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FS2
Frame Synchronizer/Converter
Installation and Operation Guide
Version 3.0
Published August 1, 2017
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Notices
Trademarks
AJA® and Because it matters.® are registered trademarks of AJA Video Systems, Inc.
for use with most AJA products. AJA™ is a trademark of AJA Video Systems, Inc. for
use with recorder, router, software and camera products. Because it matters.™ is a
trademark of AJA Video Systems, Inc. for use with camera products.
CION®, Corvid Ultra®, lo®, Ki Pro®, KONA®, KUMO®, ROI® and T-Tap® are registered
trademarks of AJA Video Systems, Inc.
AJA Control Room™, KiStor™, Science of the Beautiful™, TruScale™, TruZoom™,
V2Analog™ and V2Digital™ are trademarks of AJA Video Systems, Inc.
AirPort, Apple, Apple logo, AppleShare, AppleTalk, FireWire, iPod, iPod touch,
Mac, Macintosh and ProRes, are registered trademarks of Apple Inc. Final Cut Pro,
QuickTime and QuickTime logo are trademarks of Apple Inc.
Avid, Avid DNxHD and Media Composer are registered trademarks of Avid
Technology, Inc.
Adobe is a registered trademark of Adobe Systems Incorporated in the United States
and/or other countries.
HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or
registered trademarks of HDMI Licensing, LLC.
DVI is a registered trademark of DDWG.
TASCAM is a registered trademark of TEAC Corporation.
Dolby and the double-D Dolby logo are registered trademarks of Dolby Laboratories
Licensing Corporation.
openGear® Ross, ROSS, ROSS®, and MLE are registered trademarks of Ross Video.
DashBoard Control System™ is a trademark of Ross Video.
All other trademarks are the property of their respective holders.
Copyright
Copyright © 2017 AJA Video Systems, Inc. All rights reserved. All information in
this manual is subject to change without notice. No part of the document may be
reproduced or transmitted in any form, or by any means, electronic or mechanical,
including photocopying or recording, without the express written permission of AJA
Video Systems, Inc.
Contacting AJA Support
When calling for support, have all information at hand prior to calling. To contact AJA
for sales or support, use any of the following methods:
Telephone +1.530.271. 3190
FAX +1.530.271.3140
Web https://www.aja.com
Support Email support@aja.com
Sales Email sales@aja.com
FS2 Frame Synchronizer/Converter v3.0 2 www.aja.com
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Contents
Notices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Trademarks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Copyright . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Contacting AJA Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Chapter 1 – Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Video Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Audio Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Other Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Typical Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Video Format Conversion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
FS2 Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Front Panel Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
Remote Web Browser Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
GPI Inputs and Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
SNMP Interface Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Optional FS2 Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Fiber I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Dolby E Decoder Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Technical Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Video Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Audio Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
In This Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Chapter 2 – Controls, Indicators, and Connections . . . . . . . . . . 13
Front Panel Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Alphanumeric Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Pushbuttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Control Knobs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
LED Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Incompatibility Alarms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Rear Panel Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Connectors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
About Inputs and Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Chapter 3 – Installation & Conguration . . . . . . . . . . . . . . . . 22
Installation Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Installation Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Unpacking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Shipping Box Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Installing Optional Fiber Optic I/O Modules. . . . . . . . . . . . . . . . . . . . . . 24
Installing Optional Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
FS2 Chassis Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Physical Requirements for Mounting the Chassis. . . . . . . . . . . . . . . . . 25
Power Requirements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Networking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
FS2 Default Network Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Networking Using DHCP or Default Static IP. . . . . . . . . . . . . . . . . . . . 27
Networking the FS2 Using Your Own Static IP. . . . . . . . . . . . . . . . . . . 28
Using Ping to Test the Network Connection . . . . . . . . . . . . . . . . . . . . 29
Web Browser Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Software Update Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Download the Latest FS2 Software . . . . . . . . . . . . . . . . . . . . . . . . . 30
Unpack the Software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Uploading and Installing the Software to the FS2 . . . . . . . . . . . . . . . . 31
System Cabling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
System Video/Audio Cable Connections . . . . . . . . . . . . . . . . . . . . . . 32
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GPI Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
FS2 Audio Level Choices—Pro or Consumer, US or EBU . . . . . . . . . . . . 32
Computer Video Formats. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Physical Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Menu Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Scaling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Genlocking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Getting Your Computer Working with the FS2 . . . . . . . . . . . . . . . . . . 34
Chapter 4 – Display Menus . . . . . . . . . . . . . . . . . . . . . . . . . 36
Controlling the FS2 via Front Panel Display Menus . . . . . . . . . . . . . . . . . 36
Parameter Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Menu Group Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
SELECT and ADJUST Knobs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Menu Operation Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Status Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Simple Menus: Cong Format Alarm Filters . . . . . . . . . . . . . . . . . . . . 37
Multiple Parameter Menus: Video 1 ProcAmp. . . . . . . . . . . . . . . . . . . 38
Multiple Field Parameters: IP Address . . . . . . . . . . . . . . . . . . . . . . . . 39
STATUS Menu Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
S.1 I/O Status. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
S.2 Vid1 Format Status. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
S.3 Vid1 Format Alarm Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
S.4 Vid2 Format Status. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
S.5 Vid2 Format Alarm Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
S.6 Output Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
S.7 Power/Temp Alarm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
S.8 Caption Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
S.9 Dolby Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
S.10 Dolby Framer Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
S.11 System Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
REMOTE Menu Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
1 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
1.1 Authentication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
2.1–4 GPI IN 1–4 Response . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
3.1–4 GPI 1–4 OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Interaction of Presets and GPIs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
CONFIG Menu Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
1 System Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
2.1 IP Cong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
2.2 IP Address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
2.3 Subnet Mask . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
2.4 Default Gateway . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
3 MAC Address (view only) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
SNMP Menu Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
5 Power Supply Alarm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
6.1 Vid1 Format Alarm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
6.2 Vid2 Format Alarm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
7 Reference Alarm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
8 Hidden Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
9 Screen Saver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
10 Display Intensity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
11 Fan Speed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
12 Serial Number (view only). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
13 Software Version (view only) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
14 Reboot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
PRESET Menu Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
1 Factory Preset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
1.1-1.40 Presets #1-#40. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Interaction of Presets and GPIs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
SYSTEM Menu Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
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1 Component In Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
2 Component Out Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
3 Analog Audio Std. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
4 SDI1 3G Detect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
5 SDI2 Input Protect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
6 Fiber1 3G Detect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
7 Fiber2 Input Protect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
8 Genlock Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
9 Frame Rates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
10 NTSC Standard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
11 Composite Downconv . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
12 HDMI RGB Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
14.0 AES/EBU SRC Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
14.1–14.8 AES/EBU SRC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
15 Dolby Decoder Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
16 Dolby Decoder Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
17 Dolby Decoder Aux Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
18 Dolby Decoder Aux Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
OUTPUT Menu Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
1.1 SDI1 Video Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
1.2 SDI2 Video Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
2.1 Fiber1 Video Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
2.2 Fiber2 Video Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
3 HDMI Video Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
4 Component Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
5 Composite Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
6 HDMI Audio Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
7 AES/EBU Audio Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
8 Analog Audio Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
9.1 SDI1 3G Cong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
9.2 SDI2 3G Cong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
10.1 Fiber1 3G Cong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
10.2 Fiber2 3G Cong . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
VIDEO 1 and VIDEO 2 Menu Groups. . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Video Input and Output. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Background Fill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Loss of Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Upconvert and Downconvert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Aspect Ratio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Sidebars. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Matte of Background Fill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Proc Amp Controls (YUV) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Color Corrector (RGB) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Custom Conversion Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Region of Interest (ROI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Timing and Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Video Legalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
AFD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Closed Captioning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Input Scan and PsF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
SD Line 21Closed Caption Blanking . . . . . . . . . . . . . . . . . . . . . . . . . 74
Test Patte rn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Freeze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
AUDIO 1 and AUDIO 2 Menu Groups . . . . . . . . . . . . . . . . . . . . . . . . . . 75
1.0 Audio Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
1.1–1.16 Audio Map Ch1–16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
1.17–1.24 Audio Map Ch 1/2–15/16 . . . . . . . . . . . . . . . . . . . . . . . . . . 76
2 Embedded Audio Out. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
3 Audio Follow Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
4 Audio Signal Gen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Audio Delay Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
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Audio Output Level Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Audio Output Phase Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Dolby Framer Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Chapter 5 – Browser Remote Control . . . . . . . . . . . . . . . . . . 82
Remote FS2 Control Via a Web Browser . . . . . . . . . . . . . . . . . . . . . . . . 82
General Web Browser Screen Description . . . . . . . . . . . . . . . . . . . . . 82
Controlling Multiple FS2s. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Resetting Values To Factory Settings . . . . . . . . . . . . . . . . . . . . . . . . 84
Drop Down Parameter Operation . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Slider Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Video Format Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Network Pane and Network Conguration Screen . . . . . . . . . . . . . . . . . 85
IP Address Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
IP Address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Netmask. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Default Gateway . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Alarm Conguration Screen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Status Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
System Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Cong Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
System Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
SNMP Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Hidden Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Display Intensity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
UPnP Host . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
UPnP Proxy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Presets Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Presets Screen Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Interaction of Presets and GPIs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Output Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Video 1 & 2 Screens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Audio 1 and 2 Screens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Remote Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Firmware Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Chapter 6 – SNMP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .99
FS2 Simple Network Management Protocol . . . . . . . . . . . . . . . . . . . . . 99
SNMP Conguration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Front Panel Screens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Web Browser. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
SNMP Conguration Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
4.0 SNMP Enable . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
4.1 SNMP Trap Destination 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
4.2 SNMP Trap Port1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
4.3 SNMP Trap Destination 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
4.4 SNMP Trap Port2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Appendix A – Specications . . . . . . . . . . . . . . . . . . . . . . . 103
Appendix B – FS2 Pinouts. . . . . . . . . . . . . . . . . . . . . . . . . 107
GPI Pinouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107
Audio Connection Pinouts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Analog Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Digital Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Appendix C – Safety & Compliance. . . . . . . . . . . . . . . . . . . 109
Warranty Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Limited Warranty. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .117
Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
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Chapter 1 – Introduction
Overview
Featuring a flexible, “anything-in, anything-out” architecture, the dualprocessor FS2 Universal Video/Audio Frame Synchronizer and Format Converter
simultaneously works with two independent channels of 10-bit broadcast quality
video and two independent groups of 16-channel audio.
The FS2 can be used as two separate Frame Synchronizers/Format Converters, or
the two channels can be combined in many powerful ways—for example, sidebar
keying where both the video and background graphics can be upconverted and
combined.
The FS2 supports analog and digital I/O, with full input and output crosspoint
matrices, allowing any I/O port to be assigned to either processor. With support
of all broadcast video formats, the FS2 makes matching up disparate video and
audio systems simple—one converter box does it all.
Video Features
• The FS2 handles a wide variety of video formats. See "Appendix A
Specications" on page 103 for a complete list.
• Dual video format converters, each featuring SD/HD (up/down), SD-to-SD
(aspect ratio), and HD-to-HD (720/1080 cross) conversions.
• Dual video processors supporting proc amp and color correction.
• Dual frame synchronizers.
• Dual video/key framestores downloadable from the local area network.
• User-specied custom format conversion and scaling with variable crop, size,
aspect, position, and Region of Interest parameters.
• Dual exible keyers for video/key overlays or sidebar keying from the two
video processors, the two internal video/key framestores, or internal matte
generators.
• Closed captioning support, featuring true conversion between EIA 608 and
708 (SD and HD) CC formats.
• Active Format Description (AFD) support.
• Scan convert computer formats via a DVI-to-HDMI cable
• Dual 3G/HD/SD SDI I/O with embedded audio.
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• Dual 3G/HD/SD Optical Fiber I/O (optional).
• HDMI I/O supporting 3D HDMI output.
• Component/Composite analog HD/SD video I/O, 12-bit.
• Looping reference input with exible genlock.
3G Support
The FS2 supports several types of 3G video (and some associated embedded
audio):
• 1080p59.94/1080p50 in both SMPTE level A or level B
• Muxed 3G Video: two separate 720p/1080i video signals muxed into one 3G
level B signal
• Dual-Link Video in the form of 1080p59.94/1080p50 video on two 1.5G SDI
cables.
In the case of Dual Link Video, the FS2 input processing can demux the two
signals and send them (each with their associated 16-channel audio) to the two
processors. For output, the FS2 can mux together the two video signals (and their
audio) from the two processors into a Dual Stream 3G video output.
Control of 3G functionality can be set to automatic (using ANC data format ID), or
with full manual control via the user interface.
Audio Features
• Dual audio processors, each supporting 16-channel audio with full channel
mapping.
• 16-channel AES/EBU, 8-channel balanced analog I/O.
• 16-channel embedded audio I/O with full mapping.
• AFV (audio follows video) support.
Other Features
• Built-in front panel control via scrolling alphanumeric and graphical menu.
• Front panel LED status indicators for at-a-glance system monitoring.
• Linux operating system supporting full network compatibility, including Webbased remote control over 10/100/1000 Ethernet via an internal web server.
• Two fully redundant power supplies standard.
• Five-year international warranty with unlimited technical support.
Typical Applications
The FS2 can be used in a very wide variety of video and audio signal conversion,
adaptation, timing, and processing applications:
• Up/down/cross conversion between many SD and HD formats, including
1080p50/60.
• General purpose video frame synchronization.
• Analog-to-Digital and Digital-to-Analog audio/video conversion.
• Mux or Demux two separate HD signals from one 3G SDI signal.
• Convert 3G/HD/SD video over ber to/from SDI (BNC).
• Use the built-in video processing ampliers to adjust and/or color correct.
• Synchronize the timing of key and ll signals by putting both through the
parallel FS2 video processors and adjusting their timing independently. Then
key them using one of the two FS2 keyers or an external keyer.
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• Use the HDMI input and a DVI-to-HDMI cable to scan-convert popular
computer video formats to SD or HD, including full proc-amp functionality and
aspect ratio adjustment.
• HD sidebar keying including using both SD video and SD sidebar graphics
(analog or digital), upconverting both, and combining—all in the FS2.
Video Format Conversion
The FS2 can convert almost any input format to nearly any output format, as long
as the frame rates are of the same family. The three families are:
• 59.94/29.97/23.98
• 50/25
• 60/30/24
Available input and output formats are listed later in this appendix.
Conversion Exceptions
• The following frame rates are not supported for input or output:
• 720p23.98/24/25/29.97/30.
• The FS2 cannot convert a 29.97 or 59.97 input to 23.98 Hz.
• The FS2 cannot convert a 30 Hz or 60 Hz input to 24 Hz.
• Outputs of 23.98 or 24 Hz can be derived only from 23.98 or 24 Hz inputs.
• Component I/O does not support 1080p.
• The FS2 does not support reverse 3:2 pulldown.
• The FS2 does not accept or produce 4:4:4 YCbCr, RGB, or XYZ inputs or
outputs.
• The FS2 does not accept or produce YCbCr 4:2:2 12-bit inputs or outputs.
• The FS2 does not support embedded audio output for the following formats:
• 2K1080p 29.97 or 2K1080p 30
• 2K1080p 59.94 or 2K1080p 60 when 3G Cong is set to 3 Gb Level B or 1.5 Gb
DualLink.
• The FS2 does not convert NTSC to PAL-M, or vice versa.
FS2 Control
FS2 operation can be monitored and changed in a number of ways. Feature sets
in each of the control methods vary, although the front panel and web browser
interfaces offer many of the same features.
Front Panel Control
The FS2 front panel offers the most direct control, ideal for use in machine rooms
or wherever quick changes and status checks must be made. The buttons and
knobs control menus in the display, allowing you to fully configure the system
according to your purposes. You can control inputs, outputs, processing paths,
keying, and much more.
Remote Web Browser Control
The FS2 internally contains an optimized web server that allows remote
monitoring and parameter setting via an Ethernet 10/100/1000 network-attached
computer running a web-browser. Networks can be closed local area networks,
a straight computer-to-FS2 cable, or for greatest flexibility, exposed through
a firewall to a broadband WAN. From a network-connected computer you can
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communicate with one or more FS2 devices, even getting them to identify
themselves via LEDs on the front and rear panel.
GPI Inputs and Outputs
General Purpose Inputs and Outputs are available on the FS2 back panel to
provide contact closure control. Using the inputs, an external contact closure
activates a specified function on the FS2. Using the outputs, specific FS2
functions can produce a contact closure to activate any desired function on
external equipment. The functions to be activated by an input or that can activate
an output are set using the front panel and browser menus.
SNMP Interface Monitoring
SNMP offers remote network monitoring of alarm conditions.
Optional FS2 Features
Fiber I/O
The FS2 supports optional AJA Optical Fiber I/O modules as follows:
• Single Input, LC connector
• Single Input SC connector
• Single Output LC connector
• Single Output SC connector
• Dual Input LC connectors
• Dual Output LC connectors
FS2’s Fiber I/O supports the 3G/HD/SD SDI protocol. Only AJA modules are
supported; use of other manufacturers’ modules is not supported and may void
the warranty.
Dolby E Decoder Card
The current FS2 software supports a Dolby E Decoder option in the right-hand
option slot under the option top cover.
Technical Description
The FS2 features an incredibly flexible architecture offering two identical Video/
Audio processing units, both of which can access any input or drive any output.
For Video processing, each processor can also access the other video processor
for sidebar keying or other functions that involve both video signals. For audio
processing, each audio processor has access to any audio input for full channel
mapping capability, and each audio processor outputs a 16-channel group that
can be embedded in the SDI/HDMI/Fiber outputs and/or sent to the AES or
Analog outputs.
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GPI Inputs (4)
Embedded
omposite (v1.1)
Remote Web
Passive
Reference
Loops
Inputs
Figure 1. FS2 Simplified Block Diagram
Browser
SNMP Control
via command line
Control
Genlock
LAN or WAN
Ethernet
Panel
Control
FS2 CPU
to Video Processor 1
and Video Processor 2
Embedded
Web
Server
OutputsProcessing
GPI
Outputs (4)
Audio
Composite (v1.1)
Digital Audio In
Analog Audio In
(Tascam-style Cable)
SDI In 1
SDI In 2
Optional
Fiber In 1
Optional
Fiber In 2
HDMI In
Video
and
Audio
Component
YCbCr/RGB
or
In
Composite In
AES/EBU
16 Channels
8 Channels
Output
Crosspoint
Matrix
Video Processors
The two Video Processors are identical and perform format conversion, frame
synchronization, signal processing, and keying operations. Each video processor
has access to any video input from the Input Crosspoint Matrix.
Up, down, or cross conversion is done with very high quality scalers. Deinterlacing is performed with high quality motion-adaptive processing including
diagonal filters. The Processing Amplifier and Color Correctors support video
signal adjustment with standard Proc Amp controls and RGB-style color
correction.
The keyers in each video processor can operate in several modes:
• Add a background for HD sidebar upconversion. The background can be
Black, a user-congurable matte, video from the other video processor (which
itself can be upconverted), or a video still (future rmware release) from the
internal stillstore.
• Add a video/key graphic from the internal graphic stillstore (future rmware
release)
• Combine the two video processors in various ways, such as creating a live
“over-the-shoulder” key.
The Video Processors can also be used as a still store and output full screen stills
or test patterns.
Video
Audio
Video
Audio
PROCESSOR 1
Converter
Framesync
PROCESSOR 2
Converter
Framesync
Video
and
Video
and
Video Proc
Amp
Color
Corrector
Audio
Processor
Video Proc
Amp
Color
Corrector
Audio
Processor
Test Signal
Generator
Test Signal
Generator
Video
Sidebar
Keyer
Tone
Generator
Video
Sidebar
Keyer
Tone
Generator
Audio
Embedder
Audio
Embedder
Video 1
Audio 1
Video 2
Audio 2
Video
and
Audio
Output
Crosspoint
Matrix
Down
Converter
SDI Out 1
SDI Out 2
Optional
Fiber Out 1
Optional
Fiber Out 2
HDMI Out
Component
YCbCr/RGB
or
C
Out
Composite
AES/EBU
Digital
Audio Out
16 Channels
Analog
Audio Out
8 Channels
(Tascam
Cable)
Out
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Audio Processors
The two audio processors accept analog, digital, or embedded audio inputs as
chosen by the input crosspoint matrix. Inputs can be selected from Embedded
(SDI, Fiber, or HDMI), AES, or Balanced Analog and full channel mapping supports
any mixture of the inputs. Each audio processor processes and outputs 16
channels. The output of each processor can be embedded in its respective Video
processor output (SDI, Fiber, or HDMI), or sent to the AES or Balanced outputs. For
3G and Dual link Inputs, the Audio processors can have access to all 32 channels.
In This Manual
Chapter 1: Introduction provides an overview and a list of box contents.
Chapter 2: Controls, Indicators, and Connections describes controls, indicators,
and connections.
Chapter 3: Installation and Configuration provides complete instructions for
installing and configuring the FS2.
Chapter 4: Display Menus explains how to use the FS2 controls and display menus.
Chapter 5: Browser Control explains how to use the FS2 remotely via a web
browser on a network-attached computer.
Chapter 6: SNMP discusses FS2 support of SNMP.
Appendix A: Specifications presents a list of technical specifications for the
product.
Appendix B: Pinouts explains the FS2 rear panel connector pinouts.
Appendix C: Safety & Compliance provides regulatory compliance statements,
advisories and warnings.
Warranty and Index
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Chapter 2 – Controls, Indicators, and Connections
NOTE: The AJA FS2 should be plugged into 3-wire 100-240 VAC 50/60 Hz power
(autosensing) before you make connections to other equipment. The AC cords
provide a path to ground for accidental static discharge to protect system
equipment. The FS2 has two fully independent and redundant power supplies
and will operate with one or both AC power cords plugged into the unit. However,
fault-tolerance exists only if both power supplies are connected and plugged into
separate branch circuits. Then if power is lost on a branch or one of the supplies,
the FS2 will continue to operate on the remaining circuit and power supply.
Warning! To meet safety regulations for leakage current and to ensure redundancy
in the event that a branch circuit breaker shuts o a branch, connect the FS2 dual
power supplies to separate branch circuits.
Front Panel Description
Figure 2. AJA FS2 Front Panel Controls and Indicators
Menu Group Selection Buttons:
Press a button to select
1
a Menu Group in the display
Alphanumeric Display
The FS2’s control system is designed to be quick and easy to use. The four-line
alphanumeric display shows menus that are numbered and grouped by function.
The menu groups are easily accessed using pushbuttons which correspond oneto-one with the groups (one button per menu group). The menu lines, which are
23 characters wide, display the following information:
• First line—parameter number and name.
• Second line—the editable value set for a parameter.
• Third and fourth lines—current status, labels, or prompts.
When you edit a parameter containing multiple values, such as the IP address, the
value currently being edited blinks.
2
Alphanumeric Display:
Line 1=Parameter
Line 2=Parameter value
Line 3=Status/Legend
Line 4=Status/Legend
3
Select knob:
Scrolls and
selects menus;
Push to undo
changes.
4
Adjust knob:
Changes
selected value;
Hold down for
default value.
Ref, Keyer, LAN, EXT
Activity
Indicators:
VID In Ch 1/2
UFC Ch 1/2
Proc Amp Ch 1/2
FMT ERR Ch 1/2
Status Indicators:
Power and Status
Indicators:
Pwr 1
Pwr 2
ID
Alarm
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Operational Summary
The 10 front panel pushbuttons allow you to select display menu groups. The two
knobs allow you to change menus and set parameters within the menu groups.
These functions can be summarized as follows:
• Select a menu group: Press one of the ten pushbuttons.
• Scroll through menus in a group: Turn SELECT.
• Edit a menu parameter: Stop SELECT on the menu.
• Change a parameter value: Once the parameter is selected with SELECT, turn
ADJUST to set the value. Changes apply in a few seconds.
• To edit a multiple part parameter, such as the IP address, push the ADJUST
knob momentarily (the value blinks). To save the whole parameter after
editing, push ADJUST momentarily again.
• Coarse adjust a value (for use with parameters that have more than 10
selections):
• 10x speed - Hold down the menu group button (the button turns blue) and
turn ADJUST. The values will change in 10x increments.
• 100x speed (available for extremely wide-range parameters, like Audio
Delay) - After enabling 10x speed above, momentarily release and press that
group button a second time (the button turns light blue). Turning ADJUST
will now change the value in 100x increments.
• Undo a change (restore previous setting): Push SELECT momentarily.
• Reset to factory default: Hold down ADJUST for 4 seconds.
Pushbuttons
These are the general rules of Menu Group button operation:
• Press one of the ten Menu Group buttons to access the associated menu
group. The SELECT and ADJUST knobs control the display menus.
• The selected Menu Group button lights and the other buttons turn o.
• Each menu group returns to the last menu changed when you select the
button. After a reboot, each group displays its rst menu.
• Hold down a button (turns blue) to make coarse adjustments using the Adjust
knob. Release the button to make ne adjustments.
The following text briefly lists the functions accessed by each pushbutton:
STATUS
Displays the Status Menu Group, which shows current machine status and error
conditions:
• Video 1, Video 2, and Caption status
• Reference and Genlock status
• Output Status
• Power and Temperature status
• System Name display
• Alarms
REMOTE
Displays the Remote Menu Group, which lets you select how to control the FS2:
• Control by local front panel, remote devices, or local and remote
• GPI input and output behavior
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CONFIG
Displays the Config Menu Group, which lets you configure the FS2 for your
environment:
• System Name setting
• IP and SNMP settings, MAC address
• Alarm control
• Hidden Menus and Display intensity (brightness)
• System serial number and software version
• System reboot
PRESET
Displays the Reg Menu Group, which accesses the memory registers:
• Store, Recall, and edit the names of Presets
• Factory Preset (defaults)
SYSTEM
Displays the System Menu Group, which lets you change or enable FS2 video and
audio input and system functions:
• Video input format settings, including 3G setup
• Audio input format and sample rate conversion settings
• Genlock reference source selection
• Frame rate selection and NTSC standard (North America/Japan)
• Input downconversion setting (HD to SD)
• HDMI RGB Range
OUTPUT
Displays the Output Menu Group, which selects output sources:
• Composite downconversion
• Video output selections
• Audio output selections
• 3 G output conguration
• HDMI video and audio conguration
VIDEO 1 and 2
Displays the Menu Groups that access Video Processor video input, format, and
conversion selections and adjustments (separate buttons access Video Processor
1 and Video Processor 2):
• Video Processor Input Source and Background Fill selections
• Video Processor Output Format and Mode
• Loss of Input
• Video Processor Up, Down, Aspect, Edge, and Custom Conversions
• Video Processor Matte Adjustments
• Video Processor H and V timing
• Video Processor Proc Amp, Color Corrector, and Legalizer
• AFD embedding, input scan format (i or p), and caption translation
• Video Processor Test Patterns
• Freeze Output
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AUDIO 1 and 2
Displays the Audio 1 Menu Group, which allows you to set Audio Processor 1
selections and adjustments:
• Audio Processor input selection, output embedding, and Audio Follow Video
(AFV)
• Audio Signal Generator Selection
• Audio1 channel and stereo mapping
• Audio1 level, phase, and delay adjustments
Control Knobs
These are the general rules of SELECT and ADJUST knob operation:
SELECT
Turning the SELECT knob performs these actions:
• Turn SELECT in either direction to scroll through the menus.
• Stop on a menu to enter that menu for editing.
• Turn SELECT within a menu to scroll through multiple parameters.
• Pause on a parameter to select it for editing. For multiple elds in a parameter,
use SELECT to move through the elds (after pressing Adjust to enter eld
editing mode).
• Push SELECT momentarily to undo and restore the previous setting.
ADJUST
Turning the ADJUST knob performs these actions:
• Turn ADJUST to change the values of a selected parameter.
• In most cases, leaving a value in place for a moment sets that value.
• To perform special actions, such as recalling a register, push the knob to
conrm the displayed value. Display line 4 indicates such special actions.
• Some parameters having multiple elds, such as IP Address require you to
push the ADJUST knob to select a eld, and push again to save changes.
• Hold down the knob to reset a value to the factory default; for multiple eld
values, all elds are reset to the default.
Table 1. SELECT and ADJUST Knob Operation Summary
Function Knob Action
Scroll through menus.
Scroll through parameters in a multiparameter menu.
Scroll through numerals or letters in a parameter.
Enter edit mode for a menu.
Enter edit mode for a parameter.
Enter edit mode for values, numerals, or letters.
Advance to the next value, numeral, or character to edit.
Increment/decrement a value. Turn ADJUST.
Coarse adjust a value. 10x speed - Hold down button (turns blue)
Reset a value to the factory default value.
Set a number to the default value (typically zero).
Set a letter to a default value (typically space).
Turn SELECT backwards or forward.
Turn and stop SELECT on the item to
edit. (For some multiple parameter
menus, push ADJUST so that the selected
parameter blinks.)
and turn ADJUST.
- or 100x speed - Hold down button (turns
blue), momentarily release and press
button again (turns light blue) and turn
ADJUST.
Hold down ADJUST.
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Function Knob Action
Take (commit) a change to an edited parameter. Automatic after a few seconds for most
Abandon (undo) a change before committing. Push SELECT momentarily.
Take (commit) a special action, such as a preset recall. Push ADJUST momentarily.
LED Indicators
Indicators on the front panel are multi-state LEDs that light when a condition is
present. They are conveniently arranged in groups to show specific subjects. For
example, indicators for the two video processors are aligned in two columns with
1 and 2 labeling the tops of the columns.
The indicators and the conditions that cause them to light are as follows:
REMOTE
A multicolor LED that indicates the current control mode:
• Green = Local Only (front panel control only)
• Red = Remote Only (remote browser or panel control only)
• Amber = Local + Remote (front panel and remote control both enabled)
parameters. For multiple eld parameters,
push ADJUST momentarily to save.
VID IN 1/2 (blue)
An active video input signal is detected for Channel 1 or 2.
UFC 1/2 (blue
The Universal Format Converter has been changed from the default setting for
Channel 1 or 2.
PROC AMP 1/2 (blue)
The Proc Amp has been changed from the default setting for Channel 1 or
Channel 2 (it’s no longer at unity).
FMT ERR 1/2 (blue)
The selected input and output formats are incompatible for Channel 1 or Channel
2.
REF (blue)
The REF connector has an external reference video source applied.
KEYER (blue)
Reserved for future use.
LAN (blue)
The FS2 is connected to an operational local area network. This indicator lights
momentarily when web browser selections are changed.
EXT (blue flashing)
Flashes when a remote control source (remote panel or GPI) has initiated a
change in the system.
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PWR 1/2 (blue)
Power Supply 1 or 2 is operational and receiving power. Both PWR 1 and PWR 2
LEDs must be lit to indicate redundant power is available.
ID (blue)
Flashes when you right-click on an FS2 system name and choose Identify in the
web interface Network list. This action helps identify which FS2 you’re controlling
when multiple FS2 units are operated from a single computer. The ID LEDs on the
front and rear panels perform the exact same function. No matter which side of a
rack you’re facing, you’ll be able to see one of the LEDs.
ALARM (red)
An alarm event has been detected. Press the STATUS button for information. The
Alarm LED may light because of a disconnected or failed power supply, other
hardware failure, video incompatibilities, or genlock loss. (Any of these conditions
may be suppressed using the Alarm Suppress parameters, CONFIG 5, 6.1, 6.2, and
7.)
Incompatibility Alarms
The FS2 produces signal incompatibility alarms for a number of reasons. When
incompatible I/O formats are detected, an alarm can be triggered with these
results:
• Lights the relevant alarm LED on the front panel (FMT ERROR, 1 or 2).
• Displays an alarm in the browser user interface.
• Inuences selection of the rst-displayed status screen.
• Generates an SNMP trap (if congured).
• Triggers a GPI Output (if congured).
The following tables explain how to interpret the alarms.
Incompatible Video Formats
The table below shows conversions that the FS2 cannot do and which will cause
video format alarms to be generated.
Table 2. Incompatible Video Formats
Input Incompatible Output Formats
525i59.94 1080p(&PsF)23.98
1080i59.94 1080p(&PsF)23.98
720p59.94 1080p(&PsF)23.98
1080p29.97 1080p(&PsF)23.98
1080PsF29.97 1080p(&PsF)23.98
625i60 1080p(&PsF)24
1080i60 1080p(&PsF)24
720p60 1080p(&PsF)24
1080p30 1080p(&PsF)24
Example Reference and Video Incompatibility Alarms
Video incompatibilities that the FS2 may detect include the following:
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AC Power #2
AES/EBU Digital
Table 3. Video Incompatibility Examples
Video Incompatibility Detected Alarm Status screen will show
Genlock Source is set to
“Reference”, but no Reference
signal is detected.
Genlock Source signal format is
not compatible with selected
Input Format.
Genlock Source signal format is
not compatible with selected
Output Format.
Input signal is not compatible
with selected Output Format.
Rear Panel Description
Audio In/Out
Channels 1 through 16
DB-25F Connectors
(Future Use)
VID1 SDI 1 525i59.94
BKGD Matte
GEN Reference No Input
OUT 1080i59.94
VID1 SDI 1 Incompat
BKGD Matte
GEN Reference Incompat
OUT 1080i59.94
VID1 SDI 1 525i59.94
BKGD Matte
GEN Reference Incompat
OUT Incompat
VID1 SDI 1 Incompat
BKGD Matte
GEN Reference 1080i59.94
OUT Incompat
LED
ID
HDMI
In/Out
Composite
In/Out BNC
Autosensing
100 to 240VAC
50/60Hz
AC Power #1
Autosensing
100 to 240VAC
50/60Hz
Connectors
Analog Audio In/Out
Channels 1 through 8
DB-25F Connectors
(uses Tascam-style
cable)
GPI 15-pin
DB-15F Connector
10/100/1000
RJ45 Ethernet
LAN Connector
Serial Digital
Fiber In/Out
(3G/SD/HD)
Serial Digital
In/Out BNC
(3G/SD/HD)
Component
YPbPr and
RGB or
Composite (v1.1)
In/Out
BNC
P/S 1 and P/S 2
Two 3-pin grounded connectors provide AC power to the two independent
power supplies. The supplies are autosensing for 100–240 VAC, 50/60 Hz. Only
one connection is required for operation, but both connectors must be plugged
into AC power for redundant power protection.
AES/EBU Digital Audio
16-Channel, 24-bit AES Input and Output on separate DB-25 connectors (Tascam
pinout, see "Audio Connection Pinouts" on page 108.
Analog Audio Ch.1-8 In/Out
8 channel Balanced Analog Audio Input and Output on separate DB-25
connectors (Tascam pinout, see "Audio Connection Pinouts" on page 108 . Audio
A/D and D/A converters are 24 bit.
External Reference
I/O with looping
BNC connectors.
Use 75-ohm terminator
on unused connector
or downstream equipment.
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RS-422
DB-15 connector reserved for future use.
GPI
The GPI DB-15 connector provides connection to external equipment or circuits
via an isolated TTL-compatible interface. Four GPI inputs and four outputs are
available. See "GPI Pinouts" on page 107.
Using the REMOTE menu group, you can program the actions of the GPI inputs
and outputs individually. Contact closures on the inputs can trigger a wide variety
of FS2 functions. Alarms or loss of video can trigger the GPI outputs.
10/100/1000 LAN
This RJ45 connector provides an Ethernet 10/100/1000 port for connection
directly to a computer or to a LAN through an Ethernet hub or switch.
SDI Fiber In/Out (optional)
Two optional Optical Fiber SFP modules support single- or dual-channel Fiber
Input and/or Output. 3G/HD/SD SDI protocol is supported. Only AJA Optical
Fiber SFP modules are supported—use of other manufacturer’s modules is not
supported and may void warranty.
SDI In/Out
Digital video with embedded audio. Two SDI Input and two SDI Output BNCs. 10
bit 3G/HD/SD SDI is supported.
HDMI In/Out
HDMI In and Out is supported on HDMI connectors. Standard SD and HD video
formats are supported, including support for 8 channel embedded audio. Also
supports standard computer DVI video formats (input via a DVI to HDMI cable).
HDCP (copy protected) HDMI video is not supported.
Component In/Out YPbPr/RGB Video
Component Analog Video is supported on 3x BNCs for Input and Output. Video
A/D and D/A converters are 12-bit and support both SD and HD. YPbPr format
is supported or the outputs can be switched to RGB. Additionally, with v 1.1
firmware composite analog video is supported.
Composite In/Out
Composite NTSC or PAL standard definition Input and Output. Composite Video
A/D and D/A converters are 12-bit.
Ref Loop
The Reference Loop BNCs accept an Output timing reference signal. The
reference can be SD Blackburst or HD tri-level sync. Examples of permissible
reference video input signals:
• 525 Color Black
• 625 Color Black
• 1080i Tri-level Sync
• 720p Tri-level Sync
The 2 BNCs are a passive loop: one BNC is for the Input, and the remaining BNC
can be connected to another piece of equipment in the reference chain or
terminated.
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NOTE: For proper operation the input Reference signal must be stable and properly
terminated using a 75-ohm terminator on either the unused loop connector or
the last piece of downstream equipment to which the Ref Video is connected.
About Inputs and Outputs
To operate the FS2, first select an Output Video Format (In the Video 1 or 2 menu);
then select an Input port. The FS2 will automatically determine the selected input
video format and convert it (if necessary) to the selected Output Video Format.
Any Video or Audio Input can be selected by either Processor 1 or Processor 2,
and either processor’s output can be sent to any output port.
The composite Video Output has a dedicated Downconverter so it can always
display an output even if it is selected to output an AV Processor that is set to
output HD.
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Chapter 3 – Installation & Configuration
Installation Overview
The installation and set up of an FS2 is very simple. Plug both AC supply cords
into AC mains power (separate branch circuits for redundancy), connect the
LAN connector to a LAN, WAN or local computer with a web-browser, and then
connect source and destination video and audio equipment.
Hazard! High Voltage. This situation or condition can cause injury due to electric
shock.
Warning! Do not open the chassis. There are no user-serviceable parts inside.
Opening the chassis will void the warranty unless performed by an AJA service
center or licensed facility
Warning! Disconnect the external AC power supply line cord(s) from the mains
power before moving the unit.
Warning! Do not defeat the safety purpose of the polarized or grounding-
type plug. A polarized plug has two blades with one wider than the other. A
grounding type plug has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If the provided plug does
not t into your outlet, consult an electrician for replacement of the obsolete
outlet.
Warning! Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the point
where they exit from the device.
Warning! Since the Mains plug is used as the disconnection for the device, it must
remain readily accessible and operable.
Warning! Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the point
where they exit from the device.
Warning! To meet safety regulations for leakage current, connect the FS2 dual
power supplies to separate branch circuits.
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Warning! Refer all servicing to qualied service personnel. Servicing is required
when the device has been damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects have fallen into the device,
the device has been exposed to rain or moisture, does not operate normally, or
has been dropped.
Installation Summary
All the steps of installation and configuration are documented in this chapter and
are summarized as follows:
1. Unpack the shipping box, removing the FS2 and two power cords.
2. Install any physical options, such as ber optic I/O modules or Dolby I/O
cards.
3. Mount the physical chassis as desired: front rack, rear rack, or desk mount. If
you are mounting multiple FS2 units, try to place them visually in the same
area so you can use an attached computer to turn on and see the ID LED of
the FS2 you’re communicating with. For physical installation details, see "FS2
Chassis Installation" on page 25.
4. Connect the two FS2 power cords to mains AC. For redundancy, use both
power supplies and connect them to separate branch circuits so that the
FS2 will continue to operate even if a circuit breaker opens on one branch.
5. If you plan to use remote control, connect your computer to the FS2 directly
using an Ethernet cable, or connect both the computer and the FS2 to a
local area network through an appropriate hub or router. Also set the FS2
IP address in the menus, and then use a computer to test (ping) the FS2
over the network connection to verify communication. For details, see
"Networking" on page 26.
6. Install a web browser on the computer, if not already present, for accessing
the FS2 web pages. You can access the pages simply by entering the FS2 IP
address in the browser address eld. See "Web Browser Control" on page 30
for details.
7. Connect the FS2 to system audio and video sources, including VTRs,
monitors, DVD players, video switchers, and audio mixers. For details, see
"System Cabling" on page 32.
8. Test the FS2 with all of your devices to verify everything is working.
Unpacking
Shipping Box Contents
An FS2 chassis is shipped with two AC power cords and any late-breaking news
bulletins (if applicable). Chassis rackmount brackets are provided as part of the
chassis with screws.
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AJA FS2 Panel Chassis
Figure 3. Shipping Box Contents
AC Power Cords (2)
As you unpack the shipping box, carefully examine the contents. Ensure you
received everything and that nothing was damaged during shipment. If you find
any damage, immediately notify the shipping service and supply them with a
complete description of the damage. AJA will repair or replace damaged items.
If you find shipping damage, contact your AJA dealer or distributor for details on
how to have your FS2 repaired or replaced.
NOTE: Save packing materials and the shipping box. If your FS2 ever requires service or
you move your system, use the packaging materials and box for safe shipment.
Installing Optional Fiber Optic I/O Modules
The optional AJA Fiber Optic I/O modules are purchased separately from the FS2.
These AJA fiber modules work with the FS2:
• Single-channel LC connector modules
• Single-channel SC connector modules
• Dual-channel LC connector modules
Caution! Only AJA ber optic I/O option modules may be inserted into the FS2
Fiber slots. DO NOT USE ber modules from other manufacturers; they will
damage the FS2 connectors and circuits..
Install the optional fiber I/O modules by inserting them into the rectangular holes
marked Fiber on the back panel with the electrical connectors facing downward.
Press gently but firmly until the modules seat in the inside connectors. For
additional installation and operation details, see the instructions provided with
the fiber modules.
Installing Optional Cards
Optional cards install in the two option slots on the FS2 circuit board. Access them
by removing the small top cover as explained and illustrated below:
1. Disconnect AC power.
2. Remove the four screws securing the small cover on top of the FS2.
3. Insert the cards into the card-edge connectors on the FS2 circuit board.
4. Insert the two supplied screws (with washers) through the holes in the cards
into the mounting standos. Tighten the screws, being careful not to over
tighten and damage the cards.
5. Replace the small cover and tighten down the screws holding it in place
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Figure 4. Option Card Installation
FS2 Top View
Remove cover screws
Dolby E Encoder
(future) Option Card
Connectors
Dolby E Decoder
Option Card
Dolby Decoder Installation
The v1.1 software release supports Dolby Decoder cards in the right-hand option
card slot. Disconnect AC power, remove the top panel option cover, and install
the card in the right-hand slot as described above.
After installation, access the front panel or browser menus, and set these
parameters as you prefer for the Dolby option:
• System parameters 15, 22.2, 22.3, and 22.4
• Audio 1 and Audio 2 parameters 1.0–1.24
Standoffs
Remove cover screws
FS2 Chassis Installation
Physical Requirements for Mounting the Chassis
You can mount the FS2 chassis in two ways:
• Rackmounting—attach the FS2 (rear or front mounted) to a standard 19-inch
wide equipment rack. The chassis occupies only one vertical rack unit.
• Desktop—lay it on a horizontal at surface.
Chassis Dimensions
When planning the equipment location, consider the chassis dimensions:
• Height—1 rack unit, 1.75 inches (4.5 cm)
• Depth—16 inches (40.65 cm)
• Width—17.5 inches (44.45cm)
• Weight—7.85 pounds, 3.56 kilograms
Cabling and Cooling Requirements
Observe these precautions when placing your FS2:
• Plan adequate space for cable routing from the back of the chassis. Ensure that
cable connectors are not stressed and cables are not bent or crimped.
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NOTE: FS2 units can be stacked vertically without limit as long as there is an adequate
Power Requirements
Networking
• When rack mounting or stacking multiple FS2 chassis, ensure adequate
airspace for cooling around the FS2 units. Note the location of cooling vents
on all equipment next to the FS2 and ensure none are obstructed.
supply of cool air around the FS2 vents.
The FS2 requires the following input voltage and power.
• Input Voltage—Chassis: autosensing 100VAC to 240VAC, 50/60Hz,
fully redundant with both power supplies diode isolated.
• Power Consumption—55 Watts.
You can network the FS2 directly to a laptop or other desktop computer using a
single Ethernet cable (straight or cross-over), or connect it to a local area network
(LAN). In either case, the FS2 connects via its 10/100/1000 Base-TX Ethernet
connector. A LAN is a shared network that includes other Ethernet devices all
attached via a hub or digital switch. LANs may be divided into zones separated by
software or hardware routers. Routers may also be used to connect the LAN to an
outside wide area network (WAN) such as the internet.
Devices on a LAN have IP addresses which may be fixed and permanent or
dynamically assigned by the network (DHCP). When attaching the FS2 to a LAN,
talk to your network administrator to find out how they want it connected (static
IP or DHCP). Your IT department will be able to supply the information you need
to install the FS2 on a LAN.
The following illustration shows a network connection example; your installation
may differ.
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Laptop
& Router
Figure 5. FS2 Network Example, Two FS2s on a LAN, with Laptop for Remote
Control
w/Web Browser
for FS2 Remote
Control
10/100/1000 Base-T
Hub or Switch
WAN/ISP
FS2 Default Network Settings
The FS2 ships from the factory set for DHCP networking, and can be manually
reset to the following default network settings:
IP Address 192.168.0.2
Subnet Mask 255.255.255.0
Gateway 192.168.0.1
Networking Using DHCP or Default Static IP
The FS2 factory default configuration automatically looks for a DHCP server to
issue an IP address. If your network includes a DHCP server, plug the FS2 into the
network and connect with the FS2 as follows:
1. Press the CONFIG button.
2. Turn the SELECT knob to navigate to cong parameter 2.2. Note on a piece
of paper the DHCP-supplied IP address shown.
10/100/1000 Base-T
LAN
Firewall
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3. With your laptop or desktop computer connected to the same LAN as the
FS2 and DHCP enabled, type the IP address you noted into the browser
address eld and press Enter. You should now see the FS2’s browser Status
screen.
If the FS2 cannot get an address from the network DHCP server, the FS2 will
automatically use a preset factory static IP address of 192.168.0.2. You can access
the FS2 using the default static address as follows:
1. Set your computer’s IP address to whatever address you prefer.
2. Set the computer’s Subnet mask to 255.255.255.0 (most PCs default to the
proper netmask when the address is set).
3. Set the gateway address, if used, to match the FS2 default: 192.168.0.1.
Alternatively, change the FS2 gateway address to match your gateway:
A. Press CONFIG, turn SELECT to 2.4 Default Gateway, push and then turn
ADJUST to change the rst group of digits.
B. Turn SELECT to advance to the next set of numbers, and turn ADJUST to set
these numbers.
C. Continue using SELECT and ADJUST to set the full address.
D. When nished, push ADJUST momentarily to save the address.
5. Run a browser on the computer and type “192.168.0.2” (the factory static IP
address). You should now see the FS2’s browser status screen.
When you can access the FS2 screens, see "Chapter 5 Browser Remote Control" on
page 82 for details about configuring the FS2 using a browser.
Networking the FS2 Using Your Own Static IP
If you don’t want to use DHCP or the default static IP address, you can set your
own static IP address:
1. Select the CONFIG button and use the SELECT knob to navigate to
parameter 2.1 IP CONFIG. Use the ADJUST knob to select Static.
2. Turn SELECT to navigate to parameter 2.2 IP ADDRESS. The display shows
the default static IP address: 192.168.0.2.
3. Change the IP address as follows.
A. Push the ADJUST knob momentarily so that the rst octet (set of numbers)
blinks, and then turn ADJUST to change the numbers.
B. Turn SELECT to advance to the next set of numbers, and turn ADJUST to set
these numbers.
C. Continue using SELECT and ADJUST to set the full address.
D. When nished, push ADJUST momentarily to save the address.
5. Turn SELECT to advance to 2.3 Subnet Mask. Use the SELECT and ADJUST
knobs as in the previous step to set the desired subnet mask.
6. Turn SELECT to advance to 2.4 Default Gateway. Use the SELECT and ADJUST
knobs as in the previous step to set the desired gateway address.
7. Run a browser on the computer and type in the IP address you set for the
FS2. You should now see the FS2’s Status screen.
When you can access the FS2 screens, turn to "Chapter 5 Browser Remote Control"
on page 82 for details about configuring the FS2 using a browser.
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Figure 6. Setting FS2 Static IP Address
Using Ping to Test the Network Connection
If you have connected the FS2 to a computer and set up the IP address and still do
not see the FS2 screens in your browser, you can ping the network to verify the
connection. Simply run the Ping utility from a Mac OS X or Windows PC computer
attached directly or on the same LAN as the FS2 as described below:
Mac Ping Procedure
1. Find the Utilities Folder inside of the Applications Folder.
2. Locate the “Terminal” utility application and double-click it.
3. On the FS2, select the CONFIG button and go to parameter menu 2.2 to read
the IP address.
4. At the Mac terminal prompt, enter ping and the IP address noted in step 3.
For example: ping 192.168.0.2
5. If successful, the ping utility will respond that packets were sent, received
and how long it took. For example:
64 bytes from 192.168.0.2: icmp_seq=0 ttl=64 time=0.590 ms
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6. If unsuccessful, check the FS2 network settings and resolve the problem
with your IT administrator.
Windows PC Ping Procedure
1. From the Start button, select the All Programs menu.
2. Select Accessories/Command Prompt from the All Programs list.
3. On the FS2, select the CONFIG button and go to parameter menu 2.2 to read
the IP address.
4. In the PC Command Prompt utility, enter ping and the IP address noted in
step 3. For example: ping 192.168.0.2
5. If successful, the ping utility will respond that packets were sent, received
and how long it took. For example:
64 bytes from 192.168.0.2: icmp_seq=0 ttl=64 time=0.590 ms
6. If unsuccessful, check the FS2 network settings and resolve the problem
with your IT administrator.
Web Browser Control
To control the FS2 from a web browser on a network attached computer, enter
the FS2 IP address as a URL in the browser. For example, if the FS2 IP address were
“90.0.6.31”, you would then type into the web browser: http://90.0.6.31. This topic
is explained in greater detail in Chapter 5: Browser Remote Control.
NOTE: The web UI (browser GUI) will keep up with most changes initiated at the front
panel. However, the web UIweb UI may not reconnect (displays “Disconnected”)
when network changes are initiated at the FS2 front panel. To manually
reconnect, type the new IP address into the browser, or click the browser Refresh
button. Sometimes the browser caches the old FS2 address. If you can’t get the
browser to connect, try clearing the Browser history to clear the cache, and then
enter the new address again.
Software Update Installation
Although the FS2 comes from the factory pre-installed with software, it may not
be as up-to-date as software posted on our AJA website. This topic describes the
steps required to update the software in your AJA FS2.
Download the Latest FS2 Software
Current and past releases of FS2 software are available on the World Wide Web
from AJA’s website. To get the software, point your browser to the FS2 support
page, which will contain helpful FS2 information and links to the updates.
https://www.aja.com/en/products/fs2/#support
Once you’re at the update page, you can select FS2 software files to download to
your Mac or PC for upgrading your local FS2 machine.
IM PORTA NT: FS2 hardware requires differerent fimware, depending on serial number.
See Table 4 on page 31 for compatible firmware versions. Attempts to install
the incorrect version will post a Firmware Failed Verification message on the FS2
webpage.
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Table 4. Compatible Firmware for FS2 Hardware
FS2 Serial Number Range 1FF000500 thru 1FF009999 1FF010000 and up
Firmware Version v2.x.x.x v3.x.x.x
Unpack the Software
FS2 software update files are “ZIP” files that you can open with a number of
standard and third party file compression applications. The software image that
you’ll install on the FS2 is a file with a name like FS2_ver_1.0.0.0.bin or similar.
NOTE: Depending on your PC or Mac operating system settings, the “.bin” extension
may not be visible to you in a file directory.
Uploading and Installing the Software to the FS2
Uploading and installing the software update requires a PC or Mac that can “see”
the FS2 via its Ethernet connection. Follow this procedure to install the software:
1. Point your browser at the FS2’s upgrade page by clicking on the Update
Firmware link at the bottom of the navigation box on the left-hand side of
any FS2 web page.
Figure 7. Update Firmware Browser Screen for 3.x Firmware
Figure 8. Update Firmware Browser Screen for 2.x Firmware
2. Click the Browse... button to nd and select the downloaded le. For
example: FS2_ver_1.0.0.10.bin contained in the le downloaded from AJA.
3. Click OK when asked if you want to Upload Firmware. The le uploads to
the FS2 and is tested for validity. Incomplete, corrupted, or non-FS2 les
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are rejected. Wait for the procedure to complete—it will take only a few
minutes. Progress bars show upload progress.
4. Click Commit Uploaded Firmware when prompted after the upload is
nished. Progress bars show progress as the le is written to ash memory.
5. Click Restart FS2 with New Firmware to restart the FS2. This will take the
FS2 oine for a minute or two. During the restart, progress is shown in the
connection area in the upper right corner of the FS2 Status screen. After
restart, the FS2 will be running the new software.
6. Once these steps are complete, the FS2 will be running the software, and
the Software Version on the Status screen shows the new version number.
Check that the new software is running by bringing up the FS2 web page
again; the software version is displayed at the top of all FS2 web screens. If
the FS2 did not update successfully, run through the update steps again.
NOTE: The configuration of the FS2 prior to the upgrade is preserved. The unit returns to
service exactly as it was before the upgrade.
If there is a power outage or glitch during the software download, the FS2 will
boot the older software version and you can restart the upgrade process. This
happens because the FS2 has been designed with a safety feature where an
internal “safe” copy of the previous software is retained in the event the updating
process fails.
System Cabling
System Video/Audio Cable Connections
When installing your system, you’ll make video and audio input/output
connections. These connectors are explained individually in Chapter 2.
GPI Connections
The FS2 has four GPI inputs and four GPI outputs. The GPI inputs and outputs
are electrically isolated from the power and ground on the FS2 frame. Electrical
isolation is provided for up to four pieces of external equipment.
See "GPI Pinouts" on page 107 for information on how to wire the GPI connector
to work with external devices that you want to use to control the FS2 or that you
want the FS2 to control.
FS2 Audio Level Choices—Pro or Consumer, US or EBU
Since the FS2 handles both digital and analog audio and can convert between the
two, it provides analog and digital audio level settings in the front panel menus
and the remote web browser. Standard practice typically sets the maximum
audio level approximately 20 db above the operating (alignment) level, allowing
enough headroom to handle peaks without clipping. Because different countries
and equipment types use different operating and maximum levels, the FS2 has
several audio level settings. These settings allow you to set the relationship
between the analog and digital audio levels to accommodate the equipment and
audio operating standards you use.
The FS2 offers four settings shown in the following table. The analog audio levels
listed in the table are defined in reference to 0 dBFS (where FS = full scale), which
is the maximum level that can be represented digitally. Note that the test method
for these levels uses a 1kHz sine wave.
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Table 5. FS2 Audio Level Settings
FS2 Audio Setting Meaning
+24 dBu analog = 0 dBFS
maximum audio level
+18 dBu analog = 0 dBFS
maximum audio level
+15 dBu analog = 0 dBFS
maximum audio level
+12 dBu analog = 0 dBFS
maximum audio level
SMPTE standard (US)
With digital audio at the maximum possible level (before clipping), the expected analog
audio input level is +24 dBu, and the output is scaled to this level.
Typically, the US Standard Operating Level is +4 dBu analog or -20 dBFS digital. The FS2 +24
dBu setting allows 20 dB of headroom (+4 to +24 dBu) per the SMPTE RP-155 standard.
EBU standard (EU)
With digital audio at the maximum possible level (before clipping), the expected analog
audio input level is +18 dBu, and the output is scaled to this level
Typically, the EU Alignment Level is 0dBu analog or -18 dBFS digital. The FS2 +18 dBu
setting allows 18 dB of headroom (0 to +18 dBu) per the EBU R68 standard.
German standard
With digital audio at the maximum possible level (before clipping), the expected analog
audio input level is +15 dBu, and the output is scaled to this level.
Consumer equipment
With digital audio at the maximum level (before clipping), the analog audio input level is
+12 dBu, and the output is scaled to this level. These levels are provided for consumer
equipment that outputs lower audio levels than professional equipment.
Consumer audio units are often given in dBV, with +12.2dBu equivalent to +10dBV.
The standard operating level corresponds to -10dBV (-7.8dBu). The FS2 +12dBu setting
provides approximately 20 dB of headroom (+10 to -10 dBV).
Computer Video Formats
The AJA FS2 accepts non-broadcast video input signals with the introduction
of software version 2.0. These signals, known as “computer,” “VESA,” or “DVI”
formats, can be applied to the HDMI input connector. Computer signals applied
to the HDMI input must be digital video signals compatible with single-link
DVI, which covers the range of display sizes from 640x480 (VGA) to 1920x1200
(WUXGA). For a list of accepted computer video formats, please see "Appendix A
Specifications" on page 103.
Note: The FS2 does not accept analog computer video inputs because HDMI
connectors do not have pins assigned for analog signals. The FS2 also does not
accept dual-link DVI inputs.
Physical Connection
To connect a computer video input to the FS2 HDMI connector, use a passive DVIto-HDMI adapter (user supplied). To prevent strain on the FS2 HDMI connector,
AJA recommends that you convert from DVI to HDMI at the video source, such
as the computer display card, and run an HDMI cable from the source to the FS2
input. You can also use a cable adapter that has a DVI connector on one end of
the cable and an HDMI connector on the other. The FS2 HDMI input connector is
a terminating input and does not have a “loop-through” output.
Menu Setup
To enable a computer input in the FS2 menu system, select HDMI as the input
using Video Menu 1 for the Video Processor channel you plan to use. The FS2 will
automatically detect the frame format of the incoming video and scale/convert
the input to the selected output format. You can select the same HDMI input for
both Video Processors and independently convert the input to separate video
output formats.
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Scaling
If the DVI source video frame aspect ratio is not the same as the output video
format frame aspect ratio, the FS2 scales the input frame size based on the
current Upconvert (Video Menu 6) or Downconvert (Video Menu 7) mode
selection.
If the FS2 output format is set to a Standard Definition (SD) format (525i/59.94 or
625i/50), the current Downconvert mode is used to determine the frame scaling
mode.
If the FS2 output format is set to a High Definition (HD) format (anything other
than SD), the current Upconvert mode will be used to determine the frame
scaling mode.
Table 6. Scaling Applied With Downconvert or Upconvert Mode Selected
Downconvert
Mode
Letterbox 4x3 Pillar Scale the input frame until the longer dimension (H or V) touches the output raster
Crop Wide Zoom Scale the input frame until the shorter dimension (H or V) touches the output raster
Anamorphic Full Screen Scale the input frame independently in H and V until both dimensions ll the output
14x9 14x9 Pillar Compromise between Letterbox and Crop modes: some background ll may be
Auto AFD LB to Full When used with “computer format” inputs these modes default to Letterbox / 4x3
Upconvert
Mode
Frame Scaling
edges. The shorter dimension is lled with background video. Maintains the
original pixel aspect ratio.
edges. The longer dimension is cut o (cropped) to t the output frame. Maintains
the original pixel aspect ratio.
raster. No cropping or background ll is required, but the original pixel aspect ratio
may be “stretched” to ll the output raster.
required in the shorter dimension to ll the output raster (but not as much as
Letterbox mode), and some cropping may be required in the longer dimension to
t the output raster (but not as much as Crop mode). Maintains the original pixel
aspect ratio.
Pillar behavior.
Genlocking
The FS2 does not genlock (synchronize) to computer format video inputs.
If a computer video input feeds Video Processor 1 or 2 and the current
Genlock Source (System Menu 8) is set to Vid1 Input or Vid 2 Input, the system
automatically defaults to Free Run mode. You can select Reference as the Genlock
Source and apply a broadcast video signal to the Reference input if you wish to
genlock to video rather than use Free Run mode.
Getting Your Computer Working with the FS2
Getting your computer to work with the FS2 is much like getting your computer
to work with a second monitor. Here’s the recommended procedure:
1. Turn o the computer and the FS2.
2. Connect the computer video output to the FS2 HDMI input.
3. Turn on the FS2 and wait for it to boot completely.
4. Turn on the computer and wait for it to boot completely.
5. In the Windows 7 “Display” Control Panel, navigate to “Screen Resolution,”
and conrm that a second monitor for the FS2 is displayed. Click on the
“FS2” monitor and adjust the settings as desired.
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6. For Mac OS computers, open the System Preferences application, and click
on the “Display” icon (in the Hardware row). Click the FS2 monitor window
and adjust the settings as desired.
Achieving the Highest Output Quality
To achieve the highest quality FS2 video output from a computer input, two
processes must work together: (1) the computer display card must be set to scale
the computer video output to the highest possible resolution and image size, and
(2) the FS2 must be set to convert the computer video to the closest matching
resolution in a broadcast format. If the computer is set for a small video output
format, such as 640x480 VGA, and the FS2 converts that to 1080i, the result is a
scale down by the computer card followed by a scale up in the FS2, causing a
loss of resolution. Your results will be much better if you use a high resolution
computer output and a closely matching FS2 conversion format.
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Chapter 4 – Display Menus
Controlling the FS2 via Front Panel Display Menus
There are three ways to control the FS2: (1) direct control using the front panel
buttons, knobs, and display menus, (2) remote control using a web browser, and
(3) remote control using an optional remote panel. This chapter describes the
first, using the front panel controls, which is the most direct and all-inclusive way
to configure and use an FS2. The other methods are described in subsequent
chapters.
Parameter Menus
The front panel menu display contains four lines. These four lines present
parameter menu “pages” used to configure and operate the FS2.
Each parameter menu page presents the following information:
First line - parameter number and name.
Second line - the editable value or values set for a parameter.
Third line and Fourth Lines - status, legends, or prompts. Not always used.
Figure 9. Four Lines of the Front Panel Display
The FS2 display presents five major types of menu pages:
• Status pages—present status information that cannot be changed.
• Simple parameter menus—contain a parameter number and name on line 1
and its current value setting on line 2. The line 2 value can be changed using
SELECT and ADJUST. Example: Output Format.
• “Take action” parameter menus—contain a parameter number and name
on line 1, and the value to “take” on line 2. A “take” prompt may appear on
line 3. The line 2 value can be changed using SELECT and ADJUST, and the
take or switch to the new value occurs when you press ADJUST momentarily.
Examples: Preset Save/Recall.
• Multi-parameter menus—contain a parameter number and name on line 1
and multiple parameter values on line 2, each of which can be set separately
using SELECT and ADJUST. In order to set all parameters, you must move to
each parameter and set its value individually. Example: Proc Amp (to set Gain,
Black Level, and Hue, you must select three separate parameters).
• Multiple eld parameter menus—contain a parameter number and name
on line 1 and its current value setting on line 2, consisting of multiple letter
or number elds that must each be set individually. The line 2 elds can be
changed using SELECT and ADJUST. Example: IP Address
Menu Group Buttons
You enter a Menu Group whenever you push one of the ten Menu Group
pushbuttons: STATUS, CONFIG, SYSTEM, VIDEO 1, VIDEO 2, REMOTE, REG, OUTPUT,
AUDIO 1, and AUDIO 2. When you push a Menu Group button, the display
changes to the selected menu group and shows the last viewed parameter menu.
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Holding down any button enables coarse adjustment of the current parameter
using the ADJUST knob.
SELECT and ADJUST Knobs
The SELECT and ADJUST knobs operate as follows:
• Scroll menus—Turn SELECT to scroll menus within the selected Menu Group.
• Edit a menu—Stop SELECT on a menu to select it for editing. If multiple values
may be edited, such as an IP address, push ADJUST momentarily and then turn
the SELECT knob to scroll through the values and select one for editing. The
value blinks to indicate it is the one selected.
• Change a value—Turn ADJUST to change a value, number, or letter. Turning
ADJUST forward (clockwise) or backward (counterclockwise) changes the
value up or down, respectively. When you reach the end of the available
values, the list starts over again at the beginning.
• Make a coarse adjustment—Holding down a Menu Group button enables
coarse adjustment using ADJUST for wide-ranging values.
• Undo a change—Push SELECT during value editing to abort the edit and
restore a value to its previous setting, if it has not already been saved.
• Set factory default value—Push and hold ADJUST for 4 seconds to set the
parameter to its factory default value.
• Save changes—Parameter value changes are saved within a few seconds. For
multiple values, such as IP addresses, push ADJUST momentarily (less than 4
seconds) to save or take parameter changes.
Menu Operation Examples
The following examples demonstrate typical menu operation.
Status Pages
These steps explain how to surf the STATUS menus.
1. Press the STATUS Menu Group button.
2. Turn the SELECT knob forward and backward to display the Status pages.
The display scrolls through the pages as you turn the knob. The Status
displays simply show the status of important FS2 operational parameters.
Current Settings
Current Settings
Current Settings
Current Settings
Press STATUS button and
turn SELECT knob to scroll
through Status pages.
Settings cannot be changed.
IN1 SDI1 1080i59
OUT1 525i59 AES/EBU
IN2 SDI2 1080i59
OUT2 525i59 AES/EBU
SELECT ADJUST
Simple Menus: Config Format Alarm Filters
These steps explain how to surf and change simple menus, such as the Power
Supply Alarm Filters.
1. Press the CONFIG Menu Group button.
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2. Turn the SELECT knob to access menu 5 Pwr Supply Alarm. The default
alarm setting is Normal.
3. Turn the ADJUST knob one click clockwise to change the setting to
Suppress, which turns o the alarm so that it will never come on.
4. Turn the SELECT knob clockwise again to access menu 6.1 Vid1 Format
Alarm. Changing menus conrms the new Pwr Supply Alarm setting.
5. Now change the Vid1 setting, using the ADJUST knob.
6. Continue by turning SELECT one click to access the 6.2 Vid2 Format Alarm
setting and again one click to access the 7 Reference Alarm setting. Change
the settings using the ADJUST knob, if you wish.
Press the
CONFIG button
CONFIG
PS Alarm Menu
Current Setting
Labels (none)
Tu rn the ADJUST
knob to change
settings.
Tu rn the SELECT knob to
scroll through parameter
menus.
5 Pwr Supply Alarm
Normal
Multiple Parameter Menus: Video 1 ProcAmp
These steps explain how to surf and change multiple parameter menus, such as
the Vid1 ProcAmp settings.
1. Press the VIDEO 1 Menu Group button.
2. Turn the SELECT knob as necessary to display menu 11.0 ProcAmp.
3. Turn the ADJUST knob to change the value setting from OFF (default) to ON.
Press the
VIDEO 1 button
VIDEO
1
Tu rn SELECT knob to scroll
to menu 11.0 ProcAmp On/Off.
Use ADJUST to turn On. Turn
SELECT again to select/adjust
Gain, Black, Hue, and Sat.
SELECT ADJUST
Parameter Menu
Current Settings
Labels
Change setting
by turning the
ADJUST knob.
11.0 ProcAmp
On
SDI 1 1080i59.94
SELECT ADJUST
4. Turn the SELECT knob clockwise to access menu 11.1 ProcAmp Gain and set
the Gain as desired using the ADJUST knob.
5. Turn the SELECT knob one click clockwise to conrm the setting and
advance to the 11.2 ProcAmp Black menu. Turn ADJUST to set the black
level.
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6. Turn the SELECT knob clockwise again one click to conrm the setting and
advance to the 11.3 ProcAmp Hue menu. Turn ADJUST to set the hue.
7. Turn the SELECT knob clockwise again one click to conrm the setting and
advance to the 11.4 ProcAmp Sat menu. Turn ADJUST to set the saturation.
Multiple Field Parameters: IP Address
These steps explain how to surf and change multiple field parameter menus, such
as the IP Address settings, where there are multiple fields to set within the value.
1. Press the CONFIG Menu Group button. The Cong menus appear.
2. Turn the SELECT knob clockwise to access the 2.1 IP Cong menu. Turn the
ADJUST knob to change the setting to Static Addr. This setting allows you to
manually set the IP address in the following steps.
3. Turn the SELECT knob clockwise one click to access menu 2.2 IP Address.
The current IP address appears on the second line. For example: 10.2.42.8
4. Push the ADJUST knob momentarily to highlight the rst eld, which is the
octet (group of numbers) to the left of the rst period. The numbers blink to
indicate they are ready for editing.
5. Turn the ADJUST knob to change the blinking eld value.
6. Turn the SELECT knob to highlight the next eld, a group of numbers to the
right of the rst period. The eld will blink when they are ready for editing.
7. Turn the ADJUST knob to change the blinking eld value. For coarse
adjustment of wide-ranging values, hold down CONFIG and turn ADJUST.
8. Repeat this process of selecting elds and changing them until all elds
have been changed as desired.
9. Push the ADJUST knob quickly to conrm all settings. Alternatively, you can
scroll counterclockwise back through the elds, stopping on any of them to
change them. They must be blinking before they can be changed.
Select the CONFIG
Menu Group button
CONFIG
Parameter Menu
Current Setting
Push ADJUST to
edit the first field.
Tu rn ADJUST
to change values.
Push again to save.
Tu rn SELECT to scroll to parameter
menu 50.2 IP Address.
When editing params, turn SELECT
to advance fields.
2.2 IP Address
192.168.0.2
SELECT ADJUST
Other Actions
• To begin editing the rst eld in the parameter, push ADJUST momentarily.
• To conrm (save) edits, push the ADJUST knob momentarily again. This saves
the edits and exits the edit mode.
• To undo edits to all of the elds before the changes are conrmed, push the
SELECT knob. This returns all elds to their previous settings.
• To reset the entire parameter to the factory default value, push in and hold
down the ADJUST knob for at least 4 seconds.
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STATUS Menu Group
The Status Menu Group contains a series of Status display pages that you can
scroll using the SELECT knob. The various Status pages are actually just displays,
not menus, since they don’t include menu numbers or editable values. The
ADJUST knob doesn’t affect the Status display pages.
When you press the STATUS button, the display shows the first menu unless there
is an active alarm. If an alarm is active, the relevant alarm status page is displayed
first. If more than one alarm is active, the highest priority alarm page is displayed
first.
NOTE: When displaying video format status, the following convention differentiates
between SMPTE video formats (broadcast) and computer (VESA/DVI) formats
(non-broadcast formats originating from a computer). The SMPTE formats are
shown as height (in lines), scan-format (progressive or interlaced), and framerate, such as 1080i59. The VESA formats are shown as a size only, with an x in the
middle, such as 640x480.
S.1 I/O Status
This menu shows the current primary settings for Processors 1 and 2.
Display Description
IN1 Sel Video Format
OUT1 Sel Video Audio
IN2 Sel Video Format
OUT2 Sel Video Audio
Processor 1 selected video input and detected format.
Processor 1 video output format and selected audio input.
Processor 2 selected video input and detected format.
Processor 2 video output format and selected audio input.
S.2 Vid1 Format Status
This menu shows the current primary settings for Processor 1.
Display Description
VID1 Input Source Format
BKGD Backgd Source
GEN Genlock Source Format
OUT Format
S.3 Vid1 Format Alarm Status
This menu shows the Processor 1 alarm status. Absence of alarm shows as OK. If
selections are incompatible, the status of the affected signal shows incompat.
Display Description
VID1 Input Source Status
BKGD Backgd Source Status
GEN Genlock Source Status
OUT Status
Selected Processor 1 video input source and format.
Selected Background video source.
Selected Genlock source and format.
Selected Processor 1 output format.
Selected Processor 1 video input source alarm status.
Selected Background video source alarm status.
Selected Genlock source alarm status.
Selected Processor 1 output format/alarm status.
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S.4 Vid2 Format Status
This menu shows the current primary settings for Processor 2.
Display Description
VID2 Input Source Format
BKGD Backgd Source
GEN Genlock Source Format
OUT Format
S.5 Vid2 Format Alarm Status
This menu shows the Processor 2 alarm status. Absence of alarm shows as OK. If
selections are incompatible, the status of the affected signal shows incompat.
Display Description
VID2 Input Source Status
BKGD Backgd Source Status
GEN Genlock Source Status
OUT Status
S.6 Output Status
Selected Processor 2 video input source and format.
Selected Background video source.
Selected Genlock source and format.
Selected Processor 2 output format.
Selected Processor 2 video input source alarm status.
Selected Background video source alarm status.
Selected Genlock source alarm status.
Selected Processor 2 output format/alarm status.
This menu shows the video source selected for each of the video outputs.
Display Description
SDI1 Selected Video Processor
SDI2 Selected Video Processor
Fiber1 Selected Video Processor
Fiber2 Selected Video Processor
HDMI Selected Video Processor
Cmpn Selected Video Processor
Cmpn Selected Video Processor
S.7 Power/Temp Alarm
This menu shows the power supply status of the FS2 and the temperature status.
If a power supply is unplugged, the display top line indicates PS OFF or PS Error.
Display Description
PS1 Alarm Status
PS2 Alarm Status
TmpAlarm Status
S.8 Caption Status
This menu shows what type of closed caption data is selected and whether
closed caption data is present on the selected video input.
Selected Processor feeding the SDI 1 output.
Selected Processor feeding the SDI 2 output.
Selected Processor feeding the Fiber 1 output.
Selected Processor feeding the Fiber 2 output.
Selected Processor feeding the HDMI output.
Selected Processor feeding the Component output.
Selected Processor feeding the Composite output.
Displays the state of the PS1 power supply (OK or ERROR).
Displays the state of the PS 2 power supply (OK or ERROR).
Displays a temperature alarm if the FS2 overheats.
Display Description
VID1CC Caption Type & Presence
ViD2CC Caption Type & Presence
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Processor 1 selected caption type (SD/HD/Invalid) and
presence (Detected/Not detected/Pass through).
Processor 2 selected caption type (SD/HD/Invalid) and
presence (detected/not detected/Pass through).
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S.9 Dolby Status
This menu shows the FS2’s Dolby Decoder settings.
Display Description
DolbyDec Status
DolBDecM Status
DolBDAx0 Status
DolBDAxM Status
S.10 Dolby Framer Status
This menu shows the current Dolby Framer status for Processors 1 and 2.
Display Description
Aud1 State Status
Frm1 Status
Aud2 State Status
Frm2 Status
S.11 System Name
Dolby Status: Unknown, NotInstl, DolbyE, DlbyDgtl or PCM.
Dolby Decoder Mode setting: Auto, Dolby E or Dolby D.
Decoder Aux Out setting: Program1 (through) Program8.
Decoder Aux Mode setting: Lt/Rt, Lo/Ro, Mono, Mute.
Processor 1 Audio Dolby E Framer sync: O, On, or Oset. For
On or Oset, shows the selected channel pair.
Processor 1 Audio Dolby E Framer: Locked or Unlocked.
Processor 2 Audio Dolby E Framer sync: O, On, or Oset. For
On or Oset, shows the selected channel pair.
Processor 2 Audio Dolby E Framer: Locked or Unlocked.
This menu shows the FS2’s System Name, IP address and mask, and version
number.
Display Description
System Name
IP addr value
IP Mask value
Version value
REMOTE Menu Group
The REMOTE Menu Group lets you set up how you want the FS2 to be controlled.
Control options include the front panel, a remote computer running a browser,
and GPI inputs and outputs.
NOTE: The Remote Menu Group parameters available on the front panel interact with
the browser parameters available on an attached computer, and vice versa. For
example, the Remote Control parameter can only be changed from the front
panel, and when set to Local Only will deactivate all browser remote control
parameters.
1 Remote Control
This parameter determines whether the FS2panel responds to controls locally
from the front panel, from a network attached computer with a web browser, or
both. The selected mode is indicated by the color of the REMOTE LED.
Displays the System Name as set in Cong menu 1.
Shows the FS2’s IP address.
Shows the FS2’s IP mask.
Shows the FS2’s software version number.
Local + Remote (default)
Local Only
Remote Only
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Control the FS2 from the front panel, a remote control panel, or a
network-attached browser. The REMOTE LED lights amber.
Control the FS2 only from the front panel (browsers cannot change
parameters). The REMOTE LED lights green.
Control the FS2 only from a network attached browser or remote
control panel. The REMOTE LED lights red.
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1.1 Authentication
This parameter enables or disables an authentication login requirement. By
default this parameter is set to Disabled.
When you select Login via the front panel parameter, you must then go to the
browser interface to perform a login each time you access the FS2. The browser
presents the login screen first, requiring you to log in before you can access any
other browser screens. The password is initially set to the default value, but you
can change it using the Remote browser screen.
The default password is password.
NOTE: If authentication is used, it provides only a minimum security safeguard against
unauthorized use of the FS2. The authentication mechanism is simple and does
not provide robust security.
Disabled (default)
Login
2.1– 4 GPI IN 1–4 Response
The setting of this parameter determines what happens when a GPI trigger is
received at the FS2’s GPI Inputs (1–4). A GPI Trigger is defined as a TTL low voltage
level (0 to 0.8V with respect to its isolated ground pin). The GPI interface pinout
and specifications are discussed in"GPI Pinouts" on page 107. Input video sources
selected by GPI trigger remain selected until the trigger is released. GPI Inputs
light the front panel EXT LED when triggered.
No Action (default)
PRESE T 1–10
Vid1 Freeze
Vid1 SDI1 In
Vid1 SDI2 In
Vid1 SDI DLink
Vid1 Fiber1 In
Vid1 Fiber2 In
Vid1 Fbr DLink
Vid1 HDMI In
Vid1 Cmpst In
Vid1 Cmpnt In
Vid1 ARC O
Vid1 ARC LTBX
Vid1 ARC H CP
Vid1 ARC PLBX
Vid1 ARC V CP
Vid1 ARC 14x9
Vid1 DC Crop
Vid1 DC ANA
Vid1 DC 14x9
Vid1 DC Auto AFD
Vid1 DC LTBX
Vid1 UC 4x3 PB
Vid1 UC 14x9 PB
Vid1 UC FLSCR
Vid1 UC LB FUL
Vid1 UC WDZM
Disables the requirement for a login password. No password is
needed.
Login is required via the web browser interface before changes can
be made in FS2 conguration.
Performs no action.
Recalls the specied PRESET conguration.
Freezes the current video frame at its outputs. Freezing stops when the GPI
trigger is released.
Selects SDI1 as the Vid1 video input.
Selects SDI2 as the Vid1 video input.
Selects Dual-Link mode for the SDI input.
Selects Fiber1 as the Vid1 video input.
Selects Fiber2 as the Vid1 video input.
Selects Dual-Link mode for the Fiber input.
Selects HDMI In as the Vid1 video input
Selects Composite In as the Vid1 video input.
Selects Component In as the Vid1 video input.
Turns O SD to SD aspect ratio conversion.
Converts 16:9 anamorphic video to letterbox.
Converts 16:9 anamorphic video to 4:3 standard (H crop—crops left and
right edges of video).
Converts 4:3 standard video to 16:9 anamorphic (pillarbox).
Converts letterbox video to 16:9 anamorphic (V crop).
Converts 16:9 anamorphic video to 14:9 cropped.
Downconverts HD source to cropped 4x3 picture.
Downconverts HD source to anamorphic picture.
Downconverts HD source to 14x9 picture.
Downconverts HD source automatically using the best mode for the input
video Active Format Description (AFD) code.
Downconverts HD source to letterbox picture.
Upconverts SD source to 4x3 pillarbox.
Upconverts SD source to 14x9 pillarbox.
Upconverts SD source to full screen.
Upconverts SD source from letterbox to full.
Upconverts SD source to a wide zoom.
Vid2...
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Repeat the above for Vid2 except that UC Wide Zoom is replaced by Vid2
UC CSTM, which Upconverts an SD source to a user-specied format.
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3.1– 4 GPI 1–4 OUT
The setting of this parameter determines whether certain FS2 events will
generate a GPI trigger output at GPI outputs 1, 2, 3, or 4. The GPI interface pinout
is presented in "GPI Pinouts" on page 107.
No Action (default)
Alarm
No Video 1
No Video 2
No Ref
Does not trigger a GPI output regardless of event.
Generates a GPI out trigger if an internal alarm condition occurs.
Generates a GPI out trigger if no video is detected at the input.
Generates a GPI out trigger if no video is detected at the input.
Generates a GPI out trigger if no video is detected at the Ref input.
Interaction of Presets and GPIs
If you use a GPI input trigger to recall a preset, the recall changes the GPI IN
Response setting to whatever GPI IN Response setting the preset contains. As the
following examples explain, this feature offers both the power of serial recalls and
the possibility of triggering a recall that changes GPI IN Response to something
unintended.
Example of a Serial Recall
The advantage of using GPI IN Response with presets is that you can trigger a
series or even a looping series of preset recalls. For example, suppose GPI IN 1
Response in Preset 1 is set to Preset 2, and GPI IN Response in Preset 2 is set to
Preset 1. Triggering the GPI will toggle between the two presets.
Example of an Unintended Recall
Suppose you trigger GPI IN 1 while the current GPI IN 1 Response parameter is set
to Preset1. This recalls Preset 1 as expected. However, suppose Preset 1 contains
a stored GPI IN 1 Response setting of No Action. If you trigger GPI IN 1 later,
expecting to recall Preset 1 again, the FS2 instead performs No Action. To prevent
unexpected changes in the GPI IN Response parameters, set these parameters as
desired before storing presets; in the example, set GPI IN 1 to Preset 1 before you
store Preset 1.
CONFIG Menu Group
The CONFIG Menu Group includes parameters for setting up the FS2’s network,
system name, SNMP, alarm, and screen saver configurations.
1 System Name
This parameter defines a unique name for the FS2. This same name is used both
when displaying systems via the web interface and when displaying the FS2’s
screen saver.
Variable Set the system name, up to 20 characters. Default: aja-fs2
Name Entry Procedure
Set the name as follows:
1. Push ADJUST momentarily to enter character editing mode.
2. Turn SELECT to advance the blinking cursor to each character.
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3. Turn ADJUST to scroll through the choices for each character. These
characters are allowed: A through Z (uppercase), a through z (lowercase),
numerals, hyphen (-), period (.), and space (blank). Leave the desired
character selected and advance to the next one.
4. Push ADJUST to save and activate the name after all characters are dened.
• To abandon changes before saving, push SELECT.
• To return to the default name at any time, hold down ADJUST.
NOTE: To eliminate trailing characters to shorten an existing system name, overwrite
2.1 IP Config
This parameter determines the type of TCP/IP network configuration used by the
FS2. Consult your network administrator about how to set this value.
them with a hyphen (-) or space.
DHCP (default)
Static Addr
2.2 IP Address
This parameter determines the static IP address used by the FS2 for TCP/IP
networking. Consult your network administrator about how to set this value.
IP Address variable If 2.1 is set to DHCP dynamic addressing (default), the IP Address is set
Octet Value Entry Procedure
Set the octets (numbers between periods) values as follows:
1. Push ADJUST momentarily to enter edit mode.
2. Turn SELECT to select the octet you want to edit, indicated by blinking.
3. Turn ADJUST to enter the new value.
• If you need to revert to the previous setting (undo changes), push SELECT.
4. Push ADJUST momentarily to save and activate the new setting.
• If you want to revert to the default value, hold down ADJUST for 4 seconds.
Select automatic IP address assignment from the LAN DHCP server. If the
FS2 cannot nd a DHCP server, it fails over to the static IP address.
Assign a static IP address manually (using parameters 2.2, 2.3, and 2.4).
The factory default static IP address: 192.168.0.2
automatically by the network’s DHCP server.
If 2.1 is set to Static Addr, manually enter an IP address.
If 2.1 is set to DHCP and there is a DHCP failure, the IP address is set to the
static IP address. The factory default static IP address is 192.168.0.2.
2.3 Subnet Mask
This parameter determines the subnet mask used by the FS2 for TCP/IP
networking. Consult your network administrator about how to set this value.
Subnet Mask variable Enter a subnet mask compatible with your LAN. This is only needed for
Static IP congurations.
If 2.1 is set to DHCP, the Subnet Mask is set by the DHCP server and
cannot be changed by the user.
If 2.1 is set to Default Addr, the default Subnet Mask is 255.255.255.0
2.4 Default Gateway
This parameter determines the gateway or router used on your LAN for TCP/IP
networking. Consult your network administrator about how to set this value.
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Without a properly configured default gateway (whether you have a router/
gateway or not), the FS2 will be unable to see other FS2s on the network,
although you may still be able to control this FS2 via a web browser. Also, without
a proper gateway defined, the discovery feature “Available FS2s—Click to
Refresh” on the Network web page will fail to list other FS2s on the network.
Gateway Address variable Enter the address of the gateway or router used to connect the FS2
3 MAC Address (view only)
Selecting this parameter allows you to view the FS2 MAC address. The MAC
address is a unique value associated with the FS2’s internal network adapter.
MAC addresses are also known as hardware addresses or physical addresses. MAC
addresses uniquely identify an Ethernet adapter on a LAN.
MAC address format: MM:MM:MM:SS:SS:SS
The value is 12-digit hexadecimal, where the first half identifies the manufacturer
and the second half identifies the unique serial number.
SNMP Menu Parameters
The following parameters are used to setup the FS2 SNMP (Small Network
Management Protocol) feature.
• 4.0 SNMP Enable
• 4.1 SNMP Trap Destination 1
• 4.2 SNMP Trap Port1
• 4.3 SNMP Trap Destination 2
• 4.4 SNMP Trap Port2
In addition, the following parameters described below may affect SNMP
messages:
• 5 Power Supply Alarm
• 6.1 Vid1 Format Alarm
• 6.2 Vid2 Format Alarm
• 7 Reference Alarm
Refer to "Chapter 6 SNMP" on page 99 for a description of SNMP and how the
FS2 supports it.
to the network. Default: 192.168.0.1
5 Power Supply Alarm
This parameter controls how the FS2 alarm responds to power supply
disconnection or failure. If the FS2 will be connected using only one power cord
and supply, you can suppress the alarm. Changes to this setting are automatically
saved.
Normal (default)
Suppress
Alarm triggers if either internal power supply experiences a failure or
is disconnected from mains power.
Alarm will not be triggered by a power supply failure or disconnection
from power.
6.1 Vid1 Format Alarm
When set to Normal (default), an alarm is triggered whenever the selected input
video signal format of Video Proc 1 is incompatible with the selected output
format (refer to the matrix of inputs and compatibilities presented in Chapter 2).
If you want the FS2 alarm to only trigger on hardware failures, you can suppress
the Format Alarm. The front panel Vid 1 FMT ERR LED lights when format errors
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are detected even if this parameter is set to Suppress. Changes to this setting are
automatically saved.
Normal (default)
Suppress
6.2 Vid2 Format Alarm
This parameter operates the same as 6.1 Vid1 Format Alarm above, but applies to
the input video signal format of Video Proc 2.
7 Reference Alarm
This parameter controls how the FS2 responds when one of the Video Processors
has a format that is incompatible with the Reference video signal. When set
to NORMAL, the alarm triggers if the Reference signal is not detected or is
incompatible with the processor format. If you want the FS2 Reference alarm to
trigger only on hardware failures, you can suppress the alarm. Changes to this
setting are automatically saved.
Normal (default)
Suppress
NOTE: For proper operation the Input reference signal must be stable and properly
terminated using a 75-ohm terminator on either the unused loop connector or
the last piece of downstream equipment to which the Ref Video is connected.
Alarm triggers if the format of the selected input video signal is
incompatible with the selected output format.
Alarm will not be triggered by a format incompatibility.
Alarm triggers if the reference signal is not detected or is
incompatible with the processor format.
Alarm will not be triggered by reference errors.
8 Hidden Menus
This parameter lets you choose whether to hide or show inactive menus.
Hide Inactive (default)
Show All
9 Screen Saver
This parameter lets you choose the menu screen saver.
On (AJA Logo) (default)
O
System Name
10 Display Intensity
This parameter determines the brightness of the alphanumeric display and front
panel LEDs.
Variable Dim or brighten the alphanumeric display and activity indicator
11 Fan Speed
Hides menus that are not in use.
Shows all menus, even those that are not in use.
AJA logo screen saver is displayed
Screen saver is turned o.
Screen saver displays the system name.
LEDs in steps from 1 (dim) to 8 (brightest).Default: 6
This parameter determines the speed (and sound level) of the FS2’s internal
cooling fans. To prevent system damage, this setting may be overridden
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temporarily, and the fan can be set to a higher speed if the system detects very
high internal temperatures. Changes to this setting are automatically saved
Variable Changes the fan speed in steps from 1 (slow) to 10 (fast).
Default is 10.
12 Serial Number (view only)
This parameter displays the FS2’s unique serial number.
13 Software Version (view only)
This parameter displays the FS2’s software version number.
14 Reboot
This parameter lets you reboot the FS2. Press and hold in both front panel knobs
simultaneously to reboot.
During reboot, the display shows [Rebooting], goes dark momentarily, and then
shows the percentage of progress as the system reboots. Rebooting takes a
couple of minutes.
PRESET Menu Group
The PRESET Menu Group provides the means of saving, editing the names of,
and loading FS2 presets. A preset is a set of all System, Video 1/2, Audio 1/2, and
Output parameters as they were set at the time the preset was stored.
Caution! When you recall a Preset Conguration, the recalled preset immediately
replaces the system’s existing conguration. All previous settings are lost unless
you have previously stored them in another preset conguration or an exported
le.
During recall, the display reads, Recalling until the recall is finished. On recall
completion, the displays shows the success or failure: Recalled, Failed, or Empty. A
failed or empty recall does not recall anything and leaves the FS2 as it was. (Preset
registers are empty until you store something in them.)
During a store, the display reads Storing until the store is finished. On store
completion, the display shows Complete or Failed. A failed store does not store
anything and leaves the preset register as it was. To retry a failed store, turn
SELECT to another preset number and then back to the desired preset number.
1 Factory Preset
This parameter recalls a read-only Factory Preset.
Factory
Recall
Recalls factory values. Push ADJUST momentarily to perform (take)
the recall. The display reports “Loading” and “Complete” during
the recall. User preferences, network settings, and existing Presets
are not aected by recalling the Factory Preset.
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1.1-1.40 Presets #1-#40
These parameters let you recall, edit the name of, and store an FS2 preset
configuration for the selected storage register. Forty storage registers are
available.
Preset #1–#40
[Preset Name]
Recall
Edit Name
Store
Interaction of Presets and GPIs
Triggering presets using GPI inputs offers considerable power but also requires
some care to avoid unexpected results. If you plan to trigger presets using GPIs,
please see the information about the "Interaction of Presets and GPIs" on page 44.
SYSTEM Menu Group
The SYSTEM Menu Group includes parameters for setting up various FS2 system
related features (video formats, audio level standards, etc.
Shows the currently selected preset register number. Turn SELECT
choose the desired register. Then turn ADJUST to choose Recall,
Edit Name, or Store for the selected register.
Shows the name of the selected preset register, which can be
edited.
Recalls that preset. Push ADJUST momentarily to perform (take) the
recall. The display reports “Loading” and “Complete” during the
recall.
Enables editing the name of the preset register. Push ADJUST to
enable editing (blinking character), use the SELECT and ADJUST
knobs to edit the name and then press ADJUST to save the edited
preset register name.
Stores the current set of all System, Video 1/2, Audio 1/2, and Output
parameters to the selected preset register.
1 Component In Format
This parameter configures the format of the Component video input for SMPTE,
Beta, or Composite. Selecting Composite (Y) programs the Component (Y/G)
input to accept a composite signal. In this case, all parameters set to a value
of Component are subject to and influenced by the composite signal on the
Component Y/G input. For example, in the VIDEO menu, setting Video1 Input to
the value of Component, switches the composite signal on the Component Y/G
input into the Video 1 Processor.
SMPTE YPbPr (default)
Beta YPbPr
Composite (Y)
2 Component Out Format
This parameter configures the format of the Component video output for SMPTE,
Beta, RGB, or Composite. Selecting Composite (Y) programs the Component
(Y/G) output to deliver a composite signal. In this case, all parameters set to a
value of Component are subject to and influenced by the composite signal on
the Y/G Component output. For example, in the OUTPUT menu, Component Out,
Congure the Component Video Input source as SMPTE YPbPr. This
is the default for HD component video.
Congure the Component Video Input source as Beta YPbPr
(standard denition).
Congure the Component Video Input source as composite,
providing a second composite input (requires version 1.1
rmware).
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selecting Processor2 will switch the composite signal from Video Processor 2 to
the Component Y/G connector.
SMPTE YPbPr (default)
Beta YPbPr
RGB
Composite (Y)
3 Analog Audio Std
This parameter sets the Analog Audio Input and Output levels of the FS2 with
reference to full scale digital (0 dBFS). Selections range from consumer levels (+12
dBu) to SMPTE professional (+24 dBu).
+24 dBu (default)
+18 d B u
+15 dBu
+12 dBu
NOTE: See Chapter 3 FS2 Audio Level Choices—Pro or Consumer regarding audio levels.
4 SDI1 3G Detect
This parameter configures 3G operation of the SDI 1 video input.
Auto Detect (default)
1080p50/60
Dual Stream
Congure the Component Video Output as SMPTE YPbPr. This is the
default for HD component video.
Congure the Component Video Output as Beta YPbPr (SD).
Congure the Component Video Output as RGB.
Congure the Component Video Output source as composite,
providing a second composite output (requires version 1.1
rmware).
Select +24 dBu as the expected analog audio level.
Select +18 dBu as the expected analog audio level.
Select +15 dBu as the expected analog audio level.
Select +12 dBu as the expected analog audio level.
(Above settings correspond to maximum amplitude–0 dBFS)
Automatically detects presence of 1080p50/60 or Dual
Stream video.
Congures the SDI1 input for 1080p50/60 (single) video.
Congures SDI 1 for Dual Stream 3G video (uses SDI 1 and
SDI 2 in Input Crosspoint matrix).
In Auto Detect mode, the hardware looks for SMPTE 352 Payload ID ANC data on
the video inputs to determine whether there are two independent 1080i signals
(Dual Stream) or a single 1080p50/60 signal. If there is no SMPTE 352 data, the
default is to assume 1080p50/60 (single), but you can manually instruct the FS2
to always assume either 1080p50/60 or Dual Stream by selecting one of those
choices.
In 1080p50/60 mode, the system always assumes that the input is a single
1080p50/60 signal (even if there is SMPTE 352 data to the contrary).
In Dual Stream mode, the system always assumes (even if there is SMPTE 352 data
to the contrary) that the input consists of two multiplexed independent 3G video
streams. The signals are demuxed as shown.
Figure 10. Dual Stream 3G Mode Schematic
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5 SDI2 Input Protect
This parameter allows you to protect Input SDI 2 from being taken by a Dual
Stream selection made with parameter 4 above.
Normal (default)
Dual Stream
In the Normal setting (default), the SDI 2 video signal always comes from the SDI
2 physical input. Choosing Auto Detect or Dual Stream in parameter 4 does not
switch away from the physical input.
In the Dual Stream setting, the FS2 assumes both channels of Dual Stream 3G
video are muxed onto a single wire at the SDI1 input. The SDI 2 video signal
is then taken internally from the SDI 1 Stream 2 signal instead of the SDI2 In
connector.
The following table shows the selections and their results. In the table, SDI1-1 and
SDI1-2 are the two muxed streams entering the SDI1 Input.
4 SDI-3G Detect
Setting
Dual Video Dual Stream SDI1 SDI1-1
Single Video Dual Stream SDI1 SDI1
5 SDI2 Input Protect
Setting
Normal SDI1 SDI1-1
Normal SDI1 SDI1
SDI2 cannot be used by Dual Stream 3G SDI video on SDI Input1.
Allows SDI2 to be used by a Dual Stream 3G SDI input present on
SDI1.
1 Video Input
Setting
SDI2 (unused) SDI1-2
SDI2 SDI2
SDI2 SDI2
SDI2 SDI2
Resulting Input to
Crosspoint Matrix
6 Fiber1 3G Detect
This parameter configures 3G operation of the Fiber 1 video input. The input can
be set for 1080p50/60 (single video), Dual Stream 3G SDI (two muxed videos), or
Auto-Detect whether the input is 1080p50/60 single or Dual Stream 3G video
(requires SMPTE Format ID to be present in the SDI Input). See parameter 4 SDI 1
3G Detect for an illustration and details.
Auto Detect (default)
1080p50/60
Dual Stream 3G
7 Fiber2 Input Protect
This parameter allows you to protect Input Fiber 2 from being taken by a Dual
Stream selection made in 6 Fiber1 3G Format Detect setting.
Normal (default)
Dual Stream
In the Normal setting (default), the Fiber 2 video signal always comes from the
SDI 2 physical input. Choosing Dual Stream video in parameter 6 does not switch
away from the physical input.
Automatically detects presence of 1080p50/60 or muxed video.
Congures the Fiber 1 input for 1080p50/60 video.
Congures Fiber 1 for Dual Stream 3G Video (uses SDI1 and SDI2
in Input Crosspoint matrix).
Fiber 2 cannot be used by Dual Stream 3G SDI video present on
Fiber1.
Allows Fiber 2 to be used by a Dual Stream 3G SDI input
present on Fiber1.
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In the Dual Stream setting, the FS2 assumes both channels of Dual Stream 3G
video are muxed onto a single wire at the Fiber 1 input. The Fiber 2 video signal is
then taken internally from the Fiber 1 Channel 2 signal instead of the Fiber 2 Input
connector.
8 Genlock Source
This parameter selects the source of reference video used to genlock to, either
automatically or explicitly.
Reference (default)
Vid1 Input
Vid2 Input
Free run
NOTE: HDMI can be used as a reference (with SYSTEM 8 Genlock Source set to Vid1 Input
or Vid2 Input), but HDMI is not a valid reference source when the signal on the
HDMI input originates from a VESA-format computer DVI signal.
9 Frame Rates
This parameter selects the HD video frame rate associated with the video
standard.
59.94/23.98 (default)
50/25
60/24
NOTE: Changing the Frame Rates selection automatically selects a new value for 2
Output Format. Each Frame Rates selection remembers its own Output Format
settings.
10 NTSC Standard
This parameter selects the NTSC video standard. This setting only applies when
parameter 9 Frame Rate is “59.94/23.98”.
Use the signal on the Ref connector as the genlock source.
Use the Vid1 input signal as the genlock source.
Use the Vid1 input signal as the genlock source.
Free run mode (FS2 syncs to its own timebase, not locked to an
external source).
Select 59.94/23.98 if your desired rate is either 59.94 or 23.98.
Select 50/25 if your desired rate is either 50 or 25 (PAL).
Select 60/24 if your desired rate is either 60 or 24.
NTSC (default)
NTSC Japan
PAL M
The NTSC standard applies to both the Output video standard, and the expected
Input video standard. The FS2 does not convert NTSC to PAL-M, or vice-versa.
Select NTSC for North America.
Select NTSC for Japan.
Select PAL-M for Brazil.
11 Composite Downconv
This parameter selects the type of Downconversion performed on the incoming
selected HD source input for the analog Composite (NTSC or PAL) video output.
Crop (default)
Anamorphic
14x9
Auto AFD
Letterbox
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Image is cropped to t new screen size.
HD image is converted to full-screen SD with a 16x9 aspect ratio
(anamorphic).
Image is reduced slightly with aspect ratio preserved. Black is added
top and bottom, and the left and right sides are cropped.
Automatically selects the best Downconvert mode based on the input
video’s Active Format Description (AFD) code. If the input video is
not carrying an AFD VANC code, the Downconverter defaults to the
mode specied in parameter menu 16.3 Downconvert AFD Default.
Image is reduced with black top and bottom added to image area,
with the aspect ratio preserved.
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This parameter is used only when the Video Processor feeding the Composite
output (Output parameter 5 Composite Out) is producing HD. If that Video
Processor is producing SD, the Composite Downconverter is not needed, and
the format on the Composite output is the same as seen on the other outputs
(controlled by parameter 7 Downconvert Mode for that Video Processor).
NOTE: Using the Downconverter adds a frame of video delay and causes the analog
Composite output to be one frame behind the other outputs.
12 HDMI RGB Range
This parameter selects the output range for HDMI YCbCr. Full allows a range of
0-255 and SMPTE limits the range to 16 to 235 (see note for details).
YCbCr luminance (Y) channel data ranges nominally between 16 (black) and 235
(white). Values outside of this range are typically clamped to the valid range. This may
cause confusion because JPEG JFIF YCbCr values range between 0 and 255. Mixing
these values causes video contrast shifts. You can avoid these shifts if you maintain
one range of values throughout your system.
Full (default)
SMPTE
14.0 AES/EBU SRC Mode
This parameter controls the mode of the audio sample rate converters for AES/
EBU input audio pairs.
In Manual mode, the sample rate converters are enabled manually for each AES
pair using parameters 14.1 through 14.8.
In Auto mode, the system decides how to handle sample rate conversion. Normal
PCM audio passes through the Sample Rate Converters and gets converted,
as appropriate. AES channels in which the non-audio flag is set in the Channel
Status Word are automatically detected and allowed to bypass the Sample Rate
Converters; the signal passes unaltered and the existing data is preserved.
Auto (default)
Manual
Selects an HDMI luminance output range of 0-255.
Selects an HDMI luminance output range of 16-235.
The signal bypasses the Sample Rate Converters for audio channels
containing a non-audio ag in the Channel Status Word. If the
non-audio ag is not set, the signal passes normally through the
Sample Rate Converters.
The FS2 determines what to do about audio sample rate conversion
on a channel pair-by-pair basis, determined by settings 14.1-14.8.
If a channel pair is set to On, sample rate conversion is applied to
that channel pair. If a channel pair is set to Bypass, the FS2 leaves
embedded audio as is, bypassing sample rate conversion; this
is useful for Dolby® 5.1 embedded audio and other applications
where you do not want sample rate conversion to occur.
14.1–14.8 AES/EBU SRC
This group of parameters controls audio sample rate conversion on AES/EBU
input audio channel pairs 1/2, 3/4, 5/6, 7/8, 9/10, 11/12, 13/14, and 15/16.
When 14.0 AES/EBU SRC Mode is set to Auto, no settings per channel are required;
sample rate conversion occurs normally for all channels unless the non-audio
flag is set in the Channel Status Word, in which case sample rate conversion gets
bypassed and the signal is passed through unaltered.
When 14.0 AES/EBU SRC Mode is set to Manual, each channel pair can be set
manually to On or Bypass. using parameters 14.1–14.8.
On is the default setting in which audio is rate-converted and synced with video
(SRC is applied).
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Bypass is available for use when Dolby® 5.1 and similar schemes need to be
preserved and the audio data passed unaltered (no SRC is applied).
Set these parameters to Manual (14.0)and Bypass (14.1-14.8) only if BOTH the
following items are true:
• You want to pass unaltered digital encoded audio from either an embedded
or AES Input to an embedded and/or AES Output.
• You have the embedded or AES input genlocked to the FS2 output. In other
words, the encoded audio will not survive the frame-sync function (dropping
or repeating frames) so it needs to be set to lock to the input. You can lock
to a reference only if that reference is driving both the FS2 and the upstream
source of the embedded or AES input to the FS2.
On (default)
Bypass
15 Dolby Decoder Input
This menu selects the audio input pair used to feed compressed data to the Dolby
Audio Decoder (option).
Input Pair AES Ch1/2
AES Ch3/4
AES Ch5/6
AE S Ch7/8
AES Ch9/10
AES C h11/12
AE S Ch13/14
AE S Ch15/16
Audio sample rate conversion (SRC) is applied to the aected
channel pairs and keeps the video and audio synchronized.
Audio sample rate conversion (SRC) is NOT applied to the aected
channel pairs. The signal is passed through unaltered, which
is useful for preserving Dolby® 5.1 embedded audio and other
applications where existing data on the input must be preserved
and passed to the output.
SDI 1 Ch1/2
SDI 1 Ch3/4
SDI 1 Ch5/6
SDI 1 Ch7/8
SDI 1 Ch9/10
SDI 1 Ch11/12
SDI 1 Ch13/14
SDI 1 Ch15/16
SDI 2 Ch1/2
SDI 2 Ch3/4
SDI 2 Ch5/6
SDI 2 Ch7/8
SDI 2 Ch9/10
SDI 2 Ch11/12
SDI 2 Ch13/14
SDI 2 Ch15/16
Fiber 1 Ch1/2
Fiber 1 Ch3/4
Fiber 1 Ch5/6
Fiber 1 Ch7/8
Fiber 1 Ch9/10
Fiber 1 Ch11/12
Fiber 1 Ch13/14
Fiber 1 Ch15/16
Fiber 2 Ch1/2
Fiber 2 Ch3/4
Fiber 2 Ch5/6
Fiber 2 Ch7/8
Fiber 2 Ch9/10
Fiber 2 Ch11/12
Fiber 2 Ch13/14
Fiber 2 Ch15/16
16 Dolby Decoder Mode
This parameter determines the Dolby Decoder “Bitstream Detect Mode” on the
Dolby Decoder Card. In Auto mode, the Dolby Decoder decodes Dolby E, Dolby
Digital, or Dolby DigitalPlus bitstreams. If none of the above are detected, the
card passes the incoming audio as PCM.
In Dolby E mode, the Dolby Decoder only decodes Dolby E bitstreams, and mutes
its outputs if it detects anything else.
In Dolby D mode, the Dolby Decoder only decodes Dolby Digital or Dolby
DigitalPlus bitstreams, and mutes its outputs if it detects anything else.
Auto (default)
Dolby E
Dolby D
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Automatically decode Dolby E, Dolby digital, Dolby DigitalPlus,
or PCM.
Decode Dolby E only.
Decode Dolby Digital or Dolby DigitalPlus only.
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17 Dolby Decoder Aux Out
The Dolby Decoder outputs eight channels of decoded audio, plus an additional
Aux output which is a 2-channel (stereo) mixdown of one of the selected Dolby
Programs (1-8). This parameter determines which of the Programs is used for the
Aux mixdown.
In this context, Program is not the same as a physical input channel. To Dolby,
a Program is a related set of audio channels. For example, a 5.1 audio source
requires 6 channels and is considered one Program. Consequently, there may
be a varying number of Programs available on a given Dolby E bitstream. It is
possible to have up to eight Programs on a single bitstream if eight discrete mono
channels were encoded.
Program 1 (default)
Program 2
Program 3
Program 4
Program 5
Program 6
Program 7
Program 8
Set the Dolby Aux Output to a mixdown of Program 1
Set the Dolby Aux Output to a mixdown of Program 2
Set the Dolby Aux Output to a mixdown of Program 3
Set the Dolby Aux Output to a mixdown of Program 4
Set the Dolby Aux Output to a mixdown of Program 5
Set the Dolby Aux Output to a mixdown of Program 6
Set the Dolby Aux Output to a mixdown of Program 7
Set the Dolby Aux Output to a mixdown of Program 8
18 Dolby Decoder Aux Mode
The Dolby Decoder outputs eight channels of decoded audio, plus an additional
Aux output which is a 2-channel (stereo) mixdown of one of the selected Dolby
Programs. This parameter determines how the Aux mixdown is produced. Lt/
Rt produces a stereo mixdown which takes rear surround channels into account
(when available).
Selecting Lo/Ro produces a stereo mixdown using only the front channels, Mono
produces a mono mixdown, and Mute produces full quality, high fidelity silence.
Lt/Rt
Lo/Ro
Mono
Mute
Produces an Aux stereo mixdown including the rear surround
Produces an Aux stereo mixdown using only the front channels.
Produces an Aux mono mixdown.
Produces full quality high delity silence.
channels.
OUTPUT Menu Group
This menu group selects the video and audio outputs that are routed to the rear
panel connectors.
1.1 SDI1 Video Out
This parameter selects which video processor output is sent out the SDI 1 output.
Processor1 (default)
Processor2
Proc1+Proc2
The default is to send the output of Processor 1 to SDI1 Out.
The Proc1+Proc2 selection multiplexes two separate 1.5 Gb HD video signals
from both video processor outputs into a Dual Stream 3G SDI (muxed) output
as illustrated below. This selection will only make valid video if both video
processors are set to output the same HD video format and that format is not
1080p50/60.
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Sends the output of Processor 1 to the SDI1 output.
Sends the output of Processor 2 to the SDI1 output.
Sends multiplexed Proc1 & 2 to the SDI1 output (Dual Stream 3G).
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Figure 11. Dual Stream 3G Output
1.2 SDI2 Video Out
This parameter selects which video processor output is sent to the SDI2 output,
and is similar to"1.1 SDI1 Video Out" on page 55. The default is to send the output
of Processor2 to SDI2 Out.
Processor1
Processor2 (default)
Proc1+Proc2
2.1 Fiber1 Video Out
This parameter selects which video processor output is sent to the optional
Fiber1 output, and is similar to "1.1 SDI1 Video Out" on page 55. The default is to
send the output of Processor 1 to Fiber1 Out.
Processor1 (default)
Processor2
Proc1+Proc2
2.2 Fiber2 Video Out
This parameter selects which video processor output is sent to the optional
Fiber2 output, and is similar to "1.1 SDI1 Video Out" on page 55. The default is to
send the output of Processor 2 to the Fiber2 Output.
Processor1
Processor2 (default)
Proc1+Proc2
3 HDMI Video Out
Sends the output of Processor 1 to the SDI2 output.
Sends the output of Processor 2 to the SDI2 output.
Sends multiplexed Proc 1 & 2 to the SDI2 output (Dual Stream 3G).
Sends the output of Processor 1 to the Fiber1 output.
Sends the output of Processor 2 to the Fiber1 output.
Sends multiplexed Proc 1 & 2 to the Fiber1 output (Dual Stream 3G).
Sends the output of Processor 1 to the Fiber2 output.
Sends the output of Processor 2 to the Fiber2 output.
Sends multiplexed Proc 1 & 2 to the Fiber2 output (Dual Stream 3G).
This parameter selects which video processor output is sent to the HDMI output.
Processor1 (default)
Processor2
Sends the output of Processor 1 to the HDMI output.
Sends the output of Processor 2 to the HDMI output.
4 Component Out
This parameter selects the video processor output to be sent out the Component
analog output.
Processor1 (default)
Processor2
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Sends the output of Processor 1 to the Component output.
Sends the output of Processor 2 to the Component output.
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5 Composite Out
This parameter selects the video processor output to be sent out the Composite
analog output. If an HD output is sent to the Composite Output, a separate
Downconverter dedicated to the Composite Output will provide an SD output.
Processor1 (default)
Processor2
6 HDMI Audio Out
This parameter selects which audio processor output channels (1–8 or 9–16) are
embedded in the HDMI output. The Audio Processor associated with the selected
Video Processor for the HDMI output is used as the audio source (Video Proc 1 =
Audio Proc 1, Video Proc 2 = Audio Proc 2); this parameter selects which channels
of that source are embedded.
Channels 1-8 (default)
Channels 9-16
7 AES/EBU Audio Out
This parameter selects the audio processor output to be sent out the AES/EBU
digital audio output.
Processor1 (default)
Processor2
8 Analog Audio Out
This parameter selects which group of channels (1–8 or 9–16) from which audio
processor output (1 or 2) will be sent to the Analog Audio output.
Sends the output of Processor 1 to the Composite output.
Sends the output of Processor 2 to the Composite output.
Selects audio channels 1-8 to embed in the HDMI output.
Selects audio channels 9-16 to embed in the HDMI output.
Selects Audio Processor 1 output to send to the AES/EBU output.
Selects Audio Processor 2 output to send to the AES/EBU output.
Audio1 Ch1-8 (default)
Audio1 Ch9-16
Audio2 Ch1-8
Audio2 Ch9-16
9.1 SDI1 3G Config
The SDI13G Config parameter determines how 1080p50/60 signals are formatted
for the SDI 1 output. The first two choices select either “Level A” or “Level B” as
described in the SMPTE 425 standard. The third selection ties SDI 1 Out and SDI
2 Out together into a single 1.5 Gb Dual-link 1080p50/60 output. In this case, the
SDI2 Video Out and SDI2 Audio Out selections are ignored.
3 Gb-Level A (default)
3 Gb Level-B
1.5 Gb Dual Link
9.2 SDI2 3G Config
The SDI2 3G Config parameter determines how 1080p50/60 signals are formatted
for the SDI 2 output. The two choices select either “Level A” or “Level B” as
Sends Audio Proc1 output Ch1-8 to the Analog Audio output.
Sends Audio Proc1 output Ch9-16 to the Analog Audio output.
Sends Audio Proc2 output Ch1-8 to the Analog Audio output.
Sends Audio Proc2 output Ch9-16 to the Analog Audio output.
Formats 3G SDI Output as Level A.
Formats 3G SDI Output as Level B.
Formats SDI 1 and SDI 2 as 1.5Gb “Dual Link.”
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described in the SMPTE 425 standard. (If the SDI1 selection is Dual Link, these
SDI2 settings are ignored because the SDI 2 output is used for dual link.)
3 Gb-Level A (default)
3 Gb-Level B
10.1 Fiber1 3G Config
The Fiber1 3G Config parameter determines how 1080p50/60 signals are
formatted for the Fiber 1 output. The first two choices select either “Level A” or
“Level B” as described in the SMPTE 425 standard. The third selection ties Fiber 1
Out and Fiber 2 Out together into a single 1.5 Gb Dual-link 1080p50/60output. In
this case, the Fiber2 Video Out and Fiber2 Audio Out selections are ignored.
3 Gb-A (default)
3 Gb-B
1.5 Gb Dual Link
10.2 Fiber2 3G Config
The Fiber2 3G Config parameter determines how 1080p50/60 signals are
formatted for the Fiber 2 output. The two choices select either “Level A” or “Level
B” as described in the SMPTE 425 standard. (If the Fiber1 selection is Dual Link,
these Fiber2 settings are ignored because the Fiber 2 output is used for dual link.)
3 Gb-Level A (default)
3 Gb-Level B
Formats 3G SDI Output as Level A.
Formats 3G SDI Output as Level B.
Sends 3 Gb format A 1080p 50/60 to the Fiber1 output.
Sends 3 Gb format B 1080p 50/60 to the Fiber1 output.
Sends dual-link 1.5 Gb 1080p 50/60 to the Fiber1 and Fiber2
outputs. The signals and outputs are tied together.
Formats 3G SDI Output as Level A.
Formats 3G SDI Output as Level B.
VIDEO 1 and VIDEO 2 Menu Groups
The following descriptions explain the Video 1 and 2 Menu Groups. Because the
selections for the video processors are identical, both are described here.
Video Input and Output
This parameter performs input video source selection for the selected Video
Processor (1 or 2). Multiple input sources are available at the connectors on the
FS2 rear panel, but the active input source routed to the selected Video Processor
is the one you select here.
1 Video Input
SDI1 (default)
SDI2
SDI DualLink
Fiber1
Fiber2
Fiber DualLink
HDMI
Composite
Component
Source Memory
Select SDI1 as the input source.
Select SDI2 as the input source.
Select SDI DualLink, linking both SDI inputs as the input source.
Select Fiber1 as the input source.
Select Fiber2 as the input source.
Select Fiber DualLink, linking both Fiber inputs as the input sources.
Select the HDMI input as the input source.
Select Composite as the input source.
Select Component as the input source.
Changing the Video Input selection automatically selects new values for Proc
Amp parameters (11.1 through 11.4) and Color Corrector (RGB) parameters
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(12.0 through 12.9). Each video source remembers its own Proc Amp and Color
Corrector settings. This is referred to as Source Memory.
Audio Source Memory
If AUDIO 3 Audio Follow Video is set to On, changing the Video Input selection
will also automatically select new values for all audio parameters associated with
Audio Follow Video (see the list provided in the description of parameter AUDIO 3
Audio Follow Video). Audio Source Memory is enabled only when AUDIO 3 Audio
Follow Video is set to On.
Dual Link
Dual Link referred to here is 1080p50/59.94 on two 1.5 Gb HD-SDI connections.
Selecting Dual Link as the Video Input for Video Processor 1 or 2 will allocate both
SDI Inputs for Dual Link use. Both Processors can use the Dual Link Input, or if only
one Processor is using it, the other Processor is free to select another input. The
Fiber inputs operate the same way.
2 Output Format
This parameter defines the output format of the Video Processor (1 or 2). Available
choices depend on the frame rate selection. The frame rate is set by the Frame
Rates parameter (System menu 9).
Follow INPUT (default)
Follow REF
525/625<frame rate>
720p<frame rate>
1080i<frame rate>
1080PsF<frame rate>
1080p<frame rate>
2K1080p<frame rate>
Follow the format of the selected input.
Follow the format of the reference input (Ref).
Select 525/625 SD as the Video Processor output.
Select 720p HD as the Video Processor output.
Select 1080i HD as the Video Processor output.
Select 1080PsF HD as the Video Processor output.
Select 1080p HD as the Video Processor output.
Select 2K1080p HD as the Video Processor output.
Output Format Selection Constraint
Available frame rates depend on System 9 Frame Rates parameter setting.
Output Timing Memory
Changing the Output Format selection automatically selects new values for H & V
timing parameters (14.1 Output Timing H, 14.2 Output Timing V and 14.3 Analog
Output Fine). Each Output Format mode remembers its own H and V timing
settings.
Output Format Mapping
The Output Format selection is remembered for each of the frame rates. If you
change the frame rate selection, the Output Format associated with the newly
selected frame rate is recalled.
2K1080p Audio
The FS2 does not support embedded audio output for the following formats:
• 2K1080p 29.97 or 2K1080p 30
• 2K1080p 59.94 or 2K1080p 60 when 3G Cong is set to 3 Gb Level B or 1.5 Gb
DualLink.
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3 Video Output Mode
The parameter sets the final video output of the Video Processor to normal
video or the test pattern generator. Alarms occur if conflicting video formats are
selected.
Normal (default)
Tes t Pat tern
Background Fill
This parameter selects the background source used to fill any part of the
processor output raster not filled with video from the main input video. For the
Video Processor 1 menu, the second selection is Video 2. For the Video Processor
2 menu, the second selection is Video 1. Using this feature, you can key Video 2
into Video 1 or vice versa
4 Background Fill
Black (default)
Video 1/2
Matte
Loss of Input
This parameter selects the automatic action that occurs if the video input is lost.
The Black selection (default) cuts the video to black. The Freeze selection freezes
video on the last available good frame.
Normal video output from the processors.
The output of the test pattern generator.
Selects black as the background ll video.
Selects Vid1 or Vid2 as the background ll video.
Selects matte as the background ll video.
5 Loss of Input
Black (default)
Freeze
Switches to black if input video is lost.
Freezes on the last available good video frame if input is lost.
Upconvert and Downconvert
These parameter select the type of Upconversion the Video Processor performs
on the selected SD source input. They are in effect only when the input is SD
(525i or 625i) and the selected output format is HD (720p, 1080i, or 1080p), or
when the input is HD (720p, 1080i, or 1080p) and the output is 2K (2048 x 1080).
When upconverting to 2K, the selections do not precisely describe the resulting
picture. For example, 4x3 pillar is not precisely 4x3, and 14x9 is not precisely 14x9.
However, picture scaling is such that the visual effect closely resembles an SD-toHD upconvert.
6 Upconvert Mode
4x3 Pillar
14x9 Pillar (default)
Full Screen
LB to Full
Wide Zoom
Results in 4x3 image at center screen with black sidebars.
Results in 14x9 image, zoomed slightly to ll a 14x9 image with black
sidebars.
Anamorphic full screen display.
Image is zoomed to t the full screen (letterbox).
Using a combination of zoom and stretch, the image is sized to t a
16x9 screen (this can introduce a small aspect ratio change).
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Upconvert Illustrations
4:3 Upconverts To These displays on 16:9
4
Full Screen
3
4:3 Pillar
LB to Full
14:9 Pillar
16
9
Wide Zoom
7 Downconvert Mode
This parameter selects the type of Downconversion performed by the Video
Processor on the selected HD source input. See the following Downconvert
Illustrations for Downconversion examples. This parameter is in effect only when
the input is HD (720p, 1080i, or 1080p) and the output format is SD (525i or 625i),
or when the input is 2K (2048 x 1080)and the output is HD (720p, 1080i, or 1080p).
When downconverting from 2K, the selections do not precisely describe the
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resulting picture. For example, 14x9 is not precisely 14x9. However, picture scaling
is such that the visual effect closely resembles an HD-to-SD downconvert.
Crop (default)
Anamorphic
Image is cropped to t new screen size.
HD image is converted to full-screen SD with a 16x9 aspect ratio
(anamorphic).
14:9
Image is reduced slightly with aspect ratio preserved. Black is added
top and bottom, and the left and right sides are cropped.
Auto AFD
Automatically selects the best Downconvert mode based on the
input video’s Active Format Description (AFD) code. If the input
video is not carrying an AFD VANC code, the Downconverter
defaults to the mode specied in parameter menu 16.3
Downconvert AFD Default.
Letterbox
Image is reduced with black top and bottom added to image area,
with the aspect ratio preserved.
Active Format Description (AFD) codes are carried in the vertical ancillary
(VANC) portion of HD SDI video signals, specified in SMPTE 2016 as follows: “AFD
information is intended to guide DTV receivers and/or intermediate professional
video equipment regarding the display of video of one aspect ratio on a display
of another aspect ratio.”
In the FS2 Downconverter, the AFD code on the video input can be used to guide
the Downconverter in choosing which mode to use to best display the important
content of the input 16:9 HD video on the 4:3 SD output. For example, if the input
AFD code is 10 (Full Frame), it means that the input video has important picture
information throughout the full 16:9 frame, so the Downconverter should use
Letterbox mode to be sure none of the content is cropped off. An AFD code of 9
(Pillarbox) says that the input video only has content within the center 4:3 area of
the picture (usually because it originally came from an Upconverted SD signal) so
the Downconverter Crop mode would be the best choice. There are 16 possible
HD AFD codes, of which 8 are in common use. The FS2 does not process or use SD
AFD codes.
FS2 AFD processing (passing, removing, and re-inserting) occurs based on the
setting of parameters 7, 5.4, 16.1, and 16.2.
Auto AFD mode fully defines the size, position, and aspect ratio of the output
raster. Thus, when in Auto AFD mode (Output Format set to an SD format, with
an HD video input, and Downconvert Mode set to Auto AFD), any Custom Size/
Pos settings are ignored, and those menus (13.0 - 13.8) are hidden. Likewise, when
in Auto AFD mode, any Region Of Interest settings are ignored, and those menus
(14.0 - 14.4) are hidden.
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Downconvert Illustrations
16:9 Downconverts To These displays on 4:3
16
9
4
Letterbox
3
Crop
Anamorphic
14:9
Aspect Ratio
This parameter selects the type of SD-to-SD Aspect Ratio Conversion (ARC)
performed on an incoming selected SD source. This parameter is in effect only
when the input and output are both SD (525i or 625i). (In Europe 16:9 anamorphic
video is also known as “wide screen” video.)
8 SD Aspect Ratio Convert
O (default)
Letterbox
H Crop
Pillarbox
V Crop
14:9
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Turns aspect ratio conversion O.
Converts 16:9 Anamorphic video to Letterbox video.
Converts 16:9 Anamorphic video to 4:3 Standard video (crops left
and right edges of video).
Converts 4:3 Standard video to 16:9 Anamorphic video.
Converts Letterbox video to 16:9 Anamorphic video.
Converts 16:9 Anamorphic video to 14:9 Cropped video.
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SD Aspect Ratio Conversion Illustrations
4:3 Converts To These displays on 4:3
4
3
Off
(no conversion)
Letterbox
H Crop
Pillarbox
V Crop
14:9
Sidebars
The parameter, which is hidden if 3 Video Output is not set to Sidebars, adjusts
the sidebar position where the center video meets the pillarbox background
video on both sides. The underlying hardware feature is the same as Custom
Right Crop and Custom Left Crop. This is effectively an extra handle on the Left
Crop and Right Crop parameters.
The Crop and Sidebar Edge controls are additive; increasing Sidebar Edge
(making the sidebars larger and the center-video smaller), equates to setting Left
and Right Crop values to smaller percentages. The Sidebar Edge can be set to 0
through +128. A value of 0 produces a 4:3 center. Positive values produce wider
sidebars (and a narrower center).
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9 Sidebar Edge
0 (default)
0 to +128 (Variable)
Matte of Background Fill
10.1 Matte Luma
This parameter determines the Matte Luma level of the background fill.
50% (default)
0–100% (Variable)
10.2 Matte Chroma
This parameter determines the Matte Chroma level of the background fill.
50% (default)
0–100% (Variable)
10.3 Matte Hue
This parameter determines the Matte Hue of the background fill.
Defaults to 0. Select a width value from 0 through +128 to expand
or shrink the sidebars, which are lled with Background video (4
Background Fill). Selecting a larger value causes the center picture
to become narrower while the sidebars expand.
Sets the matte luminance level to the default 50% value.
Sets the matte luminance level from 0–100%.
Sets the matte chrominance level to the default 50% value.
Sets the matte chrominance level from 0–100%.
0 degrees (default)
0–359 degrees (Variable)
NOTE: On the FS2 front panel, as you turn the Matte Hue ADJUST knob the values wrap
from 359 back to 0 degrees.
Proc Amp Controls (YUV)
11.0 Proc Amp (YUV)
This parameter turns the Proc Amp On and Off for signals composed of YUV
components. When it is On, you can set additional parameters (11.1 to 11.4) to
control video Gain, Black Level, Hue, and Saturation. Proc Amp parameter settings
are independently kept for each separate input: SDI 1, SDI 2, Fiber 1, Fiber 2,
Composite, HDMI, and Component.
O (default)
On
Source Memory
Independent analog output timing values are kept for all available output
formats.
Sets the matte hue to the default 0 degrees (red).
Sets the matte hue to a value between 0 and 359 degrees.
Sets the YUV Proc Amp to O.
Sets the YUV Proc Amp to On.
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11.1 Proc Amp Gain
This parameter adjusts the video gain from 0 to 1.5 times luma in 0.01 steps
Variable Adjusts Proc Amp Gain from zero to 1.5 in.01 steps.
Default (unity): 1.0
11.2 Proc Amp Black
This parameter adjusts the video black level from -20 IRE to +20 IRE in 0.5 steps.
Variable Adjusts Proc Amp Black level from -20 IRE to +20 IRE in 0.5 steps.
Default (unity): 0 IRE
11.3 Proc Amp Hue
This parameter adjusts the video color hue through 360 degrees (color wheel) in
1 degree steps.
Variable Adjusts Proc Amp Hue from -179 to +180 in steps of 1 degree.
Default (unity): 0 degrees
11.4 Proc Amp Sat
This parameter adjusts the video color saturation from black and white to 1.5
times chroma in steps of 0.01.
Variable Adjusts Proc Amp Saturation from 0 (black & white) to 1.5 (Chroma)
Color Corrector (RGB)
12.0 Color Corrector (RGB)
This parameter turns the RGB Color Corrector On and Off. When it is On, you can
set additional parameters (12.1 to 12.9) to control RGB video Gain, Black Level, and
Gamma. When set to Off, all RGB Color Corrector settings are programmed for
unity (or bypass).
O (default)
On
Source Memory
RGB Color Corrector values are independently kept for each separate input: SDI 1,
SDI 2, Fiber 1, Fiber 2, Composite, HDMI, and Component.
in steps of 0.01. Default: 1.0
Sets the RGB Color Corrector to O.
Sets the RGB Color Corrector to On, enabling parameters 12.1-12.9.
12.1 Color Red Gain
This parameter adjusts the RGB Red Gain.
Variable Adjusts Red Gain from zero to 1.5 in 0.01 steps.
Default (unity): 1.0
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12.2 Color Red Black Level
This parameter adjusts the RGB Red Black level.
Variable Adjusts Red Black level from -20 IRE to +20 IRE in 0.5 steps.
Default (unity): 0 IRE
12.3 Color Red Gamma
This parameter adjusts the RGB Red Gamma.
Variable Adjusts Red Gamma level from -1.0 to +1.0 in 0.01 steps.
Default (unity): 0
12.4 -12.6 Color Green
This set of parameters adjusts the Gain, Black Level, and Gamma for color Green,
same as Color Red described above.
12.7-12.9 Color Blue
This set of parameters adjusts the Gain, Black Level, and Gamma for color Blue,
same as Color Red described above.
Custom Conversion Settings
The custom settings determine the image size and shape for Upconvert and
Downconvert modes 6 and 7 if you choose the Custom selection for those modes.
Custom settings are stored separately for each Conversion Mode. Values for each
of the Upconvert modes, Downconvert modes (excluding AFD), and SD Aspect
Ratio modes (excluding OFF), plus no conversion (or HD CrossConvert), are
independently stored (per Vid Proc).
NOTE: If a Custom Setting parameter is not unity (100%) for the current mode, the front
panel UFC LED lights.
13.0 Custom Size/Pos
This parameter turns custom image settings 13.1–13.8 On or Off.
On the front panel, when Hide Inactive is on, the Custom controls 13.1–13.8
are only displayed when Custom Size/Pos is On. When Custom Size/Pos is Off,
parameters 13.1–13.8 are skipped in the menu system, and the UFC hardware is
programmed for unity.
This menu is also not displayed when Active Format Description (AFD) is in
control of the Conversion Mode. While downconverting, with Downconvert Mode
set to Auto AFD, any values assigned for Custom Size/Pos parameters are ignored,
and the menus are hidden.
O (default)
On
Sets this parameter and related custom size/pos parameters to o.
Enables this parameter and related custom size/position parameters.
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13.1 Custom Size
This parameter changes the H and V size of the output picture by the specified
percentage (%) while maintaining the current aspect ratio.
100% (default)
10% to 200%
Maintains 100% picture size for the selected format.
Enables changing the picture size.
13.2 Custom Aspect
This parameter changes the H/V aspect ratio of the output picture while
maintaining the current V size (Aspect < 0) or H size (Aspect > 0).
0.000 (default)
-0.500 to +0.500
Maintains the normal 100% aspect ratio for the selected format.
Enables changing the aspect ratio.
13.3 Custom H Position
This parameter changes the H position of the output picture.
0% (default)
-100% to +100%
Maintains the normal horizontal position of the selected format.
Enables changing the horizontal position.
13.4 Custom V Position
This parameter changes the V position of the output picture.
0% (default)
-100% to +100%
Maintains the normal 100% vertical position of the selected format.
Enables changing the vertical position.
13.5 Custom Left Crop
This parameter changes the Left picture crop position.
100% (default)
+10. 0 % to +100.0 %
Maintains the normal left side position of the selected format.
Enables changing the left side position.
13.6 Custom Right Crop
This parameter changes the Right picture crop position.
100% (default)
+10. 0 % to +100.0 %
Maintains the normal right side position of the selected format.
Enables changing the right side position.
13.7 Custom Top Crop
This parameter changes the Top picture crop position.
100% (default)
+10. 0 % to +100.0 %
Maintains the normal top position of the selected format.
Enables changing the top position.
13.8 Custom Bottom Crop
This parameter changes the bottom picture crop position.
100% (default)
+10. 0 % to +100.0 %
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Maintains the normal bottom position of the selected format.
Enables changing the bottom position.
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Region of Interest (ROI)
The Region of Interest parameters (14.0–14.4) select a portion of the input picture
that will be used for scaling and/or positioning. This feature can be useful for
focusing in on computer video that is less than full screen, such as the contents
of a movie player window. The selected area can then be scaled to a standard
pillarbox or letterbox size and shape (On Square), or it can be set to a full screen
input image (On Full).
NOTE: On Full may cause image distortion if it is used to expand an odd-shaped region
of interest to full screen.
The ROI Setup mode allows you to preview the edges of your selected Region Of
Interest as you set it up. After selecting the desired region using the Setup Cursor,
you can take the region to air by setting Region Of Interest to On Square or On
Full.
Note that the Setup mode is not required to operate the ROI feature. The edges of
the Region Of Interest can also be adjusted while in On Square or On Full modes
14.0 Region of Interest
This parameter turns the Region of Interest settings On or Off. When enabled, the
ROI Left, Right, Top, and Bottom controls (14.1–14.4) define the rectangular shape
and position of the ROI.
O (default)
Setup
On Square
On Full
Interactions occur between ROI settings and other parameters:
• The Region of Interest menu is not displayed when Active Format Description
(AFD) is in control of the Conversion Mode. While downconverting, with
Downconvert Mode set to Auto AFD, any values assigned for Custom Size/Pos
parameters are ignored, and the menus are hidden.
• Custom Size and Position settings work interactively with ROI, but Custom
Crop settings are disabled. Custom Size/Pos is also temporarily disabled while
in the ROI Setup mode.
Turns o the ROI feature.
Enables ROI cursor.
Enables ROI and sets video to a pillarbox or letterbox shape.
Enables ROI, and expands the ROI area to full screen.
14.1 ROI Left
This parameter sets the left boundary of the ROI when parameter 14.0 is on.
Variable (default=100%) Sets ROI left boundary to 10-100% of full screen in 0.1% increments.
For 1% increments, hold down the Video button.
14.2 ROI Right
This parameter sets the right boundary of the ROI when parameter 14.0 is on.
Variable (default=100%) Sets ROI right boundary to 10-100% of full screen in 0.1% increments.
For 1% increments, hold down the Video button.
14.3 ROI Top
This parameter sets the top boundary of the ROI when parameter 14.0 is on.
Variable (default=100%) Sets ROI top boundary to 10-100% of full screen in 0.1% increments.
For 1% increments, hold down the Video button.
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14.4 ROI Bottom
This parameter sets the bottom boundary of the ROI when parameter 14.0 is on.
Variable (default=100%) Sets ROI bottom boundary to 10-100% of full screen in 0.1%
Timing and Delay
These parameters adjust Video Processor horizontal and vertical output timing in
reference to the genlock source already selected, and permits adding up to 6 full
frames of output delay.
NOTE: Unlike most knob-adjustable parameters, on the front panel menu this
parameter automatically wraps around from the maximum value to 0 (and vice
versa).
Output Timing Memory
Independent horizontal and vertical timing values are kept for all available output
formats.
15.1 Output Timing H
increments. For 1% increments, hold down the Video button.
When adjusting the horizontal timing (H), this parameter specifies a number of
pixels to offset, from zero to full line width. Adjustment range increments from
0 to the width of the line in pixels. The maximum value varies, depending on the
format already chosen.
Variable Adjustment range increments from 0 to the width of the line in pixels.
15.2 Output Timing V
When adjusting the vertical timing (V), this parameter specifies a number of lines
to offset, moving the screen up to a half a frame up or down.
Variable Adjustment range increments from half a frame up to a half a frame
15.4 Extra Frame Delay
This parameter adjusts Video Processor output timing.
Variable Adjustment output timing from 0 to 6 frames down in one frame
Video Legalizer
The maximum varies, depending on the format chosen. Default: 0
down in single line increments. The maximum varies, depending on
the format already chosen. Default: 0
increments. Default: 0
These parameters allow adjustment of signal levels to meet legal broadcast
requirements.
16.0 Video Legalizer
This parameter determines the Video Legalizer mode. When set to Off, the Video
Legalizer is not enabled, and the following clip controls are not active. In YUV
mode, the White Clip, Black Clip, and Chroma Clip controls are enabled and clip
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any luma/chroma that exceed the set limits. In RGB mode only the White Clip and
Black Clip controls are active and limit the R, G, and B values to those settings.
RGB mode requires the video to pass through the RGB Proc Amp to be converted
to and from RGB.
O (default)
YUV
RGB
Disables the Video Legalizer.
Enables the Video Legalizer to clip YUV to legal levels.
Enables the Video Legalizer to clip RGB to legal levels.
16.1 Legalizer White Clip
When the Video Legalizer mode is YUV or RGB, this parameter limits the white
level so that it does not exceed the adjusted limit. Limit can be set from +80 IRE to
+120 IRE.
Variable Adjusts white clip level from +80 IRE to +120 IRE in 0.5 steps.
Default (unity): 100 IRE
16.2 Legalizer Black Clip
When the Video Legalizer mode is YUV or RGB, this parameter limits the black
level to the adjusted limit. Limit can be set from -10 IRE to +20 IRE,.
Variable Adjusts black level limit from -10 IRE to +20 IRE in 0.5 steps.
Default (unity): 0 IRE
16.3 Legalizer Chroma Clip
When the Video Legalizer mode is YUV, this parameter limits the maximum
chroma level to the adjusted limit. The limit can be set from +60% to +140%,.
Variable Adjusts chroma clip level from +60% to +140% in 0.5 steps.
AFD
These parameters determines if and where the Video Processor will insert
a SMPTE 2016 Active Format Descriptor (AFD) packet into its output video.
The inserted AFD code does not affect the Video Processor’s up/down/cross
conversion, but it may affect downstream video processing if the signal is
Downconverted.
NOTE: AFD codes are only inserted into HD video outputs.
17.1 AFD Out SDI 1/2
These determines whether the Video Processor inserts an ADF packet into the
output video.
OFF
(default)
Auto If not Upconverting or Downconverting the input video, the input AFD code is passed
Default (unity): 100 IRE
Does not insert an AFD code into the output. If the video input has a AFD code and the
FS2 is not up/down/cross-converting it, the input AFD code will be passed through to
the output.
through. If there is no AFD code on the input video, a “Full Frame” (8) code is
inserted. If the FS2 is Upconverting, the appropriate AFD code will be chosen based
on the Upconvert mode.
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>16 :9 Always inserts a “Box > 16:9 (center)” AFD code (4), which indicates that the HD image
has an aspect ratio greater than 16:9 as a vertically centered letterbox within the 16:9
frame.
Full Frame Always inserts a “Full Frame” AFD code (8), which indicates that the HD image is full
frame, with an aspect ratio that is 16:9.
Pillarbox Always inserts a “4:3 (center)” AFD code (9), which indicates that the HD image has a 4:3
aspect ratio as a horizontally center pillarbox image within the 16:9 frame.
Letterbox Always inserts a “16:9 (with complete 16:9 image protected)” AFD code (10), which
indicates that the HD image is full frame, with a 16:9 aspect ratio and all image areas
are protected.
14:9 Always inserts a “14:9 (center)” AFD code (11), which indicates that the HD image has a
14:9 aspect ratio as a horizontally centered pillarbox within the 16:9 frame.
4:3 Alt 14:9 Always inserts a “4:3 (with alternate 14:9 center)” AFD code (13), which indicates that the
HD image has a 4:3 aspect ratio and with an alternative 14:9 centered pillarbox image
within the 16:9 frame.
16:9 Alt 14:9 Always inserts a “16:9 (with alternative 14:9 center” AFD code (14), which indicates that
the HD image has a 16:9 aspect ratio with an alternative 14:9 center within the 16:9
frame.
16:9 Alt 4:3 Always inserts a “16:9 (with alternative 4:3 center)” AFD code (15), which indicates that
the HD image has a 16:9 aspect ratio with an alternative 4:3 center within the 16:9
frame.
17. 2 AFD VANC Output Lines
This parameter determines which video output lines have AFD VANC inserted (HD
output only) on the Video Processor output.
10 (default)
9– 42
Adds AFD VANC to line 10.
Select which line other than 10 will have AFD VANC added.
17. 3 Downcvt AFD Dflt
This parameter selects how the Video Processor will operate when parameter 7
Downconvert Mode has been set to Auto AFD and no AFD codes are detected at
the selected input source (that is, this menu selects the default Downconversion
to use when AFD is absent). This parameter is in effect only when the input is HD
(720p, 1080i, or 1080p) and the selected output format is SD (525i or 625i).
Hold Last (default) Use the last detected AFD code and continue to use its aspect ratio
until a new AFD code is detected again in the SDI metadata.
Crop When AFD code is absent, switch the Downconverter mode to
Crop.
Anamorphic When AFD code is absent, switch the Downconverter mode to
Anamorphic.
14:9 When AFD code is absent, switch the Downconverter mode to 14x9.
Letterbox When AFD code is absent, switch the Downconverter mode to
Letterbox.
Closed Captioning
This parameter translates closed captioning from the SD CEA-608 format on line
21 to the HD CEA-708 format and inserts it into the HD output video stream.
NOTE: This parameter interacts with parameter 20 SD Line 21 Blanking; see the
explanation for that parameter also.
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18 Caption Xlator
On (Upconverter)
On (Downconverter)
O (default)
In standard definition video (525i59.94), closed captioning data is encoded and
sent on line 21 of both fields, using a format defined by the Consumer Electronics
Association standard, CEA-608. This is traditionally called “line 21”, “SD”, or “608”
captioning, and is used for analog composite, analog component, and serial
digital (SDI) video.
In high definition video, closed captioning is encoded and sent as Vertical
Ancillary (VANC) packets in SDI video, using a format defined by the Consumer
Electronics Association standard CEA-708 (there is no equivalent for analog
HD video). This is traditionally called “HD,” “DTV,” or “708” captioning. The
data formatting and encoding for 708 captions is very different from the data
contained in 608 (SD) captioning, reflecting the added features and capabilities
available with the CEA-708 standard.
When the Caption Translator is on, the FS2 Upconverter automatically translates
incoming line 21 captions to CEA-708 format and inserts the VANC packets into
the converted HD video stream. This is a complete translation from CEA-608
format to CEA-708 format (including the embedded SD captions).
The FS2 Downconverters automatically intercept and reformat the SD caption
data in the incoming CEA-708 VANC packets, and output it on line 21 of the
standard definition outputs.
When set to On and using the Upconverter, the FS2 will automatically
translate incoming line 21 captions to CEA-708 format and insert
the VANC packets into the converted HD video stream. This is a
complete translation from CEA-608 format to CEA-708 format
(including the embedded SD captions).
When set to On and using the Downconverters, the FS2 will
automatically intercept and reformat the SD caption data in the
incoming CEA-708 VANC packets, and output it on line 21 of the
standard denition outputs.
When O, caption translation is not performed.
Input Scan and PsF
This parameter determines how the Deinterlacer handles interlaced vs. PsF
inputs. Normally, this control will only be used to indicate that a 1080PsF25 input
is PsF and not interlaced.
Auto
When Auto is selected, the system will look for clues in the source’s SMPTE 352
(Payload ID) data and respond accordingly. If there is no SMPTE 352 information,
the system will assume that 23.98/24 fps sources are PsF, and 25/29.97/30 fps
sources are interlaced.
Progressive
When Progressive is selected, the system will assume that all sources are PsF
(even if there is SMPTE 352 data to the contrary).
Interlaced
When Interlaced is selected, the system will assume that all sources are interlaced
(even if there is SMPTE 352 data to the contrary)
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19 Input Scan Format
Auto (default)
Progressive
Interlaced
Deinterlacer detects input source payload ID data and sets the
processing format accordingly.
Assumes all input sources are progressive.
Assumes all input sources are interlaced
SD Line 21Closed Caption Blanking
This parameter determines whether the FS2 blanks line 21 closed captioning data
prior to video processing of an SD 525i video input. (Line 21 normally occurs at
the top of the raster in the overscan area of video, so the presence of captioning
data or blanking does not interfere with the visible SD or Upconverted video.)
20 SD Line 21 Blanking
Blank
In Blank mode, the FS2 copies and remembers the contents of SD line 21 and
then blanks those lines before transformation to ensure captioning data does not
get included in the transformed video. If the output video is SD 525i, the copied
caption information gets reinserted on line 21 of the output. If the output video
is Upconverted and parameter 18 Caption Xlator is On, the copied caption gets
translated into an HD caption and inserted into the transformed output (and if
the caption translator is Off, the HD output does not contain caption data). This
is the setting to use if the SD input includes a caption and you want to retain it at
the output (parameter 18 Caption Xlator must be On), or you want to blank it at
the output (18 Caption Xlator must be Off).
Pass
In Pass mode, the FS2 does not blank line 21 of the SD video input and passes the
unaltered video to the Video Processor for transformation. This is the setting to
use if there is no captioning data present on line 21 of a 525i video input.
Auto blank
In Auto Blank mode, the FS2 automatically detects presence or absence of line 21
caption data on the SD input. If no line 21 caption is present, the FS2 passes the
video unaltered. If line 21 data is detected, the FS2 copies the data, blanks line 21,
and reinserts translated captioning on the transformed HD output if parameter
18 Caption Xlator is On. If the Caption Translator is Off, the HD output will not
contain captioning. This is the setting to use if your SD input video sometimes
contains captions and other times does not, or if you are uncertain which setting
to use.I
Blank (default)
Pass
Auto blank
In Upconvert or SD Aspect Ratio Convert modes, this setting copies
caption data and blanks 525i input video Line 21 caption data
before conversion, and may or may not include that data (see
above).
Passes input video unaltered to the converter and to the outputs.
The FS2 automatically detects caption data on SD input, passing
unaltered video if no line 21 caption is present, and reinserting
caption data if 18 Caption Xlator is On.
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Test Pattern
This parameter selects the video source for the Test Pattern Generator. The
pattern generator is turned off and on using Output parameter 3 Video Output
mode.
21 Test Pattern Video
75% Bars (default)
Ramp
Multiburst
Flat Field
Black
100% Bars
Sets the test pattern to 75% bars.
Sets the test pattern to ramp.
Sets the test pattern to multiburst.
Sets the test pattern to at eld chroma.
Sets the test pattern to black.
Sets the test pattern to 100% bars.
Freeze
This parameter tells the FS2 to freeze the current video frame on all outputs. This
may be useful either for testing or in case of loss of the input source.
22 Freeze Output
O (default)
On
The freeze feature can be controlled not only by the front-panel and web
browser interface, but also by a GPI input. When a GPI input is causing the freeze
condition, the EXT lamp will be lit on the front-panel.
Normal operation. The FS2 outputs video from the input.
The FS2 captures and freezes the most current video frame and
displays it on the outputs as long as this parameter is set to On.
AUDIO 1 and AUDIO 2 Menu Groups
The Audio Menus control the FS2’s audio routing and signal processing. Because
the selections for the video processors are identical, both are described here.
1.0 Audio Input
This parameter performs input audio source selection for Audio Processor 1.
Multiple input sources may be present at all the connectors on the FS2 rear panel,
but the active input source routed through the FS2 is the one selected here.
AES/EBU (default Selects the AES/EBU digital audio input (16-ch) as the input source.
Analog Selects the Analog audio connector (DB25, 8-ch) as the input
Embed SDI1 Uses the embedded audio from the SDI 1 video input as the input
Embed SDI2 Uses the embedded audio from the SDI 2 video input as the input
Embed Fiber1 Uses the embedded audio from the optional Fiber 1 video input as
Embed Fiber2 Uses the embedded audio from the optional Fiber 2 video input as
HDMI Uses the embedded audio from the HDMI video input (8-ch) as the
source. Input channels 9-16 are set to Mute.
source.
source.
the input source.
the input source.
input source. Input channels 9-16 are set to Mute.
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Dolby Decode Selects the Dolby Decoder output as the audio processor input.
Mute Sets all input channels to Mute.
Channel Map For the 16 channels of audio input, selects inputs according to
Stereo Map For the 16 channels of audio input, selects stereo inputs according
NOTE: If parameter 3 Audio Follow Video is set to On, the Audio Input selection is
independently remembered for each video input. When Audio Follow Video is Off,
audio for each video input is not remembere d and you must manually select the
audio source you want. If you have never manually selected the audio source, the
factory default audio selection is used.
1.1–1.16 Audio Map Ch1–16
When Channel Map is selected in parameter 1, these Map parameters for Audio
Channels 1–16 map an audio source to each audio output channel. Available
source selections for the audio output channels are listed in the following
table. The default selections are AES Ch1–16 for Audio Output Channels 1–16,
respectively.
Audio Map parameters 1.1 through 1.16. Any of the 16 embedded
channels can be mapped to one of the 96 sources.
to Audio Map parameters 1.17 through 1.24. Any channel pair (8
pair total) can be mapped to 48 dierent choices.
Available Selections AES Ch 1(default)
AES Ch 2 (default)
AES Ch 3 (default)
AES Ch 4 (default)
AES Ch 5 (default)
AES Ch 6 (default)
AES Ch 7 (default)
AES Ch 8 (default)
AES Ch 9 (default)
AES Ch10 (default)
AES Ch11 (default)
AES Ch12 (default)
AES Ch13 (default)
AES Ch14 (default)
AES Ch15 (default)
AES Ch16 (default)
Analog Ch 1
Analog Ch 2
Analog Ch 3
Analog Ch 4
Analog Ch 5
Analog Ch 6
Analog Ch 7
Analog Ch 8
SDI 1 Ch 1
SDI 1 Ch 2
SDI 1 Ch 3
SDI 1 Ch 4
SDI 1 Ch 5
SDI 1 Ch 6
SDI 1 Ch 7
SDI 1 Ch 8
SDI 1 Ch 9
SDI 1 Ch10
SDI 1 Ch11
SDI 1 Ch12
SDI 1 Ch13
SDI 1 Ch14
SDI 1 Ch15
SDI 1 Ch16
SDI 2 Ch 1
SDI 2 Ch 2
SDI 2 Ch 3
SDI 2 Ch 4
SDI 2 Ch 5
SDI 2 Ch 6
SDI 2 Ch 7
SDI 2 Ch 8
SDI 2 Ch 9
SDI 2 Ch 10
SDI 2 Ch 11
SDI 2 Ch 12
SDI 2 Ch 13
SDI 2 Ch 14
SDI 2 Ch 15
SDI 2 Ch 16
Fiber 1 Ch1
Fiber 1 Ch2
Fiber 1 Ch3
Fiber 1 Ch4
Fiber 1 Ch5
Fiber 1 Ch6
Fiber 1 Ch7
Fiber 1 Ch8
Fiber 1 Ch9
Fiber 1 Ch10
Fiber 1 Ch11
Fiber 1 Ch12
Fiber 1 Ch13
Fiber 1 Ch14
Fiber 1 Ch15
Fiber 1 Ch16
Fiber 2 Ch1
Fiber 2 Ch2
Fiber 2 Ch3
Fiber 2 Ch4
Fiber 2 Ch5
Fiber 2 Ch6
Fiber 2 Ch7
Fiber 2 Ch8
Fiber 2 Ch9
Fiber 2 Ch10
Fiber 2 Ch11
Fiber 2 Ch12
Fiber 2 Ch13
Fiber 2 Ch14
Fiber 2 Ch15
Fiber 2 Ch16
HDM I Ch1
HDMI Ch2
HDMI Ch3
HDMI Ch4
HDMI Ch5
HDMII Ch6
HDMI Ch7
HDMI Ch8
Dolby Ch1
Dolby Ch2
Dolby Ch3
Dolby Ch4
Dolby Ch5
Dolby Ch6
Dolby Ch7
Dolby Ch8
Dolby Aux1
Dolby Aux2
Mute
1.17–1.24 Audio Map Ch 1/2–15/16
When Stereo Map is selected in parameter 1, these Map parameters for Audio
Channels 1/2–15/16 map a pair of audio sources to each audio output channel
pair. Available source pair selections for the audio output channel pairs are listed
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in the following table. The default selections are AES Ch1/2–AES 15/16 for Audio
Output Channels 1/2–15/16, respectively.
Available Selections: AES Ch1/2 (default)
2 Embedded Audio Out
This parameter turns embedded audio in the Processor output video to On, Mute,
or Off.
On (default)
Mute
O
The FS2 does not support embedded audio output for the following formats:
• 2K1080p 29.97 or 2K1080p 30
• 2K1080p 59.94 or 2K1080p 60 when 3G Cong is set to 3 Gb Level B or 1.5 Gb
DualLink.
Embedded audio is available for 3 Gb Level A format.
Turn audio embedding On at the Processor output.
Embeds but mutes audio on the Processor output.
Turns audio embedding O at the Processor output.
AES Ch3/4 (default)
AES Ch5/6 (default)
AES Ch7/8 (default)
AES Ch9/10 (default)
AES Ch11/12 (default)
AES Ch13/14 (default)
AES Ch15/16 (default)
Analog Ch1/2
Analog Ch3/4
Analog Ch5/6
Analog Ch7/8
Analog Ch1/2
Analog Ch3/4
Analog Ch5/6
Analog Ch7/8
SDI 1 Ch1/2
SDI 1 Ch3/4
SDI 1 Ch5/6
SDI 1 Ch7/8
SDI 1 Ch9/10
SDI 1 Ch11/12
SDI 1 Ch13/14
SDI 1 Ch15/16
SDI 2 Ch1/2
SDI 2 Ch3/4
SDI 2 Ch5/6
SDI 2 Ch7/8
SDI 2 Ch9/10
SDI 2 Ch11/12
SDI 2 Ch13/14
SDI 2 Ch15/16
Fiber 1 Ch1/2
Fiber 1 Ch3/4
Fiber 1 Ch5/6
Fiber 1 Ch7/8
Fiber 1 Ch9/10
Fiber 1 Ch11/12
Fiber 1 Ch13/14
Fiber 1 Ch15/16
Fiber 2 Ch1/2
Fiber 2 Ch3/4
Fiber 2 Ch5/6
Fiber 2 Ch7/8
Fiber 2 Ch9/10
Fiber 2 Ch11/12
Fiber 2 Ch13/14
Fiber 2 Ch15/16
HDM I Ch1/2
HDMI Ch3/4
HDMI Ch5/6
HDM I Ch7/8
Dolby Ch1/Ch2
Dolby Ch3/Ch4
Dolby Ch5/Ch6
Dolby Ch7/Ch8
Dolby Aux
Mute
3 Audio Follow Video
This parameter determines whether audio settings are remembered for each
video input.
O (default)
On
When AFV is Off, you must manually select the audio you want for a selected
video input, and that audio source remains selected until you change it. If the
audio source has never been selected, the factory default audio source is used.
When AFV is On, the FS2 remembers the saved audio settings associated with
the currently selected video input. Whenever a new video input is selected,
the corresponding audio settings are recalled. This allows you to set up specific
audio settings for the different video inputs (i.e., perhaps the SDI 1 has a specific
embedded audio channel mapping while the component video input might
always use AES audio input).
Audio Follow Video applies to these parameters:
• 1 Audio Input
• 1.1—1.16 Audio Map
• 1.17—1.24 Audio Map (Stereo)
• 6.0 Audio Delay
• 7.0 Audio Output Levels
Normal operation. Audio settings must be made separately from
any video settings; they are not associated automatically.
The FS2 remembers the saved audio settings associated with the
currently selected video input.
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• 7.1—7.16 Audio Level Ch (n)
• 8.0 Audio Output Phase
• 8.1—8.16 Audio Phase Ch (n)
NOTE: Turning Audio Follow Video (AFV) On results in the loss of the above settings.
When AFV is turned On, the source-memory settings are written over the current
settings. Turning AFV Off again will not restore the original settings, but instead
will result in the source memory settings remaining in effect until edited again.
4 Audio Signal Gen
This parameter determines the audio signal output from the FS2’s internal test
signal generator.
O (default)
400 Hz
1kHz
Audio Delay Controls
6.0 Audio Delay (mS)
This parameter is available only when the audio input (parameter 1) is set to AES/
EBU, Analog, Embedded, or HDMI. The parameter allows you to adjust the audio
delay to compensate for video timing (delay/latency). The default is zero delay.
Variable Adjustment range increments from -16 to +256 mS or -768 samples
If parameter 3 Audio Follow Video is set to On, the Audio Delay selection is
independently kept for each separate input. If Audio Follow Video is set to Off,
a single Audio Delay value applies, regardless of the video input. (This value is
independent of any of the values used in Audio-Follow-Video mode.)
NOTE: The Delay menu for a particular channel-pair may be hidden if that channel pair
is controlled by the Dolby Framer (see 9.0 Dolby Framer Sync).
6.1-16 Audio Delay Ch1-16 (mS)
Turn audio test signal output OFF.
Output a standard 400 Hz test signal tone.
Output a standard 1 kHz test signal tone.
to +12288 samples.
Default=0 (synchronized to video output).
These parameters apply only when the audio input (parameter 1) is set to
Channel Map. The parameters allow you to adjust the audio delay to compensate
for video timing (delay/latency). The default is zero delay).
Variable Adjustment range increments from -16 to +256 mS or -768 samples
to +12288 samples.
Default=0 (synchronized to video output).
If parameter 3 Audio Follow Video is set to On, the Audio Delay selection is
independently kept for each video input. If Audio Follow Video is set to Off, a
single Audio Delay value applies, regardless of the video input. (This value is
independent of any of the values used in Audio-Follow-Video mode.)
NOTE: This menu is not displayed when Dolby Framer Sync is in control of the delay
for a channel. While Dolby Framer Sync is enabled, and the Dolby Framer Input
is assigned to channels x/y, any values assigned for Audio Delay Ch x or Audio
Delay Ch y parameters are ignored, and those menus are hidden.
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6.17-24 Audio Delay Ch1/2-15/16 (mS)
These parameters apply only when the audio input (parameter 1) is set to Stereo
Map. The parameters allow you to adjust the stereo audio delay to compensate
for video timing (delay/latency). The default is zero delay).
Variable Adjustment range increments from -16 to +256 mS or -768 samples
to +12288 samples.
Default=0 (synchronized to video output).
NOTE: This menu is not displayed when Dolby Framer Sync is in control of the delay
for a channel-pair. While Dolby Framer Sync is enabled, and the Dolby Framer
Input is assigned to channels x/y, any values assigned for the Audio Delay Ch x/y
parameters are ignored, and those menus are hidden.
If parameter 3 Audio Follow Video is set to On, the Audio Delay selection is
independently kept for each video input. If Audio Follow Video is set to Off, a
single Audio Delay value applies, regardless of the video input. (This value is
independent of any of the values used in Audio-Follow-Video mode.)
Audio Output Level Controls
7.0 Audio Out Levels
This parameter enables or disables individual audio output level adjustment of
the 16 audio output channels. When ADJUST is selected, parameters 7.1 through
7.16 set the output levels for each separate channel.d
Unity (default)
Adjust
If parameter 3 Audio Follow Video is set to On, the Audio Output Levels selection
is independently kept for each video input. If Audio Follow Video is set to Off,
a single Audio Output Levels value applies, regardless of the video input. (This
value is independent of any of the values used in Audio-Follow-Video mode.)
Disable audio output level adjustments and set levels to unity.
Enable audio output level adjustments for the 16 audio channels.
7.1–7.16 Audio Level Ch1–16
These 16 parameters adjust the audio levels of the 16 audio channels ± 18dB dB.
Variable Adjustment of audio level +/-18 dB range in steps of 0.5dB.
Default: +0dB
Audio Output Phase Controls
8.0 Audio Output Phase
This parameter enables or disables individual audio phase adjustment of the 16
audio output channels. When Adjust is selected, parameters 8.1 through 8.16 are
then used to adjust phase for the 16 channels.
Unity (default)
Adjust
If parameter 3 Audio Follow Video is set to On, the Audio Output Phase selection
is independently kept for each video input. If Audio Follow Video is set to Off,
a single Audio Delay value applies, regardless of the video input. (This value is
independent of any of the values used in Audio-Follow-Video mode.)
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Disable audio phase adjustments and set phase to unity.
Enable audio phase adjustments for the 16 audio channels
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8.1– 8.16 Audio Phase Ch1–16
These parameters select whether audio phase is normal (same as passed from the
input) or inverted on Channels 1–16. This may be useful to correct analog audio
signals that are incorrectly wired, placing audio out of phase at input.
Normal (default)
Invert
If parameter 3 Audio Follow Video is set to On, then Audio Output Phase selection
is independently kept for each video input. If Audio Follow Video is set to Off,
then the last setting you made for Audio Output Phase is used.
Dolby Framer Controls
9.0 Dolby Framer Sync
This parameter enables or disables automatic timing correction of the Dolby E
signal.
O (default)
On
Oset
Phase is unaltered as it passes from the input to the output.
Phase is inverted as it passes from the input to output.
No Dolby E timing synchronization with vertical blanking. Normal
Audio Delay parameters are enabled.
Dolby E timing is auto-corrected to the minimum delay possible to
synchronize with the video blanking interval. Normal Audio Delay
parameters for the corresponding Dolby Framer Input channel
pair are disabled.
Dolby E timing is rst auto-corrected to a nominal delay while
synchronizing with the video blanking interval.Then the delay is
further adjusted by the Oset specied in 9.2 Dolby Framer Oset
(Frames) and 9.3 Dolby Framer Oset (Samples). Normal Audio
Delay parameters for the corresponding Dolby Framer Input
channel pair are disabled.
In ON and OFFSET modes, if 1.0 Audio Input is set to Channel Map or Stereo Map,
the 6.x Audio Delay menus for that pair are hidden.
If the Dolby Framer cannot lock the audio signal to the video output, an alarm
is triggered. (This may happen with non-Dolby E signals, or with Dolby E signals
having an incompatible frame rate.)
The Dolby Framer is incompatible with audio Channel Map mode. It works only
with Stereo Map or single-source audio inputs capable of carrying Dolby E pairs. If
the Dolby Framer is enabled while the input source is set to Channel Map, Analog,
HDMI, or Dolby Decoder, an alarm will result, and the Dolby Framer status will be
shown as “Conflict”. Also note that Dolby Decoder is not a valid Framer source,
since the Dolby is already decoded into PCM audio by the time it reaches the
audio processor.
Dolby Framer status is available on the front panel Dolby Framer status menu or
the Status page of the web UI.
9.1 Dolby Framer Input
This parameter is visible only if 9.0 Dolby Framer Sync is set to On or Offset; the
parameter is hidden when 9.0 is set to Off.
The Dolby Framer Input can sync incoming Dolby E bit streams to the local
reference so they can maintain A/V sync when recorded onto VTRs or servers or
when passing through downstream facilities. You can set which pair of channels
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contains the Dolby E stream to output synchronized with the reference. The
Dolby Framer Input feature only works with Dolby E inputs.
Dolby input pair Ch 1/2, 3/4, 5/6, 7/8, 9/10, 11/12, 13/14, 15/16.
Ch 1/2 is default
9.2 Dolby Framer Offset (Frames)
This parameter is visible only if 9.0 Dolby Framer Sync is set to Offset; the
parameter is hidden when 9.0 is set to Off or On. The parameter adjusts the audio
delay in frames, providing a coarse timing adjustment.
Variable (frames) Sets the delay of the Dolby E audio stream relative to the video
frame. The minimum is 0 frames and maximum is +6 frames.
9.3 Dolby Framer Offset (Samples)
This parameter is visible only if 9.0 Dolby Framer Sync is set to Offset; the
parameter is hidden when 9.0 is set to Off or On. The parameter adjusts the audio
delay in samples, providing a fine timing adjustment.
Variable Sets the delay of the Dolby E audio stream relative to the video
frame. The minimum is -768 samples and maximum is +768
samples.
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Chapter 5 – Browser Remote Control
Remote FS2 Control Via a Web Browser
The FS2 web interface consists of a built-in optimized web server that provides
control via a web browser running on a network-attached computer. The FS2
browser screens are presented and described on the following pages, organized
as they appear in the browser. The description tables list the parameter menu
numbers in parentheses so you can quickly relate screens to front panel menus.
Supported Web Browsers
• Chrome (all platforms)
• Firefox (all platforms)
• Safari (OSX, Mobile)
Other browsers are likely to work but are not guaranteed.
Supported RJ45 Ethernet Network Connections
• Closed local area network (LAN)
• Straight computer-to-FS2 cable connection
• Broadband wide area network (WAN) with the rewall opened for the FS2 (not
recommended since anyone on the internet can then access the FS2)
Internally the FS2 senses and adapts to either a “straight-through” CAT 5 Ethernet
cable or null-modem (crossover) cable using standard RJ45 connectors. No setup
or strapping is needed to adapt to the cable.
Browser Connection to FS2
For browser access, enter the FS2 IP address in the browser’s address field.
By default, the FS2 is set to automatically connect to your network’s DHCP server
to get an IP address and other network configuration data. You will find the IP
address in CONFIG Menu Group parameter 2.2 as follows:
1. Press the CONFIG button on the FS2 front panel.
2. Turn the SELECT knob until you reach parameter 2.2 IP Address.
3. Enter the IP address shown in 2.2 in the browser address eld.
When the browser successfully connects to the FS2, the main Status screen shown
on the next page is displayed. If the browser fails to connect, make sure CONFIG
settings 2.1 through 2.4 (IP, subnet, and gateway addressing) match the network
setup of the browser host. You can either make the computer match the FS2, or
make the FS2 match your computer.
General Web Browser Screen Description
The main Status screen appears below. All FS2 screens have common elements:
Menu
On the left of each screen is a navigational list of the available FS2 screens. Click
any of these items to jump to that screen.
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Alarms
The lower left side of the screen shows alarms that alert you to possible problem
conditions, such as disconnected or failed power supplies and video format
incompatibilities.
Status and Menu Display
In the center of each screen you’ll find the main display showing the status and
menu selections for the screen you are viewing. The content of FS2 web screens
closely mirrors the parameter menus displayed on the front panel; if you hover
the cursor over any parameter, the equivalent front panel parameter number is
displayed.
Connection
The right side of the screen lists FS2 system details, including system serial
number, installed software version, and connection status. This information is
useful if you ever have to call AJA Technical Support for help.
Network
The right side of the screen lists systems on the network. If you right-click any
FS2 system in the list, the ID LEDs on the unit light to identify it. Another way to
identify systems is to notice which FS2 system’s EXT front panel LED blinks when
you change any setting from a remote control device, such as the web browser.
Menu of FS2
Screens:
Click a screen’s
name to display that
screen.
FS2 Alarms
Figure 12. FS2 Web Interface, Main Status Screen
FS2 Status and Menu Display Area System info, and FS2 Systems on the network
Controlling Multiple FS2s
From any screen, you can see at-a-glance all of the FS2 devices present on the
same local LAN as well as the current FS2 you are controlling. Clicking on any of
the listed systems will bring up the Status screen of that FS2.
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NOTE: The FS2 you control may be running a different software version, so screens may
look different. It’s a good idea to have all your FS2 devices running the most
current software and the same version. Also, if the Default Gateway (parameter
2.4) is not configured properly, other FS2s will not be visible. If the display shows
No FS2’s found, check the gateway setting.
Resetting Values To Factory Settings
FS2 web browser screens feature many user controls that can be reset to factory
values by simply “right-clicking” on the parameter label. When you right-click, the
browser displays a Reset to Factory message that will cause the parameter to be
reset.
NOTE: This reset procedure only works with computers that allow right-clicking. Some
computers may not permit this operation.
You can perform a global reset to factory values of all System, Video 1/2, Audio
1/2, and Output parameters (the same set of parameters acted on by a Preset
Recall).
To perform a global reset:
1. Go to the Presets screen.
2. Click on the Recall button in the Factory Preset row.
User preferences, network settings, and existing Presets are not affected by
recalling the Factory Preset.
Clicking on the down arrow next to each parameter displays a drop-down list of
available selections.
Drop Down Parameter Operation
Most FS2 parameters available on the browser are selected from a drop-down list.
The currently active parameter is displayed. Click on the down arrow symbol next
to the parameter to display the list and select an alternative value. The FS2 will
immediately operate with the new setting.
Slider Operation
Some screens contain slider controls for setting values. To set a value, you can
click on a slider to select it and then use the mouse to drag the slider to the
position you desire. For fine tuning, while the slider is selected (highlighted by a
blue border), use the keyboard left and right arrow keys to change the value one
unit at a time. After setting a slider’s position, click on the page’s background area
(blue highlight turns off) to ensure the change is confirmed and saved.
Video Format Display
When displaying video format status, the following convention differentiates
between SMPTE video formats (broadcast) and VESA formats (non-broadcast
formats originating from a computer DVI signal). The SMPTE formats are shown as
height (in lines), scan-format (progressive or interlaced), and frame-rate, such as
1080i59, for example. the VESA formats are shown as a size only, with an x in the
middle, such as 640x480, for example.
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Network Pane and Network Configuration Screen
The Network pane on the right side of any screen lists the FS2 systems that
appear on the network. This pane includes three additional controls:
• Hover the cursor over any system name to see its IP address.
• Right-click any system and select Identify to light the system ID LEDs.
• Click the gear-shaped icon in the Network pane (or select Network from the
Menu list on the left side of the screen) to open the Network Conguration
screen listing FS2 network settings.
The Network Configuration screen allows you to view and change your FS2’s
network settings and then click Apply to activate them.
See "Networking" on page 26 for detailed setup instructions for connecting the
FS2 to a network. Consult your network administrator about how to configure
network settings.
Click the
Network
gear icon
IP Address Type
IP Address Type determines the type of TCP/IP network configuration used by the
FS2. DHCP enables the FS2 to connect to the network DHCP server, which assigns
the IP Address, Netmask, and Gateway automatically. Static lets you set these
parameters manually.
NOTE: If the IP Address Type is DHCP, the IP Address, Netmask, and Default Gateway
are gray, indicating they are set automatically and cannot be changed unless
IP Address Type is first set to Static. Changes are saved and activated upon
confirmation using the Apply button.
DHCP (default)
Static Addr
Select automatic IP address assignment from the LAN DHCP server.
If the FS2 cannot nd a DHCP server, it fails over to the static IP
address.
Assign a static IP address manually (using parameters 2.2, 2.3, and 2.4).
The factory default static IP address: 192.168.0.2
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IP Address
IP Address determines the static IP address used by the FS2 for TCP/IP networking.
(Networking is discussed in Chapter 3, Network Connection.) Consult your
network administrator about how to set this value.
Netmask
Netmask determines the subnet mask used by the FS2 for TCP/IP networking.
Variable If IP Address Type is set to DHCP, the IP address is set automatically by
the network DHCP server and cannot be entered here.
If IP Address Type is set to Static, enter an IP address compatible with
your LAN here. Also enter a netmask and default gateway address
in the following two parameters. Click Apply when you are ready to
apply all three entries to change the FS2’s network addressing.
If IP Address Type is set to DHCP and there is a DHCP failure, the IP
address is set to the static IP address. The default static IP address is
192.168.0. 2
Variable Enter a subnet mask compatible with your LAN. This is only needed
for Static IP congurations. The factory default Subnet Mask is
255.255.255.0
If IP Address Type is set to DHCP, the Subnet Mask is set by the DHCP
server and cannot be changed by the user.
Default Gateway
Default Gateway determines the gateway or router used on your LAN for TCP/IP
networking.
Without a properly configured default gateway (whether you have a router/
gateway or not), the FS2 will be unable to see other FS2s on the network,
although you may still be able to control this FS2 via a web browser. Also, without
a proper gateway defined, the discovery feature “Available FS2s—Click to
Refresh” on the Network web page will not work correctly and list other FS2s on
the network.
Variable Enter a default gateway or router address. This is only needed for
Static IP congurations. The factory Default Gateway is 192.168.0.1.
If IP Address Type is set to DHCP, the Default Gateway is set by the
DHCP server and cannot be changed by the user.
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Alarm Configuration Screen
Alarm Conguration
popup display
FS2 Alarms
display button
(gear icon)
You can pop open the Alarm Configuration display at any time and on any screen
by clicking the display button in the upper right corner of the Alarms panel.
To close the window, press the ESC key, or click the X in the upper right corner.
The Alarm Configuration display provides control over these alarm settings:
• Power Supply Alarm (see "5 Power Supply Alarm" on page 46)
• Video 1 and Video 2 Format Alarm (see "6.1 Vid1 Format Alarm" on page 46)
• Reference Alarm (see "7 Reference Alarm" on page 47)
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Status Screen
The Status screen displays overall FS2 operational status. You can right-click
most values to change them, allowing you to edit many parameters in one place.
Parameters with format incompatibilities or other alarms are highlighted in red.
Processor 1 Video 1 IN
Captioning
Proc Amp
Color Corrector
UFC Custom
Background
OUT
Processor 1 Audio 1 IN
Dolby Framer
Processor 2 Video 2 IN
Captioning
Proc Amp
Color Corrector
UFC Custom
Background
OUT
Processor 2 Audio 2 IN
Dolby Framer
Genlock Source Reference Shows the input providing the genlock reference.
SDI Output SDI 1
SDI 2
Fiber 1
Fiber 2
Other Output HDMI
Component
Composite
Shows the input source and format for Video Processor 1.
Shows the caption selection and caption signal presence.
Shows whether the Proc Amp is On or O.
Shows whether the Color Corrector (RGB) is On or O.
Shows whether Custom conversion, AFD, and ROI are On or O.
Shows the source and format of Background video.
Shows the output video selection and format for Video Proc 1.
Shows the audio input feeding Audio Processor 1.
Shows if Dolby E Framer is On and locked to video.
Shows the input source and format for Video Processor 2.
Shows the captioning selection and signal presence.
Shows whether the Proc Amp is On or O.
Shows whether the Color Corrector (RGB) is On or O.
Shows whether Custom conversion, AFD, and ROI are On or O.
Shows the source and format of Background video.
Shows the output video selection and format for Video Proc 2.
Shows the audio input feeding Audio Processor 2.
Shows if Dolby E Framer is On and locked to video.
Shows the source of the SDI 1 output.
Shows the source of the SDI 2 output.
Shows the source of the Fiber 1 output.
Shows the source of the Fiber 2 output.
Shows the source of the HDMI output.
Shows the source of the Component video output.
Shows the source of the Composite video output.
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System Screen
The SYSTEM web interface screen includes parameters for setting up various FS2
system related features (video formats, audio level standards, etc.).
The System screen parameters are identical to those available on the FS2 front
panel. These include:
• "1 Component In Format" on page 49
• "2 Component Out Format" on page 49
• "3 Analog Audio Std" on page 50
• "4 SDI1 3G Detect" on page 50
• "5 SDI2 Input Protect" on page 51
• "6 Fiber1 3G Detect" on page 51
• "7 Fiber2 Input Protect" on page 51
• "8 Genlock Source" on page 52
• "9 Frame Rates" on page 52
• "10 NTSC Standard" on page 52
• "11 Composite Downconv" on page 52
• "12 HDMI RGB Range" on page 53
• "14.0 AES/EBU SRC Mode" on page 53
• "14.1–14.8 AES/EBU SRC" on page 53
• "15 Dolby Decoder Input" on page 54
• "16 Dolby Decoder Mode" on page 54
• "17 Dolby Decoder Aux Out" on page 55
• "18 Dolby Decoder Aux Mode" on page 55
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Config Screen
The Config screen includes functions to name the FS2, configure SNMP, hide or
show unused menus, and change the front panel display brightness and FS2 fan
speed, and configure UPnP.
System Name
The System Name parameter sets the name of the FS2 system. To change the
System Name, click on and drag the cursor across the displayed name, and type in
a new name.
Variable Highlight the existing name and type in a new name, up to 20
SNMP Parameters
The following parameters are used to setup the FS2 SNMP (Small Network
Management Protocol) feature.
• SNMP Enable
• SNMP Trap Dest 1
• SNMP Trap Port 1
• SNMP Trap Dest 2
• SNMP Trap Port 2
In addition, the following alarms may affect SNMP messages:
• Power Supply Alarm
• Video1 Format Alarm
• Video 2 Format Alarm
• Reference Alarm
Refer to "Chapter 6 SNMP" on page 99 for a description of SNMP and how the
FS2 supports it.
characters. Allowed characters are A-Z, a-z, numerals, hyphen, and
period.
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Hidden Menus
This selection lets you choose whether to hide or show inactive menus.
Hide Inactive (default)
Show All
Display Intensity
Display Intensity determines alphanumeric display and front panel LED
brightness.
Variable Use the slider to dim or brighten the alphanumeric display and
UPnP Host
UPnP Host enables the FS2 to be discovered by a Windows network.
Enable (default)
Disable
When this parameter is enabled, you can view the FS2 on a Windows Network by
clicking these selections in Windows 7: Start > Computer > Network (in left pane).
Any FS2s on the network will be listed under Other Devices below Computers
and Media Devices. If your system does not have network discovery enabled, you
may need to enable it following the Windows help instructions to make network
devices visible in the Windows Network window.
Hides menus that are not in use.
Shows all menus, even those that are not in use.
activity indicator LEDs in steps from 1 (dim) to 8 (brightest).
Default is 6
Enables the FS2 to be discovered by a Windows network.
Disables Windows network discovery of the FS2.
UPnP Proxy
UPnP Proxy enables the FS2 to serve as a proxy for other AJA devices, allowing
them to be discovered on a Windows network through the FS2. When enabled,
the FS2 acts as a proxy for all the AJA devices that it is able to connect to that
have not already been discovered on the network. The devices will be listed in the
FS2 Network window. Once the devices appear on the network, they can connect
directly to other devices and computers without involving the FS2.
Enable (default)
Disable
Enables the FS2 to connect other AJA devices to the network.
Disables the FS2 from serving as a proxy for AJA devices.
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Presets Screen
The Presets screen allows you to save FS2 Preset Configurations into 40 separate
memory registers and recall the presets whenever needed. This screen also
includes Export and Import functions that allow exporting one or all FS2
presets to your computer as files and importing exported preset files from your
computer. A displayed message indicates successful or failed saves, recalls,
exports, and imports.
Presets Screen Controls
Factory Preset
Factory Preset recalls all editable video and audio parameters to their factory
default settings. Individual presets, user preferences, and Network settings, such
as the IP Address, are not affected.
Recall
The Recall buttons recall saved FS2 preset configurations.
Caution! When you recall a Preset Conguration, the recalled preset immediately
replaces the system’s existing conguration. All previous settings are lost unless
you have previously stored them in another preset conguration or an exported
le.
Store
The Store buttons let you save the current FS2 configuration into the preset
register with the associated name and number. A preset is a set of all System,
Video, Audio, and Output parameters as they were set at the time the preset
was stored. Only editable parameters are saved in the presets. Non-editable
parameters are not saved.
To change a preset name, click in the name’s text field and type a new name.
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Export
The Export buttons save the associated preset contents to a file on your
computer. The file gets exported to the default download location specified in
your browser options. The file name is the same as the preset name with the
suffix.presets. If you export multiple files for the same preset, a number gets
appended to ensure a unique file name. The file size is small, usually less than 100
kilobytes.
Import
The Import buttons let you browse for and import a preset file on your computer
into the preset register associated with the selected button. A dialog box warns
you that the operation will overwrite the current preset contents with the file
contents.
Export Presets 1–40 (All)
Export All lets you save the contents of all presets to a file on your computer.
The file gets exported to the default download location specified in your browser
options with the name all.presets. If you export multiple files, a number gets
appended to ensure a unique file name.
Import Presets 1–40 (All)
Import All lets you browse for and import a previously exported all.presets file
from your computer. A dialog box warns you that the operation will overwrite all
40 current preset contents with the contents stored in the file.
Interaction of Presets and GPIs
Triggering presets using GPI inputs offers considerable power but also requires
some care to avoid unexpected results. If you plan to trigger presets using GPIs,
please see the information about the "Interaction of Presets and GPIs" on page 49.
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Output Screen
The Output screen selects the video and audio outputs that are routed to the FS2
rear panel.
The parameters available on the Output browser screen are identical to the front
panel display menus. Complete descriptions of these parameters are accessible
using the following cross references:
• "1.1 SDI1 Video Out" on page 55
• "1.2 SDI2 Video Out" on page 56
• "2.1 Fiber1 Video Out" on page 56
• "2.2 Fiber2 Video Out" on page 56
• "3 HDMI Video Out" on page 56
• "4 Component Out" on page 56
• "5 Composite Out" on page 57
• "6 HDMI Audio Out" on page 57
• "7 Fiber2 Input Protect" on page 51
• "8 Analog Audio Out" on page 57
• "9.1 SDI1 3G Cong" on page 57
• "9.2 SDI2 3G Cong" on page 57
• "10.1 Fiber1 3G Cong" on page 58
• "10.2 Fiber2 3G Cong" on page 58
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Video 1 & 2 Screens
The Video 1 and 2 screens select the video and audio outputs that are routed to
the FS2 rear panel, and controls the FS2’s video signal processing.
The parameters available on the Video 1 and 2 browser screens are identical to
the front panel display menus. Complete descriptions of these parameters are
accessible using the following cross references:
• "1 Video Input" on page 58
• "2 Output Format" on page 59
• "3 Video Output Mode" on page 60
• "4 Background Fill" on page 60
• "5 Loss of Input" on page 60
• "6 Upconvert Mode" on page 60
• "7 Downconvert Mode" on page 61
• "8 SD Aspect Ratio Convert" on page 63
• "9 Sidebar Edge" on page 65
• Matte Luma, Chroma, and Hue (see "Matte of Background Fill" on page 65)
• "Proc Amp Controls (YUV)" on page 65
• "Color Corrector (RGB)" on page 66
• Custom Size/Position (see "Custom Conversion Settings" on page 67 )
• "Region of Interest (ROI)" on page 69
• Output Timing and Extra Frame Delay (see"Timing and Delay" on page 70
• "AFD" on page 71
• "18 Caption Xlator" on page 73
• "Input Scan and PsF" on page 73
• "20 SD Line 21 Blanking" on page 74
• "21 Test Pattern Video" on page 75
• "22 Freeze Output" on page 75
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Audio 1 and 2 Screens
The Audio 1 and Audio 2 browser screens display the audio control selections for
the audio inputs and outputs, for control of the FS2’s audio routing and signal
processing.
The parameters available on the Audio 1 and 2 browser screens are identical to
the front panel display menus. Complete descriptions of these parameters are
accessible using the following cross references:
• "1.0 Audio Input" on page 75
• "1.1–1.16 Audio Map Ch1–16" on page 76
• "1.17–1.24 Audio Map Ch 1/2–15/16" on page 76
• "2 Embedded Audio Out" on page 77
• "3 Audio Follow Video" on page 77
• "4 Audio Signal Gen" on page 78
• "Audio Delay Controls" on page 78
• "Audio Output Level Controls" on page 79
• "Audio Output Phase Controls" on page 79
• "Dolby Framer Controls" on page 80
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Remote Screen
The REMOTE screen contains parameters that affect how the FS2 is controlled.
Control options include the front panel, a remote computer running a browser,
and GPI inputs and outputs.
NOTE: The Remote Menu Group parameters available on the front panel interact with
the browser parameters available on an attached computer, and vice versa. For
example, the Remote Control parameter can only be changed from the front
panel, and when set to Local Only will deactivate all browser remote control
parameters.
See "REMOTE Menu Group" on page 42 for detailed information about FS2
remote control options.
Firmware Screen
The Update Firmware screen allows you to download and install a firmware
update from AJA.
IM PORTA NT: FS2 hardware requires different firmware, depending on serial number.
See Table 4 on page 31 for compatible firmware versions. Attempts to install
the incorrect version will post a Firmware Failed Verification message on the FS2
webpage.
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First visit the AJA website (aja.com) to locate and download the updated
software. The following page provides FS2 support information and will include
links to locations where you can download updates:
https://www.aja.com/en/products/fs2/#support
After downloading the software update to your local drive, use the Browse
button shown below to locate the local software copy. Follow the prompts to
load the new firmware into the FS2. See "Software Update Installation" on page
30 for more information.
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Chapter 6 – SNMP
FS2 Simple Network Management Protocol
SNMP is defined as a “simple network management protocol” and was specified
as a component of the internet protocol suite by the Internet Engineering
Task Force (IETF). The FS2 can act as a network element that issues SNMP trap
messages signaling a detected alarm condition or other system condition. A
device’s trap messages are defined in an MIB (Management Information Base)
file. The trap messages are sent to a server-based external NMS destination.
For example, the FS2 could send a trap message if one of its redundant power
supplies becomes unplugged. A client software agent that communicates with
the NMS might then get a message telling the operator what has happened.
The FS2 must be configured for SNMP messaging. By default SNMP is disabled
on the FS2. Besides activating SNMP, trap destinations must also be defined with
fixed IP addresses.
When SNMP is enabled, one or more of these alarms may be sent by the FS2 to
the client network management system (NMS) as a trap message:
• fs2PowerSupplyAlarm (PS1 Alarm)
• fs2 PowerSupply2Alarm (PS2 Alarm)
• fs2ReferenceAlarm (Ref Video Alarm)
• fs2Vid1ReferenceAlarm (Vid1 Ref Video Alarm)
• fs2Vid2ReferenceAlarm (Vid2 Ref Video Alarm)
• fs2Vid1FormatAlarm (Vid1 Format Alarm)
• fs2Vid1BackgroundAlarm (Vid1 Background Format Alarm)
• fs2Vid2FormatAlarm (Vid2 Format Alarm)
• fs2Vid2BackgroundAlarm (Vid2 Background Format Alarm)
• fs2OverTemperatureAlarm (FS2 Over Temperature Alarm)
SNMP Configuration
FS2 SNMP configuration can be accomplished using the front panel or with the
web browser computer interface (if Remote Control is enabled).
Front Panel Screens
The FS2 front panel screens for SNMP are accessible through the CONFIG button.
The direct SNMP configuration screens are:
• 4.0 SNMP Enable
• 4.1 SNMP Trap Destination 1
• 4.2 SNMP Trap Port1
• 4.3 SNMP Trap Destination 2
• 4.4 SNMP Trap Port2
These SNMP direct configuration parameters are described later in this chapter.
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In addition, the following front panel CONFIG screens can affect SNMP alarm
messaging:
• "5 Power Supply Alarm" on page 46
• "6.1 Vid1 Format Alarm" on page 46
• "7 Reference Alarm" on page 47
Front Panel Octet Value Entry Procedure
Set the octets (numbers between periods) values as follows:
1. Push ADJUST momentarily to enter edit mode.
2. Turn SELECT to select the octet you want to edit, indicated by blinking.
3. Turn ADJUST to enter the new value.
• If you need to revert to the previous setting (undo changes), push SELECT.
4. Push ADJUST momentarily to save and activate the new setting.
• If you want to revert to the default value, hold down ADJUST for 4 seconds.
Web Browser
SNMP direct configuration settings are available on the Config screen of the web
browser interface.
Figure 13. Web Browser Config Screen SNMP Parameters
Clicking on the Alarms gear icon opens a window that permits setting alarm
messaging.
FS2 Frame Synchronizer/Converter v3.0 100 www.aja.com
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