R
LTO
GHIBLI 16/16FX
16-CHANNEL, MULTI-EFFECT MIXING CONSOLE
WITH SURROUND OUTPUT
OWNER'S MANUAL
www.altoproaudio.com
Version 2.0 NOV. 2007
English
IMPORTANT SAFETY INSTRUCTION
CAUTION
RISK OFELECTRIC SHOCK
DO NOTOPEN
TO REDUCE THE RISK OF ELECTRIC SHOCK
PLEASE DO NOT REMOVE THE COVER OR
THE BACK PANEL OF THIS EQUIPMENT.
THERE ARE NO PARTS NEEDED BY USER
INSIDE THE EQUIPMENT. FOR SERVICE,
PLEASE CONTACT QUALIFIED SERVICE
CENTERS.
This symbol, wherever used, alerts you to the
presence of un insulated and dangerous voltages
within the product enclosure. These are voltages that
may be sufficient to constitute the risk of electric
shock or death.
This symbol, wherever used, alerts you to
important operating and maintenance instructions.
Please read.
Protective Ground Terminal
AC mains (Alternating Current)
Hazardous Live Terminal
ON: Denotes the product is turned on.
OFF: Denotes the product is turned off.
CAUTION
Describes precautions that should be observed to
prevent damage to the product.
1.
Read this Manual carefully before operation.
Keep this Manual in a safe place.
2.
Be aware of all warnings reported
3.
with this symbol.
4.
Keep this Equipment away from water and
moisture.
5.
Clean it only with dry cloth. Do not use
solvent or other chemicals.
6.
Do not damp or cover any cooling opening.
Install the equipment only in accordance with
the Manufacturer's instructions.
Power Cords are designed for your safety. Do
7.
not remove Ground connections! If the plug
does not fit your AC outlet, seek advice from
a qualified electrician. Protect the power
cord and plug from any physical stress to
avoid risk of electric shock. Do not place
heavy objects on the power cord. This could
cause electric shock or fire.
Unplug this equipment when unused for long
8.
periodsoftimeorduringastorm.
Refer all service to qualified service personnel
9.
only. Do not perform any servicing other than
those instructions contained within the
User's Manual.
To prevent fire and damage to the product,
10.
use only the recommended fuse type as
indicated in this manual. Do not short circuit
the fuse holder. Before replacing the fuse,
make sure that the product is OFF and
disconnected from the AC outlet.
WARNING
To reduce the risk of electric shock
and fire, do not expose this equipment
to moisture or rain.
Dispose of this product should
notbeplacedinmunicipalwaste
and should be separate collection.
MovethisEquipmentonlywithacart,
11.
stand, tripod, or bracket,
specified by the
manufacturer, or
sold with the
Equipment. When
a cart is used, use
caution when
moving the cart /
equipment
combination to
avoid possible
injury from tip over.
12.
Permanent hearing loss may be caused by
exposure to \ extremely high noise levels.
The US. Government's Occupational Safety
and Health Administration (OSHA) has
specified the permissible exposure to noise
level.
These are shown in the following chart:
HOURS X DAY SPL EXAMPLE
Small gig
8
6
4
3
2
1,5
1
0,5
0,25 or less
According to OSHA, an exposure to high SPL in
excess of these limits may result in the loss of
heat. To avoid the potential damage of heat, it is
recommended that Personnel exposed to
equipment capable of generating high SPL use
hearing protection while such equipment is
under operation.
The apparatus shall be connected to a mains
socket outlet with a protective earthing
connection.
The mains plug or an appliance coupler is used
as the disconnect device, the disconnect device
shall remain readily operable.
90
train
92
Subway train
95
High level desktop monitors
97
Classic music concert
100
102
105
110
Rock concert
115
IN THIS MANUAL:
1. INTRODUCTION......................................................................1
2. FEATURES.............................................................................1
3. QUICK START.........................................................................4
4. CONTROL ELEMENTS.............................................................5
5. INSTALLATION AND CONNECTION..........................................12
6. PRESET LIST .......................................................................13
7. BLOCK DIAGRAM.................................................................14
8. TECHNICAL SPECIFICATION ..................................................15
9. WARRANTY..........................................................................16
1. INTRODUCTION
Thank you for purchasing the GHIBLI 16(FX), 16-channel mixing console with
24-bit digital multi-effects with five-channel surround output. It is just one
of the many Alto products that a talented, multinational Team of Audio
Engineers and Musicians have developed with their great passion for music.
Your GHIBLI 16(FX) is a remarkable compact mixing desk that doesn't find
many equals in the market today. With 4 microphone and 12 stereo Line-level
inputs for serious live performances and recording applications, your
GHIBLI 16FX also includes a 24-Bit digital multi-effect with 16 Factory
Presets and separate level for digital reverb.
There is a three bands EQ with mid frequency sweep on all the microphone
channels and separate Main Mix, Control Room and Center/Surround outputs.
All the microphone channels are also equipped with a tube-like compressor/
de-esser with automatic threshold control. Use it for small Gigs, for
Computer Audio, for 4-tracks recording. GHIBLI 16(FX) also is a flexible tool
for your Multimedia Presentations.
Enjoy your GHIBLI 16(FX) and make sure to read this Manual carefully before
operation!
2. FEATURES
MIC channels with 3 bands EQ + Mid Frequency sweep and MUTE function.
TUBE SOUND COMPRESSOR on all MIC channels + De-esser function.
Insert function for all MIC channels.
5-channel surround processor + Stereo Bass Enhancer.
Extremely high headroom offering more dynamic range.
Balanced ultra low noise microphone inputs with "HIGH END PREAMP".
Suitable for live, studio and home applications.
2 AUX Sends on all mono channels for internal/external effects and monitoring.
Phantom power on all MIC channels.
Rugged construction ensures long life and durability.
External power supply design for professional applications.
1
SPOTLIGHT
MIC 1 MIC 2 MIC
12
3
MIC IN (BAL) MIC N (BAL) MIC IN (BAL)
LINE IN (UNBAL) L NE IN (UNBAL) LINE IN (UNBAL)
LOW CUT
HARD
100Hz
OFF
SOFT
BYPASS COMP DE ES BYPASS COMP DE ES BYPASS
GAIN GAIN
CLIP CLIP
02050
MIC
0dB 0dB
+30
L NE
0dB
HIGH
15KHz
+1515
0dB
MID MID
+1515
1KHz
MID
freq
600
5K
0dB
LOW
80Hz
+1515
0dB
AUX1
pre
8
+10
0dB
AUX2
D
post
F
X
8
+10
center center
PAN PAN
R ghtLeft
CH
MUTE MUTE
ON
0dB
LEVEL LEVEL
12
2
3
INSERTNSERT
100Hz
OFF
02050
MIC
+30
LINE
0dB
+1515
0dB
+1515
1KHz
Hz
600
5K
0dB
+1515
0dB
8
+10
0dB
D
F
X
8
+10
RightLeft Left
CH
ON
0dB
LOW CUT
HARD
SOFT
HIGH
15KHz
LOW
AUX1
AUX2
post
MID
80Hz
pre
OFF
MIC
L NE
freq
Hz
D
F
X
CH
ON
3
COMP DE ES BYPASS COMPDE ES
0
2050+30
0dB
15
0dB
15
1KHz
600
0dB
15
0dB
8
0dB
8
0dB
3
MIC 4
1
3
MIC IN (BAL)
LINE N(UNBAL)
INSERTNSERT
LOW CUT
HARD
100Hz
OFF
SOFT
GAIN GAIN
CLIP CLIP
02050
MIC
0dB 0dB
+30
LINE
0dB
HIGH
15KHz
+15
+15
5K
+15
+10
+10
0dB
MID MID
1KHz
MID
freq
Hz
600
0dB
LOW
80Hz
0dB
AUX1
pre
8
0dB
AUX2
D
post
F
X
8
centercenter
PAN PAN
RightLeftRight
CH
MUTE MUTE
ON
0dB
LEVEL LEVEL
CH5 LEFT IN (MONO)
12
CH6 RIGHT IN
CH9 10 IN (LEFT) CH13 14 IN (LEFT)
CH12 11 IN (RIGHT) CH16 15 IN (RIGHT)
LOW CUT
HARD
100Hz
SOFT
HIGH
15KHz
+1515
+1515
MID
freq
Hz
OPERATING
5K
LOW
80Hz
8
+1515
PHONES
AUX1
pre
LEFT
+10
AUX2
RIGHT
post
+10
0dB
20 10010
CH7 LEFT IN (MONO)
BASS ENHANCER
BYPASS ON
+10
CH8 RIGHT IN
14
13
12
15
11
1
16
10
9
PRESETS
8
FX LEVEL
CENTER &
SURROUND OUT
AUX1 OUT
AUX2 OUT
PHONES
2
3
4
5
6
7
8
+10
0 B
8
center center
Left
0dB
8
5-6 7-8
0dB
8
0dB
GHIBLI 16
16 CHANNEL M XING CONSOLE
BALANCED +4dBu
BALANCED +4dBu
VIBRAFLANGE
1
FUNKY
2
3
ROCKABILLY
BIGSTAGE
4
5
VIBRATO
8
9
FLANGER
12
13
CHORUS
16
8
REVERB LEVEL
AUX1
pre
+10
PAN
Right
LEVEL
+10
AUX1
pre
+10
LEVEL
LTO
+10
8
Left
8
8
LEFT
OUT
RIGHT
OUT
PEAK
0 B
AUX1
pre
+10
PAN
Right
0dB
LEVEL
+10
0dB
AUX1
pre
+10
0dB
LEVEL
8
8
+10
8
+10
8
+10
+10
8
8
+10
+10
2
HOOK
GHIBLI 16(FX) IN A LIVE GIG
UP
COMPRESSOR
MIC 1MIC 1 M C 2M C 2 MIC 3MIC
MIC IN (BAL) MIC IN (BAL) MIC IN (BAL)
LNE IN (UNBAL) LINE IN (UNBAL) LINE IN (UNBAL)
GUITAR
HOOK
12 12 2
INSERTNSERT
BASS
UP
MIC 2MIC 1
KEYBOARD 1
POWERED
SUBWOOFER
STAGE MONITORS
KEYBOARD 2
3
MIC 4MIC 4
CH5LEFT IN MONO
1
12
3
3
MIC IN (BAL)
LINEIN (UNBAL)
INS RTINS RT
DAT PLAYER
CH7LEFT N (MONO)
CH6RIGHT N
CH8RIGHT N
CH9-10 N LEFT) CH1314 N (LEFT)
CH12 11 N R GHT) CH16-15N R GHT)
SURROUNDOUT
CD PLAYER
CENTER&
AUX1OUT
AUX2OUT
PHO ES
LTO
GHIBLI 16
16CHANNEL MIXNG CONSOLE
BALANCED+4dBu
BALANCED+4dBu
RGHT
LEFT
OUT
OUT
DRUM MACHINE
MAIN POWERED SPEAKERS
SECONDARY POWERED SPEAKERS
MIXING IN SURROUND WITH GHIBLI 16(FX)
CENTER CHANNEL
LEFT CHANNEL
SURROUND CHANNEL
MIC 1MIC 1 MIC 2MIC 2 MIC 3MIC
12
12
3
M C IN (BAL) MIC N (BAL) MIC IN (BAL)
L NE IN (UNBAL) LINE N (UNBAL) LINE IN (UNBAL)
2
3
3
NSERTINSERT
3
MIC 4MIC 4
3
M C IN (BAL)
L NE IN (UNBAL)
INSERTINSERT
CH5 LEFT N (MONO)
12
CH6 RIGHT IN
CH9 10 IN (LEFT) CH13-14 N (LEFT)
CH12-11IN (RIGHT) CH16-15 N (RIGHT)
1
CH7 LEFT IN (MONO)
CH8 RIGHT IN
CENTER &
SURROUND OUT
AUX1 OUT
AUX2 OUT
PHONES
LTO
GHIBLI 16
16-CHANNELM XING CONSOLE
BALANCED+4dBu
BALANCED+4dBu
LEFT
OUT
RIGHT
OUT
RIGHT CHANNEL
SURROUND CHANNEL
3
3. QUICK START
This is the fastest way to get something out from your GHIBLI 16(FX) if you have a
keyboard and a microphone.
Plug the microphone into Channel 1 MIC IN.
Turn down GAIN, AUX and LEVEL controls.
Put the EQ controls on center position.
Keep MAIN MIX LEVEL control on mid position.
Turn on your GHIBLI 16(FX).
Sing or speak in to the microphone with normal volume and adjust the GAIN control
so that the Master LED Meter stays around "0" and never exceed 10.
Ifyoulike,youcanaddsomeequalizationatthisstage.
Connect speakers and amplifiers and turn them ON.
Turn up Channel 1 fader to "0" and the LEFT/RIGHT main fader to one quarter
Connect your stereo keyboard into channel 5/6 and turn on the channel Level on
mid position.
Here you are. It is your first mix with your GHIBLI 16.
SPOTLIGHT
4. CONTROL ELEMENTS
For your better understanding of the complete operational possibilities of your
GHIBLI 16(FX), we have divided this part of the Manual in five different sections:
a. Including all Input and Output sockets
PATCHBAY:
b. Describing the functions of the Microphone input strip
MIC INPUT:
c. Describing the 10 input channels strip
STEREO INPUT:
d.
MASTER SECTION
e.
DSP SECTION
4
MIC 1MIC 1 MIC 2MIC 2 MIC 3MIC
12
3123
MC N BAL) MC N(BAL) MIC IN (BAL)
LNE IN UNBAL) INE N UNBAL)
OWCUT
H RD
1 0Hz
O F
B PASS COMP DE S
GAIN GAIN
02050
MC
+30
INE
0 B
HGH
1 K z
0 B
KHz
6 0
5K
0 B510 B
151
0 B
AUX1
0
0 B
AUX2
D
post
F
X
8
0
ce t r cet
PAN PAN
Righteft
CH
MUTE MUTE
ON
0 B
LEVEL LEVEL
8
+10
1
INSERTNSERT
FF
SO T
B PASS COMP DEES YPASS
CLP CL P
02050
MC
0dB 0dB
+30
INE
MID MD
1KHz
MD
feq
Hz
6 0
LOW
0Hz
dB
p e
8
0 B
D
F
X
8
ON
dB
8
2
3
2
1312
PAT CH BAY
OWCUT
LOWCUT
H RD
H RD
1 0Hz
00 z
OFF
S FT
S FT
COMPDE ES BYPASSCOMP DE ES
GAN GA N
CLP CL P
0
MIC
MIC
0dB 0dB
200+ 00200+ 0
LNE
LI E
HGH
HGH
1 K z
1 K z
+ 515dB15+ 515
+ 5dB1515
dB 0dB
MD MD
+ 515dB+1515
CMIC INPUT
6 0
5K
5K K
dB
LOW
LOW
0Hz
80Hz
1
dB0dB
AUX1
AUX1
pre
pre
8
0
dB10dB
AUX2
AUX2
D
D
post
post
F
F
X
X
8
+ 0
PAN PAN
RghtLeft Le t
CHONCH
CH
MUTE MUTE
ON
dB 0dB
LEVEL LEVEL
8
+ 0 + 0
+10
3
MIC 4MIC 4
MICIN (BAL)
OFF
00
3
IN ER
TINSRT
dB
8
10
8
10
c ntc n e
RghtLeftRight
8
4
CH5L FTIN (MONO
CH 2 1 IN RGHT) CH16 5 IN RIG T)
LOWCUT
ARD
0 Hz
OFT
HGH
5K z
z
OPERATNG
LOW
80Hz
51dB5
AUX1
pre
LEFT
AUX2
RIGHT
post
CH7 EFTIN MONO
15
14
13
12
11
BASSENHANCERBASSENHANCER
0dB
B PASS ON
8
+ 0
PHONES
20 10010
MASTER
MAIN MIX LEVELMAIN MIX LEVEL
RIGHT N
( EFT)
1
16
2
8
10
9
PRESETS
FXLEVEL
CENTER&
SURROUNDOUT
AUX1OUT
AUX2OUT
PHONES
DSP
1
2
3
3
4
4
5
5
8
9
6
2
7
3
6
108+ 0
REVERBLEVEL
STEREO INPUT
0dB
cene ene
L ft
8
0dB
8
8
9-12 13-16
8
0dB
5-6
0dB
VBRAFLANGE
ROCKABLLY
BGSTAGE
VBRATO
CHORUS
UNKY
LANGER
AUX1
pre
10
PAN
Rght
EVEL
+ 0
AUX1
pre
10
EVEL
+ 0
GHIBLI 16
16 HANN L IX NG CO SOLE
BALA CED + dBu
BALA CED + dBu
Let
LTO
LEFT
OUT
RGHT
OUT
PEAK
0dB
AUX1
p e
8
10
PAN
Rig t
0dB
EVEL
8
+10
7-8
0dB
AUX1
p e
8
10
0dB
EVEL
8
+10