these changes are incorporated in new editions of this publication.
Copyright ©
All rights reserved. No part of this document may be copied, reproduced or translated. It shall not otherwise be recorded, transmitted or
stored in a retrieval system without the prior written consent of Barco.
Federal Communications Commission (FCC Statement)
This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part 15 of the FCC r
These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial
environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with
the instruction manual, may cause harmful interference to radio communications. Operation of t
cause harmful interference, in which case the user will be responsible for correcting any interference.
his equipment in a residential area may
ules.
Guarantee and Compensation
Barco provides a guarantee relating to perfect manufacturing as part of the legally stipulated terms of guarantee. On receipt, the purchaser
must immediately inspect all delivered goods for damage incurred during transport, as well as for material and manufacturing faults Barco
must be informed immediately in writing of any complaints.
The period of guarantee begins on the date of transfer of risks, in the case of special systems and software on the date of commissioning,
at latest 30 days after the transfer of risks. In the event of justified notice of complaint, Barco can repair the fault or provide a replacement
at its own discretion within an appropriate period. If this measure proves t
reduction in the purchase price or cancellation of the contract. All other claims, in particular those relating to compensation for direct or
indirect damage, and also damage attributed to the operation of software as well as to other services provided by Barco, being a component
of the system or independent service, will be deemed invalid provided
guaranteed in writing or due to the intent or gross negligence or part of Barco.
If the purchaser or a third party carries out modifications or repairs on goods delivered by Barco, or if the goods are handled incorrectly,
in particular if the systems are commissioned operated incorrectly or if, after the transfer of risks, the goods are subject to influences not
agreed upon in the contract, all guarantee claims of the purchaser will be rendered invalid. Not included in the guarantee coverage are
system failures which are attributed to programs or special electronic circuitry provided by the purchaser, e.g. interfaces. Normal wear as
well as normal maintenance are not subject to the guarantee provided by Barco either.
The environmental conditions as well as the servicing a
the customer.
nd maintenance regulations specified in the this manual must be complied with by
o be impossible or unsuccessful, the purchaser can demand a
the damage is not proven to be attributed to the absence of properties
Trademarks
Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights of their respective holders.
All brand and product names mentioned in this manual serve as comments or examples and are not to be understood as advertising for
the products or their manufactures.
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Table of contents
TABLE OF CONTENTS
1. Safety................................................................................................................. 5
1.1 General ............................................................................................................................... 5
1.2 Important safetyinstructions......................................................................................................... 6
1.3 Important warnings concerning FLMflightcases....................................................................................8
2. General............................................................................................................... 9
2.1 Installation requirements ............................................................................................................. 9
2.2 Unpacking the projector .............................................................................................................10
2.3 Boxcontent .......................................................................................................................... 11
2.4 FLMflight case ......................................................................................................................12
2.5 Projector configurations .............................................................................................................12
2.6 Projector air inlets andoutlets.......................................................................................................16
3. Physical installation ..............................................................................................17
3.1 Remote control unit (RCU) .. . . . . ....................................................................................................17
3.1.1 RCUbattery installation.......................................................................................................18
3.1.2 RCU rugged case installation ................................................................................................18
3.1.3 RCU XLR adaptor installation ................................................................................................19
3.1.4 Using the XLR adaptor of the RCU. .. . . . .....................................................................................19
3.2 Lenses . ..............................................................................................................................20
3.2.1 Availablelenses...............................................................................................................20
3.2.2 Lens selection . . ...............................................................................................................21
3.2.3 Lens formulas . . ...............................................................................................................21
3.2.4 Lens installation ...............................................................................................................22
3.2.5 Lens removal . . . ...............................................................................................................23
3.3 Alignment of a table mount FLM projector..........................................................................................24
3.4 Alignment ofa ceilingmount FLM projector........................................................................................25
3.5 Suspension of the FLM projector with rigging clamps. .............................................................................26
4. Stacking FLM projectors.........................................................................................29
4.1 Stacking FLMprojectors ............................................................................................................29
4.2 Aligning stackedFLM projectors ....................................................................................................31
5. Connections........................................................................................................33
5.1 Power connection ...................................................................................................................33
5.2 Input source connections. ...........................................................................................................35
5.3 Communication connections .. . . ....................................................................................................36
6. Getting started .....................................................................................................41
6.1 RCU& Local keypad ................................................................................................................41
6.2 Terminology overview ...............................................................................................................41
6.3 Operating the projector..............................................................................................................43
6.3.1 Switching on...................................................................................................................43
6.3.2 Errors,warningsandmessages during start up .............................................................................44
6.3.3 Switching to standby..........................................................................................................44
6.3.4 Switching off...................................................................................................................45
6.4 Using theRCU....................................................................................................................... 45
6.5 Quick setup adjustments............................................................................................................46
6.5.1 Text boxes ON or OFF........................................................................................................46
6.5.2 Quick Lens Adjustment . . . ....................................................................................................47
6.5.2.1 Quick Lens Adjustment viaLENS key.................................................................................47
6.5.2.2 Direct Lens Adjustment (RCU). .. . .....................................................................................48
6.5.3 Quick pictureinpicture .......................................................................................................48
6.6 Projector Address....................................................................................................................49
6.6.1 Displayingand Programming addresses.....................................................................................49
6.6.2 Controlling the projector......................................................................................................49
6.7 Source selection.....................................................................................................................49
6.8 Controlling the Projector.............................................................................................................50
7. Start up of the Adjustment Mode...............................................................................53
7.1 About the adjustment mode . . . . . ....................................................................................................53
7.2 About the use of the remote control and the local keypad .. . ......................................................................53
7.3 Start up the adjustment mode.......................................................................................................53
7.4 Navigationand adjustments.........................................................................................................54
7.5 On screen menus versus LCD display menus .....................................................................................54
8. Input menu .........................................................................................................55
8.1 Input module type ...................................................................................................................55
8.1.1 About Input Setup . . ...........................................................................................................55
8.1.2 Input configuration . ...........................................................................................................55
8.2 Input locking .........................................................................................................................56
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Table of contents
9. Image menu ........................................................................................................59
9.1 Overview flow........................................................................................................................59
9.2 Howto select the image adjustments? .............................................................................................60
9.3 Image Settings.......................................................................................................................60
9.3.1 Contrast .......................................................................................................................61
9.3.2 Brightness.....................................................................................................................61
9.3.3 Saturation .....................................................................................................................62
9.3.4 Tint (hue) ......................................................................................................................63
9.3.5 Phase..........................................................................................................................64
9.3.6 Sharpness.....................................................................................................................65
9.3.7 Noise reduction ...............................................................................................................66
9.3.8 Color temperature.............................................................................................................66
9.3.8.1 Predefined color temperature . . . . . .....................................................................................66
9.3.8.2 Seta custom colortemperature .......................................................................................67
9.3.9 Input balance . . . ...............................................................................................................68
9.3.9.1 Introduction to Input Balance . . . . . .....................................................................................68
9.3.9.2 Adjusting the input balance ............................................................................................69
9.4 Aspect ratio..........................................................................................................................72
9.5 Timings...............................................................................................................................74
9.6 Image services.......................................................................................................................74
9.6.1 Files andfile manipulations...................................................................................................75
9.6.2 Manual Load file . . . ...........................................................................................................75
9.6.3 Delete file......................................................................................................................76
9.6.4 Delete all custom files ........................................................................................................77
9.6.5 Rename a file . . ...............................................................................................................78
9.6.6 File options....................................................................................................................79
10. Layout menu .......................................................................................................81
10.1 Overviewflow........................................................................................................................81
10.2 Main window .. .. . . ...................................................................................................................81
10.2.1 Sizeadjustment...............................................................................................................81
10.2.2 Position adjustment ...........................................................................................................84
10.3 PIP window ..........................................................................................................................85
10.3.1 Introduction to PIP............................................................................................................85
10.3.2 Picturein Picture activation...................................................................................................86
10.3.3 Picturein Picture size of the window.........................................................................................86
10.3.4 Picture in Picture, position window . . . . . . .....................................................................................89
10.4 Layout file services ..................................................................................................................90
10.4.1 Load layout....................................................................................................................90
10.4.2 Savea layout..................................................................................................................91
10.4.3 Delete a layout................................................................................................................92
11. Lamp menu .........................................................................................................95
11.1 Overviewflow........................................................................................................................95
11.2 Lamppower mode...................................................................................................................95
11.3 Dimming .............................................................................................................................96
11.4 Lamp Identification . .. ...............................................................................................................96
12. Alignment menu...................................................................................................99
12.1 Overviewflow........................................................................................................................99
12.2 Orientation...........................................................................................................................99
12.3 Lens adjustment . . ..................................................................................................................100
12.4 Internal pattern......................................................................................................................101
13. Projector control ................................................................................................ 103
13.1 Overviewflow.......................................................................................................................103
13.2 Projector address. ..................................................................................................................103
13.2.1 Individual projector address . . ...............................................................................................103
13.2.2 Common address .. ..........................................................................................................104
13.3 Serial communication...............................................................................................................105
13.4 Network .............................................................................................................................106
13.4.1 Introduction to an Network connection .. ....................................................................................106
13.4.2 DHCPsetup..................................................................................................................106
13.4.3 IP-address set up............................................................................................................107
13.4.4 Subnet-mask set up..........................................................................................................108
13.4.5 DefaultGateway set up......................................................................................................108
13.5 Local LCD contrast .................................................................................................................109
14. Service menu......................................................................................................111
14.1 Overviewflow.......................................................................................................................111
14.2 Identification ........................................................................................................................111
14.3 Diagnosis . . .........................................................................................................................112
14.3.1 How to start up the diagnosis? . . . ...........................................................................................112
14.3.2 Versions ......................................................................................................................113
14.3.3 Voltages ......................................................................................................................114
14.3.4 I²C diagnosis .................................................................................................................114
14.3.5 Temperatures ................................................................................................................115
2
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Table of contents
14.3.6 Fan speeds overview ........................................................................................................116
14.3.7 Error logging overview . . . . ...................................................................................................117
15. Maintenance...................................................................................................... 119
15.1 Replacementof the dustfilter on thefront side ...................................................................................119
15.2 Replacementof the dustfilter on thebottomside.................................................................................120
15.3 Cleaning of the dust filter on the top side . . . . . . ....................................................................................121
15.4 Pressureverification ofthe liquid coolingcircuit...................................................................................121
15.5 Cleaning the lens . ..................................................................................................................122
15.6 Cleaning the exterior of the projector .. . ...........................................................................................122
16. Servicing.......................................................................................................... 123
16.1 Removal of the lamp house . . . . . ...................................................................................................123
16.2 Removal oftheinput & communication unit .......................................................................................124
16.3 Removal of an input module . . . . ...................................................................................................125
16.4 Installation of thelamp house......................................................................................................126
16.5 Installation of the input & communication unit .....................................................................................127
16.6 Installation of an input module . ....................................................................................................128
16.7 Realignmentof the lampin its reflector............................................................................................129
17. Removal of the projector covers ............................................................................. 131
17.1 Removal ofthefrontcover .........................................................................................................131
17.2 Removal oftheside cover..........................................................................................................132
17.3 Removal ofthelamp cover.........................................................................................................133
17.4 Removal oftheinput cover.........................................................................................................133
17.5 Installation of thefront cover .......................................................................................................134
17.6 Installation of theside cover .......................................................................................................135
17.7 Installation of thelamp cover.......................................................................................................136
17.8 Installation of the input cover.......................................................................................................136
A. Dimensions ........................................................................................................ 139
A.1 Dimensionsof the FLM R20+ Performer ..........................................................................................139
A.2 Dimensionsof the FLM flight case.................................................................................................140
A.3 Dimensionsof the riggingclamps..................................................................................................141
B. Standard Source Files........................................................................................... 143
B.1 Table overview......................................................................................................................143
C. Troubleshooting .................................................................................................. 145
C.1 Error codes .........................................................................................................................145
D. Specifications ..................................................................................................... 151
D.1 SpecificationsFLMR20+ Performer...............................................................................................151
D.2 Specifications FLM 5 cable input (multi purpose) . ................................................................................152
D.3 Specifications FLM High bandwidth data input (RGB) ............................................................................153
D.4 SpecificationsFLMHDSDI– SDIinput............................................................................................154
D.5 SpecificationsFLMDVI input ......................................................................................................155
E. Order info .......................................................................................................... 157
E.1 Spare part orderinfo ...............................................................................................................157
Glossary ............................................................................................................... 159
Index.................................................................................................................... 161
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Table of contents
4 R5976921 FLM R20+ PERFORMER 08/03/2006
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1. SAFETY
About this chapter
Read this chapter attentively. It contains important information to prevent personal injury while installing and using an FLM R20+ Performer projector. Furthermore, it includes several cautions to prevent damage to the FLM R20+ Performer. Ensure that you understand and follow all safety guidelines, safety instructions and warnings mentioned in this chapter before installing your FLM projector.
After this chapter, additional “warnings” and “cautions” are given depending on the installation procedure. Read and follow these
“warnings” and “cautions” as well.
Overview
• General
• Important safety instructions
• Important warnings concerning FLM flight cases
1.1 General
Notice on safety
This equipment is built in accordance with the requirements of the international safety standards IEC60950-1, EN60950-1,
UL60950-1 and CAN/CSA C22.2 No.60950-1, which are the safety standards of information technology equipment including
electrical business equipment. These safety standards impose important re
materials and insulation, in order to protect the user or operator against risk of electric shock and energy hazard, and having
access to live parts. Safety standards also impose limits to the internal and external temperature rises, radiation levels, mechanical
stability and strength, enclosure construction and protection agains
the safety of the equipment to the user even when the equipment’s normal operation fails.
t the risk of fire. Simulated single fault condition testing ensures
quirements on the use of safety critical components,
1. Safety
Restricted access location
The FLM R20+ Performer may only be installed in a restricted access location, due to the temperature rise of parts of the equipment
(air outlet).
Restricted access location
A location for equipment where both of the following paragraphs apply:
1) AccesscanonlybegainedbySERVICEPERSONSorbyUSERS
the restriction applied to the location and about the precautions that shall be taken.
2) Access is through the use of the tool or lock and key, or other means of security, and is controlled by the authority
responsible for the location.
who have been instructed about the reasons for
Installation instructions
• Before operating this equipment please read this manual thoroughly, and retain it for future reference.
• Installation and preliminary adjustments should be performed by qualified Barco personnel or by authorized Barco service dealers.
• All warnings on the projector and in the documentation manuals should be adhered to.
• All instructions for operating and use of this equipment must be followed precisely.
Safety indication on the product
Risk of electrical shock. Do not open. To reduce the risk of electrical shock, do not remove the projector’s covers. No user-serviceable parts inside. Refer servicing to qualified service personnel.
CAUTION
RISK OF ELECTRICAL SHOCK
DO NOT OPEN
CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER-SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL
R5976921 FLM R20+ PERFORMER 08/03/2006 5
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1. Safety
• The lightning flash with an arrowhead within a triangle is intended to tell the user that parts inside this product may cause a risk
of electrical shock to persons.
• The exclamation point within a triangle is intended to tell the user that important operating and/or servicing instructions are
included in the technical documentation for this equipment.
Definition of “qualified service technicians” or ”qualified technicians”: Persons having appropriate technical
training and experience necessary to be aware of hazards to which they are exposed in performing a task and
of measures to minimize the danger to themselves or other persons.
Owners record
The part number and serial number are located at the right side of the projector. Record these numbers in the spaces provided
below. Refer to them whenever you call upon your Barco dealer regarding this product.
Product article number
Product serial number
Dealer
1.2 Important safety instructions
To prevent the risk of electrical shock
• This product should be operated from a mono phase AC power source. Power input voltage range must be between 200-240
VAC, 50–60 Hz, 16 amps at 230 VAC
• The power cord of the FLM R20
This plug will only fit into a grounding-type EN60-309 power outlet. This is a safety feature. Mains power cord with EN60-309
plug:
L
N
E
Warning: This apparatus must be grounded (earthed) via the supplied 3 conductor AC power cable. If the supplied power
cable is not th
If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the
purpose of the grounding-type plug.
The wires of the
International plug 32 ampere:
Green/Yellow: ground.
Blue: neutral.
Brown: line (live)
• Do not allow anything to rest on the power cord. Do not locate this product where persons will walk on the cord. To disconnect
the cord, pull it out by the plug. Never pull the cord itself.
• If an extension cord is used with this product, make sure that the total of the ampere ratings on the products plugged into the
extension cord does not exceed the extension cord ampere rating.
• Use only the power cord supplied with your projector. While appearing to be similar, other power cords have not been safety
tested at the factory and may not be used to power the projector. For a replacement power cord, contact your dealer.
• Never push objects of any kind into this product through cabinet slots as they may touch dangerous voltage points or short out
parts that could result in a risk of fire or electrical shock.
• Never spill liquid of any kind on the product. Should any liquid or solid object fall into the cabinet, unplug the set and have it
checked by qualified service personnel before resuming operations.
• Lightning - For added protection for this video product during a lightning storm, or when it is left unattended and unused for
long periods of time, unplug it from the wall outlet. This will prevent damage to the projector due to lightning and AC power-line
surges.
EN60-309
e correct one, consult your dealer.
power cord are colored in accordance with the following code:
+ Performer is equipped with a 3-wire grounding plug, a plug having a third (grounding) pin.
North American plug 30 ampere:
Green/Yellow or Green: ground.
Blue or White: neutral.
Brown or Black: line (live)
6
R5976921 FLM R20+ PERFORMER 08/03/2006
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1. Safety
To prevent personal injury
• Caution: High pressure lamp may explode if improperly handled. Refer servicing to qualified service personnel. The customer
should never attempt to disassemble the lamp casing or to dispose of the lamp casing other than by returning it to Barco.
• To prevent injury and physical damage, always read this manual and all labels on the system before inserting the lamp casing,
connecting to the wall outlet or adjusting the projector.
• To prevent injury, take note of the weight of the projector. Minimum 4 persons are needed to carry the projector.
• To prevent injury, ensure that the lens and all cover plates are correctly installed. See installation procedures.
• Warning: high intensity light beam. NEVER look into the lens ! High luminance could result in damage to the eye.
• Before attempting to remove any of the projector’s covers, you must turn off the projector and disconnect from the wall outlet.
• When performing setup work to a ceiling mounted projector, to prevent injury caused by falling objects or the system, set out
a keep out area.
• Consult a professional structural engineer prior to suspending the projector from a structure not intended for that use. Always
ensure that the working load limit of the structure can handle the load of the projector.
• Never stack more than two (2) FLM projectors in a hanging configuration (truss) and never stack more than three (3) FLM
projectors in a base stand configuration (table mount).
• The power input at the projector side is considered as the disconnect device. When required to switch off the projector, to
access parts inside, always disconnect the power cord at the projector side. In case the power input at the projector side is not
accessible (e.g. ceiling mount), the socket outlet supplying the projector shall be installed nearby the projector and be easily
accessible, or a readily accessible general disconnect device shall be incorporated in the fixed wiring.
• Do not place this equipment on an unstable cart, stand, or table. The product may fall, causing serious damage to it
possible injury to the user.
• When mounting the projector to the ceiling or to a rigging system, always mount security chains.
and
To prevent projector damage
• If the Air Filters are not regularly replaced, the air flow inside the projector could be disrupted, causing overheating. Overheating
may lead to the projector shutting down during operation.
• In order to ensure that correct airflow is maintained, and that the projector complies with elec
requirements, it should always be operated with all of it’s covers in place.
• Slots and openings in the cabinet are provided for ventilation. To ensure reliable operation of the product and to protect it from
overheating, these openings must not be blocked or covered. The openings should never be blocked by placing the product
on a bed, sofa, rug, or other similar surface. This product should never be placed near or over a radiator or heat register. The
projector should not be placed in a built-in installation or enclosure unless proper ventilation is provided.
• Do not block the projector cooling fans or free air movement under and around the pr
may not be nearer to the projector than 10 cm (4") on any side.
• The projector must always be mounted in a manner which ensures free flow of air into its air inlets and unimpeded evacuation
of the hot air exhausted from its cooling system. Heat sensitive materials should not be placed in the path of the exhausted air.
Leave at least a free safety area of 1 meter (40”) at the rear of the projector.
• Ensure that nothing can be spilled on, or dropped inside the projector. If this does happen, switch off and unplug the mains
supply immediately. Do not operate the projector again until it has be
• Consult a professional structural engineer prior to suspending the ceiling mount from a structure not intended for that use.
Always ensure the working load limit of the structure supporting the projector.
• Do not use this equipment near water.
• Special care should be used when DLP projectors are used in the same room as high power laser equipment. Direct or indirect
hitting of a laser beam on to the lens can severely damage the Digital Mirror Devices
• Save the original shipping carton and packing material; they will
maximum protection, repack your set as it was originally packed at the factory.
• Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for
cleaning. Never use strong solvents, such as thinner or benzine, or abrasive cleaners, since these will damage the cabinet.
Stubborn stains may be removed with a cloth lightly dampened with mild detergent solution.
• To ensure the highest optical performance and resolution, the projection lenses are specially treated with an anti-reflective
coating, therefore, avoid touching the lens. To remove du
solution, or thinner.
st on the lens, use a soft dry cloth. Do not use a damp cloth, detergent
en checked by qualified service technicians.
TM
come in handy if you ever have to ship your equipment. For
tromagnetic compatibility (EMC)
ojector. Loose papers or other objects
in which case there is a loss of warranty.
To prevent battery explosion
• Danger of explosion if battery is incorrectly installe
• Replace only with the same or equivalent type recommended by the manufacturer.
• Dispose of used batteries according to the manufacturer’s instruction.
R5976921 FLM R20+ PERFORMER 08/03/2006
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1. Safety
To prevent fire hazard
• Warning “Risk of fire”. Do not place flammable or combustible materials near the projector !
This projector radiates heat on its external surfaces and from ventilation ducts during normal operation, which is both normal
and safe. Exposing flammable or combustible materials into close proximity of this projector could result in the spontaneous
ignition of that material, resulting in a fire. For this reason, it is absolutely necessary to leave an “exclusion zone” around all
external surfaces of the projector whereby no flammable or combustible materials are present. The exclusion zone must be not
less than 40 cm (16”) for all Barco DLP projectors. The exclusion zone on the lens side must be at least 2 meter (80”).
• Do not cover the projector or the lens with any material while the projector is in operation.
• To reduce the lamp heat of the projector, switch the projector first to standby and let the projector lamp cool down for at least 5
minutes. Then the projector may be switched off with the power switch.
• Mount the projector in a well ventilated area away from sources of ignition and out of direct sun light.
• Never expose the projector to rain or moisture.
• In the event of fire, use sand, CO
• This product should never be placed near or over a radiator or heat register.
• This projector should not be placed in a built-in installation or enclosure unless proper ventilation is provided.
• Projection rooms must be well ventilated or cooled in order to avoid build up of heat.
, or dry powder fire extinguishers; never use water on an electrical fire.
2
On servicing
• Do not attempt to service this product yourself, as opening or removing covers may expose you to dangerous voltage potentials
and risk of electric shock.
• Refer all servicing to qualified service personnel.
• Fence off a restricted area of at least 3 meters around the projector using an eye-catching fence and “KEEP OUT” sings. This
to prevent unauthorized persons coming near the projector during servicing.
• Unplug this product from the wall outlet and refer servicing to qualified service technicians under the following conditions:
- When the power cord or plug is damaged or frayed.
- If liquid has been spilled into the equipment.
- If the product has been exposed to rain or water.
- If the product does not operate normally when the operating instructions are followed. Adjust only those controls that are
covered by the operating instructions since improper adjustment of the other controls may result in damage and will often
require extensive work by a qualified technician to restore the product to normal operation.
- If the product has been dropped or the cabinet has been damaged.
- If the product exhibits a distinct change in performance, indicating a need for service.
• Replacement parts: When replacement parts are required, be sure the service technician has used
parts or authorized replacement parts which have the same characteristics as the Barco original part. Unauthorized substitutions may result in degraded performance and reliability, fire, electric shock or other hazards. Unauthorized substitutions may
void warranty.
• Safety check: Upon completion of any service or repairs to this projector, ask the service technician to perform safety checks
to determine that the product is in proper operating condition.
original Barco replacement
1.3 Important warnings concerning FLM flight cases
Important warnings concerning stacking/transporting FLM rental flight cases
• Stack maximum two (2) FLM rental flight cases high. Never higher.
• Surface on which flight case is standing must be level to ensure that the total load is evenly spread out among the four wheels.
The surface must also be able to support the load safely.
• Before stacking or transporting flight cases, check the wheels and their fixation screws for wear or defects.
• Before stacking or transporting flight cases, check that the four lock handles on each flight case are in good working order and
locked securely.
• When stacked, make sure the wheels of the upper flight case are precisely positioned in the stacking dishes of the flight case
below.
• Stacked flight cases may not be moved. Before stacking, the lower flight case must already be in its final resting position before
placing the second upon it.
• Never stack loaded flight cases in a truck or other transport medium, unless each flight case is rigidly strapped tight.
• In the event of a wheel breaking, flight cases must be rigidly strapped tight to prevent a stack collapsing.
• Use an appropriate forklift to raise flight cases and take the necessary precautions to avoid personnel injury.
8
R5976921 FLM R20+ PERFORMER 08/03/2006
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2. GENERAL
About this chapter
Read this chapter before installing your FLM R20+ Performer. It contains important information concerning installation requirements
for the FLM R20+ Performer, such as minimum and maximum allowed ambient temperature, humidity conditions, required safety
area around the installed projector, required power net, compatible signal sources, etc.
Furthermore, careful consideration of things such as image size, ambient light level, projector placement and type of screen to use
are critical to the optimum use of the projection system.
Overview
• Installation requirements
• Unpacking the projector
• Box content
• FLM flight case
• Projector configurations
• Projector air inlets and outlets
2.1 Installation requirements
Ambient temperature conditions
The maximum allowed ambient temperature for an operating Barco FLM R20+ Performer may not exceeds +40 ºC (+104 ºF).
The minimum allowed ambient temperature for an operating Barco FLM R20+ Performer may not drop below +10 ºC (+50 ºF).
The projector will not operate if the ambient air temperature falls outside this range (+10
aware that room heat rises to the ceiling. Check if the temperature near the installation site is not excessive.
The minimum storage temperature is -35 ºC (-31 ºF) and the maximum storage temperature is +65 ºC (+149 ºF).
ºC → +40 ºC or +50 ºF → +104 ºF). Be
2. General
Humidity conditions
Storage: 0 to 98% relative humidity, non-condensing.
Operation: 0 to 95% relative humidity, non-condensing.
Projector weight
Do not underestimate the weight of one Barco FLM R20+ Performer, which i
truss installation on which the projector(s) has to be installed is capable of handling five (5) times the complete load of the complete
system.
s about ±100 kg (±225 lb.). Be sure that the table or
Power requirements
One Barco FLM R20+ Performer requires 200-240 VAC, 50–60 Hz, 16 amps at 230 VAC.
Clean air environment
A projector must always be mounted in a manner which ensures th
installations in environments where the projector is subject to airborne contaminants such as that produced by smoke machines or
similar (these deposit a thin layer of greasy residue upon the projectors internal optics and imaging electronic surfaces, degrading
performance), then it is highly advisable and desirable t
air supply. Devices or structures to extract or shield contaminated air well away from the projector are a prerequisite, if this is not a
feasible solution then measures to relocate the projector to a clean air environment should be considered.
Only ever use the manufacturer’s recommended cleaning kit which has been specifically designed for cleaning optical parts, never
use industrial strength cleaners on the projector’s optics as these will degrade optical coatings and damage sensitive optoelectronics
components. Failure to take suitable precautions to protect the projector from the effects of persistent and prolonged air contaminants will culminate in extensive and irreversible ingrained optical damage. At this stage cleaning of the internal optical units will
be noneffective and impracticable. Damage of this nature is under no circumstances covered under the manufacturer’s warranty
and may deem the warranty null and void. In such a case the client shall be held solely responsible for all costs incurred during any
repair. It is the clients responsibility to ensure at all times that the projector is protected from the harmful effects of hostile airborne
particles in the environment of the projector. The manufacturer reserves the right to refuse repair if a projector has been subject to
knowingly neglect, abandon or improper use.
o have this contamination removed prior to it reaching the projectors clean
e free flow of clean air into the projectors ventilation inlets. For
Which screen type ?
There are two major categories of screens used for projection equipment. Those used for front projected images and those for rear
projection applications.
R5976921 FLM R20+ PERFORMER 08/03/2006
9
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2. General
Screens are rated by how much light they reflect (or transmit in the case of rear projection systems) given a determined amount
of light projected toward them. The ‘GAIN’ of a screen is the term used. Front and rear screens are both rated in terms of gain.
The gain of screens range from a white matte screen with a gain of 1 (x 1) to a brushed aluminized screen with a gain of 10 (x 10)
or more. The choice between higher and lower gain screens is largely a matter of personal preference and another consideration
called the viewing angle. In considering the type of screen to choose, determine where the viewers will be located and go for the
highest gain screen possible. A high gain screen will provide a brighter picture but reduce the viewing angle. For more information
about screens, contact your local screen supplier.
What image size? How big should the image be?
The projector is designed for projecting an image size : minimum 1 meter (3.3 ft.) to maximum 18 meter (59 ft.) (depending on the
ambient light conditions), with an aspect ratio of 4 to 3.
2.2 Unpacking the projector
What has to be done ?
At delivery the projector is packed in a carton box upon a wooden pallet and secured with banding and fastening clips. Furthermore,
to provide protection during transportation, the projector is surrounded with foam. O
site, it has to be removed from the carton box and wooden pallet in a safe manner without damaging the projector.
Necessary tools
• Side cutter.
•8mmAllenkey.
nce the projector is arrived at the installation
How to unpack the projector ?
1. Remove the banding around the carton box, by releasing the fastening clips as illustrated, and remove the top cover.
Image 2-1
2. Remove the power cord, which is attached to the packaging with a cable ties, and the two smaller carton boxes, located between
the inner carton sleeve and outer carton b
Note: The two smaller carton boxes contain the manuals, the remote control unit (RCU), two standard batteries size AA and
four rigging clamps for projector suspension.
ox.
Image 2-2
10 R5976921 FLM R20+ PERFORMER 08/03/2006
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2. General
3. Remove the carton box, the inner carton sleeve and the foam around the projector. See image 2-2.
Note: The projector is still attached to a wooden plate, which is detached from the below pallet.
4. Gently turn the projector upside down to gain access to the four bolts, which secure the projector. Note that this wooden plate is
detached from the pallet.
Tip: Lay a blanket (or the earlier removed foam) on the floor to protect the projector housing form scratches while turning.
Image 2-3
5. Remove the wooden plate from the projector bottom, by releasing the four bolts. Use an 8 mm Allen key. See image 2-3.
6. Gently turn the projector back on its feet.
7. Remove the foam rubber around the carrying handle.
Save the original shipping carton and packing material, they will be necessary if you
projector. For maximum protection, repack your projector as it was originally packed at the factory.
A rubber foam inside a plastic bag is placed into the lens opening of the projector. It’s recommended to reuse
this foam and plastic back each time you transport the projector. This to prevent intrusion of dust and foreign
particles.
ever have to ship your
2.3 Box content
Content
• One Barco FLM R20+ Performer, weight ±100 kg (±225 lb.).
• One Remote Control Unit (RCU).
• Two AA size batteries for the RCU.
• One power cord of 2,5 meter with EN60-309 plug.
• Four rigging clamps for projector suspension.
• One user manual.
Initial inspection
Before shipment, the projector was inspected and found to be free of mechanical and electrical defects. As soon as the projector is
unpacked, inspect for any damage that may have occurred in t
damaged is found, file claim with carrier immediately. The Barco sales and service office should be notified as soon as possible.
ransit. Save all packing material until the inspection is completed. If
The packaging of the FLM R20+ Performer is provided with a shock-watch label. If this shock-watch label was
triggered (red colored at arrival) during transport, indicates that the package was possibly roughly handled by
the transport company. In this case, the instructi
adding a note on the “bill of lading” and informing the transport company and the Barco sales and service
office as soon as possible.
ons mentioned on the label, should be followed, which are:
Mechanical check
This check should confirm that there are no broken knobs or connectors, that the cabinet and panel surfaces are free of dents and
scratches, and that the meter face and opera
notified as soon as possible.
R5976921 FLM R20+ PERFORMER 08/03/2006
ting panel are not scratched of cracked. The Barco sales and service office should be
11
Page 16
2. General
2.4 FLM flight case
Introduction of the FLM flight case
The FLM flight case is designed to transport the FLM R20+ Performer in a safe and secure manner. The four caster wheels, provided
with breaks, and the eight handles make the FLM flight case easy to handle. The floor of the flight case wagon is equipped with two
small covered compartments to store the remote control and the rigging clamps. Furthermore, three Velcro strips are attached to
the bottom for fastening the power cord of the projector.
Image 2-4
FLM flight case (R9854510).
The dimensions of the FLM flight case are optimal for maximum utilization of the floor area of a truck. The cover of the FLM flight
case has four stacking dishes, which allows to stack the flight cases.
2400 mm
m
m
0
0
6
1
Image 2-5
WARNING: Maximum stack two (2) FLM flight c
ases high. Never higher.
CAUTION: Prior to inserting projector in flight case turn in the adjustable feet and interlocking adapters fully.
2.5 Projector configurations
The different configurations
Depending on the installation the projector can be mounted in different ways, the 4 different configurations are:
1. Front / Table (F/T)
2. Front / Ceiling (F/C)
3. Rear / Table (R/T)
4. Rear / Ceiling (R/C)
Front projection
The projector is installed, either in a table mount or ceiling mount configuration, at the same side of the screen as the audience.
12
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Page 17
F/C
2. General
AUDIENCE
F/T
FLOOR
Image 2-6
SCREEN
Rear projection
The projector is installed, either in a table mount or ceiling mount configuration, at the other side of the screen opposite the audience.
AUDIENCE BACKSTAGE
R/C
N
E
E
Image 2-7
FLOOR
R
C
S
R/T
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2. General
Positioning the projector
PD
SW
N
E
E
R
C
S
SHB
SHB
ACD
SCREEN
CD
FLOOR
N
E
E
R
C
S
SW
Image 2-8
The projector should be installed at right angles (horizontally and vertically) to the screen at a distance PD. Note the distance (A)
between lens centre and table surface is slightly variable. This distance (A) is nominal 35 cm in case all feet are turned in completely
and the vertical lens shift is set to zero (0).
On-Axis / Off-Axis projection
The position of the projector with refere
can be positioned in On-Axis or Off-Axis configuration. On-Axis configuration means that the projector is positioned so as to have
the centre of the lens coinciding with the centre of the screen. Off-Axis projection is obtained by shifting the lens up, down, left or
right. Several parameters can be cal
Formula to calculate the distance CD for On-Axis projection: CD=SH/2+B-A
nce to the screen may also be different depending on the installation. Basically the projector
culated determining the position in any installation.
Shift range
The lens can be shifted with respect to the DMD (P) which result in a shifted image on the screen (Off-Axis). A 100% shift means that
the centre point of the projected image is shifted by half the screen size. In other words, the centre point of the projected image falls
together with the outline of the
the shift values within the field of view (F) as illustrated below. Within these shift ranges the projector and lens perform excellently.
Configuring the projector outside these shift ranges will result in a slight decline of image quality.
14
image in an On-Axis projection. Due to mechanical and optical limitations it’s recommended to keep
R5976921 FLM R20+ PERFORMER 08/03/2006
Page 19
2. General
U
-57% +57%
L R
D
Image 2-9
PDMD.
F Field of view.
It’s mechanical possible to shift outside the recommended field of view (±100% UP/DOWN and ±70%
LEFT/RIGHT), but this will result in a slightly decline of image quality depending on the used lens and the
zoom position of the used lens. Furthermore, shifting too much in bo
image corner.
Best image quality is projected in the On-Axis configuration.
+90%
-90%
F
P
U
SIDE VIEW
+90%
D
-90%
F
P
P
L
TOP VIEW
-57%
R
F
th directions will result in a blurred
+57%
Horizontal and vertical projector tilt ranges
The projector can be rotated and mounted at any vertical angle. In other words, you can tilt the lens side of the projector as much
as desired for your application. Side to side tile, however, must not exceed 15°. This limit ensures that the lamp in the projector
operates properly and safely.
M
A
Image 2-10
X
15°
15°
X
A
M
360°
CAUTION: Always respect the allowed tilt range of the projector. Neglecting this will result in lamp flicker,
which reduces the light output and the life span of the lamp substantially. Furthermore, in the long term, the
possibility exist that the lamp explodes.
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2. General
2.6 Projector air inlets and outlets
Air inlets and outlets
Image 2-11
The FLM R20+ Performer has 5 air inlet channels and one air outlet. The air outlet is located at the rear of the projector. The air
inlets are located at the front, bottom, top and right side of the projector.
16
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3. Physical installation
3. PHYSICAL INSTALLATION
About this chapter
This chapter explains how to install and set up your FLM projector. If you are familiar with the projector and want to quickly set it
up for temporary use, follow the “Quick setup” instructions below. For a more complete setup, follow the instructions and guides
covered in the remaining subsections.
Quick setup
The following steps describe briefly how to setup your FLM projector in a table mount front projection. Note that each step refers to
a corresponding procedure, which is more detailed and illustrated.
1. Install the batteries of the remote control, see "RCU battery installation", page 18.
2. Place the projector on a solid table in front of the screen at the expected throw distance. Ensure that the projector is installed
at right angles (horizontally and vertically) with the screen.
3. Select and install an appropriate lens, which covers the throw ratio ( = screen size / projector screen distance). For more details
see "Lens selection", page 21, and "Lens installation", page 22.
4. Connect the projector with the local power net, see "Power connection", page 33.
5. Connect your source to the appropriate input module, see "Input source connections", page 35.
6. Switch ON the projector, see procedure"Switching on", page 43.
7. Select the input slot at which your source is connected with. Do this by pressing the numeric key “1”, “2”, “3” or “4” on the
remote control unit or on the local keypad, see chapter "Source selection", page 49.
8. Zoom and shift the lens until the image is properly projected on the screen, Do this by using the “ZOOM” and “FOCUS” key on
the remote control unit or on the local keypad, see"Quick Lens Adjustment via LENS key", pag
(RCU)", page 48. If necessary, level the projector from side to side by turning the adjustable feet in or out, see "Alignment of a
table mount FLM projector", page 24.
e 47 or "Direct Lens Adjustment
Overview
• Remote control unit (RCU)
• Lenses
• Alignment of a table mount FLM projector
• Alignment of a ceiling mount FLM projector
• Suspension of the FLM projector with rigging clamps
3.1 Remote control unit (RCU)
Introduction
The remote control unit (A) of the FLM projector is equipped with a rugged case (B) and an XLR adaptor (C). The remote control
unit can be used wired via mini-jack or via rugged XLR. Note that the backlight, of the remote control unit, illuminate continuously,
when used with a wire.
A
Image 3-1
A Remote control unit (RCU).
R5976921 FLM R20+ PERFORMER 08/03/2006
B
C
17
Page 22
3. Physical installation
B Rugged case.
C XLR adaptor.
Overview
• RCU battery installation
• RCU rugged case installation
• RCU XLR adaptor installation
• Using the XLR adaptor of the RCU
3.1.1 RCU battery installation
Where to find the batteries for the remote control ?
The batteries are not placed in the remote control unit to avoid control operation in its package, resulting in a shorter battery life
time. At delivery the batteries can be found in a separated bag attached to the remote control unit. Before using your remote control,
install the batteries first.
How to install the batteries in the remote control ?
1. Push the battery cover tab with the fingernail a little backwards (1) and pull, at the same time, the cover upwards (2).
1
Image 3-2
2. Insert the two AA size batteries, making sure the polarities match the + and - marks inside the battery compartment.
+
-
Image 3-3
3. Insert (1) the lower tab of the battery cover in the gap a
in place.
-
+
2
t the bottom of the remote control, and press (2) the cover until it clicks
2
1
-
Image 3-4
+
+
3.1.2 RCU rugged case installation
How to install the rugged case of the remote control ?
1. Slide the bottom of the RCU int
18
o the rugged case and then pull the top of the rugged case over the top of the RCU as illustrated.
R5976921 FLM R20+ PERFORMER 08/03/2006
Page 23
Image 3-5
3.1.3 RCU XLR adaptor installation
Install the rugged case before installing the XLR adaptor.
3. Physical installation
Necessary tools
5 mm flat screw driver.
How to install the XLR adaptor of the remote control unit ?
1. Push the XLR adaptor (C) upon the rugged case of the remote control unit as illustrated.
Note: Ensure that the positioning pin of the XLR adaptor fits into the receiver of the rugged case.
C
S
Image 3-6
2. Fasten the two screws (S) of the XLR adaptor.
3.1.4 Using the XLR adaptor of the RCU
How to use the XLR adaptor of the remote control unit ?
1. Connect a cable with XLR plug into the XLR adaptor.
2. Connect the other end of the cable with your FLM R20+ Performer.
3. Push the XLR adaptor completely against the rugged case of the remote control unit, as illustrated in the left image below, for
wired communication. Pull out the XLR adaptor (about 8 mm) to switch over to wireless communication.
S
R5976921 FLM R20+ PERFORMER 08/03/2006
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3. Physical installation
Image 3-7
3.2 Lenses
Overview
• Available lenses
• Lens selection
• Lens formulas
• Lens installation
• Lens removal
8 mm
3.2.1 Available lenses
Available lenses for the FLM R20+ Performer
The TLD and the TLD HB (High Brightness) lens series can be used on the FLM R20+ Performer. Note that there is no physical
difference on the outside between the TLD and the TLD HB lenses with
mended on the FLM R20+ Performer. Note that the classical TLD lenses have approximately 20% less light output compared to the
TLD HB lenses, but 25% more contrast.
Image 3-8
R9840900: TLD fixed lens (0.8 : 1);
R9842040: TLD HB fixed lens (0.8 : 1)
Image 3-9
R9840770: T LD fixed lens (1.2 : 1)
corresponding focal length. The TLD HB lenses are recom-
Image 3-10
R9840670: TLD zoom lens (1.6 - 2.0 : 1) ;
R9842060: TLD HB zoom lens (1.6 - 2.0 :
1)
20 R5976921 FLM R20+ PERFORMER 08/03/2006
Page 25
3. Physical installation
Image 3-11
R9840680: TLD zoom lens (2.0 - 2.8 : 1) ;
R9842080: TLD HB zoom lens (2.0 - 2.8 : 1)
Image 3-12
R9840690: TLD zoom lens (2.8 - 5.0 : 1) ;
R9842100: TLD HB zoom lens (2.8 - 5.0 : 1)
Image 3-13
R9840910: TLD zoom lens (5.0 - 8.0 : 1) ;
R9842120: TLD HB zoom lens (5.0 - 8.0 : 1)
The throw ratio of TLD (HB) lenses is slightly reduced when used on FLM projectors. The reason of this
decrease is the larger active field of the SXGA+ DMD chip set used in the FLM projector.
3.2.2 Lens selection
How to select the right lens for your application ?
1. Determine the r
2. Determine the position of the projector in the projection room with regard to the screen and measure the projector-screen distance
(PD).
3. Use the lens formulas (see "Lens formulas", page 21) to find the best corresponding PD with regard to the measured projectorscreen dista
Tip: Divide PD by SW to determine the approximately required throw ratio. Choose a lens, which captures the calculated
equired screen width (SW).
nce for the required screen width SW.
throw ratio. Use the lens formula of the chosen lens to recalculate exactly.
N
E
E
R
C
S
PD
SW
Image 3-14
3.2.3 Lens formulas
Formulas
Lens
TLD (0.8 : 1)
TLD HB (0.8 : 1)
TLD (1.2 : 1)
TLD (1.6 – 2.0 : 1)
TLDHB(1.6–2.0
1)
:
TLD (2.0 – 2.8 : 1)
TLDHB(2.0–2.8
:1)
R5976921 FLM R20+ PERFORMER 08/03/2006 21
Throw ratio for
FLM
0.75
1.1
1.45 – 1.85
82 – 2.55
1.
Metric formulas (meter) Inch formulas (inch)
PD = (0.77 x SW ) - 0.05 PD = (0.77 x SW ) - 1.97
PD = (1.11 x SW ) - 0.01 PD = (1.11 x SW ) - 0.39
PD
= (1.47 x SW ) - 0.09
min
=(1.85xSW)-0.13
PD
max
PD
= (1.85 x SW ) - 0.17
min
=(2.62xSW)-0.24
PD
max
PD
= (1.47 x SW ) - 3.54
min
=(1.85xSW)-5.12
PD
max
PD
= (1.85 x SW ) - 6.69
min
=(2.62xSW)-9.45
PD
max
Page 26
3. Physical installation
Lens
Throw ratio for
Metric formulas (meter) Inch formulas (inch)
FLM
TLD (2.8 – 5.0 : 1)
TLDHB(2.8–5.0
:1)
TLD (5.0 – 8.0 : 1)
TLDHB(5.0–8.0
:1)
The throw ratio of TLD (HB) lenses is slightly reduc
2.55 – 4.55
4.55 – 7.3
PD
= (2.58 x SW ) - 0.16
min
=(4.71xSW)-0.38
PD
max
PD
= (4.52 x SW ) - 0.01
min
=(753xSW)-0.29
PD
max
PD
= (2.58 x SW ) - 6.30
min
= (4.71 x SW ) - 14.96
PD
max
PD
= (4.52 x SW ) - 0.39
min
= (7.53 x SW ) - 11.42
PD
max
ed when used on FLM projectors. The reason of this
decrease is the larger active field of the SXGA+ DMD chip set used in the FLM projector.
3.2.4 Lens installation
How to install a lens into the projecto
1. Remove the foam rubber in the opening of the lens holder if not removed yet.
2. Take the lens assembly out of its packing material and remove the lens caps on both sides.
3. Place the lens holder in the “unlocked” position by moving the lens lock handle (A) towards the lens power supply socket (B) as
illustrated.
rlensholder?
B
A
Image 3-15
4. Ensure that the lens holder stands in the On-Axis position (horizontal and vertical mid position).
Note: The lens hol
der is placed default in the On-Axis position at factory.
5. Gently insert the lens in such a way that the lens connector matches the socket (B).
22
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3. Physical installation
Image 3-16
6. Insert the lens until the connector seats into the socket.
Warning: Do not release the lens yet, as the lens may fall out of the lens holder.
7. Secure the lens in the lens holder by sliding the lens lock handle into the “locked” position, which is away from the lens power
supply socket. Ensure the lens touches the front plate of the lens holder.
Image 3-17
8. Check if the lens is really secured by trying to pull the lens out of the lens holder.
CAUTION: Never transport the FLM R20+ Performer with a lens mounted in the lens holder. Always remove
the lens before transporting the projector. Neglecting this can damage the lens holder and prism.
3.2.5 Lens removal
How to remove a lens from the projector lens holder ?
1. Support the lens with one hand while
illustrated.
R5976921 FLM R20+ PERFORMER 08/03/2006
you unlock the lens holder by sliding the lock handle towards the “unlocked” position as
23
Page 28
3. Physical installation
Image 3-18
2. Gently pull the lens out of the lens holder.
Image 3-19
It’s recommended to place the lens caps of the original lens packaging, back on both sides of the removed
lens to protect the lens.
It’s recommended to place the foam r
prevent intrusion of dust. Note that this foam rubber is packed in a plastic bag to prevent that dust, emitted
by the foam, enters the projector.
ubber of the original projector packaging, back in the lens opening to
3.3 Alignment of a table mount FLM projector
How to align a table mount FLM projector ?
1. Place the projector in the desired location. Take into account the zoom range of the used lens and the size of the screen.
2. Project one of the internal hatch patterns on the screen.
3. Turn the adjustable feet in
or out until the projected hatch pattern is perfectly rectangle shaped and leveled.
24
R5976921 FLM R20+ PERFORMER 08/03/2006
Page 29
Image 3-20
When this is achieved, the projector is set horizontal and vertical at right angles to the screen.
3. Physical installation
SCREEN
Image 3-21
3.4 Alignment of a ceiling mount FLM projector
Necessary tools
17 mm open ended spanner.
How to align a ceiling mount FLM projector ?
1. Install the projector in the desired location. See installation procedure "Suspension of the FLM projector with rigging clamps",
page 26. Take into account the zoom range of the used lens and the size of the screen.
2. Project one of the internal hatch patterns on the screen.
3. Release the lock nut (ref B image 3-22) of the rigging clamps.
4. Adjust the height of the rigging clamps with respect to the projector, until the projected hatch pattern is perfectly rectangle shaped
and leveled.
SCREEN
B
Image 3-22
When this is achieved, the projector is set horizontal and vertical at right angles to the screen.
Image 3-23
5. Fasten the lock nut (B) of the rigging clamps.
R5976921 FLM R20+ PERFORMER 08/03/2006
SCREEN
SCREEN
25
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3. Physical installation
3.5 Suspension of the FLM projector with rigging clamps
Rigging points and rigging clamps
The carrying handle, at the bottom side of the projector, is provided with eight slots. Four slots are longitudinally (A) oriented and
four slots are transversely (B) oriented. Each slot contains a rigging point of which the position in the slot can be adjusted depending
on the size of the truss installation. The rigging clamps (C) can be attached to those rigging points, which allows an easy and fast
physical setup of the projector in a hanging configuration.
A
Image 3-24
B
C
Necessary tools
• 24 mm open ended spanner.
• 17 mm open ended spanner.
Necessary parts
• Four rigging clamps (R820411).
• Safety chains.
Howtoinstallandtousetheriggingclamps?
1. Measure the distance, center tube as reference, between the two used support bars of the truss.
X mm
Image 3-25
2. Turn the projector upside down and slide the rigging points on there place in the slots, according the measured distance and
secure this position. To release the nuts of the rigging points use a 24 mm open ended spanner. Ensure that the rigging points
are symmetrically lined up, so that the projector will hang in balance.
Warning: Be careful while working with heavy loads.
Warning: Always secure the rigging points after adjustment.
X mm
Image 3-26
3. Turn in the rigging clamps (A) into the rigging points using a 17 mm open ended spanner and secure the rigging clamps by turning
the safety nut (B) on the rigging clamp against the rigging point using a 17 mm open ended spanner.
Warning: Always use four (4) rigging points, equally spread, to suspend the projector.
26
R5976921 FLM R20+ PERFORMER 08/03/2006
N
Page 31
Image 3-27
4. Place all four rigging clamps in open position as illustrated.
3. Physical installation
A
B
B
Image 3-28
5. Place the projector (upside down) under the truss installation and lower the truss until the support bars of the truss are nearby
the rigging clamps mounted on the projector.
Image 3-29
6. Lift up the projector and hook the four rigging clamps over the support bars of the truss.
7. Lock all four rigging clamps.
8. Install a safety chain (S) around both sides of the carrying handle and around the truss.
R5976921 FLM R20+ PERFORMER 08/03/2006
27
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3. Physical installation
S
Image 3-30
9. Lift up the truss with attached projector to the desired height.
S
Proceed with the alignment procedure, see "Alignment of a ceiling mount FLM projector", page 25.
28 R5976921 FLM R20+ PERFORMER 08/03/2006
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4. Stacking FLM projectors
4. STACKING FLM PROJECTORS
General
Three interlocking adapters at the top and at the bottom of the FLM projector allows an easy and fast stacking without using extra
tools or accessories.
WARNING: Maximum stack three (3) FLM projectors in a table mount configuration.
Maximum stack two (2) FLM projectors in a ceiling mount configuration.
Overview
• Stacking FLM projectors
• Aligning stacked FLM projectors
4.1 Stacking FLM projectors
How to stack FLM projectors ?
1. Turn in the four feet of the projector you want to stack.
2. Place the projectors on top of each other. Ensure that all three interlocking pins (A) match with their corresponding interlocking
sockets (B).
Tip: In case of stacking projectors for a ceiling mount configuration, first turn the projectors upside down before placing the
projectors on top of each other.
A
B
Image 4-1
3. Attach the two projectors together by closing all three interlocking adapters as illustrated.
A B
C D
Image 4-2
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4. Stacking FLM projectors
4. Are these projectors stacked for a ceiling mount configuration?
If yes, secure the projectors with safety chains as follows:
a) Release the safety hook (H) at both sides of the lowest projector and guide the safety cable around its carrying handle (C) as
illustrated.
Image 4-3
b) Guide the safety cable around the carrying handle of the projector above and clasp the safety hook around the safety cable
as illustrated.
C
H
Image 4-4
WARNING: Always use both safety cables of the lowe
mount configuration.
How to open an interlocking adapter ?
1. Open an interlocking adaptor as illustrated.
BA
st projector to secure a stacked projector in a ceiling
D
C
Image 4-5
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4. Stacking FLM projectors
WARNING: Never open an interlocking adapter of a stacked projector which is still suspended. First place
the stacked projectors on the floor.
4.2 Aligning stacked FLM projectors
Necessary tools
8 mm Allen key.
How to align two stacked FLM projectors ?
1. Make sure that the internal hatch pattern projected by the reference projector is sharp and has a perfect rectangle outline. If this
is not the case, readjust the reference projector before aligning the other stacked projector(s) wi
Note: The reference projector in a stacked configuration is the lowest projector in case of table mount and the uppermost
projector in case of ceiling mount.
2. Project with the stacked projector the same internal hatch pattern as the reference projector.
Tip: Use a white colored hatch pattern for the reference projector and e.g. green colored for the stacked projector. This
makes it easier to see the different between both hatch patterns projected.
3. If necessary, adjust the rotation of the stacked projector with respect to the reference projector by turning in or out the height
adjustment ring of the interlocking adaptors at the rear of the stacked projector. Ad
most symmetric with the reference hatch pattern.
Tip: You can increase leverage by using a screw driver in the holes of the adjustment ring
just until the outline of the hatch pattern is
th the reference hatch pattern.
R
o
t
a
t
i
o
n
Image 4-6
4. If necessary, adjust the inclination of the stacked projector with respect to the reference projector by turning the height adjustment
ring of the interlocking adaptor at the front of the stacked projector in or out. Adjust until the outline of the hatch pattern is most
symmetric with the reference hatch pattern.
Inclination
Image 4-7
5. If necessary, adjust the skew of the
using a 8 mm Allen key. The screw Q is located behind the cover of the lamp, just above the volt meter. Adjust until the outline
of the hatch pattern is most symmetric with the reference hatch pattern.
Note: See procedure "Removal of the lamp
stacked projector with respect to the reference projector by turning the screw Q in or out
cover", page 133, to access the skew adjustment screw Q.
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4. Stacking FLM projectors
Skew
Image 4-8
6. Shift the hatch pattern horizontally and vertically until the outline of the hatch pattern is most symmetrically placed with respect
to the reference hatch pattern.
Note: Note that the “Shift” function is motorized, which means that you have to access the projector software, via the local
keypad or remote control unit, to operate the “Shift” function.
Shift
Q
Image 4-9
7. Zoom the hatch pattern in or out until the outline of the hatch pattern matches exactly the outline of the reference hatch pattern.
Note: Note that the “Zoom” function is motorized, which means tha
keypad or remote control unit, to operate the “Zoom” function.
t you have to access the projector software, via the local
Zoom
Image 4-10
8. If necessary, repeat from step 2 until the hatch pattern of the stacked projector is perfectly aligned with the hatch pattern of the
reference projector.
In case of a triple stacked table mount projector configuration adjust and align first the bottommost projector
(reference), than the projector in the middle and finally the uppermost projector.
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5. Connections
5. CONNECTIONS
About this chapter
This chapter describes more in detail the power (P), the input source (S) and the communication (C) connections of the
FLM R20+ Performer.
P C S
Image 5-1
Overview
• Power connection
• Input source connections
• Communication connections
5.1 Power connection
CAUTION: Use only the power cord provided with the projector.
How to connect your projector with the local power net ?
1. Ensure that the power switch (S) stands in the “0” (OFF) position.
2. Connect the power cord (P) with the power input socket of the projector as illustrated below.
3. Secure the power plug by locking the plug holder clamp (H).
4. Connect the other end of the power cord
Caution: Ensure that the power net meets the power requirements of the projector, which are: 200-240 VAC, 50–60 Hz, 16
amps at 230 VAC.
with the local power net.
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5. Connections
The voltmeter (M) will immediately indicate the value of the mains voltage as soon as the projector is connected with the power
net.
M
P
S
1
H
2
Image 5-2
WARNING: Do not attempt operation if the AC supply and cord are not within the specified voltage and power
range.
CAUTION: Once the projector is switched to standby, the lamp cooling f
imately five minutes to ensure that the projector and lamp have sufficiently cooled, at which point the fans
will automatically decrease to standby. To avoid thermal stress that can lead to premature lamp failure, never
unplug the line cord while the lamp cooling fans are runni
ng, and never unplug to power down.
Fuses
The projector is protected with an automatic circuit bre
aker of 35 A which is built in into the power switch.
Volt meter
After starting up the projector (lamp ignition) check if the value indicated by the volt meter is still within the specified power range of
the projector. Note that in case the power net drops significantly during start up, the lamp will fail the ignite. If this is the case, take
the necessary measures to reinforce the power net to the projector before starting up the projector again.
ans will continue to run for approx-
Spare power plug
The projector is delivered with a spare power plu
the cover of the lamp first to access this spare power plug, see "Removal of the lamp cover", page 133. Note that only qualified
technical personnel may install a new power plug.
N
PE
Image 5-3
Pin configuration power plug HAN Q4/2 + PE.
34 R5976921 FLM R20+ PERFORMER 08/03/2006
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43
L
HAN Q4/2 +
g. This spare power plug is attached behind the nameplate of the projector. Remove
Page 39
5. Connections
5.2 Input source connections
General
The input and communication unit is equipped with four input slots, which accept any type of input module designed for the FLM
projector. The modularity of the input modules makes the FLM projector very flexible regarding input source connectivity. Note that
the slot numbering is done from top to bottom. So, the uppermost slot is slot number “1”, the second is slot number “2”... etc. All
input modules have two status LED’s. The green LED lights up if the input module is selected as the active input module. The yellow
LED lights up if the input module has detected valid input syncs.
1
2
3
4
Image 5-4
CAUTION: Always install a cover plate on an unused input slot. This to prevent dust intrusion into the pro-
jector.
Available input modules
G
Y
Image 5-5
5 Cable input (Multi purpose) (R9854430).
Image 5-8
DVI input (R9854460).
Image 5-6
High bandwidth data input (RGB) (R9854440).
Image 5-9
Cover plate for unused input slot (R848607).
Image 5-7
HDSDI-SDIinput(R9854450).
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5. Connections
The FLM R20+ Performer is standard equipped with one 5 cable input module, one HDSDI - SDI input module
and one DVI input module. Input slot number 4 (lowermost) is covered with a input cover plate.
For more information about the FLM input modules see chapter "Specifications", page 151.
5.3 Communication connections
Communication interface
EDCBA
PORT 1
10/100 BASE-T
PORT 2
STBY / ON
WARNING IR
OK REC
USB
F G H I J K L M N O
Image 5-10
A Warning LED.
B Projector status LED.
C Two digit LED display for diagnostic code.
D IR-receiver (side).
E RS232/422 loop through output port.
F Ethernet port 1.
G Ethernet port 2.
H USB port.
I IR signal received LED.
J IR signal acknowledged LED.
K PCMCIA card-bus (slot).
L Mini-jack input port for remote control.
M XLR input port for remote control.
N XLR output port for remote control.
O RS232/422 input port.
DIAGNOSTIC CODE IR RECEIVER
PC CARD
REMOTE
CTRL IN
1
3
REMOTE
CTRL OUT
PUSH
2
2
3
1
RS232 / 422 OUT
RS232 / 422 IN
Projector status
The projector “status” LED (B) lights up green while in operation. The same LED lights up red when the projector is switched to
standby.
Besides the projector status LED (B) the communication interface has also a “warning” LED (A) which blinks in case the projector
encounters an internal problem concerning fan speed, temperature, supply voltages, ... etc. These type of problems still allows
the projector to operate (the show can go on) but an action will be required within a short time period. More information about the
involved problem is given on the local LCD display of the projector.
A two character 7-seg
ment display (C) shows, during normal operation, the selected input slot number. If an error has occurred then
an error code appears on this two digit LED display.
IR communication (RC5)
An IR receiver (D) is mounted on the communication interface. Note that there is also an IR receiver mounted at the front and at the
rear of the projector. When using the remote control unit (wired or wireless), the “IR REC” (I) and the “IR OK” (J) LED’s will light up
indicating an IR signal was received and recognized.
36
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5. Connections
Wired remote control
If desired the remote control unit can be wired and plugged in into the 3,5 mm mini jack socket (L) or, when using a rugged wire
with XLR plugs, plugged in into the male XLR port (M) on the communication interface. Besides the XLR input port a female XLR
connector (N) for wired RC5 output is provided. This connector creates a buffered RC5 signal, available for the next projector in
the daisy chain. Whenever the projector has no power, a passive loop through is created from the remote control input port to the
female XLR output port (N). So, the following projector in the daisy chain will still receive his RC5 code. Note that the RC5 in/out
signals are without carrier.
Mini jack plug
Pin Description Pin Description Pin Description
SGND
T
RC5 in
R
n.c. or GND
A B C
S R T
Image 5-11
A Mini stereo jack plug.
• S : SLeeve (shield)
• R : Ring
•T:Tip
B Male XLR socket.
C Female XLR socket.
XLR – Remote CTRL in XLR – Remote CTRL out
1
GND
2
RC5 in
3 XLR present sense 3 XLR present sense
1
2
1
2
GND
RC5 out
3
2
PUSH
1
3
RS232/422 serial communication
The communication interface of the FLM R20+ Performer supports RS232 and RS422 serial communication. You can use the
RS232/RS422 input port (O) to connect a local PC to your FLM projector. This way you can configure and control your FLM projector
from your local PC.
Do not forget to set the projector’s baud rate (default = 115200) to match that of the computer.
The communication interface has also an active RS232/RS422 loop through output port (E). Whenever the projector has no power, a
passive loop through is created from the RS232/RS422 input port (O) to the RS232/RS422 output port (E). So, the following projector
in the daisy chain will still receive his RS232/RS422 commands.
Advantages of using RS232/RS422 serial communication:
• easy adjustment of the projector via PC (or MAC).
• allow storage of multiple projector configurations and set ups.
• wide range of control possibilities.
• address range from 0 to 255.
• sending data to the projector (update).
• copying data from the projector (backup).
RS232/422 input port RS232/422 output port
Pin Description Pin Description
1
DCD : Data Carrier Detect
2 RXD- : Receive Data 2 RXD- : Receive Data
3 TXD- : Transmitted Data 3 TXD- : Transmitted Data
1
— (not connected) —
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5. Connections
RS232/422 input port RS232/422 output port
Pin Description Pin Description
4
DTR : Data Terminal Ready [RS232]
TXD+ : Transmitted Data [RS422]
5
GND : Ground
6
DSR : Data Set Ready [RS232]
RXD+ : Received Data [RS422]
7
— (not connected) —
8
CTS : Clear To Send
9 RI : Ring Indicator 9
A B
54321
9876
Image 5-12
A Pin numbering male DB–9 connector.
B Pin numbering female DB-9 connector.
RS232
An Electronic Industries Association (EIA) serial digital interface standard specifying the characteristics of the communication path between two devices using either DB-9 or DB-25 connectors. This standard is used for relatively
short-range communications and does not specify balanced control lines. RS-232 is a
set number of conductors, data rate, word length and type of connector to be used. The standard specifies component
connection standards with regard to computer interface. It is also called RS-232-C, which is the third version of the
RS-232 standard, and is functionally identical to the CCITT V.24 standard. Logic
The range between -3V and +3V is a the transition zone.
4
DTR : Data Terminal Ready [RS232]
TXD+ : Transmitted Data [RS422]
5
GND : Ground
6
DSR : Data Set Ready [RS232]
RXD+ : Received Data [RS422]
7
— (not connected) —
8
— (not connected) —
— (not connected) —
12345
6789
al ’0’ is > + 3V, Logical ’1’ is < - 3V.
serial control standard with a
RS422
An EIA serial digital interface standard that specifies the electrical characteristics of balanced (differential) voltage,
digital interface circuits. This standard is usable over longer distances than RS-232. This signal governs the asynchronous transmission of computer data at speeds of up to 920,000 bits per second. It is also used as the serial port
standard for Macintosh computers. When the difference between the 2 lines is < - 0.2V that equals with a logical ’0’.
When the difference is > +0.2V that equals to a logical ’1’..
Ethernet network communication
The FLM projector can be connected to a LAN (local area network) using port 1 (F) or port 2 (G) on the communication interface.
Once connected to the LAN, users are capable of accessing the projector from any location, inside or outside (if allowed) their
company network using the FLM control software: Projector Toolset. This toolset locates the projector on the network in case there
is a DHCP server or the user can insert the correct IP-address of the projector to access the projector. Once accessed, it is possible
to check and manipulate all the projector settings. Remote diagnostics, control and monitoring of the projector can then become a
daily and very simple operation. The network connectivity permits to detect potential errors and consequently improve the time to
servicing.
As there is a need to daisy chain projectors when they are in Ethernet network, an Ethernet switch is build in. the incoming network
is hereby available for the internal PC and for the
The switch used is a stand alone 10/100Mbit Ethernet switch. This assures no influence on the network speed. Whenever a slow
(10Mbit) device is connected the speed between the 100Mbit devices remains 100Mbit.
Both Ethernet ports (F & G) are equipped with a yellow and green a LED. The yellow LED lights up in case the port is connected
with a 100Mbit network. The green LED blinks in case there is network activity.
The connectors used for both Ethernet ports (F & G) are of rugged Neutrik EtherCon RJ45 type, which is
compatible with standard RJ45 cable connector. Straight (most common) as well as cross linked network
cables can be used. The 2 ports are functionally identical. Both ports are connected via the projector hub
(Auto sensing enabled).
next device in the chain. In this way a ’star’ network interconnection can be avoid.
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5. Connections
10/100 Base-T — RJ45 port
Pin Description
1TXD+
2TXD-
3RXD+
—
4
—
5
6RXD-
—
7
—
8
USB port
The communication interface is equipped with a master USB port, type “A” connector (H). This USB port will simplify the service
procedures for software updates or for taking backup files from the projector without network connection. An USB-stick is plugged
into the USB port and files can be transferred from or to the projector using the local or remote control unit. Note that the USB-stick
has to be Linux FAT16 compatible.
Card bus connector (PCMCIA)
This card bus connector (type II) allows you to connect your FLM projector with your LAN, using a wireless-LAN card supported by
Barco.
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5. Connections
40 R5976921 FLM R20+ PERFORMER 08/03/2006
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6. Getting started
6. GETTING STARTED
About this chapter
This chapter describes the functions on the remote control and local keypad and gives an overview how to start up the projector. If
gives also a brief overview of the direct adjustment possible with these controls.
Overview
• RCU & Local keypad
• Terminology overview
• Operating the projector
•UsingtheRCU
• Quick setup adjustments
• Projector Address
• Source selection
• Controlling the Projector
6.1 RCU & Local keypad
How controlling the projector ?
The projector can be controlled by the local keypad or by the remote control unit.
Location of the local keypad ?
The local keypad is located on the input side of the projector.
Remote control functions.
This remote control includes a battery powered infrared (IR) transmitter that allows the user to control the projector remotely. This
remote control is used for source selection, control, adaptation and set up.
Other functions of the remote control are :
• switching between stand by and operational mode.
• switching to "pause" (blanked picture, full power for immediate restartin
• direct access to all connected sources.
g)
6.2 Terminology overview
Overview
The following table gives an overview of the different functionality of the keys.
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6. Getting started
1
2
3
MENU
i
EXIT
4
310 10
4
3
2
1
6
RGB
STBY
7
2
89
7
PATTERN
WINDOW
PAUSE
TEXT
1
5
MENU
0
PIP
LENS
RIGGING
AUTO
21
8
920166
5
19
EXIT
ENTER
17
5
TEXT
SHARPN
BRIGHTN
CONTR
LENS
SHIFT
LENS
SHIFT
ENTER
PHASE
TINT
COLOR
6
LENS
7
PAUSE
8
0
9
10
11
9
8
7
6
5
3
4
2
1
LENS
ZOOM
LENS
FOCUS
22
21
20
19
18
17
16
15
14
13
12
Image 6-1
Local keypad & remote control
Ind. Key name Description
1 Pattern key Direct access key to the internal pattern selection menu.
2
RGB
Toggle key to enable and disable colors in the adjustment mode. Toggle between
red, green, blue and full RGB.
3 MENU Access key to the menu structure and key to quickly quit the adjustment menus.
4 Address key
(recessed key), to enter the address of the projector (between 0 and 9) in the remote
control. Press the recessed address key with a pencil, followed by pressing one digit
button between 0 and 9.
5
LENS
Direct access key to the lens adjustment menus. Toggling this key will change the
projected pattern.
6
PAUSE To stop projection for a short time, press ’PAUSE’. The image disappears but full power
is retained for immediate restarting. Shutter is closed.
7
STBY Standby function switch off the lamp and lamp electronics. The lamp cooling fans
remain active for about 5 minutes. The speed of the other fans is reduced.
8 Rigging
Direct access key to the rigging adjustment menus (optional).
9 Auto image Direct access key to automatically project the correct image.
10 Digit buttons Direct input selection or numeric entries
11
Lens zoom/focus Zoom and focus controls of the lens
42
12
Lens shift Shift control of the lens, to shift the lens up/down or left/right
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Ind. Key name Description
13 Picture controls Use these buttons to obtain the desired picture level.
14
PHASE Used to remove the horizontal instability of the image (usually for RGB source). It
adjusts the phase of the pixel sampling clock relative to the incoming signal.
6. Getting started
15 FREEZ
16 TEXT Toggle key to activate or deactivate on screen text boxes while adjusting a setting.
17 ENTER
18
Cursor keys
19 EXIT Key to go one menu stage higher than the actual position when in the adjustment mode.
20
WINDOW Selection of the active window, also in PIP mode.
21 PIP
22
RC Operating indication Lights up when a button on the remote control is pressed. (This is a visual indicator to
Table 6-1
To freeze the actual projected image.
When adjusting one of the image controls, e.g.during a meeting, the normally displayed
bar scale can be deactivated by pressing ’TEXT’ key first. To re-display the bar scale
on the screen, press ’TEXT’ key again. When TEXT is ’off’, no adjustment menu’s
will be displayed on the screen when entering the adjustment mode. All menus and
adjustments remain active on the local LCD panel.
Key to confirm an adjustment or selection in the adjustment mode.
To make menu selections when in the adjustment mode
Direct access key for picture in picture selection.
check the operation of the remote control)
6.3 Operating the projector
Overview
• Switching on
• Errors, warnings and messages during start up
• Switching to standby
• Switching off
6.3.1 Switching on
How to switch on.
1. Press the power switch to switc
Image 6-2
Switching on
- When ’0’ is visible, the projector is switched off.
- When ’1’ is visible, the projector is switched on.
The projector starts up in standby. The menus are accessible via the local LCD panel.
To display an image, the standby key must be pressed once or an available source must be selected.
h on the projector.
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6. Getting started
The actual input voltage is indicated on the voltmeter just above the power switch.
Starting image projection via the standby key.
1. Press Stand by key once on the local keypad or on the remote control.
i
2
1
6
7
RGB
PATTERN
STBY
PAUSE TEXT
A
Image 6-3
Stand by indication
4
3
89
WINDOW
PIP
AUTO
LENS
RIGGING
MENU
B
LENS
PAUSE
5
MENU
0
EXIT
ENTER
0
9
8
7
6
5
3
4
2
1
LENS
ZOOM
LENS
FOCUS
TEXT
PHASE
SHARPN
TINT
COLOR
BRIGHTN
CONTR
LENS
SHIFT
LENS
SHIFT
EXIT
ENTER
A Stand by indication on local keypad
B Stand by indication on remote control
The projector status LED lights up.
The projector starts up on the last saved source.
Some lamp and runtime warnings can be displayed when an image is displayed after a start up.
Starting image projection via source selection
1. Press the desired source number on the remote control or the local keypad.
If the source is available, the projector starts up and the projector status LED lights up
Some lamp and runtime warnings can be
displayed when an image is displayed after a start up.
6.3.2 Errors, warnings and messages during start up
Temperature error DMD
When the temperature of one of the DM
will be displayed on the local LCD panel. For a list of possible error codes, see "Error codes", page 145.
D’s is too low or too high the projector is switched automatically to standby. An error code
6.3.3 Switching to standby
Howtoswitchtostandby?
1. Press Standby to switch the projector to standby.
44
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Switching to Standby. When the projector is running and you want to go to standby, press the standby key
(A)
for 2 seconds. Do not press any longer on the standby key otherwise the projector will restart.
6.3.4 Switching off
How to switch off the projector?
1. Press first Standby.
2. Let cool down the projector until the fans decrease, at least 5 min.
3. Switch off the projector with the power switch.
6.4 Using the RCU
Pointing to the reflective screen
1. Point the front of the RCU to the reflective screen surface.
6. Getting started
IR Sensor (C)
Screen (B)
Image 6-4
IR control via the reflective screen
A Remote control
BScreen
C Front IR-sensor
Hardwired Remote Input
1. Plug one end of the remote cable in the connector on the bottom of the RCU.
5-cable input
Sel
Sync OK
G/Y/VideoB/Pb H/S V/Cs
R/Pr
DVI input
Sel
Sync OK
0
Std/ON
MENU
USB
EXIT
ENTER
Diagnostic code IR receiver
PC Card
HDSDI - SDI input
Sel
Sync OK
Input 2 Loop output
Input 1
Remote
Remote
CTRL out
CTRL in
RS232/422 out
PUSH
PUSH
2 1
2 1
RS232/422 in
3
3
2345
1
6789
RGB
PATTERNWINDOWPIP LENS
STBYPAUSETEXT
10/100 Based-T
Port 1 Port 2
RIGGING
AUTO
WarningIR
5
T
F
R
I
E
X
T
E
N
E
E
N
4
P
F
S
N
R
A
R
T
T
A
X
O
N
R
T
I
H
E
L
H
P
E
T
H
T
T
G
S
C
N
I
O
N
C
A
R
O
L
B
C
3
A
F
B
2
F
E
8
S
6
U
2
A
P
E
L
B
E
J
0
R
1
D
F
4
T
A
9
7
5
3
1
Remote Control
L
O
V
S
S
A
B
Image 6-5
2. Plug the other end in the sma
ll connector in the input panel of the projector labeled Remote CTRL in.
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6. Getting started
The Remote connection uses a standard two wire cable terminated on each end with a 3.5 mm male
(mono/stereo) phone jack.
This cable is not delivered but is available in most electronic or audio shops.
Hardwired to the XLR input
1. Plug one end of the remote cable in the connector on the bottom of the RCU
2. Plug the other end in the big connector in the input panel of the projector labelled Remote CTRL in.
Directly to one of the IR sensors
When using the wireless remote control, make sure you are within the effective operating distance (30m, 100ft in a straight line)
remote control unit will not function properly if strong light strikes the sensor window or if there are obstacles between the remote
control unit and the projector IR sensor.
R/PrG/Y/VideoB/Pb
345
12
EXIT
MENU
0
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Input 2 Loop output
Input 1
RGB
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ENTER
RIGGINGAUTO
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Diagnostic codeIR receiver
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USB
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.The
5-cable input
Sel
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H/S V/Cs
DVI input
Sel
Sync OK
HDSDI - SDI input
Sel
Sync OK
Remote
RS232/422 out
CTRL out
PUSH
2 1
RS232/422 in
3
45°
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Image 6-6
RCU to one of the IR sensors
45°
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6.5 Quick setup adjustments
Overview
• Text boxes ON or OFF
• Quick Lens Adjustment
• Quick picture in picture
6.5.1 Text boxes ON or OFF
Text toggle function
The on-screen text boxes can be sw
screen. The adjustment indication remains visible on the local LCD screen.
To toggle Text ON or OFF, press the TEXT key on the remote control or local keypad.
itched OFF so that an adjustment during the operation of the projector are not visible on the
45°
45°
3
F
2
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6.5.2 Quick Lens Adjustment
6.5.2.1 Quick Lens Adjustment via LENS key
Quick zoom/focus adjustment
1. Press the LENS key on the remote control or local keypad.
The zoom/focus menu will be displayed.
Image 6-7
2. Push the cursor key ▲ or ▼ to zoom and ◄ or ► to focus the image.
3. When finished, press EXIT key to return or ENTER to continue to the shift adjustment.
Press the LENS key to switch to another pattern. Different patterns are available.
6. Getting started
Quick shift adjustment
1. Press the LENS key on the remote control or local keypad.
The zoom/focus menu will be displayed.
Image 6-8
2. Press ENTER.
The shift menu will be displayed.
Image 6-9
3. Push the cursor key ▲ or ▼ to shift the image up or down and ◄ or ► to shift the image left or right.
4. When finished, press EXIT key to return or ENTER to continue to zoom/focus.
Press the LENS key to switch to another pattern. Different patterns are available.
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6. Getting started
6.5.2.2 Direct Lens Adjustment (RCU)
Lens adjustment buttons on the Remote Control
On the Remote Control four buttons with double action are provided, allowing direct alignment for lens ZOOM, FOCUS, HORIZONTAL SHIFT and VERTICAL SHIFT.
1. Press LENS ZOOM button [-] or [+] (A) for correct image size on the screen.
2
1
CONTR
LENS
SHIFT
LENS
SHIFT
Image 6-10
Direct lens adjustment keys
A
C
LENS
ZOOM
LENS
FOCUS
A Zoom
B Vertical shift
C Focus
D Horizontal shift
2. Press LENS FOCUS button [-] or [+] (C) for an overall focus of the image.
3. Press ▲ LENS SHIFT ▼ button for correct vertical position of the image on the screen.
4. Press ◄ LENS SHIFT ► button for correct horizontal position of th
e image on the screen.
6.5.3 Quick picture in picture
Quick On - Off
Press on the PIP key on the remote control or the local keypad to ac
Use the ▲▼key to scroll to the desired layout and press ENTER to activate.
Select Main full screen to switch off PIP.
tivate the Load layout window.
B
D
Image 6-11
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6.6 Projector Address
6.6.1 Displaying and Programming addresses
Displaying the Projector Address on the Screen.
1. Press Address key (recessed key on the RCU) with a pencil.
The projector’s address will be displayed in a ’Text box’
To continue using the RCU with that specific address, it is necessary to enter the same address with the
digit buttons (address between 0 and 9) within 5 seconds after pushing the address key. For example : if the
Address key displays projector address 003, then press "3" digit button on the RCU to set the RCU’s address
to match the projector’s address. Do not press 003 digits. This will address the remote control to ’0’ and
control all projectors in the room. If the address is not entered within 5 seconds, the RCU returns to its default
address (zero address) and control all projectors in the room.
How to Program an Address into the RCU?
1. Press the Address key (recessed key on the RCU) with a pencil.
2. Enter the address with the digit buttons within 5 seconds after pushing the address key.
Note: That address can be any digit between 0 and 9.
The LED on the remote control must lit up while pressing a digit key. Otherwise the address is not entered in
the remote control.
6. Getting started
6.6.2 Controlling the projector
Projector address
Address installed in the projector to be individually controlled.
Common address
Projector will always execute the command coming from a RCU programmed with that common address.
Why a projector address ?
As more than one projector can be installed in a room, each projector should be separately addressable with an RCU or computer.
Therefore each projector has its own address.
Set up an individual Projector Address.
The set up of a projector address can be done via the software. See xxx in chapter ’Projector Control’.
Projector controlling.
Every projector requires an individual address between 0 and 255 which can be set in the Service mode.
Whentheaddressisset,theprojectorcanbecontrollednow:
• RCU for addresses between 0 and 9.
• computer, e.g. IBM PC (or compatible), Apple MAC, etc. for addresses between 0 and 255.
Common Address
Every projector has a common address ’0’ or ’1’. The choice between ’0’ and ’1’ can be selected in xxx.
6.7 Source selection
Source selection when no picture in picture is active
Use the digit keys on the remote control or local keypad to active the desired source.
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6. Getting started
Source selection when picture in picture is active
Use the Window button on the remote control or the local keypad to select the main window or the picture in picture (PiP) window.
4
3
2
1
6
RGB
STBY
Image 6-12
Window selection button
7
PATTERN
PAUSE TEXT
89
WINDOW
The outline of the selected window will have a red rectangle to indicate the selection.
Once the desired window is activated (main window or picture in picture window) all keys on the remote control or local keypad can
now control that selected window.
To select the source for the picture in picture window, press Window button un
source with the digit keys.
To select the source for the main window, press Window button until the main window is activated and then select the desired source
with the digit keys.
5
MENU
0
PIP
LENS
RIGGING
AUTO
EXIT
ENTER
MENU
PAUSE
i
EXIT
ENTER
TEXT
LENS
PHASE
til PiP window is activated and then select the desired
6.8 Controlling the Projector
Picture Controls
When an image control is pressed, a text box with a bar scale, icon and function name of the control, e.g. ’brightness...’ appears on
the screen (only if text is ON). See example screen. The lengt
current memorized setting for this source. The bar scale changes as the control buttons on the RCU are pressed.
Brightness
A correct ’brightness’ setting is important for good
Use the + button for a higher brightness.
Use the - button for a lower brightness.
Contrast A correct ’contrast’ setting is important for good image reproduction. Adjust the contrast to the level
you prefer, according to room lighting condition
Use the + button for a higher contrast.
Use the - button for lower contrast.
Color Color saturation is only active for all type of video sources, such as Video, S-Video, SDI, HDSDI.
Adjust the color intensity of the picture.
Use the + button for richer colors.
Use the - button for lighter colors.
Tint
Tint is only active for Video and S-Video when using the NTSC 4.43 or NTSC 3.58 system.
Use the + button for more tint
Use the - button for less tint.
Sharpness The sharpness function is used to adjust the image sharpness of video signals.
Use the + button for more sharpness
Use the - button for less sharpness
h of the bar scale and the value of the numeric indication indicate the
image reproduction.
s.
Phase
Use the + or - side of the phase control button to adj
ust the phase.
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6. Getting started
The Pause Key
When the Pause key is pressed, the image projection is stopped, a black screen will be displayed and the projector remains with full
power for immediate restart. The 7-segment display on the projector will show a "P". The shutter is closed.
To restart the image, press one of the following keys:
•PressPause key.
• Select a source number.
The Stand-by Key
When the Stand-by key is pressed, the image projection is stopped and the projector goes to stand-by. This situation is used when
a projection stop is planned for a longer period.
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6. Getting started
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7. Start up of the Adjustment Mode
7. STARTUPOFTHEADJUSTMENTMODE
Overview
• About the adjustment mode
• About the use of the remote control and the local keypad
• Start up the adjustment mode
• Navigation and adjustments
• On screen menus versus LCD display menus
7.1 About the adjustment mode
Overview
As the adjustment mode is the central place to control and align the projector, the following functions can be done:
• Input setup: the different inputs can be configured for a specific format or input source.
• Image adjustment: these adjustments are organized per image source and contain the aspect ratio, timings
• Layout adjustment: set up of the main window and the picture in picture window.
• Lamp: manage the lamp mode, the lamp use, lamp type and history
• Alignment: groups all controls necessary during the setup of the projector onto a screen.
• Projector control: contains the accessibility settings of the projector, such as address and communication setup.
• Service: contains information about how the projector is performing. This information will be useful when calling for a service
intervention.
and image settings.
7.2 About the use of the remote control and the local keypad
Overview
All navigations and adjustments can be done either with the remote control or with the local keypad.
Almost all the keys on the remote control have an equivalent on the local keypad.
Exceptions:
• ▲ on the remote control corresponds with the up + key on the local keypad.
• ▼ on the remote control corresponds with the down - key on the local keypad.
• ◄ on the remote control corresponds with the left - key on the local keypad
• ► on the remote control corresponds with the right + key on the local keypad
7.3 Start up the adjustment mode
Start up tools
To start up the adjustment mode, use the remote control or the local keypad.
How to start up?
1. Press Menu on the remote control (RCU) or on the local keypad to sta
rt up the Adjustment mode.
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7. Start up of the Adjustment Mode
The main menu of the adjustment mode opens.
Image 7-1
7.4 Navigation and adjustments
How to navigate in the menu structure?
Once in the menu structure, use the ▲ or ▼ keys on the remote control (or the ▲ or ▼ (+ or -) key on the local keypad) to scroll
through the items in the displayed menu. The selected item will get a back
press ENTER.
When on a submenu, to return one step to the parent menu, press EXIT.
To escape the menu structure when on a menu, press MENU.
ground color. To activate a selected submenu or function,
How to make an adjustment?
With the remote control, press the ▲ or ▼ keys until the desired value (setup) is reached. Press ENTER to finalize the adjustment.
With the local keypad, press the ▲ or ▼ (+ or -) keys until the desir
adjustment.
All adjustments will be indicated with an on-screen box with the name of the adjustment in the title bar, the length of the progress
bar indicates the actual value. The value at the start and at the end of the progress bar indicates the adjustment ranges.
Image 7-2
ed value (setup) is reached. Press ENTER to finalize the
7.5 On screen menus versus LCD display menus
Overview
As the projector is equipped with an 8 lines LCD panel, the on-screen menus are also displayed on that LCD panel in the same
structure as the on screen menus. These menus can be used in the same way as the on-screen menus.
The menus on the LCD panel are still reachable even when the projector lamp is not activated and when Text is in the off mode.
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8. Input menu
8. INPUT MENU
Overview
• Input module type
• Input locking
8.1 Input module type
Overview
• About Input Setup
• Input configuration
8.1.1 About Input Setup
Overview
Each input module must be configured before these module can be used. This configuration is necessary so that the projector knows
which type of signal is connected to its input.
The projector has 4 input slots and these slots can be filled up in a random order with the available modules. Identical modules are
allowed.
For more information about the available input modules and how to install, see "Input source connections", page 35.
CAUTION: Always install a cover plate on an unused input slot. This to prevent dust intrusion into the pro-
jector.
8.1.2 Input configuration
How to change?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Input and press ENTER.
The Input menu is displayed.
3. Use the ▲ or ▼ key to select Slot module type and press ENTER.
The slot overview window is displayed with the actual situation filled out.
4. Use the ▲ or ▼ key to select a slot.
Toggle with ENTER until the correct setting is displayed between the brackets (except for DVI).
Image 8-2
Image 8-3
Image 8-1
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8. Input menu
Possible results.
Input
module
5 cable
HBW
Data
HD-SDI SDI
Indication Description
RGB HS/VS - CS RGB input with separate horizontal and vertical sync or separate composite sync.
RGB CV RGB input with composite video as sync signal
RGB SOG RGB input with sync on green
YUV HS/VS - CS Component video with separate horizontal and vertical sync or separate composite
sync.
YUV CV Component video with composite video as sync signal
YUV SOY Component video with sync on Y
CVBS Composite video
S-Video Super video
RGB HS/VS - CS RGB input with separate horizontal and vertical sync or separate composite sync.
RGB SOG RGB input with sync on green
YUV HS/VS - CS Component video with separate horizontal and vertical sync or separate composite
sync.
YUV SOY Component video with sync on Y
INP1 Input 1 selected
INP 2 Input 2 selected
DVI equalization
When a DVI module is selected, press ENTER to go in edit mode. Use ◄ or ► to key to change the equalization value.
Default value = 13.
For non DVI-compliant transmitter, stronger equalization may be necessary even for shorter cables.
For longer cables adjust between 0 and 13 (more equalization).
For shorter cables adjust between 13 and 15
(least equalization).
8.2 Input locking
What is possible?
The output signal can be locked on an internal sync signal or on the sync signal of one of the input sources. Input locking can avoid
that some windows in the output signal are slowly moving or trembling.
When automatic is selected, the lock will be set on the input signal of the main window.
How to set up?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Input and press ENTER.
The Input menu is displayed.
3. Use the ▲ or ▼ key to select Input loc
The input locking window is displayed. The actual selected locking method is indicated by an arrow.
4. Use the ▲ or ▼ key to select the desired locking and press ENTER.
king and press ENTER.
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Image 8-4
When:
8. Input menu
Image 8-5
Image 8-6
None
Automatic
Input 1
Input 2
Input 3
Input 4
Output is locked on an internal sync (60 Hz)
Output is locked on the selected input for the main window
Output is locked on source 1
Output is locked on source 2
Output is locked on source 3
Output is locked on source 4
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8. Input menu
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9. IMAGE MENU
Overview
• Overview flow
• How to select the image adjustments?
• Image Settings
• Aspect ratio
• Timings
• Image services
9.1 Overview flow
Overview
Level 1 Level 2 Level 3 Level 4
Image
Image settings
Contrast
9. Image menu
Aspect ratio
Brightness
Saturation
Tint
Phase
Sharpness
Noise reduction
Color temperature
Projector white
Computer 9300K
Video 6500K
Film 5400K
Broadcast 3200K
Custom balance
Input balance
4/3
Timings
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5/4
2.35
1.88
1.78
Horizontal start
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9. Image menu
Level 1 Level 2 Level 3 Level 4
Width
Vertical start
Height
To ta l p ix e ls
To ta l l ine s
Image file services
Manual load
Delete
Delete all
Rename
Options
Image load
9.2 How to select the image adjustments?
Start up
1. Use the ▲ or ▼ key to select Image.
2. Press ENTER to select.
The Image menu opens.
Image 9-2
Image 9-1
9.3 Image Settings
Overview
• Contrast
• Brightness
• Saturation
• Tint (hue)
• Phase
• Sharpness
• Noise reduction
• Color temperature
• Input balance
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9.3.1 Contrast
About Contrast
The contrast function is used to adjust the contrast between the light and dark areas of the displayed image.
How to change the contrast?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select Image settings and press ENTER.
The Contrast progress bar appears.
4. Use the ▲ or ▼ key to select Contrast and press ENTER.
The Contrast progress bar appears.
5. Use ◄ or ► to change the contrast.
The higher the value, the higher the contrast.
9. Image menu
Image 9-4
Image 9-3
Image 9-6
9.3.2 Brightness
About Brightness
The Brightness function is used to adjust the overall light output.
How to change the brightness?
1. Press MENU to activate the menus.
2. Use the ▲ or
3. Use the ▲ or ▼ key to select Image settings and press ENTER.
4. Use the ▲ or ▼ key to select Brightness and press ENTER.
The Brightness progress bar appears.
5. Use ◄ or ► to change the brightness.
▼ key to select Image and press ENTER.
Image 9-5
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9. Image menu
The higher the value, the higher the brightness.
Image 9-8
Image 9-7
Image 9-10
9.3.3 Saturati
About (
The color function is used to adjust the color saturation levels.
on
color) saturation
How to change the saturation?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select Image settings and press ENTER.
4. Use the ▲ or ▼ key to select Saturation and press ENTER.
The Satura
5. Use ◄ or ► to change the color saturation.
tion progress bar appears.
Image 9-9
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The higher the value, the higher the color saturation.
Image 9-12
9. Image menu
Image 9-11
Image 9-14
9.3.4 Tint (hue
About T
The Tint function is used to adjust color hue to obtain true color reproduction and is only active for Video and S-Video when the
NTSC color system is used. For PAL and SECAM sources, Tint is not accessible.
)
int
Image 9-13
How to change the saturation?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the
4. Use the ▲ or ▼ key to select Tint and press ENTER.
The Tint progress bar appears.
5. Use ◄ or ► to change the tint.
▲ or ▼ key to select Image settings and press ENTER.
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9. Image menu
The higher the value, the higher the tint.
Image 9-16
Image 9-15
Image 9-18
Image 9-17
9.3.5 Phase
About P
When displaying computer patterns or graphics (RGB or YUV signals) which are very detailed (tilting, vertical stripes, etc. ), jitter
in picture (mis-sampling) may occur, causing horizontal stripes in portions of the screen. When this jitter occurs, adjust ’Phase’ for
optimum image.
hase adjustment
Image 9-19
Jittering on image
How to change the phase?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select Image settings and press ENTER.
4. Use the ▲ or ▼ key to select Phase and press ENTER.
The Phase progress bar appears.
5. Use ◄ or ► to change the phase and refine the jitter.
Note: Don’t mix up with wrong number of total pixels. If the jitter doesn’t disappear with the phase adjustment, check the total
number of pixels. (Best image = pixel on pixel off pattern. For example: shut down screen of a PC)
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Image 9-21
9. Image menu
Image 9-20
Image 9-23
9.3.6 Sharpness
About Sharpness
The sharpness function is used to adjust the image sharpness of video signals.
How to change the sharpness?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or
4. Use the ▲ or ▼ key to select Sharpness and press ENTER.
The Sharpness progress bar appears.
5. Use ◄ or ► to change the sharpness.
The higher the value, the higher the sharpness.
▼ key to select Image settings and press ENTER.
Image 9-22
Image 9-25
Image 9-24
Image 9-27
Image 9-26
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9. Image menu
9.3.7 Noise reduction
About Noise reduction
Reduces noise and pixel jitter in all video sources.
How to change?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select Image settings and press ENTER.
4. Use the ▲ or ▼ key to select Noise reduction and press ENTER.
The Noise reduction progress bar appears.
5. Use ◄ or ► to change the noise reduction.
The higher the value, the higher the noise reduction.
Image 9-29
Image 9-28
Image 9-31
Image 9-30
9.3.8 Color temperature
What can be done ?
The color temperature can be selected according to the type of source:
There are 5 different preset color temperatures:
• Projector white
• computer : 9300 K
• Video : 6500
• Film : 5400 K
• Broadcast : 3200 K
These calibrated presets can be selected and will provide optimum color tracking, the projector allows however the setting of a
personal color temperature, this is done in custom balance
K
9.3.8.1 Predefined color temperature
Projector white will provide maximum projector light output. The calibrated ’Broadcast’, ’Film’, ’Video’ and
’Computer’ presets will provide optimum color tracking.
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How to select?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select Image settings and press ENTER.
4. Use the ▲ or ▼ key to select Color temperature and press ENTER.
5. Use the ▲ or ▼ key to select a predefined color temperature value, e.g. Video, and press ENTER.
The colors of the image is switched to the selected value.
Image 9-33
9. Image menu
Image 9-32
Image 9-35
9.3.8.2 Set a custom color temperature
How to enter a custom value?
1. Press
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select Image settings and press ENTER.
4. Use the ▲ or ▼ key to select Color temperature and press ENTER.
5. Use the ▲ or ▼ key to select Custom balance and press ENTER.
6. Use the ▲
7. Adjust gain red with ◄ or ► key. When finished press ENTER.
8. Adjust gain blue in the same way as gain red.
MENU to activate the menus.
The Custom balance menu is displayed.
or ▼ key to select Gain red and press ENTER.
Image 9-34
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9. Image menu
Image 9-37
Image 9-36
Image 9-40
Image 9-39
Image 9-38
Image 9-41
9.3.9 Input balance
Overview
ntroduction to Input Balance
•I
• Adjusting the input balance
9.3.9.1 Introduction to Input Balance
Introduction: Unbalanced color signals
When transporting signals, there is always a risk of deterioration of the information contained in the signals.
In case of information contained in the amplitude of the signals which is the case of data color signals (R, G, B),image 9-42 , we are
quite sure that the amplitude of these color signals is subject to alterations.
An example of alteration may be a DC component added to the signal, in the form of a DC offset repositioning the black level, since
this black level (“brightness”) will become crucial later on (clamping circuit) it will result in “black not being black”.
Another value that is subject to alteration is the amplitude of the signal, resulting in an altered “Gain” of the signal (“white level” or
contrast).
The alterations of the three color signals will happen independently i.e. the colors will end to be unbalanced, image 9-43
B
0.7V
Image 9-42
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Black level
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R
Image 9-43
G
R
∆
One can conclude here that a good c
color signals
∆
olor tracking can only be met by using three previously (input) balanced
B
G
∆Β
Black level
Analog Digital Conversion
The analog color signals
A typical ADC transforms the analog value into an 8 bit coded digital signal.
The graphic shows that when converting a signal containing a DC offset component the range of the converter is not optimally used.
R
must pass through an Analog/Digital conversion circuit prior to any digital processing in the PMP.
ADC
255
i2 : video information
i1 : superfluous information
Black level
Image 9-44
∆
One can conclude here that a good data conversion can only be met by using three previously (input) balanced
color signals
0
The objective of input balancing
The objective in input balancing is to “set” the same black level and the same white level for the three colors of a particular input
source.
Black level setting : brightness
White level setting : contrast
same absolute black and white level for the three colors allow the same reference for Brightness and contrast control of the
The
picture !
These two references also set the range in which the ADC will work for that particular source (this explains also why each input
balance setting is linked to a particular source and thus saved in the image file).
9.3.9.2 Adjusting the input balance
How can it be done ?
To balance the three color signals of a particular source there are conditions; in fact we must know the black and the white level of
the source i.e. :
1. The source in question must be able to generate a white signal, ideally a 100% white (background) full screen pattern
2. The source in question must be able to generate a black signal, ideally a 100% black (background) full screen pattern
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A
Image 9-45
White balance : In the projector, we will set the contrast for each color until we get a 100% light output picture when projecting a
100% white image (image A)
Black balance : In the projector, we will set the brightness for each color until we get a 0% light
100% black image (image B).
The changeover from min to max is indicated by the apparition of bright spots also called “digital noise”
An alternative to a full screen White/black pattern is the standard gray scale pattern, the white bar will be used
for white balance and the black bar for black balance.
B
output picture when projecting a
Image 9-46
Black balance
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select Image settings and press ENTER.
4. Use the ▲ or ▼ key to select Input balance and press ENTER.
5. Use the ▲ or ▼ key to select Black balance and press ENTER.
6. To start, use the ▲ or ▼ key to select Black balance red and press ENTER.
Image 9-48
Image 9-47
Image 9-49
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Image 9-50
Image 9-51
7. Adjust the red black level on a minimal value
8. Select Black balance blue and adjust the blue black level on a minimal value.
Note: This minimal value is not necessary , provided that the 2 other colors are not influencing too much the color to be adjusted,
in fact the aim is to minimize the effect of the two other colors since there is a risk of reaching too soon the 50% transition
due to the contribution of these two other colors signals.
9. Select Black balance green and adjust the Green black level until bright spots appear on the screen.
10.Select Black balance blue adjust the Blue black level until bright spots appear on the screen.
11.Select Black balance red adjust
The projected image should now be noisy full black
If one uses a gray scale pattern, the bright spots should appear in the black bar.
the Red black level until bright spots appear on the screen.
Performing White input balance
1. Connect the source you want to project.
2. Select a white pattern (or gray scale as alternative).
3. Press MENU to activate the menus.
4. Use the ▲ or ▼ key to select I
5. Use the ▲ or ▼ key to select Image settings and press ENTER.
6. Use the ▲ or ▼ key to select Input balance and press ENTER.
7. Use the ▲ or ▼ key to select White balance and press ENTER.
8. To start, use the ▲ or ▼ key to select White balance red and press ENTER.
Image 9-52
mage and press ENTER.
Image 9-53
Image 9-54
Image 9-55
Image 9-56
9. Adjust the red white level (gain) on a minimal value
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10.Select White balance blue and adjust the blue white level (gain) on a minimal value.
Note: This minimal value is not necessary , provided that the 2 other colors are not influencing too much the color to be adjusted,
in fact the aim is to minimize the effect of the two other colors since there is a risk of reaching too soon the transition
(bright spots) due to the contribution of these two other colors signals.
11.Select White balance green and adjust the Green white level (gain) until bright spots appear on the screen.
12.Select White balance blue adjust the Blue white level (gain) until bright spots appear on the screen.
13.Select White balance red adjust the Red white level (gain) until bright spots appear on the screen.
The projected image should now be noisy neutral gray
Selecting Preset restores the factory input balance setting
9.4 Aspect ratio
What can be done?
The aspect ratio setting forces the projector to project an image using a defined aspect ratio
Aspect ratio Description
4:3
16:9
5:4
2.35
1.88
1.78
Type of input signal is indicated above each image row. The image row shows how the image will be projected in the different aspect
ratio settings.
Standard television format
Wide screen television format / anamorphic format
Workstation format
Film format
Wide screen television format / anamorphic format
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4/3
Video Signal Pal/Secam
Video Signal NTSC
Video Signal 16/9
5/4
16/9
4/3 RGB Signal
Image 9-57
Some examples for aspect ratio
How to select an Aspect ratio?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press
3. Use the ▲ or ▼ key to select Aspect ratio and press ENTER.
The aspect ratio menu will be displayed.
4. Use the ▲ or ▼ key to select the desired aspect ratio and press ENTER.
ENTER.
Image 9-59
Image 9-60
Image 9-58
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9.5 Timings
Adjustable items
• Horizontal start in pixels : number of pixels between the beginning of the input signal and the start of the video information in
the signal.
• Width = Active horizontal pixels : determine the width of the window on the screen. This value is normally given in the source
specifications. If not, adjust until full image is displayed (no missing pixels).
• Vertical start in lines : number of lines between the start of the input signal and start of the image on the screen.
• Height = Active vertical lines : number of horizontal lines determining the height of the projected image. this value is normally
given in the specification of the source. If not, adjust until full image height is displayed (no missing lines).
• Total pixels: Total horizontal pixels in the source. If the value is wrong, sampling mistakes (small vertical bars in the projected
image) will be seen in the image.
• Total lines: Total vertical lines in the source.
How to start up?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select Timings and press ENTER.
The timings menu will be displayed.
Image 9-62
Image 9-61
4. To change a setting, use the ▲ or ▼ key to select and press ENTER.
The corresponding adjustment box is displayed. E.g. Horizontal total pixels.
4
Image 9-6
5. Use the ▲ or ▼ key (or ◄ or ► key) to change the value.
6. Press ENTER to activate the new value.
7. If necessary to change other settings, repeat from step 4.
9.6 Image services
Overview
• Files and file manipulations
• Manual Load file
• Delete file
• Delete all custom files
• Rename a file
• File options
Image 9-63
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9. Image menu
9.6.1 Files and file manipulations
Connecting a new source.
Before using a new source, a correct file has to be installed. The projector’s memory contains a list of files corresponding to the most
used sources. When the new source corresponds with one of these files, the file can be loaded and saved for future use. When
there is a little difference, the file can also be loaded and then edited until the source specs are reached.
file loading can be done automatically (). Files with a ~ in front of the file name are temporary files. These files
will be deleted when switching to another source.
Possible file Manipulations
The following file manipulations are possible :
• Load : installation of a file for a new source.
• Rename : renaming a file.
• Delete : deleting a file (only custom files)
• Delete all : delete all custom files
• Copy : copy the settings from one file to another.
• Options : way of loading a file when a source is selected.
A loaded file can be edited via the Timings menu. Once a file is edited, it will be saved with the same name as the original file,
followed by sequence number between rounded brackets.
9.6.2 Manual Load file
How to load?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select File services and press ENTER.
The File service menu is displayed.
4. Use the ▲ or ▼ key to select Manual load and press ENTER.
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The manual load window opens.
Image 9-65
Image 9-66
Image 9-67
Image 9-68
Depending on the filter setup, the following is displayed:
- Fit: only fitting files for the selected source will be in the list
- All: allfilesinthesystemwillbeinthelist.
5. Do you want to see only the fitting file in the manual load menu?
If yes, Select Filter and toggle with ENTER till [FIT] is on the menu.
If no, Select Filter and toggle with ENTER till [ALL] is on the menu.
6. Use the ▲ or ▼ key to select the appropriate file.
7. Press ENTER to select.
The selected file is loaded.
When scrolling through the files, the image will be adapted accordingly to the settings of the selected file (on
line adap
tation).
The image is not perfect?
played image is not correct after selecting the best fitting file, go to the Timings menu and change the file settings.
If the dis
9.6.3 Delete file
How to delete?
1. Press ME
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select File services and press ENTER.
The File service menu is displayed.
4. Use the ▲ or ▼ key to select Delete and press ENTER.
The delete window opens.
5. Use the ▲ or
Note: Only custom files can be deleted.
6. Press ENTER to delete the selected file.
NU to activate the menus.
▼ key to select the file which must be deleted.
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Image 9-69
9. Image menu
Image 9-70
Image 9-71
Image 9-72
No recovery possible !
9.6.4 Delete all custom files
How to delete?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select File services and press ENTER.
The File service menu is displayed.
4. Use th
5. Use the ▲ or ▼ key to select Ye s if you are sure to delete all custom files.
e ▲ or ▼ key to select Delete all and press ENTER.
A delete all confirmation window opens.
Image 9-74
Image 9-75
Image 9-73
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9. Image menu
Image 9-76
Or,
if you are not sure to delete all custom files, select No.
9.6.5 Rename a file
How to rename?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select File services and press ENTER.
The File service menu is displayed.
4. Use the ▲ or ▼ key to select Rename and press ENTER.
The rename window opens.
5. Use the ▲ or ▼ key to select the file which must be renamed.
Note: Only custom files can be renamed.
6. Press ENTER to select.
The rename window opens. The first character is selected.
7. Use the ▲ or ▼ key to change the se
Use the ◄ or ► key to selected another character.
Note: Digits can be entered with the digit keys on the remote control or on the local keypad. When a digit is entered in that
way, the next character will be s
8. Press ENTER to finalize the rename action.
lected character.
elected automatically.
Image 9-78
Image 9-79
Image 9-77
81
Image 9-
Image 9-80
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9.6.6 File options
How to set the options?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Image and press ENTER.
3. Use the ▲ or ▼ key to select File services and press ENTER.
The File service menu is displayed.
4. Use the ▲ or ▼ key to select Options and press ENTER.
Image 9-83
Image 9-82
9. Image menu
Image 9-84
The options window opens.
5. Use the ▲ or ▼ key to select Load file and press ENTER to toggle between [Automatic], [Manual] and [Custom only].
- [Automatic]: correct file will be loaded automatically.
- [Manual]: correct file
has to be loaded manually.
- [Custom only]: correct file will be loaded automatically out of the available custom files.
Image 9-85
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10. LAYOUT MENU
Overview
• Overview flow
• Main window
• PIP window
• Layout file services
10.1 Overview flow
Overview
Level 1 Level 2 Level 3 Level 4
Layout
Main window
Size
Position
10. Layout menu
PIP window
Layout file services
10.2 Main window
Overview
PIP window [ON/OFF]
Source
Size
Position
Load
Main full screen
PIP top right
Split top bottom
Rename
Delete
• Size adjustment
• Position adjustment
10.2.1 Size adjustment
What can be done?
The size of the main window can be adjusted until the desired window dimensions are reached.
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10. Layout menu
Image 10-1
Size adjustment main window
A width adjustment
B height adjustment
The size can be changed with respect to the original aspect ratio.
How to adjust with respect to the original aspect ratio?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Layout and press ENTER.
3. Use the ▲ or ▼ key to select Main Window and press ENTER.
The main window opens.
4. Use the ▲ or ▼ key to select Size and press ENTER.
The size adjustment window opens.
Image 10-3
Image 10-4
Image 10-2
5. Toggle with ENTER till Lock is set to [x].
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Image 10-5
[ ] = no lock between height and width.
[x] = width and height are locked.
6. Use
or▲▼to adjust the size with respect to the original aspect ratio.
When the desired size is reached, press EXIT.
A Save window opens.
10. Layout menu
Image 10-6
How to adjust height and width separately?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Layout and press ENTER.
3. Use the ▲ or ▼ key to select Main Window and press ENTER.
The main window opens.
4. Use the ▲ or ▼ key to select Size and press ENTER.
The size adjustment window opens.
Image 10-8
Image 10-7
Image 10-9
5. Toggle with ENTER till Lock is set to [ ].
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10. Layout menu
Image 10-10
[ ] = no lock between height and width.
[x] = width and height are locked.
6. Use the ▲ or ▼ key to adjust the height.
Use the ◄ or ► key to adjust the width.
When the desired size is reached, press EXIT.
A Save window opens.
Image 10-11
7. Select with the ▲ or ▼ key Ye s and press ENTER.
Select with the ▲ or ▼ key No, when no save is desired and press ENTER.
10.2.2 Position adjustment
What can be done?
The main window can be repositioned on the screen. The upper left corne
Image 10-12
Positioning the window
r is the reference.
How to position?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Layout and press ENTER.
3. Use the ▲ or ▼ key to select Main Window
The main window opens.
4. Use the ▲ or ▼ key to select Position and press ENTER.
The position adjustment window opens.
84
and press ENTER.
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5. Use the ▲ or ▼ key to adjust top start point.
Use the ◄ or ► key to adjust left start point.
When the desired size is reached, press EXIT.
A Save window opens.
Image 10-14
Image 10-13
10. Layout menu
Image 10-15
Image 10-17
Image 10-16
6. Select with the ▲ or ▼ key Save and press ENTER.
Select wit
hthe▲ or ▼ key Delete, when no save is desired and press ENTER.
10.3 PIP window
Overview
• Introduction to PIP
• Picture in Picture activation
•Picturei
• Picture in Picture, position window
10.3.1 Introduction to PIP
What are the different possibilities within the PiP mode ?
The input s
PiP screen. The PiP window can be placed anywhere, with any dimensions, on the screen by changing its position and its size.
n Picture size of the window
PiP
PiP stands for "Picture in Picture" and allows to display multiple windows containing each of them an image. The
windows m
ection of the projector allows a combinations of different input signals which may be projected in the 2 windows of the
ay be of the video or data type.
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10. Layout menu
Image 10-18
Position of PiP
A Top position
B Left position
10.3.2 Picture in Picture activation
How to activate PIP?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Layout and press ENTER.
3. Use the ▲ or ▼ key to select PIP Window and press ENTER.
The PIP window opens.
4. Use the ▲ or ▼ key to select On or Off and press ENTER toggle between [On] and [Off].
Image 10-21
Image 10-20
Image 10-19
5. Press EXIT to quit the menu.
10.3.3 Picture in Picture size of the window
What can be done?
The width and height of the picture in picture window can be changed till the desired dimensions are obtained.
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10. Layout menu
Image 10-22
Size PIP window
A Width PIP window
B Height PIP window
The size of the picture in picture window can be changed with respect to the original aspect ratio of the PIP image.
Remark: when the e.g. the PIP window is a 4 by 3 window and the projected image has a 16 by 9 format, then it is possible that
image jumps inside the PIP window during a re-scaling. Due to the fact that the re-scale is done on the vertical dimensions of the
PIP window and the image inside it will be re-scaled so that the aspect rati
o is still correct.
Image 10-23
Size PIP window remark
How to change the size with respect to the aspect ratio?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Window and press ENTER.
3. Use the ▲ or ▼ key to select PIP Window and press ENTER.
The main window opens.
4. Use the ▲ or ▼ key to select Size and press ENTE
The size adjustment window opens.
Image 10-25
Image 10-24
R.
Image 10-26
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10. Layout menu
5. Toggle with ENTER till Lock is set to [x]].
Image 10-27
[ ] = no lock between height and width.
[x] = width and height are locked.
6. Use the ▲▼or ◄►key to adjust the size with respect to the aspect ratio.
When the desired size is reached, press EXIT.
A Save window opens.
Image 10-28
7. Select with the ▲ or ▼ key Ye s and press ENTER.
Select with the ▲ or ▼ key No, when no save is desired and press ENTER.
How to change the height and width separately?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Window and press ENTER.
3. Use the ▲ or ▼ key to select PIP Window and press ENTER.
The main window opens.
Image 10-30
Image 10-29
4. Use the ▲ or ▼ key to select Size and press ENTER.
The size adjustment window opens.
5. Toggle with ENTER till Lock is set to [ ].
Image 10-31
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Image 10-32
[ ] = no lock between height and width.
[x] = width and height are locked.
6. Use the ▲ or ▼ key to adjust the height.
Use the ◄ or ► key to adjust the width.
When the desired size is reached, press EXIT.
A Save window opens.
10. Layout menu
Image 10-33
7. Select with the ▲ or ▼ key Save and press ENTER.
Select with the ▲ or ▼ key Delete, when no save is desired and press ENTER.
10.3.4 Picture in Picture, position window
What can be done?
The picture in picture window can be position on any place on the displa
the upper left corner of the window.
How to position?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Window and press ENTER.
3. Use the ▲ or ▼ key to select PIP Window and press ENTER.
The PIP window opens.
4. Use the ▲ or ▼ key to select Position and press ENTER.
The size adjustment window opens.
5. Use the ▲ or ▼ key to adjust Top
Use the ◄ or ► key to adjust Left
When the desired position is reached, press EXIT.
y just by changing its start coordinates. The reference is
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10. Layout menu
A Save window opens.
Image 10-34
Image 10-36
Image 10-35
Image 10-38
Image 10-37
6. Select with the ▲ or ▼ key Save and press ENTER.
Select with the ▲ or ▼ key Delete, when no save is desired and press ENTER.
10.4 Layout file services
Overview
• Load layout
• Save a layout
• Delete a layout
10.4.1Load
How to load?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Window and press ENTER.
3. Use the ▲ or ▼ key to select Layout and press ENTER.
The layout services window opens.
4. Use th
layout
loading a layout which required two sources, the PIP window On/Off setting will be switched to ON.
When
e ▲ or ▼ key to select Load and press ENTER.
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The load layout window opens.
Image 10-39
10. Layout menu
Image 10-41
Image 10-40
Image 10-42
5. Use the ▲ or ▼ key to select the desired layout and press ENTER to select.
The first 3 layouts are default layouts, all others are customer created and saved.
10.4.2 Save a layout
How to save?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Window and press ENTER.
3. Use the ▲ or ▼ key to select Layout and press ENTER.
The layout services window opens.
he ▲ or ▼ key to select Save and press ENTER.
4. Use t
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10. Layout menu
The Save layout location window opens.
Image 10-43
Image 10-45
Image 10-44
Image 10-46
5. Use the ▲ or ▼ key to select the desired location and press ENTER.
The edit layout name window opens. The first character is selected.
6. Use the ▲ or ▼ key to change the selected character.
Use the ◄ or ► key to selected another character.
Note: Digits can be entered with the digit keys on the remote control or on the local keypad. When a digit is entered in that
way, the next character is selected automatically.
7. Press ENTER to save the new name.
10.4.3 Delete a layout
What is possible?
Custom created layouts can be removed from the projector memory.
How to delete?
1. Press MENU to activate the menus.
he ▲ or ▼ key to select Window and press ENTER.
2. Use t
3. Use the ▲ or ▼ key to select Layout services and press ENTER.
The layout services window opens.
4. Use the ▲ or ▼ key to select Delete and press ENTER.
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The Delete window opens.
Image 10-47
10. Layout menu
Image 10-49
Image 10-48
Image 10-50
The first 3 layouts are default layouts and cannot be delete.
5. Use the ▲ or ▼ key to select the layout that must be deleted.
6. Press E
NTER to finalize the delete operation.
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10. Layout menu
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11. LAMP MENU
Overview
• Overview flow
• Lamp power mode
• Dimming
• Lamp Identification
11.1 Overview flow
Overview
Level 1 Level 2 Level 3 Level 4
Lamp
Power
Mode
11. Lamp menu
Normal
Economic
Dimming
Identification
Serial number
Article number
Run time
Remaining run time
Number of strikes
Versio n
11.2 Lamp power mode
What can be done?
The lamp power mode can be switched between Normal and Economic. When playing in Economic mode, the lamp life time will
increase.
Normal : maximum allowed powers is fed to the lamp. Maximum light output is reached in this way.
Economic : a reduced wattage is fed to the lamp. Reduced light output but a longer life time for the lamp.
How to switch?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Lamp and press ENTER.
3. Use the ▲ or ▼ key to select Pow
4. Use the ▲ or ▼ key to select Mode.
5. Press ENTER to toggle between [Normal] and [Economic].
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11. Lamp menu
Image 11-2
Image 11-1
11.3 Dimming
What can be done?
Within a certain power mode, the light output of the lamp can be reduced.
How to dim?
1. Press MENU to activate the menus.
2. Use the ▲ or ▼ key to select Lamp and press ENTER.
3. Use the ▲ or ▼ key to select Dimming and press ENTER.
4. Use the ▲ or ▼ key
to change the dimming.
Image 11-3
Image 11-6
-5
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11.4 Lamp Identification
About
The lamp identification menu gives an overview of the most important parameters of the used lamp.
These parameters are:
• Serial number lamp
• Article number of the used lamp
• Run time since first start up of the lamp
• Remaining run time for a safe operation of the lamp
• Number of strikes since the first start up of the lamp
These parameters are useful when calling for a service intervention.
96 R5976921 FLM R20+ PERFORMER 08/03/2006
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