Dynamic Instrument
D6
D6
OVERVIEW
Designed, machined, assembled and tested by Audix in the USA, the D6 is a
dynamic instrument microphone used for stage, studio and broadcast applications.
The D6 is characterized with a cardioid pickup pattern for isolation and feedback
control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate
sound reproduction.
The D6 is lightweight, compact and easy to position. With a tailored frequency
response of 30 Hz - 15 kHz and the ability to handle sound pressure levels in excess of
144 dB, the D6 is an excellent choice for miking instruments requiring extended low
frequency reproduction such as kick drums, large toms and bass cabinets.
The D6 is manufactured with a precision machined aluminum body, black anodized
finish, steel mesh grill and gold plated XLR connector Transformerless design, low
impedance and balanced output allow for interference-free performance even with
long cable runs.
MODEL VARIATIONS
Microphone
D6S - Same as D6 with a silver anodized finish
D6KD - Same as D6 with boomstand
SUPPLIED ACCESSORIES
DCLIP - Heavy duty nylon molded snap on clip
P1 - Carrying pouch
OPTIONAL ACCESSORIES
DFLEX - Dual pivot rim mounted clip with extra wide butterfly jaws
DVICE - Flexible mini-gooseneck with spring loaded rim mount clamp
DCLAMP - Flexible mini-gooseneck with drum tension lug mount
CBL20 - 20’ premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with
braided shield for maximum conductivity. 6mm PVC jacketed. CBLDR25 - 25’ premium
right angle XLR-XLR balanced mic cable. Quad conductor, twisted pair with braided
shield for maximum conductivity. 6mm PVC jacketed
STANDKD - Short pedestal stand with telescoping boom arm
TRIPOD - Metal tripod desktop stand for use with any 5/8” threaded mic clip
FEATURES
· Professional dynamic instrument microphone for
live sound or studio
· Ground-shaking low end with excellent definition
and clarity
· VLM Capsule
· Designed, machined, assembled & tested in
the USA
· 5 year warranty
APPLICATIONS
· Live stage, recording
· Kick drum
· Floor tom
· Bass cabinets
· Leslie bottom
DCLIP P1 DFLEX DVICE DCLAMP CBL20 CBLDR25 STANDKD TRIPOD
SPECIFICATIONS
Transducer Type
Frequency Response
Polar Pattern
Output Impedance
Sensitivity
Capsule Technology
Off Axis Rejection
Maximum SPL
Power Requirements
Connector
Polarity
Materials / Finish
Weight
Length
DIMENSIONS (mm)
Dynamic
30 Hz - 15 kHz
Cardioid
280 ohms
0.8 mV / Pa @ 1k
WLM Type E
>20 dB
≥144 dB
None
3-pin XLRm
Positive pressure on diaphragm
produces positive voltage on
pin 2 relative to pin 3 of output
XLR connector
Machined Aluminum / Black
Finish
254 g / 8.9oz
117 mm / 4.6 in
ARCHITECT AND ENGINEER SPECIFICATIONS
The microphone shall be of the dynamic type operating on the moving coil
principle and the capsule shall be VLM Type E. The polar pattern of the micro-
phone shall be cardioid. The nominal output impedance shall be 280 ohms at
1 kHz. The microphone shall have a sensitivity of 0.8 mV / Pa at 1kHz and shall
handle a sound pressure level of ≥144 dB. The microphone body shall be ma-
chined out of aluminum and the grill cap shall be steel wire mesh. The overall
dimensions shall be 21.5 mm in diameter at the base, 51 mm in diameter at the
widest point and 117 mm in length.
OPERATION AND MAINTENANCE
The D6 is a low impedance microphone and should be plugged into a “mic
level” input of your console, mixer, or recording device. Please note that your
microphone does not require phantom power and will not be affected in
any way by phantom power should it be running simultaneously while the
microphone is in operation. Avoid plugging or unplugging the microphone
from the PA system unless the channel is muted or the volume of the system
turned down. Failure to do so may result in a loud “popping” noise which could
seriously damage the speakers in the PA system.
The D6 is manufactured to exacting specs with roadworthy construction.
However, the capsule is highly sensitive and should be handled with care. Avoid
extreme temperatures and be sure to store your microphone in the pouch
provided when not in use. Moisture of any kind can adversely effect the sound
and performance of your microphone.
D6
USER TIPS
FREQUENCY RESPONSE
POLAR PATTERNS
Lo
PRODUCT REGISTRATION: Please register your product online at www.audixusa.com/docs_12/about/product_registration.shtml.
SERVICE AND WARRANTY:
workmanship, Audix will repair or replace said product at no charge with proof of purchase. Audix does not pay or reimburse shipping costs for warranty repairs or returns. The warranty excludes
any causes other than manufacturing defects, such as normal wear, abuse, environmental damage, shipping damage or failure to use or maintain the product per the supplied instructions. No
Implied Warranties: All implied warranties, including but not limited to implied warranties of merchantability and fitness for a particular purpose are hereby excluded. The liability of Audix, if any,
for damages relating to allegedly defective products shall be limited to the actual price paid by Dealer for such products and shall in no event include incidental or consequential damages of
any kind. Should your microphone fail in any way, please contact the Audix Service department at 503.682.6933. A Return Authorization is required before returning any product. OTHER THAN
THIS WARRANTY, AUDIX MAKES NO WARRANTIES, EXPRESS OR IMPLIED, WITH RESPECT TO THE PRODUCTS, THE USE OF THE PRODUCTS, THE PERFORMANCE OF THE PRODUCTS. AUDIX SHALL
NOT BE LIABLE FOR SPECIAL INCIDENTAL, CONSEQUENTIAL, INDIRECT OR SIMILAR DAMAGES ARISING FROM OR BASED ON THE SALE, USE, STORAGE OR DISPOSAL OF THE PRODUCTS, AUDIX’S
SERVICE WORK, BREACH OF WARRANTY, BREACH OF CONTRACT. NEGLIGENCE, OR ANY OTHER THEORY OF LIABILITY, EVEN IF AUDIX HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
This microphone is under warranty for a period of 5 years to be free of defects in material and workmanship. In the event of a product failure due to materials or
Hi
The D6 compensates for instruments with extremely high sound pressure levels
by having a very low output stage. For kick drums, as a general rule, start with
the mic positioned centered between the batter and resonant heads pointed
towards the beater. For more attack, and less bass boom, move the mic closer to
the beater. For less attack and more bass, move the mic further away from the
beater. For kick drums without hole in front head, place the D6 a few inches from
the head for a full dynamic sound. For toms, position the mic 2 inches from the
head and point towards the center of the drum. For bass cabinets, position the
mic 90 degrees to the grill cloth and 1-2 inches inside the edge of the speaker.
Further miking techniques may be found at www.audixusa.com.
ALL SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE.
www.audixusa.com
Audix Corporation 9400 SW Barber St. Wilsonville, OR 97070
503.682.6933 Fax: 503.682.7114
ver 3.0 05-16
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