Arri ARRIFLEX 16 S Standard Instruction Manual

p

OPERATING MANUAL

for

ARRIFLEX® 16S

(STANDARD)

The following diagram pages
may be kept folded out for your
convenience in identifying ope-
rating parts white reading the

instructions.

DIAGRAM OF ARRIFLEX

showing external control

R IF LE X 16 S (Standard)

controls and features

1)

Lock screw for matte box

boom

2) Lock screws for adjusting
front and rear matte box
standards

3)

Follow focus wings on each
lens

4)

Slide-in shoe for matte box

5)

Eyelet for attaching shoul-
der strap

6)

Interchangeable magazine
200 or 400 ft.

7)

Finder eyepiece with rubber
eyecup

8)

Diopter adjustment ring

9)

Knurled ring for removing
eyepiece

10)

Battery cable lock

11) External buckle switch
override

12)

Locking start/stop switch

13)

Lock re lease for switch

14)

Cover lock

15)

Lens socket lock levers

( 1

of 6 )

16) Turret grip ( 1 of 3 )

17) Interchangeable torque mo-
tor (only one needed for ca-
mera)

18) Feed- and take-up spindles

19) Contour grip with thumb
rest

20) Tachometer

21)

Footage counter setting disk

22) Frame counter setting disk

23) Motor lock

24) Interchangeable motor

25) Knob for manually turning
motor

26) Forward and reverse switch

for variable speed motor

27) Battery cable socket

28) Light cover in finder eye-
piece in closed position

29) Magazine cavity cover

5 )

6 )

7 )

8 )

9 )

10 )

I

l

~~,

-.

\, 'J""

CONGRATULATIONS

You now own an ARRIFLEX, one of the finest, most versatile motion

picture cameras ever made.

Soon this new ARRIFLEX will be at work for you. We know it will per-

form to your entire satisfaction.

As a member of the ARRIFLEX family, you are cordially invited to call
on us at any time for advice or assistance. If you use the ARRIFLEX in
a partic ularly interesting, complicated, diffic ult or unus ual application,
won't you please write to us about it? We will be glad to hear from you.

IMPORTANT

Please be sure to fill out and mail the guarantee card which accompanies

your camera. This not only makes the guarantee valid, but it also permits
us to serve you better should you have any technical or service problems
in the future.

As we keep a permanent record of all registration cards, we can also help
you better in case of theft.

Each ARRIFLEX 16 S is SUPPLIED WITH

1 )

2 )

3 )

4 )

Test Film taken with camera

Battery cable with attached ground connector cable for torque motor
Sturdy leather shoulder strap
Fountain-pen type brush for cleaning optical surfaces (when cap is put
on rear of brush holder, brush is pushed out)

Plastic skewer for cleaning emulsion from film gate

Bottle with special ca rne r a oil
Tube of special grease for lens cavities of camera and lens mounts

Pressure oiler
Guarantee Card
Instruction Manual

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Ir\

OPERATING INSTRUCTIONS FOR

ARRIFLEX 16 S

(Standard)

HOLDING CA MERA

Place thumb of right hand between contour grip and side of camera, while
the other fingers reach forward around the "bulge" where they are free to

actuate the follow-focus grips and diaphragm ring of the lens in taking po-

sition.

Place palm of left hand around finder housing on left side of camera,
gers over ON-OFF switch. Thus camera can be held steady easily
comfortably.

fin-

and

When switch is pressed down, it remains locked In down-position until its

release lever is pushed in.

An accessory PISTOL GRIP with or without shoulder brace is also avail-
able. It is attached to the tripod socket and has its own release trigger
which connects through switch behind tripod socket. (See separate instruc-
tions for Pistol Grip).

SIGHTING

Place right eye against finder eyecup. An eyeglass wearer should raise his
glasses to his forehead and sight without them. For left eye viewing, the
eyec up may be turned around. (C lick- stops ~)

If shutter is closed, turn transport knob in center of motor to open it.

First focus eye to ground glass by turning the knurled adjustment ring at
the eyepiece until grain structure of ground glass appears sharp. You may

want to do this without lens in socket. The adjustment ring should then be

locked in place by either of the lock levers.

Then focus on subject by a ct uating focusing mount of lens. For critical

sharpness, always focus lens with diaphragm wide open. This is important
to remember as the optical system of the Arriflex finder is so bright that
a brilliant image can be seen even when lens is stopped down.

Most Arriflex lenses have clicking diaphragm stops so that the lens can be

stopped down without removing camera from eye.

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While the optical system of the finder is constructed so that it prevents
light from entering and fogging film, the eyepiece must be shielded from
direct (horizontal) sunlight or powerful spotlight if eye is removed. For
this purpose a light cover is provided inside the rubber eyecup. During
filming always press eye firmly against eyecup or close the cover door
on the eyepiece.

FINDER WITH DETACHABLE

EYEPIECE AND

INTERCHANGEABLE GROUND

GLASS

The detachable eyepiece permits using the camera in the Arriflex 16
BLIMP without the eyepiece while attaching the eyepiece on the outside
of the BLIMP.

It also permits attaching the PERISC OPIC ACCESSOR Y FINDER, which
facilitates viewing from the side or the top (for instance if camera is on
a microscope or copy stand), or viewing with the left eye when a 400

-Tt ,

MAGA ZINE is attached to camera (See illustration in Arriflex folder).

The eyepiece can be removed by turning the knurled chrome-plated col-
lar clockwis e (camera in shooting position). To replace it, engage key-
ed flange properly and turn collar counter-clockwise.

The rubber eyecup can be turned freely on its click-stop bearing for
right or left eye viewing.

The eyepiece cover door also turns freely and should always be set to

open along long end of rubber cup.

The standard ground glass, supplied with the camera, can be interchanged

with SPECIAL GROUND GLASSES with cross hair reticle, or TV field, or

clear glass with reference reticle for cinemicroscopy (See price list for
details). (Such installations are a service department job and must be
done only by skilled, experienced technicians with special tools).

The Arriflex eyepiece has a high accommodation diopter adjustment-col-
lar with lock lever. For people, whose eyesight requires further correc-
tion, it is possible to fit PRESCRIPTION LENSES into the eyepiece.
(Write for further information).

Another worthwhile accessory is the FOAM RUBBER EYE CUSHION
which fits over the rubber eyecup. It is particularly convenient in per-
spiring hot weather and it is also desirable when different cameramen

use the same camera. Each cameraman can have his own eye cushion.

2

~ I_NS_T_R_U_C_T_IO_N_S__ FO_R __ ~ __ AR_R_I_F_LE_X __ 16_S ~

MIRROR REFLEX SHUTTER

The mirror reflex shutter is the heart of the Arriflex. It rotates at a 45

0

angle between lens and film plane and reflects upon the ground glass of
the viewfinder exactly the same image as is registered on the film. The

light rays reach the film through the lens

w

i

t

h out any interference while

the shutter is open; they are reflected to the ground glass only while the

shutter is closed. Thus the film, as well as the eye, always get 100

%

of

the light transmitted by the taking lens.

The shutter opening of 1800results in the following exposures:

Camera Speed

Exposures

8

FPS

1/16

see.

12

FPS

1/24 sec.

16 FPS

1/32 sec.

24

FPS

1/48

s e c ,

32 FPS 1/64

sec.

48

FPS

1/96

sec,

As this table indicates, the exposure can be calculated for any camera

speed by doubling the FPS figure and reading the result as a fraction of

a second.

TURRET

The Arriflex 16 features a heavy duty three-lens

t

ur r e

t .

The lenses are

mounted in a divergent manner (21

0

)

to prevent optical and mechanical

interference between wide-angle and telephoto lenses. Thus a

Lo

rn m wide-
angle lens can be mounted simultaneously with a 300mm (12") Tele-Kilar
without danger of interference,

It features the same lens mounts as the Arriflex 35, whose advantages

are their p.os

i

t

iv e locking device, the speed and ease of changing lenses,

and the large

s-eati

ng ring, which permits even relatively long and heavy
lenses to be attached accurately and securely. Very long or heavy lenses,
of course, must always be supported by means of a proper ARRI LENS
CRADLE ( Acces sory Item).

Three turret grips make it easy to rotate the turret which comes to a po-

sitive stop whenever a lens socket is over the film aperture. Never grasp
lenses for the purpose of turning turret around!

The lens located nearest the contour grip on the right side of the camera
is in the taking position.

3

4

I NSTRUCTIONS FOR __ A_R_R_I_FL_E_X_l_6_S

-----------i

The back of each grip - protruding on left side of camera and visible with
the left eye, while the right eye is looking through the finder - is coded

with one, two, or three dots to indicate if wide-angle, normal, or tele -

photo lens is in taking pos

it

i

on ,

To remove lens from turret press the two spring-loaded locking levers at
the base of the lens socket together, with thumb and index finger of one
hand, while lifting lens out with the other.

To insert lens, again press locking levers together and place lens into so-

cket. Align the channel in lens mount with the guide key in the socket. Re-

lease the levers and the lens is locked into position.

LENSES FOR ARRIFLEX 16

are made by the world's best optical manufacturers and represent the ulti-

mate in quality. The lenses available for the Arriflex 16 range in focal

length from 5. 7mm up. The standard lenses are equipped with (ollow-fo-

cus grips and most have diaphragm click- stops. Thus the lens can be stopped

down from behind the camera without direct observation.

With due consideration for the professional use for which they are intended,

all Arriflex lenses are triple-checked for best optical performance before

they are mounted for the Arriflex; only the very finest lenses are selected.
( See Arriflex price list for makes, focal lengths and maximum apertures).

Among telephoto lenses, we recommend the KILFITT KILARS available up
to 600

rnrn .

They are of outstanding quality and workmanship. The relative-

ly low cost of these lenses is due only to the fact that they can be manufac-

tured in large quantities as they are primarily made for 35mm still cameras.
A 11KILARS feature a removable A rriflex mount. EXTENSION TUBES and
VARIABLE HELICAL EXTENSION ADAPTERS are available for filming at
extremely close distances (Macro Cinematography).

For close- up work, the Kilfitt MAKR O-KILAR lenses are ideal. The Kilfitt
90 mm Makro-Kilar focuses continuously from infinity to 811from the sub -

ject. The 40 mm Makro-Kilar focuses from infinity to 4".

A variety of variable focal length (11Zoo

rn'"]

lenses are also available which

are martufactured to Arriflex specifications and standards. (See price list
for details). With your Arrifle~ 16 these lenses require no special finder.

The field size, focus and depth of field are always clearly shown in the came-

ra1s unique mirror - shutter reflex system.

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LENS SELECTION

It is the factory's policyto s e l l Arriflex cameras on l

y

compLete

with top

quality Len s es;Inferior Lenses mounted on these cameras would not only

n ul lify

the great expense of precision engineering that goes into each came-

ra, but would not yield the superb results of which the ArrifLex is capable.

The standard set of Lenses for the ArrifLex 16 is usually of l o

rnrn ,

25mm,

and 50mm focal length. These lenses are used most frequently by pro -

fessional cameramen and work best with the matte box.

When a longer focal length lens is mounted on the turret, the matte box

often cannot be brought close enough to the lo

rn rn

or 25mm lenses to work

properly, and the lens must therefore first be removed when using the

l o

rnrn

or 25mm lens.

Whenever a lens socket

IS

empty, it must be capped with a cavity cap which

is supplied with the camera.

Extremely long or heavy lenses may require a cradle or other special sup-

port

CAUTION

When buying additional lenses for your Arriflex in the future,
insist on "genuine" Arriflex lenses, Not every lens in Arri-
flex mount is genuine. It would be false economy to pay for
mechanical Arriflex camera perfection and to jeopardize the
investment with "orphaned" lenses that are frequently of poor
optical quality, poorly mounted, poorly centered, and that are
too expensive at any price. If in doubt whether a lens is genu-

ine, please write to us, mentioning make and serial number.

DETACHABLE BELLOWS TYPE MATTE BOX AND
FILTER HOLDER

This indispensable accessory' fits over the lens turret. To attach the camera,
slide the end of the boom into the special shoe on the front of the camera
housing; it is tightened and locked into position by turning the knurled knob
at the front of the boom.

The rear standard of the matte box is movable to accommodate lenses of
various lengths. Its front is also adjustable to give maximum efficiency and

to prevent vignetting irrespective of the lens used.

SPECIAL EFFECT MATTES ( Accessory Item - see price list) can be m-
s e rted into the front frame.

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~~ I_N_ST_R_U_C_TI_O_N_S_F_O_R_~_A_R_R_IF_L_E_X_l_6_S ~

The two filter stages accept rectangular ARRI OPTICAL GLASS FILTERS,
or ARRI FILTER HOLDER with frame for 2" square Kodak gelatine or glass

filters.

One of the stages can be rotated for use with GRADUA TED or POLARIZING

FILTERS. ( For available filters see price list).

The rear opening of the matte box is threaded to accept a screw-in adapter
ring for circular Series VIII glass-mounted filters.

Use of the matte box improves picture quality considerably; never shoot with-
out it! In addition, it permits one filter to be used with most lenses.

MOT OR S

An 8 Volt VARIABLE SPEED MOTOR is generally used with the Arriflex

16. After opening lock lever, the motor may be pulled out of the camera

housing and interchanged with other motors - GOVERNOR CONTROLLED

CONSTANT SPEED MOTOR, SYNCHRONOUS MOTOR, ANIMATION MOTOR.

When variable speed motor is put back into place, care must be taken to

line up the locating pin against the keyway in body casting and pushing it all

the way in, as otherwise it will not make contact.

By turning the motor shell, a built-in rheostat is actuated that regulates the

speed of the motor, which - in turn - can be read in frames per second on
the tachometer. The figures around the motor shell are arbitrary ones, and
after a little experience permit the operator to reset the camera quickly for

any desired speed. (With a fully charged 8 Volt battery the rheostat will be

set between 3 and 4 to give 24 FPS).

Other motors available in the Arriflex program are GOVERNOR CONTROL-
LED MOTOR, SYNCHRONOUS MOTOR, and TIME LAPSE MOTOR. (See
price list and illustrated Arriflex folder).

All motors are interchangeable instantly without the need of tools.

POWER SOURCES! BATTERIES

IMPORTANT: Power r e quir e

rrie

nt s for Arriflex 16 with 400 ft. magazine

are:

8 Volts (under load); 3.6 Amperes running;

starting surge up to6Amperes.

It is vital that the source of electric power be fully capable
of delivering this current.

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I_NS_T_R_U_C_T_~O_N_S__FO_R__ ~-A-R-R-I-FL-E-X--16_S ~

"VOLTABLOC" BATTERIES

These are steel-cased, long life Nickel Cadmium batteries in which the

electrolyte is an alkaline. Each cell is hermetically sealed and never re-
quires the addition of water or the usual battery maintenance. Each batte-
ry is supplied complete with a miniature charger built into the case. -
Dol 1a r for Dol 1a r i tis pro b a b 1Ythe b est buy. The

following two models are available:

2.'y_O_~-_~

8.4 Volt 4AH . It will run the Arriflex 16 for approximately
1000 ft. of film.

~~~.9J...:E_

It has a selector switch which permits drawing

8.4 Volt 8AH for use with Arriflex 16

16.8 VoU 4 AH for use with Arriflex 35.

This battery with the 8.4 Volt 8 AH setting is especially desirable for long

filming se s sions pa r

t

i

c ularly with magazine s and torque motor.

LEAD ACID ( 8 Volt) BATTERIES

These are small storage batteries chemically similar to the usual automo-
bile battery. Initial cost is low, while its service life is between two to
three years. Maximum life depends on proper maintenance. A separate
trickle charger is available for these batteries. Be sure to read charging
and maintenance instructions which accompany each battery, as the life
and service of the battery depends upon proper care.

AUTOMOBILE BATTERY

Your A rriflex may be ope rated from a 6 Volt auto batte ry in cas e of need.

Maximum camera speed will be approximately 24 FPS. The camera may
also be operated from a 12 Volt auto battery pro v ide d the battery is

tapped for 8 Volts.

DR Y CELL BATTER Y PACK

Generally, the footage capacity of the storage batteries is more than enough
for a day's shooting, and the battery can then be recharged over night. Where
this is not possible (on expeditions, etc.) or convenient, the Arriflex can
also be run from a dry cell batte rypack. ( Please write for further informa-

tion) .

HOUSE CURRENT

To use the Arriflex on 110 Volt AC house current, a step-down transformer

~ I_N_ST_R_U_C_TI_O_N_S_F_O_R_~_A_R_R_I_FL_E_X_l_6_S ~

rectifier is necessary. An excellent unit of this type is the COMBINATION

POWER SUPPLY /BA TTERY CHARGER (see separate specifications). It is
ideal for indoor shooting and has its own ammeter, volt meter and rheostat
built-in. It can also be used to charge lead acid batteries. It must not be

used to charge nicke 1 cadmium (Vo ltabloc) batteries.

It is important to remember that with the synch motor camera operation is
also pos sible directly from 110 - 120 Volt, 60 cycle AC power lines.

CAMERA CONTROLS

The motor has a graduated rheostat ring controlling the camera speed, in-

dicated as "frames per second" by the tachometer, which registers up to

50 frames per second. The Arriflex can be run as slowly as 6 frames per
second (shooting inanimate sub jects under poor lighting conditions) and has
continuous speed s up to 50 FPS.

Below the tachometer are the film footage counter and frame counter. Both

can be zeroed easily by their respective setting disks.

A knurled disk marked "R" - "F" is located at the back of the motor. When

turned all the way to "FII (click- stop), the camera will run For war d; with
the disk turned to IIRII (click- stop), the camera will Rever -; e .

As much film as is desired can be reversed, and any frame can easily be

located by means of the two counters which register both ways. C aut ion
both, camera motor and magazine torque motor, must
be set tor un

1

nth e sam e d ire c t ion,

i ,

e. BOT H for -

----

ward or BOTH reverse;

The film transport knob in the very center of the motor is used to turn the

shutter over by hand for sighting, and to actuate registration pin and film
transport claw during loading operation.

OPENING AND LOADING

(Please refer to Diagram on Page

9)

8

Turn cover lock from IICII to

110

11

and lift off cover. Place 100 ft film spool

firmly on upper spindle. Pull off about 2 feet of film.

Open film gate by pressing down on its latch knob and swing the pressure

pad assembly open on its hinges. Before threading film, open pressure
roller assembly A by pressing button B. Thread film around sprocket drum
C. Swing off pressure roller D-1, if necessary. Then arrest film by swing-
ing back pre s sure rolle r D-l. Lead film to film gate E by forming a loop
according to marking in camera body. Register pin F must be in disengaged

pos

iti

on ,

r------------------------------------~-~----------------------------------,

INSTRUCTIONS FOR ( __ A_R_R_IF_l_E_X_l_6_S

--t

Place film into gate in such a way that a perforation hole is exactly in line

with registration pin. Hold film down with two fingers of one hand at both

ends of gate and turn transport knob until the registration pin locks film
in place. Then close gate. - Thread film around sprocket drum G and clo-
se pressure roller D2.

The sprocket spindles have single sprockets only ( to permit use of sound

perforated film). It is important to seat film properly by moving it back
and forth with two fingers over each spindle until you can feel that a spro-

cket has engaged a perforation. The pressure roller assembly can be rocked

on its pivot and so, when the upper sprocket has been threaded, the roller

can be rocked to hold film in place. When the lower sprocket has been thread-

ed, the lower portion can, in turn, be rocked into place.

Move a few inches of film through gate by manually turning transport knob

at end of motor housing clockwise. Connect camera to battery. Push down
internal switch and watch about 2 feet of film roll through camera. (Note:

A " 100 ft. roll" of film on a daylight loading spool actually measures 106

feet to permit enough leader and trailer).

Close camera cover and move lock to "C". Be sure that outside switch

IS

released and in open position, as otherwise cover cannot be closed.

Set footage counter and frame counter to

"0"

by their control disks.

9

, .. 111

E

..

~

F

H

FILM FA TH AND LOADING

DIAGRAM

DIAGRAM OF BUCKLE SWITCH

WITH MANUAL OVERRIDE

10

I NSTRUCTIONS FOR

~_AR_R_I_FL_E_X_l_6_S

---I

BUCKLE SWITCH WITH MANUAL OVERRIDE
ME C H A N ISM (PLease refer to diagram on Page

9).

The buckle switch works properly only if the lower film loop is formed
exactly according to the marking in camera body. When end of film has
passed film gate, the Lower loop shortens, thereby pulling up the switch
r o l Ie r H, which in turn cuts off the camera motor. Switching on the came-

ra again is only possible after the pressure roller assembly A has been
opened and closed as described in threading instructions. This manipula-

tion, which is always being performed when film is threaded into camera,

causes the buckle switch to reset itself. If the pressure roller assembly

A is not closed properly, the camera will not start. Any shortening of the

Lower loop ( e. g. film jam in camera) actuates the buckle switch.

IMPORTANT

Never actuate the switch roller H by h a n d

l

The buckle switch override mechanism permits to cut the buckle switch out
of the electrical circ uit of the camera at the option of the camera operator.

Experience has shown that on certain adverse and rare occasions, particu-

larly due to shock or vibration, the micro switch of the buckle switch be-
comes inoperative, thus switching the camera off. By means of the override

mechanism the cameraman in the field can quickly restart the camera with-

out removing the camera door.

In cas e of doubt whethe r the buckle switch was unintentionally triggered by
impacts or vibration, or whether it was actuated due to a film jam, it is re-

commended to open the camera cover to check film path and sacrifice a few
inches of film rather than use the external override control.

By pressing the push button D below the viewfinder, the buckle switch over-
ride mechanism is actuated and the break in the circuit due to the release
or the malfunction of the buckle switch is bridged, To reset the buckle
switch, the toggle lever U of the buckle switch override mechanism is turned

by hand to its initial position, interrupting its overriding function.

FILM GATE

The film gate is extra long ( 3 inches) and has an oversized rear pressure
pad and a side pres sure rail. It has cros s stages around the picture frame

both on front and back plates and "film breathing" is therefore impossible.

Made of stainless steel, lapped to high precision and wear chrome-pLated,

the Arriflex film gate also prevents film scratching.

11

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REGISTRATION PIN FILM MOVEMENT

The registration pin can be seen when thefil

rn gate IS open just above the

transport claw. Its function is to locate thefilmprecisely and hold it in

place during the rrio rrientof exposure. Thus it ensures rock-steady pictures,

a perfect, precise

f

r a rrie line, and accurate trick and a nirnati

orifilrni

n g ,

FILM TRANSPORT CLAW

Thefilm transport claw engages the

f'i

lrnfr o rn the lens side, thus rnakin

g

loading easier. Watch its action by turning transport knobs.

MAGAZINE

The top of the

ca me r a

housing accepts the

400

ft. ARRI rna g

a zin e .

A light-

tight cover protects the rria

ga zin e

s lot. When the rna

ga z in e

is attached, the

cover

m ustfirst be

r e

rnov

ed ,

The

c a

rne

r a

is ready for rna

ga z

irie operation

and has internal wiring to actuate the extra take- up rno

t

o r ,

needed with the

rna

ga z

irie .

See detailed instructions for attaching and loading the

400

ft. rna ga zin e and

its torque rriot o r .

DELIVER

Y

AND TAKE - UP SPINDLES

Both spindles have anaut o rna.tic lock to holdfi

Irn spool in place in any caITle-

ra position. To takefi

l m spool out, push down button in center of spindle

and tilt

ca

rrie r a sideways.

The knurled spindle disks on outside ofca m e r a serve to take upfiI rn slack

by turning

t

h e rn in direction of the engraved arrows.

When thefi

lrn is running, the spindles turn and thus indicate whether

fiLrn

goes forward or backward. Whenfi

l rn has run off, the delivery spindle stops

turning, thus indicating that the

ca

rrie r a isern pty ,

If between takes theca rrie r a is to be transported or stored, it is a good pre-

caution to do the following: Aft~r the last take runap p r oxirnate lyone or two

feet offi

Irn through. Before starting tofi

lrn again, open the carn e r a door

and thefi

lrn gate to see that the claw and registration pin engage thefi

lm

perforation properly and that it had not Slipped during the storage or trans-

port.

12

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~_N_ST_R_U_C_T_~O_N_S_F_O_R_~-A-R-R-I-FL-E-X-l-6_S ~

TRIPOD SOCKETS

Two tripod sockets, one European and one American type, are provided
in bottom of camera housing.

EYELETS

Two eyelets on camera permit use of shoulder strap, supplied with came-
ra, to prevent accidental fall.

CARRYING CASES

Two carrying cases are made for the Arriflex 16. They are especially de-

signed for safe storage and transport of Arriflex cameras. Covered with
hammered aluminum, they are red velevet lined and have chrome-plated
brass hardware and channeling around cover to insure dustproof, moisture-
proof storage. The inside is partitioned to hold camera and accessories

safely. A "genuine" Arriflex case is a good investment for the protection
of your c a rne r a ;

Model "A" Case

Accepts camera with 3 lenses, matte box, filters and

small acces sorie s.

Size: l5x9x8" - It is designed to fit under an airplane seat.

Model

liB"

Case

Accepts camera with 3 lenses, matte box, two 400 ft.

magazines, torque motor for magazines, shoulder pod,

filters and other accessories.

ARRIFLEX SHOULDER POD

This simple but efficient accessory is a MUST for the cinematographer

who is compelled to shoot hand-held for any length of time. Please refer to
the enclosed booklet for more detailed information.

ARRIFLEX PISTOL GRIP

It permits the cameraman to hold the camera and release the shutter with

the left hand, while the right hand balances the camera and operates the
follow-focus. See detailed description in the enclosed booklet.

~ I_N_ST_R_U_C_T_IO_N_S_F_O_R_~_A_R_R_I_FL_E_X_l_6_S ~

COMBINATION PISTOL GRIP/ SHOULDER POD

An attractive combination of pistol grip and shoulder pod for maximum
hand-held camera stability, Pistol grip has internal trigger switch me-
chanism to control camera" start" andIIsto

p'";

For further information

see enclosed booklet.

SERVICING AND MAINTENANCE

The Arriflex 16S is built with utmost precision and inherent ruggedness.
It will give absolute satisfaction if treated as any precision instrument
should be treated, and if serviced at regular intervals, consistent with the

amount of use.

The most important rule is

KEEP CAMERA SPOTLESSLY CLEAN - INSIDE AND OUT ~

Particular attention must be given to the film gate. It is precision-lapped

and chrome-plated to prevent film emulsion to settle, However, due to the

comparatively great length of film gate and pressure plate to ensure Hla-

ximum film registration, some emulsion deposit is inevitable. This will

vary with the type of film used, humidity and other factors.

The film gate should be brushed out at least after

every 100 ft. roll and it must be c a

r-e

fuLl

y

inspect-

ed and thoroughly cleaned at least after every 400

ft. roll. Remove emulsion deposit with the plastic

s k ewe r sup p I i e d wit h the c a mer a ( NEVER METAL). If

emulsion is hardened on film gate, remove it with

a Q-tip dipped

i

n acetone. Use very little acetone

and d o n

i

t

let it touch anything else, as it also destroys

paint. After cleaning, polish gently with chamois or other soft material.

From time to time lens mounts and the three lens sockets in turret should
be cleaned to remove dirt and dust which will adhere. After such cleaning,
re-Iubricate lightly with the special grease supplied with the camera.

The lubricants used with the Arriflex are suitable for use in temperatures
down to _200F.

On special request and for extra charge, Arriflex cameras can be winter-
ized at our Service Department to function at still lower temperatures. How-
ever, such cameras will have to be normalized again, if intended for use in

temperate or hot climate s.

13

~ I_NS_T_R_U_C_T_IO_N_S__ FO_R __ ~ __ AR_R_I_F_LE_X __ 16_

S ~

OILING

Your c a rn e r a has been properly lubricated at the factory and

IS

ready

for operation. Do not oil before using

After each run of 30 000 ft. of

f

i

lm through the ca rn e r a , ca rne r a should

be lightly oiled at two oil valves rn a r ke d with arrows (one near the

f

i

Im
gate, and one near the spindle). Only use the ball and pressure oiler
supplied with your ca rrie r a and the special oil contained therein. Do

not

0

v e r0i I too rnuc h oiling is as bad as too little :

By observing the following "DON'Ts" you will protect the continued ope-

ration of your Arriflex :

DON'T run c a rrie r a without

f

i

lrn at high speeds.

DON'T atte rnpt to disas s e rrib l e the optical ITlechanisITl. This should be

done by factory-trained personnel.

DON'T touch rrii r r o r shutter with fingers. Clean it only with soft ca rrie l

hair brush. In any case, a spot on the rnir r o r does not affect the
picture.

DON'T rn ix up covers of different c a m e r a s (serial n urnbe r s are engraved

on each cover and c a rne r a}.

DON'T use old or shrunk

f

i

Irn ; the registration pin's stroke is adjusted

to the perforation pitch of fresh

f

i

lrn , according to

ASA

specifi-

cations.

DON'T aUow ca rrie r a s to be serviced in unqualified service shops. Arri-

flex ca m e r a s require special knowledge and experience.

DON'T neglect to have your ca.rrie r a serviced after a pp r ox irnate lyevery

100 000 ft., or every two years, whichever COITles first. Service

should be rno r e frequent under adverse conditions.

Our Technical Service De pa rtrne n

t

w

e l c o rn e s your inquiries and is parti-

cularly anxious to hear about unusual applications of the Arriflex ca rne r a ,

GUARANTEE

Arriflex e qui prne n

t

IS

carefully checked before s hiprn e nt , and is guaran-

teed to the original purchaser for a period of ON E year, ~r~~~~~~h~~

0~3~~~~~0~~~~~~~~~~~~~~~~~~~~~~~~~~JQj~~~~~~3~~~~_

~~.5:~a~~. The guarantee does not cover da ma ge caused by accident, ta rn-

14

~-----------------------------------~~~------------------~--------------,

INSTRUCTIONS FOR

(mIID_A_R_R_IF_L_E_X_l_6_S ~

pering, or misuse.

Repair and adjustment of Arriflex equipment which may become neces-

sary during the guarantee period because of original defects in material

or workmanship, will be made by us without charge if the equipment is

sent to us prepaid and properly packed.

Except for such repair or adjustment, Arriflex equipment

1S

sold with-

out warranty or other liability of any kind.

All features and specifications are subject to change without notice.

We have inserted a price list and general literature

into this manual, in order to show the new Arriflex

owner the many accessories and adaptations which

make the Arriflex a "system" camera and enlarge

its a_pplications.

ARRIFLEX CORPORATION OF AMERICA

257 Park Avenue South
New York, N. Y. 10010

826 No. Cole Avenue

Hollywood, Calif. 90038

A29/l0-364

15