Ashly CL-52 User Manual

CL-50E
CL-52E
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Compressor/Limiters
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I shly's Compressor/Limiters are
used to place a ceiling on the peak levels of program materi al. When peaks exceed this ceiling, gain is reduced to keep
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peaks \«ithin specified limits.
I The amount of gain reduction,
attack and release times, and the output gain matching are all precise and inde pendent adjustments. This makes the CL­50E and the CL-52E extremely useful for such diverse applications as loudspeaker
protection, broadcast limiting or compres sion, recording, tape-to-disc transfer, spe cial effects, vocal level control, and
musical instrument sustain.
The two important components of any limiter are the VGA (Voltage Controlled Amplifier), which actually performs the function of reducing gain, and the detec
tor, which essentially tells the VGA what to
do. i.e. when to reduce reduce the gain and by how much. On the surface, it might seem like the VGA is the most critical component, since audio actually passes through it while the detector merely pro vides it with a DC control voltage, but experience has shown us that both are crucial to the overall sound.
The VGA in Ashly’s Compressor/ Limiters represents a new generation of integrated circuits that offer exceptionally low noise and distortion figures, flat fre quency response, freedom from thermal drift and excellent reliability. Audio signals passing through the VGA emerge clean and uncolored.
The detector has the task of monitoring
incoming audio levels and changing the
gain of the VGA as determined by the set
tings of the front panel controls. The detector in Ashly's Compressor/Limiters is a fully symmetrical peak responding type, and includes a ’send-return' loop which allows frequency selective limiting and other effects.
The detector must constantly adjust the gain of the audio path in a manner which keeps the level under control while still sounding acceptable to the listener. This constantly changing gain is a dynamic action, while conventional audio measure
ments like noise and distortion checks are
static (constant level). This led us to use a
purely subjective approach in the design of the detector; we did a lot of listening to determine what sounded good and what didn't. As a result of this research, we designed the detector to allow the attack
and release times to speed up as more
and more limiting occurs (the compression
ratio also increases), and we utilized a
double-release time constant to minimize
'pumping' and 'breathing'. The result is a
natural-sounding compressor/limiter that
responds very well to a wide variety of
audio applications.
The CL-50E is Ashly's single channel compressor/limiter. The CL-52E is essen tially two CL-50E's in one rack space, but it offers improved metering and switching. The CL-52E can be used as a stereo compressor/limiter or as two separate
mono units. Ten-level meters are provided on each channel to indicate gain-reduc tion and output level.
The CL-50E and CL-52E compressor/
limiters, like all Ashly products, are now fully covered by Ashly's exclusive five­year worry-free warranty.
Extremely Low Noise
and Distortion
Detector Patch Points
for Frequency-Selective
Limiting
Gain Reduction Meters
In-Out Bypass
Switching
Inputs and Outputs May
Be Used Balanced or
Unbalanced
Unusually Wide
Control Range on Ail
Parameters
Output Level Meters
and Clipping Indicators
(CL-52E)
Front Panel Stereo
Tie Switch (CL-52E)
Specifications
CONTROLS
stereo tie switch
defeat switch
gain:
ratio:
attack time:
release time:
output:
Detector Patch Point:
(CL-52E ONLY)
±30dB
2:1-<»
200mS. - 20mS. lOOmS - 2Sec.
-40dBV - +20dBV allows the connection of an EQ for frequency selective limiting
Maximum Input/Output Level:
Input Impedance:
Output Impedance:
Frequency Response:
Distortion:
+20dBm lOkQ balanced bridging 50ii term, w/ 600£2 or more ±.2dB 20Hz - 20kHz <•015% THD, OdBV 20 Hz • 20kHz, no limiting <•15% +i8dBV worst case
Hum and Noise:
Power Requirements:
Size:
Shipping Weight:
-95dBV unity gain 120 VAC, 50-60HZ, 5W 19" L X 1 3/4"H X 6"D 8lbs
Block Diagram
Many interesting and productive effects can be achieved by combining the CL-50E or the CL-52E with Ashly’s SG-33E or SG-35E Noise Gates.
Architect’s Specification
The unit shall be a single (CL'50E) or dual (CLr 52E) channel compressor/limlter with indepen dent attack, release and ratio adjustments. It shall have detector patch points which allow con nection of an external equalizer in the detector loop to produce frequency selective limiting. It shall have front panel mounted switches for engaging/ defeating the compressor/llmiter func tions. Performance specifications of a typical production unit shall meet or exceed the follow ing: Gain control shall be +30dB. The ratio shall be adjustable from 2:1 to «. The attack time shall be adjustable from 200^iS to 20mS. The release time shall be adjustable from lOOmS to 2 sec onds. The output shall be adjustable from -40dBV to ■i-20dBV. The maximum in-out level shall be +20dBm, The input impedance shall be lOkii bal anced bridging. The output impedance shall he 50£2 terminated with 60011 or more. The frequen cy response shall be 20Hz to 20kHz l.ZdB. Distortion shall be <.015% THD @ OdBV from 20Hz to 20kHz with no limiting, <.15% @4^1SdBV worst case. Hum and noise shall not exceed ­90dBV @ unity gain. The unit shall operate at
115VAC ±5%. 50-60HZ. The unit shall be designed for mounting in a standard ElA 19'' rack (19'"L X 1.75"H X 6"D) and shall have a shipping weight of 8 lbs. The imit shall be either a model CL-50E (single channel) or a CL-52E (dual chan nel) Compressor/Limiter manufactured by Ashly Audio Inc. No other unit shall be acceptable unless submitted data from an independent research lab verifies that the above slze/perfor­mance specs are met.

Ashly Audio Inc.

ASHLY
Since 1972
© 1990 Ashly Audio
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