Barco 26-0405000-00 User Manual

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Manual # 26-0405000-00
Revision A
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© Barco, Inc. November 17, 2005 All rights reserved. No part of this document may be copied, reproduced or translated. It
shall not otherwise be recorded, transmitted or stored in a retrieval system without the prior written consent of Barco.
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Barco provides this manual “as is” without warranty of any kind, either expressed or implied, including but not limited to the implied warranties or merchantability and fitness for a particular purpose. Barco may make improvements and/or changes to the product(s) and/ or the program(s) described in this publication at any time without notice.
This publication could contain technical inaccuracies or typographical errors. Changes are periodically made to the information in this publication; these changes are incorporated in new editions of this publication.
cЙЗЙк~д=`зггмебЕ~нбзел=`зггбллбзе=Ec``F=pн~нЙгЙен
This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area may cause harmful interference, in which case the user will be responsible for correcting any interference.
dм~к~енЙЙ=~еЗ=`згйЙел~нбзе
Barco provides a guarantee relating to perfect manufacturing as part of the legally stipulated terms of guarantee. On receipt, the purchaser must immediately inspect all delivered goods for damage incurred during transport, as well as for material and manufacturing faults Barco must be informed immediately in writing of any complaints.
The period of guarantee begins on the date of transfer of risks, in the case of special systems and software on the date of commissioning, at latest 30 days after the transfer of risks. In the event of justified notice of compliant, Barco can repair the fault or provide a replacement at its own discretion within an appropriate period. If this measure proves to be impossible or unsuccessful, the purchaser can demand a reduction in the purchase price or cancellation of the contract. All other claims, in particular those relating to compensation for direct or indirect damage, and also damage attributed to the operation of software as well as to other services provided by Barco, being a component of the system or independent service, will be deemed invalid provided the damage is not proven to be attributed to the absence of properties guaranteed in writing or due to the intent or gross negligence or part of Barco.
If the purchaser or a third party carries out modifications or repairs on goods delivered by Barco, or if the goods are handled incorrectly, in p articular if the systems are commissioned operated incorrectly or if, after the transfer of risks, the goods are subject to influences not
ii PresentationPRO-II • User’s Guide
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agreed upon in the contract, all guarantee claims of the purchaser will be rendered invalid. Not included in the guarantee coverage are system failures which are attributed to programs or special electronic circuitry provided by the purchaser, e.g. interfaces. Normal wear as well as normal maintenance are not subject to the guarantee provided by Barco either.
The environmental conditions as well as the servicing and maintenance regulations specified in this manual must be complied with by the customer.
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Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights of their respective holders. All brand and product names mentioned in this manual serve as comments or examples and are not to be understood as advertising for the products or their manufactures.
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Barco Events USA
11101 Trade Center Drive Rancho Cordova, California 95670 USA
Phone: (916) 859-2500
Fax: (916) 859-2515
Websites:
Barco N.V. Noordlaan 5 8520 Kuurne BELGIUM
Phone: +32 56.36.82.11
Fax: +32 56.35.16.51
Website: www.barco.com
~ www.folsom.com ~ www.events.barco.com
PresentationPRO-II • User’s Guide iii
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The general safety information in this summary is for operating personnel.
aз=kзн=oЙгзоЙ=`зоЙкл=зк=m~еЙдл
There are no user-serviceable parts within the unit. Removal of the top cover will expose dangerous voltages. To avoid personal injury, do not remove the top cover. Do not operate the unit without the cover installed.
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This product is intended to operate from a power source that will not apply more than 230 volts rms between the supply conductors or between both supply conductor and ground. A protective ground connection by way of grounding conductor in the power cord is essential for safe operation.
dкзмеЗбеЦ=нЬЙ=mкзЗмЕн
This product is grounded through the grounding conductor of the power cord. To avoid electrical shock, plug the power cord into a properly wired receptacle before connecting to the product input or output terminals. A protective-ground connection by way of the grounding conductor in the power cord is essential for safe operation.
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Use only the power cord and connector specified for your product. Use only a power cord that is in good condition. Refer cord and connector changes to qualified service personnel.
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To avoid fire hazard, use only the fuse having identical type, voltage rating, and current rating characteristics. Refer fuse replacement to quali fied service personnel.
aз=kзн=lйЙк~нЙ=бе=bсйдзлбоЙ=^нгзлйЬЙкЙл
To avoid explosion, do not operate this product in an explosive atmosphere.
iv PresentationPRO-II • User’s Guide
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qЙкгл=fе=qЬбл=j~ем~д=~еЗ=bимбйгЙен=j~квбеЦ=
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Highlights an operating procedure, practice, condition, statement, etc., which, if not strictly observed, could result in injury to or death of personnel.
Note
Highlights an essential operating procedure, condition or statement.
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The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
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Le point d´exclamation dans un triangle equilatéral signale à alerter l´utilisateur qu´il y a des instructions d´operation et d´entretien tres importantes dans la litérature qui accompagne l´appareil.
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Ein Ausrufungszeichen innerhalb eines gleichwinkeligen Dreiecks dient dazu, den Benutzer auf wichtige Bedienungs-und Wartungsanweisungen in der Dem Great beiliegenden Literatur aufmerksam zu machen.
PresentationPRO-II • User’s Guide v
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`Ь~еЦЙ=eблнзку
The table below lists the changes to the PresentationPRO-II User’s Guide.
Table 0-1. Change History
Rev Date ECO # Description Approved By
A 11/17/05 1502 New PresentationPRO-II User’s Guide Andreas Yerocostas
vi PresentationPRO-II • User’s Guide
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q~ДдЙ=зС=`зенЙенл
`Ü~éíÉê=N fенкзЗмЕнбзе =K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K= N
Chapter Structure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
How to Use This Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Navigating . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Table of Contents and Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Terms and Definitions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
System Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
PresentationPRO-II High Performance Switcher. . . . . . . . . . . . . . . . . . 4
PresentationPRO-II Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
A Word About Layers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Effect Combinations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Mixer Effect 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Mixer Effect 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Mixer Effect 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Mixer Effect 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Mixer Effect 5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Mixer Effect 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
`Ü~éíÉê=O e~кЗп~кЙ=lкбЙен~нбзе =K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=NN
In This Chapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
PresentationPRO-II Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Analog Input Flexibility. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
PresentationPRO-II Front Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Use of Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Front Panel Sections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Touch Screen Menu Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Source Selection Bus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Layer Functions Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
`Ü~éíÉê=P e~êÇï~êÉ=fåëí~ää~íáçå=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=ON
In This Chapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Safety Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Unpacking and Inspection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Site Preparation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Rack-Mount Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Cable and Adapter Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Input Connection Chart. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
PresentationPRO-II • User’s Guide vii
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Table of Contents
`Ü~éíÉê=Q jЙем=lкбЙен~нбзе=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=OT
In This Chapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Home Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Global Rules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Input Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Input Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Input Menu Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Input Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Input Pre and Sub Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Input Acquisition Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Input Configuration Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Sizing Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Color Balance Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Aspect Ratio Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Output Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Output Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Output Menu Description. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Output Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Output Sub Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Settings Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Test Pattern Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
System Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
System Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
System Menu Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
System Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
System Sub Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Diagnostics Setup Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Reset Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Software Version Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Console Port Setup Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . 50
EDID DVI Input Format Menu . . . . . . . . . . . . . . . . . . . . . . . . 51
Technical Support Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Effects Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Status Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Display Settings Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Keypad Backlight Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
PIP Adjustment Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
PIP Adjustment Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
PIP Adjustment Menu Description. . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
PIP Adjustment Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
PIP Adjustment Sub Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Border Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Crop Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Shadow Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Image Effects Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Key Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Key Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Key Menu Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Key Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Key Sub Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Matte Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Key Adjustment Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
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Table of Contents
Input Source Adjustment Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Input Source Adjustment Menu Tree. . . . . . . . . . . . . . . . . . . . . . . . . . 71
Input Source Adjustment Menu Description . . . . . . . . . . . . . . . . . . . . 72
Input Source Adjustment Menu Functions. . . . . . . . . . . . . . . . . . . . . . 72
Background/DSK Input Setup Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Background/DSK Input Setup Menu Tree . . . . . . . . . . . . . . . . . . . . . . 74
Background/DSK Input Setup Menu Description. . . . . . . . . . . . . . . . . 75
Background/DSK Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Background/DSK Input Setup Menu Functions. . . . . . . . . . . . . . . . . . 76
Background Matte Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
DSK Adjustment Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
DSK Matte Adjustment Menu . . . . . . . . . . . . . . . . . . . . . . . . 79
Frame Grab Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
LOGO Input Setup Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Remote Control Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
`Ü~éíÉê=R pулнЙг=pЙнмйK=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=UR
In This Chapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Setup Prerequisites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Return to Factory Default . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Touch Screen Calibration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Output Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Projector Setup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Quick Input Setup Procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Comprehensive Input Setup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Setting up the Background. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Programming EDID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Using a Matte Color as the Background . . . . . . . . . . . . . . . . . . . . . . . 94
Using the DVI Input as the Background. . . . . . . . . . . . . . . . . . . . . . . . 94
Using a Still Frame as the Background . . . . . . . . . . . . . . . . . . . . . . . . 95
Setting up the DSK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Using the DVI Input as the DSK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Using a Still Frame as the DSK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Setting up the LOGO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Saving the Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
`Ü~éíÉê=S lйЙк~нбзел =K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=VV
In This Chapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Prerequisites. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Operational Configuration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Monitor Layout. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Touch Screen Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
A Word About LOS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Working with Layers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Working with PIPs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Transitioning a PIP to Program. . . . . . . . . . . . . . . . . . . . . . 102
Removing a PIP from Program . . . . . . . . . . . . . . . . . . . . . . 103
Cancelling a PIP Transition. . . . . . . . . . . . . . . . . . . . . . . . . 103
Changing a PIP to a KEY . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Modifying PIPs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
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Table of Contents
Working with Keys. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Transitioning a Key to Program. . . . . . . . . . . . . . . . . . . . . . 105
Removing a Key from Program. . . . . . . . . . . . . . . . . . . . . . 106
Cancelling a Key Transition. . . . . . . . . . . . . . . . . . . . . . . . . 106
Changing a KEY to a PIP . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Modifying Keys and DSKs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Background and DSK Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Setting the Background Mode. . . . . . . . . . . . . . . . . . . . . . . 108
Transitioning to a Matte Color. . . . . . . . . . . . . . . . . . . . . . . 109
Transitioning to a Live DVI Background . . . . . . . . . . . . . . . 109
Transitioning to a Still Frame. . . . . . . . . . . . . . . . . . . . . . . . 109
Keying the DVI source in DSK Mode . . . . . . . . . . . . . . . . . 110
Keying a Still Frame in DSK Mode . . . . . . . . . . . . . . . . . . . 110
Changing Background Matte Colors in DSK Mode . . . . . . . 111
Cancelling a Background or DSK Transition. . . . . . . . . . . . 111
Clearing a Background or DSK. . . . . . . . . . . . . . . . . . . . . . 111
LOGO Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Transitioning the LOGO to Program . . . . . . . . . . . . . . . . . . 113
Clearing the LOGO from Program. . . . . . . . . . . . . . . . . . . . 113
Working with Layer Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Using Full Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Using Freeze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Using Reset. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Working with Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Using Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Capturing Still Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Still Frame Capture Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Capturing Still Frames from the Background Input . . . . . . . . . . . . . . 117
Capturing Still Frames from a PIP or Key . . . . . . . . . . . . . . . . . . . . . 118
Saving Still Frames in Permanent Memory . . . . . . . . . . . . . . . . . . . . 119
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In This Appendix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Scaled Video Channel Input Specifications . . . . . . . . . . . . . . . . . . . . . . . . . 122
Unscaled Background/DSK Input Specifications . . . . . . . . . . . . . . . . . . . . . 122
Output Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
User Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Physical and Electrical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Communications Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Pinouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
DVI Connector Pinouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Analog 15-pin D Connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Ethernet Connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Serial Connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Input and Output Resolutions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
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In This Appendix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Warranty. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
x PresentationPRO-II • User’s Guide
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Table of Contents
Return Material Authorization (RMA) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Contact Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
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In This Appendix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Software Upgrade Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Serial Upgrade Method. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Ethernet Upgrade Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Troubleshooting Ethernet Communications. . . . . . . . . . . . . . . . . . . . 145
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PresentationPRO-II • User’s Guide xi
Page 12
Table of Contents
xii PresentationPRO-II • User’s Guide
Page 13
NK==fенкзЗмЕнбзе
This chapter is designed to introduce you to the PresentationPRO-II. Areas to be covered are:

Chapter Structure

How to Use This Guide
Conventions
Terms and Definitions
System Overview
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The following chapters provide instructions for all aspects of PresentationPRO-II operations:

Chapter 1, “Introduction” provides a system overview, a list of features, and

discusses easy ways to use this guide.
Chapter 2, “Hardware Orientation” explains the PresentationPRO-II’s front and
rear panels in detail.
Chapter 3, “Hardware Installation” provides comprehensive system installation
instructions.
Chapter 4, “Menu Orientation” explains the system’s configuration, setup and
adjustment menus, and provides basic menu “navigation” procedures.
Chapter 5, “System Setup” outlines procedures for setting up and configuring the
PresentationPRO-II.
Chapter 6, “Operations” provides basic system operating instructions.
Appendix A, “Specifications” lists the PresentationPRO-II’s input, output, video,
mechanical and power specifications, and includes connector pinouts.
Appendix B, “Contact Information” lists important contact, RMA, warranty and
technical support details.
PresentationPRO-II • User’s Guide 1
Page 14
NK==fенкзЗмЕнбзе

How to Use This Guide

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Following are important tips for streamlining your use of this User’s Guide in its electronic “PDF” form.
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Use Acrobat Reader’s “bookmarks” to navigate to the desired location. All chapter files have the same bookmark structure for instant navigation to any section. Please note:
Extensive hyperlinks are provided within the chapters.
Use Acrobat’s “Go to Previous View” and “Return to Next View” buttons to trace
your complete navigational path.
Use the “Previous Page” and “Next Page” buttons to go to the previous or next
page within a file.
Use Acrobat’s extensive search capabilities, such as the “Find” tool and “Search
Index” tool to perform comprehensive searches as required.
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Use the Table of Contents bookmarks to navigate a desired topic. Click any item to instantly jump to that section of the guide. You can also use the Index to jump to specific topics within a chapter. Each page number in the Index is a hyperlink.
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The following conventions are used throughout this guide:
The symbol denotes an operations procedure.
The symbol S denotes an example.
Entries written in bold-face letters denote physical buttons or rear chassis
connectors.
S Press PIP to ...
When two buttons together are required for an operation or function, the plus (+)
sign is used between the buttons. This procedure requires that you hold down the first button, then press the second.
Button labels on the Touch Screen menus are shown in bold uppercase letters
between braces.
S Press {BORDER} to …
When a sequence of menu selections is required to complete a given procedure,
the ">" symbol is used to divide each successive menu picks.
S To access the Sizing Menu, press {HOME} > {INPUT} > {SIZING}.
2 PresentationPRO-II • User’s Guide
Page 15
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The following terms and definitions are used throughout this guide:
A “Background” is an unscaled source, typically originating from a computer.
PresentationPRO-II enables you to work with one background source which appears at the system’s lowest priority — visually in back of all other sources.
The abbreviation “BG” is also used throughout this guide for Background.
A “Key” is an electronic (and visual) process whereby one image is electronically
superimposed over another source or a background. Keys are typically used for titles and banners.
A “Layer” is an image display element (such as a PIP, Key or Background) th at
has an associated visual priority — either in front (or in back) of another layer.
A “LOGO” is a full screen image that is selected from one of three still frames that
you can capture with PresentationPRO-II.
A “Mixer” is the electronic circuitry that enables you to transition (and scale) PIPs
and Keys over a background. PresentationPRO-II has one internal mixer, capable of layering either one PIP or one key.
Operator” refers to the person who uses the system.
PIP” refers to Picture-in-Picture, an on-screen effect in which one “scaled” picture
(typically of reduced size) is positioned over a background image. PIPs can be reduced, enlarged, bordered, shadowed, and mixed on and off Program.
Screen” and “Menu” both refer to the Touch Screen menus.
System” refers to the PresentationPRO-II.
A “Scaler” is the electronic circuitry that enables you to reduce or enlarge source
images, thus creating PIPs and Keys that can be positioned (and transitioned).
NK==fенкзЗмЕнбзе

Terms and Definitions

PresentationPRO-II • User’s Guide 3
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System Overview

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The following topics are discussed in this section:

PresentationPRO-II High Performance Switcher

PresentationPRO-II Features

A Word About Layers
Effect Combinations
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The PresentationPRO-II is a compact switching system that simplifies the task of supporting professional quality visual presentations, such as live events and presentations in corporate boardrooms and church services. PresentationPRO-II is offered in two configurations — SDI and HD.
The SDI Model offers eight analog inputs on HD-15 connectors, one unscaled
high-resolution DVI input for a background or Downstream Key (DSK) source, plus one SD-SDI input.
The HD Model also offers eight analog inputs, one DVI input (for a background or
DSK source), plus one SD-SDI/HD-SDI input.
Each model combines an eight-input video router, Barco’s high performance proprietary Athena scaler, and a full-featured control panel in a single integrated package. The eight universal analog inputs accept standard component and composite analog video formats (NTSC, PAL, SECAM), computer resolutions up to UXGA, analog HD formats including 720p, 1080i, 1080p and Plasma display resolutions.
The Barco Athena scaler features 1:1 pixel sampling, motion adaptive de-interlacing for both standard and high definition sources, 3:2 and 2:2 pull down detection, low video delay and aspect ratio correction. The operator can also capture and store still frames for use as a background, DSK or LOGO source.
Each unit incorporates one analog and one DVI output, and supports output computer resolutions up to 1600x1200, analog HDTV resolutions (including 720p and 1080p) and Plasma display resolutions.
PresentationPRO-II uses three image layers to produce effects:
One unscaled live background or DSK layer (shared resource)
One scaled layer
One LOGO layer
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Following is a detailed list of PresentationPRO-II features:
Barco Proprietary Processing ~ 10-bit processing with 1:1 pixel sampling ~ Motion adaptive de-interlacing ~ 3:2 and 2:2 pull down detect ~ Image cropping and aspect ratio correction
4 PresentationPRO-II • User’s Guide
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System Overview
Low video processing delay, less than 3 input fields
Capture and storage of still frames for use as a background, DSK or LOGO
SD-SDI input (SDI Model)
SD-SDI/HD-SDI Input (HD model)
Support for input and output resolutions up to UXGA
High quality motion adaptive de-interlacing on SD and HD sources
Analog and DVI program outputs
2RU rack-mount chassis
Native high-resolution background/DSK channel independent of the PIP/Key
processing channel
Internal 8 x 1 analog video router for selecting scaler input
PIP effects: ~ PIP size from 1/8 to 8x source resolution ~ Adjustable PIP aspect ratio ~ PIP borders, including drop shadows and soft edge
Transitioning PIP or Key over a background
Numerous wipe effects, programmable matte color
Keying ~ Luminance key ~ Color key
Three assignable, internal frame stores
Output synchronization: free-run or vertically locked to NTSC/PAL black burst,
CSync or HD tri-level sync
PresentationPRO-II • User’s Guide 5
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System Overview
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PresentationPRO-II is a three layer system, but because the DVI input is shared between Background and DSK (and only one can be used at a time), the allocation of the layers is still very flexible:
In the layer example above, the DVI input is used as a background, thus the DSK cannot be used. Here, users can layer a PIP or Key over the live DVI background, and place the full-screen LOGO on top.
In the layer example below, the DVI input is used as a DSK, thus it cannot be used as a live background. However, if the background layer is configured as a matte color, users can layer a PIP or Key over the matte background, use the DSK on top, and place the full­screen LOGO at the highest priority.
Background (DVI)
Mixer
LOGO
Figure 1-1. PresentationPRO-II Layers, Example 1
Background (Matte)
Mixer
DSK
LOGO
Figure 1-2. PresentationPRO-II Layers, Example 2
6 PresentationPRO-II • User’s Guide
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System Overview
A layer is defined as an image display element (such as a background, PIP or Key) with an associated visual priority. The mixer itself has one layer, which can be assigned to either
PIP or Key functionality.
A typical PresentationPRO-II application is illustrated below.
Background (Matte)
PIP
DSK
Wilderness
Figure 1-3. Layer Illustration — Background, Mixer and DSK
Please note the following important points:
The full screen LOGO is the highest priority layer. This image visually appears
“over” all other layers.
The Downstream Key (DSK) is the second highest priority layer. It visually
appears over the mixer and the background — but it is “under” the LOGO.
The high resolution Background is the lowest priority layer, which appears
“behind” all other layers.
Within the mixer, a PIP appears “over” the background and “under” the DSK and
LOGO. Effects include mixes, wipes, resizing, adjustable aspect ratio, borders, drop shadows and soft edges.
Within the mixer, a Key also appears “over” the background and “under” the DSK
and LOGO. Effects include luminance key, reverse (invert) key, and color key (graphics).
Up to eight analog inputs and one SD-SDI or HD-SDI input can be scaled to
produce PIP or Key effects.
PresentationPRO-II • User’s Guide 7
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System Overview
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This section illustrates the many (but not all) combinations of image effects that you can create on the PresentationPRO-II. Please note:
The PresentationPRO-II system provides one background, one scalable layer, a DSK and a full screen LOGO. The LOGO, DSK and background are always unscaled.
In the following illustrations, the specific layers used in creating each effect are
labeled (e.g.,
PIP, Key).
The symbol ↓↑ denotes a PIP, key or DSK that can transition.
S Example: PIP ↓↑ indicates that you can dissolve a PIP up or down over a
background.
Important
If the DSK is in use, a live DVI background cannot be used. This occurs because the the
DSK and the Background.
BG/DSK Input is shared between
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This effect includes a live (DVI) background and one transitioning PIP.
Background (DVI)
PIP ↑↓
Figure 1-4. Effect 1 Diagram
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This transition is similar to effect 1. Here, you can transition a Key up or down over the live (DVI) background.
Background (DVI)
Key ↑↓
Figure 1-5. Effect 2 Diagram
8 PresentationPRO-II • User’s Guide
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System Overview
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In this effect, because the DSK is in use, the background must be configured as a matte color. Here, you can transition the DSK over a scaled PIP and the background matte.
Background (Matte)
PIP
DSK ↑↓
Figure 1-6. Effect 3 Diagram
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This transition is similar to effect 3. Here, you can transition the DSK over a scaled Key and the background matte.
Background (Matte)
Key
DSK ↑↓
Figure 1-7. Effect 4 Diagram
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In this effect, the background is configured as a Still Frame, and thus the DSK cannot be used. Here, you can transition a scaled PIP over a captured still frame.
Background (Still Frame)
PIP ↑↓
Figure 1-8. Effect 5 Diagram
PresentationPRO-II • User’s Guide 9
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System Overview
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In this effect, the background is configured as a matte color. Here, you can transition a scaled PIP under the DSK.
Background (Matte)
PIP ↑↓
DSK
Figure 1-9. Effect 6 Diagram
10 PresentationPRO-II • User’s Guide
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This chapter provides detailed information about the PresentationPRO-II’s hardware. The following topics are discussed:
PresentationPRO-II Rear Panel
PresentationPRO-II Front Panel
Use of Color
Front Panel Sections
PresentationPRO-II • User’s Guide 11
Page 24
2. Hardware Orientation

PresentationPRO-II Rear Panel

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The figure below illustrates the PresentationPRO-II rear panel:
7
31 2 4 5
Figure 2-1. PresentationPRO-II Rear Panel
1) SDI Input 4) Program Outputs 7) Serial Ports
2) Ana l og Inputs 5) Ethernet Port
3) Background/DSK Input 6) AC Connector
Following are descriptions of each rear panel connector and section.

1) SDI Input

One BNC connector is provided for an SD-SDI/HD-SDI input (HD model) or an
SD-SDI input (SDI model). This input is directly associated with the SDI source
button on the front panel’s top row. Users can set the input to accept the following:
~ SDI (SMPTE 259M-C, NTSC or PAL). SDI and HD models. ~ HD-SDI (SMPTE 292M, HDTV). HD model only.
In Chapter 5, refer to the “ input setup instructions.

2) Analog Inputs

Eight 15-pin D connectors are provided for Analog Inputs. These numbered inputs feed the system’s internal 8 x 1 analog router, and correspond directly to the eight analog source buttons on the front panel.
Please note:
Comprehensive Input Setup” section on page 90 for
~ In Appendix A, refer to the “Analog 15-pin D Connector” section on
page 126 for pinout details.
~ Refer to the “Analog Input Flexibility” section on page 14 for additional
information about each analog input connector.
6
12 PresentationPRO-II • User’s Guide
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2. Hardware Orientation

3) Background/DSK Input

One DVI connector is provided for a Background or a DSK Input. The connector accepts only digital video. Please note:
~ Using the BG/DSK Input Setup Menu, the connector’s mode can be set ~ In the BG mode, users can choose between the live DVI input, a matte ~ In the DSK mode, users can choose between the live DVI input or a
to either
color or a captured still frame.
captured still frame.
BG (background) or DSK (downstream key)
PresentationPRO-II Rear Panel
Important
In Appendix A, refer to the “ pinout details.

4) Program Outputs

Two connectors are provided for Program Outputs:
In DSK mode, the background matte color is still available as a source, and the color itself can be set from the
Menu.
DVI Connector Pinouts” section on page125 for
BG Matte
~ One DVI connector is provided for the Digital Program Output. This
output is designed for a digital connection to your projector. The output is digital only, and does not include analog pins. In Appendix A, refer to the “
DVI Connector Pinouts” section on page 125 for pinout details.
~ One 15-pin D connector is provided for the Analog Program Output.
This output (identical in content to the digital output) is designed for an analog connection to your projector — or to an analog monitor. In Appendix A, see the “ for pinouts.

5) Ethernet Port

One RJ-45 connector is provided for 10/100BaseT Ethernet communications. When (optionally) connecting the PresentationPRO-II to an external controller, a standard Ethernet hub or switch on an isolated network is recommended. The Ethernet connector is compatible with:
Analog 15-pin D Connector” section on page 126
~ Standard RJ-45 Ethernet cables ~ Neutrik EtherCon
In Appendix A, refer to the “ details.

6) AC Connector

One AC Connector is provided to connect the PresentationPRO-II to your facility’s AC power source. The integral switch turns the chassis on and off.

7) Serial Ports

Two 9-pin D connectors are provided for RS-232 serial communications with the PresentationPRO-II chassis and for downloading code in the field. In Appendix A, refer to the “
Serial Connector” section on page 128 for pinout details.
®
series cables
Ethernet Connector” section on page 127 for pinout
PresentationPRO-II • User’s Guide 13
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2. Hardware Orientation
PresentationPRO-II Rear Panel
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Each analog input connector accepts a variety of analog formats including VGA, low­resolution composite video, S-video and YUV component video.
For RGB with H and V sync, use the VGA connector directly.
Using a VGA (HD-15) to 5xBNC breakout cable, five input combinations are
possible. Cells with check marks denote the connections required for the indicated format.
Table 2-1. Analog Input Combinations using Breakout Cable
Breakout Cable
Wire Color
R
G
B 3 (Pb) 333 H Sync 33 V Sync 3
Composite
Video
S-Video
(Y/C)
3 (Chrom)
33 (Lum)
YUV
(YP
)
bPr
3 (P
) 3 33
r
RGB
Sync on Green
RGB
Comp Sync
RGB
Separate H V
3 (Lum) 333
14 PresentationPRO-II • User’s Guide
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2. Hardware Orientation
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The figure below illustrates the PresentationPRO-II front panel:

PresentationPRO-II Front Panel

1
2
Figure 2-1. PresentationPRO-II Front Panel
1) Chassis Handles 3) Layer Functions Section 5) PresentationPRO-II Model
2) Touch Screen Menu Section 4) Source Selection Bus
Following are descriptions of each front panel control feature:

1) Chassis Handles

Two Chassis Handles are provided for ease of installation and transpo rtation.

2) Touch Screen Menu Section

The Touch Screen Menu Section is used for system configuration, setup and operational adjustments of PIPs and keys. Refer to the “
Section” heading on page 17 for details.

3) Layer Functions Section

The Layer Functions Section is the operational heart of the PresentationPRO-II, enabling you to select layers, modes, and perform transitions. Refer to the “
Functions Section” heading on page 19 for details.

4) Source Selection Bus

The Source Selection Bus allows you to choose the PIP or Key source.
4
3
5
Touch Screen Menu
Layer
~ On the SDI model, up to eight analog sources plus one SD-SDI source
can be routed to the PIP or Key.
~ On the HD model, up to eight analog sources plus one HD-SDI/SD-SDI
source can be routed to the PIP or Key.
Refer to the “

5) PresentationPRO-II Model

This section displays the PresentationPRO-II model, either SDI or HD.
Source Selection Bus” section on page 18 for details.
HD-SDI SDI
Figure 2-2. PresentationPRO-II Model Labels
PresentationPRO-II • User’s Guide 15
Page 28
2. Hardware Orientation

Use of Color

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Color plays an important “visual” role with the PresentationPRO-II’s front panel buttons:
White buttons are used for sources.
1
Yellow butt ons are used for functions and modes. A yellow button always applies to the
active (blinking) layer. These functions include assigning a PIP or key to the active layer,
PIP
TRANS
resetting or clearing the layer, and freezing the active layer. Yellow buttons are also used to select both scaled sources (
The
Red button is used for transitions.
Key, PIP) and unscaled sources (LOGO).
Green button indicates the unscaled input source, which is shared between the
The background and the DSK.
BG/DSK
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This section provides detailed descriptions and ill ustrations of each front panel section. The following topics are discussed:
Touch Screen Menu Section
Source Selection Bus
Layer Functions Section
16 PresentationPRO-II • User’s Guide
Page 29
2. Hardware Orientation
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The figure below illustrates the Touch Screen Menu Section. A sample menu is also shown for reference.
H O M E
S R C
B O R D E R
C R O P
H Size < 37.3% > 674 V Size < 58.9% > H Position V Position
TRACK SIZE
3
PIP ADJUSTMENT
452
-34 70
Front Panel Sections
N A V
A D J
1 2

Figure 2-3. Touch Screen Menu Section

1) Touch Screen 2) Rotary Knobs
Following are descriptions of each area:
1) Touch Screen
All menus and functions can be accessed by touching (pressing) the desired label or button on the Touch Screen itself.
S Example: Press the {BORDER} button to access the Border Menu. S Example: Press the V Size line to highlight that line. You can now adjust
V Size using the ADJ rotary knob.
2) Rotary Knobs
Two Rotary Knobs are provided to the right of the Touch Screen. Each knob controls the function that is labeled on the Touch Screen itself, immediately adjacent to the knob. Please note:
~ The Top Knob is generally assigned to navigating fields on the selected
menu. For example, turning the knob moves a highlight up and down a list of parameters, allowing you to adjust the highlighted function. This knob also adjusts adjacent parameters.
PresentationPRO-II • User’s Guide 17
Page 30
2. Hardware Orientation
Front Panel Sections
~ The Bottom knob is used to adjust the adjacent parameter, as labeled
on the Touch Screen.
Important
There is no Enter button. If you adjust a value with the knobs, that function or value is immediately active.
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The figure below illustrates the Source Selection Bus.
Source Selection
6 7 8 SDI1 2 3 4 5

Figure 2-4. Source Selection Bus

Each button represents an input that you can assign to a PIP or a key.
Buttons 1 through 8 correspond to the eight analog inputs on the rear panel.
The SDI button corresponds to the SD-SDI input (SDI Model) or the SD-SDI / HD-
SDI input (HD Model) on the rear panel.
Press a button on the Key effect in the
A source button that is blinking indicates that the source is “pending.” It has been
assigned as the next PIP or Key source, and can be taken to Program with the next transition.
When a source button is lit solid, the source is on Program. It cannot be modified
until its associated PIP or Key button is pressed and blinking.
One solid source (Program) and one blinking source (pending) can appear on the
Source Selection Bus simultaneously.
In Chapter 5, refer to the “ all source setup procedures.
Source Selection Bus to assign the source to the blinking PIP or
Layer Functions Section.
Comprehensive Input Setup” section on page 90 for details on
18 PresentationPRO-II • User’s Guide
Page 31
2. Hardware Orientation
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The figure below illustrates the Layer Functions Section.
Front Panel Sections
BG/DSK PIP KEY LOGO

Figure 2-5. Layer Functions Section

The buttons in the Layer Functions Section enable you to control the layers and effects that transition to and from Program.
Please note the following important points:
The buttons are arranged from left-to-right in order of visual priority — from the
background (at the lowest priority) to the LOGO (at the highest visual priority).
The PresentationPRO-II system enables you to “pend” one transition at a time,
such as a PIP or Key transition, a background, DSK or LOGO transition, or a “clear” function.
Because the mixer has a single scaler, you cannot transition a PIP and a Key
simultaneously . With a PIP on Program, however, you can “pend” a Key. When
TRANS
a Key is on Program, you can pend a PIP.
is pressed, the PIP transitions off and the Key transitions on. Similarly, if
Note
FULL
SCREEN
CLEAR FREEZE RESET TRANS
Layer Functions
Remember that a live Background and the DSK are mutually exclusive. This occurs because the
BG/DSK Input is shared.
Following are descriptions of each button’s function.
Background/DSK Button — press to pend either a Background or a DSK transition,
depending on how the button’s mode is configured (on the
BG/DSK
PIP
KEY
PresentationPRO-II • User’s Guide 19
The button blinks when selected, and the Touch Screen. In Chapter 4, refer to the “ on page 74 for details.
PIP — press to pend a PIP transition or modify the active PIP. The button blinks when
selected, and the refer to the “
KEY — press to pend a Key transition or modify the active Key. The button blinks when
selected, and the refer to the “
with Layers” section on page 102 for complete instructions on all PIP and key modes.
PIP Adjustment Menu appears on the Touch Screen. In Chapter 4,
PIP Adjustment Menu” section on page 57 for details.
Key Adjustment Menu appears on the Touch Screen. In Chapter 4,
Key Menu” section on page 65 for details. In Chapter 6, refer to the “Working
BG/DSK Input Setup Menu appears on the
Background/DSK Input Setup Menu” section
BG/DSK Input Setup Menu).
Page 32
2. Hardware Orientation
Front Panel Sections
LOGO — press to pend a LOGO transition or select the LOGO source. The button blinks
when selected and the
LOGO
Chapter 4, refer to the “ Please note:
The logo is the system’s highest priority layer, to which you can assign one of
PresentationPRO-II’s three internal frame stores.
The LOGO layer is often used as a “black preview” function. If Black is selected
as the “type” on the pending a
The logo is not a live input, and does not have an associated key signal.
Logo Input Setup Menu appears on the Touch Sc re e n. In
LOGO Input Setup Menu” section on page 82 for details.
Logo Input Setup menu, you can fade to black at any time by
LOGO transition.
FULL
SCREEN
CLEAR
FREEZE
RESET
Important
FULL SCREEN — press to take the selected (blinking) PIP or Key to full screen. In each
case, the source’s height will be used as the parameter that defines the full screen size.
All layers are maintained underneath the LOGO. For example, if you have a PIP and a DSK on Program when you transition to the previous "look" is still there.
LOGO, when you mix the LOGO off — the
S Example: If a source’s original dimension is 1280 x 1024, pressing FULL
SCREEN
borders are
In Chapter 6, refer to the “
CLEAR — press to “pend” the removal of the currently selected (blinking) layer from
Program — in the next transition. For example, you can “clear” a PIP, Key, still frame background, DSK or LOGO. In Chapter 6, refer to the “ page 102 for instructions.
FREEZE — press to freeze the selected (blinking) PIP or Key on Program. In Chapter 6,
refer to the “
RESET — press to reset the current effect (e.g., PIP, Key, crop, etc.) to a nominal default
value. You can think of this function as being “context sensitive” — as it resets only the current effect, without affecting other modifications.
Using Freeze” section on page 114 for instructions.
expands (or reduces) that PIP to fill the output screen vertically. If
ON, they will be taken into account so that they are visible.
Using Full Screen” section on page 114 for instructions.
Working with Layers” section on
S Example: If you adjust a PIP’s size, border and shadow, and wish to reset
only the border, navigate to the Border Menu and press Reset.
In Chapter 6, refer to the “
Using Reset” section on page 114 for details.
TRANS — press to transition the pending layer(s) to or from Program — using either a mix
TRANS
or wipe. The wipe patterns, edge types and transition rates are selected using the
.
Menu
Effects
In Chapter 4, refer to the “Effects Menu” section on page 53 for menu details.
In Chapter 6, refer to the “Working with Transitions” section on page 115 for
operational procedures.
20 PresentationPRO-II • User’s Guide
Page 33
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This chapter provides comprehensive installation instruct ions for the PresentationPRO-II system’s hardware. The following topics are discussed:
Safety Precautions
Unpacking and Inspection
Site Preparation
Rack-Mount Installation
Cable and Adapter Information
Input Connection Chart
Installation
PresentationPRO-II • User’s Guide 21
Page 34
3. Hardware Installation

Safety Precautions

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For all PresentationPRO-II installation procedures, please observe the following important safety and handling rules to avoid damage to yourself and the equ ipment:
To protect users from electric shock, ensure that the chassis connects to earth via
the ground wire provided in the AC power Cord.
The AC Socket-outlet should be installed near the equipment and be easily
accessible.
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Before opening the PresentationPRO-II shipping box, inspect it for damage. If you find any damage, notify the shipping carrier immediately for all claims adjustments. As you open the box, compare its contents against the packing slip. If you find any shortages, contact your sales representative.
Once you have removed all the components from their packaging and checked that all the listed components are present, visually inspect the system to ensure there was no damage during shipping. If there is damage, notify the shipping carrier immediately for all claims adjustments.
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The environment in which you install your PresentationPRO-II should be clean, properly lit, free from static, and have adequate power, ventilation, and space for all components.
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The PresentationPRO-II chassis is designed to be rack mounted and is supplied with front rack-mount hardware. Rear rack-mount brackets are available as a kit and are recommended for use when units are mounted in transit cases.
Note
When rack mounting the PresentationPRO-II chassis, remember the following important points:
Maximum ambient operating temperature for the unit is 40 degrees C.
Leave at least one inch of space (front and rear) to ensure that the airflow through
the fan and vent holes is not restricted.
When installing multiple units into a rack, distribute them evenly to prevent
hazardous conditions that may be created by uneven weight distribution.
The PresentationPRO-II chassis can also be used in a “tabletop” configuration, without rack mounting.
22 PresentationPRO-II • User’s Guide
Page 35
3. Hardware Installation

Cable and Adapter Information

Rack mount each PresentationPRO-II chassis from the front rack ears using four
rack screws (not supplied). Rack threads may be metric or otherwise — depending upon the rack type.
Install the lower of the two mounting holes first.
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The table below provides information regarding cables and adapters:
Table 3-1. PresentationPRO-II System Cables and Adapters
Cable Description Note
Input Connections
HD-15 to 5xBNC Breakout Cable Analog input connectors (via breakout) 4 Cables Supplied HD-15 to HD-15 Analog input connections (direct) Customer Supplied DVI to DVI Digital background/DSK connection (direct) Customer Supplied Belden 1694A (recommended) SD-SDI or HD-SDI input connection Customer Supplied Belden RG-59 (recommended) Analog connections (via breakout) Customer Supplied
Output Connections
HD-15 to HD-15 Analog Program output (direct) Customer Supplied DVI to DVI Digital Program output (direct) Customer Supplied
Remote Connections
Ethernet Hub or Switch For use with external controller Customer Supplied RJ-45 Ethernet Cable For use with external controller Customer Supplied
Power Connections
AC Power Cord AC Power, 7 foot, 10A 1 Cord Supplied
PresentationPRO-II • User’s Guide 23
Page 36
3. Hardware Installation

Input Connection Chart

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The following Input Connection Chart is provided to assist with your connections. Please note the following important points:
The mixer has eight analog input connections (scaled), and one SD -SDI input
(SDI model) or one SD-SDI/HD-SDI input (HD model). Additionally, there is one unscaled DVI connection that is shared between background and DSK.
There is a direct correspondence between the first eight buttons on the Source
Selection Bus
button-to-source configuration is required.
There is a direct correspondence between the SDI button in the Source
Selection Bus
additional button-to-source configuration is required.
The Analog inputs can also be used to connect composite, S-Video (Y/C) and
component video. In Chapter 2, refer to the “ page 14 for details.
If a DVI source is connected to the BG/DSK input, it can be used for either a live
background or the DSK (but not both simultaneously). The mode for the button (either
Chart instructions:
Column 1 lists all input connectors.
Column 2 lists additional connector details. Remember that the DVI connector is
digital only. Be sure to check
In Column 3, please list the physical source that supplies the input signal.
In Column 4, please list any notes or details pertaining to the source.
Complete the following
and the eight numbered analog input connections. No addition al
and the SD-SDI (or SD-SDI/HD-SDI) input connection. No
Analog Input Flexibility” section on
BG/DSK
BG or DSK) is set on the BG/DSK Input Setup Menu.
[ 3 ] the desired assignment of BG/DSK input.
Input Connection Chart for your system:
Table 3-2. Input Connection Chart
Input Input Detail Physical Source Note
Analog Input 1 Scaled Analog Input 2 Scaled Analog Input 3 Scaled Analog Input 4 Scaled Analog Input 5 Scaled Analog Input 6 Scaled Analog Input 7 Scaled Analog Input 8 Scaled SDI Input SD-SDI (SDI model), Scaled
BG/DSK Input Digital, Unscaled - BG [ ] DSK [ ]
24 PresentationPRO-II • User’s Guide
SD-SDI/HD-HDI (HD model), Scaled
Page 37
3. Hardware Installation
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The figure below illustrates a block diagram of a basic PresentationPRO-II system. This diagram can be used as reference in the following installation procedure.

Installation

Inputs
Analog Sources to Analog Inputs 1-8
SD-SDI Source to SDI Input (SDI Model)
SD-SDI/HD-SDI Source to SDI Input (HD Model)
DVI Source to BG/DSK Input
Figure 3-1. Block Diagram, Basic PresentationPRO-II System
Program
Projector
Ethernet
(Optional)
Ethernet Hub / Switch
You will need:
Table 3-3. Equipment List, Basic PresentationPRO-II System
Qty. Item Note
Program Out (Analog) Program Out (Digital)
To External Controller
1 PresentationPRO-II Chassis 1 Video Projector and cable Customer supplied 1 Analog Monitor and cable Customer supplied 1 Ethernet Hub or Switch Customer supplied (Optional, with External Controller) 2 Ethernet cables Customer supplied (Optional, with External Controller) 1 DVI-DVI cable Customer supplied (for BG/DSK input) 1 Video cable Customer supplied (for SD-SDI or HD-SDI input) TBD Dedicated sources Analog video as required (customer supplied)
Use the following steps to install PresentationPRO-II:
1. Follow the unpacking proced ure s as list ed in the “Unpacking and Inspection
section on page 22.
2. As required, refer to the “Physical and Electrical Specifications” section on
page 124 in Appendix A for electrical and mechanical details.
3. As required, refer to the “PresentationPRO-II Rear Panel” section on page 12 in
Chapter 2 for the locations of all connectors.
PresentationPRO-II • User’s Guide 25
Page 38
3. Hardware Installation
Installation
4. If you are rack mounting the PresentationPRO-II chassis, follow the rack mount
procedures as outlined in the “
5. Ethernet Connections (optional, for use with an external controller) — a
completely “local” network connection is recommended, without IP connections to the outside world.
a. Using an Ethernet cable, connect the PresentationPRO-II’s Ethernet port
b. Connect the Ethernet Hub or Switch to the external controller’s Ethernet
6. Source Connections a.
b. Using the information from the chart, connect the desired sources to the
7. Output Connections a. One Analog Program Output is provided. Connect this output to the
b. One Digital Program Output is provided: Connect this output to the
8. Power Connection — connect an AC power cord to the AC Power Connector
on the rear of the PresentationPRO-II chassis, and then to AC outlets. Connect AC Power cords (or AC adapters) to all peripheral equipment such as your monitor, projector and source devices. Please note:
~ Connect each unit only to a properly rated supply circuit. ~ Reliable grounding (earthing) of rack-mounted equipment should be
9. Power On — turn on power to all units.
10. Display Calibration — calibrate the Touch Screen display using the Display
Settings Menu
following the prompts to calibrate the display.
This completes the hardware installation procedure. Please continue with Chapter 4, “
Menu Orientation.”
Rack-Mount Installation” section on page 22.
to a Hub or Switch.
port.
As an important prerequisite, complete the “Input Connection Chart” on page 24 to streamline your source installation procedure.
analog and digital input connectors as required.
input of your analog projector, or analog Program monitor.
input of your digital projector, or digital Program monitor.
maintained.
. From the Home Menu, press {DISPLAY} > {LCD CAL}, and
26 PresentationPRO-II • User’s Guide
Page 39
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This chapter describes all PresentationPRO-II system menus, including how they are accessed, the functions that are available, and simple descriptions of each menu tree (in block diagram format).
The following menus are discussed:
Home Menu
Input Menu
Output Menu
System Menu
Effects Menu
Status Menu
Display Settings Menu
PIP Adjustment Menu
Key Menu
Input Source Adjustment Menu
Background/DSK Input Setup Menu
Frame Grab Menu
LOGO Input Setup Menu
Remote Control Menu
Note
PresentationPRO-II • User’s Guide 27
Button labels on the touch screen menus are shown in bold upper and lowercase letters between braces.
S Press {BORDER} to …
Page 40
4. Menu Orientation

Home Menu

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The figure below illustrates the Home Menu:
PresentationPRO II
INPUT
STATUS
Figure 4-1. Home Menu
The Home Menu is the system’s top level menu, from which all other menus can be accessed. To access a menu, press the desired button on the touch screen. You can also return to the itself. The {
The following menus can be accessed from the
Home Menu by pressing the {Home} button from within an adjustment menu
Home} button is always the top left button on a screen.
OUTPUT
DISPLAY
SYSTEM
FRAME
GRAB
Home Menu:
EFFECTS
REMOTE
CONTROL
Press {INPUT} to access the “Input Menu.”
Press {OUTPUT} to access the “Output Menu.”
Press {SYSTEM} to access the “System Menu.”
Press {EFFECTS} to access the “Effects Menu.”
Press {STATUS} to access the “Status Menu.”
Press {DISPLAY} to access the “Display Settings Menu.”
Press {FRAME GRAB} to access the “Frame Grab Menu.”
Press {REMOTE CONTROL} to access the “Remote Control Menu.”
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The following global rules apply to all menus:
Parameters and values displayed between brackets (e.g., [525] ) cannot be
changed.
Press {HOME} to return to the Home Menu.
Press {BACK} to return to the menu from which you accessed the current menu.
28 PresentationPRO-II • User’s Guide
Page 41
4. Menu Orientation
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The following topics are discussed in this section:
Input Menu Tree
Input Menu Description
Input Menu Functions
Input Pre and Sub Menus
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The figure below illustrates the Input Menu tree:

Input Menu

Source Selection
Input
Configuration
Menu
Aspect Ratio
Menu
HOME MENU
INPUT
H O M E
C F G
A R
S A V E
SELECT
FORMAT
1
INPUT MENU
SIZING
COLOR
BALANCE
Input
Acquisition
Menu
FORCE
ACQUIRE
Sizing
Menu

Figure 4-2. Input Menu Tree

Color
Balance
Menu
All functions, sub menus and “pre-menus” are discussed in the following sect ions.
PresentationPRO-II • User’s Guide 29
Page 42
4. Menu Orientation
Input Menu
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The figure below illustrates a sample Input Menu:
H O M E
INPUT MENU SRC_3
Format 1024 x 768 @ 59.94
Input Type
[ RGB ]
N A V
C F G
A R
S A V E
Color Space Sampling Mode Contrast < % > 100.0 Brightness < % > 100.0 Gamma 1.0 Input Sync Type H/V Pulldown Compensation On
SELECT FORMAT
Figure 4-3. Input Menu (sample)
SIZING
COLOR
BALANCE
[ RGB ]
[ 1:1 ]
FORCE
ACQUIRE
A D J
The Input Menu is used to adjust all parameters relating to inputs. Using the menu, you can set all of the configuration options for the selected source.
There are several ways to access the menu:
Press {INPUT} on the Home Menu.
Press PIP or KEY in the Layer Functions Section, then press an input on the
Source Selection Bus and ensure the button is blinking. If the Input Acquisition Menu appears (because the source has not yet been saved, or
because video has not been detected), press {
Input Menu, the currently selected input is shown in the menu’s upper right corner
On the
SRC_3). The menu tracks the selected input, thus, if you switch inputs on the
(e.g.,
Source Selection Bus, the menu is immediately re-assigned to the new input.
INPUT}.
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The following Input Menu functions are provided:
Format — this line performs two functions: ~ Displays the resolution that is automatically determined by the FORCE
ACQUIRE
~ Enables you to set the resolution of the incoming source if desired. Once
the format is selected manually with the rotary knob, press
FORMAT} to “accept” the selection.
30 PresentationPRO-II • User’s Guide
function.
{SELECT
Page 43
4. Menu Orientation
Input Menu
In Appendix A, refer to the “Input and Output Resolutions“ section on page 129 for additional details regarding resolutions.
Note
Selecting a format manually will automatically default the
Input Type. In some cases, the Input Type cannot be
changed due to the selected resolution.
Input T ype — sets the type of input connected to the PresentationPRO-II, such as
RGB, SD, HD or Composite. Available choices selected format. Selections include
and HD SDI
.
RGB, YP
change depending on the
, Composite/S-Video, SDI
bPr
Color Space — sets the input’s color space. Choices include SMPTE and RGB.
Note that the system will automatically set the Color Space based on the selected
Format and Input Type.
Sampling Mode — sets the sampling mode for the selected input, either 1:1 or
oversample.
~ When 1:1 Sampling is selected, the system provides pixel-for-pixel
sampling, and generally better image quality.
~ When Oversample is selected, the system performs multiple samples
for every pixel, with a resulting “softer” image.
Contrast — sets the input’s contrast. The adjustment range is from 75% to
125%.
Brightness — sets the input’s brightness. The adjustment range is from 75% to
125%.
Gamma — sets the input gamma, enabling you to match the gamma of the
source. The adjustment range is from 1.0 to 3.0, in 0.1 increments.
Input Sync Type — sets the type of sync used by the selected source. Choices
include H/V, CSync (composite sync), SOG (sync on green) and Auto.
Pulldown Compensation — (On/Off) This function is applicable only for
standard video (component, s-video, composite) inputs. The default mode is off. The feature should be turned on to process video derived from film material.
Sync Slice <mv> — This function selects the sync comparator threshold for
RGsB (RGB with Sync on Green) or YP The value ranges from 20mV to 280mV and is adjustable in steps of 10mV. The default value is 160mV.
When PresentationPRO-II detects Macrovision YP
NTSC/PAL video, the Sync Slice value is repositioned to 60mV to account
bPr
for the reduced amplitude sync pulse.
analog component video sources.
bPr
®
copy protection on incoming
Note
The default Sync Slice level has been optimized for virtually all sources that will be encountered and should rarely, if ever, require adjustment. However, the ability to adjust the Sync Slice
level is provided to improve sync detection and
synchronization in cases of extremely noisy RGsB or YP video signals.
bPr
Sharpness — sets the input’s sharpness. The adjustment range is from -10 (soft)
to 10 (sharp).
PresentationPRO-II • User’s Guide 31
Page 44
4. Menu Orientation
Input Menu
Press {CFG} to display the Input Configuration Menu. Refer to the “Input
Press {AR} to display the Aspect Ratio Menu. Refer to the “Aspect Ratio Menu
Press {SA VE} to save the selected input in the designated input file.
Configuration Menu” section on page 34 for details.
section on page 38 for details.
Note
Every sub menu under the Input Menu includes a {SAVE} button. This enables you to save the input at any point in the adjustment process, regardless of your location within the menu tree. The “save” function uses the information selected on the
Input Configuration Menu.
Press {SELECT FORMAT} to “accept” a manually selected input format. In
Appendix A, refer to the “ details on all available resolutions.
Input and Output Resolutions“ section on page 129 for
Press {SIZING} to display the Sizing Menu. Refer to the “Sizing Menu” section
on page 35 for details.
Press {COLOR BALANCE} to display the Color Balance Menu. Refer to the
Color Balance Menu” section on page 37 for details.
Press {FORCE ACQUIRE} to force the system to perform the optimum image
setup.
Note
The FORCE ACQUIRE command only works on the
selected input — not on all inputs simultaneously.
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The following pre and sub menus can be accessed from the Input Menu:
Input Acquisition Menu
Input Configuration Menu
Sizing Menu
Color Balance Menu
Aspect Ratio Menu
32 PresentationPRO-II • User’s Guide
Page 45
4. Menu Orientation
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The figure below illustrates a “pre” menu — the Input Acquisition Menu.
H O M E
S A V E
Input Menu
INPUT ACQUISITION SRC_3 Source acquired. Select INPUT to adjust source or SAVE to save configuration.
INPUT
Figure 4-4. Input Acquisition Menu: No File Saved (sample)
There are two situations in which the Input Acquisition Menu can appear:
1. After a factory reset has been performed, the Input Acquisition Menu
automatically appears when you first select a source — but
prior to pressing
TRANS for the first time. As each source button is pressed, the system acquires
the video and displays the menu. The following options are available:
~ Press {SAVE } to save the source and display the Input Menu, or ... ~ Press {INPUT} to display the Input Menu without saving the source.
In this way, you can quickly acquire and save all nine inputs.
2. After TRANS has been pressed for the first time, the Input Acquisition Menu will
appear when you (a) select a source that has press
TRANS to transition that source to Program. Here also, the menu is
displayed and you can save the source.
Once the source has been saved, the
Input Acquisition Menu will not be shown again,
unless the system discovers that video is not present. If you select a source and there is a video mismatch, if video is not present or if the
acquisition fails, one of the following messages will appear:
File mismatch or no video detected. Check cable connections for input _______ . Ensure video source is present. Select FORCE ACQUIRE once video is reconnected.
not been previously saved, and (b)
Source acquisition failed. Check cable connections for input _______ . Ensure video source is present. Select FORCE ACQUIRE once video is reconnected.
Figure 4-5. Input Acquisition Menu: Mismatch or No Video (sample)
PresentationPRO-II • User’s Guide 33
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4. Menu Orientation
Input Menu
In this situation, the following actions are recommended:
Check all cable connections for the selected input.
With a connection established, press {FORCE ACQUIRE} to perform the optimum
Press {INPUT} to display the Input Menu without performing a FORCE
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From the Input Menu, press {CFG} to display the Input Configuration Menu , a sample of which is shown below:
H O M E
B A C K
image setup and automatically display the
ACQUIRE
INPUT CONFIGURATION SRC_3
File Number [ 3 ]
File Name [ IFILE_003 ]
.
Input Menu, or ...
N A V
A D J
SAVE DELETE
Figure 4-6. Input Configuration Menu (sample)
Each input has an associated input file that stores all input parameters and settings. Each time an input is selected in the
The
Input Configuration Menu enables you to save the input’s associated file — which
Source Selection Bus, its associated file is recalled.
guarantees that the exact parameters you set are those that are used on air. The following functions are provided:
File Number — sets the file number into which data is stored. In the current
version, the file number automatically defaults to the input number and cannot be changed.
File Name — sets the alphanumeric file name. In the current version, the file
name automatically defaults to the input name and cannot be changed.
Press {SAVE} to save the selected input in the designated input file.
Press {DELETE} to delete the selected input file.
34 PresentationPRO-II • User’s Guide
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4. Menu Orientation
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From the Input Menu, press {SIZING} to display one of two Sizing Menus. These menus are context sensitive — they
Input Menu.
If 1:1 Sampling is selected, the 1:1 Sizing Menu appears.
If Oversample is selected, the Oversample Sizing Menu appears.
Each menu and function is described below.
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The figure below illustrates a sample 1:1 Sizing Menu.
H O M E
change depending on the Sampling Mode selected on the
1:1 SIZING SRC_3
Clock Phase 0
H Total
[ 858 ]
Input Menu
N A V
B A C K
S A V E
H Active H Position V Total V Active V Position
Figure 4-7. 1:1 Sizing Menu (sample)
720 123
[ 0 ]
486
36
A D J
Clock Phase — sets the system’s A/D converter, allowing you to select where
pixels are sampled (ideally, on the pixel’s peak). The adjustment range is
15. For optimum visual results when adjusting high-resolution computer sources,
project a burst test pattern and adjust the sampling for the minimum noise. Refer to the “
Test Pattern Menu” section on page 42 for information.
-16 to
H Total — sets the total pixel count per line.
Note
This field is not adjustable for digital sources (including both the DVI and BNC input connectors), or for NTSC and PAL sources, regardless of connection type.
H Active — sets the width of the active area.
H Position — sets the start of the active area’s horizontal offset from H sync.
V Total — fixed value which cannot be adjusted.
V Active — sets the number of vertical lines in the image.
V Position — sets the start of the active area’s vertical offset from V sync.
Press {SAVE} to save the selected input in the designated input file.
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4. Menu Orientation
Input Menu
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The figure below illustrates a sample Oversample Sizing Menu.
H O M E
OVERSAMPLE SIZING SRC_3
Right Edge 4062
Left Edge
606
N A V
B A C K
S A V E
Top Edge Bottom Edge
36
519
A D J
Figure 4-8. Oversample Sizing Menu (sample)
With Oversample enabled, four timing parameters are provided that enable you to adjust the image to properly fit the image’s raster box.
Select and adjust Right Edge, Left Edge, Top Edge or Bottom Edge as
required, to fit the image precisely in its raster box.
Press {SAVE} to save the selected input in the designated input file.
36 PresentationPRO-II • User’s Guide
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4. Menu Orientation
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From the Input Menu, press {COLOR BALANCE} to display the Color Balance Menu, a sample of which is shown below.
H O M E
B A C K
COLOR BALANCE SRC_3
Saturation < % > 100
Hue 0
Input Menu
N A V
S A V E
RESET
ALL
Figure 4-9. Color Balance Menu (sample)
A D J
The Color Balance Menu changes depending on the selected Input Type.
When RGB sources are selected, the menu provides individual contrast and
brightness adjustments for R, G and B. Adjustment range is -25% to +25%.
~ Adjust Red Contrast and Brightness as required. ~ Adjust Green Contrast and Brightness as required. ~ Adjust Blue Contrast and Brightness as required.
When Composite, S-Video or YP
is selected:
bPr
~ Adjust Saturation as required. The adjustment range is 75% to 125%. ~ Adjust Hue as required. The range (in degrees) is -90.0 to 90.0.
Note
When the Input Type is YP because Hue does not apply to this type of source.
, the Hue field reads “N/A
bPr
Press {SAVE} to save the selected input in the designated input file.
Press {RESET ALL} to return all parameters to their default values.
PresentationPRO-II • User’s Guide 37
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4. Menu Orientation
Input Menu
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From the Input Menu, press {AR} to display the Aspect Ratio Menu, a sample of which is shown below.
H O M E
B A C K
ASPECT RATIO SRC_3
Mode Custom
Ratio 1.279
N A V
S A V E
A D J
Figure 4-10. Aspect Ratio Menu (sample)
The Aspect Ratio Menu enables you to change the image’s aspect ratio to pre-defined configurations, or enter a “custom” configuration if desired.
Mode — select 16:9, 5:4, 4:3, 3:2, 1:1 or Custom aspect ratios.
Ratio — when Custom is selected, the Ratio line appears. Enter a custom
aspect ratio as desired. The field is hidden when pre-defined ratios are selected.
Press {SAVE} to save the selected input in the designated input file.
38 PresentationPRO-II • User’s Guide
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4. Menu Orientation
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The following topics are discussed in this section:
Output Menu Tree
Output Menu Description
Output Menu Functions
Output Sub Menus
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The figure below illustrates the Output Menu tree:

Output Menu

HOME MENU
OUTPUT
H O M E
OUTPUT MENU
SELECT
FORMAT

Figure 4-11. Output Menu Tree

All functions and sub menus are discussed in the follow i ng sections.
SETTINGS
Settings
Menu
TEST
PATTERN
Test
Pattern
Menu
PresentationPRO-II • User’s Guide 39
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4. Menu Orientation
Output Menu
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The figure below illustrates a sample Output Menu:
H O M E
S A V E
OUTPUT MENU
Format 1024x768 @ 59.94
Color Space [ RGB ]
Press SELECT FORMAT to select the output resolution.
DVI EDID format can be adjusted to match the output format in The HOME > SYSTEM > EDID menu.
N A V
A D J
SELECT FORMAT
Figure 4-12. Output Menu (sample)
SETTINGS
TEST
PATTERN
The Output Menu enables you to configure PresentationPRO-II’s outputs, including the ability to show test patterns. To access the menu:
Press {OUTPUT} on the Home Menu.
On the menu, note that brief “help” messages are displayed to assist you with format selection and EDID programming.
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The following Output Menu functions are provided:
Format — sets the resolution and frame rate at which you want to drive your
projector. To minimize synchronization problems, select a frame rate that is consistent with your input sources.
S Example: If you are using 59.94 NTSC video inputs, run the output at the
same rate in order to reduce jutter artifacts.
After selecting a format with the rotary knob, press { “accept” the selection. In Appendix A, refer to the “
Resolutions“ section for details on all available resolutions.
Color Space — displays the output color space, which is fixed at RGB.
Press {SAVE} to save all output settings in the output file.
Press {SELECT FORMAT} to “accept” an output format. In Appendix A, see the
Input and Output Resolutions“ section for details on available resolutions.
Press {SETTINGS} to display the Settings Menu. Refer to the “Settings Menu
section on page 41 for details.
Press {TEST PATTERN} to display the Test Pattern Menu. Refer to the “Test
Pattern Menu” section on page42 for details.
SELECT FORMA T } to
Input and Output
40 PresentationPRO-II • User’s Guide
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4. Menu Orientation
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The following sub menus can be accessed from the Output Menu:
Settings Menu
Test Pattern Menu
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From the Output Menu, press {SETTINGS} to display the Settings Menu, a sample of which is shown below.
H O M E
SETTINGS
Sync Out -H-V
SOG Off
Output Menu
N A V
B A C K
Gamma 1.0
Figure 4-13. Settings Menu (sample)
A D J
The Settings Menu enables you to set sync parameters for the monitor and projector connected to the system.
Sync Out — sets the desired sync value. Select +H+V, -H-V, +H-V , -H+V or
CSync.
SOG — turns the “sync on green” signal Off or On.
Gamma — sets the output gamma to match that of your projector. The default
value is 1.0.
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4. Menu Orientation
Output Menu
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From the Output Menu, press {TEST P ATTERN} to display the Test Pattern Menu, a sample of which is shown below.
H O M E
B A C K
TEST PATTERN
Type Burst
Raster Box On
N A V
A D J
Figure 4-14. Test Pattern Menu (sample)
The Test Pattern Menu enables you to display a variety of test patterns, for system and projector alignment.
Type — sets the test pattern. Choose between: ~ Off ~ H Ramp, V Ramp ~ 100% Color Bars, 75% Color Bars ~ 16x16 Grid, 32x32 Grid ~ Burst ~ 50% Gray, Gray Steps 1, Gray Steps 2 ~ White, Black, Red, Green, Blue
Note
When the test pattern is enabled, it assumes the highest visual priority and covers all effects beneath. When disabled, the effects once again re-appear.
Raster Box — displays a raster box defined by the exact outer edges of the
selected output resolution. For example, if the outpu t is set to 1024 x 768, the raster box will encapsulate that exact format. Please note:
~ The Burst test p attern is the only pattern that is smaller than the selected
output resolution. When the will appear within its boundaries.
Raster Box is enabled, the Burst pattern
~ The Raster Box can be enabled when the test pattern is Off.
42 PresentationPRO-II • User’s Guide
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4. Menu Orientation
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The following topics are discussed in this section:
System Menu Tree
System Menu Description
System Menu Functions
System Sub Menus
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The figure below illustrates the System Menu tree:

System Menu

HOME MENU
SYSTEM
Reset Menu
Software
Version Menu
Diagnostics
Menu
Rotary Encoder Menu Key Detect Menu
H O
M
E
R E S E T
SW
V E R
D
I A G
CONSOLE
Console
Port Setup
Menu

Figure 4-15. System Menu Tree

SYSTEM MENU
EDID
EDID DVI
Input Format
Menu
Support Menu
TECH
SUPPORT
Technical
All functions and sub menus are discussed in the follow i ng sections.
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4. Menu Orientation
System Menu
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The figure below illustrates a sample System Menu:
H O M E
R E S E T
SW
V E R
D
I A G
SYSTEM MENU
CONSOLE SAVE
Figure 4-16. System Menu (sample)
EDID
TECH
SUPPORT
The System Menu enables you to configure PresentationPRO-II using various functions and sub menus. To access the menu:
Press {SYSTEM} on the Home Menu.
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The following System Menu functions are provided:
Press {RESET} to display the Reset Menu. Refer to the “Reset Menu” section on
page 48 for details.
Press {SW VER} to display the Sof tware Version Menu. Refer to the “Software
Version Menu” section on page 49 for details.
Press {DIAG} to display the Diagnostics Setup Menu. Refer to the
Diagnostics Setup Menu” section on page 45 for details.
Press {CONSOLE} to display the Console Port Setup Menu. Refer to the
Console Port Setup Menu” section on page 50 for details.
Press {EDID} to display the EDID DVI Input Format Menu. Refer to the “EDID
DVI Input Format Menu” section on page 51 for details.
Press {TECH SUPPORT} to display the Technical Support Menu. Refer to the
T e ch ni ca l Sup po rt Menu” section on page 52 for details.
Press {SAVE} to save all settings in the system file.
44 PresentationPRO-II • User’s Guide
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4. Menu Orientation
pулнЙг=pмД=jЙемл
The following sub menus can be accessed from the System Menu:
Diagnostics Setup Menu
Reset Menu
Software Version Menu
Console Port Setup Menu
EDID DVI Input Format Menu
T echnical Support Menu
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From the System Menu, press {DIAG} to display the Diagnostics Setup Menu, a sample of which is shown below.
H O M E
DIAGNOSTICS SETUP
Reset Rotary Encoders Yes
NVRAM Battery [ OK ]
N A V
System Menu
B A C K
A D J
START
LED TEST
Figure 4-17. Diagnostics Setup Menu (sample)
ROTARY
ENCODER
KEY
DETECT
The Diagnostics Setup Menu enables you to perform a variety of diagnostic tests on the PresentationPRO-II. The following functions are provided:
Reset Rotary Encoders — (Y es/No) determines whether or not you wish to reset
the rotary encoder values when you exit the
Rotary Encoder Menu.
NVRAM Battery — displays the condition of the system’s NVRAM battery.
Press {START LED TEST} to begin testing all LEDs. The test takes several
minutes to complete. Press {
EXIT} at the conclusion of the test.
Press {ROTARY ENCODER} to display the Rotary Encoder Menu. Refer to the
Rotary Encoder Menu” section on page 46 for details.
Press {KEY DETECT} to display the Key Detect Menu. Refer to the “Key Detect
Menu” section on page 47 for details.
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4. Menu Orientation
System Menu
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From the Diagnostics Setup Menu, press {ROTARY ENCODER} to display the Rotary
Encoder Menu
E X
I
T
, a sample of which is shown below.
ROTARY ENCODER DIAGNOSTICS
Rotary #
1
RelCnt
0
AbsCnt
0
2
Figure 4-18. Rotary Encoder Menu (sample)
0
0
The Rotary Encoder Menu enables you to test the functionality of each rotary encoder, displaying both relative and absolute counts for each.
Press {EXIT} to return to the Diagnostics Setup Menu.
46 PresentationPRO-II • User’s Guide
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4. Menu Orientation
hЙу=aЙнЙЕн=jЙем
From the Diagnostics Setup Menu, press {KEY DETECT} to display the Key Detect
Menu
, a sample of which is shown below.
E X
I
T
Key Label: Key Status:
System Menu
KEY DETECTION DIAGNOSTICS
SOURCE 1
Released
Key Scan Code:
Please select any key.
Figure 4-19. Key Detect Menu (sample)
0x81
row=1 col=0
The Key Detect Menu shows you the key that is pressed, its status (pressed or released) its scan code and its location in the button matrix.
Press {EXIT} to return to the Diagnostics Setup Menu.
PresentationPRO-II • User’s Guide 47
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4. Menu Orientation
System Menu
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From the System Menu, press {RESET} to display the Reset Menu:
H O M E
B A C K
SYSTEM RESET
SOFTReset Type
RESET
N A V
A D J
Figure 4-20. Reset Menu
The Reset Menu enables you to perform various system reset functions. The following functions are provided:
Reset Type — selects the specific type of reset that you wish to perform. Choose
between defined configurations, while
SOFT or FACTORY. Note that selecting SOFT will not delete any user
FACTORY deletes all user configurations.
Press {RESET} to perform the selected reset operation. When the confirmation
screen appears:
~ Press {YES} to start the reset procedure. An “In Progress” message will
be displayed.
~ Press {NO} to cancel the procedure.
Note
A factory reset will erase any “frame grab” images that have been stored in flash memory.
48 PresentationPRO-II • User’s Guide
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4. Menu Orientation
pзСнп~кЙ=sЙклбзе=jЙем
From the System Menu, press {SW VER} to display the Software Version Menu, a sample of which is shown below.
H O M E
B A C K
System Menu
SOFTWARE VERSION
PrePRO II 1.00
Figure 4-21. Software Version Menu (sample)
The Software Version Menu enables you to display and verify the system’s software version. The following functions are provided:
PresentationPRO-II — displays the system’s current software version.
PresentationPRO-II • User’s Guide 49
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4. Menu Orientation
System Menu
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From the System Menu, press {CONSOLE} to display the Console Port Setup Menu, a sample of which is shown below.
H O M E
CONSOLE PORT SETUP
Baud Rate 115200
N A
8Data Bits
V
B A C K
Figure 4-22. Console Port Setup Menu (sample)
NONEParity
1Stop Bits
A D J
The Console Port Setup Menu enables you to set the PresentationPRO-II’s RS-232 communications parameters for serial port 1.
Baud Rate — sets the desired baud rate (9600, 14400, 19200, 28800, 38400,
57600, 115200).
Data Bits — sets the desired number of data bits (7 or 8).
Parity — sets the desired parity (None, Even, or Odd).
Stop Bits — sets the desired number of stop bits (1 or 2).
50 PresentationPRO-II • User’s Guide
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4. Menu Orientation
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From the System Menu, press {EDID} to display the EDID DVI Input Format Menu, a sample of which is shown below.
H O M E
System Menu
EDID DVI Input Format
Format 1280 x 1024 @ 60
B A C K
To change EDID for BG/DSK, select the desired format and select Program EDID.
Figure 4-23. EDID DVI Input Format Menu (sample)
[ 1280 x 1024 @ 60 ]Current:
A D J
PROGRAM
EDID
The EDID DVI Input Format Menu enables you to update the system’s preferred EDID
Note
BG/DSK input.
This menu is designed for advanced users only. Do not
resolution for the
program the EDID unless it is necessary.
Extended Display Identification Data (EDID) is a VESA standard data format that contains information about a display device and its resolution capabilities, both preferred and allowed. The PresentationPRO-II EDID file is stored in non-volatile memory. This file is read by an external computer’s DVI graphic card when the DVI output is connected to the PresentationPRO-II’s
BG/DSK input connector during boot-up.
Format — select the preferred DVI video format with which you want to program
the PresentationPRO-II’s EDID non-volatile memory
Current — displays the current EDID video format that resides in memory.
Press {PROGRAM EDID} to program EDID with the new selected format. A
warning message will be shown.
Note
Once EDID programming is complete on PresentationPRO-II, you will be prompted to power down the external computer, power it back on again, and then ensure that the computer’s format is set to match.
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4. Menu Orientation
System Menu
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From the System Menu, press {TECH SUPPORT} to display the Technical Support
:
Menu
H O M E
B A C K
TECHNICAL SUPPORT
PrePRO II 1.00 Phone: 866-374-7878
Figure 4-24. Technical Support Menu (sample)
The Technical Support Menu lists the current version of PresentationPRO-II software, and displays the company’s Technical Support phone number.
52 PresentationPRO-II • User’s Guide
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4. Menu Orientation
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The figure below illustrates a sample Effects Menu:
H O M E

EFFECTS MENU

Transition Rate 1.0
Transition Type Mix Transition Edge 16
Effects Menu
N A V
A D J
Figure 4-25. Effects Menu (sample)
The Effects Menu allows you to modify and manage effects, including the ability to set the transition type, rate and wipe pattern. The following functions are provided:
Transi tion Rate — set s the transition rate that is used when the TRANS button is
pressed (and a Mix or Wipe pattern is selected). The transition value is in 0.1 second increments.
Transi tion Type — sets the type of transition that occurs when the TRANS button
is pressed — either a
Mix, or one of several Wipe patterns.
Transi tio n E dge — sets the edge width (in pixels) for the selected wipe pattern.
PresentationPRO-II • User’s Guide 53
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4. Menu Orientation

Status Menu

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The Status Menu provides basic software version information, as shown in the sample menu below:
H O M E
SYSTEM STATUS
PrePRO II 1.00
Figure 4-26. Status Menu (sample)
The following status information is provided:
PresentationPRO-II — displays the system’s current software version.
54 PresentationPRO-II • User’s Guide
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4. Menu Orientation
aблйд~у=pЙннбеЦл=jЙем
The Display Settings Menu enables you to adjust the displays brightness and contrast, as well as calibrate the display. A sample menu is shown below:

Display Settings Menu

DISPLAY SETTINGS
H O M E
Brightness 85 Contrast 97
RESET
Figure 4-27. Display Settings Menu (sample)
LIGHT
ADJUST
LCD CAL
B R
I T E
C
O
N T R A S T
The following display adjustments are provided:
Brightness — use the top rotary knob to adjust the display’s brightness.
Contrast — use the middle rotary knob to adjust the display’s contrast.
Press {RESET} to return the display’s settings to factory default values.
Press {LIGHT ADJUST} to adjust the backlight of the front panel buttons. The
Keypad Backlight Menu appears. Refer to the “Keypad Backlight Menu
section on page 56 for details.
Press {LCD CAL} to calibrate the touch screen display to your finger, or to a
stylus. Once pressed, you will be prompted to touch the center of a target three times. At the conclusion of the procedure, the display is calibrated and the system returns to the
Home Menu.
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4. Menu Orientation
Display Settings Menu
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From the Display Settings Menu, press {LIGHT ADJUST} to display the Keypad
Backlight Menu
A sample menu is shown below:
H O M E
B A C K
, which enables you to adjust the backlight of all “dim” front panel buttons.
KEYPAD BACKLIGHT
Keypad Backlight 10
A D J
Figure 4-28. Keypad Backlight Menu (sample)
The following adjustments are provided:
Keypad Backlight — use the top rotary knob to adjust the backlight of all “dim”
(un-selected) front panel buttons. This adjustment will assist overall button visibility in dark control room or stage settings.
56 PresentationPRO-II • User’s Guide
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4. Menu Orientation
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The following topics are discussed in this section:
PIP Adjustment Menu Tree
PIP Adjustment Menu Description
PIP Adjustment Menu Functions
PIP Adjustment Sub Menus
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The figure below illustrates the PIP Adjustment Menu tree:

PIP Adjustment Menu

PIP
Shadow Menu
Pip Adjustment Menu Border Menu Input Source Adjustment Menu
Image Effects Me n u
Pip Adjustment Menu Border Menu Shadow Menu

Figure 4-29. PIP Adjustment Menu Tree

Home Menu
Input Source
Adjustment Menu
Pip Adjustment Menu Border Menu Crop Menu
Border Menu
Pip Adjustment Menu
Crop Menu
Pip Adjustment Menu Border Menu Input Source Adjustment Menu
H O
M
E
S R C
ADJUSTMENT
B O R D E R
C R O P
MENU
PIP
All functions and sub menus are discussed in the follow i ng sections.
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4. Menu Orientation
PIP Adjustment Menu
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The figure below illustrates a sample PIP Adjustment Menu:
H O M E
V Size < 58.9% >
PIP ADJUSTMENT
674H Size < 37.3% >
452
N A V
S R C
B O R D E R
C R O P
H Position V Position
TRACK SIZE
3
Figure 4-30. PIP Adjustment Menu (sample)
-34 70
A D J
The PIP Adjustment Menu provides tools that enable you to adjust the acti ve PIP. To access the menu:
Press the PIP button in the Layer Function Section.
The menu will immediately appear on the Touch Screen display.
Note
If you select a source button and both the PIP and KEY buttons are off, the system displays a brief prompt: “
KEY must be selected
.”
PIP or
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The following PIP Adjustment Menu functions are provid ed :
H Size — adjusts the PIP’s horizontal size. The “%” value indicates the PIP’s size
as a percentage of the screen’s horizontal resolution. The numeric value is the PIP’s width in pixels.
V Size — adjusts the PIP’s vertical size. The “%” value indicates the PIP’s size as
a percentage of the screen’s vertical resolution. The numeric value is the PIP’s height in pixels.
H Position — indicates the PIP’s position, relative to the horizontal center of the
screen ( 34 pixels to the left of center.
V Position — indicates the PIP’s position, relative to the vertical center of the
screen ( 70 pixels above center.
58 PresentationPRO-II • User’s Guide
00), as measured from the exact center of the PIP. Thus, the value -34 is
00), as measured from the exact center of the PIP. Thus, the value 70 is
Page 71
4. Menu Orientation
Press {SRC} to display the Input Source Adjustment Menu. Refer to the “Input
Press {BORDER} to display the Border Menu. Refer to the “Border Menu
Press {CROP} to display the Crop Menu. Refer to the “Crop Menu” section on
Enable {TRACK SIZE} to lock H Size and V Size together. Regardless of the
PIP Adjustment Menu
Source Adjustment Menu” section on page 71 for details.
section on page 60 for details.
page 61 for details.
PIP’s current aspect ratio, its size will adjust proportionally when you adjust either
H or V size.
When {
TRACK SIZE} is disabled, you can do the following:
~ Adjust H SIZE to adjust only the horizontal size, leaving the vertical size
alone. In this way, you can stretch the PIP horizont a lly.
~ Adjust V SIZE to adjust only the vertical size, leaving the horizontal size
as is. In this way, you can stretch the PIP vertically.
Note
To return the PIP to its default size and aspect ratio, press the
RESET button in the Layer Functions Section. No other
parameters (such as
Shadow or Border) will be affected.
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The following sub menus can be accessed via the PIP Adjustment Menu:
Border Menu
Crop Menu
Shadow Menu
Image Effects Menu
Input Source Adjustment Menu
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4. Menu Orientation
PIP Adjustment Menu
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From the PIP Adjustment Menu, the Input Source Adjustment Menu, the Shadow
Menu
or the Image Effects Menu, press {BORDER} to display the Border Menu, a
sample of which is shown below.
H O M E
BORDER
Mode On
Style
N A
5
V
P P
S H A D O
W
E F X
Color: Red
I
Size Specified In Size < % of PIP > 10.2
Figure 4-31. Border Menu (sample)
Green Blue
609 600 531
% of PIP
A D J
The Border Menu enables you to add a border to a PIP, and adjust its shape, style and color as desired. The following functions are provided:
Mode — enables or disables the PIP’s border.
Style — select one of many border styles, including single color and dual color
with various combinations of soft edge.
Color — enables you to individually adjust the border’s Red, Green and Blue
attributes as desired.
Size Specified In — select the method by which you want to specify the border
size, either as a percentage of the PIP size or in pixels.
Size — adjust’s the border size, using the method selected on the “Size
Specified In
the system auto converts one display method to the other.
” line. Note that if “% of PIP” is selected and you switch to “Pixels,”
Press {PIP} to return to the PIP Adjustment Menu. Refer to the “PIP
Adjustment Menu Functions” section on page 58 for details.
Press {SHADOW} to display the Shadow Menu. Refer to the “Shadow Menu
section on page 62 for details.
Press {EFX} to display the Image Effects Menu. Refer to the “Image Effects
Menu” section on page 63 for details.
Note
To remove any border effects from the PIP, press the RESET button in the (such as
Layer Functions Section. No other parameters
Size or Crop) will be affected.
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4. Menu Orientation
`êçé=jÉåì
From the PIP Adjustment Menu, the Input Source Adjustment Menu, the Key Menu, or
Key Adjustment Menu, press {CROP} to display the Crop Menu.
the
H O M E
CROP ADJUSTMENT
H Size < 46.9% > 480
V Size < 46.9% >
360
PIP Adjustment Menu
N A V
S R C
B O R D E R
P P
Crop Type Aspect Ratio Mode Ratio 1.333
I
TRACK SIZE
3
Figure 4-32. Crop Menu (sample)
ALL-SIDES
4:3
A D J
The Crop Menu lets you crop the sides of a PIP or a Key — individually or proportionally, without affecting the size of the source image. The following functions are provided:
H Size — adjusts the PIP or Key’s horizontal size. The “%” value indicates size as
a percentage of the screen’s horizontal resolution. The numeric value is the width in pixels. If {
TRACK SIZE} is enabled, H and V crop proportionally.
V Size — adjusts the PIP or Key’s vertical size. The “%” value indicates size as a
percentage of the screen’s vertical resolution. The numeric value is the height in pixels. If {
TRACK SIZE} is enabled, H and V crop proportionally.
Crop Type — selects the cu rre nt type of crop fu nc tion , eit he r ALL-SIDES, TOP-
LEFT
, or BOTTOM-RIGHT.
Aspect Ratio Mode — enables you to select one of several standard aspect
ratios:
16:9, 5:4, 4:3, 3:2 and 1:1.
Ratio — displays the corresponding ratio based on the selected Aspect Ratio
Mode: 1.777, 1.25, 1.333, 1.500, 1.000, respectively.
Note
If you select Ratio and make adjustments away from the default setting, the changes to
Aspect Ratio Mode automatically
Custom.
Enable the {TRACK SIZE} function to proportionally crop H Size and V Size.
Disable the function for individual parameter adjustments.
Press {SRC} to display the Input Source Adjustment Menu. Refer to the “Input
Source Adjustment Menu” section on page 71 for details.
Press {BORDER} to display the Border Menu. Refer to the “Border Menu
section on page 60 for details.
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4. Menu Orientation
PIP Adjustment Menu
Press {PIP} to return to the PIP Adjustment Menu. Refer to the “PIP
Adjustment Menu Functions” section on page 58 for details.
Note
To remove any crop effects from the PIP or Key, press the
RESET button in the Layer Functions Section. No other
parameters will be affected.
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From the Border Menu or the Image Effects Menu, press {SHADOW} to display the
Shadow Menu
H O M E
P
I
P
B O R D E R
E F X
, a sample of which is shown below.
SHADOW
Mode On
H Size < % > V Size < % >
H Pos < pixel > V Pos < pixel > Transparency
106 106
28 11
100
N A V
A D J
TRACK SIZE
3
Figure 4-33. Shadow Menu (sample)
The Shadow Menu enables you place a shadow behind a PIP, and adjust its size, position and transparency. The following functions are provided:
Mode — enables or disables the PIP’s shadow.
H Size < % > — adjusts the shadow’s horizontal size as a percentage of the PIP’s
size. If {
TRACK SIZE} is enabled, H and V size adjust proportionally.
V Size < % > — adjusts the shadow’s vertical size as a percentage of the PIP’s
size. If {
TRACK SIZE} is enabled, H and V size adjust proportionally.
H Pos < pixel > — adjusts the shadow’s horizontal position in pixels, as an offset
from the PIP’s horizontal position.
V Pos < pixel > — adjusts the shadow’s vertical position in pixels, as an offset
from the PIP’s vertical position.
Transparency — adjusts the shadow’s transparency, from 0 (full transparency) to
1024 (opaque).
Enable the {TRACK SIZE} function to adjust the shadow’s H Size and V Size
proportionally.
Press {PIP} to return to the PIP Adjustment Menu. Refer to the “PIP
Adjustment Menu Functions” section on page 58 for details.
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4. Menu Orientation
Press {BORDER} to display the Border Menu. Refer to the “Border Menu
Press {EFX} to display the Image Effects Menu. Refer to the “Image Effects
PIP Adjustment Menu
section on page 60 for details.
Menu” section on page 63 for details.
Note
To remove any shadow effects from the PIP or Key, press the
RESET button in the Layer Functions Section. No other
parameters will be affected.
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From the Border Menu and Matte Menu, press {EFX} to display the Image Effects Menu:
IMAGE EFFECTS
H O M E
P P
B O R D E R
S H A D O
W
Monochrome Mode Off
Red Green
I
Blue Invert Hue
- - - - - - STROBE - - - - - ­Mode Off Interval (frames) 2
RESET
RGB
100 100 100
Off
N A V
0
A D J
Figure 4-34. Image Effects Menu (sample)
The Image Effects Menu enables you to creatively manipulate the selected PIP or Key:
Monochrome Mode — turns chroma on or off. When the mode is enabled, the
image is completely monochrome.
Red — adjusts the image’s red saturation. Adjustment range is 0 to 100.
Green — adjusts the image’s green saturation. Adjustment range is 0 to 100.
Blue — adjusts the image’s blue saturation. Adjustment range is 0 to 100.
Note
Tip
The Red, Green and Blue adjustments function whether or not
Monochrome Mode is enabled.
For a sepia tone effect, turn Monochrome Mode on, and set
Red to 100, Green to 65 and Blue to 10.
Invert — enables you to invert all image colors.
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4. Menu Orientation
PIP Adjustment Menu
Hue — adjusts the image’s hue, by rotating color vectors throughout the 360
Mode — In the “Strobe” section, enables or disables the strobe mode which when
Interval (frames) — In the “Strobe” section, sets the freeze interval.
Press {RESET RGB} to reset all image colors to their default values.
Press {PIP} to return to the PIP Adjustment Menu. Refer to the “PIP
Press {BORDER} to display the Border Menu. Refer to the “Border Menu
Press {SHADOW} to display the Shadow Menu. Refer to the “Shadow Menu
degree color spectrum.
enabled, acts as a programmable freeze.
Adjustment Menu Functions” section on page 58 for details.
section on page 60 for details.
section on page 62 for details.
Note
To remove any image effects from the PIP or Key, press the
RESET button in the Layer Functions Section. No other
parameters will be affected.
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4. Menu Orientation
hÉó=jÉåì
The following topics are discussed in this section:
Key Menu Tree
Key Menu Description
Key Menu Functions
Key Sub Menus
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The figure below illustrates the Key Menu tree:

Key Menu

KEY
Home Menu
Crop Menu
Pip Adjustment Menu Border Menu Input Source Adjustment Menu

Figure 4-35. Key Menu Tree

H O M
E
C
R O
P
MATTE
Matte Menu
Key Menu Image Effects Menu Key Adjustment Menu
KEY
MENU
SIZE &
POS
Key Adjustment
Menu
Key Menu Matte Menu Crop Menu
All functions and sub menus are discussed in the follow i ng sections.
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4. Menu Orientation
Key Menu
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The figure below illustrates a sample Key Menu:
H O M E
KEY
Key Type [ Luma ]
Invert Mode Off
N A V
1.00
SIZE &
POS
0
A D J
Clip Gain Opacity 624 Fill Source Self
C R O P
Figure 4-36. Ke y Menu (sample)
MATTE
The Key Menu provides tools to adjust the active key. To access the menu:
Press the KEY button in the Layer Function Section.
The menu will immediately appear on the Touch Screen display.
Note
If you select a source button and both the PIP and KEY buttons are off, the system displays a brief prompt: “
KEY must be selected
.”
PIP or
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The following Key Menu functions are provided:
Key Type — displays the type of key, currently fixed as a “Luma” key.
Invert Mode — enables you to invert the key signal.
Clip — adjusts the threshold of the video that electronically “cuts” into the
background image. A hole will be cut into the background anywhere that foreground luminance is greater than the clip level. The hole is then filled with the
Fill Source. Adjustment range is 0 to 1023.
Gain — adjusts the sensitivity of the keyer, enabling you to change the sharpness
of the keyed image. Gain only affects the key hole, as set by the clip. Adjustment range is 0 to 1023.99.
Opacity — enables you to adjust the opacity of the keyed image, from fully
opaque to fully transparent. Adjustment range is 0 to 1024.
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4. Menu Orientation
Fill Source — determines the video that fills the key hole:
Press {CROP} to display the Crop Menu. Refer to the “Crop Menu” section on
Press {MA TTE} to display the Matte Menu. See the “Matte Menu” section on
Press {SIZE & POS} to display the Key Adjustment Menu. Refer to the “Key
~ Self — fills the hole with the key source video itself, for example, the
video from a character generator.
~ Matte — fills the hole with a matte color, which can then be adjusted with
Matte Menu. Refer to the “Matte Menu“ section on page 68 for
the details.
page 61 for details.
page 68 for details.
Adjustment Menu” section on page 69 for details.
Key Menu
Note
To return the Key to its default clip values, press the RESET button in the will be affected.
Layer Functions Section. No other parameters
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The following sub menus can be accessed from the Key Adjustment Menu:
Crop Menu
Matte Menu
Key Adjustment Menu
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4. Menu Orientation
Key Menu
j~ííÉ=jÉåì
From the Key Menu or the Key Adjustment Menu, press {MATTE} to display the Matte
Menu
, a sample of which is shown below.
H O M E
MATTE
Red 528
Green 204
N A V
K E Y
E F X
Blue 260
TRACK RGB
Figure 4-37. Matte Menu (sample)
SIZE &
POS
A D J
The Matte Menu enables you to adjust the fill color of a matte key. The following functions are provided:
Red — adjust the red component of the matte fill as required, from 0 to 1024.
Green — adjust the green component of the matte fill as required, from 0 to 1024.
Blue — adjust the blue component of the matte fill, from 0 to 1024.
Press {KEY} to return to the Key Menu. Refer to the “Key Menu Description
section on page 66 for details.
Press {EFX} to display the Image Effects Menu. Refer to the “Image Effects
Menu” section on page 63 for details.
Enable the {TRACK RGB} function to adjust Red, Green and Blue proportionally.
Disable the function to adjust colors individually.
Press {SIZE & POS} to display the Key Adjustment Menu. Refer to the “Key
Adjustment Menu” section on page 69 for details.
Note
To return all matte values to 512, press the RESET button in the
Layer Functions Section. No other parameters will be
affected.
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4. Menu Orientation
hЙу=^ЗамлнгЙен=jЙем
From the Key Menu and the Matte Menu, press {SIZE & POS} to display the Key
Adjustment Menu
H O M E
, a sample of which is shown below.
KEY ADJUSTMENT
H Size < 33.5% > 606
V Size < 58.3% >
448
Key Menu
N A V
K E Y
M A T T E
C R O P
H Position V Position
TRACK SIZE
3
Figure 4-38. Key Adjustment Menu (sample)
-160 64
A D J
The Key Adjustment Menu is virtually identical to the PIP Adjustment Menu — except that it pertains to Keys rather than PIPs. The following functions are provided:
H Size — adjusts the Key’s horizontal size in pixels. The “%” value indicates the
key’s size as a percentage of the screen’s horizontal resolution. The numeric value is the Key’s width in pixels.
V Size — adjusts the Key’s vertical size in pixels. The “%” value indicates the
Key’s size as a percentage of the screen’s vertical resolution. The numeric value is the Key’s height in pixels.
H Position — indicates the Key’s position, relative to the horizontal center of the
screen ( is 160 pixels to the left of center.
00), as measured from the exact center of the Key. Thus, the value -160
V Position — indicates the Key’s position, relative to the vertical center of the
screen ( 64 pixels above center.
00), as measured from the exact center of the Key. Thus, the value 64 is
Press {KEY} to return to the Key Menu. Refer to the “Key Menu Description
section on page 66 for details.
Press {MA TTE} to display the Matte Menu. See the “Matte Menu” section on
page 68 for details.
Press {CROP} to display the Crop Menu. Refer to the “Crop Menu” section on
page 61 for details.
Enable {TRACK SIZE} to lock H Size and V Size together. Regardless of the
Key’s current aspect ratio, its size will adjust proportionally when you adjust either
H or V size.
When {
TRACK SIZE} is disabled, you can do the following:
~ Adjust H SIZE to adjust only the horizontal size, leaving the vertical size
alone. In this way, you can stretch the Key horizontally.
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4. Menu Orientation
Key Menu
~ Adjust V SIZE to adjust only the vertical size, leaving the horizontal size
as is. In this way, you can stretch the Key vertically.
Note
T o return the Key to its default size and aspect ratio, press the
RESET button in the Layer Functions Section. No other
parameters will be affected.
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4. Menu Orientation
fеймн=pзмкЕЙ=^ЗамлнгЙен=jЙем
The following topics are discussed in this section:
Input Source Adjustment Menu Tree
Input Source Adjustment Menu Description
Input Source Adjustment Menu Functions
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The figure below illustrates the Input Source Adjustment Menu tree:

Input Source Adjustment Menu

Home Menu
Pip
Adjustment Menu
Input Source Adjustment Menu Border Menu Crop Menu
Border Menu
Pip Adjustment Menu Shadow Menu Image Effects Menu
PIP
ADJUSTMENT
MENU
S R C
H O M E
P
I
P
B
ADJUSTMENT
O R D E R
C R O P
ADJUSTMENT
INPUT
SOURCE
MENU
CROP
MENU
S R C
Crop Menu
Pip Adjustment Menu Border Menu Input Source Adjustment Menu

Figure 4-39. Input Source Adjustment Menu Tree

All functions and sub menus are discussed in the follow i ng sections.
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4. Menu Orientation
Input Source Adjustment Menu
fеймн=pзмкЕЙ=^ЗамлнгЙен=jЙем=aЙлЕкбйнбзе
The figure below illustrates a sample Input Source Adjustment Menu:
H O M E
INPUT SOURCE ADJUSTMENT H Size < 100.0% > 640 V Size < 100.0% >
475
N A V
P P
B O R D E R
C R O P
H Position
I
V Position
TRACK SIZE
3
Figure 4-40. Input Source Adjustment Menu (sample)
0 0
A D J
The Input Source Adjustment Menu is virtually identical to the PIP and Key Adjustment menus — except that the menu pertains to the source “inside” the PIP or Key, rather than the boundaries of the PIP or Key itself. In this way, for example, a PIP can remain in its
exact location on screen, but you can scale or re-position the image inside the PIP.
To access the menu:
Press {SRC} from the PIP Adjustment Menu or the Crop Adjustment Menu.
Important
The Input Source Adjustment Menu is also used to adjust Key sources, and the menu functions are identical. The only difference is the menu’s title:
Key Source Adjustment.
fеймн=pзмкЕЙ=^ЗамлнгЙен=jЙем=cмеЕнбзел
The following Input Source Adjustment Menu functions are provided:
H Size — adjusts the input source’s horizontal size. The “%” value indicates the
source’s size as a percentage of the The numeric value is the source’s width in pixels.
V Size — adjusts the input source’s vertical size. The “%” value indicates the size
as a percentage of the original PIP or Key’s vertical resolution. The numeric value is the source’s height in pixels.
H Position — indicates the input source’s horizontal position, relative to its default
horizontal position ( of its default position.
00) with no offset. Thus, the value 50 is 50 pixels to the right
V Position — indicates the input source’s vertical position, relative to its default
vertical position ( default position.
72 PresentationPRO-II • User’s Guide
00) with no offset. Thus, the value -10 is 10 pixels below its
original PIP or Key’s horizontal resolution.
Page 85
4. Menu Orientation
Enable {TRACK SIZE} to lock H Size and V Size together. Regardless of the
From the Input Source Adjustment Menu:
From the Key Source Adjustment Menu:
Input Source Adjustment Menu
input source’s current aspect ratio, its size will adjust proportionally when you adjust either
When {
H or V size.
TRACK SIZE} is disabled, you can do the following:
~ Adjust H SIZE to adjust only the horizontal size, leaving the vertical size
alone. In this way, you can stretch the input source horizontally.
~ Adjust V SIZE to adjust only the vertical size, leaving the horizontal size
as is. In this way, you can stretch the input source vertically.
~ Press {PIP} to jump to the PIP Adjustment Menu. Refer to the “PIP
Adjustment Menu Functions” section on page 58 for details.
~ Press {BORDER} to display the Border Menu. Refer to the “Border
Menu” section on page 60 for details.
~ Press {CROP} to display the Crop Menu. Refer to the “Crop Menu
section on page 61 for details.
~ Press {KEY} to jump to the Key Menu. Refer to the “Key Menu
Functions” section on page 66 for details.
~ Press {MATTE } to display the Matte Menu. Refer to the “Matte Menu
section on page 68 for details.
~ Press {CROP} to display the Crop Menu. Refer to the “Crop Menu
section on page 61 for details.
Note
To return the input source to its default size and aspect ratio, press the No other parameters will be affected.
RESET button in the Layer Functions Section.
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4. Menu Orientation

Background/DSK Input Setup Menu

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The following topics are discussed in this section:
Background/DSK Input Setup Menu Tree
Background/DSK Input Setup Menu Description
Background/DSK Mode
Background/DSK Input Setup Menu Functions
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The figure below illustrates the Background/DSK Input Setup Menu tree:
BG/DSK
H
Home Menu
Key Menu
O M
E
K E Y
INPUT SETUP MENU
SELECT
FORMAT
BG/DSK
FRAME
GRAB
Frame Grab
Menu

Figure 4-41. Background/DSK Input Setup Menu Tree

All functions and sub menus are discussed in the follow i ng sections.
MATTE
BG Matte
Menu
FORCE
ACQUIRE
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4. Menu Orientation
_~ЕвЦкзмеЗLaph=fеймн=pЙнмй=jЙем=aЙлЕкбйнбзе
The Background/DSK Input Setup Menu defines the use of the BG/DSK button — either as an unscaled background (
To access the menu:
Press the BG/DSK button in the Layer Functions Section. This action causes
Background/DSK Input Setup Menu
BG) or as an unscaled downstream key (DSK).
the button to blink, enabling setup and modification.
Important
The functions that appear on the Background/DSK Input
Setup Menu
either details are provided below.
change depending on the selected mode —
BG (background) or DSK (downstream key). Full
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The figure below illustrates the top “Mode” line on the Background/DSK Input Setup
Menu
. This line determines whether the BG/DSK button will be used as a background or as a downstream key, and the choice also determines the subsequent appearance (and available functions) on the menu.
BG/DSK INPUT SETUP
H O M E
Figure 4-42. Background/DSK Input Setup Menu — Mode Line
When “Mode” is set to BG, the BG/DSK button is used as a background, and the
When “Mode” is set to DSK, the BG/DSK button is used as a downstream key,
Mode BG
Type Matte
following functions are available:
N A V
~ Use the BG/DSK input (DVI) as the live BG source only (but not a DSK
source).
~ Capture a still frame from the BG/DSK input. ~ Use a matte color as the background. ~ Use a captured still frame as the background.
and the following functions are available:
~ Use the BG/DSK input (DVI ) as the live DSK source, but not a live
background source).
~ Capture a still frame from the BG/DSK input. ~ Use a captured still frame as the background. ~ Use a matte color as the background. (In DSK mode, the background
matte color is still available as a source.)
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4. Menu Orientation
Background/DSK Input Setup Menu
_~ЕвЦкзмеЗLaph=fеймн=pЙнмй=jЙем=cмеЕнбзел
The figure below illustrates a sample Background/DSK Input Setup Menu:
H O M E
Mode DSK
Type DVI
BG/DSK INPUT SETUP
N A V
K E Y
R E S E T
S A V E
Format 1024 x 768 @ 60 Crop: H Offset [ 0 ]
V Offset [ 0 ]
To change EDID for BG/DSK, use the HOME > SYSTEM > EDID menu.
SELECT FORMAT
Figure 4-43. Background/DSK Input Setup Menu — BG Mode (sample)
FRAME
GRAB
BG
MATTE
FORCE
ACQUIRE
A D J
The following functions are provided on the BG/DSK Input Setup Menu:
Mode — determines the use of the BG/DSK button. Refer to the “Background/
DSK Mode” section on page 75 for details.
Type — selects the desired background type: ~ When DVI is selected, DVI input video is the background or DSK source.
In this mode, you can also grab a still frame.
~ When MATTE is selected, a solid color is used as the background (as
defined on the
Matte Menu” section on page 77 for menu details.
Background Matte Menu). Refer to the “Background
~ When FG_1, FG_2 or FG_3 is selected, a captured still frame is used as
the background. This background type cannot be selected until one or more frames have been captured.
Format — this line performs two functions: ~ Displays the resolution that is automatically determined by the FORCE
ACQUIRE
function.
~ With DVI selected, enables you to manually set the resoluti on of the
background source. Once the format is selected with the rotary knob, press
{SELECT FORMAT} to “accept” and act ivate the selection.
For the two Crop settings: ~ If the background input resolution matches the output resolution, or if the
output resolution is settings will be bracketed.
larger than the background input resolution, the Crop
~ If the background input resolution is larger than the output resolution, the
H Offset and V Offset values can be used to choose which portion of the
background you want to display.
~ Press {RESET} to reset the H and V offsets to 0.
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4. Menu Orientation
Matte color can be adjusted in each mode.
In both BG and DSK modes, if DVI is selected as the Type, a “help” message is
In DSK mode, press {KEY} to access the DSK Adjustment Menu. Refer to the
Press {SAVE} to store all selected background settings.
Press {RESET} to reset the H and V “Crop” offsets to 0, if required.
Press {SELECT FORMAT} to “activate” the selected background format.
Press {FRAME GRAB} to display the Frame Grab Menu. Refer to the “Frame
Press {FORCE ACQUIRE} to automatically detect the input sign al resolution and
Background/DSK Input Setup Menu
~ In BG mode, if Matte is selected as the Type, use the {MATTE} button. ~ In DSK mode, if DVI is selected as the Type, use the {BG MATTE}
button.
Refer to the “
provided for updating the system’s preferred EDID resolution for the input. Refer to the “
DSK Adjustment Menu” section on page 78 for details.
Grab Menu” section page 80 on for details.
update the display
Background Matte Menu” section on page 77 for details.
BG/DSK
EDID DVI Input Format Menu” section on page 51 for details.
Format field accordingly.
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The figure below illustrates a sample Background Matte Menu:
BG MATTE
H O M E
B A C K
Red 0
Blue
Figure 4-44. Background Matte Menu (sample)
600Green 900
N A V
A D J
The Background Matte Menu enables you to create a solid background matte color to use behind your PIPs and Keys.
Red — adjust the red component of the background matte color as required, from
0 to 1024.
Green — adjust the green component of the background matte color as required,
from 0 to 1024.
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4. Menu Orientation
Background/DSK Input Setup Menu
Blue — adjust the blue component of the background matte color as required,
from 0 to 1024.
Note
The default state is a black matte color.
aph=^ЗамлнгЙен=jЙем
From the Background/DSK Input Setup Menu, press {KEY} to access the DSK
Adjustment Menu
H O M E
Key Type [ Luma ]
Invert Mode Off Clip 0 Gain 1.00 Opacity 512 Fill Source Matte
, a sample of which is shown below:
DSK ADJUSTMENT
INPUT
SETUP
MATTE
N A V
A D J
Figure 4-45. DSK Adjustment Menu (sample)
The DSK Adjustment Menu enables you to adjust key and fill parameters for the DSK source. The following functions are provided:
Key Type — displays the type of DSK key, currently fixed as a “Luma” key.
Invert Mode — enables you to invert the DSK signal.
Clip — adjusts the threshold of the video that “cuts” into the background. A hole
will be cut anywhere that foreground luminance is greater than the clip level. The hole is then filled with the
Fill Source. Adjustment range is 0 to 1023.
Gain — adjusts the keyer sensitivity, enabling you to change the key’s sharpness.
Gain only affects the key hole. Adjustment range is 0 to 1023.99.
Opacity — enables you to adjust the key’s opacity, from fully opaque to fully
transparent. Adjustment range is 0 to 1024.
Fill Source — determines the video that fills the key hole: ~ Self — fills the hole with the key source video itself (e.g., video from a
character generator).
~ Matte — fills the hole with a matte color, which can then be adjusted with
the
DSK Matte Adjustment Menu. Refer to the “DSK Matte
Adjustment Menu“ section on page 79 for details.
Press {INPUT SETUP} to display the BG/DSK Input Setup Menu. Refer to the
Background/DSK Input Setup Menu Functions” section on page 76 for details.
78 PresentationPRO-II • User’s Guide
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4. Menu Orientation
Press {MA TTE} to display the DSK Matte Adjustment Menu. This softkey only
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From the DSK Adjustment Menu, press {MATTE} to display the DSK Matte Adjustment
Menu
, a sample of which is shown below:
B A C K
Background/DSK Input Setup Menu
appears when the
Fill Source is set to Matte. Refer to the “DSK Matte
Adjustment Menu” section on page 79 for details.
DSK MATTE ADJUSTMENT
Red 0
N A
600Green
V
Blue
TRACK RGB
3
Figure 4-46. DSK Input Setup Menu (sample)
900
A D J
The DSK Matte Adjustment Menu enables you to adjust the fill color of a matte key. The following functions are provided:
Red — adjust the red component of the matte fill as required, from 0 to 1024.
Green — adjust the green component of the matte fill as required, from 0 to 1024.
Blue — adjust the blue component of the matte fill, from 0 to 1024.
Enable the {TRACK RGB} function to adjust Red, Green and Blue proportionally.
Disable the function to adjust colors individually.
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4. Menu Orientation

Frame Grab Menu

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The figure below illustrates a sample Frame Grab Menu:
H O M E
B A C K
FG to Capture FG _1
Temp FG 1 Info: File Name
DSK FRAME GRAB
[ 1280 x 1024 ]Capture Format
[ FG1_T ]
N A V
DELETE
[ 1280 x 1024 ]
[ FG1_P ]
[ 1280 x 1024 ]
A D J
Format Perm FG 1 Info:
File Name Format
CAPTURE SAVE
Figure 4-47. Frame Grab Menu (sample)
The Frame Grab Menu enables you to capture still frames into the system’s three internal frame stores. The “source” of the still frames is the system’s
BG/DSK input or the scaled
inputs. Once captured, a still frame can be assigned as the input “type ” f or
BG, the DSK or the
LOGO source.
The three frame stores utilize PresentationPRO-II’s
“temp” (temporary) memory for on-air
production. During operation, you can overwrite the memory with new captured stills as desired — as it takes only a few seconds to capture a still. Note that stills in “temp” memory are lost when the system is powered down.
You can also store three stills in “permanent” flash memory, which will not be lost when the system is powered down. At bootup, the contents of flash memory is read into “temp” memory for use on-air. It t akes several minutes to save a still into permanent memory, and this procedure should not be performed on-air. Permanent frames can also be overwritten.
Note
The contents of a layer can also be captured. In Chapter 6, refer to the “
Capturing Still Frames ” section on page 117 for
details.
80 PresentationPRO-II • User’s Guide
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4. Menu Orientation
To access the Frame Grab Menu, use one of the following methods:
Press {FRAME GRAB} from the BG/DSK Input Setup Menu, when “Type” is set
Press {FRAME GRAB} from the Home Menu.
DVI (in both the BG and DSK modes).
to
Frame Grab Menu
Note
The following
Frame Grab Menu functions are provided:
The top line of the menu will change accordingly, depending on the access path.
FG to Capture — enables you to select FG_1, FG_2 or FG_3 for capture.
Capture Format — displays the output resolution. PresentationPRO-II always
captures a full screen image at the output resolution — regardless of the input resolution.
In the Temp FG Info section: ~ File Name — displays the name of the file in “temp” memory.
•The
•The
_T” in the filename indicates that the file’s source is
temporary memory.
_P” in the filename indicates that the file is permanently
stored. If this indication appears, the permanent file has been read into “temp” memory for use on-air.
~ Format — displays the resolution of the captured frame.
In the Perm FG Info section: ~ File Name — displays the name of the file in permanent memory.
•The
_P” indicates that the file is permanently stored.
[EMPTY] indicates that no frame is stored.
~ Format — displays the resolution of the permanent frame.
Press {CAPTURE} to capture a still into the selected frame store. Once pressed,
the screen will indicate that the frame is being captured.
Press {SA VE} to save the captured frame into permanent memory (FG_1, FG_2
or FG_3). Once pressed, the screen will display a warning:
System controls will be locked
for 2 to 3 minutes while saving.
Save Now?
Figure 4-48. Background Frame Save Warning
~ Press YES to save the frame. All front panel controls will be locked for
up to three minutes.
~ Press NO to cancel the procedure.
Press {DELETE} to delete the selected frame from permanent storage. This
button only appears when frames are stored in permanent memory.
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4. Menu Orientation

LOGO Input Setup Menu

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The figure below illustrates a sample LOGO Input Setup Menu:
H O M E
Type FG_3
Temp FG3 Info:
LOGO INPUT SETUP
File Name Resolution
S A V E
Figure 4-49. LOGO Input Setup Menu (sample)
[ FG3_T ]
[ 1280 x 1024 ]
A D J
The LOGO Input Setup Menu enables you to select the full screen source for the panel’s
LOGO button. Choose between the three internal frame st ores, or black. Because the LOGO
is the highest priority layer and downstream of all other effects, the “black” source can serve as a convenient way to fade all effects to black — without changing any of the image setups underneath the
Note
LOGO.
On factory reset, “black” is the default LOGO source. If you capture a frame and assign it as the
LOGO source, that
frame will be the default upon power up.
To access the menu:
Press the LOGO button in the Layer Functions Section.
The following
LOGO Input Setup Menu functions are provided:
Type — enables you to select still frames FG_1, FG_2, FG_3 or Black as the
LOGO source. Frames cannot be captured from the Refer to the “
Frame Grab Menu” section on page 80 for details.
Logo Input Setup Menu.
In the Temp FG Info section: ~ File Name — displays the selected still frame’s temporary storage
register.
~ Resolution — displays the resolution of the selected still frame.
Press {SA VE} to save all LOGO parameters in memory.
82 PresentationPRO-II • User’s Guide
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4. Menu Orientation
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The figure below illustrates a sample Remote Control Menu:
H O M E
Unit ID [ 1 ]
Remote Control Unit IP: 192.168.0.10
- - - - - STATUS - - - - ­No Connection
REMOTE CONTROL
[ Off ]

Remote Control Menu

N A V
Ctrlr IP: Destination Router [ Internal ]
SAVE
Figure 4-50. Remote Control Menu (sample)
[ N/A ]
[ Undefined ]
A D J
The Remote Control Menu serves two purposes:
When using PresentationPRO-II on a standalone basis, the Remote Control
Menu
is used to set communications parameters for downloading software
updates via Ethernet.
When PresentationPRO-II is controlled from an external controller, the Remote
Control Menu
To access the menu:
is used to set the unit ID and enable/disable remote control itself.
Press {REMOTE CONTROL} on the Home Menu.
The following functions are provided:
Unit ID — When PresentationPRO-II is controlled from an external controller, this
function sets the ID of the PresentationPRO-II chassis. The ID range is
1 to 32.
Important
Some external controllers will detect multiple IDs and prompt the user to correct the problem. Only the first device will connect to the console. Other devices with conflicting IDs will be refused a connection.
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4. Menu Orientation
Remote Control Menu
Remote Control — enables or disables remote control.
Unit IP — displays the IP address of PresentationPRO-II.
Status” section:
In the “
The top line indicates the connection status with the external controller (e.g., Not
Ctrlr IP — With a connection established, displays the IP address of the external
Destination — with a connection established, displays the destination assigned
Router — with a connection established, displays the utilization of routers:
In Chapter 6, refer to the “ details.
~ When remote control is on, the {HOME} buttons disappears, the
PresentationPRO-II front panel is disabled, and all control originates from the external controller’s console.
~ To re-establish “local” control, remote control must be turned off from the
Remote Control Menu.
~ When remote control is on, this address will be assigned by the external
controller’s DHCP server.
~ When remote control is on, you can change the PresentationPRO-II
static IP address. When you navigate to the field, the “ appears below the first quad, and a {
Use the
Press {
When you reach the last quad, the { Press {
Connected
controller.
to PresentationPRO-II by the external controller.
, Establishing Connection, Connected, etc.).
ADJ knob to change the quad’s setting.
NEXT IP QUAD} to advance to the next quad.
SET IP} to store the unit’s new Static IP address.
NEXT IP QUAD} button appears:
SET IP} button appears.
^ “ symbol
~ [Internal] indicates that PresentationPRO-II’s local router is used for
source connections (the eight rear-panel analog connections plus the two rear-panel SD/HD connections).
~ [External] indicates that an external (upstream) router is used for source
connections to PresentationPRO-II. In this case, and a minimum of rear­panel PresentationPRO-II connections are used — connected directly to one or more router outputs.
Using Remote Control” section on page 116 for additional
84 PresentationPRO-II • User’s Guide
Page 97
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This chapter provides detailed instructions for setting up the PresentationPRO-II system. It is recommended that you follow all procedures in the order outlined below:
Setup Prerequisites
Return to Factory Default
Touch Screen Calibration
Output Setup
Projector Setup
Quick Input Setup Procedure
Comprehensive Input Setup
Setting up the Background
Setting up the DSK
Setting up the LOGO
Saving the Setup
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5. System Setup

Setup Prerequisites

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Please note the following important setup prerequisites:
Ensure that you are familiar with Touch Screen operations. In Chapter 2, refer to
the “
Touch Screen Menu Section” heading on page 17 for instructions.
In this chapter , when a procedure tells you to “scroll to” a certain line, use the
rotary knob labelled to highlight it.
When a procedure tells you to “adjust” or “select” a certain parameter, use the
ADJ rotary knob.
NA V to move the highlight — or simply touch the desired line
SRC_3
1
Preview
HD_15
SD YUV
SMPTE
[ 1:1 ]
100.0
100.0
ASPECT
RATIO
Figure 5-1. Menu Navigation
N A V
A D
J
Please continue with the “Return to Factory Default” section on page 87.
86 PresentationPRO-II • User’s Guide
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5. System Setup
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Prior to starting your setup procedures, it is recommended that you perform a factory reset. This procedure guarantees that any previous setups (e.g., those that may have been programmed by other users), do not remain in system memory.
Please note the following important factory default prerequisite:
Ensure that you are familiar with the Reset Menu. In Chapter 4, refer to the
Reset Menu” section on page 48 for details.
Use the following steps to return the system to factory default values:
1. From the Home Menu, press {SYSTEM} to access the System Menu.
2. From the System Menu, press {RESET} to display the Reset Menu.
3. On the Reset Type line, select FACTOR Y.
4. Press {RESET}. When the confirmation screen appears, press {YES} to reset the
system to factory default values.
At the conclusion of the factory reset, the system will have the following basic attributes:
The Home Menu displayed.
All files have been erased from memory.
No inputs are selected.
The PIP button is selected and blinking.
The output resolution is set to XGA: 1024x768 @ 59.94
The output raster box is Off.
Please continue with the “

Return to Factory Default

Touch Screen Calibration” section on page 87.

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Calibrating the Touch Screen is an excellent prerequisite to all setup (and operations) procedures.
Use the following steps to calibrate your Touch Screen display:
1. If required, press {HOME} to display the Home Menu.
2. Press {DISPLAY} to show the Display Settings Menu.
3. Press {LCD CAL} to display the first Touch Screen Calibration Menu.
4. Follow the directions on screen to complete the calibration procedure.
Please continue with the “
PresentationPRO-II • User’s Guide 87
Output Setup” section on page88.
Page 100
5. System Setup

Output Setup

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Please note the following important output setup prerequisite:
Use the following steps to set up the PresentationPRO-II output.
Ensure that you know your projector’s native resolutio n . Refe r to yo ur pro j e cto r’s
technical manual for details.
1. From the Home Menu, press {OUTPUT} to access the Output Menu.
2. On the Format line, select your projector’s native resolution, and a frame rate that
3. After selecting a format, press {SELECT FORMAT} to “accept” the selection.
4. Press {SAVE} to save all output settings in the output file.
Please continue with the “
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Please note the following important projector setup prerequisite:
Ensure that you are familiar with the Output Setup Menu and all sub menus
Use the following steps to set up your projector.
1. From the Home Menu, press {OUTPUT} to access the Output Menu.
2. Press {TEST PATTERN} to access the Test Pattern Menu.
Note
is consistent with your inputs.
The PresentationPRO-II output format must match your projector’s native resolution.
S Example: If you are using 59.94 NTSC video inputs, run the output at the
same rate in order to be synchronous.
In Appendix A, refer to the “ for details on all available resolutions.

Projector Setup” section on page 88.

included on that screen. In Chapter 4, refer to the “ section on page 40 for details.
a. Scroll to the Type line and select the Burst test pattern. b. Scroll to the Raster Box line and enable the Raster Box. c. At the projector itself, perform the following adjustments to ensure that
the PresentationPRO-II output data is properly displayed:
Adjust the image for a minimum amount of noise
Adjust the image such that the entire Raster Box is visible.
Input and Output Resolutions“ section on page 129
Output Menu Functions
Note
d. Once the projector is properly set, disable the Raster Box and select the
100% Color Bars test pattern.
88 PresentationPRO-II • User’s Guide
Refer to your projector’s technical manual for information on all projector setup and adjustment procedures.
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