DYNAMIC INSTRUMENT MICROPHONE
f2
Dynamic Instrument
f2
OVERVIEW:
Designed, assembled and tested by Audix in the USA, the f2
is a dynamic instrument microphone used for stage and studio
applications. The f2 is characterized with a hypercardioid pickup
pattern for isolation and feedback control and is equipped with
a LM™ (Low Mass) diaphragm for natural, accurate sound
reproduction.
The f2 is lightweight, compact and easy to position. With a wide
frequency response of 52 Hz - 15 kHz and the ability to handle
sound pressure levels of 139 dB, the f2 is an excellent choice for
miking instruments with a percussive nature such as rack toms,
congas, saxophone, guitar cabinets and brass.
Roadworthy construction includes a precision cast zinc alloy
body, black coat nish, laser etched model and serial number,
steel mesh grill, gold XLR connector and a tension-t heavy duty
nylon mic clip.
Transformerless design, low impedance and balanced output
allow for interference-free performance even with long cable runs.
SUPPLIED ACCESSORIES:
Tension-fit heavy duty mic clip (DCLIP)
Carrying pouch (P1)
OPTIONAL ACCESSORIES:
TRIPOD - Mic stand
DFLEX - All purpose percussion clamp
DVICE - Spring loaded rim mount clamp
DCLAMP - Tension rod mic clamp
CBL20 - 20’ XLR cable
CBL-DR25 - 25’ right angle XLR cable
STAND-KD - Adjustable short boom mic stand
CAB GRABBER - Tension held mic holder, clamps to guitar cabinets
FEATURES:
Compact, lightweight
Cast zinc alloy body
LM (low mass) diaphragm
Studio quality sound
Excellent mid-bass transient response
Handles high SPL without distortion
Roadworthy construction
3 year warranty
APPLICATIONS:
Rack toms, congas, floor tom
Guitar and bass cabinets
Saxophone, brass
DCLAMP w/ f2 DFLEX CBL-DR25 w/ f2 CAB GRABBER STAND-KD
SPECIFICATIONS:
f2
Transducer Type Dynamic
Frequency Response 52 Hz - 15 kHz
Polar Pattern Hypercardioid
Output Impedance 580 ohms
Sensitivity 2 mV / Pa @ 1k
Capsule Technology LM Type A
Off Axis Rejection >20 dB
Maximum SPL ≥139 dB
Power Requirements None
Connector 3 pin gold plated male
XLR connector
Polarity Positive pressure on diaphragm
produces positive voltage on pin 2
relative to pin 3 of output
XLR connector
Housing / Finish Cast zinc alloy /
Black coat
Weight 247 g / 8.7 ounces
Length 104 mm / 4.09 inches
ARCHITECTS AND ENGINEERS SPECIFICATIONS:
The microphone shall be of the dynamic type operating on the moving coil principle and the
capsule shall be LM Type A. The polar pattern of the microphone shall be hypercardioid. The
nominal output impedance shall be 580 ohms at 1 kHz.The microphone shall have a sensitivity
of 2 mV / Pa at 1 kHz and will handle a sound pressure level of ≥139 dB. The microphone body
shall be cast from zinc alloy and the grill cap shall be steel wire mesh. The overall dimensions
shall be 21 mm in diameter at the base, 45 mm in diameter at the widest point and 104 mm in
length. The microphone shall be the Audix f2.
OPERATION:
The f2 is a low impedance microphone and should be plugged into a “mic level” of your console,
mixer, or recording device. Please note that your microphone does not require phantom power
and will not be effected in any way by phantom power should it be running simultaneously while
the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system
unless the channel is muted or the volume of the system turned down. Failure to do so may result
in a loud “popping” noise which could seriously damage the speakers in the PA system.
USER TIPS:
The f2 has an extremely tight (hypercardioid) pick-up pattern in order to help eliminate sound
from other instruments on stage from “bleeding” into the microphone. For this reason, it the f2
is exceptionally effective in capturing the sound of each component of a drum or percussion kit.
Drums, hand percussion: As a general rule, the top of the f2 grill should be 1-2 inches above
the head of the drum and pointed towards the center. For more “ring” pull the mic back towards
the rim. For less ring and more overtones, position the mic 1-2 inches inside the ring. For more
attack, place the mic very close to the head and for more overtones and decay move the mic
further away from the head.
Guitar cabinets: The f2 can be placed within 1-2 inches of the grill cover at a 90 degree angle
pointing directly into the speaker. If the mic is placed closer to the edge of the speaker, you will
minimize the higher frequencies and get a warmer, fatter tone. To capture more highs, move the
mic closer towards the center of the speaker, but avoid the middle of the speaker.
Horns: Place the mic within 1-2 inches of the bell, especially when on a stage with drums, bass,
guitar, etc. For jazz, classical, and music where the stage volume is lower, the mic can be placed
further away for a richer, fuller sound.
*Further miking techniques may be found on our website at www.audixusa.com
FREQUENCY / POLARS:
DIMENSIONS (mm):
***All specications subject to change without notice.
SERVICE AND WARRANTY:
This microphone is under warranty
for a period of 3 years from any and
all manufacturing defects. Should
your microphone fail in any way,
please contact the Audix Service
department at 503-682-6933. A Return
Authorization number is required
before returning any products.
CARE AND MAINTENANCE:
The f2 is manufactured to exacting specs with
roadworthy construction. However, the capsule
is highly sensitive and should be handled with
care. Avoid extreme temperatures and be sure
to store your microphone in the pouch provided
when not in use. Moisture of any kind can
adversely affect the sound and performance of
your microphone.
To register your
microphone, please visit
www.audixusa.com
www.audixusa.com Call: 503-682-6933 Fax: 503-682-7114
Audix Corporation 9400 SW Barber Street, Wilsonville, OR 97070
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