AMIRA, ALEXA, and ALEXA XT are trademarks or registered trademarks of Arnold
& Richter Cine Technik GmbH & Co. Betriebs KG. All other brands or products are
trademarks or registered trademarks of their respective holders and should be treated
as such.
Original version.
For further assistance
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG
Tuerkenstr. 89
D-80799 Munich, Germany
E-mail: service@arri.com
www.arri.com/service
Document revision history
Version
1.0
1.110000464K0865819 Dec 2014
2.010000464K0878131 Mar 2015
3.010000464K0894102 Nov 2015
4.010000464K0903623 May 2016
4.110000464K090907 June 2016
ID
10000464
Release
K08608
Date
12 Sep 2014
Contents3
Contents
1For your safety /
1.1Risk levels and alert symbols /
1.2Vital precautions /
1.3General precautions /
2Audience and intended use............................................................... 12
3Scope of delivery and warranty......................................................... 13
Even rugged cameras use components sensitive to improper use.
Always unplug the camera from power sources before making changes to the setup
or system (in particular: changing cables).
Direct sunlight can result in camera housing temperatures above 60 °C (140 °F). At
ambient temperatures above 25 °C (77 °F), protect the camera from direct sunlight.
Protect the optical system and sensor: Never point the camera or viewfinder into
direct sunlight.
Avoid permanent sensor damage: Never let any direct light or reflections from highenergy light sources (e.g. laser beams) enter the camera's optical path.
Protect the sensor: Always keep a lens or protective cap on the empty lens mount.
Change lenses in dry, dust-free environments only.
Always clean the sensor cover glass according to ARRI instructions.
Only use the tools, materials and procedures recommended in this document. For
the correct use of other equipment, see the manufacturer's instructions.
The product is solely and exclusively available for commercial costumers and shall
be used by skilled personnel only. Every user should be trained according to ARRI
guidelines.
Use the product only for the purpose described in this document. Always follow the
valid instructions and system requirements for all equipment involved.
The AMIRA is a 35 mm digital camera solely and exclusively for recording HD 1080,
2K, 3.2K* or 4K UHD* images suitable for a variety of distribution formats:
REC 709 encoding (through use of look files) or Log C* encoding
•
CFast 2.0 card recording
•
Up to 200 fps* in HD/2K with full image quality
•
35 mm CMOS sensor
•
EVF with OLED eyepiece
•
Fold-away monitor for both live view and user interface access
•
Ready out-of-the-box for single-user-centric workflow
•
Slim, ruggedly built for high mobility
•
* Feature requires licensing.
Scope of delivery and warranty13
3Scope of delivery and warranty
NOTICE
Product and packaging contain recyclable materials. Always store, ship, and
dispose of according to local regulations.
ARRI is not liable for consequences from inadequate storage, shipment or disposal.
Delivery
On delivery, please check if package and content are intact. Never accept a damaged/
incomplete delivery. A complete delivery includes:
AMIRA camera with lens mount according to order: PL, EF, B4
•
Multi-viewfinder with AMIRA EVF cable
•
Gold Mount or V-Lock battery adapter (if ordered)
•
Camera handle with viewfinder adapter
•
Four XLR connector caps (one spare; keep all four for later use!)
•
Four BNC connector caps (remove before use)
•
WPA-1 or BPA-3 base adapter (if ordered)
•
WiFi antenna
•
Bluetooth antenna
•
USB memory stick
•
3 mm Allen key
•
Quick Guide
•
Original packaging incl. drying agent
•
Usually, the camera comes fully assembled. In the unlikely case that a handle,
viewfinder, adapter, or antenna (etc.) is not assembled, see page 159 for
instructions.
NOTICE
ARRI offers an increasing variety of product bundles and additional accessories.
For details, please consult our website or your local ARRI Service Partner.
Warranty
For scope of warranty, please ask your local ARRI Service Partner. ARRI is not liable
for consequences from inadequate shipment, improper use, or third-party products.
14Camera layout
1
2
3
4
5
6
7
8
9
4Camera layout
Right
1BAT power input6RS connector
2I/O panel7Bracket rosette
3Audio connector panel8WPA-1 with quick release connectors
4Fan intake9Fan outlet
512-pin Hirose for ENG type lenses
Camera layout15
1
2
3
4
5
6
7
8
9
10
Left
1Operator panel6Media panel (behind lid)
2User buttons7Battery adapter
3Power button & camera lock8Fan intake
4Audio control panel9Recording button
5Lid10Bracket rosette
16Camera layout
Top
1Viewfinder top buttons5Adjustable beam
2Recording button6Camera type label
3Viewfinder hinge with clamp7Level
4Accessory shoe8Accessory threads on camera handle
Bottom
1Battery adapter4Viewfinder type label
2Bracket rosettes5WPA-1 quick-lock bracket
3PLAY button
Camera layout17
Front
1Clamps415 mm rod receptacles
2Lens mount (here: PL)5RS connector
3ND filter switch
Back
1Fold-away monitor (viewfinder/GUI)5I/O panel
2OLED eyepiece6BAT power input
3Bluetooth antenna7Battery adapter (here: Gold Mount)
4WiFi antenna8Proximity sensor for OLED eyepiece
18Camera layout
4.1Product identification
CE type labels with serial number are on the camera top (1) and under the viewfinder
(2). The serial number consists of the last 5 digits of the equipment number
K1.71700.0-XXXXX. An FCC conformity label is on the camera bottom.
Power supply19
5Power supply
Depending on your battery demand, the camera offers either a Gold Mount or a VLock adapter. You can change both by yourself (see page 159). For further details,
see our website or ask your local ARRI Service Partner.
NOTICE
For maximum operation time, always use fully charged batteries with 10.5 to 34 V
DC (50 W minimum).
5.1Changing a Gold Mount battery
1. Place the battery pins in the mount receptors (1).
2. Slide the battery (2) to the right until the adapter audibly locks (1).
3. To release: With the lever pushed (3), slide the battery (2) to the left and
backwards.
20Power supply
5.2Changing a V-Lock battery
1. Place the battery's wedge into the V-shaped lock (1).
2. Slide the battery (2) downwards until the adapter audibly locks (1).
3. To release: With the pin pushed (3), slide the battery (2) up- and backwards.
5.3BAT in
NOTICE
If the power supply to BAT is interrupted with the camera switched on, the camera
will automatically repower and boot-up on reconnection.
Use the BAT connector, and a KC50-S or KC50-SP-S cable, to
supply the camera with 10.5 to 34 V DC.
5.4Powering auxiliary devices via camera
You can supply auxiliary devices from the camera via several connectors (2.0 A max):
12 V via 2-pin LEMO, 4-pin Hirose, or via D-tap on battery adapter
•
24 V via RS
•
Camera voltage via EXT
•
Note: For connector pin-out information, see appendix. With a critical power supply
level, the camera switches off all auxiliary power supplies first.
Switching on/off21
6Switching on/off
1. To switch on: Press the power button (1).
2. The ARRI and AMIRA logos appear in the audio display (2) and monitor (3).
3. To switch off: Press and hold the power button (1).
4. A countdown appears in the audio display, monitor, and viewfinder.
5. On reaching zero, the camera powers off.
6. Note: The STBY icon (1) signals that the camera is ready to record.
7. If not: Insert a CFast 2.0 card. See page 156.
8. Format the card for recording.
22Connectors
7Connectors
NOTICE
Connecting or disconnecting devices or cables while recording can disturb the
audio/image signal due to static electricity.
7.1Front connectors
112-pin Hirose for ENG type
lenses
23-pin Fischer RS
ENG (12-pin Hirose)
Supplies lens servos with power and provides access to lens servo functions.
RS (3-pin Fischer)
This 3-pin Fischer socket for RS input supplies external accessories with 24 V power (2.0 A). It also carries a frame pulse output and accepts an ARRI remote start/stop trigger.
Connectors23
7.2Audio connector panel
NOTICE
Rubber caps protect the XLR connectors from dirt and moisture. Always cap
unused XLR connectors.
1Protective caps
2Headphone out & volume
3XLR 5-pin audio input
4-5XLR 3-pin audio input
6Input signal options
Headphone
Headphone 3.5mm stereo TRS (“Mini-jack”) output for monitoring
audio channels.
IN A (5-pin XLR)
XLR input for microphone signals (including 48V phantom power
supply) and line level signals.
IN B & C (3-pin XLR)
XLR input for microphone signals (including 48V phantom power
supply), line level signals and AES3 digital.
24Connectors
Connecting audio devices
1. Uncap the needed connectors only (1).
2. Connect the headphone (2).
3. Set the headphone volume by turning the wheel (2).
4. Alternatively, you can use the SET wheel on the camera's left. See page 36.
5. Via switches (3 to 5), select the appropriate setting for your audio device (6):
48V: Analog microphone level signals with phantom power supply
°
MIC: Analog microphone level signals
°
LINE: Analog line level signals
°
AES3: Digital AES/EBU signals
°
6. Connect each device (3 to 5) until the connector audibly locks.
Disconnecting audio devices
1. Press the PUSH button to unlock (1).
2. Remove the cable by pulling on the connector.
3. Replace with another cable.
4. Or: Cap the connector for protection.
Connectors25
7.3I/O panel
NOTICE
If the power supply to BAT is interrupted with the camera switched on, the camera
will automatically repower and boot-up on reconnection.
1BAT main power in
2EXT in/out
3D-tap
4Aux power out
5HD-SDI image out 1 & 2
6Return/sync in
7Timecode in/out
12V (4-pin Hirose)
Supplies 12 V auxiliary power with a maximum power of 2.0 A
(combined with the 2-pin LEMO).
12V (2-pin LEMO)
Supplies 12 V auxiliary power with a maximum power of 2.0 A
(combined with the 4-pin Hirose).
D-tap
A D-tap on the battery adapter supplies accessories with 12 V
DC from the camera.
26Connectors
EXT (6-pin LEMO)
A connector for external accessories, carrying two CAN buses and accessory power output at camera voltage level (2.0 A
max.).
BAT (8-pin LEMO)
Via cables KC50-S (2 m, straight) and KC50-SP-S (coiled), this
main power supply input accepts 10.5 to 34 V DC.
SDI OUT 1 & 2 (BNC)
Both BNC sockets (here: SDI 1) deliver image outputs in
1920x1080 422 1.5G, 422 3G and 444 3G single link formats.
SDI 2 also supports the 3840x2160 422 6G format in 4K UHD
mode.
RET/SYNC IN (BNC)
A BNC socket for Genlock input, or HD-SDI return image signal
(configurable). Supports Black Burst, Tri-Level Sync and HD-SDI
genlock signals.
You can feed HD-SDI return signals from another image source
to the camera RET connector. The signal must be a 1920x1080
422 1.5G SL according to SMPTE 274M and 292M. Via the camera menu, you can set the output routing of the RET in signal.
TC I/O (BNC)
A Timecode in-/output (BNC interface) to be configured via camera menu.
For external TC feeds to the camera.
•
Note: Always use Genlock together with Timecode to prevent TC drifts. If Black Burst or Tri-level sync signals are not
available, the camera can be configured to use the TC signal
itself as Genlock.
Note:The camera has a TC buffer to keep a synced free run
TC for up to 10 minutes while camera power is disconnected.
For camera TC feeds to other devices.
•
Connectors27
7.4Media panel
1Lid
2Status LEDs
3CFast 2.0 card slots A & B
4USB in/out 1 & 2
5RJ45 Ethernet
Card A & B (CFast 2.0)
USB 1 & 2
Ethernet LAN
Storage media slots for CFast 2.0 recording cards.
Interface for USB memory sticks with FAT file system. Can also
be used to charge USB devices. Each port supplies 5V with a
maximum current of 500mA.
Note: Only one USB memory stick can be used at a time. Independent from slot, the stick connected first becomes active.
Meanwhile, the second slot can still be used to charge a device.
This RJ45 remote and service interface works via LAN.
28Connectors
7.4.1Preparing a USB memory stick
USB memory sticks for the AMIRA must have a specific folder structure which can be
created with the camera.
1. To prepare a USB memory stick: Open the media lid (1).
2. Connect a FAT-formatted USB stick (3) to the camera (2).
3. Note: To avoid file corruption, never remove the USB stick during write access.
4. Via jogwheel, open MENU > Media > Prepare USB medium.
7.4.2Changing a CFast 2.0 card
AMIRA does not accept ALEXA-formatted CFAST 2.0 cards, and vice versa.
Before using a CFAST 2.0 card with AMIRA, you must erase it in-camera to create
the required file system.
Avoid damage to the contacts of both camera and card. Always insert cards as
described in this document.
Never change memory cards when recording - this may damage the recorded clip.
NOTICE
1. Open the lid (1).
2. Align the card's positive edge (3) facing the camera rear.
3. With the contact pins first, gently insert the card, until it audibly locks (2).
Connectors29
4. Gently close the lid (1). Never force it closed on an unlocked card.
5. To quickly change the active card you can set up a user button. See page 49.
6. For card removal: Open the lid (1).
7. Push the card in until it audibly unlocks (2).
8. Remove the card.
30Lens mount/filters
8Lens mount/filters
1Lens mount (here: PL)
2ND filter switch (clear - 0.6
- 1.2 - 2.1)
Cooke /i support
The camera supports the Cooke /i protocol for lenses running FW versions according
to the following table.
Lens typeFW version
S4 /i Prime lens (10-bit)0.29 or higher
S4 /i Prime lens (12 bit)0.39 or higher
S4 /i Zoom lens (10 bit)1.29 or higher
S4 /i Zoom lens (12 bit)1.39 or higher
The FW version can be retrieved from the lens with the Cooke Viewer Lens Display
program. For detailed info, please contact Cooke Optics directly.
8.1ND filter switch
AMIRA uses FSND (Full Spectrum Neutral Density) filters, which are linear across
the full spectrum of the camera sensor. This prevents artifacts from infrared
wavelengths and the need for additional IR filters.
NOTICE
The ND filter switch controls the internal ND filter module.
Filter densities of 0.6, 1.2 and 2.1 allow quick exposure
changes and compensation over a range of seven stops.
1. To activate a filter: Switch to the desired filter position.
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