Audix D6 Large Format Bass Drum Microphone Spec Sheet

D-6

SUB IMPULSE DYNAMIC
INSTRUMENT MICROPHONE

overview

The D6 is an American-made instrument
microphone designed for live and studio
performance. Characterized with a car­dioid pick-up pattern and a frequency
response of 30 Hz-15 kHz, the D6 is an
ideal choice for kick drum, bass cabs,
and other instruments requiring low
frequency reproduction.

Transformerless design, low impedance ,
and balanced output allow interference­free performance even with long cable
runs. The D6, a one-piece body precision
machined from solid aluminum, consists
of a durable hard coat anodized finish.

D-6

DYNAMIC MIC

applications

g

Live Stage-Coffee House to Stadium

g

Kick Drum, Floor Tom, Djembe, Cajon

g

Acoustic Bass, Electric Bass Cabs

g

Studio-Any Instrument Requiring Precise
Low Frequency Reproduction

specifications

Transducer Type

Dynamic

Frequency Response 30 Hz - 15 kHz

Polar Pattern Cardioid

Output Impedance 200 Ohms

Sensitivity

2.2 mV @ 80Hz

Capsule Technology VLM Type E

Off Axis Rejection >20 db

Maximum SPL 144 db

Cable/Connector 3 pin gold

plated male

XLR connector

Polarity Positive voltage on pin

2 relative to pin 3 of

output XLR connector

Housing Machined Aluminum

Weight 7.7 oz / 217 grams

Finish Black Anodize

Drums

Bass Cabs

Percussion

Available in silver

(model D6-SILVER)

PERFORMANCE IS EVERYTHING

Audix Corporation 9400 SW Barber Street, Wilsonville, OR 97070. In Canada, Cabletek Electronics LTD, 604-942-1001 fax [phone]
® Audix Corporation 2001. All rights reserved. Audix and the Audix logo are trademarks of Audix Corporation.

CALL: 503-682-6933 FAX: [phone]
www.audixusa.com

Specifications are subject to change without written notice.

Operation and Maintenance:

The D6 is a durable dynamic microphone pre­cision machined from a solid block of alu­minum. However, the capsule is highly sensi­tive and the microphone should be handled
with care. Avoid extreme temperatures wher­ever possible. Moisture can adversely affect
the sound and performance of your micro­phone. When not in use, please store in the
pouch provided.

Recording:

The D6 is an excellent recording microphone
for high SPL instruments requiring accurate
imaging, especially in the lower frequency
range. Intended mainly for use with kick
drums, the D6 also excels on other instru­ments including floor toms, cajons, and bass
cabinets, where full bodied warmth and
extended low end are required to achieve the
desired sound. The cardioid pick-up pattern
allows the mic to be less placement sensitive
and not dependent on finding the instru­ment’s “sweet spot.”
The D6 is also able to handle extremely high
sound pressure levels which allows for very
close miking without distortion.

Live Sound:

The frequency response of the D6 is tailored
for optimum use in a kick drum. The D6 is
highly sensitive between 80Hz and 120Hz,
has a low end extension well below 40Hz,
has a slope in the midrange and a boost in
the high frequencies. The result of this com­bination means that the D6 will provide
plenty of bass boom while still maintaining
sonic clarity and attack. These results can be
achieved on any size sound system without
having to add EQ or pad the sensitivity.

For best results on a kick drum:

Hole in front head:

Place mic completely
through hole, pointing towards but not
directly at the beater. The position may be
varied in order to change the ratio of “attack
vs. boom”.

No Hole in front head:

Place D6 a few inches
from head to get a huge dynamic sound.
The distance may be varied depending on
how much “room sound” is desired vs.
direct sound coming off the head.
Microphone placement is not an exact sci­ence and depends on the room size, the PA
system, the number of open mics on stage,
and the volume of the music.

OUTPUT:

The D6 output is balanced across Pin 2 (positive) with
respect to Pin 3. The shield is connected to Pin 1. It is
recommended to use a high quality microphone cable
with 3 pin XLR connectors.

SERVICE AND WARRANTY:

This microphone is under warranty for a period of 1 year from
any and all manufacturing defects. Should your microphone fail
in any way, please contact the Audix Service department at
503-682-6933. A Return Authorization number is required
before returning any products.

Supplied Accessories

g Mic clip (MC2) adjustable through 180

degrees with standard 5/8 inch 27 thread.
Note: Metal stand adapter also supplied to
accommodate European standard threads

g Zippered microphone carrying pouch

Optional Accessories

g Tripod stand
g Dflex microphone clip
g D series mic cable with right angle XLR
g D-vice gooseneck attachment

D-6

SUB IMPULSE DYNAMIC
INSTRUMENT MICROPHONE

(in Millimeters)

Measurements

The above chart shows that the D6:
a) Enhances the 35-80 Hz range where the bass drum is usually lacking in response.
b) Attenuates frequencies in the 90-600 Hz range to reduce boominess
c) Enhances frequencies above 1k for clarity and definition.

Polar Charts

20Hz 100Hz 1000Hz 10kHz 18kHz

Typical frequency response of D6 Frequency response range for typical bass drum