Barco 70 User Manual

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HOME CINEMA

CINEVERSUM 60/70

INSTALLATION MANUAL

22042004 R5976763/00

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Barco nv Home Cinema

aan 5, B-8520 Kuurne

Noordl Phone: +32 56.36.89.69 Fax: +32 56.36.83.54

salesassistantht.bci@barco.com

E-mail: Visit us at the web: www.homecinema.barco.com

Printed in Taiwan

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Changes

Barco provides this manual ’as is’ without warranty of any kind, either expressed or implied, including but not limited to the implied warranties or merchantability and fitness for a particular purpose. Barco may make improvements and/or changes to the product(s) and/or the program(s) described in this publication at any time without notice.

This publication could contain technical inaccuracies or typographical errors. Changes are periodically made to the information in this publication; these changes are incorporated in new editions of this publication.

All rights reserved. No part of this document may be copied, reproduced or translated. It shall not otherwise be recorded, transmitted or stored in a retrieval system without the prior written consent of Barco.

Federal Communications Commission (FCC Statement)

This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to Part 15 of the FCC r These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a residential environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this cause harmful interference in which case the user is encouraged to try to correct the interference by one or more of the following measures.

Introduction to the user :

If this equipment does cause interference to radio or television reception, the user may try to correct the interference by one or more of the following measures :

• Re-orientation of the receiving antenna for the radio or television.

• Relocate the equipment with respect to the receiver.

• Plug the equipment into a different outlet so that the equipment and receiver are on different branch circuits.

• Fasten cables connectors to the equipment by mounting screws.

The use of shielded cables is required to comply within the limits of Part 15 of FCC rules and EN55022.

equipment in a residential area is likely to

ules.

Guarantee and Compensation

Barco provides a guarantee relating to perfect manufacturing as part of the legally stipulated terms of guarantee. On receipt, the purchaser must immediately inspect all delivered goods for damage incurred during tr must be informed immediately in writing of any complaints.

The period of guarantee begins on the date of transfer of risks, in the case of special systems and software on the date of commissioning, at latest 30 days after the transfer of risks. In the event of justified notice of compliant, Barco can repair the fault or provide a replacement at its own discretion within an appropriate period. If this measure proves to be impossible or unsuccessful, the purchaser can demand a reduction in the purchase price or cancellation of the contract. All other claims, in particular those relating to compensation for direct or indirect damage, and also damage attributed to the operation of software as well as to other services provided by Barco, being a component of the system or independent service, will be deemed invalid provided the damage is not proven to be attributed to the absence of properties guaranteed in writing or due to the intent or gross negligence or part of Barco.

If the purchaser or a third party carries out modifications or repairs on goods delivered by Barco, or if the goods are handled incorrectly, in particular if the systems are commissioned operated in agreed upon in the contract, all guarantee claims of the purchaser will be rendered invalid. Not included in the guarantee coverage are system failures which are attributed to programs or special electronic circuitry provided by the purchaser, e.g. interfaces. Normal wear as well as normal maintenance are not subject to the

The environmental conditions as well as the servicing and maintenance regulations specified in the this manual must be complied with by the customer.

correctly or if, after the transfer of risks, the goods are subject to influences not

guarantee provided by Barco either.

ansport, as well as for material and manufacturing faults Barco

Trademarks

Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights of their respective holders. All brand and product names mentioned in th the products or their manufactures.

is manual serve as comments or examples and are not to be understood as advertising for

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Table of contents

TABLE OF CONTENTS

1. Packaging and Dimensions ....................................................................................... 3

1.1 Boxcontent............................................................................................................................ 3

1.2 Projector Packaging................................................................................................................... 3

1.3 Dimensions............................................................................................................................ 4

2. Installation Guidelines.............................................................................................. 7

2.1 SafetyWarnings....................................................................................................................... 7

2.2 General ................................................................................................................................ 7

2.3 Projector Configuration andPosition................................................................................................. 8

2.4 SafetyArea aroundprojector ........................................................................................................10

2.5 Cleaning the lens. . ...................................................................................................................10

2.6 Vertical lens shift ..................................................................................................................... 11

2.7 BatteryInsertionin the Remote Control.............................................................................................12

2.8 Ceiling Mount assembly. . ............................................................................................................13

3. Connections.........................................................................................................15

3.1 Removing the Connector cover. . ....................................................................................................15

3.2 PowerConnection.................................................................................................................... 15

3.3 Input facilities . . . . .. ...................................................................................................................16

3.4 S-Video input .. . . . ....................................................................................................................17

3.5 Composite Video input ...............................................................................................................18

3.6 5-Cableinput.........................................................................................................................18

3.7 Component Input . ....................................................................................................................20

3.8 Digital Visual Interface (DVI) input. .. ................................................................................................21

3.9 Computer input (RGB analog) .. . .................................................................................................... 22

3.10 RS232-422 IN connection ........................................................................................................... 22

3.11 Trigger outputs . . . . ...................................................................................................................23

4. Getting Started......................................................................................................25

4.1 Terminology overview ................................................................................................................25

4.2 Switching on..........................................................................................................................27

4.3 Lampruntime......................................................................................................................... 27

4.4 Switching from operational mode to standby. .. .....................................................................................28

4.5 Switching off the projector ...........................................................................................................28

4.6 Temperature error DMD..............................................................................................................28

4.7 Using the RCU .......................................................................................................................28

4.8 Projector Address .................................................................................................................... 29

4.9 Controlling the projector..............................................................................................................29

5. Getting used to the menu structure.............................................................................31

5.1 How to start up the menus...........................................................................................................31

5.2 How to use the menus ............................................................................................................... 31

5.3 How to makeanadjustment ......................................................................................................... 32

5.4 Access Control viaa password...................................................................................................... 32

6. Source Selection ...................................................................................................33

6.1 Selecting a source ................................................................................................................... 33

7. ImageSettings menu ..............................................................................................35

7.1 Image settingsmenuoverview ...................................................................................................... 35

7.2 Startingthe Image settings menu ................................................................................................... 35

7.3 Brightness ............................................................................................................................36

7.4 Contrast............................................................................................................................... 36

7.5 Saturation.............................................................................................................................36

7.6 Tint (hue) . . ...........................................................................................................................37

7.7 Sharpness .. .......................................................................................................................... 38

7.8 Gamma ...............................................................................................................................38

7.9 Color Temperature ...................................................................................................................39

7.9.1 Predefined Color Temperature ................................................................................................ 39

7.9.2 Custom Color Balance ........................................................................................................40

7.9.3 Color standard . . ...............................................................................................................40

7.10 White peak ........................................................................................................................... 42

8. Advanced Settings.................................................................................................43

8.1 Advanced settings menu overview..................................................................................................43

8.2 Start up the Advanced settings ...................................................................................................... 43

8.3 AspectRatio..........................................................................................................................44

8.4 Image Position .......................................................................................................................46

8.4.1 Horizontal shift.................................................................................................................46

8.4.2 Horizontal size................................................................................................................. 47

8.4.3 Vertical shift....................................................................................................................48

8.4.4 Vertical size ....................................................................................................................49

8.5 Blanking ..............................................................................................................................50

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Table of contents

8.6 Input Balance. . . .. . ...................................................................................................................51

8.6.1 Introduction to Input Balance . .................................................................................................52

8.6.2 Adjusting the Input Balance for RGB signals .................................................................................53

8.6.3 Input balance for YUV signals. ................................................................................................54

8.6.4 Returning to the factory defaults ..............................................................................................55

9. Installation menu...................................................................................................57

9.1 Installation menu overview........................................................................................................... 57

9.2 Start up the Installation menu........................................................................................................ 57

9.3 Input Slots . . ..........................................................................................................................58

9.3.1 5 RCA input selection (RGB/component input) . . ............................................................................. 58

9.3.2 Reset a single input ...........................................................................................................59

9.3.3 Reset all inputs . ...............................................................................................................59

9.4 File service ...........................................................................................................................60

9.4.1 Auto search ....................................................................................................................60

9.4.2 Film mode......................................................................................................................60

9.4.3 Color Space....................................................................................................................61

9.5 Internal pattern ....................................................................................................................... 62

9.6 When no signal . .. . ................................................................................................................... 63

9.7 Source transition .....................................................................................................................63

9.8 OnScreen Display Configuration....................................................................................................64

9.8.1 Menu position..................................................................................................................64

9.8.2 Barscale status................................................................................................................65

9.8.3 Barscale position.............................................................................................................. 65

9.8.4 Messagestatus................................................................................................................66

9.9 Language support . ...................................................................................................................66

9.10 Vertical keystone.....................................................................................................................67

9.11 Horizontal keystone..................................................................................................................68

9.12 Global keystone......................................................................................................................69

9.13 Orientation............................................................................................................................69

10.Service menus ......................................................................................................71

10.1 Service menu overview.............................................................................................................. 71

10.2 Start up the Servicemenu........................................................................................................... 71

10.3 Identification screen .. ................................................................................................................72

10.4 Password.............................................................................................................................72

10.4.1 Enable-disable password. . ....................................................................................................72

10.4.2 Modify password...............................................................................................................73

10.5 IR address............................................................................................................................74

10.6 RS232 address .. . ....................................................................................................................74

10.7 Serial communication................................................................................................................74

10.7.1 Baudrate setup ................................................................................................................74

10.7.2 Serial communication interface selection.....................................................................................75

10.8 Thermal Diagnosis ...................................................................................................................76

10.9 I2C Diagnosis .. . . . ...................................................................................................................76

A. Specifications.......................................................................................................77

A.1 Specifications for CineVERSUM 60 .................................................................................................77

A.2 Specifications for CineVERSUM 70 .................................................................................................78

B. Maintenance .........................................................................................................81

B.1 Error reporting via the LEDs . . . . . ....................................................................................................81

Glossary .................................................................................................................83

Index......................................................................................................................85

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1. PACKAGING AND DIMENSIONS

Overview

• Box content

• Projector Packaging

• Dimensions

1.1 Box content

CEE7

European power plug to connect the power cord to the wall outlet.

ANSI 73.11

American power plug to connect the power cord to the wall outlet.

Content

• 1 CineVERSUM 60 or CineVERSUM 70 projector

• 1 remote control unit RCU + 2 batteries.

• 2 power cables with outlet plug type CEE7 and ANSI 73.11.

• 1 spanner to shift the lens

• 1 owners manual European languages (English, French, German, Italian, Spanish)

• 1 owners manual Asian languages (Chinese, Japanese)

• 1 installation manual

• 1 safety manual multilingual

1. Packaging and Dimensions

1.2 Projector Packaging

Way of Packaging

The projector is packed in a carton box. To provide protection during transportation, the projector is surrounded with foam. The package is secured with banding and fastening clips.

To unpack

1. Pull off the adhesive tape or cut the adhesive tape but take care not to insert the knife too deep otherwise the projector can be damaged.

2. Take the projector out of its shipping carton, remove the foam rubber and place it on a table. (image 1-1)

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1. Packaging and Dimensions

Image 1-1 Projector packaging

Save the original shipping carton and packing ma projector. For maximum protection, repack your projector as it was originally packed at the factory.

1.3 Dimensions

Left side view

Image 1-2 Left side view

A Air outlet

terial, they will be necessary if you ever have to ship your

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Right side view

1. Packaging and Dimensions

Image 1-3 Right side view

A Air inlet B Adjustable feet

Front view

Image 1-4 Front view

A Air outlet

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1. Packaging and Dimensions

Bottom view

Image 1-5 Bottom view

A Vertical lens shift bolt B M8 bolt for security chain when ceiling mounted C Air inlet

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2. Installation Guidelines

2. INSTALLATION GUIDELINES

Overview

• Safety Warnings

• General

• Projector Configuration and Position

• Safety Area around projector

• Cleaning the lens

• Vertical lens shift

• Battery Insertion in the Remote Control

• Ceiling Mount assembly

Before installing the projector, read first the safety instructions in the safety manual delivered with the projector and also the safety pages in this manual.

2.1 Safety Warnings

Mercury Vapor Warnings

Keep the following warnings in mind when using the projector. The lamp used in the projector contains mercury. In case of a lamp rupture, explosion there will be a mercury vapor emission. In order to minimize the potential risk of inhaling mercury vapors:

• Ensure the projector is installed only in ventilated rooms.

• Replace the lamp module before the end of its operational life.

• Promptly ventilate the room after a lamp rupture, explosion has occurred, evacuate the room (particularly in case of a pregnant

woman).

• Seek medical attention if unusual health conditions occur after a lamp rupture, explosion, such as headache, fatigue, shortness

of breath, chest-tightening coughing or nausea.

2.2 General

Ambient Temperature Conditions.

Careful consideration of things such as image size, ambient light level, projector placement and type of screen to use are critical to the optimum use of the projection system.

Max. ambient temperature : 40°C or 104 °F

Min. ambient temperature : 10 °C or 50 °F

The projector will not operate if ambient air temperature falls outside this range (10°C- 40°C or 50°F-104°F).

Storage temperature: -35°C to +65°C (-31°F to 149°F)

Humidity Conditions

Storage: 0 to 98 % RH Non-condensing

Operation: 0 to 95 % RH Non-condensing

Environment

Do not install the projection system in a site near heat sources excessive dust or humidity. Be aware that room heat rises to the ceiling; check that temperature near the installation site is not excessive.

Environment condition check

A projector must always be mounted in a manner which ensures the free flow of clean air into the projectors ventilation inlets. For installations in environments where the projector is subject to airborne contaminants such as that produced by smoke machines or similar (these deposit a thin layer of greasy residue upon the projectors internal optics and imaging electronic surfaces, degrading performance), then it is highly advisable and desirable to have this contamination removed prior to it reaching the projectors clean air supply. Devices or structures to extract or shield contaminated air well away from the projector are a prerequisite, if this is not a feasible solution then measures to relocate the projector to a clean air environment should be considered.

such as radiators or air ducts, or in a place subject to direct sunlight,

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2. Installation Guidelines

Only ever use the manufacturer’s recommended cleaning kit which has been specifically designed for cleaning optical parts, never use industrial strength cleaners on the projector’s optics as these will degrade optical coatings and damage sensitive optoelectronics components. Failure to take suitable precautions to protect the projector from the effects of persistent and prolonged air contaminants will culminate in extensive and irreversible ingrained optical damage. At this stage cleaning of the internal optical units will be non-effective and impracticable. Damage of this nature is under no circumstances covered under the manufacturer’s warranty and may deem the warranty null and void. In such a case the client shall be held solely responsible for all costs incurred during any repair. It is the clients responsibility to ensure at all times that the projector is protected from the harmful effects of hostile airborne particles in the environment of the projector. The manufacturer reserves the right to refuse repair if a projector has been subject to wantful neglect, abandon or improper use.

Special Care for Laser Beams

Special care should be used when DLP projectors are used in the same room as performant laser equipment. Direct or indirect hitting of a laser beam on to the lens can severely damage the Digital MicroMirror Devices™ in which case there is a loss of warranty

Which screen type ?

There are two major categories of screens used for projection equipment. Those used for front projected images and those for rear projection applications.

Screens are rated by how much light they reflect (or transmit in the case of rear projection systems) given a determined amount of light projected toward them. The ‘GAIN’ of a screen is the term used. Front and rear screens are both rated in terms of gain. The gain of screens range from a white matte screen with a gain of 1 (x1) to a brushed aluminized screen with a gain of 10 (x10) or more. The choice between higher and lower gain screens is largely a matter of personal preference and another consideration called the Viewing angle. In considering the type of screen to choose, determine where the viewers will be located and go for the highest gain screen possible. A high gain screen will provide a brighter picture but reduce the viewing angle. For more information about screens, contact your local screen supplier.

What image size? How big should the image be?

The projector is designed for an optimum screen width of :

• For CineVERSUM 60 : min 1.30 m (52”) to max 1.78 m (70”)

• For CineVERSUM 70 : min 1.55 m (61") to max 1.98 m (78”)

(depending on the ambient light conditions), with an aspec

Depending on the used lens, the minimum and maximum diagonal screen sizes are :

For CineVERSUM 70

R9010080

R9010081

For CineVERSUM 60

R9002460

R9002461

Short throw lens (1.4 - 1.8) Min : 0.80 m (32”) Max. 6.35 m (250”)

Long throw lens (1.8 - 2.4) Min : Wide : 1 m (40”)

Short throw l

Long throw lens (2.25 – 3) Min : Wide : 0.8 m (32”)

ens (1.7 - 2.25)

t ratio of 16 to 9.

Min : Tele : 0.76 m(30”)

Min: 1m(39”) Max. 5 m (200”

Min : Tele : 0.60 m(24”)

2.3 Projector Configuration and Position

Which configuration can be used?

The projector can be installed to project images in four different configurations:

• Front/table

• Rear/table

• Front/ceiling

• Rear/ceiling

Max : Wide : 7.60 m (300”)

Max : Tele : 5.60 m (222”)

)

Max : Wide : 6.0 m (240”)

Max : Tele : 4.50 m (178”)

Positioning the projector

• The projector should be installed perpendicular with the screen on a distance PD and water leveled in both directions. The

mounting positions in the following image is shown for a nominal lens position.

• Position the screen so that it is not in direct sunlight or room light. Light falling directly onto the screen washes out the colors,

making viewing difficult . Close the curtains and dim the lights when setting up the screen in a sunny or bright room.

• The projector lens should be centered horizontally in the middle of the screen.

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2. Installation Guidelines

Try to avoid an inclination of the projector (forwards, backwards, to the left or to the right) as this will result in a keystone deformation of the image. This deformation can be corrected with the keystone function but with a loss of resolution as result.

The drawing is given for a table mounted projector. The same is valid for a ceiling mounted projector.

Image 2-1 Table mounted configuration

V1 Side view V2 Top view V3 Back view PD Distance projector - screen CD Distance bottom side projector - floor SH Screen height B Distance bottom side screen - floor C Distance bottom side projector - perpendicular light axes SW Screen width

For CineVERSUM 70:

Lens

1.4 - 1.8

1.8 - 2.4

With C = 0.25 x SH

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Wide : PD = 1.4 x SW

Te le : P D = 1. 8 x SW

Wide : PD = 1.8 x SW

Te le : P D = 2. 8 x SW

CD=B+C-5.9cm

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2. Installation Guidelines

For CineVERSUM 60:

Lens

1.7 - 2.25

2.25 - 3

With C = 0.23 x SH

Wide : PD = 1.7 x SW

Tele : PD = 2.25 x SW

Wide : PD = 2.25 x SW

Te le : P D = 3 x S W

CD=B+C-5.9cm

2.4 Safety Area around projector

Safety area

Make sure the projector is located so that the air inlets and outlets for the cooling system are not obstructed. Leave at least 50 cm between the projector and an object next t

o the projector.

Image 2-2

Do not place inflammable materials within the safety area.

2.5 Cleaning the lens

To minimize the possibility of damaging the optical coating or scratching exposed lens surface, we have developed recommendations for cleaning the lens. FIRST, we recommend you try to remove any material from thelensbyblo

Necessary tools

To ra ys e eTMcloth, order number : R379058.

Howtocleanthelens?

Proceed as follow :

1. Always wipe lenses with a CLEAN Toraysee

2. Always wipe lenses in a single direction.

Warning: Do not wipe back and forwards across the lens surface as this tends to grind dirt into the coating.

3. Do not leave cleaning cloth in either an open room or lab coat pocket, as doing so can contaminate the cloth.

4. If smears occur when cleaning lenses, replace the cloth. Smears are the first indication of a dirty cloth.

wing it off with clean, dry deionized air. DO NOT use any liquid to clean the lenses.

cloth.

Do not use fabric softener when washing the cleaning cloth or softener sheets when drying the cloth.

Do not use liquid cleaners on the cloth as doing so will contaminate the cloth.

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2. Installation Guidelines

Other lenses can also be cleaned safely with this TorayseeTMcloth.

2.6 Vertical lens shift

What can be done ?

The image can be shifted in a vertical way to position the image correctly on the screen.

Necessary tools

Spanner delivered in the package

How to shift the lens ?

1. Turn the lens shift bolt on the bottom side of the projector, just below the lens, until the desired image position is obtained. (image 2-3)

When table mounted, turning to the left (clockwise) will shift the image upwards. Turning to the right ( the image downwards.

counter clockwise), will shift

Image 2-3 Vertical lens shift bolt

A Lens shift bolt

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2. Installation Guidelines

Vertical lens shift ranges

Image 2-4 Vertical lens shift

The distance between the middle of the projected image and the perpendicular line from the projector.

For CineVERSUM 60 :

• A = 0.275 x SH

•B=0.86xSH

For CineVERSUM 70 :

•A=0.24xSH

• B = 0.625 x SH

2.7 Battery Insertion in the Remote Control

Where to find the batteries

The batteries are not placed in the remote cont time.

How to install the batteries

1. Push the cover tab (A) with the fingernail a little backwards and pull upwards the cover top (B). (image 2-5)

2. Slide the cover forwards to remove. (image 2-6)

3. Push the battery body towards the spring and lift it up to remove. (image 2-7)

4. Insert two AA size batteries, making sure t

5. Insert the lower tab of the battery cover in the gap at the bottom of the remote control, and press the cover until it clicks in place (image 2-6).

rol to avoid remote control operation in its package, resulting in a shorter battery life

he polarities match the + and – marks inside the battery compartment (image 2-7).

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Image 2-5 Battery cover unlock

Image 2-6 Battery cover removal

2. Installation Guidelines

Image 2-7 Battery removal

2.8 Ceiling Mount assembly

Overview

eiling mount is available to mount the projector to the ceiling. Always use this ceiling mount.

Order number : R9852060

For a more detailed description on how to mount the ceiling mount, consult the ceiling mount installation manual (R5976750) which can be found in the box of the ceiling mount assembly or separately ordered by Barco.

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2. Installation Guidelines

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3. CONNECTIONS

Overview

• Removing the Connector cover

• Power Connection

• Input facilities

• S-Video input

• Composite Video input

• 5-Cable input

• Component Input

• Digital Visual Interface (DVI) input

• Computer input (RGB analog)

• RS232-422 IN connection

• Trigger outputs

3.1 Removing the Connector cover

What is behind this cover ?

The power connector and all inputs are situated behind this cover.

3. Connections

How to remove the cover ?

1. Loosen the locking screw. (image 3-1)

2. Left up at the bottom and pull on the cover to loose.

The cover makes a loud ’snap’ when removed. This is normal and does not damage the cover.

Image 3-1 Removing the input cover

When all connections are done, close the cover again and fix the locking screw.

3.2 Power Connection

AC Power (mains) cord connection

Use the supplied power cord to connect your projector to the wall outlet.

Plug the female power connector into the male connector at the back of the projector.

Plug the male connector into wall outlet.

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3. Connections

ASPECT

RATIO

12V TRIGGER

Image 3-2

S-VIDEO VIDEO V

CONTROL

SCREEN

RS232/RS422

VIDEO INPUT RGB/COMPONENT INPUT

COMPONENT

DVI INPUT

B/Pb

R/Pr

Pr Pb Y

VGA INPUT

G/Y

The power input is auto-ranging from 90 to 240 VAC.

About the power cord

Mainslead(ACPowercord)withCEE7plugupto16A

The colors of the mains lead are colored in accordance with the following code:

• Green-and-yellow: Earth (safety earth)

• Blue: Neutral

•Brown:Line

3.3 Input facilities

Overview

•S-Video

• Video

• 5 cable input on RCA

-RGBS

-RGBHV

- Component video (Pr/Y/Pb)

• Component input on 3 RCA

•DVIinput

• VGA input (=analog RGB)

• Communication connections

- RS232/RS422

- Aspect ratio

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3.4 S-Video input

Input location

3. Connections

VIDEO INPUT RGB/COMPONENT INPUT

S-VIDEO VIDEO V

COMPONENT

DVI INPUT

ASPECT

SCREEN

RATIO

12V TRIGGER

Image 3-3 S-Video location

CONTROL

RS232/RS422

Pin configuration 4 pin connector

Image 3-4

For S-Video

R/Pr

Pr Pb Y

B/Pb

VGA INPUT

G/Y

pin 1 : earth (ground) luminance

pin 2 : earth (ground) chrominance

pin 3 : luminance signal (Y) 1Vpp ±3dB

pin 4 : chrominance signal (C) 300mVpp

Chrominance

The color com

ponent of a video signal that includes information about tint and saturation.

Luminance

The component of a video signal that includes information about its brightness.

Which signal can be connected ?

Standard S-Video (S-VHS) with separate Y (luma) and C (chroma) signals.

How to select the S-Video input ?

1. Press 4 on the

Note: Another way of selecting S-Video is entering the Main menu and selecting SVideo.

RCU.

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3. Connections

3.5 Composite Video input

Composite Video

Luminance and chrominance are combined along with the timing reference "sync" information using one of the coding standards--NTSC, PAL or SECAM--to make composite video. Most televisions and VCRs have composite video connectors, which are usually colored yellow.

Input specifications and location

The composite video input is made of 1 RCA input terminal. Connect composite video signals from a VCR, OFF air signal decoder, etc..

1.0Vpp ±3dB

75 Ω terminated

No loop through

VIDEO INPUT RGB/COMPONENT INPUT

S-VIDEO VIDEO V

ASPECT

RATIO

12V TRIGGER

Image 3-5 Video input indication

CONTROL

SCREEN

RS232/RS422

COMPONENT

DVI INPUT

How to select a composite video input ?

1. Press 5 on the RCU.

Note: Another way of selecting Video is entering the Main menu and selecting Video.

3.6 5-Cable input

Component video

A video system containing three separate color component signals, either red/green/blue (RGB) or chroma/color difference (YCbCr, YPbPr, YUV), in analog or digital form.

R/Pr

Pr Pb Y

B/Pb

VGA INPUT

G/Y

Input specifications and location

The 5-cable input section is made of 5 RCA input terminals.

0.7Vpp ± 3dB

75 Ω terminated

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3. Connections

ASPECT

RATIO

12V TRIGGER

Image 3-6 5-cable input

S-VIDEO VIDEO V

CONTROL

SCREEN

RS232/RS422

VIDEO INPUT RGB/COMPONENT INPUT

COMPONENT

DVI INPUT

Component Video

In Component Video the term component describes a number of elements that are needed to make up the video picture, these components are PR/Y/PB. A composite video signal on the other hand contains all the information needed for the color picture in a single channel of information

Which signals can be connected ?

Signals/Input RCA

RGBHV

RGsB

RGBS

Component

RGB+Video (SCART)

B/Pb

R/Pr

Pr Pb Y

G/Y

VGA INPUT

V H R B

- -

R B

PR PB Y

Video R B

How to select a source on the 5-cable input ?

1. Press 2 on the RCU.

Note: Another way of selecting the 5-cable input is entering the Main menu and selecting RGB/component.

1. Sync signals are TTL level

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3. Connections

How to configure the 5-cable input ?

1. Press ADJ or ENTER to open the Main menu. (menu 3-1)

2. Push the cursor key ↑ or ↓ to select Installation and press ENTER.

The installation menu will be displayed. (menu 3-2)

3. Push the cursor key ↑ or ↓ to select Input slots and press ENTER.

The input slots menu will be displayed. (menu 3-3)

4. Select 5 RCA and toggle ENTER to switch between YUV, RGB and SCART. Select RGB for the following source types:

-RGBHV

-RGBS

-RGsB Select YUV for the following source types:

- Component sources Select SCART for the following source types:

- RGB+Video

Image settings Advanced settings

Installation

Service

1. PC

2. RGB/Component

3. DVI

4. SVideo

* 5. Video

6. Component

Shutdown Back

Menu 3-1

Main Menu

Menu 3-2

Installation

Input slots

File service Internal pattern When no signal Source transition OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

3.7 Component Input

Input specifications and locations

The component input section is made of 3 RCA input terminals.

Input signals : Pr, Pb, Ys

0.7Vpp ± 3dB

75 Ω terminated

VIDEO INPUT RGB/COMPONENT INPUT

S-VIDEO VIDEO V

R/Pr

B/Pb

G/Y

Input slots

5 RCA

YUV

Reset single slot

RGB/Component

DVI

SVideo

Video

Component

Reset all slots

All input slots

Back

Menu 3-3

CONTROL

ASPECT

SCREEN

RATIO

12V TRIGGER

Image 3-7 Component input

RS232/RS422

How to select the component input ?

1. Press 6 on the RCU.

Note: Another way of select ing the component input is entering the Main menu and selecting C

COMPONENT

DVI INPUT

Pr Pb Y

VGA INPUT

omponent.

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3.8 Digital Visual Interface (DVI) input

DVI

Digital Visual Interface is a display interface developed in response to the proliferation of digital flat panel displays.

The digital video connectivity standard that was developed by DDWG (Digital Display Work Group). This connection standard offers two different connectors: one with 24 pins that handles digital video signals only, and one with 29 pins that handles both digital and analog video. This standard uses TMDS (Transition Minimized Differential Signal) from Silicon Image and DDC (Display Data Channel) from VESA (Video Electronics Standards Association).

DVI can be single or dual link.

Input specifications

Single link DVI

Differential input voltage: 200 mV - 800 mV

3. Connections

ASPECT

RATIO

12V TRIGGER

Image 3-8 DVI input

S-VIDEO VIDEO V

CONTROL

SCREEN

RS232/RS422

VIDEO INPUT RGB/COMPONENT INPUT

Pr Pb Y

COMPONENT

DVI INPUT

Pin assignment for the DVI connector.

Pin 1

Pin 2

Pin 3

Pin 4

Pin 5

TMDS DATA2-

TMDS DATA2+

TMDS DATA2/4 Shield

TMDS DATA4-

TMDS DATA4+

R/Pr

B/Pb

VGA INPUT

G/Y

Pin 13

TMDS DATA3+

Pin14 +5Power

Pin 15

Ground (for +5V)

Pin 16 Hot Plug Detect

Pin 17

TMDS DATA0-

Pin 6

Pin 7

DDC Clock

DDC Data

Pin 8 Not connected Pin 20

Pin 9

Pin 10

Pin 11

Pin 12

TMDS DATA1-

TMDS DATA1+

TMDS DATA1/3 Shield

TMDS DATA3-

How to select the DVI Input ?

1. Press 3 on the RCU

Note: Another way of selecting the DVI input is entering the Main menu and selecting DVI.

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Pin 18

Pin 19

Pin 21

Pin 22

Pin 23

Pin 24

TMDS DATA0+

TMDS DATA0/5 Shield

TMDS DATA5-

TMDS DATA5+

TMDS Clock Shield

TMDS Clock+

TMDS Clock-

Page 26

3. Connections

3.9 Computer input (RGB analog)

Input specification and location

TTL sync input : U

RGB input = 0.7 V

min

=2.0V

±3dB

ASPECT

RATIO

12V TRIGGER

Image 3-9 Computer input

S-VIDEO VIDEO V

CONTROL

SCREEN

RS232/RS422

VIDEO INPUT RGB/COMPONENT INPUT

COMPONENT

DVI INPUT

B/Pb

R/Pr

Pr Pb Y

VGA INPUT

G/Y

What can be connected ?

•RGBHV

•RG

CompositesynconlypossibleonGreen

How to select a computer input ?

1. Press 1 on the RCU

Note: Another way of s electing the Computer (VGA) input is entering the Main menu and selecting PC.

3.10 RS232-422 IN connection

What can be connected to the RS232 IN connection ?

The RS232 IN connection allows the projector to communicate with a computer e.g. IBM PC or Apple Macintosh.

ASPECT

RATIO

12V TRIGGER

Image 3-10 RS232/RS422 input

CONTROL

SCREEN

VIDEO INPUT RGB/COMPONENT INPUT

S-VIDEO VIDEO V

RS232/RS422

COMPONENT

DVI INPUT

22 R5976763 CINEVERSUM 60/70 22042004

B/Pb

R/Pr

Pr Pb Y

VGA INPUT

G/Y

Page 27

Applications of the RS232/RS422 connection

Remote control:

• easy adjustment of projector via IBM PC (or compatible) or MAC connection.

• address range : 0 and 1.

• allow storage of multiple projector configurations and set ups.

• wide range of control possibilities.

Data communication: sending data to the projector or copying the data from the projector to the computer.

To set up the baud rate of the projector, see "Baudrate setup", page 74.

3.11 Trigger outputs

Location

3. Connections

ASPECT

RATIO

12V TRIGGER

Image 3-11 Trigger outputs

S-VIDEO VIDEO V

CONTROL

SCREEN

RS232/RS422

VIDEO INPUT RGB/COMPONENT INPUT

COMPONENT

DVI INPUT

B/Pb

R/Pr

Pr Pb Y

VGA INPUT

G/Y

Aspect ratio

When the internal projector aspect ratio is switched to 4 by 3 or 5 by 4 a 12 V DC voltage will set on the Aspect Ratio output. In all other cases the is no voltage available on that output.

This 12 V voltage can be used to trigger e.g. the curtains ne

xt to the screen when switching from wide image to a small image.

Screen

When the projector is in operational mode, a 12 V DC voltage is set on the Screen output. When the projector is in standby, there is no voltage at the output.

This 12 V voltage can be used to trigger e.g. a motor which rolls out the screen when starting up the projector.

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3. Connections

24 R5976763 CINEVERSUM 60/70 22042004

Page 29

4. GETTING STARTED

Overview

• Terminology overview

• Switching on

• Lamp runtime

• Switching from operational mode to standby

• Switching off the projector

• Temperature error DMD

•UsingtheRCU

• Projector Address

• Controlling the projector

4.1 Terminology overview

On projector

The controls are situated on the top cover of the projector.

4. Getting Started

Image 4-1

Ref.

2 IR reception indication Lights up when a valid IR signal is captured.

4 Main power switch When pressed, the projector starts in stand by mode.

Function Description

Infra red receiver Infra red reception diode for IR signals coming from the Remote control

(RCU

Stand by led

• projector in operational mode: Lights up continuously

• projector in standby mode: LED, 0.5 sec on, 2 sec off.

• projector in cooling down mode: LED, 1 sec on, 1 sec off.

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4. Getting Started

On Remote control

ADJ

PAUSE

SDI

DVI

VIDEO S-VIDEO

RGB

TREBLE

Bass

SB-PC

EXIT

ENTER

TEXT

PHASE

Sharpness

TINT

COLOR

BRIGHTN

CONTR

Balance

VOL

Image 4-2 Remote control

No. Key name Description

RC operating indication lights up when a button on the remote control is pressed. (This is a visual indicator to

check the operation of the remote control)

2 Function keys not yet implemented

3 ADJ Adjust key, to enter or exit the menus.

4 Address key

(recessed key), to enter the address of the projector (between 0 and 9). Press the recessed address key with a pencil, followed by pressing one digit button between 0 and 9.

PAU SE to stop projection for a short time, press ’PAUSE’. The image disappears but full power is

retained for immediate restarting.

STBY standby button, to start projector when the power switch is switched on and to switch off the

projector without switching off the power switch.

Attention : Switching to Standby. When the projector is running and you want to go to standby, press the standby key for 2 seconds.

Digit buttons direct input selection.

8 Picture controls use these buttons to obtain the desired picture analog level.

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No. Key name Description

* Aspect ratio button. Opens the selection menu for the aspect ratio.

4. Getting Started

10 FREEZE

11 TEXT to des-activate or activate the on screen slide bars.

12 ENTER

Cursor keys Cursor Keys on RCU : to make item selections in a menu box or to adjust a function when a

14 EXIT

15 Audio controls not implemented

press to freeze the projected image.

to confirm an adjustment or selection in a menu..

Entering the adjustment mode is also possible.

slide bar is vissible.

to leave the selected menu box or item (go upwards to previous menu).

4.2 Switching on

Howtoswitchon

1. Press the main power switch on the projector

The projector goes to stand by mode. The stand by LED blinks.

Start image projection

1. Press Standby key once on the RCU.

Note: It may take about 60 seconds before image projection, i.e. no projection until the completion of several operations (soft-

ware initialization,...).

The projector scans the inputs and displays the first found active source.

2. To switch to the desired source, press the corresponding digit on the RCU.

4.3 Lamp runtime

Lamp runtime indication while running

When the total runtime of the lamp is 1400 hours or more, a warning message will be displayed : “Lamp Runtime : 1400 hours”.

When the total runtime of the lamp is 1500 hours or more, a second message will be displayed : “Lamp Runtime limit reached : 1500 hours”.

This warning message will be repeated at next start up. Press EXIT to remove this message.

Contact a qualified service technician to replace the lamp.

The total life time of the lamp for a safe operation is 1500 hours. Do not use it longer as the lamp could explode.

The lamp runtime reset as well as the lamp replacement can only be done by a Barco authorized technician.

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4. Getting Started

4.4 Switching from operational mode to standby

Howtoswitchtostandby

1. Press the standby button on the remote control for 2 seconds.

A message : “Power down appears”.

Projector goes into standby. Standby LED blinks. After a while, the fans stop blowing and the projector switch off automatically.

4.5 Switching off the projector

Howtoswitchtooff

1. Press the standby button on the remote control for 2 seconds.

A message : Power down appears.

Projector goes into standby. Standby LED blinks. After a while, the fans stop blowing and the projector sw

2. Press the main power switch on the projector.

4.6 Temperature error DMD

Overview

When the temperature of the DMD is too low or too high, the projector will switch automatic flashes 8 times and an automatic shutdown is activated.

itch off automatically.

ally to standby. The LED on the projector

4.7 Using the RCU

Pointing to reflective screen

Point the front of the RCU to the reflective screen surface.

Image 4-3 Via reflective screen

Direct pointing to the IR sensors

Point the RCU to any of the remote sensors, lo up to 9 meters from the projector and within a 45 degree angle with respect to the sensors.

cated on the front, top and the rear of the projector. The remote control can be used

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4. Getting Started

5 F

X T

U A

N T

B E

Image 4-4 Direct using of the RCU

T R E

B L E

A S S

F 1

F 2

A D J

F 3

F 4

F 5

P A

U S

X I T

7 8

5 6

P H A

3 4

S H

P N

T I N T

C O L O

B R

I G

H T

C O N

T R

B A L A

N C

Backlighting

When a button is pressed on the RCU, backlight is activated automatically. That allows the user to operate the remote control in a dark room. Backlight is turned off automatically a few seconds after the last button is pressed.

4.8 Projector Address

Projector address

Address installed in the projector to be individually controlled.

Overview

The projector address can be set to any value between 0 and 9.

Why a projector address ?

As more than one projector or device which is remote controlled can be installed in a room, the separate projector or device should be separately addressable with an RCU.

When the projector and another device have the same address, during controlling, interference is possible. To avoid that, set the projector address on a not used address in the room.

How to set the projector address ?

1. Press The Address key (recessed key) with a pencil.

The projector displays a message box to announce that you can enter an address between 0 and 9.

2. Enter the address by pressing a digit key between 0 and 9.

The projector address and the address of the RCU will be changed to the new entered address.

3. Press EXIT to return to operational mode.

4.9 Controlling the projector

Input Selection

Key in the corresponding input with the digit keys on the RCU. The selected source will be displayed.

When an source is displayed and more source

•press↑ key to display the previous source.

•press↓ key to display the next source. When no previous or next source, the projector returns to the actual source (only when Auto search is on).

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s are connected and switched on:

Page 34

4. Getting Started

The following key numbers are valid :

1. PC source

2. RGB/Component source (5 RCA input)

3. DVI

4. S-Video

5. Video

6. Component (3 RCA)

Picture Controls

When an image control is pressed, a text box with a bar scale and function name of the control, e.g. ’brightness...’ appears on the screen (only if Barscale status is Yes). The length of the bar scale and the value of the numeric indication indicate the current memorized setting for this source. The bar scale changes as the arrows on the RCU are pressed or the + or - buttons on the local keypad.

The picture settings are saved in the image file.

Brightness

Contrast Use the + button for a higher contrast.

Color Use the + button for richer colors.

Tint (Hue) Tint is only active for Video and S-Video when usinga60Hzsource(likeNTSC4.43orNTSC3.58).

Sharpness Use the + button for a sharper picture.

Freeze

Use the + button for a higher brightness.

Use the - button for a lower brightness.

Use the - button for lower contrast.

Use the - button for lighter colors.

Use the + button

Use the - button.

Use the - button for a softer picture.

Press Freeze to freeze the displayed image.

The Pause Key

When the Pause key is pressed, the image projection is stopped, the image is removed from the screen.

To restart the image projection:

•PressPAUSE key

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5. Getting used to the menu structure

5. GETTING USED TO THE MENU STRUCTURE

Overview

• How to start up the menus

• How to use the menus

• How to make an adjustment

• Access Control via a password

5.1 How to start up the menus

Box like menu structure

The menu structure is built up with boxes which allow easy access to different parameters for setting up the projector.

A menu box item can generate at its turn a menu box or it can generate an adjustment box such as a slide bar.

How to activate the menu structure

1. Press ADJ or ENTER on the RCU.

The Main menu box will be displayed. (menu 5-1)

Main Menu

Image settings Advanced settings Installation Service

1. PC

2. RGB/Component

3. DVI

4. SVideo

* 5. Video

6. Component Shutdown Back

Menu 5-1

5.2 How to use the menus

How to select an item

1. Use the ↑ or ↓ keys to highlight the desired item. (menu 5-2)

2. Press ENTER to select.

If the selected item has sub menus, this sub menu will open.

If the selected item is an adjustment or selection, the adjustment or selection will be executed.

3. Use the EXIT key to close an adjustment or to return to the previous menu.

Note: The menu will be closed automatically when there is no action on the menu detected about 5 seconds.

4. Use ADJ to quit the menu structure completely from anywhere in the menu tree.

Main Menu

Image settings

Advanced settings

Installation Service

1. PC

2. RGB/Component

3. DVI

4. SVideo * 5. Video

6. Component Shutdown Back

Menu 5-2

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5. Getting used to the menu structure

When no action is taken within a few seconds while a menu box or slide bar is displayed, the projector quits the menu structure or slide bar (adjustment).

The menus inserted in this manual are always full menus: all the items are visible.

Greyed out menu items are not available for the current selected source or current software version.

5.3 How to make an adjustment

How to perform ?

1. Use the arrow keys to adjust the selected control. The following keys are mostly combined:

-The↑ and → key perform an adjustment in the positive direction (or to the right, or upwards).

-The↓ and ← key perform an adjustment in the negative direction (or to the left, or downwards).

5.4 Access Control via a password

Password protection

Some items (Advanced settings, installation and service) in the Main menu user against misalignment of the projector. Only the daily necessary items are available for non experienced users.

This password protection can be enabled or disabled in the service menu. Once the password protection is set, this password will be necessary to disable it again.

The customer is allowed to create his own password.

How to get access ?

1. Select a item which is password protected. The Enter password box appears with the first position highlighted.

2. Use the ↑ or ↓ keys to select first character.

The characters can be alphanumeric (from 0 to 9 and from a to z).

3. Press ENTER to accept.

The second character will be highlighted.

4. Select the second character and press ENTER to accept.

5. Select the third character and press ENTER to continue in the adjustment mode.

can be password protected. This password protects the

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Page 37

6. SOURCE SELECTION

Overview

• Selecting a source

6.1 Selecting a source

How to select

1. Press ADJ or ENTER to start up the Main menu. (menu 6-1)

An asterisk (*) is displayed before the actual selected source.

2. Push the cursor key ↑ or ↓ to highlight the desired source, e.g. 4. SVideo.

3. Press ENTER to select.

When the source is available, it will be selected. A dialog box appears with the message “Calibrating input ...”

Main Menu

Image settings Advanced settings Installation Service

1. PC

2. RGB/Component

3. DVI

4. SVideo

* 5. Video

6. Component

Shutdown Back

6. Source Selection

Menu 6-1

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6. Source Selection

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7. IMAGE SETTINGS MENU

Overview

• Image settings menu overview

• Starting the Image settings menu

• Brightness

• Contrast

• Saturation

• Tint (hue)

• Sharpness

• Gamma

• Color Temperature

• White peak

7.1 Image settings menu overview

Overview

• Brightness

• Contrast

• Saturation

•Tint

• Sharpness

• Gamma

• Color Temperature

- Predefined color temperatures

- Custom color balance

- Color standard

• White peak

7. Image Settings menu

7.2 Starting the Image settings menu

How to start up ?

1. Press ADJ or ENTER to start up menus. (menu 7-1)

2. Push the cursor key ↑ or ↓ to highlight Image settings.

3. Press ENTER to select. The Image settings menu will be displayed. (menu 7-2)

Image settings

Advanced settings Installation Service

1. PC

2. RGB/Component

3. DVI

4. SVideo

* 5. Video

6. Component

Shutdown Back

Menu 7-1

Main Menu

Menu 7-2

Image settings

Brightness Contrast Saturation Tint Sharpness Gamma Color temperature White peak Off

Back

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7. Image Settings menu

7.3 Brightness

About brightness

The brightness function is used to adjust the overall light output.

How to change the brightness ?

1. Push the cursor key ↑ or ↓ to highlight Brightness. (menu 7-3)

2. Press ENTER to select.

A slider box appears.

3. Use the cursor keys to adjust the brightness setting.

↑ or → key for higher brightness (higher values).

↓ or ← key for lower brightness (lower values).

Image settings

Brightness

Contrast Saturation Tint Sharpness Gamma Color temperature White peak Off

Back

Menu 7-3

7.4 Contrast

About contrast

The contrast function is used to adjust the contrast between the light and dark areas of the displayed image. A correct ’contrast’ setting is important for good image reproduction.

How to change the contrast ?

1. Push the cursor key ↑ or ↓ to highlight Contrast. (menu 7-4)

2. Press ENTER to select.

A slider box appears.

3. Use the cursor keys to adjust the contrast setting.

↑ or → key for higher contrast (higher values).

↓ or ← key for lower contrast (lower values).

Image settings

Brightness

Contrast

Saturation Tint Sharpness Gamma Color temperature White peak Off

Back

Menu 7-4

7.5 Saturation

About saturation

The saturation function is used to adjust the color saturation levels for Video, S-Video and component input signals.

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How to change the saturation ?

1. Push the cursor key ↑ or ↓ to highlight Saturation . (menu 7-5)

2. Press ENTER to select.

A slider box appears.

3. Use the cursor keys to adjust the saturation setting.

↑ or → key for richer colors (higher values).

↓ or ← key for lighter colors (lower values).

Image settings

Brightness Contrast

Saturation

Tint Sharpness Gamma Color temperature White peak Off

Back

Menu 7-5

7.6 Tint (hue)

7. Image Settings menu

About tint

The tint function is used to adjust color hue to obtain true color reproduction and is only active for 60 Hz sources like NTSC signals. For PAL and SECAM sources, the tint is greyed out.

NTSC

National television system committee. The organization that developed the analog television standard currently in use in the U.S., Canada, and Japan. Now generally used to refer to that standard. The NTSC standard combines blue, red, and green signals modulated as an AM signal with an FM signal for audio.

PAL

Phase alternate line. The television broadcast standard throughout Europe (except in France and Eastern Europe, where SECAM is the standard). This standard broadcasts 625 lines of resolution, nearly 20 percent more than the U.S. standard, NTSC, of 525.

SECAM

Sequential couleur avec mémoire. The television broadcast standard in France, the Middle East, and most of Eastern Europe, SECAM provides for sequential color transmission and storage in the receiver. The signals used to transmit the color are not transmitted simultaneously but sequentially line for line. SECAM processes 625 lines, a maximum of 833 pixels per line and 50 Hz picture frequency. SECAM is used as a transmission standard and not a production standard (PAL is typically used).

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7. Image Settings menu

How to change the tint ?

1. Push the cursor key ↑ or ↓ to highlight Tint. (menu 7-6)

2. Press ENTER to select.

A slider box appears.

3. Use the cursor keys to adjust the tint setting.

↑ or → key for higher tint (higher values).

↓ or ← key for lower tint (lower values).

Image settings

Brightness Contrast Saturation

Tint

Sharpness Gamma Color temperature White peak Off

Back

Menu 7-6

7.7 Sharpness

About Sharpness

The sharpness function is used to adjust the image sharpness of a video, S-Video and interlaced component input signal.

How to change the sharpness ?

1. Push the cursor key ↑ or ↓ to highlight Sharpne ss. (menu 7-7)

2. Press ENTER to select.

A slider box appears.

3. Use the cursor keys to adjust the brightness setting.

↑ or → key for higher brightness (higher values).

↓ or ← key for lower brightness (lower values).

Image settings

Brightness Contrast Saturation Tint

Sharpness

Gamma Color temperature White peak Off

Back

Menu 7-7

7.8 Gamma

About Gamma

Gamma is an image quality enhancement function that offers a richer image by brightening (darkening) the already darker portions of the image without altering the brightness of the brighter portions (contrast feeling enhanced).

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How to change the Gamma ?

1. Push the cursor key ↑ or ↓ to highlight Gamma. (menu 7-8)

2. Press ENTER to select.

The gamma selection menu appears. (menu 7-9)

Theactualactivegammavalueisindicatedbyanasterisk(*).

The default value is 2.2.

3. Push the cursor key ↑ or ↓ to highlight the desired gamma value.

4. Press ENTER to select.

The new selected gamma value becomes active.

7. Image Settings menu

Image settings

Brightness Contrast Saturation Tint Sharpness

Gamma

Color temperature White peak Off

Back

Menu 7-8

1.0

1.3

1.6

1.9

* 2.2

2.5

2.8

3.1 Back

Menu 7-9

Gamma

7.9 Color Temperature

Color temperature

Color temperature is measured in degrees Kelvin. If a TV has a color temperature of 8,000 degrees Kelvin, that means the whites have the same shade as a piece of pure carbon heated to that temperature. Low color temperatures have a shift towards red; high color temperatures have a shift towards blue.

What can be done ?

The color temperature can be selected according to the type of source:

There are 5 different preset color temperatures:

• Display white

• Computer : 9300 K

• Video : 6500 K

• Film : 5400 K

• Broadcast : 3200 K

These calibrated presets can be selected and will provide optimum color tracking, the projector allows however the setting of a personal color temperature, this is done in Custom balance.

Next to the color temperature, the color standard can be set up.

7.9.1 Predefined Color Temperature

Display white will provide maximum projector light output.

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7. Image Settings menu

How to select a preset color temperature ?

1. Push the cursor key ↑ or ↓ to highlight Color temperature. (menu 7-10)

The color temperature menu will appear. (menu 7-11)

An asterisk (*) indicates the actual selected color temperature.

2. Push the cursor key ↑ or ↓ to highlight the desired color temperature.

3. Press ENTER to select.

The selected color temperature of the image is adapted

Image settings

Brightness Contrast Saturation Tint Sharpness Gamma

Color temperature

White peak Off Back

Menu 7-10

Color temperature

Display white Computer 9300K

* Video 6500K

Film 5400K Broadcast 3200K Custom balance Color temp. type: EBU

Back

Menu 7-11

7.9.2 Custom Color Balance

How to select and adjust the custom color balance ?

1. Push the cursor key ↑ or ↓ to highlight Color temperature. (menu 7-12)

The color temperature menu will appear. (menu 7-13)

An asterisk (*) indicates the actual selected color temperature.

2. Push the cursor key ↑ or ↓ to highlight Custom balance. The Custom balance menu will be displayed. (menu 7-14)

The color temperature of the image will change to the actual stored custom balance.

3. Push the cursor key ↑ or ↓ to highlight x-white.

4. Press ENTER to select.

A bar scale will be displayed.

5. Press the ↑ or ↓ to change the x-white value.

Adjust until the desired value is almost reached. Release the button and wait a few seconds. The color of the image will be adapted. Fine tune with the ↑ or ↓ keys until the correct value is reached.

6. Press EXIT to return to the Custom balance menu.

7. Repeat from step 3 by highlighting y-white and adjust in the same way.

Image settings

Brightness Contrast Saturation Tint Sharpness Gamma

Color temperature

White peak Off Back

Menu 7-12

Color temperature

Display white Computer 9300K

* Video 6500K

Film 5400K Broadcast 3200K Custom balance Color temp. type: EBU

Back

Menu 7-13

x-white

y-white Back

Menu 7-14

Custom balance

7.9.3 Color standard

Color reproduction

The reproduced colors are all situated within a specific color triangle (gamut) based on the basic colors red, green and pending on the used standard, the triangle can be slightly different so that the reproduced colors are slightly different.

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blue. De-

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7. Image Settings menu

Image 7-1 Color gamut

The projector contains 2 international standards, EBU and ANSI, and its own color triangle (gamut) determined by the lamp and all optical components of the projector. Colors outside this triangle c

annot be displayed.

EBU

European Broadcasting Union. An organization of European broa nical statements and recommendations for the 625/50 line television system.

ANSI

American National Standards Institute

Selecting the color standard

1. Push the cursor key ↑ or ↓ to highlight Color temperature. (menu 7-15)

The color temperature menu will appear. (menu 7-16)

An asterisk (*) indicates the actual selected color temperature.

2. Push the cursor key ↑ or ↓ to highlight Color Temp. type.

3. Press ENTER to toggle between EBU, ANSI or PROJ.

EBU

ANSI American color standard. Use this standard for NTSC video images.

PROJ

Image settings

Brightness Contrast Saturation Tint Sharpness Gamma

Color temperat

White peak Off Back

European color standard. Use this standard for PAL and SECAM video images.

Internal projector color system.

Color temperature

Display white Computer 9300K

* Video 6500K

Film 5400K Broadcast 3200K

ure

Custom balance

Color temp. typ

Back

e: EBU

dcasters that, among other activities, produces tech-

Menu 7-15

Menu 7-16

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7. Image Settings menu

7.10 White peak

About white peak

In video centric applications true color reproduction is generally a priority over brightness. To achieve this a typical design will not utilize a white segment of the color wheel. This has the side effect of reducing the amount of light allowed through the color wheel, which reduces the overall brightness. To compensate for this a technique can applied called Spoke Light Capture (SLR). The spokes are defined to be the time between colors. The DMD is normally kept in the “off” state during this time preventing any light from getting to the screen. If the light is passed trough the spokes, the average over time across them is made up of a mixture of the two adjacent colors. This will result in a secondary color. If these spokes are taken three at a time, over time they will sum up to white light. This “virtual white segment” is the basic principal of SLR and can yield a substantial boost to system brightness.

White peak “off” is the best solution for video images while white peak “on” can be used with success for data images.

How to select ?

1. Push the cursor key ↑ or ↓ to highlight Color temperature. (menu 7-17)

2. Press ENTER to toggle between ON and OFF.

On White parts in the image are boosted. Use this for data images.

Off No boosting of white parts. Use this for video images.

3. Press EXIT to return.

Image settings

Brightness Contrast Saturation Tint Sharpness Gamma Color temperature

White peak Off

Back

Menu 7-17

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8. ADVANCED SETTINGS

Overview

• Advanced settings menu overview

• Start up the Advanced settings

• Aspect Ratio

• Image Position

•Blanking

• Input Balance

8.1 Advanced settings menu overview

Overview

• Aspect ratio

-16:9

-4:3

-5:4

-2.35

-1.88

-1.78

- Letterbox

•Position

- Horizontal shift

- Horizontal size

- Vertical shift

-Verticalsize

• PiP configuration

•Blanking

• Input Balance

8. Advanced Settings

8.2 Start up the Advanced settings

How to start up ?

1. Press ADJ or ENTER to start up menus. (menu 8-1)

2. Push the cursor key ↑ or ↓ to highlight Advanced settings.

3. Press ENTER to select. The Advanced settings menu will be displayed. (menu 8-2)

Main Menu

Image settings

Advanced settings

Installation Service

1. PC

2. RGB/Component

3. DVI

4. SVideo

* 5. Video

6. Component

Shutdown Back

Menu 8-1

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Advanced settings

Aspect Ratio Position PiP Configuration Blanking Input Balance

Back

Menu 8-2

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8. Advanced Settings

8.3 Aspect Ratio

Aspect ratio

horizontal & vertical dimension in which the window will be displayed, e.g. 4 by 3 or 16 by 9.

What can be done ?

The aspect ratio setting forces the projector to project an image using a defined aspect ratio.

Aspect ratio Description

16:9

4:3

5:4

2.35

1.88

1.78

Letterbox

Some examples:

The first column shows the aspect ratios for a standard television signal with 4:3 image information. The only correct aspect ratio is 4:3. In all other cases the image is transformed.

The second column shows the aspect ratios for a standard television signal with 16:9 image information. The only correct aspect ratio is “Letterbox”. In all other cases the image is transformed.

Wide screen television format / anamorphic format

Standard television format

Workstation format

Panavision or Cinemascope format

Cinema format

Wide screen television format / anamorphic format

To display standard television format with 16:9 image information. The letter format of the signal is force into the native panel resolution.

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8. Advanced Settings

Image 8-1 Different views for some typical input signals

(1) Standard television signal with 4:3 image information (2) Standard television signal with 16:9 image information

When displaying DVD images stored as 4:3 anamorphic, select aspect ratio Letterbox.

When displaying DVD images stored as 16:9, select aspect ratio 16:9.

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8. Advanced Settings

How to change the aspect ratio ?

1. Push the cursor key ↑ or ↓ to highlight Aspect Ratio. (menu 8-3)

2. Press ENTER to select. The Aspect ratio menu will be displayed. (menu 8-4)

An asterisk (*) shows the actual selected aspect ratio.

3. Push the cursor key ↑ or ↓ to highlight the desired aspect ratio.

4. Press ENTER to select.

The image changes accordingly.

Advanced settings

Aspect Ratio

Position PiP Configuration Blanking Input Balance

Back

Menu 8-3

Menu 8-4

* 16:9

4:3 5:4

2.35

1.88

1.78 Letterbox

Back

Aspect ratio

8.4 Image Position

Overview

• Horizontal shift

• Horizontal size

• Vertical shift

• Vertical size

When used ?

The controls can be used to exactly match the image on the screen after that all mechanical alignments are correctly done.

8.4.1 Horizontal shift

What can be done ?

The image can be shifted in a horizontal direction.

Image 8-2 Horizontal shift

A Shift to the left B Shift to the right

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How to shift the image ?

1. Push the cursor key ↑ or ↓ to highlight Position. (menu 8-5)

2. Press ENTER to select. The Position menu will be displayed. (menu 8-6)

3. Push the cursor key ↑ or ↓ to highlight Horizontal shift.

A slide bar will be displayed.

4. Use the cursor keys to shift the image horizontally.

When shifting to the left, the value will be negative.

When shifting to the right, the value will be positive.

The adjustment range can vary from - 255 to + 255. 0 is the nominal position.

8. Advanced Settings

Advanced settings

Aspect Ratio

Position

PiP Configuration Blanking Input Balance

Back

Menu 8-5

Horizontal shift

Horizontal size Vertical shift Vertical size

Back

Menu 8-6

Position

8.4.2 Horizontal size

What can be done ?

The size of the image can be adjusted in horizontal direction. The left side of the image is fixed and only right side can be moved until the exact size is reached.

Image 8-3 Horizontal size

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8. Advanced Settings

Howtosizetheimage?

1. Push the cursor key ↑ or ↓ to highlight Position. (menu 8-7)

2. Press ENTER to select. The Position menu will be displayed. (menu 8-8)

3. Push the cursor key ↑ or ↓ to highlight Horizontal size.

A slide bar will be displayed.

4. Use the cursor keys to resize the image horizontally.

When the value is negative the image becomes smaller.

When the value is positive the image becomes wider.

The adjustment range can vary from - 255 to + 255. 0 is the nominal position.

Advanced settings

Aspect Ratio

Position

PiP Configuration Blanking Input Balance

Back

Menu 8-7

8.4.3 Vertical shift

What can be done ?

The image can be shifted in a vertical direction.

Horizontal shift

Horizontal size

Vertical shift Vertical size

Back

Menu 8-8

Position

Image 8-4 Vert ical shif t

C Shift upwards D Shift downwards

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How to shift the image ?

1. Push the cursor key ↑ or ↓ to highlight Position. (menu 8-9)

2. Press ENTER to select. The Position menu will be displayed. (menu 8-10)

3. Push the cursor key ↑ or ↓ to highlight Vertical shift.

A slide bar will be displayed.

4. Use the cursor keys to shift the image vertically.

When shifting downwards, the value will be negative.

When shifting upwards, the value will be positive.

The adjustment range can vary from - 255 to + 255. 0 is the nominal position.

8. Advanced Settings

Advanced settings

Aspect Ratio

Position

PiP Configuration Blanking Input Balance

Back

Menu 8-9

Horizontal shift Horizontal size

Vertical shift

Vertical size Back

Menu 8-10

Position

8.4.4 Vertical size

What can be done ?

The size of the image can be adjusted in vertical direction. The upper side of the image is fixed and only bottom side can be moved until the exact size is reached.

Image 8-5 Horizontal size

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8. Advanced Settings

Howtosizetheimage?

1. Push the cursor key ↑ or ↓ to highlight Position.(menu8-11)

2. Press ENTER to select. The Position menu will be displayed. (menu 8-12)

3. Push the cursor key ↑ or ↓ to highlight Vertical size.

A slide bar will be displayed.

4. Use the cursor keys to resize the image vertically.

When the value is negative the image becomes less high.

When the value is positive the image becomes higher.

The adjustment range can vary from - 255 to + 255. 0 is the nominal position.

Advanced settings

Aspect Ratio

Position

PiP Configuration Blanking Input Balance

Back

Menu 8-11

Horizontal shift Horizontal size Vertical shift

Vertical size

Back

Menu 8-12

Position

8.5 Blanking

What can be done ?

Blanking adjustments affect only the edges of the projected image and are used to frame the projected image on to the scree to hide or black out unwanted information (or noise). A ’0’ on the bar scale indicates no blanking.

Which blanking adjustments are available ?

• top blanking

• bottom blanking

• left blanking

• right blanking

nand

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Image 8-6 Blanking

A Top blanking B Bottom blanking C Left blanking D Right blanking

8. Advanced Settings

Adjusting the blanking

1. Push the cursor key ↑ or ↓ to highlight Blanking. (menu 8-13)

2. Press ENTER to select. The Blanking menu will be displayed. (menu 8-14)

3. Push the cursor key ↑ or ↓ to highlight the desired blanking

4. Press ENTER to start up the chosen blanking.

5. Use the cursor keys to adjust the blanking.

Advanced settings

Aspect Ratio Position PiP Configuration

Blanking

Input Balance Back

Menu 8-13

Top Bottom Left Right

Back

Menu 8-14

Blanking

8.6 Input Balance

Overview

• Introduction to Input Balance

• Adjusting the Input Balance for RGB signals

• Input balance for YUV signals

• Returning to the factory defaults

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8. Advanced Settings

8.6.1 Introduction to Input Balance

Introduction: Unbalanced color signals

When transporting signals, there is always a risk of deterioration of the information contained in the signals.

In case of information contained in the amplitude of the signals which is the case of data color signals (R, G, B),image 8-7 , we are quite sure that the amplitude of these color signals is subject to alterations.

An example of alteration may be a DC component added to the signal, in the form of a DC offset repositioning the black level, since this black level (“brightness”) will become crucial later on (clamping circuit) it will result in “black not being black”.

Another value that is subject to alteration is the amplitude of the signal, resulting in an altered “Gain” of the signal (“white level” or contrast).

The alterations of the three color signals will happen independently i.e. the colors will end to be unbalanced, image 8-8

0.7V

Image 8-7

Image 8-8

∆

One can conclude here that a good color tracking can only be met by using three previously (input) balanced color signals

∆

∆Β

Black lev

Analog Digital Conversion

The analog color signals must pass through an Analog/Digital conversion circuit prior to any digital processing in the PMP.

A typical ADC transforms the analog value into an 8 bit coded digital signal.

The graphic shows that when converting a signal containing a DC offset component the range of the converter is not optimally used.

ADC

Black leve

∆

Image 8-9

One can conclude here that a good data conversion can only be met by using three previously (input) balanced color signals

255

i2 : video information

i1 : superfleous information

Black level

The objective of input balancing

The objective in input balancing is to “set” the same black level and the same white level for the three colors of a particular input source.

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8. Advanced Settings

Black level setting : brightness

White level setting : contrast

The same absolute black and white level for the three colors allow the same reference for Brightness and contrast control of the picture !

These two references also set the range in which the ADC will work for that particular source (this explains also why each input balance setting is linked to a particular source and thus saved in the image file).

8.6.2 Adjusting the Input Balance for RGB signals

How can it be done ?

To balance the three color signals of a particular source there are conditions; in fact we must know the black and the white level of the source i.e. :

1. The source in question must be able to generate a white signal, ideally a 100% white (background) full screen pattern

2. The source in question must be able to generate a black signal, ideally a 100% black (background) full screen pattern

Image 8-10

White balance : In the projector, we will set the contrast for each color until we get a 100% light output picture when projecting a 100% white image (image A)

Black balance : In the projector, we will set the brightness for eac 100% black image (image B).

The changeover from min to max is indicated by the apparition of bright spots also called “digital noise”

An alternative to a full screen White/black pattern is the standard gray scale pattern, the white bar will be used for white balance and the black bar for black balance.

h color until we get a 0% light output picture when projecting a

Image 8-11

Black balance

1. Push the cursor key ↑ or ↓ to highlig

2. Press ENTER to select. The Input balance menu will be displayed. (menu 8-16)

3. Push the cursor key ↑ or ↓ to highlight Black balance.

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ht Input Balance. (menu 8-15)

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8. Advanced Settings

4. Press ENTER to select.

The black balance menu will be displayed. (menu 8-17)

5. Adjust the Brightness to a maximum value until there is just no green noise visible in the black areas.

6. Push the cursor key ↑ or ↓ to highlight Black level red.

7. Press ENTER to select.

8. Adjust with the cursor keys until there is no red noise visible in the black areas.

9. Repeat from step 6 but select Black level blue and adjust until no blue noise is visible in the black areas.

10.Set the brightness back to its normal value.

Advanced settings

Aspect Ratio Position PiP Configuration Blanking

Input Balance

Back

Menu 8-15

Menu 8-16

Input balance

White balance

Black balance

Factory settings Back

Black balance

Black level red

Black level blue Back

Menu 8-17

White balance

1. Push the cursor key ↑ or ↓ to highlight Input Balance. (menu 8-18)

2. Press ENTER to select. The Input balance menu will be displayed. (menu 8-19)

3. Push the cursor key ↑ or ↓ to highlight W hite balance.

4. Press ENTER to select.

The white balance menu will be displayed. (menu 8-20)

5. Select gain red and put it on its lowest value. Do the same for gain blue. Adjust contrast to a maximum value until the green noise becomes visible in the white areas and return one step.

6. Select Gain red and adjust with the cursor keys until the red noise becomes visible in the white areas and return one step.

7. Select Blue red and adjust with the cursor keys until the blue noise becomes visible in the white areas and return one st

8. Put the contrast back on its normal value.

ep.

Advanced settings

Aspect Ratio Position PiP Configuration Blanking

Input Balance

Back

Menu 8-18

Menu 8-19

Input balance

White balance

Black balance Factory settings

Back

8.6.3 Input balance for YUV signals

How to adjust ?

1. Push the cursor key ↑ or ↓ to highlight Input Balance. (menu 8-21)

2. Press ENTER to select. The Input balance menu will be displayed. (menu 8-22)

3. Decrease the brightness a lot.

4. Push the cursor key ↑ or ↓ to highlight Black balance.

Gain red

Gain blue Back

Menu 8-20

White balance

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8. Advanced Settings

5. Press ENTER to select.

The black balance menu will be displayed. (menu 8-23)

6. Select Black level red and adjust the red balance with the cursor keys until the red noise becomes visible in the black areas.

7. Select now Black level blue and adjust the blue balance with the cursor keys until the blue noise becomes visible in black areas.

8. Increase the brightness until the black areas displays approximately 50% white noise.

9. Correct Red and Blue Black balance adjustment in such a way the blue and red noise are just visible and a small brightness increase maintain a grey color.

Advanced settings

Aspect Ratio Position PiP Configuration Blanking

Input Balance

Back

Menu 8-21

Menu 8-22

Input balance

White balance

Black balance

Factory settings Back

Checking the white balance

There is no adjustment procedure for the white balance.

8.6.4 Returning to the factory defaults

Howtoreturn?

1. Push the cursor key ↑ or ↓ to highlight Factory settings. (menu 8-24)

2. Press ENTER to select.

The factory settings will be loaded.

Input balance

White balance Black balance

Factory settings

Back

Black balance

Black level red

Black level blue Back

Menu 8-23

Menu 8-24

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8. Advanced Settings

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9. INSTALLATION MENU

Overview

• Installation menu overview

• Start up the Installation menu

• Input Slots

•Fileservice

• Internal pattern

• When no signal

• Source transition

• On Screen Display Configuration

• Language support

• Vertical keystone

• Horizontal keystone

• Global keystone

• Orientation

9.1 Installation menu overview

9. Installation menu

Overview

• Input slots

•Fileservice

- Auto search

- Film mode

- Color space

• Internal patterns

• When no signal

• Source transition

• OSD configuration

• Language

• V-keystone

• H-keystone

• Global keystone

• Orientations

9.2 Start up the Installation menu

The installation menu can be password protected when the password protection is set to on.

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9. Installation menu

Start up

1. Press ADJ or ENTER to start up the Main menu. (menu 9-1)

2. Push the cursor key ↑ or ↓ to select Installation.

3. Press ENTER to select. The Installation menu will be displayed. (menu 9-2)

Image settings Advanced settings

Installation

Service

1. PC

2. RGB/Component

3. DVI

4. SVideo

* 5. Video

6. Component

Shutdown Back

Menu 9-1

Main Menu

Menu 9-2

Installation

Input slots File service Internal pattern When no signal Source transition OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

9.3 Input Slots

Overview

• 5 RCA input selection (RGB/component input)

• Reset a single input

• Reset all inputs

9.3.1 5 RCA input selection (RGB/component input)

What can be done ?

The 5 RCA input can accept RGB signals as well as Component signals. Therefor, this input must be configured for the correct signal input.

How to configure ?

1. Push the cursor key ↑ or ↓ to highlight Input slots. (menu 9-3)

2. Press ENTER to select.

The input slots menu will be displayed. (menu 9-4)

3. Push the cursor key ↑ or ↓ to highlight the 5 RCA selection.

4. Press ENTER to toggle between RGB, YUV or SCART.

RGB Input is configured to accept RGB signals.

YUV

SCART Input is configured to accept RGB signals with Video as sync on the Hs input.

Input slots

File service Internal pattern When no signal Source transition OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-3

Input is configured to accept component signals

Installation

Menu 9-4

Input slots

5 RCA

YUV

Reset single slot

RGB/Component

DVI

SVideo

Video

Component

Reset all slots

All input slots

Back

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9. Installation menu

9.3.2 Reset a single input

What can be done ?

Via Image settings and Advanced settings the image can be modified as desired. But when some misalignments are discovered, it sometimes not so easy to return to the standard settings. Therefore, with a Reset a single input,itispossibletoreturntosource factory defaults.

How to reset a single input ?

1. Push the cursor key ↑ or ↓ to highlight Input slots. (menu 9-5)

2. Press ENTER to select.

The input slots menu will be displayed. (menu 9-6)

3. Push the cursor key ↑ or ↓ to highlight the input slot which must be reset. (e.g. Video)

4. Press ENTER to select.

The specific reset menu will be displayed. (menu 9-7)

5. Push the cursor key ↑ or ↓ to select the corresponding source type. (e.g. PAL source).

6. Press ENTER to reset.

If the selected source corresponds with the input signal, the projector will load the source default.

If the selected source does not correspond, nothing will happen.

Installation

Input slots

File service Internal pattern When no signal Source transition OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-5

Menu 9-6

Input slots

5 RCA

YUV

Reset single slot

RGB/Component

DVI

SVideo

Video

Component

Reset all slots

All input slots

Back

The reset be executed without confirmation warning.

9.3.3 Reset all inputs

What can be done ?

All settings of all inputs can be reset to the default values.

How to reset all inputs ?

1. Push the cursor key ↑ or ↓ to highlight Input slots. (menu 9-8)

2. Press ENTER to select.

The input slots menu will be displayed. (menu 9-9)

3. Push the cursor key ↑ or ↓ to highlight All input slots.

All input will be reset to the default values.

Video slots defaults

Reset PAL

Reset SECAM Reset NTSC Reset PAL non intl Reset NTSC non intl

Back

Menu 9-7

Installation

Input slots

File service Internal pattern When no signal Source transition OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-8

Menu 9-9

Input slots

5 RCA

YUV

Reset single slot

RGB/Component

DVI

SVideo

Video

Component

Reset all slots

All input s

Back

lots

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9. Installation menu

The reset be executed without confirmation warning.

9.4 File service

Overview

• Auto search

• Film mode

• Color Space

9.4.1 Auto search

What can be done ?

When a not active input is selected, the projector can scan automatically the inputs and display the first active source. When auto search is off, the projector stays on the selected source and waits until a signal is available. During the scanning the projector follows priority :

1. PC

2. DVI

3. Video

4. S-Video

5. 5 RCA

6. 3 RCA

How to set up ?

1. Push the cursor key ↑ or ↓ to highlight File service. (menu 9-10)

2. Press ENTER to select. The File service menu will be displayed. (menu 9-11)

3. Push the cursor key ↑ or ↓ to highlight Auto search.

4. Press ENTER to toggle between ON and OFF.

ON Projector scans for an active source

Projector stays on the selected input

OFF

Installation

Input slots

File service

Internal pattern When no signal Source transition OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-10

Menu 9-11

File service

Auto search ON

Film mode ON Color space

Back

9.4.2 Film mode

What can be done ?

Some sources like common DVD material are derived from cinema 24 Hz sources (2/2 or 3/2 pull down method).

The film mode detection insures that these converted signals are shown without artefacts.

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9. Installation menu

This function may cause undesired effects on standard sources, therefore it can be disabled (OFF) at any time

2:2 pull-down

The process of transferring 24-frames/sec film format into video by repeating each frame (used for PAL DVD’s) as two video fields. ( AD )

3:2 pull-down

Method used to map the 24 fps of film onto the 30 fps (60 fields) or 25 fps (50 fields), so that one film frame occupies three video fields, the next two, etc. It means the two fields of every other video frame come from different film frames making operations such as rotoscoping impossible, and requiring care in editing. Some sophisticated equipment can unravel the 3:2 sequence to allow frame-by-frame treatment and subsequently re-compose 3:2. The 3:2 sequence repeats every five video frames and four film frames, the latter identified as A-D. Only film frame A is fully on a video frame and so exists at one time code only, making it the editable point of the video sequence.

Artefacts

Undesirable elements or defects in a video picture. These may occur naturally in the video process and must be eliminated in order to achieve a high-quality picture. Most common in analog are cross co Most common in digital are macroblocks, which resemble pixelation of the video image.

lor and cross luminance.

Enabling/disabling the film mode detection

1. Push the cursor key ↑ or ↓ to highlight File service. (menu 9-12)

2. Press ENTER to select. The File service menu will be displayed. (menu 9-13)

3. Press ENTER to toggle between ON and OFF.

Film mode is enabled.

Film mode is disabled.

OFF

Installation

Input slots

File service

Internal pattern When no signal Source transition OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-12

Menu 9-13

File service

Auto search ON

Film mode ON

Color space Back

9.4.3 Color Space

Color Space

ing involved. Operating across the media--print, film and TV, as well as between computers and TV equipment--will require conversions in color space.

About color space

Color space selection is only active for progressive component video signals on the 5-cable (5 RCA) or the Component (3 RCA) input.

It is possible to change the values of the color matrix with predefined values so that the result color changes.

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9. Installation menu

Progressive scan

A video scanning system that displays all lines of a frame in one pass.

Color space

1. Push the cursor key ↑ or ↓ to highlight File service. (menu 9-14)

2. Press ENTER to select.

The File service menu will be displayed. (menu 9-15)

3. Push the cursor key ↑ or ↓ to highlight Color space.

4. Press ENTER to toggle between YCbCr, YPbPr or SMPTE240.

Installation

Input slots

File service

Internal pattern When no signal Source transition OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-14

Menu 9-15

File service

Auto search ON Film mode ON

Color space

Back

9.5 Internal pattern

What can be done ?

To check to alignment of the projector, different internal patterns are built-in. Once a pattern is selected and displayed, a second pattern of the same type can be displayed by pressing ENTER.

How to display an internal pattern ?

1. Push the cursor key ↑ or ↓ to highlight Internal pattern. (menu 9-16)

2. Press ENTER to select.

The Internal pattern selection menu will be displayed. (menu 9-17)

3. Push the cursor key ↑ or ↓ to highlight the desired pattern.

4. Press ENTER to select.

The selected pattern will be displayed.

5. Press ENTER to scroll through the different patterns available for that type. When the last one is displayed and ENTER is

pressed, the internal pattern selection box appears.

A new pattern can be selected in the same ways as the previous one or EXIT canbepressedandtheprojectorreturnstolast displayed source.

Installation

Input slots File service

Internal pattern

When no signal Source transition OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-16

Internal pattern

Background Outline Hatch Colorbars Graybars Multiburst Checkerboard Purity Curtain mode Page Character

Back

Menu 9-17

The curtain mode displays the system uncorrected colors (red, green, blue and white). This pattern can be used to measure the x-y color coordinates of the system (can be used to optimize the projector after lamp replacement). The displayed color is unaffected by the chosen color temperature.

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9. Installation menu

9.6 When no signal

What can be done ?

When the projector does not detect an input source, it can be set up to switch automatically to stand by after a certain time which can be set up during installation.

’When no signal’ set up.

1. Push the cursor key ↑ or ↓ to highlight When no signal. (menu 9-18)

2. Press ENTER to select.

The When no signal menu appears. (menu 9-19)

3. Push the cursor key ↑ or ↓ to highlight Shutdown.

4. Press ENTER to toggle between ON and OFF.

ON The projector shuts down after a certain delay. The delay menu item becomes active and can be set up.

OFF

The projector remains active and waits until an input signal is back.

5. Is Shutdown set to ON? If yes, Push the cursor key ↑ or ↓ to highlight Delay (min).

The Modify delay window opens. (menu 9-20)

6. Use the ↑ or ↓ key to enter a new value.

The delay can be between 1 and 10 minutes.

Installation

Input slots File service Internal pattern

When no signal

Source transition OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-18

Menu 9-19

When no signal

Shutdown : ON

Delay (min) : 1 Back

Modify delay

Enter new value :

Back

Menu 9-20

9.7 Source transition

What can be done ?

While switching from one source to another, the time between (transition time) can be filled up with a typical background color.

Available colors:

•Black

• Green

•Blue

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9. Installation menu

How to set up a source transition ?

1. Push the cursor key ↑ or ↓ to highlight Source transition. (menu 9-21)

2. Press ENTER to select. The Source transition menu will be displayed. (menu 9-22)

An asterisk (*) indicates the actual set up.

3. Push the cursor key ↑ or ↓ to highlight the desired transition.

4. Press ENTER to select.

The asterisk jumps to the selected item.

Installation

Input slots File service Internal pattern When no signal

Source transition

OSD configuration Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-21

* None

Black screen Green screen Blue screen

Back

Menu 9-22

Source transition

9.8 On Screen Display Configuration

OSD

On screen display

Overview

• Menu position

• Bar scale status

• Bar scale position

• Message status

9.8.1 Menu position

What can be done ?

When a menu is called, it can be displayed in nine different places of the active image.

How to position the menu ?

1. Push the cursor key ↑ or ↓ to highlight OSD configuration. (menu 9-23)

2. Press ENTER to select.

The OSD configuration menu will be displayed. (menu 9-24)

3. Push the cursor key ↑ or ↓ to highlight V just below Menu position.

4. Press ENTER to toggle between Top, Bottom and Center.

Toggle until the desired vertical position is obtained.

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5. Push the cursor key ↑ or ↓ to highlight H below Menu position.

6. Press ENTER to toggle between Left, Center and Right.

Toggle until the desired horizontal position is obtained.

9. Installation menu

Installation

Input slots File service Internal pattern When no signal Source transition

OSD configuration

Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-23

OSD configuration

Menu position

V Top

H Left Barscale status Yes Barscale position

V Top

H Right Message status Yes

Back

Menu 9-24

9.8.2 Bar scale status

What can be done ?

The bar scale which appears during some image adjustment such as brightness control, etc. can be disabled. The adjustment can still be done but no bar scale appears on the screen. E.g., this is sometimes handy when adjusting an image setting during a film.

Enabling/disabling the bar scale

1. Push the cursor key ↑ or ↓ to highlight OSD configuration. (menu 9-25)

2. Press ENTER to select.

The OSD configuration menu will be displayed. (menu 9-26)

3. Press ENTER to toggle between Yes and No.

Yes The bar scale will be displayed each time an image adjustment is called.

No No bar scale will be displayed during an image adjustment.

Installation

Input slots File service Internal pattern When no signal Source transition

OSD configuration

Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-25

OSD configuration

Menu position

V Top

H Left

Barscale status Yes

Barscale position

V Top

H Right Message status Yes

Back

Menu 9-26

9.8.3 Bar scale position

What can be done ?

When a function with bar scale adjustment is called, this bar scale can be displayed on nine different places of the active image.

How to position the menu ?

1. Push the cursor key ↑ or ↓ to highlight OSD configuration. (menu 9-27)

2. Press ENTER to select.

The OSD configuration menu will be displayed. (menu 9-28)

3. Push the cursor key ↑ or ↓ to highlight V just below Barscale position.

4. Press ENTER to toggle between Top, Bottom and Center.

Toggle until the desired vertical position is obtained.

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9. Installation menu

5. Push the cursor key ↑ or ↓ to highlight H below Barscale position.

6. Press ENTER to toggle between Left, Center and Right.

Toggle until the desired horizontal position is obtained.

Installation

Input slots File service Internal pattern When no signal Source transition

OSD configuration

Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-27

OSD configuration

Menu position

V Top

H Left Barscale status Yes Barscale position

V Top

H Right Message status Yes

Back

Menu 9-28

9.8.4 Message status

What can be done ?

Messages generated by the projector to inform the user about e.g. shutdown, etc. can be disabled.

Enabling/disabling messages

1. Push the cursor key ↑ or ↓ to highlight OSD configuration. (menu 9-29)

2. Press ENTER to select.

The OSD configuration menu will be displayed. (menu 9-30)

3. Press ENTER to toggle between Yes and No.

Yes The messages, when generate by the projector will be displayed.

No No messages will be displayed.

Installation

Input slots File service Internal pattern When no signal Source transition

OSD configuration

Language V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-29

OSD configuration

Menu position

V Top

H Left Barscale status Yes Barscale position

V Top

H Right

Message status Yes

Back

Menu 9-30

9.9 Language support

What is possible ?

The language of the OSD can be changed to some predefined languages.

The following languages are available:

• English

•German

• French

• Chinese

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How to change the language ?

1. Push the cursor key ↑ or ↓ to highlight OSD configuration. (menu 9-31)

2. Press ENTER to select.

The Language selection menu will be displayed. (menu 9-32)

3. Push the cursor key ↑ or ↓ to highlight the desired language.

4. Press ENTER to select.

The OSD language changes to the selected language.

9. Installation menu

Installation

Input slots File service Internal pattern When no signal Source transition OSD configuration

Language

V-Keystone H-Keystone Global keystone Orientations

Back

Menu 9-31

* English

Back

Menu 9-32

Deutsch

Français

Chinese

Language

9.10 Vertical keystone

What can be done ?

The Vertical Keystone adjustment is used to align the image geometry, this can be necessary when projecting under a non standard angle.

Image 9-1 Vertical keystone correction

A Vertical keystone top B Vertical keystone bottom

Depending on the Global keystone setting, the vertical keystone adjustment is source specific or is global for all sources.

Avoid using the vertical keystone function as this result in a loss of resolution. The reason for this keystone is the inclination of the projector. Check first if it is possible to correct that physically.

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9. Installation menu

How to adjust the Vertical keystone ?

1. Push the cursor key ↑ or ↓ to highlight V-Keystone. (menu 9-33)

2. Press ENTER to select.

A bar scale will be displayed.

3. Push the cursor key ↑ or ↓ to adjust the vertical keystone.

Adjust until the left and right vertical lines are straight.

Installation

Input slots File service Internal pattern When no signal Source transition OSD configuration Language

V-Keystone

H-Keystone Global keystone Orientations

Back

Menu 9-33

9.11 Horizontal keystone

What can be done ?

The Horizontal Keystone adjustment is used to align the image geometry, this can be necessary when projecting under a non standard angle.

Image 9-2 Horizontal keystone adjustment

A Right keystone B Left keystone

Depending on the Global keystone setting, the horizontal keystone adjustment is source specific or is global for all sources.

Avoid using the horizontal keystone function as this result in a loss of resolution. The reason for this keystone is the inclination of the projector. Check first if it is possible to corr

ect that physically.

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How to adjust the Horizontal keystone ?

1. Push the cursor key ↑ or ↓ to highlight H-Keystone. (menu 9-34)

2. Press ENTER to select.

A bar scale will be displayed.

3. Push the cursor key ↑ or ↓ to adjust the horizontal keystone.

Adjust until the top and bottom horizontal lines are straight.

Installation

Input slots File service Internal pattern When no signal Source transition OSD configuration Language V-Keystone

H-Keystone

Global keystone Orientations

Back

Menu 9-34

9.12 Global keystone

9. Installation menu

What can be done ?

When global keystone is set to Yes, the actual vertical and horizontal keystone settings will be applied to all sources.

When global keystone is set to No, the actual vertical and horizontal keystone settings will be applied only to the actual source.

How to set up ?

1. Push the cursor key ↑ or ↓ to highlight Global keystone. (menu 9-35)

2. Press ENTER to select.

The global keystone menu will be displayed. (menu 9-36)

An asterisk (*) indicates the actual setting.

3. Push the cursor key ↑ or ↓ to highlight the desired global keystone setting.

Yes Keystone adjustment is global.

Keystone adjustment is only for the active source.

4. Press ENTER to select.

Installation

Input slots File service Internal pattern When no signal Source transition OSD configuration Language V-Keystone H-Keystone

Global keystone

Orientations Back

Yes

*No Back

Global keystone

Menu 9-35

Menu 9-36

9.13 Orientation

Projector orientation

Depending on how the projector is oriented, the projector’s internal settings have to be adapted.

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9. Installation menu

How to set up ?

1. Push the cursor key ↑ or ↓ to highlight Orientation. (menu 9-37)

2. Press ENTER to select.

The orientation menu will be displayed. (menu 9-38)

3. Press ENTER to toggle the orientation.

Possible orientations :

- Front/table : used when the projector is placed in front of the screen on a table.

- Front/ceiling : used when the projector is placed in front of the screen but mounted on the ceiling.

- Rear/table : used when the projector is placed behind the screen on a table.

- Rear/ceiling : used when the projector is placed behind the screen but mounted on the ceiling.

Installation

Input slots File service Internal pattern When no signal Source transition OSD configuration Language V-Keystone H-Keystone Global keystone

Orientations

Back

Menu 9-37

Orientations

Orientations : Front/Table

Back

Menu 9-38

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10. SERVICE MENUS

Overview

• Service menu overview

• Start up the Service menu

• Identification screen

• Password

• IR address

• RS232 address

• Serial communication

• Thermal Diagnosis

• I2C Diagnosis

10.1 Service menu overview

Overview

• Identification

• Password

• IR address : 000

• RS232 address : 000

• Serial communication

• Thermal diagnosis

• I2C diagnosis

10. Service menus

10.2 Start up the Service menu

The service menu can be password protected when the password protection is set to on.

How to start up ?

1. Press ADJ or ENTER to start up the main menu. (menu 10-1)

2. Push the cursor key ↑ or ↓ to highlight Service.

3. Press ENTER to select.

The Service menu will be displayed. (menu 10-2)

Image settings Advanced settings Installation

Service

1. PC

2. RGB/Component

3. DVI

4. SVideo

* 5. Video

6. Component Shutdown Back

Menu 10-1

Main Menu

Identification Password IR address : 000 RS232 address : 000 Serial communication Thermal diagnosis I2C diagnosis

Back

Menu 10-2

Service

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10. Service menus

10.3 Identification screen

What can be seen on the identification screen?

The identification screen shows the general information of the projector.

The following items will be displayed:

• Type of projector: CineVERSUM 70

• IR address = address used for the remote control

• RS address = address used with RS232/422 serial communication

• Software version

• Baud rate: transfer speed for communication through RS232/RS422 with an external device or computer. The baud rate of the projector must be the same as the baud rate of the connected computer or external device.

• Projector Serial number: indicates the fabrication number of the projector. This number can be useful when calling for technical assistance.

• Lamp Run Time: gives the total run time since the first start up of this lamp.

• Manufacturing date

How to display the identification window ?

1. Push the cursor key ↑ or ↓ to highlight Identification. (menu 10-3)

2. Press ENTER to select.

The Identification window appears. (menu 10-4)

Service

Identification

Password IR address : 000 RS232 address : 000 Serial communication Thermal diagnosis I2C diagnosis

Back

Menu 10-3

Menu 10-4

Identification

CineVERSUM 70 IR address : 000 RS address : 000 Soft. version : 07A00F22Z Baudrate PC : 19200 Serial number : 6002316 Lamp runtime : 28h Manuf. Date : Apr. 14 2004

Back

10.4 Password

Overview

• Enable-disable password

• Modify password

10.4.1 Enable-disable password

Why password ?

With a password it is possible to protect all settings in Advanced Settings, Installation and Service

When the password is enabled, only person who knows the password can get in.

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Enable/disable password

1. Push the cursor key ↑ or ↓ to highlight Password. (menu 10-5)

2. Press ENTER to select.

The password menu will be displayed. (menu 10-6)

3. Push the cursor key ↑ or ↓ to highlight Use password.

4. Press ENTER to toggle between Yes or No.

Yes Password is enabled

No Password is disabled. Free access to all menus.

10. Service menus

Service

Identification

Password

IR address : 000 RS232 address : 000 Serial communication Thermal diagnosis I2C diagnosis

Back

Menu 10-5

Use password : Yes

Modify password Back

Menu 10-6

Password

10.4.2 Modify password

How to modify

1. Push the cursor key ↑ or ↓ to highlight Password. (menu 10-7)

2. Press ENTER to select.

The password menu will be displayed. (menu 10-8)

3. Push the cursor key ↑ or ↓ to highlight Mo dify password.

4. Press ENTER to select.

The password modification menu will be displayed. (menu 10-9)

The first digit will be highlighted.

5. Push the cursor key ↑ or ↓ to change the value.

An alphanumeric value can be entered. The following characters can be browsed:

digital scroll list : 0123456789

ASCII scroll list : abcdefghijklmnopqrstuvwxyz

6. Press ENTER to accept this first character.

The second character will be highlighted.

7. Enter in the same way.

8. Press ENTER to accept this second character.

The third character will be highlighted.

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10. Service menus

9. Enter in the same way.

10.Press ENTER to accept this third character.

The new password is entered.

It becomes valid after a reboot of the projector. Switch off the projector and switch on again.

Service

Identification

Password

IR address : 000 RS232 address : 000 Serial communication Thermal diagnosis I2C diagnosis

Back

Menu 10-7

Use password : Yes

Modify password

Back

Menu 10-8

Password

10.5 IR address

Overview

An overview of the IR address is given.

To change the IR address, see "Projector Address", page 29.

10.6 RS232 address

How to change ?

1. Push the cursor key ↑ or ↓ to highlight RS232 address. (menu 10-10)

2. Press ENTER to toggle between 000 and 001.

Modify password

Enter new value :

Menu 10-9

Service

Identification Password IR address : 000

RS232 address : 000

Serial communication Thermal diagnosis I2C diagnosis

Back

Menu 10-10

10.7 Serial communication

Overview

• Baudrate setup

• Serial communication interface selection

10.7.1 Baudrate setup

About Baudrate

The baudrate is the communications speed used for communication between the projector and the external computer. The baudrate setting of the projector must be the same as those of the computer.

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How to setup

1. Push the cursor key ↑ or ↓ to highlight Serial Communication. (menu 10-11)

2. Press ENTER to select.

The Serial communication menu will be displayed. (menu 10-12)

3. Push the cursor key ↑ or ↓ to highlight Baudrate PC.

4. Press ENTER to toggle between the different possible baudrates.

The following baudrates are available :

- 1200

- 4800

- 9600

- 19200

10. Service menus

Service

Identification Password IR address : 000 RS232 address : 000

Serial communication

Thermal diagnosis I2C diagnosis

Back

Menu 10-11

Serial communication

Baudrate PC : 19200

Interface : RS232 Back

Menu 10-12

10.7.2 Serial communication interface selection

About interface selection

The serial port of the projector can accept serial communication via the RS232 protocol or via the RS422 protocol. The protocol type must be setup.

RS232

An Electronic Industries Association (EIA) serial digital interface standard specifying the characteristics of the communication path between two devices using either DB-9 or DB-25 connectors. This standard is used for relatively short-range communications and does not specify balanced control lines. RS-232 is a serial control standard with a set number of conductors, data rate, word length and type of connector to be used. The standard specifies component connection standards with regard to computer interface. It is also called RS-232-C, which is the third version of the RS-232 standard, and is functionally identical to the CCITT V.24 standard. Logical ’0’ is > + 3V, Logical ’1’ is < - 3V. The range between -3V and +3V is a the transition zone.

RS422

erns the asynchronous transmission of computer data at speeds of up to 920,000 bits per second. It is also used as the serial port standard for Macintosh computers. When the difference between the 2 lines is < - 0.2V that equals with a logical ’0’. When the difference is > +0.2V that equals to a logical ’1’..

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10. Service menus

How to set up ?

1. Push the cursor key ↑ or ↓ to highlight Serial Communication. (menu 10-13)

2. Press ENTER to select.

The Serial communication menu will be displayed. (menu 10-14)

3. Press ENTER to toggle between RS232 and RS422.

Service

Identification Password IR address : 000 RS232 address : 000

Serial communication

Thermal diagnosis I2C diagnosis

Back

Menu 10-13

Serial communication

Baudrate PC : 19200

Interface : RS232

Back

Menu 10-14

10.8 Thermal Diagnosis

About thermal diagnosis

This menu gives an overview of the fan speeds and if they work normal.

It gives also the internal ambient temperature and the temperature of the DMD.

How to get an overview ?

1. Push the cursor key ↑ or ↓ to highlight Thermal diagnosis. (menu 10-15)

2. Press ENTER to select.

The Thermal diagnosis menu will be displayed. (menu 10-16)

Service

Identification Password IR address : 000 RS232 address : 000 Serial communication

Thermal diagnosis

I2C diagnosis Back

Thermal diagnosis

Fan 1 1687 RPM Fan 2 1028 RPM Fan 3 1687 RPM Fan 4 Normal Fan 5 Normal Fan 6 Normal T_amb 39°C T_DMD 45°C

Back

Menu 10-15

Menu 10-16

10.9 I2C Diagnosis

How to display ?

1. Push the cursor key ↑ or ↓ to highlight I2C diagnosis. (menu 10-17)

2. Press ENTER to select.

The I2C diagnosis menu will be displayed. (menu 10-18)

Service

Identification Password IR address : 000 RS232 address : 000 Serial communication Thermal diagnosis

I2C diagnosis

Back

Menu 10-17

Menu 10-18

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I2C diagnosis

DDP1010 0x34 – + + Thermal 0x5A + + + Thermal 0x58 + + + ADC 0x9A + + + Deiter 0x64 + + + VDC 0x42 + + +

Back

Page 81

A. SPECIFICATIONS

A.1 Specifications for CineVERSUM 60

Overview

A. Specifications

Optimium screen diagonal

Optimium screen width

Tech nology single chip DLP™

DLP resolution 1024 x 576

Single cable digital link

Chip format

Chip Type

Lamp

Lamp Arc Length 1,3 mm

Lifetime > 1500 hours (on average)

Light Output typical 900 ANSI lumens

Contrast Ratio (full On/Off) > 2000 : 1

Brightness uniformity > 90%

Color Temperature

Lenses

60" to 80"

132 to 177cm

16:9 true widescreen

ED2

250 W UHP

8500 K

1.70 - 2.25 : 1 (Standard)

2.25 - 3.0 : 1 (Long throw)

Lens Zoom and Focus Manual

Lens Shift

Vertical Shift 50 to 160 % off Axis

Horizontal Shift No (on Axis)

Maximum screen size (diagonal) Standard lens: 200" Optional lens: 240" (wide) 178" (tele)

Color Wheel 6 segment (RGBRGB)

CineVersum Master

Inputs

Control 1 RS232 (D-sub9 connector)

12V Trigger

Acoustic Noise <30dBA

Main Voltage Range

Manual

Not mandatory

1 Composite Video (RCA connector)

1S-Video(4pinminiDIN)

1 Component Video (3 x RCA connectors)

1 RGBHV or Component (5 x RCA connectors)

1 RGBHV (D15 VGA connector )

1 DVI input (HDCP)

2 (power/masking)

90-230V AC/ 50-60 Hz

Weight

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6kg(13.2lbs)

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A. Specifications

Width

Height

Depth

Article Number

Color Refresh 5x (NTSC) / 6x (PAL)

449 mm / 17.7"

156 mm / 6.2"

420 mm / 16.6"

R9002460 CineVERSUM 60 standard throw

R9002461 CineVERSUM 60 long throw

A.2 Specifications for CineVERSUM 70

Overview

Optimium screen diagonal

Optimium screen width

Tech nology single chip DLP™

DLP resolution 1280 x 720

Single cable digital link

Lenses

70" to 90"

155 to 200cm

1.80 - 2.40 : 1 (Standard)

1.40 - 1.80 : 1 (Short throw)

Article Number

Chip format

Chip Type

Lamp

Lamp Arc Length 1,3 mm

Lifetime > 1500 hours (on average)

Light Output Typical 1000 ANSI lumens

Contrast Ratio

Brightness uniformity > 90%

Color Temperature

Lens Zoom and Focus Manual

Lens Shift

Vertical Shift 50% to 120% off Axis

Horizontal Shift No (on Axis)

Maximum screen size (diagonal) Standard lens: 300" (wide) 220" (tele) Short th

R9010080 CineVERSUM 70 standard

R9010081 CineVERSUM 70 short throw

16:9 true widescreen

HD2+

250 W UHP

> 2700 : 1

8500 K

Manual

row: 250"

Color Wheel 6 segment (RGBRGB)

Color Refresh 5x (NTSC) / 6x (PAL)

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A. Specifications

Inputs

Control RS232 Control

12V Trigger

Acoustic Noise <30dBA

Main Voltage Range

Width

Height

Depth

Weight

CineVersum Master

1 Composite Video (RCA connector)

1S-Video(4pinminiDIN)

1 Component Video (3 x RCA connectors)

1 RGBHV or Component (5 x RCA connectors)

1 RGBHV (D15 VGA connector )

1 DVI/HDCP input

2 (power/masking)

90-230V AC / 50-60 Hz

449 mm / 17.7"

156 mm / 6.2"

420 mm / 16.6"

7.9 kg (17.4 lbs)

Not mandatory

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A. Specifications

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B. MAINTENANCE

B.1 Error reporting via the LEDs

Legend of the used code

Blue : LED is on with blue color

Green: LEDisonwithgreencolor

– : LED is out

No blinking : LED is out for a longer time

Over temperature

Blinking sequence of standby LED:

Blue–Blue–Blue–Noblinking–Green–Noblinking

The sequence repeats.

Lamp error

Blinking sequence of standby LED:

Blue–Blue–Blue–Blue–Blue–Noblinking–Green–Noblinking

The sequence repeats.

B. Maintenance

Fan error

Fan1:Blue–Blue–Blue–Blue–Blue–Blue–Noblinking–Green–Noblinking

Fan2: Blue–Blue–Blue–Blue–Blue–Blue–Noblinking–Green–Green–Noblinking

Fan3: Blue–Blue–Blue–Blue–Blue–Blue–Noblinking–Green–Green–Green–Noblinking

Fan4: Blue–Blue–Blue–Blue–Blue–Blue–Noblinking–Green–Green–Green–Green–Noblinking

Fan4: Blue–Blue–Blue–Blue–Blue–Blue–Noblinking–Green–Green–Green–Green–Green–Noblinking

DMD error

Blue – Blue – Blue – no blinking – Green – Green – Green – No blinking

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B. Maintenance

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GLOSSARY

2:2 pull-down

The process of transferring 24-frames/sec film format into video by repeating each frame (used for PAL DVD’s) as two video fields. (AD)

3:2 pull-down

ANSI

American National Standards Institute

ANSI 73.11

American power plug to connect the power cord to the wall outlet.

Artefacts

Undesirable elements or defects in a video picture. These may occur naturally in the video process and must be eliminated in order to achieve a high-quality picture. Most common in analog are cross color and cross luminance. Most common in digital are macroblocks, which resemble pixelation of the video image.

Glossary

Aspect ratio

horizontal & vertical dimension in which the window will be displayed, e.g. 4 by 3 or 16 by 9.

CEE7

European power plug to connect the power cord to the wall outlet.

Chrominance

The color component of a video signal that includes information about tint and saturation.

Color Space

The color range between specified references. Typically references are quoted in television: RGB, Y, R-Y, B-Y, YIQ, YUV and Hue Saturation and Luminance (HSL). In print, Cyan, Magenta, Yellow and Black (CMYK) are used. Moving pictures between these is possible but requires careful attention to the accuracy of processing involved. Operating across the media--print, film and TV, as well as between computers and TV equipment--will require conversions in color space.

Color temperature

Component video

A video system containing three separate color component signals, either red/green/blue (RGB) or chroma/color difference (YCbCr, YPbPr, YUV), in analog or digital form.

Component Video

Composite Video

Luminance and chrominance are combined along with the timing reference "sync" information using one of the coding standards-NTSC, PAL or SECAM--to make composite video. Most televisions and VCRs have composite video connectors, which are usually colored yellow.

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Glossary

DVI

Digital Visual Interface is a display interface developed in response to the proliferation of digital flat panel displays.

DVI can be single or dual link.

EBU

European Broadcasting Union. An organization of European broadcasters that, among other activities, produces technical statements and recommendations for the 625/50 line television system.

Gamma

The transfer characteristics of most cameras and displays are nonlinear. For a display, a small change in amplitude when the signal level is small produces a change in the display brightness level, but the same change in amplitude at a high level will not produce the same magnitude of brightness change. This nonlinearity is known as gamma.

Luminance

The component of a video signal that includes information about its brightness.

NTSC

OSD

On screen display

PAL

Progressive scan

A video scanning system that displays all lines of a frame in one pass.

Projector address

Address installed in the projector to be individually controlled.

RS232

RS422

An EIA serial digital interface standard that specifies the electrical characteristics of balanced (differential) voltage, digital interface circuits. This standard is usable over longer distances than RS-232. This signal governs the asynchronous transmission of computer data at speeds of up to 920,000 bits per second. It is also used as the serial port standard for Macintosh computers. When the difference between the 2 lines is < - 0.2V that equals with a logical ’0’. When the difference is > +0.2V that equals to a logical ’1’..

SECAM

R5976763 CINEVERSUM 60/70 22042004

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INDEX

Index

Numerics/Symbols

5-cable input 18

Advanced setting 50

Blanking 50

Advanced settings 43–44, 46–49

Aspect ratio 44 Image position 46 Position 46–49

Horizontal shift 46 Horizontal size 47 Vertical shift 48 Vertical size 49

Start up 43 Aspect ratio 44 Auto search 60

Bar scale position 65 Bar scale status 65 Baudrate setup 74 Blanking 50 Box content 3 Brightness 36

Selection via menu 36

Ceiling mount 13 Color space 61 Color temperature 39–40

Color standard 40

Custom color balance 40

Predefined 39 Component input 20 Composite video input 18 Computer input 22 Conections 21

DVI input 21 Connections 15–18, 20, 22–23

5-Cable input 18

Communications 22

RS232 IN 22

RS422 IN 22 Component input 18, 20 Composite video 18 Computer input 22 Connector cover 15

Removal 15 Input facilities 16 Power connection 15 RGB analog 22 RGBHV input 18 S-Video 17 Trigger outputs 23 VGA input 22 Video 18

Contrast 36

Selection via menu 36

Controlling the projector 29

Dimensions 3–4 DVI 21

Pin configuration 21

DVI input 21

Error reporting 81

File service 60–61

Auto search 60 Color space 61 Film mode 60

Film mode 60

Gamma 38 Getting started 25, 27–29

Controlling the projector 29 Lamp runtime 27 Projector address 29 Switching off 28 Switching on 27 Switching to standby 28 Temperature error DMD 28 Terminology overview 25 Using the RCU 28

Global keystone 69

Horizontal keystone 68 Hue 37

Selection via menu 37

Humidity conditions 7

I2C diagnosis 76 Image settings 35–39, 42

Brightness 36 Color temperature 39

Predefined 39 Contrast 36 Gamma 38 Hue 37 Overview 35 Saturation 36 Sharpness 38 Start up 35 Tint 37 White peak 42

Input balance 52–55

Factory defaults 55 Introduction 52 RGB signals 53 YUV signals 54

Input Balance 51 Installation 57–69

File service 60–61

Auto search 60

Color space 61

Film mode 60 Global keystone 69 Horizontal keystone 68 Input slots 58–59

5 RCA input 58

Reset all inputs 59

Single input 59 Internal pattern 62 Language 66 Orientation 69 OSD configuration 64–66

Bar scale position 65

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Index

Bar scale status 65 Menu position 64

Message status 66 Overview 57 Source transition 63 Start up 57 Vertical keystone 67 When no signal 63

Installation guidelines 7–8, 13

Ceiling mount 13 General 7 Projector configuration 8 Projector position 8

Installation Guidelines 7–8, 10

Ambient Temperature 7 Condition Check 7 Environment 7 Humidity conditions 7 Laser Beams 8 Safety area 10 Screen Type 8

Interface selection 75 Internal pattern 62

Keystone 67–69

Global 69 Horizontal 68 Vertical 67

Lamp runtime 27 Language 66

Change 66 Selection 66

Lens 10–11

Cleaning 10 Vertical lens shift 11

Lens shift 11

Maintenance 81

Error reporting 81

Menu position 64 Menu structure 31–32

Access control 32 Getting used with 31 How start up 31 How to make adjustment 32 How to use 31 Password control 32

Message status 66

Orientation 69 OSD configuration 64–66

Bar scale position 65 Bar scale status 65 Menu position 64 Message status 66

Packaging 3

Box content 3 Projector 3

Password 72–73

Disable 72 Enable 72 Modify 73

Power connection 15 Projector address 29 Projector configuration 8 Projector position 8

Remote control 12

Battery insertion 12 RGB analog input 22 RGBHV input 18 RS232 22

Connection 22 RS422 22

Connection 22

S-Video 17

Pin configuration 17 S-Video input 17 Safety Warnings 7 Saturation 36

Selection via menu 36 Serial communication 74–75

Baudrate setup 74

Interface selection 75 Service 71–76

I2C diagnosis 76

Identification 72

IR address 74

Overview 71

Password 72–73

Disable 72 Enable 72

Modify 73 RS232 address 74 Serial communication 74–75

Baudrate setup 74

Interface selection 75 Start up 71 Thermal diagnosis 76

Sharpness 38

Selection via menu 38

Source selection 33

How to select 33 Via menu structure 33

Source transition 63 Specifications 77–78

CineVERSUM 60 77 CineVERSUM 70 78

Switching off 28 Switching on 27 Switching to standby 28

Temperature 7

Ambient 7

Thermal diagnosis 76 Tint 37

Selection via menu 37

Trigger outputs 23

Vertical keystone 67 VGA input 22 Video input 18

When no signal 63

R5976763 CINEVERSUM 60/70 22042004

Page 91

Revision Sheet

To :

Barco nv Home Cinema/Documentation

Noordlaan 5, B-8520 Kuurne Phone: +32 56.36.89.69, Fax: +32 56.36.83.54 E-mail: antoon.dejaegher@barco.com, Web: www.homecinema.barco.com

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Date:

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R5976763 CINEVERSUM 60/70 22042004

Barco 70 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual