Arri ARRIFLEX 16 SR3 Instruction Manual

ARRIFLEX 16SR 3

Instruction Manual

As of: December 1992

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W

ARRIGLOW

eyecup iris lever magazine safety latch

mne release latch

friction adjustment release knob for correct

image position

mechanical film counter

film speed
selector

inching knob

electronic inching/
phase button

run LED

on/off push button

push button SET

push button SEL

push button MODE

slide switch

display

400ft magazine

running light

on-board battery

on-board battery
adapter

accessory shoe

viewfinder prism
rotating knob

PL-mount

receptable for
heated eyecup cable

ACC-receptable CCU-receptable power input

receptable

on/off switch
main power

carring handle

PL mount lock ring

PL mount/bayonet
adapter lens release pin

mounting rosette

pitch adjustmentremote switch

receptacles 24V DC out

Safety Specifications

• Warning Notes:

Operational error or camera error
possible!

• In order to ensure optimal performance, it is essential
that you acquaint yourself with this instruction manual
and that you follow the operating instructions de­scribed herein.

• Assembly and initial operation should only be carried
out by qualified personnel already familiar with the
equipment and the assembly procedures!

• Use only original ARRI accessories and replacement
parts!

• Clean optic surfaces only with an optic brush or a
clean optic cloth! In cases of solid dirt moisten an
optic cloth with pure alcohol.

• Do not use solvents in cleaning the film track!

• When adjusting the mirror shutter remove the on­board battery or the supply cable!

• Do not use HS magazines (High Speed) on the
standard camera, nor standard magazines on the HS
camera!

• Never blow air into the lens opening! If the fiber optic
screen is removed the indicator on the light meter can
be damaged.

• Do not unscrew any screws which are painted over!

• When using polarizing filters, use only circular
polarizing filters as the light meter otherwise will give
incorrect readings.

Product Specifications

In the case of enquiries or when ordering parts
please advise type designation and camera number.

Contents

1

Contents

Safety Specifications ....................................... 1

Product Specifications ..................................... 1

1. The ARRIFLEX 16SR 3 -

Contents

System-Camera .......................................5

2. Installation ...................................................7

Packing and transport ..................................... 7

Tripod heads ................................................. 7

Bridge plate BP-6 ........................................... 7

Bridge plate BP-7 with 15 mm support rods ....... 9

Shoulder set S-3 ........................................... 11

Camera handgrip......................................... 11

3. Power Supply ...........................................13

On-board battery NC 24/1,2 ....................... 14

Battery NC 24/7 R ...................................... 14

Charger NCL 24 R ....................................... 14

Double charger NCL 24/1,2 ......................... 14

Mains unit NG 12/24 R ............................... 14

DC/DC converter 24V/12V-22W .................. 15

4. Magazines .................................................. 16

Loop protector.............................................. 16

Magazine door ............................................ 17

Film core, core holder and clamp core ............ 18

Cleaning the Magazines ............................... 18

Loading the Magazine .................................. 19

Unloading the magazine ............................... 24

5. Camera Body ............................................25

Movement ................................................... 25

Mirror shutter ............................................... 26

Fibre optic viewing screens............................ 29

Attaching the magazine onto the camera ........ 30

Removing the magazine ................................ 31

6. Optics ............................................................32

Lenses ......................................................... 32

54mm PL-mount ............................................ 34

41mm ARRI bayonet ..................................... 35

Lens support ................................................ 36

Viewfinder ................................................... 38

Eyepiece ..................................................... 39

Eyecup ........................................................ 39

7. Optical Accessories ................................ 41

Light-weight support LWS-2............................ 41

Universal follow focus device FF-3 .................. 43

Light-weight dollow focus device .................... 44

Lens-Control-System LCS ................................ 44

4"x4" production matte box MB-16 ................ 45

4"x4" matte box MB-17 ................................ 45

Light-weight matte boxes LMB-2 and LMB-3...... 45

2

Finder extension FE-2 .................................... 46

Levelling rod for finder extension EL-3 ............. 47

Heated eyecup HE-3 ..................................... 48

8. Conversion from Normal 16

to Super 16 .............................................. 49

Bridge plates BP-6 and BP-7........................... 53

Lightweight support....................................... 54

Video optic .................................................. 54

9. Display and Operating Elements ...55

Camera display ........................................... 55

Setting the speed .......................................... 56

Film counter ................................................. 58

Summary of modes ....................................... 58

Exposure control and ARRIGLOW .................. 66

Checking the mirror shutter setting .................. 68

Synchronizing on the video monitor ................ 68

10. Accessories ..............................................69

Camera Control Unit CCU-1 .......................... 69

External Synchronization Unit ESU-1 ............... 74

Remote ON/OFF switches RS-3 and RS-4 ........ 74

11. Video-Assist-System ........................... 75

Mounting the Video-Assist-System ................... 76

Adjusting the Video Optic ............................. 78

12. Time Code ................................................80

TC-Indication on the display ........................... 80

TC-Input ...................................................... 82

TC-Output .................................................... 82

Time code and ESU-1 ................................... 83

Using time code ........................................... 83

Indicating time code or user bits ..................... 84

TC buffer ..................................................... 86

Testing the TC recording ............................... 86

13. Maintenance ...........................................87

Replacing the magazine drive gear ................ 87

Cleaning the magazine throat assembly .......... 87

Flange focal distance .................................... 89

Setting friction on the viewfinder .................... 92

Changing the electronic housing .................... 94

Appendix

Camera-Checks ............................................ 96

Technical Data ............................................. 98

Order Numbers ......................................... 100

Index .................................................................102

Contents

3

Introduction

4

1. The ARRIFLEX 16SR 3 - System-Camera

The ARRIFLEX 16SR 3 is a 16mm/Super 16 camera
designed to handle all modern production demands. It
utilizes the full range of ARRIFLEX 535 mechanical,
optical and electronic accessories.

• The format change from Normal 16 to Super 16 can

be carried out with very few adjustments. An addi­tional film gate is not necessary.

• Due to the 54mm PL lens mount, all commonly avail-

able lenses can be used. Lenses with a 41mm ARRI­bayonet-mount can be used with the single push­button release PL-mount-to-bayonet-mount adapter.

• The 16SR 3 time code capability offers access to all

modern electronic post-production processes. The TC­generator has been integrated into the camera
electronics and the time code recording unit is located
in each magazine.

• The video-assist-system with the bright 1/2" color

camera CCD 2-FR and the anti flicker processor AFP-2
for PAL or NTSC supplies a high quality, nearly
flickerfree video images.

• As with the ARRIFLEX 535, the new bright viewfinder
can be swung three-dimensionally. An automatic
image compensator ensures that the frame remains
upright and correct left-to-right regardless of the
positon in which the viewfinder is used. The horizon­tal finder image can be corrected when using the
camera in difficult locations that do not allow the
image to be viewed in the standard viewfinder
positions.

• With ARRIGLOW, the ARRIFLEX 16SR 3’s new
illuminated frame viewfinder with continuously adjust­able brightness, all format markings are clearly visible
even in low light situations.

• The mechanically adjustable mirror shutter allows
short exposure times and enables the use of HMI
lights, even with older inductive ballasts.

• Coaxial magazines with and without TC-recording
unit (time code) are available.16 SR II-magazines can
still be used (without TC-recording) on the ARRIFLEX
16SR 3.

• The HS version (high speed) of the camera is de­signed for speeds of up to 150 fps.

• The camera electronics incorporate a large, backlit,
programmable LCD-Display advising the user of the

Introduction

5

status and functions of the camera. The ARRIFLEX
16SR 3 provides for on-board speed selection and
speed changes while the camera is running up to
1/1000 of a frame accuracy,. without additional
electronic accessoriesw. Instant on-the-fly-changes
between preselected standard on-board and pro­grammed variable speeds are possible, as well as on-

Introduction

board phase shifting for filming of monitors.

• Accessory-interfaces enable the use of well-known
ARRIFLEX system components such as

- the camera control unit CCU-1

- the external synchronization unit ESU-1

- the lens control system LCS

Symbols in the Handbook

designates new methods of operation compared

to the 16 SR II.

refers to objects which are shown in photos.

6

2. Installation

Packing and Transport

The camera should be stored in the sturdy ARRI
transport case with the magazine attached, without
the lens, the viewfinder extension, or the on-board
battery. The video camera and the anti flicker
processor should be removed for transport or shipping
purposes. The AC/DC converter can stay on the
camera. There are compartments for two on-board
batteries and the viewfinder extension. An adjustable
compartment enables storage of further equipment
such as the bridge plate or an additional magazine.
A compartment in the case lid is designed to hold
the bridge plate support rods 440mm (19").

Tripod Heads

The ARRIHEAD 2 with its compact construction is
ideally suited to the ARRIFLEX 16SR 3. The hydro­heads ARRI 150 H, ARRI 150 M and ARRI 100 L
can be used as well.

Bridge Plate BP-6

The bridge plate allows quick mounting and balancing
of the fully-equipped ARRIFLEX 16SR 3 system on the
tripod.

The bridge plate consists of the base plate ,
sliding upper plate and support rods .
The standard length of the support rods is 440 mm
(19"). Support rods of 240 mm (9") length are
available. A quickly atachable wedge plate allows
mounting of the system without the base plate on the
tripod or the ARRIHEAD 2.

For changing from Normal 16 to Super 16 the revers­ible, center-mounting plate on the upper sliding plate
must be reversed to the appropriate position. See
chapter 8.

For mounting see next page.

Installation

7

base plate

springloaded stop pin

Installation

support rods

8

adjustable
top plate

lock lever

lock levers

Mounting

•Press in the spring-loaded stop pin and pull the

upper sliding backplate off the base plate .

•Attach upper sliding plate with the central tie-down

screw (3/8" thread) to the camera base, ensuring that
the locating pins align with the holes in the camera
base.

• Screw the wedge plate of the tripod used onto the
base plate .

•Lock the base plate onto the tripod head (spring-

loaded stop pin rear).

•Slide the camera with the upper sliding plate into the

dovetail guide of the base plate until the spring-loaded stop
pin clicks audibly into position, preventing the camera
from sliding to the back of the bridge plate.

•Slide the camera into the desired position and lock

with the lock lever .

•Pull the support rods out to the desired length and set

with the clamp screws .

Balancing

•Fully equip the camera. Attach all camera and lens

components you plan to use.

•Loosen the clamp lever on the upper sliding plate

, balance the camera on the base and lock the
clamp lever once the correctly balanced position is
found.

Bridge Plate BP-7 with 15 mm Support Rods

The bridge plate BP-7 with 15mm support rods can be
transferred from Normal 16 to Super 16 optical positions.
Old bridge plates with 15mm support rods for the 16
SR can subsequently be retrofitted with the new upper
sliding plate. A conversion kit with instructions is avail­able.

For mounting and operation see bridge plate BP-6.

For changing the upper sliding plate from Normal 16 to
Super 16 optical center positons, the reversible center
plate on the upper sliding plate must be reversed to the
appropriate position. See chapter 8.

Installation

9

Installation

10

remote
switch
receptables
24V DC out

handgrip
adjustment
positions

Shoulder Set S-3

Camera Handgrip

The shoulder set S-3 has adjustable grips and an
integrated shoulder pad which allows comfortable
hand-held camera operation.

Mounting

• Attach the shoulder set with the central clamp screw
into the tripod thread (3/8") on the camera base
ensuring that the index pin on the shoulder set aligns
correctly with the locating hole in the camera base.

• Adjust and position the handgrips on the shoulder set

.

• Connect the cable to one of the RS-sockets on
the right side of the camera

The anatomically-shaped camera handgrip with the
RUN push button is intended for shoulder operation.
The shoulder pad can be used for more comfortable use
of the camera on the shoulder.

Mounting

• By turning the intermediate ratchet mounting ring, the
angular outward position of the handgrip can be
changed to the operator’s personal fit.

• Attach the handgrip to the right rosette mount on the
camera in the desired angle of inclination.

• Connect the cable to one of the RS-sockets on
the right side of the camera.

Installation

11

Power Supply

12

3. Power Supply

The camera is intended for use with 24 V DC. The
acceptable voltage ranges are from 20 to 32 V DC. If the
voltage trops below 18 V or rises above 34 V, a
protective device prevents the camera from being
turned on.

camera front

accessory fuse

Changing the Fuses

Main fuse: 10 A Picofuse
Accessory fuse: 2,5 A Picofuse

• Remove the on-board battery or the power supply cable.

• Remove the magazine.

• Unscrew the cover FUSE on the electronic housing

with a coin.

• Take a new fuse from the cover FUSE.

• Exchange the defective fuse using tweezers or a

Hirschmann clamp. The accessory fuse is in the front,
the main fuse at the rear.

• Rescrew the cover FUSE with a coin.

NOTE: In order to avoid future problems you should
obtain replacement fuses as soon as possible. Fuses
from other suppliers should be cut to size and bent as
shown in the drawing on the right.

Power Supply

main fuse

13

On-Board Battery NC 24/1,2

Charger NCL 24 R

Capacity 1,2 Ah. For mobile operation.

• Plug the on-board adapter into the BAT-socket and
secure it with the knurled screw.

• Slide the on-board battery onto the on-board adapter
and clip onto the magazine - the magnet holder keeps
it securely in place.

Power Supply

Battery NC 24/7 R

Capacity 7 Ah.

For use see product description NC 24/7 R.

• Connect the battery cable KC 20 or the coiled battery
cable KC 29 into the BAT-socket on the camera.

• Make sure that the plug is locked in securely.

- Do not open the batteries!

- Charge batteries only with the ARRI charger!

- Do not bypass the fuse or temperature
switch! (Danger!)

- Do not heat NC-batteries!

- Do not short-circuit NC-batteries!

For all 24 V batteries.

To charge the on-board batteries NC 24/1,2 the
charger-adapter cable KC 38 is required.

For use see product description NCL 24 R.

Double Charger NCL 24/1,2

To enable two on-board batteries to be charged simulta­neously.
For use see product description NCL 24/1,2.

Mains Unit NG 12/24 R

The mains unit is suitable for use in the studio. Its use is
recommended when using electronic accessories with a
higher power consumption (e.g. eyecup-heating, Video­Assist-System, Lens-Control-System). The mains unit has
a safety switch-off device overheating and a power
limiter.

For use see product description NG 12/24 R.

14

DC/DC Converter 24V/12V-22W

The DC/DC converter 24V/12V-22W provides DC
voltage for 12V accessories through the camera’s
power supply. The output voltage of the DC/DC con­verter is 12V +/- 1V, maximum power is 1,8 A.

The output plugs on the converter are wired as follows:

Mounting

• Plug DC/DC converter with both plugs into the RS­sockets on the right side of the camera and secure
with the knurled screw.

11-PIN Fischer Plug

PIN 9 GND

PIN 11 +12 V

RS-sockets:
Two 3-pin Fischer plugs, parallel switching

RS-Sockets

PIN 1 GND

PIN 2 +24 V

PIN 3 /ERUN

Power Supply

15

4. Magazines

Coaxial magazines with or without TC recording unit
(time code) are available. They are designed as
quick-change magazines and use the same mechanical
drive interface as previous 16SR systems.

Magazines

For the HS camera (high speed) special HS magazines
are available with or without the TC-recording unit.

Do not use HS magazines on the normal
camera or standard magazines on the HS
camera!

16 SR II-magazines can still be used (without TC­recording).

Loop Protector

The loop protector protects the film loop and the pres­sure plate when the magazine is not attached to the
camera. the loop protector should always be kept on
the empty or loaded magazine until the magazine is
attached to the camera. If the magazine is removed
from the camera the loop protector should immediately
be attached to it.

guide pin

16

Removing the Loop Protector

• Using slight pressure push the loop protector upwards.

• Swing out the lower side and remove the loop protector.

Attaching the Loop Protector

• Engage the upper side of the loop protector from
below into the pilot pin on the magazine.

• Swing the loop protector into the magazine, and with
slight pressure push in to lock.

Magazines

Magazine Door

The magazine door can only be opened or closed if the
magazine has been removed from the camera.

Opening the Magazine Door

• Open the locking latch .

• Hold down the red safety knob depressed and
turn the locking latch to „A/O“.

• Pull on the locking latch to open the magazine door.

Closing the Magazine Door

• Make sure that the locking latch is in position „A/O“.

• Push the magazine door firmly and turn the locking

latch clockwise to the locked position - the safety knob
locks audibly into place.

safety push button

Never close the door when the locking latch is
in position „closed“ as otherwise the latch
could be damaged. Never hold the magazine
by the door as otherwise the hinge could be
damaged.

magazine cover lock

17

Film Core, Core Holder and Clamp Core

A film core adapter and a collapsible core

are supplied with the camera; these are placed

on the supply and take-up film spindles.

The film is normally delivered on a core. The film core is
attaches to the core adapter on the feed side. The core

Magazines

adapter is secured on the shaft with two clamp levers

which automatically unlock when it is pulled off
the shaft. On the take-up side the collapsible core is
used. It usually remains on the shaft. The collapsible
core can be pulled off easily once the lock has
been opened. When the collapsible core is placed on
the shaft it locks automatically in place.

Cleaning the Magazines

Keep the inner side of the magazine ex­tremely clean! Clean the magazine every time
you load or unload it. Use only an optic brush!

•

Swing away the guide roller arm back until it
clicks - do not pull the guide roller arm upwards.
Clean the glass window for the film end sensor on the

•

under side of the magazine with an optic cloth and
cotton buds. If very dirty moisten the optic cloth with
pure alcohol.

retaining levers

standard
core
adapter

film spindle
supply-side

Andruckrolle

collapsable
core adapter

film spindle
take-up-side

release latch

idler roller
time code
recording unit

18

Cleaning the TC-Magazine

• Open out the lens on the recording unit .

• Clean the upper side of the lens with an optic cloth.

If very dirty, moisten the optic cloth with pure alcohol.

• Clean the under side of the lens with cotton swabs.

• Clip the lens holder.

If an empty film core is installed on the feed side pull it
straight off the core adapter. If the film core is too tight
on the core adapter, remove both from the film spindle.
Open the retaining latches and pull the core adapter with the
film core off the spindle, and separate the two outside of the
magazine. Before loading the magazine with film,
install the core adapter and lock the retaining latches.

Loading the Magazine

The film must be loaded with the emulsion side inwards.
With single perforated film only B winding can be used.

If the user is not familiar with the magazine it is recom­mended before placing it in the changing bag that they
become familiar with the following:

- the position of the opening for loading the film,

- the feed direction of the film in the magazine and

- the position and turning direction of the gear clockwise.

Magazines

Film Head

Regardless of how the film head is cut, the film can
always be loaded. Optimal for loading is a straight cut
through the perforation holes. When cutting the film
ensure that no remains of the film fall into the magazine
as they could cause scratches on the film, damage to
the equipment or a film jam.

19

Preparations

• Remove the tape seal from the film container.

• Place the closed film container and the magazine

without the loop protector in the changing bag.

• Place the magazine with the feed side up.

• Open the feed side of the magazine.

• Close the changing bag and place your hands in the

Magazines

sleeves.

Changing Bag

• Open the film container in the closed changing bag.

• Remove the black film wrapper.

• Remove the tape from the film end.

Ensure that the tape is completely
removed.

• Stick the tape to the outside of the film container in
order to check later that no remains of tape are stuck
to the film.

• Close the empty film container and lay the film roll on
top of the container to facilitate threading the film.
Then place the film roll and the feed slot on the same
height, ensuring that the film roll feeds in as marked
on the magazine.

• Slide back the guide roller arm until it clicks in the
open position - do not pull the guide roller arm upwards.

Loading the Film, Feed Side

•

Feel for the opening for threading.

• Guide the film head into the opening and carefully push
it further into the opening. Simultaneously feel on the
gear when the film engages with the internal sprocket.

• Be sure thast dual perforations is correctly loaded
(emulsion side inward, B winding).

• Carefully turn the gear further in the direction of the arrow
(clockwise) until the film emerges from the magazine throat.

• Pull some of the film out of the magazine throat.

If the film cannot be loaded at the first at­tempt, cut off a piece of film and try again.
Never use force!

Attaching the Film Roll

• Hold the film roll over the center of the shaft.

• Place the film on the shaft and push the core as far as

it will go onto the core adapter, without pressing on
the film. The film will otherwise become conical and
cause noise during operation.

• The spring on the core adapter can be locked into the
groove in the film core by turning the film core on the
core adapter.

• Ensure that the film core is locked in place.

• Carefully place the guide roller arm on the film roll.

• Ensure that the guide roller is centered and guides the

film roll on both sides.

20

This is the most common error! Therefore
check again whether the guide roller arm is
sitting correctly. The mechanical film counter
will not work if the guide roller arm is not
pushed onto the film roll.

• Pull the film roll tight with the magazine drive gear.

• Ensure that the cover locking latch is completely open.

• Carefully close the magazine door, ensuring that none of

the film is hanging out or gets caught or crimped.
After closing the magazine door feel with one finger
around the door to make sure that no piece of film or
any part of the changing bag is stuck in it.

• Lock the magazine cover with the locking latch.

• Ensure that the magazine cover is closed and locked.

• Open the changing bag and take out the magazine.

Forming the Film Loop and Threading the
Film, Take-Up Side

• Remove the magazine from the changing bag or dark
room, and place it with the magazine cover hinge­side down (rear of magazine).

•

Pull some film out of the magazine throat and place
along the under side of the magazine, pulling it until
the first perforation hole reaches the white index line.
The film should be slightly tight. The film is guided at
a slight diagonal rather than straight against the

pressure plate.

• Hold the gear to keep the loop length stable. Push the
film head gently into the smooth take-up
channel (picture next page) until it engages
with the take-up sprocket.

• As soon as the film engages noticeably with the take­up sprocket, turn the magazine drive gear approxi­mately 5 further revolutions in the direction of the
arrow.

• If the film loop is too large or too small repeat the process.

Do not use force! In the case of difficulties
repeat the process carefully.

Magazines

21

Magazines

22

take-up-side
film channel

Attaching the Film to the Core Adapter or the
Collapsible Core

• When in daylight place the magazine with the take­up side facing up.

• Open the take-up side of the magazine cover.

• Swing back the guide roller arm until it clicks in the

open position. Do not pull the guide roller arm
upwards.

• Pull out some film.

• Attach the core adapter or the clollapsible core onto

the take-up shaft.

Collapsible core:

• Slide the film head into the opening of the collapsible
core. The film head should be pushed a little past the
metal tongue of the clamp lever. If the film head is
pushed to far into the collapsible core, unwanted
noise may be heard.

• Lock the clamp lever. Ensure that the film is clamped
straight and at the right height. If the film is clamped
at a slant or too high in the collapsible core, un­wanted noise may be heard.

Core holder:

• Place the core adapter on the film core, paying
attention to the direction of the slot (picture left).

• Place the film head in the slot.

• With a fingernail, smooth out the film where it

emerges to avoid uneven movement of the guide
roller arm.

• Feed with the gear approximately 5 revolutions
clockwise until the film is sitting securely.

The film can be secured on the core holder or the clamp
core before placing this on the shaft.

Final Tasks

• Carefully place the guide roller arm on the film roll.

• Ensure that the guide roller is centered, and guides

the film on both sides.

• Carefully tighten the film between the clamp core and
the gear: hold the gear firmly and turn the core holder
further.

• Clamp core: turn the gear by hand a few revolutions
further. Loosen the clamp on the clamp core. Carefully
push on the film reel to ensure that the film reel is
sitting at the correct height. Retighten the clamp.

• Turn the gear a few revolutions further by hand,
checking the even movement of the guide roller arm.

• If using TC-magazines set the sensitivity: turn the
desired value upwards. See the table, chapter 12.

• Close and lock the magazine cover.

• Ensure that the magazine cover is closed and locked.

• Check the counter on the magazine. The white

indicator must be visible, otherwise the guide roller
arm is not locked. The counter now shows the amount
of unexposed film on the feed side.

• Hang the film loop between the 4 guide pins
(2 shaped as claws).

• Center the film loop in the direction it will run.

• Attach the loop protector.

Magazines

23

Unloading the Magazine

Preparations

• Remove the loop protector.

• Check the counter on the magazine. It must show 0,

otherwise the film has not been fully exposed.

• Open the feed side in daylight.

Magazines

• Swing away the guide roller arm until it clicks - do not
pull the guide roller arm upwards.

• Pull off the core of the exposed roll.

• If further shooting is to be carried out, the unexposed

film can now be loaded on the feed side.

Tasks in the Changing Bag

• Place the magazine with the take-up side facing
upwards, the empty film container and the black film
wrapper in the changing bag.

• Close the changing bag and place your hands in the
sleeves.

• Open the magazine cover on the take-up side.

• Swing away the guide roller arm until it clicks. Do not

pull the guide roller arm upwards.

Collapsible core:

• Loosen the clamp on the collapsible core.

• Holding the shaft down with your thumbs, brace your

thumbs on the film spindle and pull off the film carefully.

Core adapter and film core:

• Unlock the film core.
Brace your thumbs on the film spindle and carefully

•

pull off the film with the core adapter and film core.

• Carefully press the core adapter out of the film core,
ensuring that the inner loops of film are not pressed
out with it, and place the core adapter back onto the
film spindle.

• Place the film in the black wrapper and place this in
the film container.

• Lock the film container and seal it down with the tape.

• Open the changing bag.

Final Tasks

• Clean the pressure gate in the magazine throat with
an optic brush and an optic cloth. If very dirty,
moisten the optic cloth with pure alcohol.

• Clean the magazine (see above).

Never remove film deposit with metal tools;
use only the ARRI plastic film track cleaning rod.

24

5. Camera Body

With the new pitch adjustment you can adjust the
camera to optimize the running noise level when
different types of film stock are used. The mechani­cally adjustable mirror shutter enables shorter
exposure times and allows use of HMI-lights, even
with older ballasts.

Movement

The kinematic film-movement with pitch adjustment
is designed for extremely quiet running. The regis­tration pin guarantees optimal image steadiness.
Speed can be set between 5 and 75 fps (with HS
between 5 and 150 fps).

Checking Film Transport

• With the magazine attached depress the PHASE
key – the camera will run slowly (1 fps). This is
recommended every time a loaded magazine is
attached to the camera to assure correct film
transport.

Camera Body

Pitch Adjustment

With the pitch adjustment you can adjust the camera to
optimize the running noise level of the camera at
standard speed using a variety of different types of film
stock.

• Let the camera run at the desired standard running speed.

• Set the hexagon key SW 2 (key width 2 mm) into the

pitch adjustment .

• By pressing, engage the pitch adjustment with the
key, and by turning the key, select the position that
optimizes the camera noise level.

25

Mirror Shutter

The open sector of the mirror shutter can be

mechanically adjusted while the camera is disconnec­ted. The opening angles are 45°, 90°, 135°, 144°,

172.8° and 180° and are marked on the moveable
shutterblade. The selected shutter opening locks into
its position. The selected shutter opening angle is also
shown on the camera display when depressing the
PHASE key in Standby (for longer than 1 sec.). An

Camera Body

automatic stop position guarantees an undisturbed view
through the viewfinder, once the camera is stopped.

If the film gate needs to be checked through the lens
port, release PHASE pushbotton quickly after activat­ing it in Standby. The mirror shutter will then remain
in the open position for the gate check. Once the
check is completed, press the Phase pushbutton briefly,
and the shutter will return to its viewing position.

located in the hidden compartment above the heated
eyecup connector.

• Switch off the camera and remove the on-board
battery or the supply cable.

26

Manual Inching Knob

• To turn the mirror shutter and movement manually,
press the manual inching knob and turn this in the
direction of the arrow on the side of the camera.

Adjusting the Mirror Shutter Opening

Necessary tool: special key (2mm hxagonal driver)

If the camera is accidentally switched on
while the special key is attached, the mirror
shutter could be damaged. Therefore switch
off the camera and remove the on-board
battery or the supply cable!

• Remove the lens or the lens opening cover.

• If appropriate, remove the PL/bayonet-mount adapter.

• Using the manual inching mechanism adjust the mirror

shutter so that the ladjustment screw for the shutter
adjustment is visible at the bottom of the lens
mount, below the mirror shutter.

• Insert the special key into the adjustment screw.

The mirror shutter can be damaged if the
special key with the protective rubber cover­ing is not used!

• By pressing, engage the adjustment screw with the
special key and hold the mirror shutter with the
manual inching mechanism in its position. While
enlarging the opening angle it is possible to support
the mirror shutter on the special key, in which case it
does not need to be held in position by the manual
inching mechanism.

• Set the desired opening-angle of the mirror shutter
with the adjustment screw (to reduce the angle turn
counter-clockwise, to enlarge the angle turn clock­wise). While adjusting the shutter angle, the shutter
can also be held with your finger in the black center,
preventing it from turning while adjusting the angle.
Be sure not to touch the mirror area of the shutter.

• In Standby, depress the PHASE pushbutton until the
wide angle symbol appears in the display. After
approx. 1 sec. the selected opening-angle will be
shown in the upper line of the display.

Camera Body

Checking the Mirror Shutter Setting

The setting of the mirror shutter can also be checked
with a lens in place.

27

1.37 – TV 1.33 TV 1.33 1.37 1.85 (S16) – TV 1.33/1.78

Camera Body

1.66 (S16) 1.66 (S16) – TV 1.33 HDTV 1.78 – TV 1.33 1.85 (S16)

28

TV

1.37

1.66 (S16) 1.66 (S16)

TV

1.33

T.V. 1.33 1.33TV1.78

1.37

1.78

1.33
TV HDTV

HDTV

1.85 (S16)

Fibre Optic Viewing Screens

The overview shows the available fibre optic viewing
screens. Without ARRIGLOW, the fibre optic viewing
screens for the ARRIFLEX 16 SR II can be used. (The
16SR 3 screens can also be used in the 16SR II as well).

Changing the Fibre Optic Viewing Screens

• Switch off the camera and remove the on-board
battery or the supply cable.

• Remove the lens or lens port cap.

• If appropriate remove the lens port adapter.

• Turn the mirror shutter downwards using the manual

inching mechanism.

• Grip the fibre optic viewing screen using the Hirschmann­clamp (included in the camera package) and pull out
of the holder.

• To clean the fibre optic viewing screen use a particle­free optical cloth moistened with pure alcohol.

Before resinserting the fibre optic viewing
screen ensure the fibre optic viewing screen
frame is completely clean.

• Push the fibre optic viewing screen with the Hirschmann­clamp to the stop position in the holder. A spring lock
fixes the fibre optic viewing screen in the exact position.

• Check the lock: press a finger carefully onto the front
rim of the fibre optic viewing screen frame.

fiberscreen

Camera Body

29

Attaching the Magazine onto the Camera

Do not use HS magazines on a standard
camera or standard magazines on a HS
camera.

•

If appropriate press the button on the video
carrying handle and swing the handle to the left side

Camera Body

of the camera.

• If appropriate swing back the on-board battery.

• Remove the loop protector and the aperture cover plate.

• Center the film loop in reference to the pressure plate,

and make sure the film is held in place by the four
guide pins.

• Flip the safety latch to the back .

• Grasp the upper part of the magazine and hold it on

approx. 30° slant (two o'clock) position.

• Push the pilot pin on the magazine forwards
into the camera housing.

• Carefully press the back part of the magazine down­wards until it locks in place.

The red markings on the casing should

no longer be visible!

• Check that magazine is locked securely by lifting the
back part of the magazine.

• If appropriate swing back the on-board battery and
the video carrying handle.

• Set the film sensitivity on the camera´s exposure meter
and reset the film counter.

• Check the TC sensitivity setting on the magazine.

30

• Flip safety lever to the front.

Removing the Magazine

• Press the button on the video carrying
handle and swing the handle to the left side of the

camera.

• If appropriate swing back the on-board battery.

• Flip the safety lever to the back.

• Grasp the upper part of the magazine.

• Press down the release lever with the index finger.

• Swing the magazine 30° upwards (two o'clock) and

pull it backwards until it is removed.

• Clean the aperture plate with an optical brush and an
optical cloth. Do not use solvents!

• Attach the loop protector to the magazine and the
aperture cover plate to the camera.

Never remove emulsion buildup with metal
tools; only use ARRI plastic rod.

safety latch magazine release

latch

Camera Body

31

6. Optics

Lenses

Optics

The ARRIFLEX 16SR 3 has a 54mm PL-mounting

flange (positive locking). Lenses with a 41mm ARRI­bayonet can be used with a lens port adapter. All
commonly used 16mm and 35mm lenses with an ARRI
mount can be used.

The following lenses can be used with the Super 16 format:

16mm lenses (with 41mm ARRI bayonet mount)

- 11-66mm Angenieux T2,6

- 11,5-138mm Angenieux T2,3

- 15-150mm Angenieux T2,3

- 16-44mm Angenieux T1,3

- 10,4-52mm Cooke Varokinetal T2,8

- 10-30mm Cooke Varokinetal T1,5

16mm lenses (with 54mm PL-mount)

- 11-110mm VARIO SONNAR T2,2 (also available with
41mm ARRI bayonet-mount)

- 12mm Zeiss Distagon T1,3

- 16mm Zeiss Distagon T1,3

- 25mm Zeiss Distagon T1,3

- 50mm Zeiss Planar T1,3

High speed 35mm lenses (with 54mm PL-mount)

- 18mm Zeiss Distagon T1,3

- 25mm Zeiss Distagon T1,3

- 35mm Zeiss Distagon T1,3

- 50mm Zeiss Planar T1,3

- 65mm Zeiss Planar T1,3

- 85mm Zeiss Planar T1,3

35mm prime lenses (with 54mm PL-mount)

- 10mm Zeiss Distagon T2,1

- 12mm Zeiss Distagon T2,1

- 14mm Zeiss Distagon T2,0

- 16mm Zeiss Distagon T2,1

- 20mm Zeiss Distagon T2,1

- 24mm Zeiss Distagon T2,1

- 28mm Zeiss Distagon T2,1

- 32mm Zeiss Planar T2,1

- 40mm Zeiss Planar T2,1

- 50mm Zeiss Planar T2,1

- 60mm Zeiss Macro T3,0

- 85mm Zeiss Planar T2,1

- 100mm Zeiss Planar T2,1

32

- 135mm Zeiss Planar T2,1

- 180mm Zeiss Sonnar T3,0

- 300mm Zeiss Tele-Apotessar T3,0

- 600mm converter for Tele-Apotessar T6,0

35mm macro lenses (with 54mm PL-mount)

- 16mm ARRI MACRO T2,1

- 24mm ARRI MACRO T2,1

- 32mm ARRI MACRO T2,1

- 40mm ARRI MACRO T2,1

The following lenses can only be used if the viewfinder
arm is set vertically:

- 50mm ARRI MACRO T3,0

- 100mm ARRI MACRO T3,3

- 200mm ARRI MACRO T4,3

All 35mm lenses with a 41mm ARRI bayonet-mount can
also be used for Super 16.

The following lenses cannot be used for Super 16
format:

- 10-100mm VARIO SONNAR T2,0 (use instead the 11­110mm VARIO SONNAR T2,2)

- 8mm DISTAGON T2,1

- 9,5mm DISTAGON T1,3

Lenses with an automatic spring-loaded diaphragm can
be used. Shutter control will NOT work.

16mm and 25mm Schneider lenses of the old
construction-type (41mm aluminium-mount)
should under no circumstances be used as this
could destroy the mirror shutter!

Heavy lenses, such as some zoom and
telephoto lenses should only be used with a
support.

When using lenses or the PL/bayonet
adapter, lens mount surfaces must be kept
clean. After removing the lenses, immediately
replace with the protective cover or another
lens to prevent dust or dirt from entering the
camera.

Optics

33

54mm PL-Mount

The bayonet lock on the PL-mount guarantees secure
fastening of all lenses, including heavy lenses. An

Optics

accurate index pin in the lens mount assures
precise mounting of the lens. Four precise index slots in
the lens mount on the lens to be attached at a 90°
direction.

34

Attaching the Lens

• Open the bayonet lock .

• Push the lens straight line into the lens mount recepta-

cle and hold firmly in place.

• Check the mounting position of the lens.

• Ensure that the index pin on the camera side is

positioned into one of the four slots on the lens mount.

• Lock the bayonet ring firmly clockwise. Don't
overtighten.

Removing the Lens

• Hold the lens and open the bayonet lock ring
counterclockwise.

• Pull the lens straight out of the camera.

• Immediately replace the protective cover or another lens.

lens
locating pin

locking
lever

41mm ARRI Bayonet

Lenses with a 41mm ARRI bayonet mount can be used
with a PL/bayonet adapter. When changing bayonet
mount 41mm lenses, the adapter remains on the camera.
Release the bayonet lock of the adapter by pushing the
little back release pushbutton on the side of the camera.

Attaching the PL/Bayonet Adapter

• Open the bayonet lock .

• Push the adapter in a straight line onto the lens

mounting receptacle.

• Ensure that the index pin on the camera side is
positioned into the index slot on the adapter.

• Lock the bayonet ring.

bayonet/
PL mount
adapter

Optics

lens locating pin

Attaching the Lens

Only lenses with a 41mm bayonet mount can be used.

• Push the lens straight into the adapter.

• Lock the lens into the adapter by turning clockwise.

locking
lever

35

Removing the Lens

The adapter remains on the camera.

• Press in the release button completely.

• Unlock the lens by turning counter-clockwise.

Optics

• Pull the lens straight out of the adapter.

• Immediately replace the protective cover for the

compensation adapter or another lens.

Removing the Lens Port Adapter

• Open the bayonet lock.

• Pull the adapter straight out of the camera.

• Immediately replace the protective cover or another lens.

Lens Support

When heavy lenses are used install the lens support. To
support heavy lenses, the lens support bridge LS-7

and a support ring which is compatible

with the lens has to be installed.

Attaching the Lens

• Mount the support ring on the lens. This is
usually done only once. The support ring then remains
on the lens.

• Place the lens support from above on the
support rods and with slight pressure let it click in.

• Attach the lens to the camera and hold it firmly in
place.

• Push the lens support under the support ring.

• Tighten down the knurled knob and pull tight

the clamp lever on the lens support .

The clamp lever can be locked in different
positions:

• Unlock the clamp lever by pulling it outwards and turn
to the desired position.

36

lens support ring

lens support bridge

tie down screw

Optics

clamp lever

37

Viewfinder

The viewfinder can be swivelled three-dimensionally. It
can be swang over approx. 190° from the left to the

Optics

right side of the camera, with an attached video-assist­system approx. 120°. The viewfinder can be rotated
360° and can be swivelled a further 25° outwards for
left eye viewing. An automatic image compensator
provides an image which is upright and correct left-to­right. Only when it is swivelled outside of the main axes
is there an image distortion which however can be fully
compensated by the new manual image compensator.

Warning Signals in the Viewfinder

Asynchronous camera operation: LED lights up
Low voltage: LED flashes

friction
adjustment
ring

gradually decreases it should be reset. See chapter 13.

release knob for correct
image position

viewfinder prism
rotating knob

38

Friction

The viewfinder is held in position by friction. To adjust
viewfinder arm friction for 360° positioning:

• To reduce friction turn the adjustment ring in
the direction LOOSE.

• To increase friction turn the adjustment ring in the
direction FRICT.

If friction in the left-right swivel and the 25° swivel

Viewfinder Image Correction

If the viewfinder is used in other than the customary
position, the viewfinder image can be adjusted for more
convenient viewing comfort:

• To correct the image position, push the release button
and correct the image with the rotary knob
. Internal friciton will hold the corrected image

position in place.

The above option allows unrestricetd correction of the
finder image.

Eyepiece

The diopter compensation on the eyepiece is fitted with
a scale of 1 to 12. At position 6 middle focus is set.

Unscrewing the Eyepiece

• Loosen the knurled ring .

• Pull off the eyepiece.

Screwing on the Eyepiece

• Attach the eyepiece to the finder.

• Ensure that the pin locks into a groove.

• Pull the knurled knob tight.

Eyecup

In order to avoid light falling in through the viewfinder
the eyecup has a shutter.

• Always slide the shutter closed when not using
for viewing.

eye cup iris lever

knurled
retaining
ring

Optics

The eyecup can be removed and replaced by the
heated eyecup. See chapter 7.

39

Optical Accessories

40

accessory shoe tie down screw

7. Optical Accessories

Light-weight Support LWS-2

The light-weight support is necessary if using the light­weight follow-focus device and for the 4"x4" matte box
MB-17. The light-weight follow focus device and the
4"x4" matte box MB-17 are pushed onto the rods on
the light-weight support and then clamped.

The light-weight support can also be used as a support
for VARIO-SONNAR lenses - particularly when using the
Zeiss Mutar tele-converter, the light-weight follow focus
device or the LCS.

If using the 8mm Distagon, the extensions on
the light-weight support should be removed.
These would otherwise be visible in the frame.

For format change from Normal 16 to Super 16 the
flange on the light-weight support should be turned
180°. See chapter 8.

Mounting

• Loosen completely the locking screw .

• Place the flange from above into the camera shoe

(side downwards).

• Press the light-weight support against the camera so
that the guide pins connect with the appropriate holes
in the light-weight support.

• Retighten the locking screw.

• If appropriate, screw the extensions on or off.

Dismounting

• Loosen completely the locking screw so that the
guide pins on the camera pull out of the holes on the
light-weight support.

• Pull the light-weight support upwards and off.

Using VARIO-SONNAR Lenses

• Mount the light-weight support.

• Remove the rubber ring from the lens.

• Mount the support ring on the lens.

• Push the lens support LS-6 onto the light-weight

support.

• Attach the lens to the camera.

• Push the lens support under the support ring.

• Screw tight the knurled screw on the lens support.

Optical Accessories

41

tie down screw

Optical Accessories

adjustable drive
arm

knurled screw

tie down screw

42

right focus knob

knurled screw

lens drive gear tie down lever focus knob

marking disk

release knob

Universal Follow Focus Device FF-3

With the Universal follow focus device the operator can
focus the lenses from his working position. He uses the
follow focus knob or a flexible shaft to focus. This can
be attached on the left or the right side. The switchable
step-down gear allows the lens to be optimally adapted
to the scene. The Universal follow focus device can be
used on prime and zoom lenses. Mounting is also
possible if the matte box or other accessories are
attached. Markings can be made on and removed from
the marking disks. The groove and pin ensure that the
markings can be reproduced.

Mounting

Depending on the lens used, the adjustable arm can be
swung onto the lens geared ring from above or below,
and the gear shaft can be attached from in front or behind.

• Snap the Universal follow focus device onto the
support rods.

• If appropriate mount the lens support.

• Attach the lens and turn the follow focus ring to infinity.

• Attach the gear to the swing arm from in

front or behind and fasten with the knurled knob .

• Slide the follow focus device onto the support rods
and swing the swing arm onto it so that the gear shaft
locks into the toothed drive ring on the lens allowing

no free play.

• Set the swing arm in place with the locking screw .

• Clamp the follow focus device onto the support rods

with the locking lever .

• Check for play by turning the follow focus device
in both directions.

• If appropriate reset: loosen the clamps from the follow

focus device and loosen the swing arm, reset the play
and retighten the clamps.

• For use from the right side: attach the right-hand focus

knob and fasten with the locking knob .

• When using some short focal range lenses, the

extension included with the device should be mounted
on the right side of the follow focus device. The focus
knob is then attached to the extension.

• The follow focus lever which is included with the

device can be attached left or right on the focus knob.

• If using a flexible shaft: slot in the shaft right or left on

the focus knob. Set up the focus knob at the other end
of the shaft.

• Turn the marking disk into the desired position

and fasten with the knurled knob .

The locking lever can be fastened in various
positions:

• Pull the locking lever outwards and turn in the desired

direction.

Optical Accessories

43

Changing the Step-Down Gear

When the focus knob is pushed in the step-down ratio is
1:1, when the focus knob is pulled out the ratio is
1:0,6.

• Depress the button and simultaneously pull the
focus knob out to the stop position, or push it in - the
gear will be engaged or disengaged.

See also the information sheet „TECHN. INFORMATION
Universal Follow Focus Device“.

Optical Accessories

Light-Weight Follow Focus Device

The light-weight follow focus device is attached to the
light-weight support and fulfils the same function as the
Universal follow focus device. The light-weight follow
focus device can only be used from the left side.

Lens-Control-System LCS

The LCS is a versatile control unit for all commonly used
lenses. As a compact, modular system it can be ex­panded from the basic zoom control to a complete
remote control system for zoom, focus and iris. An
optional memory module stores set values and replays
operation functions. This data can be stored through the
RS232 interface on a computer and reloaded into the
memory module.

See the instruction manual Lens-Control-System.

44

4"x4" Production Matte Box MB-16

4"x4" Matte Box MB-17

The 4"x4" production matte box is equipped with two
rotatable filter stages for two 4"x4" push-through filters.
The filter stage has a receptacle at the rear for 4 1/2"
diameters filters and a reflex protection ring. It is
interchangeable with other filter stages. Optional
4"x5,650" or 4"x6" filter frames with gearing for
graduated filters can be used by means of a rotary
knob or the flexible drive. French flags can be firmly
secured with the enclosed holder. Lenses down to a
focal range of 8 mm can be used.

The 4"x4" production matte box is fastened to the
support rods on the bridge plate and can be swung
forwards to facilitate lens changes.

See the information sheet „TECHN. INFORMATION
4“x4" Production Matte Box MB-16".

The 4"x4" matte box is equipped with a rotatable filter
stage for two push-through 4"x4" filters. The filter stage
has at the rear a receptacle for 4 1/2" diameter filters
and a reflex protection ring. French flags can be firmly
secured with the enclosed holder.

See the information sheet „TECHN. INFORMATION
4“x4" Matte Box MB-17".

Light-Weight Matte Boxes LMB-2 and LMB-3

The light-weight matte boxes are fastened directly to the
front diameter of the lens. For the LMB-2 two 3"x3"
filters, and for the LMB-3 two 4"x4" filters can be
pushed into the filter stage. On prime lenses a „Series
9“ filter in an 80mm adapter ring can be used addition­ally.

See the information sheets „TECHN. INFORMATION
Light-weight Matte Box LMB-2“ and „TECHN. INFOR­MATION Light-Weight Matte Box LMB-3“.

Optical Accessories

45

Finder Extension FE-2

The finder extension used in combination with the
levelling rod allows comfortable work with the tripod ­the viewing height remains stable.

Mounting

• Loosen the knurled ring on the viewfinder.

• Remove the eyepiece.

• Attach the finder extension to the viewfinder, magnifi-

cation adjustment on the user side.

• Ensure that the pin locks into the groove on the

Optical Accessories

viewfinder.

• Pull the knurled ring tight.

• Attach the eyepiece to the finder extension.

• Ensure that the pin locks into the groove on the finder

extension.

• Pull the knurled ring tight.

• Readjust the image by turning 180° with the image

compensator. See chapter 6.

The finder extension is equipped with an magnification
adjustment 10x to 17x. This is activated by turning the
lever.

knurled
retaining
ring

Two finder extensions can be used together. In this case
the finder extension on the eye side must be set to 10x.

2x magnification
selector lever

46

Levelling Rod for Finder Extension EL-3

When filming from the tripod the levelling rod holds the
finder extension constantly at eye level. The levelling
rod for the finder extension can be used for the
ARRIFLEX 535 and 535B as well as for the 16SR 3.

Mounting

• Screw the lock bushing onto the tripod.

• Push the short mounting rod into the lock

bushing and clamp - after mounting the levelling rod
should stand vertical if possible.

• Fasten the levelling rod with the under clamp
screw at the end of the mounting rod.

• Push the plug rail on the levelling rod into the
holder on the finder extension.

• Fix the desired viewing height with the knurled
screws .

adjustable
rod

mounting rail

knurled
tie down
screw

finder support

clamp bracket

tie down screw

Optical Accessories

47

Heated Eyecup HE-3

The heated eyecup prevents the eyepiece lens from
misting up in the cold or in varying temperatures. The
temperature of the in-built heater is kept constant by an
electronic control.

The heated eyecup is supplied with an anatomically
shaped eyecup and a folding eyecup.

Mounting

• If appropriate remove the unheated eyecup.

• Snap the heated eyecup onto the eyepiece.

Optical Accessories

• Plug the angular plug on the power cable KC 27 into
the camera socket for the heated eyecup.

• Plug the power cable into the heated eyecup.

• Set the switch to the desired temperature

(LO=40°C, HI=55°C).

switch

receptable
for heated
eye cup
cable

48

8. Adjustment Normal 16 /Super 16

The centre of the image format is 1 mm different for the
Super 16 (12.4 x 7.5 mm) than for Normal 16 (10.3 x

7.5 mm). In changing the image format, the lens mount

and the viewfinder on the camera must be adjusted 1
mm to centre it. The opening of the Universal film gate
is altered merely by addition or removal of a rail. For
both formats different fibre optic viewing screens must
be used.

Also on the bridge plate, the leightweight support and
the video optic the adjustments for Normal 16 or Super
16 must be carried out.

Adjusting on the Camera

Special Tool Kit

Included with camera

Altering the Lens Alignment

• Check Flange focal distance. See Chapter 13

Standard: 52.000 – 0.010 mm
HS: 51.970 – 0.010 mm

• Remove the 6 cylinder head screws .

• Turn the lens mount 180°. The desired format (N16 or

S16) must be top right.

Ensure that the adjustment shims are not bent,
dirtied or twisted during insertion.

lock ring stop

lens locating
pin

cylinder head
screws

lens lock-ring
handle

Adjustment Normal 16/Super 16

49

• Mount the alignment screw SW 1,5 (wrench
width 1,5 mm) top right.

• Remove stop plate segment and locking knob

after removing the fastening intermediate rings

and refasten on the opposite side.

• Replace the 6 cylinder head screws and screw tight.

• Check viewing screen for focus.

• Check flange focal distance.

Changing the Fibre Optic Viewing Screen

• For changing the fibre optic viewing screen see

chapter 5.

Phillips
head
screws

Adjusting the Opening in the Universal Film
Gate

For Normal 16 part of the film gate is covered by a rail

which is removed when changing to Super 16.

• Unscrew the 6 screws on the cover plate

.

• Remove the cover plate .

• Unscrew the 8 cylinder head screws on the film

Adjustment Normal 16/Super 16

50

gate.

• Remove the film gate.

Ensure that the adjustment shims are not bent,
dirtied or twisted during insertion.

rail
(std. 16)

cylinder
head
screws

hiden rail
compartment

• When changing to Super 16 remove the rail from the
film gate and place it in its case .

• When changing to Normal 16 remove the rail from its
case and place it in position in the film gate .

• Remount the film gate in the reversed order.

• Check the tracking.

rail (std. 16)

aperture plate

Adjustment Normal 16/Super 16

51

Adjusting the Viewfinder Alignment

• Loosen the threaded bushing with special
wrench A 16 SR-3 by approx. 2 full turns.

• Loosen the worm screw SW 2 by approx. 10
full turns.

• Remove the threaded bushing .

• Hold the knurled ring firmly and completely

unscrew the worm screw .

• Untwist the knurled ring and remove the
viewfinder.

• Unscrew the 4 cylinder head screws .

• Turn the friction flange 180°. The desired format (N

or S) must be legible.

• Replace the 4 cylinder head screws and screw tight.

• Clean the visible lens surfaces carefully with a

moist optic cloth. If dirt clings, moisten the optic cloth
with pure alcohol.

• Remount the viewfinder in the reversed order. Adjust
the friction. See chapter 6.

When replacing the viewfinder never forget
the friction plate as otherwise the function of

Adjustment Normal 16/Super 16

the optic will be impaired.

swingover friction
adjustment

helical retaining ring

hex screws

52

Bridge Plates BP-6 and BP-7

• Unscrew the 3 screws in the rail in the
upper part of the bridge plate.

• Turn the rail 180° and refasten. The marker must
point to “Standard“ for Normal 16 and to “SUPER
16“ for Super 16.

Old bridge plates with 15mm support rods for 16SR
must be equipped with Normal 16/Super16 capability
prior to use. A conversion kit with instructions for
modification is available.

index marks

screws

Adjustment Normal 16/Super 16

reversable mounting plate

53

Lightweight Support

• Unscrew the guide screw .

• Turn the flange 180°. The red dot must be on
“STANDARD“ for Normal 16 and on “S16“ for Super

16.

• Screw in the guide screw.

Video Optic

• Unscrew the video camera from the C-mount.

• When changing from Normal 16 to Super 16 screw

the red intermediate ring marked “S16“(delivered
with the package) onto the C-mount thread on the
video set firmly up to the collar.

• Rescrew the video camera.

• When changing back to Normal 16 remove the

intermediate ring.

• Check the video optic adjustment and reset.

Adjustment Normal 16/Super 16

lock screw

54

9. Display and Operating

Elements

The camera electronics open up a variety of new
possibilities: a comprehensive large LCD display ad­vises quickly the chosen settings. The electronics control
speed to exactly 1/1000 fps (to 100 fps). Even
without an external synchronization unit synchronization
is possible on a video monitor.

Camera Display

The display advises which values have been set. The
values in six various modes can be checked or changed.

The modes have the following meaning:

1 Standard (total exposed film or take counter/speed)
2 Programmable speed
3 Take or total exposed film counter/power supply
4 Time code time
5 Time code user bits
6 Time code sensitivity

Choosing a Mode

After turning on the camera the display is in mode 1.

• Depress the MODE key until the desired mode ap­pears. After mode 6 mode 1 appears again.

slide lock

slide switch

The display lights up. The light switches off approx.
30 sec after the last time the key has been depressed in
order to reduce power use.

Display and Operating Elements

55

Indicators independent of the mode:

TC TC-recording is turned on (see chapter 12).

TC flashes Standby: since the last synchronization

more than 8 hours have passed or the TC­generator has malfunctioned.

Run: as yet no recording has taken or is
taking place (see chapter 12).

bat Battery voltage < 20 V. The camera

cannot be started.

asy The camera is running asynchronously.

end Indicator of the film end.

Locking the SEL and SET Keys

The keys SEL and SET can be mechanically locked in
order to avoid unintentional changing of the set values.

• Set the sliding switch to LOCK - SEL and SET

Display and Operating Elements

can no longer be activated.

The values can still be changed through the CCU-1.

Setting the Speed

At the setting NORM on the sliding switch the standard
speeds 24,00/25,00/29,97 and 30,00 fps are
available. At the setting PS/CCU, any desired speed
within the acceptable range of 5 to 75 fps at 1/1000
fps can be exactly set. On the HS camera (high speed)
speeds from 5 to 99,999 fps at 1/1000 fps and speeds
from 100 to 150 fps at 1/10 fps can be exactly set. Switch­ing between standard and programmable speed is also
possible while the camera is running.

Camera Running

Camera run is started and stopped with the RUN key.
The RUN function can also be activated by:

- the camera handgrip

- the shoulder set S-3

- remote control units RS-3 and RS-4

- the camera control unit CCU-1

- the external synchronization unit ESU-1

- the lens-control-system LCS

The LED for camera run shows if the camera is running
synchronously (green) or asynchronously (red).

56

Choosing Standard Speed

• Set the sliding switch to NORM.

• Switch the MODE key to mode 1 (standard).

• Switch through on the SEL key to the desired speed -

the speed flashes approx. 3 sec. After 3 sec the
previously set speed will reappear.

• While the light is blinking depress the SET key to set
the speed.

Choosing Programmable Speed in Advance

• Set the sliding switch to PS.

• Switch the MODE key to mode 2 (programmable speed).

• Enter the positions to be changed with the SEL key.

Switch each chosen position with the SET key until the
desired value is displayed. Enter the next position to
be changed using the SEL key, or after the third
position after the comma finish the setting. The third
position after the comma (1/1000 fps) is in the upper
line in the right-hand corner. On the HS camera the
display switches to the speed indicator of 100 to 150
fps if the first digit of the speed indicator is switched
above value 9. Speed can then only be set to 1/10
fps (neither 1/100 nor 1/1000 fps).

The last position (1/1000 fps) can also be changed
while the camera is running in order to manually fine­tune camera frame speed (see synchronization on a
video monitor).

Changing the Programmable Speed while the
Camera is Running

While the camera is runing only the last position (1/1000 fps) of
the programmable speed can be changed.

• Set the sliding switch to PS.

• The camera runs in RUN.

• Switch the MODE key to mode 2 (programmable speed).

• Decrease speed with the SEL key, increase speed with

the SET key.

Setting Speed from the Accessories

See chapter 10.

Display and Operating Elements

57

Film Counter

Switching the Total Exposed Film/Take
Counter

The film counter can only be switched from total
exposed film to take counter while in Standby. The
take counter is reset every time the camera is
restarted. The total counter is reset by hand. To
switch:

• Switch the MODE key to mode 3 (take or total
exposed film counter/power supply).

• Depress the SEL key twice - the first position on the
counter flashes.

• With the SET key it is possible to switch between
„t“ take counter and total exposed film counter.

If the take counter is set the total counter will be
shown in mode 1 (standard), and vice versa.

Resetting the Total Exposed Film Counter

The total exposed film counter can only be reset
while in Standby:

Display and Operating Elements

• Switch the MODE key to the mode in which the
total exposed film counter is displayed (mode 1 or 3).

• Depress the SET key for approx. 3 sec - the counter
resets.

Switching from Meters to Feet

The film counter can only be switched between meters
and feet while in Standby. To do this:

• Switch the MODE key to mode 3 (take or total
exposed film counter/power supply). Press the SEL
key once - „m“ or „ft“ flashes.

• Enter the desired unit of measurement with the SET key.

Summary of Modes

On the following pages the modes are displayed in a
table and examples for each mode are given.

58

Mode 1: Standard (Total Exposed Film or Take Counter/Speed)

0007 Total exposed film (number) or take counter (t) in meters (m) or feet (ft).

upper line

See the table on the next page →

lower line

Only symbols independent of the mode.

symbols

In mode 1 the total exposed film is shown. The set unit of measurement is
meters. Since last resetting the total exposed film counter, 7m have been
filmed. The sliding switch is at NORM. The set standard speed is 25 fps.
There is no external synchronization unit, speed unit or remote unit

example

plugged in.

Display and Operating Elements

59

Mode 1: Standard (Total Exposed Film or Take Counter/Speed) - lower line

← Position of the sliding switch

NORM

PS/CCU

25.00 Set standard speed (24,00/25,00/29,97 or 30,00 fps). There is no external

•

synchronization unit, speed unit or remote unit plugged in.

•

PS Programmable speed. There is no external synchronization unit, speed unit or remote unit

plugged in.

Standby

ESU External synchronization unit is plugged in. If no valid frame speed of 5 to 75 fps (5 to

••

150 fps on the HS camera) can be recognised, the fps symbol flashes.

SU Speed unit or remote unit is plugged in and switched on.

••

•

25.00 Set standard speed (24,00/25,00/29,97 or 30,00 fps).

Display and Operating Elements

Run

60

23.45 Programmable speed or speed set by external synchronization unit, speed unit or remote

•

unit. At speeds of < 100 fps the positions before the comma and two positions after the
comma are displayed. At speeds of > 100 fps (possible on the HS camera) the positions
before the comma and one position after the comma are displayed.

Mode 2: Programmable Speed

PS 5 Programmable speed. There is no external synchronization unit, speed unit or remote unit

plugged in and switched on. At speeds of < 100 fps the last position (1/1000 fps) is displayed.

ESU External synchronization unit is plugged in. The camera recognises whether a valid frame speed

of 5 to 75 fps (5 to 150 fps on the HS camera) is set. If no valid frame speed can be recognised,

upper line

SU Speed unit or remote unit is plugged in and switched on.

23.45 Programmable speed or speed set by the external synchronization unit, speed unit or remote unit.

lower line

example

the fps symbol flashes.

At speeds of < 100 fps the positions before the comma and two positions after the comma are
displayed. At speeds of > 100 fps (possible on the HS camera) the positions before the comma
and one position after the comma are displayed.

The sliding switch is at PS/CCU. The programmed speed is 23,455 fps.
The third position after the comma for the speed setting (1/1000 fps) is
displayed in the upper display line.
There is no external synchronization unit, speed unit or remote unit
plugged in.

Display and Operating Elements

61

Mode 3: Take or Total Exposed Film Counter/Power Supply

e03.2 Take (t) or total exposed film counter (count) in meters (m) or feet (ft).

upper line

U 25 Power supply in [V].

lower line

Only symbols independent of the mode.

symbols

In mode 3 the take counter is displayed. The set unit of measurement is

Display and Operating Elements

example

meters. Since the start of the take 3,2m have been filmed.

The power supply is 25V.

62

Mode 4: Time Code Time

17:20 h:min – hours and minutes.

upper line

31:25 sec:fps – seconds and positions before the comma of the TC-generator frame rate.

See chapter 12.

lower line

TC Standby: TC-recording is switched on.

TC Run: Time Code is being recorded. See chapter 12.

symbols

Actual time code time is 17:20:31 [hh:mm:ss]. The TC-generator frame
rate is 25,000 fps.

TC-recording is switched on. In Run time code will be recorded. See

example

chapter 12.

Display and Operating Elements

63

Mode 5: Time Code User Bits

8A:65 Userbits 1–4.

upper line

35:F4 Userbits 5–8.

lower line

TC UB Standby: TC-recording is switched on.
UB TC-recording is switched off.

TC UB Run: Time code is being recorded.

symbols

UB Time code is not being recorded. See chapter 12.

The user bits are 8A6535F4. User bits can contain the figures 0-9 and the

Display and Operating Elements

example

letters A-F.

TC-recording is switched on. In Run time code will be recorded. See
chapter 12.

64

Mode 6: Time Code Sensitivity

269 Temperature in the electronic housing (depress the SET key). To check the acceptable temperature

range of –20°C - 50°C.

upper line

S 7 Timecode-sensitivity, TC-magazine is attached.

S - No TC-magazine is attached.

lower line

Only symbols independent of the mode.

symbols

The SET key is not depressed. The temperature in the electronic housing
will not be displayed.

A TC-capable magazine is attached to the camera. On the magazine

example

the value 7 is set for the intensity of the TC-recording. See the table in
chapter 12.

Display and Operating Elements

65

Exposure Control and ARRIGLOW

When using ARRIGLOW no exposure measurement is
possible. To switch between exposure control and
ARRIGLOW:

• Turn the adjustment knob according to its
markings to the stop position until it locks noticeably
into place.

Exposure Control

The exposure meter has an area of measurement of 13
to 31 DIN (16 to 1000 ASA) at speeds of 5 to 75 fps
(5 to 150 fps on the HS camera). Speed is automati­cally taken into account by the exposure meter, regard­less of whether the speed has been set internally
(through the camera display) or externally (e.g. through
the CCU-1 or the ESU-1), or whether the camera is in
Standby or running.

In order to receive a correct reading it is necessary to
set the correct film speed. To do this:

Display and Operating Elements

• Set film speed on the exposure meter with the rosette
wheel .

If using polarizing filters use only circular
ones, as the exposure meter will otherwise
supply incorrect values.

apec/ARRIGLOW
on/off selector

film sensitivity

adjustment / selector

The exposure meter is set to an open sector of the mirror
shutter of 180°. For lesser aperture stops exposure
control must be corrected by resetting film speed. The
correction for the aperture stop setting should be taken
from the table on the next page. Intermediate values can
be estimated (half a stop = -3 DIN = ASA/2).

ARRIGLOW
intensity
adjustment

66

Aperture Stop DIN ASA-Factor
180° 01
172,8° 01
144° –1 0,8

ARRIGLOW

The illuminated frame viewfinder with variable bright­ness control - ARRIGLOW - facilitates filming in which
due to the prevailing lighting conditions it would other­wise be difficult or impossible to see the format mark­ings. It can be minutely adjusted to suit every lighting
situation.

135° –1 0,8
90° –3 0,5
45° –6 0,25

The iris diaphragm is manually adjusted until the
exposure field indicator needle is visible in the view­finder, to the left, in the middle measurement field. The
middle measurement field stands for correct exposure in
a „normally bright“ scene, the outer points + and - show
over- and underexposure of approximately two aperture
stops.

• Set the desired brightness with the adjustment wheel
.

If using effects filters such as strips of gauze on the back
of the lens, or if the back of the lens is dirty, the entire
viewfinder will be brighter.

ARRIGLOW and the exposure meter can only be used
as alternatives to each other. Therefore it is recom­mended when using ARRIGLOW to proceed in the
following manner:

• Switch to exposure meter.

• Set the aperture stop.

• Switch to ARRIGLOW.

Display and Operating Elements

67

Checking the Mirror Shutter Setting

The mirror shutter setting can also be checked with the
lens attached.

• In Standby depress the PHASE key and keep de­pressed - the angle symbol appears on the display.
After approx. 2 seconds the set shutter angle will be
displayed in the upper line.

Synchronizing on the Video Monitor

With the new synchronization function the camera can
by synchronized by hand on a monitor or a television.
To film from a quartz-stabilized monitor, the frame
speed and the phase of the camera must be aligned to
the camera.

Fine-Tuning the Frame Speed

Frame speed can be finely tuned when the magazine is
removed.

• In Standby, set the programmable speed to half the
rated frequency on the monitor.

• Set the sliding switch to PS/CCU.

• Start the camera.

• Switch the MODE key on the display to mode 2

(programmable speed).

• If the camera is running change the speed with the
SEL key (to decrease speed) and the SET key (to
increase speed) until the bar on the monitor in the
picture area no longer wanders.

Shifting Phase

Shifting phase is effective only for the current take and
should therefore be done again every time the camera
is started.

Through the external synchronization unit ESU-1 the
camera can also automatically be synchronized on a
video monitor (see the technical information sheet ESU-1).

Display and Operating Elements

68

• Start the camera.

• Hold the PHASE key depressed until the bar on the

monitor has disappeared from the picture area.

10. Accessories

Camera Control Unit CCU-1

The camera control unit CCU-1 for the ARRIFLEX 535
and 535B can also be used on the 16SR 3. It enables
manually controlled remote control of the following
functions:

- Switching the camera on or off.

- Choosing the speed.

- Checking the set values.

- Displays and use of the film counter.

- Displays and setting TC-time (time code) and TC-user bits.

- Display of the set TC-sensitivity through the REMOTE­menu.

Setting TC-time and TC-user bits can only be carried out
through the camera control unit or through external
synchronization.

The camera control unit is supplied with power by the
camera. If the camera is not plugged in the camera
control unit will be fed by the internal batteries. As the
battery unit limits the life of the camera control unit to
approx. 5 hours, the display illumination switches off
approx. 10 sec after last being touched when it is being

fed by batteries, and the camera control unit switches
off after approx. 5 min.

Replacing the Batteries

• Open the battery compartment with a coin.

• Pull out the battery pack.

• Use batteries as designated on the battery pack.

Accessories

69

• Insert the battery pack into the camera control unit
and close the battery compartment.

Pay attention to the correct polarity of the
battery pack!

Plugging in the Camera Control Unit

• Plug the cable KC 24 (2,4m) or KC 30 (20m) into the

Accessories

socket on the side of the camera control unit,
pressing the slide on the plug in the direction of the
plug.

• Plug the cable to the CCU-socket on the camera.

• Switch on the camera.

• Switch on the camera control unit with the red key

on the side.

Key Functions in all Menus

RUN switches the camera on or off.
SEND sends the chosen values to the camera.
HELP shows the help text for the activated menu.

Cannot be used in the input mode. The help

text can be left by pressing the ENTER key.
EXIT ends input or leaves the activated menu.
LIGHT switches display illumination on or off.

push
button
on/off

bushing

Error Readings

In the case of functional errors on the camera the
display on the camera control unit will show an error
reading in the upper right-hand corner. The error
reading remains visible until the error has been cor­rected. If the error is caused by the user, an error
reading appears and disappears the next time a key is
depressed. Simultaneously an acoustic signal is audible;
this can however be turned off.

70

The Main Menu

When the camera control unit is switched on the main
menu appears on the display. This allows access to the
sub-menus and shows the speed currently set on the
camera. It also shows if the camera is switched off
(OFFLINE), in Standby (STANDBY) or is running (RUN).

• Choose the desired menu with the keys 1, 3, 5, 6 or

8. The displayed menus SHUTTER (2), FORMAT (4)
and PROGRAM (7) are for the ARRIFLEX 535 and
have no function on the ARRIFLEX 16SR 3.

The SPEED Menu

With the SPEED menu any desirable speed within the
acceptable range of 5 to 75 fps at 1/1000 fps can be
exactly set. On the HS camera speeds from 5 to
99,999 fps at 1/1000 ps and from 100 to 150 fps at
1/10 fps can be exactly set. Speed can be changed in
Standby as well as when running. In both upper lines of
the CCU the speeds currently set on the camera control
unit and on the camera are displayed.

• Switch the sliding switch on the camera to PS/CCU.

• With keys 1 to 5, enter one of the listed standard

speeds from the SPEED menu - the chosen speed is
displayed in the uppermost line. The displayed speeds
6: -24 (backwards) and 7: -25 (backwards) are
intended for the ARRIFLEX 535 and have no function
on the ARRIFLEX 16SR 3.

• With the SEND key transfer the chosen value to the
camera.

Alternatively any desirable speed within the acceptable
range can be chosen:

• Switch the sliding switch on the camera to PS/CCU.

• Depress key 8 in the SPEED menu.

• Enter the desired speed, comma position with „.“.

• If not all positions after the comma were entered,

finish the input with the ENTER key - the chosen speed
is displayed in the uppermost line on the CCU.

• Transfer the chosen value to the camera with the
SEND key.

Accessories

71

All chosen speeds within the acceptable range of 5 to
75 fps (5 to 99,999 fps on the HS camera) can be
increased or decreased in steps of 1/1000 fps in order
to carry out a fine-tuning of the speed. For fine-tuning on
the camera see chapter 9. To fine-tune on the camera
control unit:

• Switch the sliding switch on the camera to PS/CCU.

Accessories

• Pre-select the speed.

• In the SPEED menu depress key 9.

• Switch the camera to mode 2.

• Carry out fine-tuning: increase speed with key F1,

decrease speed with key F2.

• Leave fine-tuning with the EXIT key.

The REMOTE Menu

In the REMOTE menu the camera control unit displays
the same information as the camera display. The keys
F1 to F3 take on the meaning of the operating elements
on the camera:

F1 PHASE key
F2 MODE key
F3 SET key (RESET on the CCU)

In the lower line on the display the key functions are
shown. For the ARRIFLEX 16SR 3 only the displays for
keys F1, F2 and F3 are valid.

Operation of the camera in the REMOTE menu is
carried out parallel to operation with the corresponding
keys on the camera. See chapter 9.

The TIMECODE Menu

In the TIMECODE menu the current values and the most
recently set values on the camera control unit for time
code and all user bits are displayed and can be reset.
To change TC-time:

• Depress key 1 - „TIMECODE“ is displayed against a
dark background.

• Depress the ENTER key - ready for input of the new
TC-time.

• Enter all 6 positions of TC-time within the acceptable
range of 00:00:00 to 23:59:59 - the new TC-time is
displayed. If input is finished with the ENTER key, the
unfilled positions will be filled with zeros.

• Depress the SEND key - the new TC-time is transmitted
to the camera.

72

To change the TC-user bits:

• Depress key 2 - „USERBITS“ is displayed against a
dark background.

• Depress the ENTER key - ready for input of the new
user bits.

• Enter all 8 user bits with figures 0-9 or letters A-F - the
new user bits are displayed. If input is finished with
the ENTER key, the unfilled positions will be filled with
zeros.

• Depress the SEND key - the new user bits are transmit­ted to the camera.

The OPTIONS Menu

The OPTIONS menu allows access to the LENGTH UNIT
and the COUNTER DISPLAY MODE.

The displayed points ASYNC-MODE and END WARN­ING are intended for the ARRIFLEX 535 and have no
function on the ARRIFLEX 16SR 3.

• Choose the desired point with key 2 or 4.

LENGTH-UNIT

Enables switching the film counter from meters to feet.

• Choose meters with key 1 or feet with key 2 - the
desired unit of measurement is displayed against a
dark background.

• Depress the SEND key - the desired unit of measure­ment is transmitted to the camera.

COUNTER DISPLAY MODE

Enables switching the film counter between the total
exposed film and the take counter. To switch on the
camera, see chapter 9. To switch on the camera control
unit:

• Choose the total exposed film counter with key 1 or
take counter with key 2 - the chosen counter is dis­played against a dark background. Menu point 3
(remaining film display) has no function on the
ARRIFLEX 16SR 3.

• Depress the SEND key - the desired counter is trans­mitted to the camera and displayed in mode 1. If the
take counter has been chosen, the total exposed film
is displayed in mode 3, and vice versa.

Accessories

73

INFO Menu

Enables access to the menu points STATUS and COUN­TER, and switching on and off the acoustic signal on the
camera control unit.

• Choose the desired menu point with key 1 or 2.
Switch on or off the acoustic signal with key 4.

Accessories

STATUS

Displays the values currently activated on the camera.

signal (50/60 Hz) or through an inductive pickup on a
computer or video monitor. Other sources can be
synchronized through the AC-input. Speed is displayed
on the camera display in mode 2. The external synchro­nization unit has a phase shifter and a pilotone genera­tor. Synchronization is also stored when the camera is
switched off.

See TECHN. INFORMATION „External Synchronization
Unit ESU-1“.

74

COUNTER

Displays the total exposed film count and the take
count, and camera power supply.

SOUND CCU ON/OFF

• With key 4 switch on or off the acoustic signal. When
switching on, a control signal can be heard.

External Synchronization Unit ESU-1

The external synchronization unit ESU-1 can be used for
the ARRIFLEX 16SR 3 as well as for the ARRIFLEX 535
and 535B. It allows the camera to be synchronized with
external equipment. Through use of a BNC-socket it is
possible to synchronize on an external standard video

Remote ON/OFF Switches RS-3 and RS-4

The remote on/off switch can be clamped to the pan
handle on the tripod and allows the camera operator to
switch the camera on and off comfortably from his
working position.

The remote on/off switch RS-4 has an additional

LED for camera run. Like the LED on the camera, it
shows whether the camera is running synchronously
(green) or asynchronously (red).

• Clamp the remote on/off switch to the pan handle
and plug the cable into one of the RS-sockets on the
right side of the camera.

11. Video-Assist-System

The video-assist-system delivers a high-quality,

nearly flickerfree monitor image for PAL or NTSC. The
video-assist-system consists of the video set, the 1/2"
color video camera CCD 2-FR and the anti-flicker pro­cessor AFP-2. The video set consists of the video
carrying handle and the video optic together. These
transmit the image from the beamsplitter to the video
camera. The video set is supplied already mounted.

anti-

flicker-

processor

With the corresponding video optic the video-assist­system can also be used on the ARRIFLEX 535B and
the 35 III.

The brightness of the video image is automatically
adapted to the lighting conditions. This balancing can
also be carried out manually. The white balance is
designed for standard values for interior and outside
filming. The technology for image-storing used in
this system enables reproduction of a stored image or
the alternation between the real and the stored image ­e.g. to align the camera to an earlier scene or for stop
trick filming.

When using several video cameras the video-assist­system can also be synchronized by an external video
signal.

The change-over from the color to the black/white CCD­camera is simple and requires no subsequent adjust­ment. The following beamsplitters are available:

- 20% BW-video 80% viewfinder

- 50% color video 50% viewfinder

Video-Assist-System

75

When using these without the video-assist-system a
100% beamsplitter is used.

The video optic can be adjusted from Normal 16 to
Super 16. The monitor displays the format filling the
monitor surface width-wise (letterbox format on Super 16).

Neither the video camera nor the video optic
should ever be used as a carrying handle, nor
should heavy pressure in any other form be
placed on it, as this could destroy it! The
accessory shoe on the video camera is for moun­ting on the ARRIFLEX 35 III and should not be
used when mounting on the ARRIFLEX 16SR 3.

Video-Assist-System

For changing format from Normal 16 to Super 16 an
intermediate ring must be used on/removed from the
video camera. See chapter 8.

Mounting the Video-Assist-System

Changing the Beamsplitter

The beamsplitter is under the carrying handle.

hex screws

76

• Loosen the 4 screws on the carrying handle
and remove the carrying handle.

hex screws

• Unscrew the 4 screws SW 1,5 (key width 1,5
mm) on the beamsplitter.

• Remove the beamsplitter at the bevelled edges (under
the markings).

• Insert the desired beamsplitter and screw on with the

4 screws .

Mounting the Video Optic

• Attach the video handle without the video optic.

• Screw on with 4 screws, ensuring that the adjustment

sockets for the beamsplitter and the carrying handle
engage together.

• Attach the video optic to the video carrying handle.

• Screw tight with the knurled knob .

• Pull tight the clamp ring .

• Screw the video camera onto the C-mount thread on

the video optic.

• Loosen the clamp ring approx. 15° (as seen in
the direction of shooting, counter-clockwise).

• Turn the CCD-camera into the correct angle position
(the marking on the back of the camera must stand
upright).

• Pull tight the clamp ring.

• Screw the handles on the clamp ring into the

desired position SW 1,5.

locking lever

focus ring

lock ring

Video-Assist-System

iris ring

77

Note: If the video carrying handle remains on the
camera when dismounting, the opening on the carrying
handle should be closed over with the supplied protec­tive cover.

Wiring the Video-Assist-System

• Plug the anti flicker processor AFP-2 through the
socket MOVIE CAMERA with cable KC 37 into one of
the RS-sockets on the camera.

• Plug cable KC 34 into the socket VIDEO CAMERA on
the anti flicker processor AFP-2 and into the video
camera.

The video signal for the monitor is possible on two

Video-Assist-System

sockets on the anti flicker processor AFP-2:

Minimonitor: socket MINI MONITOR
Standard video monitor: BNC-socket VIDEO OUT

The BNC-socket „VD“ on the video camera
CCD 2-FR is used for synchronization with an
external video signal. Do not use as a video
output!

• Set the code switch on the underside of the anti flicker
processor to „A“.

• Adjust focussing and image position on the video
camera. See below.

Adjusting the Video Optic

Adjusting the Image Position

• Loosen the clamp ring approx. 15° (as seen in

the direction of shooting, counter-clockwise).

• Adjust the angle position by turning the CCD-camera,
at the same time checking the image on the monitor.

• Set the width position with the adjustment screw

SW 1,3, taking care that on loosening the
adjustment screw the image follows, otherwise press
the CCD- camera at the screw-on position slightly
upwards.

• Retighten the clamp ring.

Adjusting Focus

• Loosen the aperture clamp with the aperture adjust­ment knob ; this also unlocks the focussing
adjustment ring .

• Completely open the aperture.

• Set focus through the monitor with the focussing

adjustment ring.

• Set the aperture to the monitor.

• Pull tight the aperture clamp.

78

adjustment screw for
north/south position
and height of image

adjustment
screws for
side position
(east/west)
and width of
image

Note:

The focussing area of the video optic can be shifted by
the gear on the video camera.

Positions on delivery (looking at the left side of the
camera):

Normal 16: Focus is almost at the stop position turning

clockwise.

Super 16: Focus is almost at the stop position turning

counter-clockwise.

Video-Assist-System

79

12. Time Code

In modern electronic post-production time code is often
used today. Quartz-synchronized film, sound and
video recordings have been made possible through the
use of equipment with TC-capability.

Time Code

The ARRIFLEX 16SR 3 is equipped with a TC generator
which produces 80bit time code corresponding to
SMPTE RP136, Format Type C. The TC generator can
be set using the CCU or a master clock. The precision
of the TC generator ensures that for 8 hours after the
synchronization (at 0°C - 50°C) the difference remains
less than one frame. Every frame is therefore clearly
identifiable for synchronization or editing lists. After 8
hours a further synchronization process should be
carried out.

With the TC-Output the ARRIFLEX 16SR 3 can also take
on the master clock function in a TC system.

TC recording is still active when the camera is
synchroinized using the external synchronization unit
ESU on a video monitor. The maximum difference
between the frame rate of the external synchronization
and the TC frame rate is 1%.

Time code is recorded in the magazine corresponding
to SMPTE RP114 at standard speeds 24,00/25,00/
29,97/30,00 fps and at 23,976 fps.

The TC information also includes speed of recording
which is described in connection with time code as
frame rate. For the ARRIFLEX 16SR 3 the valid frame
rate is always the most recently set standard speed.

TC-Indication on the Display

The TC symbol has the following meaning:

80

The TC-Symbol has the following meaning:

TC-Symbol off TC-Symbol blinks TC-Symbol on

TC-recording is turned off. Since the last setting of time code

or since the last synchronisation
more than 8 hours have passed.

Standby

TC-recording is turned off, the
magazine is not TC-capable or
TC-sensitivity 0 is set.

Run

There will be no TC-recording.
Possible causes:

– the camera is running

asynchronous

– magazine is not TC capable
– the recording module is

defective

– communication with the

magazine could not be
established.

TC-recording is turned on, no
VSU is plugged in, time code is
set or externally synchronized,
the camera is set to a TC­compatible speed and the TC
generator is ready.

Time code will be recorded.

Time Code

81

TC-Input

TC-Output

The TC generator integrated in the ARRIFLEX 16SR 3
can be synchronized onto other equipment with TC
generator. An LTC signal (Longitudinal Time Code) from
any TC generator is plugged into the ACC socket. The
signal level must be higher than 500 mVpp. The camera

Time Code

automatically takes on TC time and TC user bits. If the
LTC signal is correctly transferred the TC recording will
be automatically switched on.

• Using the MODE key switch to Mode 4 (time code
time)

• Plug the cable with the TC signal into the ACC socket.
The last two entries on the indicator show a blinking
„ec“ (external code). If the LTC signal is correctly
transferred the indication „cc“ (correct code) appears
for approx. 10 second before the indicator on the
generator frame rate switches back.

TC information is constantly available as 80bit LTC on
the CCU socket and in Standby also on the ACC
socket. Both outputs 5 V asymmetrical.

Through the TC-output TC-compatible equipment can be
synchronized on the set once (for 8 hours) on the
camera’s time code or constantly supplied with time
code by the camera. The camera then takes on the
master clock function.

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Time Code and ESU-1

Using Time Code

Also when using the external synchronization unit ESU-1
for synchronizing the camera to other equipment, time
code can be recorded. Before attaching the external
synchronization unit the TC generator the frame rate
must be set to the expected frame rate. The maximum
difference between the external synchronization and the
TC frame rate is 1%. If this difference increases the TC
recording switches off and the TC signal goes off. On
reaching a valid speed range the TC recording switches
on again and the TC signal appears again on the
display.

Turning on and off the TC Recording

• Using the MODE key switch to Mode 4 (time code
time).

• Depress the SET key for approx. 3 sec. until the TC
symbol appears or disappears on the display.

Time Code

Time code starts when first turned on at time
00:00:00:00 and with the user bits 00000000. TC
time and user bits can be set on the CCU-1 independ­ently of each other. See chapter 10.

If a speed is set on the camera which does not corre­spond to TC, the TC generator retains the most recently
set frame rate. While time code is in use and the speed
is changed from one to another valid time code speed, the
TC symbol on the display goes off for approx. 1 sec. and
reappears once the TC generator is ready.

While the TC recording is switched on, turning off
camera function is delayed by approx. 21 frames.

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Indicating Time Code or User Bits

• Using the MODE key switch to Mode 4 (time code
time) or Mode 5 (time code user bits).

The time code time indicator will indicate hours:minutes
in the upper line and seconds:frame rate in the lower
line. In the case of frame rate, only positions before the

Time Code

comma will be shown:

24 24,000 fps
25 25,000 fps
29 29,970 fps
30 30,000 fps
23 23,976 fps

At speeds 29,970 fps and 23,976 fps the frame rate in
the „Nondrop-Frame“ mode counts in accordance with
SMPTE RP136-1990, 5.2.1, to correspond to NTSC
video with 59,940 Hz. The „Nondrop-Frame“ mode
results in a time difference to real time of exactly 0,1%.

Setting TC Sensitivity

The intensity of the TC recording must be adjusted to the
sensitivity of the film material. The knob for setting the
TCS level (time code sensitivity) is on the take-up side on
the magazine. The knob can be turned by hand if the
magazine cover is open or with a small screwdriver if
the magazine cover is closed.

„0“ means no recording, „1“-“9" stand for the various
intensity levels. The higher the TCS level, the higher the
intensity of the recording. The difference in intensity of
the successive TCS levels corresponds to one aperture
stop. The set level can also be seen in Mode 6 on the
display.

The TCS levels of the most frequently used film types:

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Description Type TCS

Description Type TCS

Kodak Eastman

7222 BW-negative 8

7231 BW-negative 9

7239 Colour reversal 5

7240 Colour reversal 6

7245 Colour negative 6

7248 Colour negative 6

7250 Colour negative 5

7251 Colour negative 4

7292 Colour negative 5

7293 Colour negative 5

7296 Colour negative 5

7297 Colour negative 6

Agfa Gevaert

PAN 250 BW-negative 9

XT 100 Colour negative 5

XT 125 Colour negative 6

XT 320 Colour negative 5

XTS 400 Colour negative 4

Fuji

8427 Colour reversal 6

8428 Colour reversal 6

8610 Colour negative 7

8620 Colour negative 6

8630 Colour negative 6

8650 Colour negative 5

8670 Colour negative 5

Time Code

85

TC Buffer

Testing the TC Recording

The ARRIFLEX 16SR 3 ensures not only high accuracy of
the time code but also allows the TC clock to continue
running while the camera is switched off as long as the
camera is connected to a power supply. The TC genera­tor needs a power supply of 10mA if the camera is

Time Code

switched off.

For changing the battery a short-term buffer of one
minute is provided. In order for this buffer to function
however it is necessary that the camera be connected to
a power supply for at least 10 min. prior to this. If the
buffer is exceeded, the TC time is lost and the TC
symbol no longer appears when the camera is turned
on again. Therefore a loaded battery should be kept
ready before the battery change.

To enable the camera to be used while mobile without
losing TC time, the use of an on-board battery is recom­mended. An on-board battery can receive the TC buffer
for more than 100 hours. To reduce power consumption
while working with the battery, the battery should be
removed during lengthy breaks in filming (longer than a
day). Before recommencing filming TC synchronization
must be carried out again.

It is not possible to test the TC recording with an at­tached on-board battery. Therefore the camera must be
powered through a cable.

• Set a TC-compatible speed on the camera.

• Turn on the TC recording (see above).

• Set the magazine without film with the cover on the

take-up side on the camera completely open.

• Set to TCS level 9 and check in Mode 6 (see above).

• Start the camera function - the TC symbol blinks. After

approx. 1 sec. the TC symbol must remain constant.

• Hold a narrow white strip of paper a few mm in the
film exit - at the outer end of the film guide a small red
dot must be visible.

86

13. Maintenance

Replacing the Magazine Drive Gear

Damaged magazine drive gears must be replaced as
they cause noise.

• Open the magazine on the take-up side.

• Unscrew the 3 screws on the magazine gear.

• Replace the gear.

• Ensure that the gear has been replaced with the

arrows visible.

• Screw in firmly the gear.

Cleaning the Magazine Throat Assembly

The magazine throat assembly should be dismounted
and cleaned if

- it has become very dirty through bad film material, or

- the film runs through the magazine throat with diffi­culty.

Dismounting

• Loosen the 2 screws . The screws are very tight!

Maintenance

screws

screws

87

Maintenance

magazine with magazine throat removed magazine throat

88

• Remove the magazine throat assembly . The
gear drum and film channel will become visible.

• Possibly emulsion or film scraps are in the interior.
Clean carefully.

Under no circumstances blow substances
away!

Remove deposits from the film with The ARRI plastic
film track cleaning rod or with a paper towel and
some spirits.

Replacing the Lens in the TC-Magazine Re­cording Unit

Strong scratches on the lens of the recording unit cause
the light to scatter. The lens on the recording unit should
be replaced by the ARRI Camera Service department.

Replacing the Glass Window

Large scratches on the gate for the film end sensor on
16SR 3 magazines could prevent the film end sensor
from functioning. The glass window should be replaced.

Maintenance

Under no circumstances remove deposit from
the film with metal tools!

Mounting

• Replace the magazine throat assembly. Only one
mounting orientation is possible: pay attention to the
form. Push the assembly to lock in.

• Replace the screws. Tighten the first screw completely
before screwing in the second screw.

The torque of the screws has no influence on the image
sharpness or adjustment of the film channel.

• Replace the frame with the glass window.

• Check function.

Flange Focal Distance

The flange focal distance should be checked after every
change from Normal 16 to Super 16, or when optimal
sharpness could not be attained during the sharpness
test. When using the compensation adapter for the 41
mm bayonet, the depth gauge A 16 SR-18 for the
ARRIFLEX 16 SR II can be used. The measure-ment for
the PL-mount is however more accurate.

89

Necessary Special Tools

Depth gauge for PL-mount
or
Depth gauge A 16 SR-18
Depth gauge cylinder A 16 SR-19
Depth gauge base A 16 SR-20
Depth gauge plate A 16 SR-21

Maintenance

Checking the Flange Focal Distance

• Adjust the depth gauge with the gauge cylinder on
the gauge base to „0“.

• Turn the mirror shutter downwards with the inching
knob.

• Lay the gauge plate on the film gate and check the
flange focal distance with the gauge.

• Standard camera: 52,000 mm -0,010 mm
HS camera: 51,970 mm -0,010 mm

Adjusting the Flange Focal Distance

The flange focal distance can be set with the adjustment
shims which sit between the camera housing and the PL­mount.

• Check the flange focal distance (see above).

• If appropriate remove the compensation adapter.

• Unscrew the 6 cylinder head screws.

• Remove the PL-mount.

• Exchange the adjustment shims, ensuring that they do

not get bent, dirtied or twisted in the process.

• Replace the PL-mount, ensuring that the marking for
the chosen format is in the upper right-hand corner.

• Screw in the 6 cylinder head screws.

Pull the 6 cylinder head screws tight before
checking the flange focal distance as other­wise a false reading will be attained.

• Check the flange focal distance (see above).

90

Maintenance

91

Setting Friction on the Viewfinder

When friction decreases it is necessary to readjust it.

Neessary Special Tools

Special key A 16 SR-3
Allen key A 16 SR-16
Allen key A 16 SR-17

Maintenance

Friction Left-Right-Swing (190°)

• Loosen the threaded socket with the special
key A 16 SR-3 approx. 2 revolutions.

• Tighten the endless screw with the Allen key A
16 SR-16 until the desired friction is reached.

• Retighten the threaded socket.

thread bushing and
worm gear shaft

92

hexagon screws

Friction on Viewfinder Arm (25°)

• Loosen or tighten the 3 inner hexagon screws
evenly one after the other with the Allen key A 16 SR­17 until the desired friction is reached.

Maintenance

93

Replacing the Electronic Housing

If the electronics break down the entire electronic
housing is to be exchanged. The electronic housing on
the standard camera is not the same as that on the HS
camera and should not be interchanged with it.

• Place the camera without the magazine upside down

Maintenance

on a soft surface.

• Unscrew the 6 screws SW 2 (key width 2 mm)
in the bottom of the camera.

• Turn the camera around again.

• Pull up the camera shaft.

• Replace the electronic housing.

• Remount the camera, taking care that the intermediate

metal plate is placed on the new electronic housing
before mounting.

hex screws

94

Maintenance

95

Camera-Checks

Checking Camera Readiness

Wiring Check complete wiring and the position of the plug.

Electronics Switch through all modes and check the set values.

Appendix

Time Code Set TC and check TC-sensitivity on all magazines.

Batteries Check power supply to all batteries in display mode 3 (take counter/power

supply): U > 20 V.

Exposure Meter Check set film speed.

Fiber Optic Screen Check if the desired fiber optic screen is in place.

Check the cleanliness of the fiber optic screen with the ARRIGLOW.

Fluff Check Remove the lens and magazine. Turn the mirror shutter forwards with the inching

knob and check the film gate for fluff on both sides.

Film Track Carefully examine the film track and film gate for deposit or scratches.

Optics Check the cleanliness of the optic surfaces of the lens and viewfinder.

Film Running Let the camera run very slowly for a few seconds with the PHASE key. Check if the

set shutter angle appears in the display. Let the camera run a little further. Check if
the RUN-LED illuminates green.

96

ARRIGLOW Let the camera run very slowly with the PHASE key. Watch the right shutter edge

through the lens opening: the shutter must be completely closed before the
ARRIGLOW light illuminates. Watch the left shutter edge: the light must have gone
off before the shutter opens.

Magazine The red markings on the casing must no longer be visible once the magazine has

been attached to the camera.

End of the Day Check

Batteries Charge empty batteries and discharge and recharge partially empty batteries.

Film Track Clean the film track with an optic brush and an optic cloth. Use no solvents.

Under no circumstances remove film deposit with metal tools; use only the
ARRI plastic film track cleaning rod.

Film End Sensor Check the lens on the camera body and the glass window of the film end sensor on

the mgazine for dirt

Finder Friction Check finder friction, and if necessary readjust. See chapter 13.

Magazine Gear Examine the magazine drive gear fo damage. Smooth out slight deformations with

the back of a knife. In the case of strong deformations replace the magazine gear.
See chapter 13.

Cleaning Magazines Clean the feed and take-up sides of empty magazines. Check if the film core and

clamp core are in place. On TC-magazines clean the film end sensor window.
Attach the loop protector to the magazines.

Appendix

97

Technical Data

Image Format

Normal 16: 10,3 x 7,5 mm
Super 16: 12,4 x 7,5 mm

Magazine

Appendix

Coaxial quick-change magazine for 120m film in the

following varieties:

- standard magazine

- standard magazine with TC-recording unit

- HS magazine

- HS magazine with TC-recording unit

Lens Mounting Flange

54mm PL-mount
Lenses with 41 mm ARRI bayonet mount with a
compensation adapter

Flange Focal Distance

Standard: 52,000 - 0,010 mm
HS: 51,970 - 0,010 mm

Mirror Shutter

Mechnically adjustable
Fixed settings for shutter angles of
45°, 90°, 135°, 144°, 172,8°, 180°

Film Movement

Jointed pull-down film transport claw with registration pin

Variable Speed

Standard: 5 ... 75 fps
HS camera: 5 ... 150 fps

Noise Level

Standard: 20 dB(A) + 2 dB(A)
HS camera: 27 dB(A) +/- 2 dB(A)

Exposure Control

Manual exposure control
13 ... 31 DIN
16 ... 1000 ASA

ARRIGLOW

Illuminated frame viewfinder with continuously
adjustable brightness

Viewfinder

Adjustable three-dimensionally with automatic image
steadiness compensation and additional manual image
steadiness compensation, total magnification 10 x.

Fiber Optic Screens

Interchangeable for various shooting formats

98