Adcom GTP-860II User Manual

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3ADCOM GTP-860 II Owners Manual |
ABOUT ADCOM
PERFORMANCE AND VALUE
In the world of high performance electronics, Adcom has done the impossible: make state-of-
the-art components that are easy to use at an affordable price. In doing this, Adcom has created
a revolution in the world of consumer electronics. By creating some of the most renowned com-
ponents and offering them at affordable prices, Adcom has enabled more people to enjoy their
favorite music and movies at top performance levels. Perhaps Audio Magazine said it best: “No
competing company I know can provide a similar balance of sound quality, power and afford-
ability.”
AWARD WINNING
Innovation is our stronghold, and our numerous awards year after year prove that we’re never
satisfied to rest on our reputation. From our legendary high current amplifiers to our state-of-the-
art digital processors, Adcom components consistently impress even the most demanding audi-
ences. Adcom components have won over 25 Product of the Year and Special Recognition citations
from Audio Video International, 3 Diapason D’Or Awards, 7 Consumer Electronics Show Design and
Engineering Awards, and have appeared on Stereophile’s “Recommended Components” lists over
70 times since 1988. A reputation worth its weight in gold.
ENGINEERING PASSION
Every Adcom component is not only designed to reproduce the highest quality sound and picture,
but to also deliver the greatest possible value. It is our engineers’ passion for perfection that has
enabled our components to be judged the equivalent of others costing two, three, or even five
times as much. Our engineering team consistently strives to develop and design products that
will exceed your expectations. Our goal at Adcom is to let more consumers hear high-end quality
sound and see high-end video without paying high-end prices.
All Adcom components are the result of a long-standing dedication to innovation, quality, simplic-
ity and value. Adcom, we have the power, and now so do you.
ADCOM Telephone: (480) 607-2277
A division of Klein Technology Group, LLC Fax: (480) 348-9876
8541 East Anderson Drive Email: info@adcom.com
Scottsdale, Arizona 85255 USA Web: www.adcom.com
ADCOM is a registered trademark of Klein Technology Group, LLC.
Copyright © 2003 Klein Technology Group, LLC. All rights reserved. No part of this manual may be reproduced
or electronically transmitted without the express written consent of Klein Technology Group, LLC.
| ADCOM GTP-860 II Owners Manual2
TABLE OF CONTENTS
WELCOME . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . . 2
SAFETY INFORMATION .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . . 4
INTRODUCTION & UNPACKING .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. . 5
DESCRIPTION OF UNIT
FRONT PANEL DRAWING .. .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. 6
1.1 INTERFACE OVERVIEW . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. 6-9
REAR PANEL DRAWING .. .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. 10
1.2 INPUTS & OUTPUTS SYSTEM CONNECTIONS . . . . . .. .. .. . . . . . 10-13
REMOTE CONTROL DRAWING . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . 14
2.1 OVERVIEW OF THE GRC-800 . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . 15-17
2.2 REMOTE FUNCTION TABLE .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. 18-19
2.3 PROGRAMMING YOUR REMOTE CONTROL . . . .. .. .. .. . . . .. .. . 20-21
2.4 PROGRAMMING MACRO BUTTONS . .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . 21
2.5 DISCRETE CUSTOM CODES FOR INSTALLERS . .. .. .. .. . . . .. .. .. . 22
SPEAKER PLACEMENT DRAWINGS.. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . 23
OPERATION & SETUP
3.1 ON SCREEN DISPLAY ... . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. . 24
3.2 SPEAKER CONFIGURATION.. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. 2 4
3.3 DELAY CONFIGURATION .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. 25
3.4 CHANNEL BALANCE AND TEST. .. .. . . . . . .. .. .. . . . . . .. .. .. . . . . . .. .. .25
3.5 INPUT CONFIGURATION.. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .25
3.6 PROLOGIC II SETUP.. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. 2 6
3.7 OTHER SETUP FUNCTIONS...........................................................26
OTHER INFORMATION
TROUBLE SHOOTING GUIDE.. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. 27-28
SERVICE INFORMATION .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . 28
WARRANTY INFORMATION ... . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . 29
GTP-860II SPECIFICATIONS .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. .. . . . .. .. .. 31
3ADCOM GTP-860 II Owner’s Manual |
5ADCOM GTP-860 II Owners Manual |
THE FOLLOWING PRECAUTIONS AND SAFETY INSTRUCTIONS
power lines
ground clamp
power service grounding electrode system (e.g. interior metal water pipe)
ground clamps
ground clamps
optional antenna grounding electrode driven 8 feet (2.44 M) into the earth if required by local codes.
bonding jumper, d
service entrance equipment
service entrance conductors
standoff insulators, b
mast
antenna lead-in wire
antenna discharge unit, c
ground wire, a,b
to external antenna terminals of radio receiver
ground wire, a,b
CAUTION
RISK OF ELECTRIC SH OCK
DO N OT
OPEN
CAUTION
RISK OF ELECTRIC SH OCK
DO N OT
OPEN
ARE REQUIREMENTS OF UL AND CSA SAFETY REGULATIONS
Warning: To reduce the risk of re or electric shock, do not expose this unit to rain or moisture.
The graphic symbol of a lightning ash with an arrow point within a triangle signies that there is dangerous voltage within the unit and it poses a hazard to anyone removing the cover to gain access to the interior of the unit. OnIy qualied service personnel should make any such attempt.
The graphic symbol of an exclamation point within an equilateral triangle warns a user of the device that it is necessary to refer to the instruction manual and its warnings for proper operation of the unit.
Do not place this unit on an unstable cart, stand, tripod, bracket, or table. The unit may fall, causing serious injury to a child or adult, and serious damage to the unit. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer or sold with the unit. Any mounting of the device should follow the manufacturer’s instructions, and should use a mounting accessory recommended by the manufacturer.
Read all the safety and operating instructions before connecting or using this unit.
Retain this notice and the owner’s manual for future reference.
All warnings on the unit and in its operating instructions should be adhered to.
All operating and use instructions should be followed.
Do not use this unit near water. For example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool.
POUR PREVENIR LES CHOCS ELECTRIQUES NE PAS UTILISER CETTE FICHE
ATTENTION
POLARISEE AVEC UN PROLONGATEUR, UNE PRISE CE COURANT OU UNE AUTRE SORTIE CE COURANT, SAUF SI LES LAMES PEUVENT ETRE INSEREES A FOND SANS EN LAISSER AUCUNE PARTIE A DECOUVERT.
CAUTION
TO PREVENT ELECTRIC SHOCK DO NOT USE THIS POLARIZED PLUG WITH AN EXTENSION CORD, RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY INSERTED TO PREVENT BLADE EXPOSURE.
CAUTION POWER LINES
Any outdoor antenna must be located away from all power lines.
OUTDOOR ANTENNA GROUNDING
If an outside antenna is connected to your tuner or tuner/preamplier, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges. Section 810 of the National Electrical Code, ANSI/NFPA No. 701984, provides information with respect to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.
a. Use No.10 AWG (5.3 mm2) copper, No.8 AWG (8.4 mm2) aluminum, No.17 AWG (1.0 mm2) copper clad steel or bronze wire, or larger, as a ground wire.
b. Secure antenna lead-in and ground wires to house with stand-off insulators spaced from 46 feet (1.221.83 m) apart.
c. Mount antenna discharge unit as close as possible to where lead-in enters house.
d. Use jumper wire not smaller than No.6 AWG (13.3 mm2) copper, or the equivalent, when a separate antenna grounding electrode is used. See NEC Section 810-21 (j).
EXAMPLE OF ANTENNA GROUNDING AS PER NATIONAL ELECTRICAL CODE INSTRUCTIONS CONTAINED IN ARTICLE 810. RADIO AND TELEVISION EQUIPMENT.
The unit should be installed so that its location or position does not interfere with its proper ventilation. For example, it should not be situated on a bed, sofa, rug, or similar surface that may block the ventilation openings; or placed in a built-in installation, such as bookcase or cabinet, that may impede the ow of air through its ventilation openings.
The unit should be situated away from heat sources such as radiators, heat registers, stoves, or other devices (including ampliers) that produce heat.
The unit should be connected to a power supply outlet only of the voltage and frequency marked on its rear panel.
The power supply cord should be routed so that it is not likely to be walked on or pinched, especially near the plug, convenience receptacles, or where the cord exits from the unit.
Clean unit only as recommended in its instruction manual.
The power supply cord of the unit should be unplugged from the wall outlet when it is to be unused for a long period of time.
Care should be taken so that objects do not fall, and liquids are not spilled, into the enclosure through any openings.
This unit should be serviced by qualied service personnel when: A. The power cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled, into the unit; or C. The unit has been exposed to rain, or liquids of any kind; or D. The unit does not appear to operate normally, or exhibits a marked change in performance; or E. The device has been dropped, or the enclosure damaged.
DO NOT ATTEMPT SERVICING OF THIS UNIT YOURSELF.
| ADCOM GTP-860 II Owners Manual4
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
This reminder is provided to call the CATV system installer’s attention to
NOTE TO CATV SYSTEM INSTALLER
Article 82022 of the National Electrical Code that provides guidelines for proper grounding and, in particular, species that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.
Congratulations on your decision to
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5"
purchase the GTP-860II 7.1 tuner/ preamplifier. Multichannel audio and home theater are better than ever. Your new ADCOM component was designed to deliver all the impact of your favorite action flick and the subtle harmonic texture that makes high resolution audio amazing. Audition the GTP-860II paired with an ADCOM power amp and DVD player and you will experience what high performance is all about. To realize the full potential of your GTP-860II, and before making any connections to it, please read these operating and installation instructions thoroughly.
Key Features
• Dolby Digital and DTS decoding
• ADCOM 7.1m
• Component video switching
• 24 bit/192kHz DACs
• RDS tuner
• External 5.1 input
• Torriodial power transformer
2
Unpacking the GTP-860II
Before your new ADCOM preampli­fier left our factory, it was carefully inspected for physical imperfections and tested for all electrical parameters as a routine part of ADCOM’s system­atic quality control. This, along with full operational and mechanical test­ing, should ensure a product flawless in both appearance and performance. After you have unpacked the GTP­860II, inspect it for physical damage. Save the shipping carton and all pack­ing material as they are intended to reduce the possibility of transporta­tion damage should the preamplifier ever need to be shipped again. In the unlikely event damage has occurred, notify your dealer immediately and request the name of the carrier so a written claim to cover shipping dam­ages can be initiated. The right to a claim against a public carrier can be forfeited if the carrier is not notified
promptly in writing and if the shipping carton and packing materials are not available for inspection by the carrier. Save all packing materials until the claim has been settled.
Placing the GTP-860II
Although the GTP-860II does not generate much heat, it is good prac­tice to ensure the preamplifier’s long-term, trouble-free operation to provide adequate ventilation for the unit. Therefore, the GTP-860II should be kept away from external sources of heat such as radiators and hot-air ducts.
We recommend that you exercise care when placing components on top of the GTP-860II. If you are placing a heat producing component (such as an amplifier) on top of or below the GTP-860II, it is recommended that you allow at least three (3) inches vertical spacing for proper airflow.
We also recommend that you leave five (5) inches of space behind the unit for additional airflow and to allow space for interconnects to hang freely.
If you observe these recommendations, the GTP-860II will perform reliably in any reasonable environment. You should also pay attention to such nor­mal considerations as protection from excessive dust and moisture.
The optimal performance of your new GTP-860II will ultimately depend on the care with which you make the con­nections between the amplifier, pream­plifier and loudspeakers. All input and output signal connections should be made only with high quality, low-loss, low capacitance cables. For recom-
mendations of the type and quality of interconnections that are best for your applications, consult with your ADCOM dealer.
Safety Information
There are no user serviceable parts inside. Refer all servicing to qualied service personnel.
The unit must be connected to a power supply only of the type and voltage specied on the rear panel. Connect the component to the power outlet only with the supplied power supply cable or an exact equivalent. Do not modify the supplied cable. Do not defeat grounding and/or polarization provisions. The cable should be connected to a 3-pin polarized wall outlet, matching the wide blade of the plug to the wide slot of the receptacle. Do not use extension cords. Do not route the power cord where it will be crushed, pinched, bent, exposed to heat, or damaged in any way. Pay particular attention to the power cord at the plug and where it exits the back of the unit. The power cord should be unplugged from the wall outlet if the unit is to be left unused for a long period of time. Immediately stop using the component and have it inspected and/or serviced by a qualied service agency if:
• the power supply cord or plug has been damaged;
• objects have fallen or liquid has been spilled into the unit;
• the unit has been exposed to rain;
• the unit shows signs of improper operation; or
• the unit has been dropped or damaged in any way.
5ADCOM GTP-860 II Owner’s Manual |
7ADCOM GTP-860 II Owners Manual |
GTP-860II Front Panel
[1] Power Button
[2] Tuner Buttons
[3] Display Window
[4] Volume Knob
[5] Headphone/Vid 5 In
[6] Surround Backs
[7] Input Selector
[8] Surround Mode
[9] Bass/Treble Knobs
2
1
6
1.0 Description of Unit
1.1 Interface Overview
The GTP-860 II’s front panel is designed for ease of operation. All controls are logically grouped for easy, intuitive operation. Familiarize your­self with the preceding diagram and read the short explanations of each feature below. When you finish, you will be well on your way to enjoy­ing the GTP-860 II’s convenience and sound quality.
3
7
[1]
On/Off Power Switch
Depress the Power button to switch the preamplifier to its On state. The LED in the power button will light up RED. Pressing the Power switch again will turn the unit OFF completely.
If the unit is currently ON, pressing the power button [27] on the remote control, will switch the unit to the standby mode. The front panel indi­cators will turn off except for the LED in the power button which will turn to an amber color. Press the power button on the remote again to switch the unit from the Stand-By state to the On state, and the last selected
2
4
8
source will be indicated in the display.If the preamp is in the Stand­By state, it can be turned On by pressing any of the input selector buttons on the front panel.
NOTE: In Stand-By mode the GTP-860II uses
very little power. However, it is recommended
that you switch the unit completely off if it is
not going to be used for more than a couple of
days. Turn the unit Off by pressing the Power
button on the front panel. All lights will extin-
guish. When the GTP-860II is plugged into the
wall current may still be flowing into the trans-
former. Only when the GTP-860II is unplugged
is all current into the device stopped.
95
| ADCOM GTP-860 II Owner’s Manual6
[2] Digital Tuner Controls
FM/AM Button: Toggles between AM
and FM frequency bands.
FM Mode Button: Sets the FM tuner
to mono mode. The letter “M” appears next to the tuner preset num­ber in the front panel display. Pressing the button again returns the FM tuner to stereo mode.
The letter “S” will appear ONLY when a stereo station has been locked by the Digital Tuner. A flashing “S” indicates that the particular chosen station sig­nal strength is not strong enough for the Digital Tuner to “lock” onto the stereo signal. In this instance, the user may want to consider placing the tuner into mono mode.
Memory Button: Pressing this button
when FM or AM is selected as the input source memorizes the current station frequency into one of the presets. You can preset up to 32 stations.
Tuner Up/Down Buttons: The function
of these buttons depends on the tuning mode selected with the tune/preset button.
In preset mode (indicated in the dis­play area): Press the down button to
scroll to a lower number preset; press the up button to scroll to a higher pre­set number. This is a “wrap-around” function, so that going from the high­est number preset, the tuner will go to the lowest preset number or vice-versa when tuning either up or down.
In tune mode: Press the up or down button for more than 1/2 second to engage automatic tuning respectively up or down the frequency band. The tuner will search automatically for the first reasonably strong radio station, where it will stop. Press the down/up button again for 1/2 second to start searching again.
The GTP-860II tuner can receive AM, FM and FM stereo broadcasts. Up to 32 stations can be preset and accessed
from the front panel or remote. Stations can also be tuned manually.
NOTE: Tuner reception cannot take place unless an appropriate AM and/or FM antenna is connected to the rear panel of the GTP-860II.
To operate the tuner:
1. Press the tuner button on the remote control once, or press the FM or AM button on the front panel.
The display indicates that the tuner is in FM or the AM mode, with stereo selected as the surround mode. The number displayed next to the tuner text is the preset number currently selected or last selected, followed by the stereo reception indicator if the station is being received in stereo. The numbers next to the FM text are the frequency of the selected preset or station. The numbers in front of the dB indication are the current volume setting.
2. Press the AM/FM button on the remote control or the front panel to change between AM and FM bands.
3. Use the tune buttons on the front panel or the remote to change the tuner frequency. The new frequency will be displayed to the left of the vol­ume level on the front panel display.
Pressing a tune button once increases or decreases the FM frequency by .05 MHz and the AM frequency by 10 KHz.
4. Press and hold either the of the tune buttons on the front panel or the remote to scan continuously up or down the selected band. The tuner will stop on the next available station when you release the button.
5. Press the FM mode button on the front panel to toggle between stereo and mono.
If an FM station produces lots of noise or sound that cuts in and out while in stereo, use this control to change the FM mode from stereo to mono.
If you select mono as the operating mode an indicator will appear next to the preset number.
To preset a radio station into memory:
1. Tune to the radio station you desire.
2. Press and the memory button on the front panel to store a station into a preset location. The display will change to show the word “memory” along with a flashing number.
3. Use the up and down buttons on the front panel to select the numeric memory location in which to store this station. To complete the process push the memory button on the front panel a second time. Up to 32 stations can be stored, randomly between AM and FM, in memory as presets.
To select a radio station that you have preset:
1. Set the GTP-860II to tuner.
2. Push the tune/preset button until the preset mode is selected.
3. Use the up and down buttons to navigate through the list of presets that are programmed into the GTP­860II
To change a preset radio station:
1. Tune to the new radio station you desire.
2. Press and hold the mem button on the front panel. The display will change to show the word “memory” along with a flashing number.
3. Quickly enter the new preset/ memory location (01 through 32) using the up and down buttons on the front panel. This replaces the previ­ously memorized preset with your new selection.
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[3] Display Window
The display area shows all vital infor­mation when the unit is operational.
[4] Volume Knob
The Volume control adjusts the over­all loudness of the signals being fed to the preamplifier outputs. Unlike conventional controls, the GTP­860II’s volume control doesn’t have a start or end position. Volume can also be adjusted from the remote control using the Master Volume Up or Down buttons [31]. The Volume control does not affect recordings made using the Tape, Video 3 and Video 4 outputs but will affect the signal going to the Preamp Outputs. The volume level is indicated in the lower right hand side of the front panel display and on the OSD(On Screen Display).
On the remote control, press the Mute button [29] to temporarily switch off the sound to the Preamp outputs and headphones. Mute mode is indicated by “MUTE” in the display area. Press Mute again to restore sound. Mute does not affect record­ings made using the Tape, Video 3 and Video 4 outputs but does affect the signal going to the Preamp Outputs.
[5] Headphone Output/ Video 5 Input
A 1/4” stereo jack socket is provided for headphone listening and will work with conventional headphones of any impedance. The volume and tone controls are operative for headphone listening. Use a suitable adapter to connect headphones with other types of connectors such as 3.5mm stereo ‘personal stereo’ jack plugs. Inserting a headphone will automatically turn off the signals from the Preamp Outputs, and set the listening mode to Stereo.
REMEMBER: Listening at high levels can damage your hearing.
The video five input is located on the front panel to simplify connection of a camcorder or a video game console. To select video five, push the cor­responding front panel button in the input selector section.
[6] Surround Backs
Pressing this button engages ADCOM’s proprietary 7.1m²™ decoding algo­rithm as long as the surround back speakers have been turned on in the speaker setup section of the OSD. The 7.1m²™ decoding process mixes the signals from the left surround and right surround channels to derive two unique signals sent to each back output. The benefit of our 7.1m²™ decoding process is enhance imaging between the surround speakers and the creation of a more diffuse ambi­ent sound field. The 7.1m²™ process has the same benefits when com­pared to other matrix decoding as stereo signals have over mono signals. The 7.1m²™ process can also be used to drive your surround back speakers when you are listening to an exter­nally decoded DVD audio or SACD multi-channel disc. Due to the varying nature of film soundtracks and music, you may prefer to activate or deacti­vate the surround back channels. For example, Dolby Digital 5.1 and DTS soundtracks benefit greatly from the addition of the 7.1m²™ processing. Pro Logic soundtracks on the other hand provide a mono surround signal track, which yields a less satisfying experience when using the surround back channels.
The level of the Surround Back chan­nels can be adjusted in the same manner as the other channels, either through the On-Screen-Display (OSD) or with the Bal. or Test functions from the remote control. Be sure to experiment to find the balance that best suits your taste.
[7] Input Selector
These buttons select the active video and audio input for the GTP-860II. The source that is currently selected will be shown on the top line of the front panel display and the LED in the source button will be red. On the left side of the bottom line of the front panel display the current type of audio input will be displayed. The audio input can be assigned to the input select buttons using the setup function as described in section three of this manual. The currently selected source signal is sent to the main preamp outputs after process­ing and the video 3, video 4, aux and tape outputs. Video signals associated with an input give priority to s-video sources over composite video signals. The video one and video two inputs also have component video switch­ing capabilities. This component video switching is independent of the composite/S video signal and does not support on-screen display messages.
Ext 5.1: Selects the multi-channel output signal from a DVD player or external decoder source (such as DVD-Audio) connected to the ext 5.1 input as the active input. This func­tion can be selected for each source using the On screen setup functional­ity as described in section three of this manual.
Tape Monitor: Selects the output from a tape recorder when playing back tapes or monitoring recordings being made through the Tape sockets. Press the Tape Monitor button once to select it and again to return to the normal input selection.
The Tape Monitor function does not override the current input selec­tion that is sent to the tape outputs. When the Tape Monitor is selected, you are listening to the signal that is coming back into the Tape Input jacks. The currently selected source is still being sent to the Tape Out where it can be recorded. This
| ADCOM GTP-860 II Owner’s Manual8
function enables you to check on a recording that you are making with­out affecting the recording process. When Tape Monitor is selected, the button will remain lit until Tape Monitor is disengaged again. This function is only active when a stereo analog source is selected.
[8] Surround Mode
With the Surround Mode button the available surround sound modes can be selected. The selected surround mode is permanently indicated in the display area on the right side of the top line of the display. The Surround Mode button scrolls through the avail­able surround sound modes when pressed repeatedly.
The surround modes are:
Stereo: The Stereo mode provides signals to the front left and right speakers and possibly the subwoofer.
Hall: In the Hall Surround mode, a realistic level of ambiance is added to a normal stereo source such as a CD or FM radio.
Pro Logic II: Dolby Pro Logic II is the new advanced version of Pro Logic, Dolby’s original surround matrix with center channel output. Pro Logic II has enhanced imaging and wider bandwidth surround signals than original Pro Logic. Dolby Pro logic II
is intended for use with most mov­ies and television programs that are designed to be listened to using Pro Logic decoding. In addition to the standard Dolby Pro Logic II, which is known as Prologic II Cinema(PLII-C). “Pro Logic II Cinema”(PLII-C) is opti­mized for movies and television. The GTP-860II supports two other ver­sions of Pro Logic II processing, which were designed for specific types of programs. “Pro Logic II Music” (PLII­M)mode was designed for use with regular stereo recordings and it can utilize all your speakers in your sys­tem when listening to a CD. “Pro Logic II Panorama” (PLII_P)is a version of Pro Logic II that is intended for use with movie playback that spreads the images from the front left and right speakers around to the surround speakers. The original Pro Logic pro­cessing mode is also available.
5 ch Stereo: This mode is designed for use with stereo program mate­rial. It is designed to get maximum output from all your speakers. The rear speakers are driven with the same signal as the front left and right, while the center speaker is a monophonic summation of the front speakers.
With any of the Digital Inputs, the GTP-860II automatically recognizes
if the selected source carries a Dolby Digital™ or DTS™ signal. Dolby Digital and DTS have six independent chan­nels available in total: Left, Center, Right, Surround Left, Surround Right and an “Effects Channel” (Subwoofer). With either Dolby Digital
5.1 or DTS digital input, the Stereo, Dolby Pro Logic and Hall surround modes cannot be selected. The Dolby Digital signal allows for several chan­nel configurations. Most two-channel Dolby Digital recordings will allow the Pro Logic listening mode to be applied. If the GTP860II detects a Dolby Digital™ or DTS™ signal it will be indicated on the front panel dis­play in the surround mode section.
[9] Bass/Treble Controls
The GTP-860II is fitted with Bass and Treble tone controls to adjust the overall tonality of your system. The 12 o’clock position is ‘flat’ with no boost or cut and a detent indicates this position.
Rotate the control clockwise to increase the amount of Bass or Treble. Rotate the control counter­clockwise to decrease the amount of Bass or Treble. These controls affect the Left and Right Front chan­nels. The Tone controls do not affect recordings made using the Tape or Video line outputs.
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GTP-860II Rear Panel
17
10
18
11
19
12
16
[10] Antenna Connections [11] Preamp Outputs [12] Auxiliary Outputs
14
13
24
25
22
15
[15] Component Video Inputs & Output
[16] Multi-Zone Source Outputs
21
20
23
[20] Digital Audio Inputs [21] AC Power Cord
[22] 12V DC Trigger [13] Monitor Outputs [14] Video/Analog Audio
Inputs & Outputs
1.2 Inputs & Outputs System Connections
Like the front panel, the GTP-860 II’s rear panel is carefully arranged to make hookup, configuration, and use as simple as possible. However, the GTP-860II’s capabilities take some study to use most effectively. We strongly suggest that you read this sec­tion of the manual before beginning to hook up your system. You will save yourself much time and effort if you carefully think out what you expect from your system: consider the com­ponents you will use, where they’ll be placed, and how you will want them to work together. The diagrams and notes in this section will probably answer most of your questions about
[17] Tape Inputs/Outputs [18] CD Analog Inputs [19] Ext. 5.1 Analog Input
interfacing the GTP-860II with other components in your system.
Note that the GTP-860II’s RCA-style jacks have color-coded centers to make connections easier. Use this key to help route cables properly:
RED centers = RIGHT CHANNEL ANALOG AUDIO inputs or outputs
WHITE centers = LEFT CHANNEL ANALOG AUDIO inputs or outputs
YELLOW centers = VIDEO inputs (composite)
BLACK centers = DIGITAL AUDIO inputs, CENTER CHANNEL and SUBWOOFER inputs and outputs
[23] Voltage Switch
[24] IR Input
[25] RS232 Control Input
[10] Antenna Connections
AM Antenna: An AM loop antenna is
supplied with the GTP-860II and is
required for AM reception. Open the
clip terminal lever and insert the
wire from the antenna. Closing the
lever will lock the wire in place. Test
various positions for the antenna, but
always ensure the loop is placed verti-
cally for best reception. Placing the
antenna close to large metal items
such as metal shelves or radiators may
interfere with reception.
NOTE: When reception is not satis-
factory using the supplied AM loop
antenna alone, connection of an
external antenna is recommended.
The antenna cable to the loop anten-
na must not exceed three meters.
| ADCOM GTP-860 II Owner’s Manual10
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