Audix D2 SPECIFICATIONS

DYNAMIC INSTRUMENT MICROPHONE
D2
Dynamic Instrument
D2
OVERVIEW:
Designed, machined, assembled and tested by Audix in the USA, the D2 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
Roadworthy construction includes a precision machined
aluminum body, black anodized nish, laser etched model and
serial number, steel mesh grill, Switchcraft® XLR connector and
includes a tension-t heavy duty nylon mic clip.
Transformerless design, low impedance and balanced output allow for interference-free performance even with long cable runs.
SUPPLIED ACCESSORIES:
Tension-fit heavy duty mic clip (DCLIP) Carrying pouch (P1)
OPTIONAL ACCESSORIES:
TRIPOD - Mic stand DFLEX - All purpose percussion clamp DVICE - Spring loaded rim mount clamp DCLAMP - Tension rod mic clamp CBL-DR25 - 25’ right angle XLR cable STAND-KD - Adjustable short boom mic stand CAB GRABBER - Tension held mic holder, clamps to guitar cabinets
FEATURES:
Compact, lightweight Machined aluminum body VLM (very low mass) diaphragm Studio quality sound Excellent mid-bass transient response Handles extremely high SPL without distortion Roadworthy construction 5 year warranty
APPLICATIONS:
Rack toms, congas, floor tom Guitar and bass cabinets Saxophone, brass
DCLAMP DFLEX DVICE & CBL-DR25 w/ D2 CAB GRABBER STAND-KD
SPECIFICATIONS:
D2
Transducer Type Dynamic Frequency Response 80 Hz - 18 kHz Polar Pattern Hypercardioid Output Impedance 250 ohms Sensitivity 1.2 mV / Pa @ 1k Capsule Technology VLM Type B
O Axis Rejection >30 dB Maximum SPL 144 dB
Power Requirements None Connector Switchcraft® male XLR connector Polarity Positive pressure on diaphragm produces positive voltage on pin 2
relative to pin 3 of output
XLR connector Housing / Finish Machined Aluminum / Black Hard Coat Weight 128 g / 4.5 ounces
Length 100 mm / 3.9 inches
ARCHITECTS AND ENGINEERS SPECIFICATIONS:
The microphone shall be of the dynamic type operating on the moving coil principle and the capsule shall be VLM Type B. The polar pattern of the microphone shall be hypercardioid. The nominal output impedance shall be 250 ohms at 1 kHz.The microphone shall have a sensitivity of
1.2 mV / Pa at 1 kHz and will handle a sound pressure level of 144 dB. The microphone body shall be machined of aluminum and the grill cap shall be steel wire mesh. The overall dimensions shall be 21.5 mm in diameter at the base, 39 mm in diameter at the widest point and 100 mm in length. The microphone shall be the Audix D2.
OPERATION:
The D2 is a low impedance microphone and should be plugged into a “mic level” of your console, mixer, or recording device. Please note that your microphone does not require phantom power
and will not be eected in any way by phantom power should it be running simultaneously while
the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel is muted or the volume of the system turned down. Failure to do so may result in a loud “popping” noise which could seriously damage the speakers in the PA system.
USER TIPS:
The D2 has an extremely tight (hypercardioid) pick-up pattern in order to help eliminate sound from other instruments on stage from “bleeding” into the microphone. For this reason, it the D2
is exceptionally eective in capturing the sound of each component of a drum or percussion kit.
Drums, hand percussion: As a general rule, the bottom of the D2 grill should be 1-2 inches above the head of the drum and pointed towards the center. For more “ring” pull the mic back towards the rim. For less ring and more overtones, position the mic 1-2 inches inside the ring. For more attack, place the mic very close to the head and for more overtones and decay move the mic further away from the head. Guitar cabinets: The D2 can be placed within 1-2 inches of the grill cover at a 90 degree angle pointing directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer towards the center of the speaker, but avoid the middle of the speaker. Horns: Place the mic within 1-2 inches of the bell, especially when on a stage with drums, bass, guitar, etc. For jazz, classical, and music where the stage volume is lower, the mic can be placed further away for a richer, fuller sound. *Further miking techniques may be found on our website at www.audixusa.com
FREQUENCY / POLARS:
DIMENSIONS (mm):
***All specications subject to change without notice.
SERVICE AND WARRANTY: This microphone is under warranty for a period of 5 years from any and all manufacturing defects. Should your microphone fail in any way, please contact the Audix Service department at 503-682-6933. A Return Authorization number is required before returning any products.
CARE AND MAINTENANCE: The D2 is manufactured to exacting specs with roadworthy construction. However, the capsule is highly sensitive and should be handled with care. Avoid extreme temperatures and be sure to store your microphone in the pouch provided when not in use. Moisture of any kind can
adversely aect the sound and performance of
your microphone.
To register your
microphone, please visit
www.audixusa.com
www.audixusa.com Call: 503-682-6933 Fax: 503-682-7114
Audix Corporation 9400 SW Barber Street, Wilsonville, OR 97070
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