Audix F50, F50S Specifications

Dynamic Vocal

f50

f50

OVERVIEW

The f50 is a dynamic vocal microphone designed for a wide variety of live and studio

applications. The f50 is known for its warm, natural sound reproduction, resistance to

feedback and ability to handle high sound pressure levels without distortion.

The f50 is characterized with a unidirectional and uniformly controlled cardioid

polar pattern which helps to isolate the vocals from the rest of the instruments on

stage. With a wide frequency range of 50 Hz – 16 kHz, the f50 is also available with a

noiseless, magnetic on-off switch (f50S).

The f50 is designed to sound clear and full bodied on small to mid-size PA systems.

The f50 is well balanced, comfortable to hold, durable and manufactured with very

high standards and tight tolerances. Roadworthy construction includes a precision

cast zinc alloy, black e-coat finish, steel mesh grill and gold plated XLR connector.

MODEL VARIATIONS

f50CBL - Same as f50 with high performance XLR-XLR low impedance

microphone cable

f50S - Same as f50 with On-Off switch

SUPPLIED ACCESSORIES

MC1 - Heavy-duty nylon molded clip with brass insert

P1 - Carrying pouch

OPTIONAL ACCESSORIES

CBLDR25 - 25’ premium right angle XLR-XLR balanced mic cable. Quad conductor,

twisted pair with braided shield for maximum conductivity. 6 mm PVC jacketed.

CBL20 - 20’ premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with

braided shield for maximum conductivity. 6 mm PVC jacketed.

TRIPOD - Metal tripod desktop stand for use with any 5/8” threaded mic clip.

T50K - Professional impedance matching transformer that allows a low impedance

mic to be connected to a high impedance input.

WS357 - Optional high quality external foam windscreen for reducing wind, sibilance,

and pop noise.

Microphone

FEATURES

· All purpose, affordable vocal mic for live sound and

home studios

· Warm, natural vocal sound optimized for small to

mid-size PA systems

· Cardioid pattern for feedback resistance

· Rugged all metal body, low impedance

· 3 year warranty

APPLICATIONS

· Stage, karaoke, corporate, AV, rehearsal studio,

education, Houses of Worship

· Home studio - vocal and instrument

· Acoustic instruments

MC1 P1 CBLDR25 CBL20 TRIPOD T50K WS357

· Drums, guitar cabs

SPECIFICATIONS

Transducer Type

Frequency Response

Polar Pattern

Output Impedance

Sensitivity

Off Axis Rejection

Maximum SPL

Power Requirements

Connector

Polarity

Materials / Finish

Weight

Length

DIMENSIONS (mm)

Dynamic

50 Hz - 16 kHz

Cardioid

250 ohms

1.8 mV / Pa @ 1k

>20 dB

≥138 dB

None

3-pin XLRm

Positive pressure on diaphragm
produces positive voltage on
pin 2 relative to pin 3 of output
XLR connector

Zinc Alloy / Black E-coat

312 g / 11 oz

169 mm / 6.7 in

ARCHITECT AND ENGINEER SPECIFICATIONS

The microphone shall be of the dynamic type operating on the moving

coil principle and the polar pattern of the microphone shall be cardioid.

The nominal output impedance shall be equal to 250 ohms at 1 kHz. The

microphone shall have a sensitivity of 1.8 mV / Pa at 1 kHz and a sound pressure

level ≥138 dB. The microphone body shall be die cast zinc alloy and the grill

shall be steel mesh. The overall dimensions shall be 23.5 mm in diameter

at the base, 53.5 mm at the widest point on the grill, and 169 mm in length.

OPERATION AND MAINTENANCE

The f50 is a low impedance microphone and should be plugged into a “mic level”

input on the console, mixer or recording device. Please note that the microphone

does not require phantom power, however, the microphone will not be affected

in any way by phantom power should it be running simultaneously when the

microphone is in operation. Avoid plugging or unplugging the microphone

from a PA system unless the channel is muted or the volume of the system is

turned down. Failure to do so may result in a loud “popping” noise which could

seriously damage the speakers in the PA system.

The f50 is manufactured to exacting specs with road worthy construction.

However, the capsule is highly sensitive and should be handled with care. Avoid

extreme temperatures and be sure to store your microphone in the pouch

provided when not in use. Moisture of any kind can adversely effect the sound

and performance of your microphone.

f50

USER TIPS

The f50 has a unidirectional (cardioid) pick-up pattern in order to help eliminate

FREQUENCY RESPONSE

POLAR PATTERNS

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PRODUCT REGISTRATION: Please register your product online at www.audixusa.com/docs_12/about/product_registration.shtml.
SERVICE AND WARRANTY:

workmanship, Audix will repair or replace said product at no charge with proof of purchase. Audix does not pay or reimburse shipping costs for warranty repairs or returns. The warranty excludes
any causes other than manufacturing defects, such as normal wear, abuse, environmental damage, shipping damage or failure to use or maintain the product per the supplied instructions. No
Implied Warranties: All implied warranties, including but not limited to implied warranties of merchantability and fitness for a particular purpose are hereby excluded. The liability of Audix, if any,
for damages relating to allegedly defective products shall be limited to the actual price paid by Dealer for such products and shall in no event include incidental or consequential damages of
any kind. Should your microphone fail in any way, please contact the Audix Service department at 503.682.6933. A Return Authorization is required before returning any product. OTHER THAN
THIS WARRANTY, AUDIX MAKES NO WARRANTIES, EXPRESS OR IMPLIED, WITH RESPECT TO THE PRODUCTS, THE USE OF THE PRODUCTS, THE PERFORMANCE OF THE PRODUCTS. AUDIX SHALL
NOT BE LIABLE FOR SPECIAL INCIDENTAL, CONSEQUENTIAL, INDIRECT OR SIMILAR DAMAGES ARISING FROM OR BASED ON THE SALE, USE, STORAGE OR DISPOSAL OF THE PRODUCTS, AUDIX’S
SERVICE WORK, BREACH OF WARRANTY, BREACH OF CONTRACT. NEGLIGENCE, OR ANY OTHER THEORY OF LIABILITY, EVEN IF AUDIX HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.

This microphone is under warranty for a period of 3 years to be free of defects in material and workmanship. In the event of a product failure due to materials or

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sound from other instruments on stage from “bleeding” into the microphone.

Operating distance for vocal application can vary between 2-6 inches depending

on how many other instruments are on stage, the volume of the music and

the type of monitors being used. When using floor monitors, position the

microphone so that it is parallel to the floor. When using multiple microphones

on a live performance stage, allow a distance of 2-3 feet between mics to avoid

phase issues.

Further miking techniques may be found at www.audixusa.com.

ALL SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE.

www.audixusa.com

Audix Corporation 9400 SW Barber St. Wilsonville, OR 97070

503.682.6933 Fax: [phone]

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